#how about you kill yourself

[lesbiansanemi]

I spoke too soon I should have known that was too easy for him I’m so tired I was like hey! I might have found someone interested in subleasing, if they end up not wanting to ill start making posts places but either way, ill need a move in date to advertise and tell people. Do you have any estimates of when you might find a place yet?

And my fucking roommate replies with a bunch of links to apartments like well you could move HERE like fuck you fuck you fuck you jackass this wasn’t what we agreed on and also 90% of the places he sent me were places I already contacted and had no availability/a waitlist/couldn’t sign until august and the other 10% were WAY out of my price range also none of this solves that I don’t want to sign a new fucking lease cuz I want out of this fucking fuck ass city between you and your bf you make almost TRIPLE what I do you will have such an easier time finding a new place and moving plus you wanna stay in this stupid fucking fuck ass city just fucking GET OUT

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[letsplaythermalnuclearwar]

Homer!Odysseus and Epic!Odysseus would try to kill each other if they ever met

[soulbrand]

man you all were not kidding abt the therapyspeak in veilguard.

[mourn-and-watch]

you know what. i actually love that trying to talk to solas was the last thing varric did and it ended in complete failure. especially if you put it in the context of his feelings about anders. varric was so bitter every time he mentioned him because he could not stop him. he didn't even realize that anders was up to something and when it was too late he started to think of him as of someone who destroyed that fragile peace in kirkwall that actually never existed.

it adds layers to the way he felt about solas. he believed that time he could stop a friend who simply lost his way. because varric tethras can talk anyone out of anything, can't he? anders was just too dodgy and self-centred and cut everyone off just like solas did but this time varric is completely prepared. surely. absolutely.

he could have never talked anders out of it even if he had known what was coming. he could have never talked solas out of it either. anders was a desperate person standing against (as varric himself put it) forces he couldn't possibly defeat. solas was a god standing against a couple of mortals and his own conscience buried under his guilt and regrets. being a good friend would not stop meredith's oppression. being a good friend would not stop someone who fears so much that all of the atrocities he committed were for nothing and would mean nothing at the end. varric died because he didn't realize it. he died and left his second in command with an immense guilt because they believed he knew solas enough to pull that off and there's something tragic about it

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[bakudekublogblog]

kacchan telling izuku that his body moved on his own is fucking crazy. like not only did kacchan remember izuku saying that all the way back from the sludge-villain incident but he’s also confirming that izuku’s crazy, boarder-line suicidal intensity is a two way street. it’s not just izuku who is insane about kacchan it’s mutual insanity. kacchan’s body moved on its own. he was helpless but to throw himself into the line of fire when he saw izuku was in danger. he didn’t think about it. he didn’t choose to do it. he didn’t have a choice. it was as if izuku was a piece of his own soul. katsuki instinctually needed to protect him above all else, even at the cost of his own life

[theslimeologist]

this june lets celebrate bearded women. okay?

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[aq2003]

i feel like some people r missing the tragedy of timebomb somewhat bc i've seen a few ppl say that ekko was only in love with powder in the alt universe and not jinx, and it's like.. first of all they are the same person. they are the same person in different circumstances. but secondly ekko seeing that good universe, i think, instilled in him the belief that fixing the problems in his universe was still possible, that peace between piltover and zaun was still possible, that jinx wasn't doomed or irredeemable. ppl highlight his selflessness in being able to leave the good universe behind, but i think a big part of WHY he left was bc of the hope he had for his world. that's why timebomb is so tragic to me! ekko returned with the drive to make everything right, strengthened by knowing it wasn't some unattainable out-of-reach goal. and he came so so so close but was still a little too late

[happi-dreams]

I watched electric dreams finally !!!!!

It’s so good and odd but ohshdkebdkwbdhmehdh EDGARRR !!! EDGAR I LOVE YOUU !!!!!! ! ! ! ! YOU DESERVE BETTER !!!!!

When I saw the ending I SOBBED what the HELL,,,,,

[usoppinggg]

STOP DRAWING USOPP WITH PALE SKIN!!!!!

STOP DRAWING USOPP WITH WAVY HAIR!!!!!

AND FOR GOD’S SAKE STOP WITH THE MINSTREL LIPS!!!!!

[sevenmoreminutes]

seriously cut it out with the suicide shit you privileged insensitive fucks

[trappedinafantasy37]

Anybody else realize that it is news to Minthara to find out that Ketheric wasn't working alone? She knew about Orin this entire time, but still thought Ketheric to be the head of the Absolute. Obviously she knew Orin was involved with the Absolute and did something for them, but she didn't realize the extent of power Orin actually had. And I think it is pretty fascinating that Minthara "men are only useful for breeding" Baenre did not immediately presume that the woman was in charge or had any significant power in the Absolute.

Can you imagine how Minthara felt to find out that not only were Orin and Ketheric working together, but that they were equals? I think it only dawns on her how much danger she was in the entire time and just how little control she had over herself. She was made the personal plaything of one of the three prongs of the Absolute and was slowly being driven into the same kind of mad monster Orin was. So what would have happened to her if Ketheric fully claimed her like he had intended before Orin basically stole her? How much worse could Ketheric have done to her? Or was she only in her shit ass predicament, debased amongst goblin trash out of Ketheric's pettiness for Orin?

But like, she knows Orin is the Chosen of Bhaal so she already knows how powerful and dangerous she is. But it almost seems like after finding out Orin is Ketheric's equal, she kinda places her at the top of the hierarchy between the Chosen Three anyway and insists she is the most dangerous. By Menzoberranzan standards, she probably would see Orin as being the most deadly and dangerous. Because in her experience, the woman is the most powerful. Orin already did a lot of fucked up shit to her, but she realizes that Orin could have done so much worse.

It makes a bit more sense why Minthara's tone about Orin turns from rage to terror in between acts. She is the only character in the game that portrays Orin as a threat. Gortash, Sarevok, Fel - they all treat her like a joke, an annoyance, someone to roll your eyes at. But Orin has shown a side of herself to Minthara that others either don't see, or don't take seriously. Orin is cruel for cruelty's sake - she revels in the suffering she brings to others. Minthara has scars and nightmares left behind by Orin, and it ultimately meant nothing. No - Minthara's suffering empowered Orin. Chronologically, Orin probably got her hands on Minthara after taking out Durge and establishing herself as Bhaal's Chosen. She was on a winning streak. Minthara's torment was her celebration, her victory lap, a tool to establish herself as the true monster she wants to be seen as. Everyone in her life has overlooked her, so she created a victim who never will. A victim who is so paranoid, that she is constantly looking for Orin's presence everywhere she goes, because Orin could be anywhere... Orin could be anyone...

[demadogs]

some of you need to hate ai way more than you currently do

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.