#i don't like being alone...

[fatass-adam]

Once you guys are done being busy I'm gonna do a self M!A thing with Adam I think XD

Until then I'm trying to draw and nothing is turning out *cries*

[paintedcrows]

Had a silly thought about hypothetical cat curse shenanigans with @dark-lord-of-awesomeness's How to Cat Burglar a Family ;)

Bonus doodle!!

[ilovelifee]

Gravity falls as onion headlines part II part I part III

[showsandstuff]

I am so conflicted about the drama in the arcane fandom regarding Meljayvik because it's all just so messy.

For one, not everyone likes every ship and that is okay. You don't have to like Meljayce or Jayvik, it's okay to only like one of the two or none at all.

But then there is the disposable black gf trope that makes this whole thing tricky. I hate this trope so damn much, it isn't fair. At all.

But then also Mel is SO MUCH more than Jayces lover in the story, like her romantic relationship with Jayce was a tiny part of her character and their relationship with each other as well. So I don't like the idea of reducing her to just that. Mel's arc this season was all about her other qualities, her intelligence, her power and her relationship to her mother, not about her love for Jayce or whatever.

I absolutely love Mel as a character. She went from someone who I thought would be a cunning villain, to this caring and intelligent leader, who will do whatever she thinks is best for her people.

Yet people always reduce her to "the girl that gets in the way of the Yaoi" or "Jayce’s love interest", like no come on?! She never got in the way of anything and she isn't just Jayce’s girlfriend. She doesn't lose her purpose if people don't like her together with Jayce, because that wasn't even what her arc was about! Free my girl!

[technically-human]

*Reverses your Christmas*

A gift from @i-am-as-normal-as-you-are to all of you :) we really wanted the boys to get along for once, and what better occasion than Christmas? anything to make the Edwins happy!

[zenruu]

if you're still boiling a character as complex as alistair down to anything along the lines of: himbo, idiot, soft baby without an idea of his own, haha funny cheese man i'm straight up burning your house down with lasers and sending you directly to hell.

if you genuinely believe that man is stupid, all you're doing is admitting that you yourself cannot see beyond the incredibly transparent veil he wants to put over your eyes.

what he is is insecure, and he wants you to think he's stupid so that he doesn't have to live up to expectations he fears he won't meet. shortly after meeting him you can call him out on using humor to deflect and make himself smaller and he ADMITS IT.

he repeatedly shows you just how intelligent he is and how aware of the ways of the world he is. his history knowledge, his understanding of the chantry and its control of templars and mages that goes far beyond nearly anyone else we as the player speak with, his emotional intelligence when it comes to understanding others' intentions and needs... and this is just a thoughtless little post with quick examples i conjured up in five minutes! i'm not even doing a deep dive here! how do so many people miss all of this?

this is not advanced reading of subtext, it's incredibly simple and i'm completely unsure how people don't understand this about him.

he's such a great character for so many reasons - his flaws being some of those reasons - but a lack of intelligence is simply not one of those flaws no matter how you spin it.

[daily-sifloop]

Loop and Sif fishing together? 🥺

Day 76: sleeping with the fishes

[infinitelystrangemachinex]

massages forehead So Ambessa hid Mel away because she was a weapon in the literal sense, a mage. But Ambessa came to Piltover for Hextech? And Ambessa had nothing to say to Mel about her powers having visibly awakened? Even when Mel offered to go with Ambessa, giving her the ultimate opportunity to make Mel a weapon for real? And Ambessa made no attempt to find or retrieve Mel - not just her daughter and the remnants of the family Ambessa professes to love, but also her ultimate weapon - when she disappeared? And Ambessa trusted Singed and Viktor on their home turf - neither of them hiding how insane and self-serving they are with every reason to take over Ambessa's soldiers or just blatantly turn on her as soon as it benefits them - more than she trusted Mel? While Caitlyn (and by extension Piltover) was visibly and clearly falling away from Ambessa's teachings before Ambessa's eyes? (as if getting rid of certain people allows piltover to get rid of fascism but we won't get into All That)

Not only do I struggle to be hyped for Mel's powers beyond how amazing and beautiful she looks, but I can't help but feel like Mel is somehow less powerful in season 2 than she was in season 1, and not in an interesting way. As if Mel's ability to bend all of Piltover politics and economics to her will in season 1 now means nothing in season 2? You can argue that Jinx's attack led directly to Mel losing ground in Piltover - because I expected Mel to have to claw back that power without being able to rely on people who are too easily seduced by Ambessa and authoritarianism, and she would have to get creative to go toe to toe with her mother. I expected pushback to her mage identity that she would have to navigate. But instead this went either unwritten, or was ignored or discarded. Instead Mel is removed from the main plot, cutting her off from what made her the most interesting - only for all of Mel's very real talents, her very real powers and abilities, to be not only translated but REPLACED with magical powers she doesn't know how to control, and by the finale, those magic powers are the only powers that are considered real. Mel takes a backseat to Piltover's governing and decisions, a backseat to Jayce of all people who was not only new to politics mere months ago but made poor governing, strategic, and diplomatic decisions when he had that power. In season 1 Mel stayed off the "throne" but she did pull its strings one way or the other, and she makes no attempt at this in season 2

In my least generous suspicions, Mel was gentled and quieted to capitulate to an agenda for other characters who had to be correct and heroic - or wrong and villainous - no matter what the leadup narrative said, given her powers to help sell the game and set up future shows, and was effectively ejected from the Arcane story with faceless soldiers and a role she doesn't want because she was inconvenient there

[kit-screams-into-the-future]

was having trans marty thoughts again and i came to a realization about this scene

[cardo-de-comer]

ms paint :/ i don't have energy to draw in photoshop like normal so i just opened ms paint big brain moment and below is just some dumb memes

and absolutely cursed thing to end this post - Imri without his helmet. god knows how those curls fit under it

[br1ghtestlight]

whenever ppl talk about the contestant sleeping arrangements i just think about that one tumblr post that was like Why would they confirm that the ii contestants prefer sleeping in normal beds but mephone makes them sleep outside on the wet grass like dogs when they're in competition why would they show us that. THATS LITERALLY ALL I THINK ABOUT NOW like what is this bro?????

i dont even blame mephone cuz 1. we know he ALSO sleeps outside on the sad wet soggy grass outside with the contestants like a dog without an owner and he never had a real bed to sleep in 2. he probably didn't even think about it until hotel oj was created

but it's so sad cuz the contestants had NEVER slept in a bed before. we know they had no lives before the competition like imagine how much chronic back pain they have as a collective!!!!! theyve been sleeping on the COLD HARD GROUND!!!!!!!

[myrmica]

so it was possible...

[prlssprfctn]

Something, something about Jason saying it to Joker, only later for Joker to be saved by Bruce over Jason—

Surely, it is not a sympathy. Never. But. But it is one hell of a choice. And for someone like Jason probably did look like a sympathy — a sympathy over *him*.

Because how else was he supposed to see that? How else if not for Bruce possibly sympathising more with a clown than with a wrenched disappointment his son became?

And honestly? Yeah. It is fucking sad.

[zuzu-draws]

Trolling aside, i think there is some great importance as to why Gege chose this specific manner of panelling for the Yuji-Sukuna confrontation in JJK 264. We can't help but think that Gege's trying to show us some sort of a parallel between Gojo and Sukuna in this situation.

In JJK, there's this interesting notion of one's decision to go "North" or "South" as explained by Nanami during Gojo's death Flashback:

And we all know, that chapter of Gojo's death is titled as "Go South", which highly implies that Gojo chose to stay as who he was, as opposed to starting as something completely anew.

Now the interesting point in the Yuuji-Sukuna confrontation is that apparently...

....the destination for the supposed train within Yuuji's domain...is "North".

Which means that Yuuji's taking Sukuna towards the North.......

They're heading towards the North.....do you guys understand what that means?? For BOTH of them??? Q C Q

[aetherograph]

Idk if this is a controversial take but I think you should be able to take a test to prove you have the relevant knowledge for a degree and if you pass the test, you get the degree. They do that for high school, why is college any different?

Like let's not kid ourselves, school is for credentials and literally everything that needs credentials that are entirely just 'do you have this core knowledge' can be dealt with this way. Anything that has practical elements can just have the practical elements as classes you can take piecemeal, like CPR training already is, and then you also have to pass a written test.

There's very little reason we need to stick people in a company town (university campus) and pay them in scrip (grades) and make them buy from the company store (tuition) other than to erect unnecessary and inhumane and unjust barriers to knowledge.

If four years of high school can be expressed in test form, then four years of university can too.

[nadiajustbe]

I think the most beautiful thing about writing of Howl and Sophie's pair is that they are written as people before being written as a pair. Let me explain this very quick.

The thing about book Sophie and Howl is that they are not really fully fitting into any "classic" romantic trope. They are not exactly enemies to lovers, as their angry chats are definitely cannot be considered a life or death battle, they are not rivals to lovers because the only aspect of rivalry between them is the cleaningness of Howl's room. They are not friends to lovers, as their relationship just doesn't fit into "friendship" structure at the very start, nor they are roomates (yes, they live in the same house but that's not the core aspect of their relationships). Of course, you can go on and fit the name of the trope you found specifically for them, but that's the thing.

They simply cannot be processed through a pairings lenses only, in order to understand how they act in relationship you need to analyse them separately, as a characters first of all. Cause that's what the book itself does!

Sure, it doesn't have a whole lot of romance instead, but it gives us time to learn and observe the life of incredibly written, alive characters, understand them as personalities first of all, while slowly immersing the dynamic between two characters (in this case, Howl and Sophie) into work. They are written as personalities, both being fully separated and interviewing, changing eachother's point of view.

It's difficult to find a trope for them. They're are not a trope. They are Howl and Sophie, and that's probably the only way their dynamic can be properly described. Just as real people, they are not really fitting into the boxes of linial character progression, but go way deeper into being complex, filled with little differences and moments only people with their personality can have in romantic (or any different) kind of interaction. They're imperfect, and silly, and multidimensional and the reader knows them well enough to imagine them interacting way beyond of what the book says to them.

They are being people before being a ship, a pair of a trope — and that's why they work so perfectly charming in the end.

Howl and Sophie are unique in being themselves.