#has been for a long while
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nelyyo · 10 months ago
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something so freeing about saying goodbye to a friendship, even though it's not over
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opt1gan · 5 months ago
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Two movies I like
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aroaceleovaldez · 3 months ago
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i had a thought of "do people not know what AUs are anymore?" and then i remembered nobody explains fandom stuff to new people anymore so it is entirely plausible people genuinely don't know what AUs are and nobody has explained it to them, so for today's lucky 10,000:
"AU" stands for "Alternate Universe" or "Alternative Universe" (same difference) and is basically any thought scenario for a fandom that isn't canon and can't fit within the canon universe. If it takes place in the canon universe but something is notably different, that is typically what's known as a "Canon divergent AU," because it diverges from canon.
an AU can be absolutely anything. There's a couple of widespread pan-fandom au scenarios that often get thrown around, like coffee shop aus, genderbend aus, hanahaki aus (hanahaki is a whole thing in itself i'd recommend researching on your own), etc. One you might hear sometimes is "crossover AU" which is when you have characters from one fandom interacting with characters from another.
You can have as many aus as you want. They can be whatever you want and you can do whatever you want in them. It's a sandbox for you to play around in and explore how things would be different or how the characters would act in those circumstances or environments. Maybe they have different relationships with each other. Maybe they behave slightly differently. Or you can just say "Okay, [x] is true. How did they get here? How would things have to be different for this to occur?" which can also be fun.
If you are ever confused about why people ship something that seems completely out of the blue or doesn't make sense to you in the canon setting, there's a good chance they like it in an AU setting! Not everything everybody is interacting with is necessarily the canon! Not everybody wants things to exist in canon and just want to explore playing dolls in a different sandbox and that's okay. And their sandbox might look a lot different than yours, and that's also okay. You have the freedom to make your sandbox whatever you please. Do whatever you want forever. Get funky with it. AUs are fun.
Okay that's my schpeal. everybody go have fun and play nice now.
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danidoodels · 6 months ago
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trying to get used to drawing this goober again
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inlovewithstraykids · 4 months ago
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my favourite type of jisung ❤️‍🔥
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© acorn🌰_0914 | do not edit and/or crop logo
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fraternum-momentum · 5 months ago
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based on @peachykindaok 's post that you can find here !
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shadowtraveled · 1 year ago
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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bigfatbreak · 9 months ago
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they both got bonked for being silly.
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cuttle-creatures · 4 months ago
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Continued my indulgent concept work spree, this time focusing the momentum on updating some concepts from one of my projects (Wind Through the Grass).
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rubyfunkey · 1 year ago
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The Rehabilitation of Death by @bamsara
didnt have time to clean this like i wanted but i needed to get this scene out of my head desperately. im good now
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egophiliac · 4 months ago
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listen. people have always debated which character is the most normal guy but what if it has in fact been crowley the whole time. no string pulling no master plan just a guy who wants to keep his school running and is cursed with problematic students and incidents
honestly I think the funniest possible reveal would be one of two options:
ONE: Crowley has no plot relevance whatsoever. he wears the mask to cover his receding hairline. his darkest secret is the bottle of "medicinal" whiskey under his desk. this man can barely plan a PTA function with six months' advance notice, he doesn't have the time or patience for any kind of overarching master plot involving mutating students or whatever. the only thing wrong with him is that he's been running this school for (mumblemumble) years and, quite frankly, if you'd been putting up with NRC students for a couple of centuries, you'd have totally checked out by this point too.
OR
TWO: Crowley IS actually Raverne and HAS been slowly enacting a master gambit...to embezzle school funds. the overblots are still completely incidental. he has somehow less idea of what's going on than we do. we confront him about it and he's just like
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arcade-confetti · 7 months ago
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Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest
Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here
Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭
It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony
#the final confrontation was basically his first death again#and YES he Does want the Joker dead#and it would've been really really nice if Batman was the one who did it#but when batman made it clear he wouldn't kill the joker. Jason easily switched to saying “LET me kill the joker” to accommodate#because he Wanted batman to pass his test#he gave a test to dick too. and technically tim but it wasnt the family test it was a different one so it doesnt rly count#AFTER utrh and the reveal and the batarang you can go hog wild about it. i care less about it then#granted i do believe they make jason more scared of the joker after it at some point#i guess because hes a bit too willing to kill the joker and ive heard jason wasnt meant to live after utrh#my watsonian explain for that is he was so fixated on his plan he cpuld override his fear. or maybe the pit. either work#i prefer the fixation bc i dont like the explanation that the pit was the /only/ reason he could get all plan together and done#BUT THATS UNRELATED!!!#dc stop putting the joker in jason stories im begging you please please please. lock him in a vault for the next 20 years or something#it Cpuld be good and i understand. but also. after so long of people that dont know or go for jasons need for family and parents#that love him and he can trust#the joker starts to feel like?? hm. words. a cop out? oh haha its that guy that killed him woagh hes here#i bet you dont even know that jaybin got beat until unconsciousness by an angry mob#while asking batman to save him only for batman to have to walk away#anwya. where was i going with this#i think i got off topic#jason todd#dc comics#batman#ADDED AN EDIT. SORRY. this post has been haunting me it keeps me awake. what if people misunderstand#they cant read my tags where i ramble more depth. thisbis the only option#EDIT EDIT: hiii#removed the sentence abt jason having the joker for several days bc i misremembered some things#go read its-your-mind 's addition instead also#ok no more i wont edit this post anymore i promise
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poorly-drawn-mdzs · 4 months ago
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Something Old, Something New.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#a-yuan#Hey now! It's been a long while since we've seen that hair style!#Something old - in the way you see a little glimpse of a boy that died a long time ago#Something new in a man who has a new direction and purpose. Somehow it is still you. But you can't ever be that *you* again.#I think grief comes from a mourning of futures we lost. We associate it with love-#-but what else do we mourn if not the future we had with them? So too do we feel grief over the future our past self once hoped for.#I love the radish extra because it is so sweet and so full of small sorrows.#WWX is as playful as always with A-Yuan but there is a constant presence of how he no longer sees a future for himself.#Be it in the way he talks about the impossibility of him having children.#Or in the way he creates this silly and artificial game of helping A-yuan grow-up faster.#It's always about the moment to moment with him. Tomorrow isn't guaranteed.#His major hubris moment has yet to come but I would strongly argue that the seeds of doubt were already gestating.#It might be a bit of a 'ship tease' moment when WWX comments that his idea kid would be more like LWJ than himself -#But I consider it to be a true (if unconscious) sentiment that he sees himself as having gone down the wrong path.#It's not a 'I want LWJ to have my kids' moment. It's an 'if I were to have kid - I'd want them to never know what I went through.'#WWX is the parent that breaks the cycle. He walked for 10km through the corpse piles everyday and by god he's driving you to school.#LWJ is also a cycle breaker parent but in the opposite direction. He packs chocolate chip cookies and extra snacks in your bag.
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canisalbus · 5 months ago
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Oops
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polin-erospsyche · 1 year ago
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I love the difference between Pen and Colin. She’s loved him for years, silently but unwavering. While he’s just come to the realisation that somewhere along the line he’s fallen completely head over heels for her and he is UNHINGED about it. All I’m saying is Colin wouldn’t last a minute in the asylum where they raised her.
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utterlyazriel · 6 months ago
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ain't you my baby?
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word count: 4k ish pairing: din djarin x reader a/n: [old timey radio voice] interrupting your regular schedule of bat boy to bring you [does jazz hands] yet another man that could kill u! i will apologise for not updating wtssf and instead giving this but i do not control the brain worms <3 hopefully this is still tasty for sum of y'all ! title from NFWMB by hozier
synopsis: Din gives you an unexpected gift. A dagger crafted with beskar, a fine weapon, a courting gift. You misunderstand. It doesn't take long for you to catch back on. inspired by a convo with my beloved @djarinova
By now, the constant hum and rattle of the Razor Crest around you was nearly unnoticeable.
You travel enough light-years with one stubborn screw in your cot, almost always returning to the spacecraft with one injury or another, and eventually the low lull becomes something more familiar.
Almost, if you'd let yourself admit it, a comfort.
Sleep is funny on the Crest. You'd been a light sleeper for most your life and it had saved your skin more time than you cared to count. Yet, it was the simple knowledge that a Mandalorian roamed in the cockpit above that allowed sleep to drag you deeper than usual.
It had taken months to let your guard down, to realise there wasn't going to be blade buried in your gut as you slumbered defencelessly. In the safety of his company, for the first time in decades, you dream when you sleep.
He hates having to wake you, only doing so if it's absolutely necessary. It's always with the lightest of touches, the leather of his gloves pressing softly against your shoulder, your name murmured and diluted through the modulator of his helmet.
Despite his gentleness, it never stops you from jarring awake.
You shudder awake with a violent twitch, pressing up on your elbow in a split second, prepared to move. You're stopped from moving further by Din's hand on your shoulder. He's knelt beside your cot, visor fixed on you.
You're on a new planet. The foreign atmosphere gives that away in an instant, the chalky taste in your mouth and the swarming heat on your skin. Your jack-rabbiting heart calms a bit.
"Din?"
You know he's only waking you because he must. The momentary calm banishes again as you push yourself up again. Din lets you this time, his gloved hand retreating to his side.
"It's not an emergency." He says, knowing your train of thought already. He tilts his head slightly, gesturing towards the ramp door. "I need to leave the ship. I didn't want you to wake and..."
Your trailing gaze darts back to his visor quickly, swallowing as you fill in the end of his sentence. Din doesn't finish it, but his shoulders readjust in a minuscule motion.
"I'm getting supplies. Watch the kid. Please."
You're nodding before he's finished his sentence. The sleep in your system is already dissipated and you push up, shifting onto your feet and trapping your pained hiss behind gritted teeth as Din rises to his full height.
There's a beep from his valance as he punches a button then a soft hiss as the pressure changes, the ramp door beginning to lower.
It's habit to watch the sliver of the outside grow, the new terrain stretching out before you as the mouth of the ship opens. As expected, a seemingly endless spread of sand greets you. You wrinkle your nose.
Din hadn't indulged the reason or destination of this particular trip. You hadn't asked. A deep slice in your thigh courtesy of a vibroblade and a mouthy Twi'lek had kept you off your feet and eager to rest.
The slice had been by pure luck—or so you thought.
But Din's silence following the patch up in the ship, his quietness suddenly uncanny, left you beginning to wonder if he was questioning your ability to fight. Weighing up your ability to defend.
And if those things were up for debate, certainly so was your position on his ship.
It had just been passed 3 years, almost six cycles if you counted how time passed on your home planet, since you had joined his crusade. Your job had one very simple, very crucial objective.
An objective that was now babbling at your feet, tiny claws reaching out for you.
"Hey, you," You say, reaching down to scoop Grogu up into your arms. He reaches his arms up as he does, making a happy gurgle as you tuck him against your hip.
His round, dark eyes peer up at you, his big ears twitching mischievously and you couldn't help but smile. You turn so he could see the stretch of desert and are surprised to find Din still in the mouth of the ship. He's turned back, his dark visor giving away nothing of his expression.
It's then you get the feeling once more; you're being evaluated. Your usefulness being weighed up. You shift beneath the weight of his gaze, unmoving but still not speaking.
"Did you forget something?" You ask, just to break the silence.
Din finally shifts, his helmet giving a small shake in answer. He doesn't speak, just stares another moment, before he's turning, his cape catching the wind as he strolls down the ramp.
You watch him go, heart in your throat, pondering with an ache of melancholy if your time on the Crest was coming to a close.
Another burbling noise from the little green monster in your arm tugs your attention away. You look down, smile already pulling at your mouth at his clawed hand reaching for you.
"At least I know you still like me," You murmur, letting his cling to one of your fingers. "You wouldn't fire me, would you?"
Grogu makes a noise of agreement, gripping your finger tight. Then he opens his little mouth and tries to direct your finger into it, the clearest declaration of his hunger he can give.
You huff a quiet laugh, turning back to the ship, mentally tallying up your list of things to do.
By the time of Din's return, the sun has dipped low in the sky and the dunes glow a scorching orange in its rays.
You see him coming in the horizon, the only figure out on the desolate landscape. You wonder, for not the first time, if he's burning up beneath all his armour. He never seems to use the fresher to cool off like you do.
It's as he reaches the ship, his footsteps heavier than usual and betraying his tiredness, do you realise he's returned with a bag. Your eyes glue to in instinctively but you bite your tongue and swallow the burning question of what the contents of the bag is.
"Get what you need?" You ask instead, hands laying flat on your knees, avoiding the bandage on your thigh.
You're knelt besides the ship wall, sitting on your feet, one of the panels hanging haphazardly by a single screw and a box of tools beside you.
There's a function for cooler air on the Crest but it's been busted since a gnarly shoot up leaving the atmosphere of Coruscant months ago. You've been trying to fix it for weeks, each time with no avail.
Today is no different.
“You haven’t fixed it.” Din says candidly, instead of answering your question.
That suddenly familiar worry of your usefulness shirks up within you.
“Yet.” you counter, aiming for optimistic. It’s impossible to tell what the immovable expression of Din’s helmet means. “It’s not the same problem as I started with, at least.”
After a moment, he gives a short nod as if he understands — which is mean because there isn’t a single thing you can think of that Din Djarin is bad at. Besides talking to Jawas, of course.
He passes you and you force yourself to keep facing forward, even as you long to trail his broad figure. You squint at the tangle of wires within the panel and sigh. It’s feeling pretty fruitless. You were hardly a mechanic to begin with and—
A loud clatter beside you makes you startle, something heavy dropping into your toolbox.
You jump back and after a quick second, realise that it’s Din who had dropped something purposefully. Trying to calm your racing pulse, you lean forward and peer in.
“This might help.” He says.
You blink down at the new tool he’s given you. It’s the one spanner size that’s missing from your toolbox.
The last one had been lost when you lobbed it at an intruder’s head in a blind panic. Not your proudest moment— even if it did distract the guy enough for Din to put him down.
You swallow your heart in your throat. “Thank you.”
You don’t hear him retreat but the part of you that fizzles like a freshly born star when he’s near dims, a giveaway to his movements. You curl your fingers the new tool and try to tell if this a good sign or not.
Behind you, Din clears his throat.
You peer over your shoulder, your brows knitting together — it’s not often he calls your attention so forwardly, much preferring to stand and wait, staring long enough til you notice and flush.
He’s still standing in the hull, one hand curled around and holding the bag he returned with. You twist fully, letting him know he’s got your attention.
For a long moment, he doesn’t move. You stare, waiting patiently and try not to let your eyes roam—especially after the last comment he made when he absolutely caught you staring at the broadness of his shoulders, eyes drinking in the cut of his figure.
You’d be a terrible criminal, cyra’rika.
What’s that supposed to mean? You had retorted, flustering just a bit.
He had turned and fixed you with a tilt of his helmet that meant he was likely smirking underneath it.
You have shifty eyes.
Your face had glowed fiercely at the reminder that just because you couldn’t see his eyes, that didn’t mean he couldn’t see yours.
Across from you in the Crest now, Din coughs awkwardly.
“I,” He starts. One of his hands clenches, the leather crinkling as he does. “I have something. For you.”
Surprise piques up inside you, fiery and delighted. It warms your stomach and there’s no fighting the smile that pulls at your mouth even if you wanted to.
Gifts from a bounty hunter are few and far between and he’d already replaced the spanner. Your bounty hunter in particular doesn't like to spend his credits unwisely.
Even less commonly does he acknowledge that something is a gift—but you've learned to love the quiet hum he gives you when you thank him for something.
"Oh?"
He shifts his weight ever so slightly, the most obvious indication that he's nervous.
You sit up a little straighter. The anxiety from earlier pools in quickly.
He gives a tiny, almost inaudible huff and then, instead of reaching into the bag, he pushes back his cape and reaches back. His skilled hand unclips something sheathed at his waist. He drops the bag and steps forward, his hand outstretched.
You hold your breath without realising.
It's... a dagger, you realise.
A very beautiful blade by all standards. As you press up to your knees, rising to get a closer look, the details of its intricacy begin to call out to you.
The hilt is twined in a delicate, leathery fabric, not yet moulded to any hand. The pommel holds a promise of a shimmer as though it's embedded with a mineral. And the blade itself... A darker metal curls through the lighter one that encases it, like smoke on a sunlit sky.
It's expert craftsmanship, with a precise balance of two metals — and if you stare a moment too long, you swear the darker one matches the hue of Din's armour. His beskar armour.
"Will you accept it?"
It's with the gravel of Din's voice do you realise you haven't moved. You haven't reached out for it, haven't even blinked since he offered it out to you. You exhale, suddenly feeling a little lightheaded.
It's elegant beyond words. It's too much.
Too much for you, too much as a... a... What was it?
A gift? A reminder of your sole duty on the Crest? Of what you nearly failed at during your last mission together? The wound on your thigh seems to throb painfully as if in response.
He's never got you a gift that's anything less than helpful.
"I," You breath, finally tearing your eyes off the dagger and looking up at the visor fixed on you. "Din, I—"
Your gaze drops back to the blade in his hands. This time, you're certain it's beskar twined within the steel.
"It's very beautiful but..." I'm not worthy of beskar. "I couldn't, it's— it's too much. I can't accept it, Din."
The words come out clumsily and you wonder if in your attempt at being polite, you've gone too far in the other direction and offended him. You wring your hand against your thigh, pressing your knuckles into your wound. The pain dances along your nerves, a welcome distraction as you force yourself to meet his gaze.
The hum of the ship fills the space between you and like almost always, you have no idea how to read his silence.
"I understand."
And then he's stepping back, resheathing the blade into its holster in one fluid motion. He does it so quickly you don't see the tremble in his wrist, his hand just a touch unsteady. Above you both, there's a beep in the cockpit.
This time, you do manage to clock his body language, well aware of the way his guard has suddenly been wrenched up and the anxiety in your veins quickens with a sinister twist. Oh stars. You've definitely made it worse. You should've just accepted the dagger.
He turns and wordlessly heads towards the ladder to the cockpit and you watch him desperately, a dozen words caught in your mouth and none of them the right ones to say aloud.
"I—"
Din pauses, one gloved hand on the rung of the ladder, facing forward. He gives you a moment to speak. Your mouth dries.
When it's clear you aren't going to, you catch the slight sigh he gives, his shoulders dropping an inch.
"Grogu will miss you."
What?
You don't even get a moment to consider what he’s said or to digest the implications before he’s climbing the ladder, deft and quick. By the time you’re on your feet, the swish of his cape is disappearing into the hatch on the ceiling.
You stare at it a moment, all your unsaid words suddenly transforming into confusion. Your mouth opens then closes, your hands held out in front of you in evident bewilderment.
“What—” You begin as you take the rungs twice as fast, following Din’s path up to the cockpit. “—is that supposed to mean?”
You’re halfway up when The Crest suddenly lurches to the side with a rumble, the powering of engines thrumming beneath your feet and you stumble to catch your balance. Below you, you hear the familiar hiss of the ramp closing.
Stars, what is he doing? He hasn’t been this eager to leave a planet since a bounty back on Hoth.
“Where are we going?” You ask, forgoing your unanswered question. You shift forward as the Crest continues to rise with a powerful whirling sound.
Casting an eye at the passenger seat, you’re relieved to find it already occupied by your favourite green friend. Grogu coos in your direction at the sight of you and despite the situation, you can’t help but smile.
“I can take you wherever you wish to go.” Din’s flat response has your smile fading, your head whipping around to face him.
But he doesn’t take his focus off the control in front of him for a moment, stoic and silent as he continues to initiate takeoff. The Crest rises higher, the sandy ground of the planet out the window growing smaller and smaller.
Wherever you wish to go?
Does he— does he think you want to leave?
Your head spins in a tizzy as you try to clue together how the hell he had come to that conclusion. The Crest rocks as it breaks through the atmosphere and you stumble again, struggling to keep your balance.
For whatever reason he’s thinking it, he’s wrong.
Action finally possesses you. You surge forward and slam your hand onto the console, killing the power to the thrusters.
The ship stalls with a loud droning noise, coming to a shuddering stop before it begins to float in the darkness of space. The only light is the glowing orange of the planet and stars beyond the glass.
“Why do you think I want to leave all of a sudden?” You demand hotly.
For a moment, you think Din will continue the silent treatment that he’s all but mastered. His helmet, visor gazing out through the windshield, doesn’t move — until he tilts his head toward you slightly. He sighs quietly.
“I don’t imagine after…” He waves a hand idly and you scan his figure intensely, searching for what he could possibly be referring to.
After…?
It suddenly seems quite obvious.
Even if you had no idea what it had meant to Din, clearly this has to do to you turning down his gift.
“Din,” you say very quietly.
His helmet turns another inch, his chin tilted up to show he’s listening.
You swallow and it feels like your heart in is your throat, burning and bursting all at once. But you have to ask.
“What did the dagger mean?”
Now he averts his gaze, his helmet dipping as he mumbles something, nothing, his voice almost too low for his modulator pick up, a gift, but in the gravel of his murmuring, you hear one unmissable word: courting.
Oh.
Oh.
It was a… courting gift.
A dagger blended with beskar, given as a courting gift from a Mandalorian. It meant you- and him — the hope you had been harvesting, the hope of something more blooming between you two, it had not been unrequited.
Your mind casts back to the exact phrasing as you turned what you believed to simply be a gift too prized for you— it’s too much, I can’t accept.
Maker. No wonder he thought you wanted to leave.
Whatever is crossing your face must be the opposite of subtle because as you grapple to find a response to that, Din’s head tilts back up.
“You didn’t know.”
There's a tiny wobble of relief in his voice.
“No,” You breathe. Blinking hard, suddenly you feel a bit wild because Din all but proposes to you but doesn’t even think to check if you knew the depth of what he was offering? Of the real question behind his gift?
You shake your head. “No, I didn’t know, Din.”
Silence lulls between you, charged and heavy. Even without seeing his face, you know Din must be squirming beneath his helmet — his intentions, his feelings, out in the open and you still staring at him speechless.
You manage to find your voice.
“May I see it once more?”
The request comes out softer than you intend, your courage suddenly quivering in your chest. You will it to rise, to embolden you. Din had been brave — now it's your turn.
Without a word, he shifts and reaches back to release it from its sheathe on his waist. For a split second you see it, the hesitation in his hand.
Then he's holding it out, balancing in his open and trusting palm, held out for you. The thickness in your throat grows.
You swallow tightly and grip your courage, searching within you for that warm, safe feeling that beats like a drum, Din, Din, Din. You seize it tightly.
Eyes fixed on the blade, you ask quietly, "Would you... offer it to me again?"
It's impossible to draw your eyes up, too nervous to see yourself reflected in the darkness of his visor.
"Yes."
Your heart becomes a supernova.
"Will you?" You whisper, finally daring to look up at him.
Your protector, your partner, the man who showed you the softness of his heart and asked for nothing in return. "Will you offer it to me again?"
The subtle motions of Din are something you've come to learn with the years you've spent at his side. Now, staring up at you, the inclination of his armour gives away his surprise.
Then he's rising to his feet only to step before you and sink down, brought to his knees before you. His hand remains steady, the offering held out, and this time the meaning of it cannot be misconstrued in any way.
"Cyare," He murmurs — and it's beloved, it's please, it's don't part from my side for as long as you'll have me.
Something within you trembles and your bottom lip quivers in emotion and then you're moving without thinking, sagging until you're on your knees too.
Equal heights, each of you in a position of devotion, facing toward each other.
Hand reaching out, you clasp your fingers around the hilt of the dagger and say thickly, "I accept."
There's a ragged exhale through the modulator of Din's helmet. He shifts, moving to strip the gloves from his hands and the sight of so much skin from him is enough to make you falter. But there's barely time to recover your stolen breath before his bare hand curls around yours, far larger, the dagger gripped in both of your hands.
His skin pressed against yours burns like starlight. You stutter out a breath, your smile coming so easily at the sight of your joined hands.
Din's other hand raises up and pauses momentarily, halting as if he's unsure if he's allowed before it settles gently on your cheek. You lean into the warmth of his skin and hear another sharp inhale through the modulator.
"I—" He begins, quickly cutting himself off. His thumb on your cheeks begins to wander, soothing over your skin lightly. He urges you forward and you bow your head, forehead pressing to the cool beskar of his armour.
"Thank you."
"You're thanking me?" You chuckle wetly, emotion clinging to your words. His thumb on your face traces another soft circle and you shudder beneath the loving touch, eyes fluttering closed.
“You could have been clearer." You chastise lightly, though your evident joy means your words don't have any real bite.
“I offered you beskar, cyra’ika,” He murmurs, voice warm and full of love. His thumbs draws another delicate circle. “How much clearer could I be?”
His point makes you laugh, eyes opening and seeing your own reflection in his visor. "I don't know," You say, averting your eyes down to your still intertwined hands. You squeeze your hand and feel him echo the motion. Your heart sings.
"Use your words?" You suggest with a cheeky smile, well aware that words were not a strong suit of your Mandalorian.
Din sighs, a faux long suffering one, and the mere familiarity of it makes your heart ache in the best way.
The worries of earlier bubble up within you, the reminder of why you had been so sure the dagger had some other meaning.
“I,” You begin, pulling back lightly and casting your gaze towards Grogu, who had been suspiciously silent as if knowing the significance of the moment before him. “I wasn’t thinking about the beskar, I was being stupid.”
With your free hand, you cover Din’s hand with yours, hiding your face away, which suddenly feels a little warmer. The nudge of your hand against his does nothing to alleviate the glow.
“I thought it was, like,” You mutter quietly, embarrassed. “You were saying I wasn’t doing my job well enough or— or something and I started worrying you were gonna…”
You can’t even finish the sentence with how foolish you feel.
“You thought I wanted you to leave?” Din asks, his voice dubious and warm. Like the mere thought of that is so far from believable that it’s amusing to him.
“Shut up,” you groan, eyes closing as if it can save your from your further flustering.
“Didn’t say anything.”
“You didn’t need to.” You murmur.
His hand in yours tightens, the other on your face coaxing you out of hiding with the gentlest of nudges.
"Never. As long as you want it, I want you with me." He says and in his voice you hear nothing but utter devotion. "Close your eyes."
You follow his command without hesitation, darkness cloaking your vision and you feel his hands retract from yours. The dagger remains in your palm, still cradled in your fingers. Then, there's the tell-tale hiss of his helmet and you inhale sharply.
"Cyare," He says and this time, it's with all the richness and roughness of his natural voice.
The timbre of his voice is like gunpowder sprinkled across your soul and when his hand finds the curve of your cheek once more, it's set alight.
"May I?" He asks. You can feel the soft heat of his breath fan across your lips and feel your heart quiver in response, bursting forward, as if trying to reach him. His thumb soothes across your cheek, full of wanting.
Your nod would be imperceptible if it was anyone other than Din — if his gaze wasn't trained on your face, drinking the details like a starved man, finally with uncloaked eyes.
He moves forward, presses his mouth against yours, and finds home.
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