#gray and white color scheme

[felixsander]

Dining - Kitchen Remodeling ideas for a medium-sized eclectic l-shaped light wood floor eat-in kitchen with a farmhouse sink, shaker cabinets, white cabinets, soapstone countertops, gray backsplash, glass backsplash, stainless steel appliances, and no island.

[seamstraw]

the new cat-vengers

(+ bob)

[starry-bi-sky]

catch me looking up nightingale symbolisms for tales of the passerine. if danny's using the name of a songbird for a hero name, regardless of familial connections, i will utilize the symbolism tied to the bird. Anyways general gist of the nightingale symbolism i've seen, other than what wikipedia told me, is that nightingales were frequently symbolisms of spring renewal, loss/death, love, etc. catch me about to incorporate music into Danny's character

[90smisaki]

zombie with brains

[themissingmango]

F1 driver Jake Seresin! 🏎️

[catinasink]

i made a silly belt chain thing a while back w my beads an I love it it's very silly

[pbear]

So, he’s a prison warden, titled as The Duke of the Fortress of Meropide, addressed as “your grace”, has the symbol of a wolf, fights like a boxer with gauntlets, has that design

And you expect me not to be obsessed with him?

[giratina-and-the-skys-bouquet]

Everybody shut up I found the Arceus gemstone ever

Like look me in the eyes and say that these are different pictures (the rock is called Pargasite, btw)

[rockawayrecordfairs]

Tropical Exterior - Stucco Example of a large island style beige three-story stucco house exterior design with a hip roof and a tile roof

[tumblingdownthefoxden]

We Got The Answer!!

Whites, Grays, Blacks

I know this is too soon to ask but entertain me

What do you think the color scheme of the Underworld Saga album cover will be?

Troy Saga - Blues, blacks, reds, yellows

Cyclops Saga - Reds, blacks, oranges

Ocean Saga - Blues, whites, blacks

Circe Saga - Pinks, yellows, purples, blacks

Underwood Saga - ???

[sun-shine-lolli-pops]

Gabias and Lighting Design

I graduate with my BA in theatre in a few weeks and this is apparently how I'm using my new degree. But I am so so normal about how the lighting in Tobias' dances reflects his relationship with creation

In Piece 1, the main color scheme is just dark, blue and moody. You can barely make out any individual dancer and they all blend into one larger, moving body. All of the dancers are stuck in isolated spotlights and lit only by profile lights - the lights on the sides of the stage. This casts dramatic shadows over everyone's faces, so despite them dancing together, they can barely see each other. Tobias is lacking personal connection to the people around him, and his inspiration isn't clear yet.

The opposite happens in Off Rhythm, where the dancers are overexposed in a cool wash lights on a white set, making everything just brutally intense. Tobias is trying to make sense of too many things at once, in this sudden shift of his career and relationships. While the people around him understand his vision, to anyone on the outside (e.g., the critics), it looks disjointed and chaotic.

Piece 2 starts like Piece 1, still very blue but with a bit more clarity this time.

But in Whatever This Is, everything is much more complimentary and clear. Specifically, it revolves around Gabin, both his presence on stage and the development of their relationship. We get the most variety in this piece, especially in color lighting the cyclorama (the white sheet hanging at the back of the stage). Pink for budding feelings, purple for uncertainty, blue for sorrow, and yellow/orange for love. At the beginning of the number, when Gabin begins, the lights are pink, edging out a dreary gray, before rotating through purple and blue, as Tobias and Gabin struggled to maintain a healthy relationship in their first few weeks together. When Gabin leaves briefly, the lights transition to purple, then a deep blue. Over the men specifically, like in Piece 1, deep blue wash lights completely envelope the male dancers, making them virtually indistinguishable from each other. Tobias is still struggling over the reviews of his last piece and losing his étoile. Nothing is working, and he’s more depressed than we’ve ever seen him. But when Gabin returns (both to the stage and to Tobias’ life), the overhead wash lights gradually shift back into more flattering, joyful colors. The wash lights are brighter and warmer, bringing out the life in the dancers, not just the dance. Pink and purple start to push the blue out of the cyc lights, reflecting Gabin and Tobias' healing relationship. When Gabin is finally alone for the end of the song, the lights are peachy yellow, as they move past the ways they've hurt each other into a stronger connection. As if to put the nail in the coffin, right before Tobias takes the stage to kiss Gabin, there's a final pop of fiery orange, overtaking the last moment of doubtful blue. Tobias was always a great choreographer, but Gabin is what truly inspired him and reignited his love for creating.

Honestly, the real hero of Whatever This Is is the stage manager and/or lighting designer who managed to busk through the entire new number.

[vintagehomecollection]

'Everything in this room is tongue-in-cheek.' The laminate fireplace contains a video of a burning log. The tiles on the floor, reminiscent of hopscotch squares, actually represent the elements of nature in their color scheme: white for air, red and yellow for fire, blue for water, and gray for earth. Celia (Vogel) and Mario (Mulea) wanted to create an emotional dissonance by using unexpected textures and patterns to generate tactile and visual excitement, hence this bath functions as a living area. Celia says 'It's a sybaritic environment imbued with contemporary pleasures.'

Interior Visions: Great American Designers and the Showcase House, 1988

[halemerry]

Alright, not to be too predictable, but I wanna talk about space and color as it's used in the intro to episode 1 for a minute. And you know, show some gorgeous space shots.

So we open in the dark. There's distant lights and the occasional flare from them moving through space but for the most part we get the angel that would eventually become Crowley alone in enough darkness that he himself isn't even giving off particularly significant amounts of light.

But then, enter Aziraphale. He arrives in a big ball of blue light shining above him that really emphasizes Crowley's red hair. They get tied to the colors we most often see them attached to, especially in promotional materials.

From here the entire scene gets slightly brighter, even once Aziraphale's light dims down. They're both lit up once they're together, even it the middle of literal nothingness.

They start the universe next, using Crowley's hand crank, which gives off a magic that's a combination of their two colors - purple.

A very similar color to this shows up in heaven as a signal flare for their accidentally too powerful half a miracle. It's a color tied to a miracle so big it could've revived someone 25 times and also a miracle that got the engine of the universe running.

And then. Creation starts. Our first image is a very Heavenly aesthetic. It's a blueish light cutting through the clouds much like Az just cut through the dark.

And what explodes from that is the thing that set me down this little rabbit hole in the first place: it's purple scattered through with red and blue lights.

As the initial burst fades, the blue and the red separate, the color fading except for this tiny blue dot and this growing red zone on the right.

The blue then fades, leaving us with an extremely Crowley coded palette here and a very orangeish red. There's shades of gray, a little bit of light, but not nearly as much color. As the sequence moves the darkness grows but does start slowly filling with small points of light.

We then end up with shades of gray both light and dark. There's balance here, even if it's not particularly colorful.

And then all at once a pinkish red bursts forth with these intense clawing tendrils. At the core of it, from the heart of it, is a bright blue ball of light.

It fades into a blue heart surrounded by darkness with whisps of white resembling a certain someone's hair. Or, as some friends pointed out two people embracing.

As the nebula settles a few other colors set in but the primary scheme is still red and blue. An almost violent plume of red emerges on the left side of the image.

And from this moment on most shots of the two of them back them with their respective color schemes.

They chat and Aziraphale gets anxious. He looks for a distraction and is immediately drawn to the space where the colors mix.

And as we fade out the other colors in the picture fade. We get the most balanced blue and red get. And on the far corners fairly clear dark and light.

So what does this mean? The purple speaks to them being very powerful together. And, the rest is arguably just representative of the plot. We have Aziraphale as a beacon in the dark - a signal flare we know Crowley has throughout history been aware of and drawn to. We have them brightening each other. We have Az's color breaking out of heaven to mix with Crowley's to create something new and wonderful and powerful. Aziraphale's color fades, leaving Crowley alone. We then get a burst of a red closer to Crowley's current hair, with Aziraphale's blue in the core of it that eventually becomes a blue heart surrounded by darkness. That too fades, replaced by the pillars becoming their familiar hand shape and slightly more colors seeping in. As they talk together and move closer together their own colors settle back in and come to balance.

[hauntedtrait]

BUILD YOUR OWN VAMPIRE (a cas challenge by hauntedtrait)

I looove cas challenges, and I've been particularly enamored with these where you roll or pick attributes based on something about yourself, I also love vampires so I combined the two! The only rule is to have fun! Also, you don't HAVE to pick attributes based on yourself, you're entirely welcome to randomly roll for those too! Use the tag #ht: vampcas to showcase your creations!

The same list that is on the image is under the cut for accessibility.

birth month = color scheme

1-2: bloody red

3-4: demure pastels

5-6: earth tones

7-8: dark and moody

9-10: black & white

11-12: bright and colorful

favorite mythical creature = hair color

dragon: ginger

sphynx: brown

phoenix: blonde

unicorn: white

chimera: multicolored

hydra: fantasy colors

hellhound: black

favorite animal = eye color

snake: blue

spider: black

bear: brown

wolf: purple/pink

tiger: yellow/orange

shark: white/gray

hawk: hazel

fox: red

alligator: green

favorite hobby/ies = extras

cooking: scars

fiber arts: piercings

gaming: prosthetics

painting/drawing: tattoos

sculpting: body horror

programming: glasses

outdoor activities: freckles/beauty marks

playing an instrument: weird eyes

randomly generate a theme

romantic

gothic

emo/scene

victorian

1920s

1950s

1960s

1970s

1980s

1990s

y2k

modern day

historical

rockstar

dark academia

futuristic

urban

punk

hippie

minimalist

maximalist

out of this world

western

animalistic

[hometoursandotherstuff]

Such a lovely, welcoming estate that they call a textile villa. I don't know what that is, except that the owner worked in textiles. The home was built in 1906 in the Netherlands, as a country home, but the family loved it so much that they decided to stay permanently, so the owner built an office wing and worked from home in 1916. 3bds, 3ba, 6,404.53 sq ft, Price On Request (Must be staggering.)

The house is just as lovely as ever. I don't think I've seen a wallpapered sun porch before. The flooring is orignal.

Isn't this a beautiful sitting room? Look at the unusual fireplace. The mirror is set into the actual hooded mantle and the bricks make a red & black striped pattern.

That light fixture! It doesn't come furnished, but those soft green velvet chairs just make you want to settle in.

Muraled wallpaper in this room is so inviting. And, look at the chandelier.

Spacious kitchen in soothing green tones. Look at that stove and matching hood.

The dining room has built-in storage with a fireplace on one wall. I love the soft pink and how the wallpaper ties in with the furnishings.

They chose to ignore the orange tile on the fireplace, keeping it original rather than replacing it. My mother was a designer and it's not unusual to simply ignore certain elements like carpet color, etc. and proceed with the chosen color scheme. But, note how the flames and a few orange glass bottles pull those colors in.

This rustic lounge is amazing. The plants complement the colors of the velvet fabrics.

The wonderful wallpaper extends out to the hall.

A surprise at the top of the stairs- I didn't expect a library. What a great idea.

Very spacious primary bedroom with an original built-in cabinet. How cozy. Love the fireplace and how they closed it off with decorative tile.

Big, beautiful remodeled bath.

The stylized vintage/modern soaker tub was the perfect choice.

Love this spacious rosy room with a door to a pretty porch.

This home is so beautiful. (And, it's not gray or white.) Look at this wonderful little retreat-for-one to sit, read, and relax beneath a gorgeous chandelier.

They kept the original tile in the back hall off the kitchen and prettied it up with beautiful wallpaper.

And, we're back at the sun room/conservatory with the doors open to the patio.

Beautiful patio and gardens.

The approx. 12.9 acre grounds are partially open to the public to enjoy, with boundaries. A number of places are private, fenced off, and expressly closed to visitors. The fen, for example, they kept to themselves, to swim and relax at the water's edge (well, it is their home, so is there an electrified fence or what?). The current owners are on good terms with the residents of the town: “They have seen how the metamorphosis of the estate and the villa took place and appreciate that they are allowed to walk and cycle here.”

Would you, as the new owner, allow them to continue? (They damned well better throw me a welcoming party first.)

https://www.funda.nl/detail/koop/enschede/huis-welnalaan-5/43617486/

[pokemon-ash-aus]

Yeah, We are NOT doing this. No one should ever do this, and no one should feel like this is okay.

Please, please, PLEASE, do NOT white knight on my behalf. Pepper and the Dingbat's new Mewtwo have a similar color scheme, and that's where the similarities end. Besides I KNOW about the new Two, even before they posted it on Tumblr.

If you feel like a design is heavily referencing mine and want it to be known, come to ME. Send ME that DM first and foremost. 9/10 it was a coincidence, and the other 1 could have been resolved quietly.

Also, you didn't say "It's not cool."

You outright called them Unoriginal, you are the ONLY one who called to the fact that Ding's new Mewtwo had a color scheme similar to Pepper's. You weren't nice about it, and you sure as hell had no reason to stick your nose in the way you did.

If you had even looked through mine or their blog, you'd have seen that we have done collabs before, I draw their characters on occasion!

Look with recent drama and all that good jazz, I get it. But no one should EVER handle a situation like this.

To anyone else out there, creating Mewtwo's is a dime a dozen. Most of my OCs have very simple but easy-to-follow designs, and that's okay. it's okay to take inspiration, it's okay to want a Yellow and Gray Two, and it's okay to want an Alpha Mew. I draw the line when you copy/paste and adjust the color slightly. I draw the line when there is no difference other than a small little color change.

This?

These are NOT the same Mewtwo, not even CLOSE.

Anyways, rant over, I'm off to block that anon, and for the rest of you

Check out @dingbat-things, they are a silly goober and their art is cute.

Spread love to them, especially after this disaster of a take.