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#statement of purpose#how to write a statement of purpose#how to write statement of purpose#statement of purpose phd#statement of purpose for phd#writing statement of purpose#statement of purpose example#personal statement
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Sorry guys I gotta speak my truth on this one
I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)
And here's why.
I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.
In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses
When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.
Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.
For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.
Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy
You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters
And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.
Here's another example.
Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin
Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).
Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.
Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.
Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?
This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.
Thank you for coming to my ted talk.
#fandom wank#on the flip side it really just doesn't all happen with shipping#doesn't this go the same way when someone hates a character so they brand them with terrible terms and act like they're terrible without#actually taking a second to analyze them simply because they dislike that character?#Hell I've seen people get really invested in platonic relationships on the fanon side‚ start labeling them as siblings because the idea of#people shipping them makes them uncomfortable‚ and then when new canon doesn't fulfill their hopes they still act like those characters#being siblings to each other is canon because it makes them uncomfortable if that's not true#I've seen people watch a trailer for a piece of media before it comes out‚ build up an entire story in their head based on that trailer#that they've designated as their perfect idea of how to handle concepts presented in the trailer‚ and then when canon doesn't end up going#that way they decide that it's bad writing simply on the grounds that this wasn't the story they wanted. so they unironically act like#writers can only be good writers if the writers play into their specific wants as the audience or things they as an audience member thinks#would be great#genuinely even if people turn off the ship side of their brain or the side that gets obsessed with characters they can still be one of those#people who acts like they love media analysis but ultimately are shit at it#I didn't put this in the body of the post cause it didn't really fit but I have to say this too#I think that 'There are multiple readings one can glean from a text and no reading is the 'true' one‚ and this is okay' and 'not every#reading is a valid one or a good one' are statements that can and should coexist#There is a difference between genuinely reading into a piece of media based on what is happening in it and purposely miscontruing and#twisting canon in a direction that contradicts text so you can then quell all criticism by saying that it's just 'a reading' and#'all readings are valid'#What I'm saying is that if you see a blue car‚ the way you get 'valid readings is people who are determining what shade of blue it is or#what it being a blue car means or the author's intent making the car blue or even speculation as to why it's blue and not potentially other#color. A case of an 'invalid reading' in this case is if someone pointed at the blue car‚ said it's canonically red and the author obviously#intended it to be red and it's canonically red‚ and then when people point out that the car is very much not canonically red (that you#can see it is a very clear shade of blue) this person doubled down and started saying that the 'haters' are being rude by implying that#their personal reading of the text is invalid (in other words 'no you can't get mad at me for saying the blue car is red because it's my#reading of the text and all readings are valid no matter what!')#anyways sorry for going off there#it just pisses me off when people repeat the argument that people who like certain things as fans are inherently unable to perform good#media analysis and are the root of fandom media illiteracy.
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So im deep in the weeks of graduate school applications now and where better to go for help than strangers on the internet. I'm applying to math PhD programs and am seeking advice.
What should I focus on in my statement of purpose? I've gotten conflicting answers. Some people say focus on research, some people say focus on teaching. In my mind my purpose is so clear: go to grad school, learn "the ways," and become a math professor.
#gradblr#maths#mathblr#mathematics#writing a statement of purpose is so scary#why cant i just show up at a school and be like look at how good I do math
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I think a lot about how badly the "I lied on my CV" scene would go with Archivist Sasha. A LOT. Now this is based on some things:
a) The paranoia
• A lot of Archivist Sasha AUs act as if she would be imune to the paranoia arc and here is why I disagree:
1. By being the Archivist and feeding the eye you are automatically dealing with an extended feeling of being watched all the time. Not to mention the Eye is literally a paranoia entity (between it's other areas).
2. While Sasha doesn't appear to have Jon's trust issues she has a need to know at least equal to him and a tendency of theorizing. She was of course right when assuming Gertrude kept the archieves messy on purpose but that also shows that between being very smart she is very doubtifull of any behavior outside the person's normal.
3. In that same conversation ahe mentions how everyone has a mask and says to Tim, likely her best friend, that he is as honest to her as he is to Jon it is just different masks. She is fine with this. She is okay with the masks. But that is before things go wrong.
4. She KNEW Gertrude. That means solving her murder is more personal.
b) Sasha knows her shit way to well
• This one is the real fascinsting thing: Sasha is a master in figuring out people's secrets and keeping them for herself. She knew from the start Jon lied about his age and that Martin lied on his CV. To the point that for her this knowledge about Martin is a fun fact and irrelevant, a thing she keeps from because she knows he would be anxious if he knew she knows. The thing is that translating to the "I lied in my CV confession" we have:
• Paranoid Sasha found Martin's letter to his mother (likely writen as a diary with no intencion to actually send it) and thinks that Martin lied about Trevor being dead.
• She knows Martin lied on his CV and it's meaningless to her to the point she might suspect he knows she knows.
• She knows Martin has a complicated relationship with his mother and that means she would assume it to be very unlikely he would ever write this personal of a letter to her.
Conclusion:
Sasha would probably think Martin is using the fsct he lied on his CV as a diversion and truly has an awfull secret. She would also likely tell to his face she knows it isn't it because Martin's mum would never read or care about his feelings or letters and Martin should know this enough to not even bother to write "so this is likely a codename".
#i do have some ideas for sasha paraboid arc for my own archivist Sasha au#not sure if I'll ever write it#i do have some scenes written#namely sasha gouge our eyes with me scene with tim#jon's first statement#sasha confronting martin#jon sasha a traveling lighter and the web#and s1 sasha gathering everyone to talk about her gertrude made the mess on purpose theory#eh wathever#tma#the magnus archieves#archivist sasha#tma paranoia arc#funniest arc ngl#sasha james#martin blackwood#also in my au her cathartic lie convo would be with jon as he confesses he only refused the promotion because gertrude took his statement#and the nightmares and how they finally stopped and he was afraid being the Archivist would make Gertrude go back go tormenting him#he is wrong but like fair assumption#the fact he gives her a motive to killing gertrude also cleans him for her because he says as a statement#and also jon is afraid of her after she was dead he is not brave enough to have killed her nor appears to have considered it would've worked
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either that revealed nothing about me or it revealed a lot. anyway
#i KNOW i just keep saying contradictory statements. i know#this is what it's like in my mind the entire time#well it's more of a dialogue actually#sometimes it's easier to talk to myself when the contradictory statements are coming from ''different'' people#they're not different people they're both me#but there's a me and there's a me that's slightly to the left#i feel like sharing things about my psychology tonight i guess#crucially they're both me#and i even make jokes about it#it's not like it's an entirely different person. it's for discussion purposes#anyway. this is surprisingly not a breakdown moment. well i guess it's like.#a bit of a breakdown of what i think about and how i think about it#but it's not an EMOTIONAL breakdown. i'm just thinking. i'm just writing about my thoughts.#i don't think people are wrong for perceiving me a certain way. even if i sometimes feel like they are#in some (not all) cases it's just silly to think that#i'm genuinely just thinking. i'm also exhausted as fuck.#persimmon's rambles
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i CANNOT wait for this semester to be over. 23 hours remain. God.
#im gonna do nothing on saturday.#literally i am just gonna crochet madly and rewatch the terror for the first time since August#i need this. i need it.#gonna make amigurumi rats and an opossum for my friend. and nothing else.#i am so close. just gonna touch up my mock teaching portfolio in all aspects and turn it in.#idk how i went from: reworking 2 old term papers. writing from scratch 5 statements of purpose. 1 personal statement. a CV. a resume.#a video essay.#a 10k paper. a digital project with research. a self assessment. three interviews for class. a mock syllabus. a lesson plan.#a teaching philosophy. two lectures and a final to proctor.#that was my ENTIRE to-do list 3 weeks ago. not counting the research and soundwalking in a game i had to do for that 10k paper.#idk how i went from ALL THAT. to this. in that little time. with a holiday in the middle.#how the FUCK did i do that. what the shit.#i need a massive break but what the hell. what.#like. idk. i was really proud of myself on Monday for finishing that big paper bc 10k is the longest paper I've written for school.#and i wrote it in A WEEK.#most of the work was compacted into 4 days. 4 DAYS.#i did most of tha phd app work in 12!! 12 fucking days!!#i have had an extremely productive 21 days. and I'm so proud of myself for managing all that shit.#but oh my god i am so hype to become one with my couch and do a hobby bc i havent done hobbies in............. at least a month.
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nah but like
they're "seiros lapdogs" because they're fighting back against the people who attacked them completely unprovoked??? also because it so happens that thales is at garreg mach so they have to go there to reclaim the area to defeat him???
i just hate this because it's just perpetuating things about faerghus and its people that just aren't true. it frames it like they jumped into the war willingly for the church and that they're only here for the church. like nah buddy, it's not faerghus' fault you're out here fighting to protect thales and ludwig.
it also is batshit to me how he and leopold are fighting to stop faerghus from advancing but like... they know what's happening to the empire and that edelgard isn't even calling the shots anymore, yet they still stupidly fight for the very person who is literally razing their country and burning their villages. they know the empire is in shambles and that the kingdom isn't targeting them and is specifically aiming for gm to get it back from who? thales; who, mind, at this point is in his real form and not posing as arundel anymore. everything is laid out plainly, but they still act like faerghus is the bad guy.
but yeah, okay. faerghus BaD for defending themselves, fighting back, finding out who is behind all the puppeteering and heading to take him out. sure, that makes them seiros lapdogs. like what are you, an agarthan mouthpiece??? may as well be like yeah you go retreat and leave you agarthan lapdog. if they don't realize it's Someone Else in charge of course, then ludwig lapdog works fine too.
and it sucks because other than this shit, i like waldemar just fine as a character. it's just like, it feels like they forced someone to have to stick in that final faerghus BaD insult before the grand finale so they just randomly picked someone to remind us that faerghus is Always Wrong as long as they continue to fight back and prevent being attacked in the future.
waldemar here is just basically ag caspar. fighting and risking his life for thales, who is destroying the empire and basically holding the emperor hostage. if the writing here had any decent plot points, they would've all stopped and have been like hey wait, shouldn't we be fighting to get our emperor back? why are we stopping these guys from killing the people who are destroying this country?
and like, they literally went from siding with ludwig during the insurrection to siding with edelgard in this timeline to... jumping immediately back to ludwig as soon as he was at the top of the food chain (thales notwithstanding). as soon as the person in charge changes, they jump ship immediately; then of course get mad that the people they attacked are coming after them... and fighting them as they defend the very people who are letting adrestia become a literal, physical ruin.
it really just tells me that these people don't care about adrestia itself, but status, power and wealth. they don't care about the country itself as long as they're doing well. that's like, the only thing i can get from still fighting with/for ludwig/thales. the fact that they just fight for ludwig again as soon as edelgard is out of commission is also pretty gross to me. they have no loyalty at all.
and it's like, i want to like waldermar and leopold, but they come across as just selfish, entitled and only there for their own asses to be covered. and i get that - that is a realistic take on politicians, but the fact that the game regularly loops back around to faerghus BaD despite that and despite portraying these people as opportunistically selfish is like... what are they even trying to write??
#DCB Three Hopes Run#ah yes. the hours i wait for to post this stuff.#it's like whenever i finally find an adrestian character i like they have them spew some bs like this#or in ferdie's case i loved him and hopes made him another edelgard simp instead of like#the one person around her who contested her views and BLATANTLY OUTRIGHT told her "you're wrong''#but ofc yes edelgardwash him bc that's too extreme in a fodlan game#and in this case with waldemar it's not EVEN edelgard. it's just ''faerghus evil for trying to retake gm''#''we attacked gm and won so it's OURS now the ppl who lived there first don't matter anymore''#''what do you mean it's being held by a threat to all of us? no such thing only you are a threat''#literally like they either killed off the adrestians offscreen or made them stupid as fuck just to have you#fight named characters. like if leopold KNOWS all of this then why is he STILL fighting and acting like it's for adrestia#when his actions in that moment were actively HARMING adrestia?#but yet somehow it like I said loops back to faerghus bad... but yet the writing in general#does portray faerghus as doing the right thing... and then has other characters insist they're bad#and so much so like they're purposely shoving it in your face TO believe it#it's like saying someone helped save a village from destruction and protected all the children in a safe shelter#but a bunch of characters say those ppl are evil and it keeps pressing and pushing that statement OVER and over#like rly what are you trying to write with this? i love ag but the last few chapters are just like#wow how dare you try to kill ludwig the one true future of adrestia who is being puppeteered by thales. like. okay.
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i'm gonna end up on the news.
#is this weekend in particular THAT bad? objectively no.#i just have SO much shit i need to do that i do not have time for. and also my body is NOT cooperating.#ALSO I MISSED THE FIRST FULL BAND TAPEWORMS CONCERT IN LIKE FIVE YEARS#I LOOKED AT GETTING TICKETS WAY BACK IN AUGUST AND THOUGHT 'nah the commute to nj is a little far'#i am going to eat drywall.#none of this is helping me write my statement of purpose. also i don't know how i'm gonna get medication after december. yippee.
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SOP Services
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#statement of purpose#how to write a statement of purpose#how to write statement of purpose#statement of purpose phd#statement of purpose for phd#writing statement of purpose#statement of purpose example#personal statement
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Writing an essay is less daunting when I remember I used to write them for fandom funzies
#god. bsgsjqhdhs#writing my thesis statement like oh yeah I remember how to do this#first essay for schooling purposes in 6 or 7 years let’s go girls
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How to Write an SOP for Australia: Tips for a Successful Application
Writing an effective Statement of Purpose (SOP) for Australia is crucial to your study visa application. The SOP helps universities assess your background, motivations, and academic qualifications. It should clearly explain why you are interested in a specific program and how it aligns with your career goals.
Key tips include:
Research the university and tailor your SOP accordingly.
Structure your SOP with clear sections, such as an introduction, academic background, work experience, and career goals.
Use concise and formal language, avoiding complex sentence structures.
Proofread multiple times to ensure clarity and professionalism.
For a detailed guide on writing a standout SOP, visit How to Write an SOP for Australia.
#SOP for Australia#how to write an SOP for Australia#Australia study visa SOP#Australian university SOP#statement of purpose Australia#SOP format for Australia#tips for SOP writing#study in Australia#Australia SOP guidelines#SOP for international students.
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🥊🏆
#I hate making textposts because it feels like a big statement. A commitment of sorts. And that's not what I'm going for.#I don't expect anything I write to be read and they are not made with that purpose.#I write to let it out. Get it out of me. Make sure it's somewhere so at least I know I won't carry with me until my death.#So‚ with that said‚ I've been thinking a lot lately.#About fighting. About the curse of being the underdog by design. About how that only ever meant I was set up for failure.#In my games. In my ring. It was designed so despite it all‚ I could find a way to win.#Because it otherwise wouldn't be *fair* to the player. Despite the lack of rules. Despite the disparity in power and abilities.#It was still at least slightly *fair*. I always had a way to get close. Had an opening I could exploit.#We were still‚ despite everything‚ playing the same sport.#Smash is not like that. Nothing else is like that.#Only ever in the ring. Only ever in that small part of my life could I manage to be *more*.#It makes me think it was never me that did all that. I never had the capacity to win. I was never given the tools to survive.#I onlh just managed to get lucky with my environment.#There's something about trying your very best‚ working yourself to the bone‚ using every tool you have and all the strength you can muster.#And still be the weakest. I never stood a chance. There's no way the man designed to always be too small and too disadvantaged#could've ever truly pulled through.#Sigh!#At least I'll always be World Champiom. If only for a short while.#🥊🏆#I wonder if anyone else in the roster thinks about it. I wonder if it matters as much to them as it does to me.#Then again‚ most of their lives are not defined by fighting. So. I think my perspecfove may just be skewed.#Do they even know how much I resent them for the tools they were given... For the fact they were allowed to play an easier game than me...#rambling#Joker Persona 5. Hit me up. I have opinions about you you couldn't even begin to imagine.
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#'what are you doing at 5 in the morning'#i was rattled from sleep by fear and this is how i will cope!#sunday musings on christ are still to ensue#also . i was looking for talking points i am burdened with the task of writing a statement of purpose#my angle is prolific but brief because the british... are so somehow#cant stand that country 😭#i know your war crimes
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actual writing advice
1. Use the passive voice.
What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.
2. Use adverbs.
Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.
3. There’s no such thing as “filler”.
Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!
4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter
First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.
If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:
English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.
Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.
That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.
You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.
If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.
You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.
That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.
5. You’re allowed to say the boobs were big if the story is about how big the boobs were
Nobody is saying this. Only I am brave enough to say it.
Well, bye!
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Statement of Purpose
A "Statement of Purpose" (SOP) is a critical document required for academic or professional applications, such as university admissions or research positions. It highlights an applicant's academic background, career goals, and motivations for choosing a specific program or field. The SOP should reflect the candidate's unique experiences and aspirations, demonstrating their suitability for the desired opportunity. It is typically structured as a personal narrative, showcasing not only achievements but also passion and commitment. A well-written "Statement of Purpose" can set an applicant apart by effectively conveying their purpose and long-term objectives.
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