#flash fictions

[armchair-angel]

Welcome to my Writing Masterlist, a curated collection of my creative prose, including flash fiction and drabbles. Here, you'll find a variety of prompts and themes explored through short, impactful stories, perfect for those who love concise storytelling. I participate in weekly writing events like Flash Fiction Friday and annual events such as Whumptober and Sephiroth Week, showcasing my passion for character-driven narratives.

CW: Character Perspectives - For works that dive deeply into a character's viewpoint and internal thoughts. This can include introspective pieces exploring Bianca’s or Sephiroth's reactions, inner conflicts, and feelings.

CW: Crack Fiction - For humorous, exaggerated, or non-serious takes on characters or scenarios that playfully deviate from the usual tone or canon.

CW: Drabbles - Short 100-word stories, concentrating on a single theme or moment. These are perfect for quick snapshots of character moods or interactions, whether lighthearted, emotional, or revealing a single character trait.

CW: Flash Fiction - Shorter narrative pieces that highlight character moments, often in under 1,000 words. These could include everyday scenes, action sequences, or brief interactions that reveal something essential about the characters.

CW: Gifts - Stories or scenes created specifically for others' OCs, often capturing a particular essence or dynamic important to the character’s identity or personality. These would focus on capturing the OC’s unique traits and relationships in a meaningful way.

CW: One-Shots - Standalone stories that capture a complete narrative within a single piece. These could range widely in tone and theme, providing rich character development or an exploration of an isolated event.

CW: Out of Canon Moments - Scenes or ideas that step outside established storylines, offering playful or imaginative explorations of characters. These pieces highlight humorous, heartwarming, or unexpected scenarios, adding depth and joy to character dynamics without adhering to the official headcanon I established for Fantasy Worlds Collide.

CW: Prompts - Stories or scenes created in response to creative prompts or challenges, showcasing character interactions, dialogue, or personal growth, often sparked by unique scenarios or ideas that fit into broader character arcs.

CW: Snippets - Brief excerpts or incomplete scenes that capture fleeting moments, ideas, or dialogue. These pieces might serve as teasers, mood setters, or character exploration in a minimalistic format.

CW: Smut – For pieces exploring sexual themes and explicit content. This would involve consensual BDSM dynamics, physical intimacy between characters, and power play. The themes often feature intense emotional or physical connection, focusing on passion, desire, and the exploration of the characters' kinks and boundaries.

CW: Writing Events - Pieces crafted for participation in writing events or challenges. These stories might explore any theme or tone, from lighthearted to intense, and could be used to develop characters or worlds in varied ways.

[fromthemouthofkings]

A group of far-future linguists and archeologists suddenly *poof* into existence in front of me. One is holding a tablet. "What is the difference between 'red sauce' and 'tomato sauce?'" they ask me. "The distinction is not clear in extant texts from this time and place."

"Uh, they're the same thing," I tell them. "Who are you?"

"Yes!" the being with the tablet exclaims.

One of the other researchers groans. "No! My thesis...months of writing wasted..." One of the others comforts them.

"Now, what is this object for?" The first researcher holds up a discolored, dinged-up plastic object. It's clearly been buried in the ground for quite some time, but the two holes and the scuffed plastic window are distinctive.

"That's a cassette tape. You record music with it."

"Interesting, interesting." The being enters something on the tablet.

"How are you speaking English?"

"Sophisticated translation technology," one of the researchers confides. "We are students of your society. From the future."

"What does this pictogram represent?" The researcher with the tablet turns it around so that the screen faces me.

It's the eggplant emoji.

"Sex," I say. "Why do you need to ask me this if you can time travel or whatever? Can't you just go wherever you want to go and look around and see how these things are being used?"

The beings shift guiltily and look at each other. "Technically, travel to times and places prior the advent of time travel is strictly prohibited. Paradoxes, you know."

"Oh."

"We must get back before our advisor returns to the lab. Just don't tell anyone you saw us, alright? The space-time continuity depends on it. Can you do that?"

"Uh, sure, I guess?"

One of them pats me on the head. "And don't go to Mars."

"Okay. Wait, why? Is it dangerous?"

"No. Just not worth it."

The group disappears in a shimmering light.

The cassette clatters to the sidewalk behind them.

Out of befuddlement, mainly, I pick it up. It's clearly old, discolored and scuffed, but it still has tape in it.

I carry the tape around in my pocket for a while. The curiosity builds. I want to know what's on that tape. I don't have a cassette player anymore, so I go to Goodwill and pick up the first one I can find, praying that it still works. I plug it in. It turns on.

I slide the tape inside. It's dirty, but it still seems to be in decent shape. I snap the player closed and hit play. The wheels begin to turn. I hold my breath.

A familiar tune starts up. A wobbly voice comes out of the machine.

We're no strangers to love

[microsff]

The sigil was drawn in salt and ash, the candles lit at the pentagram points, the incantation declaimed.

There was a shimmer - a demon appeared.

"Curious. What ritual is this?"

"I got it from ChatGPT. I included all protections in my prompt!"

"I see," the demon said and stepped out of the sigil.

[whereserpentswalk]

In the late 1970s a glowing orb appeared in the sky. Every day at about 5:00 Greenwich standard time, the orb would go somewhere new, shoot out something similar to a laser, and kill one person. Every day, always at the same time, always exactly one person.

The person killed by the orb seemed completely random, with almost fifty years of studying it we've been able to find no rhythm or reason to who it kills. It kills the old, the young, the rich, the poor, the urban, the rural, anyone. Every human on earth seems to have an equal chance of being killed by the orb. It's a headline the few times someone of note is killed by the orb: Britain famously lost a Parliament member to the orb, Brazil to this day remains the only country where a head of state was killed by the orb while in office, there was a short lived sitcom in the 1990s called Friends that ended halfway through its first season due to the orb killing one of the main actors on set. However, these are outliers, on any given day the person who dies via orb is very likely to be someone you never heard of. There are billions of people on earth, and only one is killed by the orb every day. In almost fifty years only a little over 18000 have died because of the orb, which is nothing in the face of the sheer amount of humans that exist.

When the orb first appeared people were horrified. Both the US and USSR thought it was a weapon from the other side. Almost every religion made some claim of it being proof of their beliefs, oftentimes claiming it was divine punishment. Atheists claimed it was proof no loving God could exist. People were so very apocalyptic and horrified by it, they thought of it as part of the end times, because when it was new that's really how it looked.

However, it's been long enough so that's changed. Most people have lived their entire lives in a world where the orb exists. The orb isn't that scary a concept. People know their odds of being killed by it are low and that it's not going to end the world or anything. The orb has become normal, and we've accepted that the orb is just something that kills people the same way cancer, or heart attacks, or natrual disasters, or car crashes kill people. In the nineteen eighties there were efforts to find a way to stop the orb, but it's since proven to be extremely difficult, and it's as distant and nebulous as finding a cure for cancer. When a community is struck by the orb you'll see that community in mourning, but it's not a global thing anymore.

So people grow up learning about the orb, as part of science, like anything else. A lot of gen z remembers learning about the orb from Magic School Bus. It's just something normal. There are a few people with an orb hyperfixation, and a few cults that give the orb importance but it's not most people's concern. The orb is how we first confirmed that interdimensional objects existed and are possible. A lot of people theorize dimensional studies wouldn't exist without it, meaning without the orb we might not have thermitizers or grand drives, we might not even have a moon base without the orb. Some have even rather tastelessly claimed that the orb has saved more lives at this point than its taken with all the knowledge it's given us.

Which is why I regret to inform you, that just last week, without warning, the orb killed two people in one day. And for the past seven days it's been killing two people instead of just one. Nobody knows why.

[anonbeadraws]

today's warm up: Bless, bless, the shifting flesh (Guess whose been listening to TMA again)

[goose-books]

The Ghost of Christmas Past shows up and you’re like, “Ohhhhh for fuck’s sake,” but you’re in your childhood bedroom so it’s kind of on you. The ghost seems offended. She crosses her arms. She looks like you used to, with the pigtails.

“No way,” you say. “Don’t start.”

“I am the—”

“The Ghost of Christmas Past, I know, I know.” Because she looks like you, and it’s Christmas Eve, so what else. Your parents used to read you the story every year. Even when you were old enough to read on your own, it was better in your dad’s voice.

“You came home for your parents,” the ghost says, solemn. “It’s time to tell them.”

“No, like, ‘when you’re ready’?”

“You are ready,” she says, “or you wouldn’t have come back.”

Which is so stupid, because you weren’t on the moon, you were at college, and it’s only been two months of shots, you don’t even have a mustache. “Fucking leave me alone,” you say, so she does the ghost thing and takes you to a ten-years-ago Christmas. The living room. Your parents. Your fledgling self on the carpet with your stocking, the one you can’t look at anymore because when you were a baby your parents patiently hand-stitched the fucking name.

“Maybe they’ll make you a new one,” says the ghost.

“You don’t know that.” Bullshit ghost powers.

“You were happier back then. When they knew you.”

“Everyone was happier back then. It was, like, 2008.”

“There was a recession,” says the ghost.

“Shut up! Shut up!” You turn over in bed. For a second you expect to roll onto child-self-you curled up next to you. Probably crush the life out of her. You got good at that. It’s her bed, her room, pink covers, cat posters.

“This is so stupid, this Dickens thing,” you say. “I’m not even Christian anymore.”

“Tell your parents that second,” the ghost suggests.

“Oh my fucking God I’m not telling them anything can’t you go bother Jeff Bezos.”

“I’m just doing my job,” says the ghost, and vanishes.

#

The Ghost of Christmas Present has an acne problem. As soon as you open your eyes you say, “Oh my God,” and they say, “Hi,” and you say, “You better not be the fucking Ghost of Christmas Present,” and the Ghost of Christmas Present says, “I am.”

Which you knew.

“Why me?” you say, pink comforter bunched around your waist. “I didn’t do anything. Scrooge was mean to orphans.”

The Ghost of Christmas Present shrugs. “It’s the job.”

“Are you gonna show me my parents now?”

That makes them look kind of embarrassed.

“Well, don’t,” you say. If your parents are talking in the other room, huddled up conferencing with the lights off, you can’t hear it over the heater buzz. But you can guess what they’re saying: you went to school with a shitty pixie cut and worse eyeliner, and you came back with a real haircut and a permanent frown and a bunch of new friends you play sentence Twister to avoid pronouning. “I know they’re nice people, I got it. I’m just not ready.”

“It’s just—you’re kind of waiting for them to ask?” says the Ghost of Christmas Present. They scratch their face, where they have spectral sideburns coming in. “Your dad thinks you have a head cold. ‘Cause of your voice. But your mom’s starting to get it.”

You pull the covers over your head. “Cool, awesome, didn’t ask.”

“She isn’t going to ask,” the ghost says. “She wants you to tell her.”

You stick your middle finger out from underneath the covers. When you check, the room is empty again.

#

The Ghost of Christmas Future doesn’t say anything. Just looks at you. You look back. You probably have bedhead. You fixed your daytime wardrobe but your pajamas are still lacy and purple.

“How come you’re a man?” you say.

He says, “I think you know.”

“Fucking—go away.”

“I have something to show you first.”

“Are we going to the goddamn graveyard?”

He doesn’t say anything but then you’re in the goddamn graveyard. Together. Looking at your headstone. The dates are close enough together to make you kind of sick.

“They went with the full name,” you say.

The ghost nods.

“Not even the nickname. My nice gender neutral nickname.”

The ghost shrugs. You kind of want to throw something at him but you’re just looking at it now. Chiseled in marble. Immovable. What’s that thing bigots on the internet say, about someone digging up your jawbone two hundred years from now? You always wanted to think you wouldn’t care.

The Ghost of Christmas Future’s pretty quiet. This is the part where Scrooge goes full breakdown. Tears, begging, promises.

“I’m not gonna cry on you,” you say.

“Okay.”

So neutral. “Man, what do you want me to say?”

“Nothing,” says the ghost. “I think you’re there.”

You can’t stop looking at the headstone. “God fucking damnit shit. You promise they’ll be cool?”

“Nothing’s promised,” the ghost says. He gestures at the graveyard. “Except for this.”

“Awesome.” Cryptic cliche philosophical ghost bullshit. Yada yada. Death and taxes. Not with that name on your headstone, though. Not with that name on your tax forms, either.

You turn to tell him that and then you’re blinking in bed. There’s still one glow-in-the-dark star stuck to your ceiling where the glue never wore out. You put those up like ten years ago. Maybe longer. The light in the room says it’s morning. You swing your lacy-pajama legs over the side of the bed and go to ruin Christmas.

[strangelittlestories]

After the occupation, the princess was confined to the palace.

Once a month she'd be taken on a walk around the city, heavily guarded of course, to show the people that she still lived. It also served, of course, as a reminder of what they stood to lose if they made trouble. The princess did her best go wave and smile and give the people what encouragement she could.

The rest of the time, her life was spent in musty rooms and dusty towers. She filled most of her time scouring the castle for materials which she would sew into more and more elaborate outfits, which she would show off on the days when she was allowed outside.

Indeed, the public loved their princess and her dresses so much they'd often sketch or paint them along the route and pass the images on so that all could see the princess at least was well.

This pleased the occupiers for two reasons. First: it kept the princess out of trouble. Second: it gave them a reason to sneer and they did love a good sneer.

"What a vain creature she is!" They would remark.

"Doesn't even care we murdered her brothers so long as she gets enough satin to make her little dresses!" They squawked.

This was unfair, of course, for to call her creations "little dresses" was to call Queen Murderfun the Needlessly Genocidal "a tad piquey". Her dresses were gravity-defying wonders lace and pearl. They were thunderstorms captured in velvet and waterfalls summoned in silk. She was a wizard with silk.

Still, she bore their mockery with a tight smile and careful deference.

"Please, good sirs, my home, my people and my city now belong to you. Let me keep, at least, this one last joy."

And they sneered and they crowed most unpleasantly, but they let her keep her sewing room.

Of course, they would have known their mockery to be doubly unfair had they realised the true purpose of the princess's elaborate designs. For hidden in the intricate embroiderings across her gowns, jackets and fans, the princess had encoded secret (and very detailed) messages. When she would go on her monthly walk, the city's loyalists would line the route, sketching down the patterns to decode later.

Thus did the princess transmit all the occupiers' secrets (unearthed while supposedly 'searching the castle for old fabrics') to the city and thus did she build her resistance.

On the day the revolution finally came, she girded herself in armour of thick spider silk and whale bone. She cut a fine figure with a lacy handkerchief in her top pocket and a razor sharp knitting needle keeping her hair up.

As she waltzed through the castle to open the door for her army, the Usurper King tried to stop her and she simply unfolded her handkerchief and showed it to him.

Upon seeing the impossible arcane pattern emblazoned across it, he fell to the floor with blood streaming from his eyes.

She always had been a wizard with silk.

---

Thank you for reading. If you'd like to support my writing, you can do so at https://ko-fi.com/strangelittlestories

[gothamite-rambler]

Jason (crossing his arms with attitude): What are you going to do? I refuse to apologize.

Bruce stared at Jason in shock, and in his anger, he made a decision that every parent dreads.

Bruce (stern tone): You are grounded!

Jason (this is a whole adult, defiant): You can't ground me!

Bruce (firmly): Grounded!

Jason (shouting, confused): But I don't even live here!

Bruce turned Jason around and pointed to the stairs leading to his old room. Jason was too stunned to respond.

Bruce (stern, but calm): Tonight. Your room. Grounded!

Jason (stammering): I- I- Wait- This isn't fair!

Bruce (scolding parent voice): I'm very disappointed in you. Now go to your room. I'm only doing this because I care for you. Grounded.

Jason (face turning red with anger and sadness): This is some bullshit!

Jason stomped upstairs and slammed the door to his old room. The sound of random items being tossed around echoed through the house.

Bruce (indifferent): He'll work it out of his system. I'm going to bed.

Dick (looking at Tim, then Bruce as he heads upstairs): Did you just ground a 23-year-old?

Tim (surprised): And did it work?

Bruce: You forget I'm Batman.

masterlist

[tgirlmechanicock]

When your girlfriend first told you she wanted to put you in a Poké Ball, the first thing you did was laugh. You felt a little bad, seeing the expression on her face afterward, but it was just silly, you know? Poké Balls were for Pokémon, for pets. Obviously she couldn't do that to you, you were a person.

It was a while before she said it again, but the next time was when she had her teeth on your neck and your hips in her hands. She whispered husky against your skin about how badly she just wanted to catch you and keep you in a way that no one could separate you two ever again. It was cute - the gesture, at least - but that was what pet play was for. You already had a collar with a little bell on it, she guided you around by a leash sometimes. You told her that, and she went quiet, her eyes dark and intense and fierce.

After that, you couldn't help but find yourself... looking, sometimes. Staring at the way trainers and their Pokémon interacted. The way an Eevee would snuggle up into their master's lap, or how pretty a Furfrou would look after a grooming. Even those Pokémon in the wild that you'd pass by started to feel....... hollow in a way you couldn't understand.

Some criminal gang showed up on the news one day, and they started boasting about their Poké Balls (designed after some old weird black Poké Balls with eyes on them that showed up at some ruin somewhere) could catch Pokémon that already had an owner, and even worse, could possibly catch more than Pokémon. Officer Jenny decried this and publicly stated it was an impossibility, but as you watched the news, you could feel the tension in your girlfriend, her intense stare boring holes into the TV set.

A week later, a night of passion, tugging your collar as she buried herself in you over and over, and near the end with you dazed and panting and practically unconscious, she reached to the side table. It was silly, you thought, she didn't wear condoms - no. Not that. Sleek and black, obsidian purple lines and a glaring eye, the Poké Ball was intimidating in a way that went beyond the fear you felt in your gut. A primal, dangerous fear, the fear only a prey can comprehend when it sees the gaping maw of a predator.

You wanted to run, you wanted to scream and tell her no and thrash against her and tell her that this was stupid and illegal and... But you didn't. You didn't protest as she pressed the button to your neck, a needy, keening whine falling from your lips as it flashed and-

In a flash of red, you were back on the bed, blinking in surprise, panting and disoriented. You must have gone in and come back out, with no perception of the time in between. You felt... fine. No. That's not it.

You felt wrong. Different. Broken.

When you wore your collar for her, there was something beyond the physical discomfort of leather tight against skin. There was something deeper there. A feeling of domestication, a feeling of ownership. The knowledge that the collar can be grabbed or clipped by a leash and you will always comply. She didn't overpower you physically - she didn't need to. The implication was enough. The subservience was enough.

This was that, tenfold. In your gut, in your heart, in your brain you felt a complete hold on your psyche. Every atom in you was drawn to your girlfriend now, Poké Ball in her hand, like a magnet. You wanted to be against her, you needed to be touching her, you needed to be hers.

"Up," she said. You sat up. You didn't even think, your body moved before conscious thought. "Off the bed." You did. Legs swinging over, even as your mind struggled and bent against the commands. There was a lash around your heart. "Stand." Up you went. Trembling, gasping, sweating with tears pouring down your cheeks. You could move, you twitched your fingers to make sure of it, but you could not go against a command your girlfriend made, not while she was the one holding the Poké Ball.

You could never disobey her again.

You sobbed, falling into her arms as she stood beside you, trembling like a leaf as she held you and scratched your back, kissing needily up your jaw and neck. You didn't need the leash anymore. You didn't need the collar or the promise of pet play or the implication of subservience.

You belong to her, now.

Forever.

[reunitedinterlude]

references

[calliope-stories]

While fighting for her husband's attention, Mary's emotions unravel in the presence of her hated rival ❤️‍🩹👻

Check our Valerie Riera's impactful flash fiction, "Do Part," illustrated by the awesome Erwin Camacho!

[filmgifs]

Sigourney Weaver in ALIEN 1979 | Ridley Scott

[microsff]

"May I have your name?" the faerie said.

"William," she said with a smile.

"Ah ah!" The faerie gave a wicked laugh. "I have your name! Now no-one will call you by it!"

"Thank you," she said.

"To win it back, you must- what?"

"I will find me a new one," she said, "one that suits me better."

[zhelin-thames]

Danny meets JL Members #5

[Danny and The Flash in the middle of a city street]

Danny: [floating mid-air] So, you’re the guy who runs really fast, right? The Flash: And you’re the kid who’s part ghost. Danny: Cool, cool. Ever outrun a ghost before? The Flash: Ever outrun me before? Danny: Oh, it’s on.

[Flash takes off, speeding through the city while Danny goes intangible and floats through walls.]

Danny: [phases through a building] You know, shortcuts are cheating. The Flash: [speeding next to him] Says the guy who can literally fly.

[After the race ends in a tie]

Danny: Not bad for a guy who doesn’t fly or go invisible. The Flash: Not bad for a kid who skipped leg day. Danny: Rude.

The Flash: So, half-ghost, huh? What’s that like? Danny: Mostly floating, glowing, and fighting angry dead people. You? The Flash: Running fast, eating a lot, and accidentally traveling through time. Danny: Wait, time travel? I fought a time ghost once. It was a nightmare. The Flash: Yeah, same. His name was Barry.

[Danny and The Flash fight a ghost together]

Danny: Careful! You can’t punch ghosts. The Flash: [vibrates his hand] You mean you can’t punch ghosts. Danny: Okay, that’s actually cool.

[At STAR Labs]

Danny: So you’ve got a whole lab for your superhero stuff? The Flash: Yep. Advanced tech, supercomputers, the works. Danny: Dude, my ghost portal is in my parents’ basement. This feels unfair.

[Flash texting the Justice League group chat] yes they have a groupchat

The Flash: Met a ghost kid today. He’s fast and glows in the dark. Green Lantern: Sounds useful. Batman: Bring him in for evaluation. The Flash: He’s a sarcastic teenager. You sure about that, Bats? Batman: …More useful than you.

[Back in Amity Park]

Danny: [to Tucker] So, I met a guy today who can run faster than I can fly. Tucker: Did he beat you in a race? Danny: No, it was a tie. But I think I like him. Tucker: You’d better not join his team. I’m not upgrading your gear for Justice League-level problems.

[anonbeadraws]

today's warm up: You want a tree spirit, this is how you make a shrine to a tree spirit!

[strangelittlestories]

It is a little known fact that angels cannot step foot in hell.

Note: this does not mean that angels *don’t* enter the burning depths, only that they cannot touch the floor. You see, the fires that rage below are not regular fire. They do not consume fuel and oxygen and spit out heat. Instead, they chew on reality and drink down order, and the flames that lick up at you are made of chaos-filled void.

This is antithetical to the very substance of angels. If it touches them, at *best* the angels will be spat out as they are forcibly reminded that *they don’t go here*.

At medium, they will be unmade.

At worst, they will be *changed*.

You might think they could avoid this by simply flying through the pit, right? Oh, would that it were so simple. Remember the flames that burn up reality? Hell is an alchemical reaction of exploding space and logic and time and souls. You try flying through a place that is not a place, where up and down can hardly agree on which is which for more than an instant.

But there is a way around this. It was originally discovered by the guardian angel Cambiel. You see, under Cambiel’s protection was a woman named Ruth. Ruth was a shining light who Cambiel cared for greatly.

Ruth, in turn, had a woman she cared for very much. And, sadly, a demon had stolen Ruth’s love away from her.

“Do not follow her,” warned Cambiel, “for if you follow your heart through the gates of perdition, I cannot go with you.”

“Sorry, babe,” replied Ruth, “but I am *very* gay and *very* romantic and that has made me reckless.”

And Cambiel nodded sadly, for all of this was true and good.

But as Ruth walked the lonely, tortured path into the underworld, an idea occurred to Cambiel.

Sure, they couldn’t walk or fly into hell, but maybe they could *ride* there.

Now, a fully grown horse could not hope to navigate the depths beneath the world, for their sense of self-preservation was too strong. An adult horse would flee from the screams of imploding souls and the winding geometry of impossibly winding roads.

But a young horse? With a child’s innocence, with bright young eyes, who had not yet been tricked into believing in its mortality?

That was a mount that could bear an angel (who was, after all, light enough to dance on the head of a pin) into the fearful caverns of the beyond. Honestly, the little horse seemed weirdly enthused about the whole thing. 

And so did Cambiel guide a pair of reckless and romantic (and useless) lesbians out of hell.

When the pair thanked the angel, all they said was this:

“Don’t thank me, thank the little horse. It turns out … foals rush in where angels fear to tread.”