#how poetic..

[caffeinewitchcraft]

“Don’t deify the dead.”

“Why not?”

“Because it’s not the truth. They were human, they were flawed and that fleeting imperfect nature is what made them them.”

“…Save your poetry.”

“My lady—“

“It makes more sense that I can’t touch a god than it does to believe I’ll never see them again.”

[betty-fran]

I finally understand why Kirk and Spock have this strong Jane Austen vibe in TOS. It's all because they never really talk, dammit. They communicate with these affectionate understatements, looking at each other with those intense, thoughtful looks, and it's like you're constantly stuck in the middle of a particularly confusing conversation somewhere in Pride and Prejudice.

[inbabylontheywept]

Soviet Birds.

The secret facility that I work in has holes in the ceiling. We don't know how to get them fixed.

We tried asking the government to fix it, once. We told them that the holes in the older parts of the facility had gotten large enough to fit birds through, and that birds were getting through, and that, perhaps, a Soviet Spy could fit through as well.

After all, it is well known that Soviet Spies and pigeons are approximately the same diameter.

Our hope was that that this vague and nonsensical threat would put a little fire under Uncle Sam's feet. If the fed couldn't be bothered to give a shit about the giant gaping holes in the roof of our facility, perhaps they could be persuaded to give a shit about... Soviet Spies.

This attempt at manipulation 100% blew up in our faces.

See, the government does not need to be persuaded to give a shit about Soviet Spies. It still wakes up most nights, drenched in cold sweat, terrified and confident that a Soviet Spy is hiding in their nightstand. If it sees a rock on the ground, it flips it over, pistol drawn, ready to shoot the Soviet Spy it fully expects to slither out from underneath. Which is to say: The government is crazy. So when we dropped those two words - inflitration risk - in the repair request, they came in guns-a-blazin'.

Does that mean that they fixed the roof? Of course not. Don't be stupid. No, instead of performing basic maintenance, they installed a state of the art alarm system throughout the facility - lasers, sonar, the works - and told us to always be on the guard. Because of the roof holes.

Then they left.

So now we had an extremely good alarm system... and birds. Which have combined in incredibly obvious and predictable ways to produce an unending fountain of problems.

For Example: About once a month, someone gets called in by the local airforce dispatch because AAAAAAAAAAA a Spy is in the Rad Lab! We're all gonna die! Except every time, it's a bird. And I get why we have to check, but every time, the dispatcher is panicked and the person going out has to be like listen, listen: It's a bird. It's always a bird. It's been a bird every month for the last fifteen years. It will be a bird next month. All this stress? Bad for your heart.

Second Example: Sometimes, birds get in while we're actually working. And when it's in the morning, you know, it's a nuisance, and it stops testing (we are not going to risk irradiating a bird) but it's not an all-hands-on-deck situation because it doesn't take ten hours to get a bird out. But surprisingly often, the bird gets in riiiiight at closing time, and in that situation, everyone goes feral because nobody can leave until the alarm is set, and we cannot set the alarm while the bird is there, because the bird would immediately trigger it and then we'd have to stay another 4 hours to confirm that it was not a Soviet Bird.

So in order to go home, everyone's top priority is Get That Bird. And we have a system for it.

Step 1: The test stands tend to be located in rooms with 30+ foot ceilings. We can't catch birds in places like that - so we have to lure the bird into the relatively low ceilinged (8 feet only) upper offices.

We do this by turning all the lights off in the test rooms, then putting floodlights by the exits. I don't know why this works - some kind of evolutionary brain fragment shared by both Bugs and Birds - but work it does. The birds almost always follow after the lights. From there, it’s just two guys moving the floodlight and a third guy to turn off the lights.

Step 2: Everyone else has been waiting for this step. There is this long stairway up from the basement level into the offices, and in the final stage, the floodlights are brought to the base of the stairwell to bring the bird up. At the top of the steps there will be a group of tennish people, waiting for the signal. The light guys will set up the final transfer, everyone will tense, and then, swish...a bird will flit up the stairs and into the offices.

It's like watching werewolves on a full moon. Before the bird cometh, we are engineers. Nerds. Pale and skinny things, trembling under the fluorescent lights. After the bird, we are beasts. Feral, gnawing things, glowing under the orange sunrise of the 70's halogen floodlights.

And like all beasts, we cannot help but give chase.

Step 3: The were-engineers begin the hunt. The goal at the start is not really to catch the bird - just exhaust it. So the pack simply does not relent. Because the stakes are going home on time, the group is basically given free reign to go anywhere in the building. If someone's door is open, and the bird goes inside, they're going to have to deal with ten sweaty panting maniacs leaping around their office. They don't get to say that they're busy, or remark on how all this movement is a terrible distraction. They are allowed to sit in silence during the chaos, and perhaps thank the war party for chasing the bird while they sat comfortably on their ass. This has been explained several times, and it will continue to be explained until cooperation is achieved.

Anyway.

The chase can go on for quite some time. Sometimes, the bird will get tired and find a crevice to hide in, where it can then be reached through standard cornered-bird catching techniques.

Other times, it will slow down enough that someone can actually yoink it out of the air. But this will go on until someone catches the bird and triggers Step 4.

Step 4: The Finale. This is the get-the-bird-out-of-the-building stage, and it requires someone to adopt a specific role: To Become the Sacrificial Vessel of Bird Removal.

This job is both coveted and feared. It's coveted, because holding a wild bird in one's hands is a precious thing. To feel how small, and fragile, and scared it is, only to free it from the building? That is what it's like to be a benevolent God. But the cost! Oh, the cost. The entire time the Vessel is in motion, the bird will be biting the hell out of their fingers. And I cannot emphasize enough just how painful bird bites are. Their entire face is a set of needle posed pliers, and they know tricks the even the cartels haven't figured out yet. So there's always a little hubbub about who shall be The Vessel while onlookers, stranded outside The Office of Bird Capture, can only look on. Quiet arguments and pleas are heard, little fragments of fear and pride and glory trickling out of room like the silver dust left behind in a bag of well shook quarters. The sound of concensus is silence, and the argument will go on until that's all that's left. And then, from the darkness of the final office, the chosen sacrifice will step forward: Hands gently cupped, tears streaming down their face, fingers trembling from the pain of the ongoing bird chomps.

And this scene is what organizes people. Not leadership, not truly. No one can think and coordinate a crowd while their fingers are being attacked with a combination nutcracker/ear piercer. But the crowd sees the suffering of their annointed, and it is driven to do everything poossible to make the process flow. People instinctively flair out, finding the fastest path outside. Doors are held open. Paths are cleared. Someone, somehow, always knows the way forward and can describe it to the sufferer. Left, left, forward. Corner closet. Yep, there's a hall in there. Forward. Two-hundred more feet man, you're doing great. Just hold it together a little longer. You're killing it.

Then the final door swings open, and the bird flees out into what remains of daylight. And yet, even here, the deed is not yet done. I cannot explain it in words, but the crowd that helped is never content until they can see and speak on the Bird Vessel's wounds. They all have to pull the fingers back and see what was given. Estimate the price: One day to get better - No, three - No, a week! Are you blind? Do you see that blood blister? -Yeah, that's not going away anytime soon - Damn, can you believe how feisty those things are? Like wolves without teeth.

(They cannot help but touch as they go. It has always been this way. Even Thomas was not content until he felt the wounds in Christ's hands.)

Only when the last of the helpers has seen, and commented, and commended, will the engineers scatter. It is their return from the underworld that announces to the sun living surface dwellers that they too can go home. (@somerunner tolja it needed to be a post.)

[hinamie]

some quick jjk eye paintings

[worshippin]

btw sam saying 'i choose to learn. i already have power' was one of THE greatest, most badass moments in dimension20 history and i will fight anyone who disagrees

[phoenxwright]

Taking a much needed rest with a new friend

[lostsolace]

I'm sorry, Anakin. For all of it. I am not your failure, Obi-Wan. You didn't kill Anakin Skywalker. I did.

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[finnbin]

Ford has gotten too used to talking to himself and not at all used to other people being around to hear it

Bonus:

[clumsypuppy]

@heropartnerweek 2025 day 3 - recovery

dialga revived neptune using the last minutes before he disappears. because of this, he's sustaining the injuries from the fight when he reunites with marmalade.

[wishing-well-art]

My piece for the @trafficzine 5th edition! It was such an honor to have my piece alongside so many other amazing artists in this fandom, and it's especially special since Secret Life was the first life series I watched!

I'm so proud of this piece, the mounders have my whole heart... See if you can name all the little mounders moments I put in the panels :]

Alternate versions and sketches below the cut!

Top two are sketches from when I was laying out how I wanted the final thing to look like, bottom left was the first draft of the piece until I decided I wanted more little references to other Mounder's moments across the piece, I still love it; and bottom right is the lined version of it when I was still struggling with color and figuring out how the sparkly parts were meant to look.

[seumyo]

If ghosts were real—well, Bakugou didn’t believe in ghosts, but if they did exist—they lived in the spaces people left behind.

And you happened to have left behind too many.

It wasn’t just the obvious things. Not the clothes still folded in your drawers, untouched. Not the way your books still sat on the shelves, the spines cracked from overuse, the pages filled with notes in the margins. Not even the stupid coffee mug you always used, the one you once swore made everything taste better, still sitting exactly where you left it on the kitchen counter (because it had his and your face printed on it).

No, the spaces you left behind were quieter. More insidious.

Like the empty seat across from him at the dining table, where you used to sit, eating straight from the pot that one night because, “Why dirty another dish?”

Like the sound of the bathroom door not opening in the morning when he’s actually using the toilet—dammit, you didn’t even have the care in the world to give your boyfriend some privacy—the absence of your muttered complaints about how the water took too long to heat up.

Like the other side of the bed, cold and untouched, where he still reached out in his sleep, half expecting to find you there. Anticipating to hold you closer to him.

Grief was a strange thing to Bakugou.

It wasn’t like pain. Pain was easy. A broken rib, a busted lip, the sharp sting of impact—those things, he knew how to handle. You grit your teeth, you clench your fists, you keep moving. That was what you did. That was the kind of man he was.

But grief wasn’t like that.

It wasn’t a punch he could take and shake off. It was a weight pressing down on his chest, invisible but suffocating. It was the silence of an empty apartment. It was the echo of your voice in his head, the way his brain still filled in the blanks in conversations you should have been part of.

It was standing in the grocery store, staring at the shelf, reaching for the brand of tea you liked before stopping halfway, fingers hovering in the air, before dropping his hand back to his side.

What was the point?

He hated how much space you had taken up in his life. Hated how even in your absence, you still lingered, threading yourself through his routine, his thoughts, his goddamn muscle memory.

But more than anything, he hated how much he wanted it to stay.

Because if ghosts were real, then maybe—just maybe—you weren’t completely gone.

He hadn’t cried. Not when he first got the news. Not when he stood at the funeral, jaw locked so tight it ached. Not when he walked through your apartment alone for the first time, every corner of it filled with your presence, your things, the remnants of the life you lived.

But tonight, he was exhausted.

Physically. Mentally. It comes down on him like something tangible, something inescapable—all at once.

And for the first time in a long time, he spoke into the silence.

“…This is fucking stupid.”

His voice was hoarse, rough from disuse.

Nothing answered.

Of course, nothing answered.

Still, Bakugou exhaled sharply, scrubbing a hand through his hair. “You’d be so pissed at me right now.”

The quiet stretched.

Bakugou let out a humorless laugh, shaking his head. “Tch. You always said I was too stubborn for my own good. But look at you. Still haunting me, huh?”

His eyes flickered to the couch, where you used to sit cross-legged, laptop balanced on your knees, pretending to listen to whatever bullshit he was ranting about while actually getting work done.

A strange, bittersweet feeling lodged itself in his chest.

“…You remember that time you swore up and down that ghosts were real?” he muttered, voice quieter now. “I told you you were full of shit.”

Silence.

His fingers curled into fists. “Kinda wish you were right.”

No answer. No sign. Just the hum of the refrigerator in the kitchen, the faint buzz of the city outside the window.

But in the quiet, he thought—just for a second—he could hear it.

A breath. A whisper of movement. The sound of something shifting just out of sight.

He knew it was nothing. Just his mind playing tricks on him.

But still, Bakugou closed his eyes, exhaled, and let himself pretend.

SEUMYO © 2025. PLEASE DO NOT REPOST, PLAGIARIZE, MODIFY OR TRANSLATE.

[oceanfishye]

Sven Ivanov, you will regret ever messing with the Sun and the Moon.

For the Eclipse(s) will be the one to end you.

[autumndragon]

it's the same move

[kenobers]

nsfw alphabet | Jason Todd

what the title says ! tw; explicit sexual content, gn!reader a/n; like always, these are just my thoughts and headcanons

A = Aftercare (what they’re like after sex)

Jason's gonna make sure you're comfortable afterwards. He'll wipe you down, check that he didn't go too far. If you leave afterwards, he'll make sure you get home safe. If you stay, he'll offer you a t-shirt to sleep in. For a while, he wasn't big on the physical aspect of aftercare, but eventually pulling you to his chest becomes second nature. It's like your head fits just right in the crook of his shoulder. Hey, maybe the body heat will keep with the inevitable soreness you'll feel tomorrow. He's big on eating after sex. If you have enough energy, he'll order some Chinese or throw a frozen pizza in the oven. Sometimes it's kind of astonishing how the man will fuck you until you're more than a ragdoll, then immediately demolish like three Big Macs.

B = Body part (their favorite body part of theirs and also their partner’s)

He loves hands. He loves his hands. They're big and strong, they can protect you, please you, provide for you. He adores the way you feel under them, soft and clean. He loves to feel you press against his palm while his fingers disappear inside of you. He loves your hands, the way they feel on his skin. No matter their size, they always look so small wrapped around his cock. He cherishes every mark your fingernails leave along his back, every sting they leave on his scalp when they twist his hair. He loves that your hands can go from caressing his scars to replacing them.

C = Cum (anything to do with cum, basically)

Jason loves the sight of you, sweaty and panting, with your stomach and thighs decorated in white. He's a little more possessive than he likes to admit, and he secretly feels like he's marking you as his whenever he finishes all over your skin.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He loves having high sex. When the weed hits just right, so the world reduces to nothing but you...that's that good shit right there. He gets so locked in that there isn't a single thought that could pull him away. He's numb in every place that isn't touching you. It adds a certain level of passion, of desperation, for each of you because your senses are so heightened to each other. However, it isn't very often that he feels both of you are to the same level of inebriated for it.

E = Experience (how experienced are they? do they know what they’re doing?)

He isn't as sexually charged as you would think and he typically waits to get to know a person before having sex with them (with a few exceptions, like for a certain crime lord's daughter). So in that regard, one of his body counts is significantly higher than the other, but he's had enough experience to know what he's doing. He knows what he likes and he knows how to figure out what you like.

F = Favorite position (this goes without saying)

So long as your legs are hooked over his hips, he's happy. Jason particularly loves it when he's on his knees while you're on your back with your hips angled over his thick thighs. It lets him get deep inside of you while still being able to look at your pretty face. Not to mention, he loves grasping your hips, spreading your legs wide. (According to trusted resource, SexPositions.Club, this is position 5. Aquarius) He also loves having you up against things. Against a wall, on the kitchen table, the handle bars of his motorcycle. The way you hold onto him in more ways than one really adds something to the moment. And yeah, maybe it allows him to show off his strength to you.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Jason's tone depends on the time and place. For the most part, he's serious. He teases you, lets out a low chuckle when he gets a sought after reaction from you, but it isn't humorous. But sometimes...sex is just incredibly unserious. Like lazy morning sex, when neither of you can be bothered to do much more than roll on top of one another. Like you're horny, but Jason looks so goofy with his hair sticking up and you're a real beauty queen with your crusty eyes. Or the aforementioned high sex, when both of you are so lost in your pleasure and giggles.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

His autopsy scar stops where his happy trail begins. Before you were a regular in his bed, he didn't really think to groom himself much. But he figured he should show you some decorum, so he keeps the dark patch of hair reigned in.

I = Intimacy (how are they during the moment? the romantic aspect)

Jason doesn't take sex lightly. It's either a tool or a declaration of love (no matter how lazy). If he's using sex as a tool, he isn't going to be very intimate. He'll praise you, sing songs about your body, but it isn't going to be very personal. However, when you're in an established relationship, he's very intimate. There's much more kissing and eye contact, lots more "that's my baby" instead of "that's it, baby".

J = Jack off (masturbation headcanon)

Oh yeah. Usually only if you're gone though. He'd rather have the real deal. But sometimes...if he thinks about you for a little too long...well, it's hard to hide all that when you're his size...it's just polite for everyone else if he just deals with it.

K = Kink (one or more of their kinks)

Jason's kinks are sort of a revolving door. He likes to go rougher and he likes to be in charge typically, but everything else is dependent on your moods. One day he'll blindfold you, the next you'll tie his hands together while he gives you orders you have to follow on your own. He'll be daddy once, then sir the next, but his favorite thing to here is Jason. He also gets a thrill out of doing it with the Red Hood mask on. He's also got a praise kink. There's nothing that gets him going more than hearing you babble about how good he's making you feel, about how much you love him. It goes the other way as well. He loves to tell you how good you feel, how beautiful you are, how well you're taking him.

L = Location (favorite places to do the do)

Where ever the mood strikes. Generally speaking, his apartment is his favorite place. There isn't a particular room, he just likes the knowledge that this is your space to do as you please. But he does get a little thrill whenever you manage to do it somewhere risky.

M = Motivation (what turns them on, gets them going)

It's cliche as hell, but the sight of you in red really does work wonders for him. If he can see your nipples through your shirt, it's over. Watching you doing or say something intelligent is a huge turn on. He likes to watch you work for it. The way you oh-so-conspicuously bend over to pick something up or shiver so your chest sticks out. Make a suggestive face as you drop an innuendo only he understands and he'll see to it that your efforts don't go unrewarded.

N = No (something they wouldn’t do, turn offs)

He's not a voyeur. If he's gonna do it in a public setting, it's gonna be in a closet or a bathroom stall; somewhere that still shields your bodies from prying eyes. That's just for the two of you. Now, of course there's exceptions - like if you're trying to piss off your mobster father by fucking on his property, then he'll get a little cheeky for the security cameras.

O = Oral (preference in giving or receiving, skill, etc.)

Jason is nothing, if not a giver. Just lay back and let him take care of it, baby. This is something he can spend hours doing. His tongue knows just where to work you, he knows just how much teeth you like, where the biting boarders on pain. And if his fingers aren't right next to his mouth, they're kneading your skin, raking his nails across your stomach with a featherlight touch, massaging the kinks in your thighs so you can open them a little more. If nothing else, his mouth and hands can cover a lot of ground.

P = Pace (are they fast and rough? slow and sensual? etc.)

Jason likes it fast and rough. He'll drag out foreplay to his heart's content, but once you're good and ready, he's fucking you like his life depends on it. Then he's flipping you over and doing it again. That said, he has his slow and sensual moments. After a rough night when he's feeling particularly sentimental and grateful for you, he'll take all the time in the world just to watch you underneath him.

Q = Quickie (their opinions on quickies, how often, etc.)

Pro quickie, but usually if it's an appetizer for what comes later on. It's hard to take a dick that big and casually go on about your day. So, most of the time quickies look like his fingers sneaking down your pants during your lunch break, his head between your thighs in the bathroom at a charity event, or you on your knee taking care of him before patrol.

R = Risk (are they game to experiment? do they take risks? etc.)

As mentioned earlier, his kinks are a revolving door, so he would be down to experiment. He's pretty good about saying no when he needs to, and if he trusts that you can do the same, then he's open to trying new risks.

S = Stamina (how many rounds can they go for? how long do they last?)

No one recovers like this man. He can go for as many rounds as your heart desires. Unless he's already been yearning the whole damn day, Jason can last until the cows come home.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

He doesn't have any toys for himself and doesn't really like to use them on his own body. However, he likes to use the vibrator on you, especially during foreplay. He likes to watch as you curl into him and shake with pleasure while he drives the toy between your legs - especially knowing that it won't be enough to satisfy you for long.

U = Unfair (how much they like to tease)

He likes to tease up to a certain point. If you're out doing something, he'll keep sliding his hand higher and higher up your thigh, then pull away completely, or lean down to say something to you so that his breath hits your neck in that one sensitive spot... But once your clothes are off, he can only restrain himself for so long.

V = Volume (how loud they are, what sounds they make, etc.)

Low groans and swears. His mouth as a mind of its own when he really gets going as he praises you, teases, calls out to you. You're his Baby, his Pretty Thing/Girl/Boy, so so good for him, taking it all like this. Oooh. Look. At. You. You can always tell when he's close because his panting turns to grunts, his sweet nothings become more intense as they strain between his teeth.

W = Wild card (a random headcanon for the character)

He's secretly a little self conscious about his body, particularly about his scars. Like, yeah, he's big and muscly and people always say they dig scars, but...some of his are, like, real nasty. Not to mention, that some of them have triggering memories attached to them. He finds his autopsy scar to be especially gross. It takes up so much of his chest and it doesn't seem to want to fade like the rest of his marks tend to do. So for a while when you first started having sex, he found ways around taking his shirt off. And if it did come off, it was in the dark. Once he works up the courage to finally show you all of him in proper light, he's surprised when you're more fascinated with it than anything. He can't suppress the shiver that runs down his spine when you press your lips to the crux of that T-shaped stamp. He probably won't ever love his scars, but he'll always adore the way you treat them.

X = X-ray (let’s see what’s going on under those clothes)

He's a big guy and is very proportional. He's a solid 8 inches standing tall and girthy. He's a lot to take in, which is why he's very adamant about getting an orgasm out of you before penetration.

Y = Yearning (how high is their sex drive?)

His libido is strong for you. As previously stated, he's not as sex charged as you would think, but he does have a strong desire for you. He initiates sex fairly regularly, but he doesn't feel the need to paw at your clothes 24/7.

Z = Zzz (how quickly they fall asleep afterwards)

He almost always waits until you fall asleep. If you manage to fall asleep quickly, then he'll follow suit typically.

[crustyfloor]

I've been thinking a lot about dancing as a form of possession and keeping, when they dance, to us, it's a physical melody of two, an abstract form of intimacy, to them it's also a way to get a message across.

Dancing in the way that HyunA's is Luka's and only Luka's to have, dancing in the way that Till is Ivan's to want and keep close, dancing in the way that Sua and her memory is Mizi's to keep and hold for her eternity