#had so much fun today ^_^

[cherrylight]

hi !!! went to spirit halloween and had SO MUCH YAYYAY

got a crow skeleton i love that guy...... i love you crow skeleton ......

oh funniest thing ever was me seeing a jeff the killer mask and lost it completely like omg guys ITS MY BEST FRIEND WOOOOOO why did they make him look like that though guys im going to cry

so weird seeing creepy.pasta in like stores because at its peak it probably wasnt even there because there was a lot of debates on whether or not it was real or not (unfortunately) (and i think???)

but had SOOOOO MUCH FUN GUYS YAYAYAY

[brainrotcharacters]

When irl pisses me off, I rewatch the Honda Odyssey scene to relax

[nova-rpv]

hes shy. shy lil man

[v-poreons]

Join us and die! Join us and die! Join us and die!

She demanded I draw her it was a physical need LOL

Progress gif + flat colors under the cut 😳

[lemongogo]

env practice ft the reunion scene

[pancakemolybdenum]

2015 called, it wants its cloudball back. redrawing things yet again.....

original here

dress design by @rumminov

[dizzybizz]

"this is regrettably the best kiss of your life, you understand?"

[plasmara]

before ninjago ends (in one Billion years) can we get jay reviving someone with his powers. Human defib style

[javierduffy]

figured it was time to finally do an actual kieran study ...for once

[bennetsbonnet]

Much has been made of Mr Darcy's "confession" to Elizabeth that he does not converse easily with strangers. It is repeatedly used to support neurodivergent interpretations of his character. And I suppose that when taken at face value, a character confessing that they do not easily converse with strangers and struggle to catch their tone or appear interested in conversation can absolutely scream AUTISM! (I say as an autistic person myself)

But this line is often taken in isolation. When considered in terms of the passage in which it appears in Chapter 31, it appears far less of a smoking gun than may initially be suspected. After some discussion about Elizabeth and Darcy's prior acquaintance in Hertfordshire, Colonel Fitzwilliam asks Elizabeth for information about Darcy's behaviour there. She readily supplies it:

'Pray let me hear what you have to accuse him of,' cried Colonel Fitzwilliam. 'I should like to know how he behaves among strangers.' 'You shall hear then—but prepare yourself for something very dreadful. The first time of my ever seeing him in Hertfordshire, you must know, was at a ball—and at this ball, what do you think he did? He danced only four dances, though gentlemen were scarce; and, to my certain knowledge, more than one young lady was sitting down in want of a partner. Mr Darcy, you cannot deny the fact.' 'I had not at that time the honour of knowing any lady in the assembly beyond my own party.'

What Darcy leaves out here is that it was he himself who chose not to be introduced to anybody. As we learn from the description of his behaviour at the Meryton assembly in Chapter 3:

Mr Darcy danced only once with Mrs Hurst and once with Miss Bingley, declined being introduced to any other lady, and spent the rest of the evening in walking about the room, speaking occasionally to one of his own party.

Anyway, Elizabeth correctly does not buy his excuses. Not only does she respond with a cutting sarcastic remark, but she tries to bring the discussion with an end by speaking to Colonel Fitzwilliam:

'True; and nobody can ever be introduced in a ball-room. Well, Colonel Fitzwilliam, what do I play next? My fingers wait your orders.'

But Darcy does not get the hint and continues conversing with Elizabeth rather than quitting while he's ahead. However, I don't believe him to be missing a social cue here. Rather, this is an exceedingly conceited man who cannot conceive that anyone would not want to speak to such a Superior Being as he and more-so, is determined to defend himself from a perceived slight against his impeccable character.

Then we come to the passage containing the oft-cited line which allegedly contains proof of his neurodivergency:

'Perhaps,' said Darcy, 'I should have judged better, had I sought an introduction; but I am ill-qualified to recommend myself to strangers.' 'Shall we ask your cousin the reason of this?' said Elizabeth, still addressing Colonel Fitzwilliam. 'Shall we ask him why a man of sense and education, and who has lived in the world, is ill-qualified to recommend himself to strangers?' 'I can answer your question,' said Fitzwilliam, 'without applying to him. It is because he will not give himself the trouble.'

Once again, Elizabeth does not buy his excuse for even a single second. She's fully aware of all the advantages a man such as he will have received in society (opportunities not open to women, might I add!) and draws attention to that fact. It's a brilliant, cutting line from her and she really set that one up for Colonel Fitzwilliam to deliver the knockout blow.

Not only do we have the testimony of Mr Darcy's cousin, that 'he will not give himself the trouble,' to appear cordial to strangers, but we have evidence from Wickham too. Although after this statement, Wickham quickly goes onto misrepresent Darcy's kindness to the poor, which contradicts Mrs Reynold's later testimony, I do believe Wickham to be telling the truth (for once!) here, when he tells Elizabeth in Chapter 16:

'Mr Darcy can please where he chooses. He does not want abilities. He can be a conversible companion if he thinks it worth his while.'

Which, again, demonstrates that Darcy is capable when he wants to be. That is the crucial point. Autistic people fundamentally lack the ability to understand social cues, they cannot turn it on and off as they please because they are snobs.

So, now we come to the infamous line about Darcy's supposed social struggles, and I hope that I've provided enough context to the line to make you see that it should not be taken at face value:

'I certainly have not the talent which some people possess,' said Darcy, 'of conversing easily with those I have never seen before. I cannot catch their tone of conversation, or appear interested in their concerns, as I often see done.' 'My fingers,' said Elizabeth, 'do not move over this instrument in the masterly manner which I see so many women’s do. They have not the same force or rapidity, and do not produce the same expression. But then I have always supposed it to be my own fault—because I will not take the trouble of practising. It is not that I do not believe my fingers as capable as any other woman’s of superior execution.'

Again, Elizabeth is not buying his excuses for even a single second and tells him if he feels like that, maybe he should put the effort in. She has seen him in numerous social settings and been thoroughly unimpressed with his behaviour which, when you consider his rudeness to her at the Meryton assembly, she has every right to be.

So, what do I make of the line?

Well, I think it's abundantly clear that Darcy absolutely can speak to people when he wants to. Perhaps, in his mind, he struggles to make that deeper connection and make friends easily. But making friends is not always easy, it's a process you must invest time and effort into. If you do not do that, it stands to reason that you will struggle. Plus, if you hold others to ridiculous standards (as Darcy does) without recognising and fixing the flaws within yourself, you're not going to have deep, lasting friendships.

While this quote may appear to be a moment of vulnerability where he does confess a fault of his, which is astounding given his pride, personally I do not think it was not a soul-searching exercise. It was to make Elizabeth stop grilling him. It was self-serving. Although, I don't think he's entirely lying. Darcy is veeeery careful with his words and though this statement is not considered and perhaps comes out rather abruptly, it doesn't necessarily follow that it isn't true. I can imagine that it is probably something he's felt for a while, yet it is a rather desperate attempt to defend himself from a woman who sees right through him.

I think perhaps Darcy does realise that he isn't as naturally gifted as other men he knows (such as Wickham, Colonel Fitzwilliam and Mr Bingley) when it comes to forming acquaintances. However, he looks outwards and turns that bitterness against the world rather than looking inwards, reflecting upon himself and improving his manners which would be the correct thing to do. Thankfully, he later does this, but it took him twenty eight years...

In addition, Darcy appeared to have been under the illusion that he could coast by on Pemberley's reputation... which has always worked... until he met Elizabeth. For perhaps the first time, he encounters a woman who is not awestruck by him and his reputation and delivers the rebuke that he always needed.

So, while personally I'm inclined to believe there is some truth to his statement, as Mr Darcy is many things but he isn't a liar, I think it is said in desperation. His feeling stems from him knowing what he should do, but he can't be bothered to enact it... rather than any inherent social deficiency stemming from being neurodivergent.

Although, even if he does struggle socially, it's still no excuse for the rudeness he displayed to Elizabeth! My main issue with neurodivergent readings of Darcy is when they are deployed to defend his behaviour, when they attribute his rudeness to any potential neurodivergency and when they excuse his laziness. That is an awful message! Autistic people who struggle with social cues often do not, nor should they, go around insulting others. They should and often do put plenty of effort into being considerate and polite. In fact, I think, if anything, a love of rules makes us more likely to have good manners, rather than the reverse.

Ultimately, I'm not sure this line makes Mr Darcy the sympathetic-poor-sweet-innocent-shy-boy-autistic-representation that people want him to be. In fact it makes him look even worse, if anything. On matters such as these, he is every inch the conceited proud man he was widely believed to be at the Meryton assembly. Luckily, Elizabeth is an incredibly smart woman, who doesn't fall for it and immediately calls him out on his behaviour in a way that he has never experienced before. As she should!

[aclockworkreader]

tulip picking 🌷

[rasoyas]

snow day! ❄ piper wasn't a huge fan of sledding, tbh.

[mask131]

I am re-reading the Silmarillion, and something strikes me. The women of Tolkien's world have been talked about TO DEATH especially with all the recurring debates surrounding the Rings of Power series.

As we all know, Tolkien was not a "feminist" in the modern sense of the word. He had a very male-centric point of view and appreciation of the world, he had male-driven and male-centered stories, and actual women characters were sparse and rare. There are only five really big female characters in "The Lord of the Rings" - the quintet of Galadriel, Eowyn, Goldberry, Lobelia and Shelob. [No, don't talk to me about Arwen, she only really was a character in the movies, in the book she's just there in the appendix and she was literaly an afterthought of Tolkien to act as Eowyn's romantic double...]

Consider this. Galadriel, Eowyn, Goldberry, Lobelia and Shelob. This tells you everything you need to know about Tolkien's women, in good and bad.

The Silmarillion has the same motif of having a lot of female characters, only for most of them to be just footnotes, secondary characters with no lines, under-developped one-liners... with in a contrast a handful of super-cool, super-badass, complex and developed heroines at the center of the plot.

Aka, on the bad side, when listing the Valar, while Tolkien gives an interesting personality, great domains and cool attributes to all the male ones, half of the female ones are just... there. And do one stuff. And never appear again. I mean come on... Vana and Nessa? Estë and Vairë were done dirty... That's the actual type of "non-feminism" Tolkien has. It isn't about him hating women or trying to be offensive in his depictions - it is about him just, not putting as much thought, effort and care into his female characters as his male ones, a bit the same way he creates the vast expanses of the East and South of Middle-Earth and then never bothers actually developing more of it or seeking to tell tales of it - but that's for another discussion about Tolkien's "racism". Here we talk about women.

But here's the thing, aka the good side... When Tolkien does find the time and care to develop and flesh out a female character, by Iluvatar he goes all out! Again, we are back on what I said earlier: the women of Lord of the Rings can be counted on one hand... but these fingers are Galadriel, Eowyn and Shelob, so you can't claim he isnt writing powerful, important or uninterestng female characters. Which leads me to my original remark - as usual I get driven away in digressions of all sorts and kinds.

Have you ever noticed that Melkor's greatest enemies, the ones he fears the most, and his most effective foes... are women? Tolkien might not like to put them front and center of his tales, and he might have been a man of the early 20th century England in culture and mind, but boy does he has something to say about how women are actually the first enemies of the literal embodiment of evil and destruction! I mean think about it. Varda of the Stars, and Yavanna of the trees. Nienna has her ambiguous relationship to him - her tears work against him, and yet without her plea for him he likely would not have been released from the dungeons of Mandos. You have Melian with her Girdle, and Luthien with her Hound. And of course most of all Arien, guardian of the Sun, not only one of the rare fire spirits that Melkor couldn't corrupt (despite him basically ruling over all fire), but that frightens him so much he keeps hiding away and doesn't even dare to attack her... [I also reblogged some times ago a post praising the brilliance of Tolkien keeping the old European sun-moon motifs but switching the genders. The weaker, inconsistant, lustful, whimsical, disorderly, untrustworthy Moon is now a male principle, while the steady, dangerous, strong, powerful and beautiful Sun is a woman.]

It is actually REALLY easy to do a feminist retelling of Tolkien's work. Melkor doesn't fear Manwë as much as Varda. Aulë's works and servants get corrupted by Melkor, while Yavanna's do not. Melian and Luthien actively works against him. He friggin' pisses himself when the Woman of the Sun shows up. Sure, there are some evil female characters that serve him down the line and are relegated to the "obscure footnotes and undescribed secondary characters" zone - Thuringwethil the vampire or queen Beruthiel. I coul also dropped deleted characters from early drafts, like the ogress Fluithuin. But among them stands Ungoliant... THE only true female big bad on the dark side of Arda. THE badass, nightmarish, creepy eldritch abomination. And who ends up double-crossing Melkor, almost KILLING him, and again making him basically shit in his pants - as Varda and Arien do.

The first enemies of Morgoth are not the Valar, or the Maiar, or the Elves... It's women.

[snoozerin]

sketches and a wip. i dont like thinking too much before posting, head empty this is the stuff i have in my gallery take or or leave it the void is nice

[madd-nix]

Mourning the loss of yourself

No matter how hard Ingo tries, things can't automatically return completely to normal once he's returned from Hisui. He's changed. And that's sometimes terrifying.

[myokk]

from my oneshot, note-taking 🫶🫶🫶