#i need my winn content and that episode >>>
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slozhnos · 10 months ago
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watching the episode childish things again wish me luck
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heavenlee773 · 11 months ago
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Fairly Odd Parents; A New Wish finale spoilers!!
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Okay so am I the only one who didn’t like the fact that Hazel’s friends now know about the fairies?
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Because like, how do you go on from that? Maybe it’s because I never really got attached to her friends the same way I did with Dev, but it’s just racking my mind over how the episodes in season two will go.
It kind of feels like them knowing about the fairies will only cause troublesome situations like “oh it’s fine! Hazel can just wish us out of this mess” or “Hazel can you wish this for us please?” Which will probably cause a lot of problems, and there’s no going back from that.
It could be because on every site I watched FOPANW for free, it’s missing “The Wellsington Hotellsington” episode which I’m pretty sure is the episode where Winn gets formally introduced, and the trio’s friendship cements. I’ll probably have to buy that episode since websites don’t want to add it for some reason…
But now Season 2 most likely will be focused more on the trio and their shenanigans, so I don’t knowww… I’m really biased though, I love Dev as a character and I love his and Hazel’s dynamic (before the whole taking over fairy world thing)☹️
I like Jasmine and Winn but I just don’t care for them, you know?
And onto Hazel’s brother Antony, he’s cool and all but why does he need to know about the fairies?
Like I know this makes it SO much easier for Hazel, and it’s basically a huge weight lifted off of her, but story wise?? Eughhh I don’t know😖
I mean, if they explore his and Deja’s relationshipppp hmmm okayyyy😋😋 But I just know how they’d segue way into that, and thinking about it makes me uncomfortableeee!!
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Basically what I’m saying is, I CAN’T WAIT FOR SEASON TWO AND I HOPE THERE IS MORE DEV CONTENT!!!
PLEASEE don’t have Dev just be a one off antagonist☹️☹️
The theory that Dev keeps his memories because of his shades (and also his similarities to some other rich kid that was in the original series of whom I forgot his name) is cool, but also awkwarddd— because what does he do with that information?? Like okay buddy, you remember. Now what? He never had the best relationship with Peri in the first place!! I’d prefer if maybe season one went on WITHOUT Irep interfering or at least appearing but not appearing again until the next season, because THEN Dev and Peri could’ve connected at least a little, and Dev could have more realizations about “maybe I don’t need my father’s approval” or something— then in season two when Dev goes on a spiral or something, let’s say his dad ticks him off;
Dev tries to have a heart to heart with his dad after Hazel and Peri push him to,
“I feel like you don’t care about me, and all I want is for you to be proud of me—“
And his dad is like,
“Come back to me when you do something I can be proud of.”
SO THEN he becomes bitter at Hazel and Peri for “making” him go do that, and turns to Irep to take over Fairy World.
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Eughhhh but this is a kid’s show after all, and they want to cater to their attention spans so a show that takes a while to fully flesh out their characters would probably go right over some kid’s heads (or not, they could probably become smarter.)
I still love the show, and fanfiction exists for this exact reason—
I guess that’s enough of my Ramb-Lee’s for now, if anyone wants to talk about FOPANW, I’m here😝.
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(Dev looks so CUTE in this scene🥺)
Peace!!
-🤍
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blu3c4n4ry · 6 months ago
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don't u just love it when the protag gets basically only used as an extension of another characters angst and is turned into a cardboard cutout in fanon content and thus is never though of outside of that inspire of having 30 episodes focused on her (eye twitch)
Oh my god. Yes. The treatment of hazel in the fandom makes me !!!! Mad to say the least . Like yeah i love dev but HAZEL HAS HER OWN PROBLEMS ANS STRUGGLES THAT ARE JUST SO OVERLOOKED BECAUSE OF DEVS DADDY ISSUES!!!!!!!!!!!!!!!!!!!!! Hazel is barely treated as ...you know......the protagonist of her OWN SHOW WHICH IS WHAT SHE IS!!!!!!!!!!!!!!!
I will never forgive how the twt fandom treated her when the finale aired. She did NOT have to use her rule free wish on dev come on now!!!!!!!!!! I think the wish she DID end up making is so interesting AND I THINK PEOPLE NEED TO FOCUS ON WINN AND JASMINE BEING HAZELS FRIENDS MORE!!!!!!!!!!! theyre both awesome in their own ways it just SUCKS that so many cool characters get basically....no recognition..........bc people would rather focus on devs problems WHEN HES ONLY HAZELS FRIEND FOR LIKE. IDK 3 EPISODES????????
Tldr TREAT HAZEL LIKE TO PROTAGONIST OF HER OWN SHOW GOD DAMNIT!!!!!!!!!!!!
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chacusha · 2 years ago
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Star Trek: Deep Space Nine: Prophecy and Change (2003) ed. Marco Palmieri
I bought this book because of @ysalamiri-queen's recommendation of its Quodo short story, which is indeed great. This is a collection of short stories published shortly after DS9 ended, all set within canon (missing scenes/episodes) except for the one by Andrew J. Robinson at the end which seems to be a post-canon follow-up to A Stitch in Time. Here are my thoughts on the stories (mild spoilers for the general content of the book/premises of the individual stories):
"Ha'mara" by Kevin G. Summers: This is a Sisko & Kira story set shortly after the events of "Emissary." I liked this one! It's a good opener to the book not just because it occurs so early in the timeline but because it touches on so many of the themes that DS9 will eventually be about: religion and faith, Sisko's odd role as the Emissary, post-colonial Bajor, Bajor's (non-)entrance into the Federation, etc. I thought it was both a good and odd fit into the timeline: Good because it fleshes out when exactly did people generally know Sisko was the Emissary -- this is a bit vague in DS9 season 1. We know Opaka and Sisko know but outside of that, we never really get how that was communicated to the wider Bajoran public and what the reaction was, so it was nice seeing that here (throughout season 1 I don't think anyone calls Sisko by the title of Emissary but over the course of the show it's obvious he's generally seen as filling that role). Anyway, that's a bit of canon I thought was missing and could be filled in. The story is also a bit of an odd fit because it does some serious relationship development between Sisko and Kira very early in season 1. I'm a bit torn whether I think that fits their dynamic in canon or jumps the gun a bit on their relationship development. In any case, though, I enjoyed this story and its themes. I liked getting to see more of Opaka, too, before she disappears.
"The Orb of Opportunity" by Michael A. Martin and Andy Mangels: Oh man, the main thing I remember from this story is that it seemed like it was written by a Kai Winn fanboy. Now, I love Kai Winn and Nog (who are the main characters of this story) and I love that someone wrote a story focusing on them, but in this story I felt they played up Winn's bravery, revolutionary spirit, and moral compass a bit too much in a way that she no longer felt like Winn. No doubt she is capable of having all of those characteristics and I appreciate getting to see the nobler side of Winn, but she is ultimately meant to be a total snake and I want to see Kai Winn being a total snake. Making Kai Winn instrumental to Nog's decision to join Starfleet is so funny to me but also just NO. Anyway, I liked the story here and appreciated the Nog and Winn focus and the bizarrely positive take on Winn was an experience in and of itself. I like it, but I don't think it's canon.
"Broken Oaths" by Keith R.A. DeCandido: This is a Bashir & O'Brien story that says it's set after "Our Man Bashir" but I think it's more accurately a coda for "Hippocratic Oath". Basically, the plot is "Bashir and O'Brien talk their anger/feelings out about O'Brien disobeying direct orders in order to destroy Bashir's ketracel white research to save his life." Which I suppose is a kind of thing that would put a damper on one's friendship, and generally I like fanfic of the form "Characters actually talk about all the fucked up stuff that happened in canon" but I guess I didn't particularly feel I needed these two to talk out this issue and it felt a bit "stating the obvious out loud" at points (like, "Maybe the reason I was so mad was because [self-analysis]!", you know?). I did appreciate the humor of the stereotypical plot of two characters' whole friend group scheming in order to get them to kiss and make up (with Dax, Worf, Garak, and Quark being the scheming friends here).
"...Loved I Not Honor More" by Christopher L. Bennett: This is the Quodo story featuring Grilka set sometime after her second appearance ("Looking for par'Mach..."), and it's great. I feel like the author had a really good handle on Quark and Odo's dynamic which is ostensibly antagonistic but actually very tender and intimate underneath, and not explicitly romantic but still with those ~vibes~. So like, if you want another story involving these two that's very close to/in line with canon, this does that really well. Also, we get another story involving Grilka and Klingon noble house drama, which is always great. Even though Quark and Odo's canonical love interests come up in this story, somehow it's about Odo telling Quark that he's a Ferengi and that's enough and he never has to be something he's not, and UGH THESE TWO. How do they manage to be so rom-com sappy when they're not even a couple? I'm dying.
"Three Sides to Every Story" by Terri Osborne: Oh man, I have a lot of thoughts on this one. This is a Jake/Ziyal (pre-ship) story, where Jake and Ziyal get to know each other during the Dominion occupation arc and then Jake has to deal with her death. I've heard of Jake/Ziyal as a relatively popular "Ziyal survives AU" pairing so I wasn't surprised to see it here, but I haven't actually read any fic for that pairing so I guess I'm not intrinsically interested in it. Reading this story made me wonder if Jake/Ziyal is actually a soft NOTP for me, or if I just really didn't like the way it was done in this story. I didn't find Jake and Ziyal's attraction to each other convincing (more tell than show), their characterization felt flat to me, and I felt the setup of the story made Ziyal's death more about the tragedy of Jake's connection to her, which is a tough sell as Jake's connection to her is only really established in this story, so the emotional resonance of the story is heavily reliant on having set that up well, which I already felt this story didn't. Anyway, I like the idea of looking at Ziyal's death through a different lens than in the show, and Jake as an artist who doesn't know Ziyal well could have been an excellent choice but I felt making that lens romantic (especially given all the weird forced-romantic stuff with Garak in the show which is thankfully not present here) kind of wasted the potential of Ziyal's character to have some meaning other than potential love interest and daughter, which is already there in the show. Even fleshing out an antagonistic relationship with Damar would have been more interesting IMO (Damar does interact with Ziyal but I also felt those interactions felt flat/didn't have a good grasp on Damar's character either). Anyway, sorry this is so negative -- it's one of those cases where I have a lot to say because I can actually see the reasoning/potential/good ideas here but just got a bit let down by the execution.
"The Devil You Know" by Heather Jarman: This is a Jadzia-centric story set in season 6 after the Romulans join the war against the Dominion and intersecting with the events of "Time's Orphan." This one is an old-fashioned moral dilemma of a wartime Federation where the character goes too far and has to deal with the fallout of that. It felt like a DS9 plot, but at the same time, I felt this took Jadzia's character in too dark a direction (it felt like it relied on emotional outbursts to show/justify why a character makes decisions that don't really line up with that character's values/normal way of functioning); also, it is just depressing but I kind of appreciated the depiction of helpless grief here. Also, Jadzia should totally get her own Romulan woman to have ridiculous chemistry with (Subcommander T'Rul in this case) following the Romulan entrance to the war, just like Kira does (with Kimara Cretak), so I approve. Overall a kind of depressing/bleak story especially for Jadzia (kinda seems out of line with her character) but I enjoyed the plot and thought it did interesting things with her character, even though I don't particularly think Jadzia would react to stress in quite this way.
"Foundlings" by Jeffrey Lang: This is an Odo & Thrax mystery set between season 6 and 7 when Cardassia is increasingly not flourishing under the Dominion. Thrax comes to Odo with a case of a shuttle accident that left all its passengers dead. I'm not sure I really dig the Thrax characterization here but hey, he's a very minor character so... free real estate! I appreciate the author bringing a one-episode character (he doesn't quite appear in one episode, even...) back. Fun mystery with nice Odo character work (and interesting stuff involving Odo vs. Thrax and Odo's relationship to the Dominion vs. Thrax's relationship to Cardassia). But I really could have done without all the Kirodo parts, ngl. 😂
"Chiaroscuro" by Geoffrey Thorne: An Ezri-centric story. This one was weird. Once it started getting into the Jadzia-designed, Dante's Inferno-themed labyrinth, I started wondering if the author already had a non-Star Trek sci-fi story that they had already written, which they quickly adapted here, because the aesthetic and themes seemed so off from Jadzia/Ezri/Trills/Star Trek in general, with a kind of weak rationale for why Jadzia a Trill would theme a maze around a human notion of hell and punishment... But at the same time, the story outside the maze itself does so much to tie in Ezri's previous lives and how Ezri differs from Jadzia that it had to be the case that at least a lot of this story was specifically written with Ezri/Star Trek in mind. But yeah, this one was pretty wild (even the premise of Jadzia wiping memory of the event seemed kind of designed to be like a concession that this story fits awkwardly in canon). I liked seeing Ezri and Jadzia's past work and past hosts get some fleshing out but not sure what I think about this story as a whole.
"Face Value" by Una McCormack: This is a story that fleshes out Kira & Damar & Garak's relationship when they are fomenting rebellion (and are stranded) on Cardassia. Not much happens plotwise in this story but there's a lot of character work, and I like the interactions between these characters and wish we'd gotten more than was in the show (so I appreciate getting more here), and I liked the writing.
"The Calling" by Andrew J. Robinson: This is set after A Stitch in Time and the stage play "The Dream Box" and features Garak struggling to unify a broken, fragmented Cardassia post-canon. As I still haven't read ASIT (it's very hard to get a copy of), I didn't get much out of this one. Like, there was an attempt to fill the reader on all the important terms, concepts, and characters but the whole story just didn't make sense without having that previous background and investment in what happens after the events of the previous stuff. I'll revisit this later once I've read the earlier works.
Overall, a really fun collection of stories. I liked the variety, getting to see the whole cast here, and getting to read stories pretty in line with canon. And yes, the Quodo one was my favorite, although there were a couple of other stories here where the writing was just as good and it told an interesting story.
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catelyngrant · 4 years ago
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A few other things that absolutely fucking delighted me:
James, Winn, and Kara reminiscing, my HEART
I don’t really get what changed for Brainy and Nia, but I don’t really care bc all I want is for them to be happy!
James + Kelly being A+++ siblings who always have each other’s backs
ELIZA MOTHERFUCKING DANVERS
The Danvers girls hug 🥰🥰🥰 (this is a happy post, we’re not talking about the fact that there wasn’t NEARLY ENOUGH Danvers sisters/family content)
Not actually something that happened, but Nyxly calling Esme “Little one” planted the idea of KARA calling Esme “Little One” and it’s all I need now, thank you
The look on Kara’s face in the final shot 🥰😭
Nia having her own moment to fight Nyxly, she deserved that
Winn and J’onn talking about Alex 🤣🤣🤣
James giving Esme her grandpa’s camera 😭😭😭
Esme’s entire existence, really
DREAMER’S LGBTQ CENTER, that was my first moment of starting to cry, I think
PAPA BEAR
PAPA BEAR AND M’GANN HAVING A SON (I missed M’gann, damn it, I wish she’d been able to make this episode)
PAPA BEAR TEARING UP WHILE OFFICIATING
And so much more!!!
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handlewithkara · 4 years ago
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Baseless random speculation on future episodes based solely on shallow “that’s what the person last wrote”: 
13 - The Gauntlet: Dana Horgan (story) & Jay Faerber & Brooke Pohl Brooke Pohl’s last credit was the Lex centric episode, so maybe this is where Lex reenters the picture and teams up with Nyxly. (leading to Lena’s beach plot in 14 with William, being being spurred on by Lex’s involvement to team up with William and maybe Andrea to investigate Lex) Dana Horgan also has written a lot of noteworthy Lena and Lena versus Lex heavy episodes recently. (notably Phantom Menaces with a Lena versus Lex plot, Confidence Women about the Andrea and Lena backstory and Missing Link where Lena realizes that she is becoming too much like Lex) [of course she also wrote the Lena free Nia centric Reality Bytes]
14 - Magical Thinking: Derek Simon & Karen Maser Behind the scenes pictures suggest a Lena and Dansen heavy episode or generally an action episode? Derek Simon is noteworthy for being a real veteran of the series and Karamel’s should note that he wrote in A Few Good Women (the one with the potential Karamel shoutout), in episode 100 and way back some important Karamel episodes like Welcome To Earth, Medusa and Homecoming, Dark Side Of The Moon). All the more sad that nothing about this episode really indicates likely opportunity for Karamel shoutouts. So I wouldn’t get my hopes up too much. 
On the Lena or Dansen front, nothing sticks out to me about him as a writer. 
Maser in comparison is a new writer to season 6. Previously she wrote the episode where Kelly decides she wants to become a superhero and the episode where Lena first really teams up with the Superfriends for the search for Kara. 
15 - Hope for Tomorrow:  Robert L. Rovner (story) &  Emilio Ortega Aldrich & Nicki Holcomb Okay, this is the biggest conspiracy theory leap that is probably completely off base. I call it the Karadox conspiracy. It’s no secret that particularly Karamel fans think the show could end with Kara leaving for the future. What if this is true but the show builds this up mostly through Karadox (even if it is isn’t necessarily straight up romantic Karadox)? AND if this is the episode that lays the groundwork for it? 
- the title mentions the future - it has a story by showrunner Robert Rovner which is usually mostly reserved for special episodes like openers, finales and episode 100 these days. So this could point towards a big game changer episode or generally an episode that is very important for the mythos and the direction of the series - While it’s not a consistent track record, Nicki H has written some strong Brainy episodes or at least strong Brainy material in other episodes  - Neither Kara nor Brainy are present in Nia’s big flag waving scene and Brainy was grouped with Mon-El and Winn during the funeral
So, my completely random conspiracy theory, what if this episode were to have Brainy receive news from the Legion that it is safe for him to come back to the future (or alternatively that they are stuck and need his help, but I feel like “hope” would work better if the message was that the future is fine now) and they offer to pick him up and he has to make a decision on whether he wants to? (making the reason why the Legion is here to be pick up Brainy, they run smackdash into the funeral and decide to stay put for a bit and help out because Brainy has unfinished business). 
It’s noteworthy that the other writer most recently wrote in the Nia heavy Dream Weaver (but also the not Nia centric Phantom Menaces). So I could picture this as a Brainia heavy episode? 
ETA: @madeunmexico brought up the good point why they would have to pick him up if he has access to the Legion ship. Err, good point. Remember, my spec is likely wrong ^__^ My current BS explanation is maybe he wants them to pick him up so he can leave his ship behind with his friends so they also have access to futuretravel?
16 - Nightmares In National City: Rob Wright & Jess Kardos
Rob Wright and Jess Kardos were also teamed up for Alex In Wonderland so this could be more Alex centric than expected? (they were also teamed up for the Prom episodes)
I would peg this episode for most likely to have quality sisters or Alex content. 
17 - Either Truth and Consequences of Believe In A Thing Called Love: Dana Horgan &  Nicki Holcomb
Out of the writers I would peg Dana Horgan as the one most likely to be Lena centric and of course my current pet theory is that Nicki could be a Brainy heavy writer. (that’s why I liked it better when my theory was that 17 was about William getting himself killed and Lena feeling guilty, but following the conspiracy theory about a Brainy/future plot this could also be a Brainy/Nia episode about love) 
Don’t get me wrong, I don’t actually think that Supergirl writers are tied to single characters and that they can’t swap around and write all characters (ie Nicki H strikes me as somebody where the type of episode seems to be more dictated by whoever the partner is). It just has always been a pet theory of mine that some writers do tend to sometimes have some leanings (like Cindy Lichtman wrote a lot of Lena episodes in season 2/3, most notably Luthors, Damages and For Good, seriously that’s three different episodes of Lena being framed/persecuted). 
Anyway, these specs are probably colossaly wrong, but they are also fairly concrete, so you can rake me over the coals when I turn out to be completely off base. ^__^ Since the episode summary of Gauntlet should drop fairly soon, that can be proven wrong quite soon. 
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smugraccoon137 · 4 years ago
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Supergirl Season 2 episode 8 Medusa review part 2
If your curious part 1 was just my breakdown of Kara and Mon-els relationship that got way too long. But as always SPOILERS AND GAY THOUGHTS AHEAD
Me and kel get so excited when Lenas in an episode. Like practically giddy. I can’t help smiling when shes on screen honestly. And yes Katie McGrath is beautiful, but beyond that such a pretty smile and lovely voice. I’m sure ratings started to spike when she joined the cast. Okay enough about pretty girls on to the review 
Tipsy fucking Alex though guys I can’t get over this mess of a person. 
Alex: if I have to come out to my mom then I choose to do it drunk
Kara: no your not *yoinks beer*
Alex: wait no my coming out juice
Kara Danvers sneaky sneaker extraordinaire can totally interview Lena and find out Cadmus things without anyone knowing. The confidence this goofball has is top tier
Underrated relationship: Alex and Winn though. I really really love Winn and honestly Alex is such big sister energy to both him and Kara. 
wow Lenas pretty in the interview scene. A touch of auburn hair from the sunlight really makes this shot and we never get to see her with her hair down. Fan service honestly, or maybe she heard a certain beef cake reporter was gonna come by and wanted to dazzel her.
Lena: hair up is for business. Hair down is for flirting friendship time with Kara
Poor baby thinks she falls short nooooo. Your doing your best godamn your only like 25 jesus. Kara give her a hug she needs love and affection
Kara thinks shes being so sneaky in this interview. Such a golden retriever, bad at sneakin. As soon as she toes the line Lena catches on and kicks her out. Really good acting in the scene, the subtle change in expression to show Lenas guard raising. Good job Katie.
Real quick Lena why is your office so ugly? How do you keep it clean? You spend 99% of your days in this place and its whiter than a hospital room. I hate it. Why is your desk an oval? and why does it have a hole in it? Kara cant eat you out in secret anymore damn. 
OOHHHhhhh noooo the fucking gas bomb in the bar what the fuck. EVERYBODIES DEAD JESUS WHAT WAS THAT
Poor Mon-el. What happened at the bar was fucked up, and he feels like its fault when its obviously not.
Love that he and Kara are having bro time playing some Monopoly. Oh no not Kara asking if he likes her. Honestly thought these two had good chemistry in this scene. Im a sucker for dumbass not understanding certain words and phrases. So Kara having to reiterate her questions and finally being like “You don’t want to mate with me do you?” was super fun. Omegaverse vibes mfs. Although I am confused by mon-els reaction “I mean have you seen the kind of women I’ve been attracting?” I honestly don’t know what this means.
Kara internal reaction though: Oh thank god
Wow Kara really just has no regard for her own life, huh? she just opens the door and possibly contaminates herself. It’s good to want to help people, but love you gotta care about yourself too
Good reveal with the fortress of solitude. Oof Kara gonna feel like its her fault all those aliens died and mon-els sick. They do a really good job of showing Karas relationship with her parents through their holograms. She wants so badly to see them again, to talk to them. And she can, but not really. They just aren’t real.
Lena cattily to her mother: im used to celebrating holiday weekends alone at my desk
me to Kara: please invite her to thanksgiving
Okay so Lena being adopted is another interesting parallel to Kara. Also the fact that both Kara and Lena fall into there families shadows, and are left behhind or forgotten. Really interesting how Lena and Karas relationship is so similar to Clark and Lex’s for obvious purposes. Though the CW queer coding the fuck out of their relationship in Smallville really only adds to Supercorp fever. Its always been Homoerotic subtext Harold!
Me watching Lena and Lillian trade verbal blows: Wow ya’lls relationship is fucked up. Lex and Lionelle would spar and fence but you two are on another level jesus
oooooof that last line. 
Lena: I know your lying
Lillian: and how could you possibly know that?
Lena: because you told me you loved me. And we both know thats not true
Who wrote this jesus fuck my heart. The PAIN.
Bonus thought Lena thinks Karas smart. Goofball beefcake sneaky sneakster who doesnt know the difference between flirting and friendship is smart she thinks. I love these idiots
Wow Kara just doesn’t wait huh? Oh cadmus is going to be at LCorp? Not on my watch. Lena’s there. I know this because I tune into her heart beat just to check on her cus she likes to work late. Don’t worry Alex it’s for friendship reasons.
That LCorp security guard got princess carried for .2 seconds. Best moment of his life.
God its like dark out. Lenas working on a holiday weekend into the night. I hate this, give her friends.
Lena looks so scared when Kara gets thrown into the giant LCorp sign
And then hurt Kara looking up at her with dread.
Kara internal: fuck don’t come out now. I came here to save you
God I love the protectiveness. Its *chefs kiss*. Hank throwing the beam at Lena and Kara even in her hurt state throwing herself in front of it. Sometimes self sacrifice is gay. But how Lena looks at her after wards like “I can’t believe I’m alive. I can’t believe she chose to save me”. Met with a gruff “Get out of here!”. mm yes this is my kind of content. Fight for me.
I was robbed an aftercare scene but I doubt it will be the last time. (*COUGHS* the “im leaving” phone call *COUGHS*)
Talking about the virus Eliza: what about Lena Luthor?
Kara: What about her?! (super defensive is also a super power maam)
Winn: Luthors can be pretty good actors
Kara: No, I looked into LENAS EYES. She doesn’t know anything about cadmus or her mother
J’onzz: Would you stake Mon-els life on that?
well I guess that really puts Lena and Mon-el right next to each other in priorities huh? Which one is more important? 
Wow Lena totally has a crush on Supergirl after that. Flustered dork. 
Lena: *laughs nervously* you know that doors not really an entrance
Kara: *upsettit stone face pupper*
Lena: :,) 
Okay but the way Lena just says “Anything” all breathless and helpful when Kara says she needs her help. Shes crushin hard
Kara tells Lena her mother is in charge of Cadmus. 
Lena: >:(
Annnd the crush is dead. That did not last long. Really love that Lena has such a different relationship with Kara vs Supergirl though, good dynamic having her reactions so different. Which I believe actually relates as a Clark and Lois parallel? Seeing as how Lois has two separate relationships with Clark and Superman. 
OOf the way Lenas throat bobs with genuine sadness because who she thought Supergirl was is wrong. Shes just like the rest of them. Thinks Lena is just another crazy Luthor. It hurts
Kara: I know what its like to be disillusioned by our parents, but Im a pretty good judge of character, and you are not like your mother. She is cold and dangerous. And you are too good and too smart to follow in her path. Be your own Hero.
Wow just what a good line. They are capable of some things here and there arent they? Melissa's delivery on this is excellent. And the way Katie McGrath is able to show such depth of sadness and bitterness even from a shot of her BACK is really cool. Great acting in this scene in particular. And I can see why the “desperation to be good” is such a highlighted part of these two relationship. Its the one thing in common between Lena and Supergirl, the place where they can meet in the middle. And the way Lena looks after her as she leaves! AHHH thats the good shit, the pining
Okay big Mon-el scene in coming so if you dont want to hear my ranting skip over this part. 
Funny how as soon as Kara has this big impactful scene with Lena full of tension and emotion the writers were like: shit we almost forgot Mon-els dying. 
Kara: *staring sadly back into Lenas office kind of wanting to go back in*
Writers: *cough cough* KARA He’s DYINGGGG
Kara: Oh shit right. Mon-el Oh no. My *looks at poorly written handwriting on her palm* romantic interest?
Wow Mon-el looks like shit, poor guy. Someone swaddle this pillow princess and get him some soup.
Heres a question. Kara is visibly upset that Mon-el is dying. Is it because she’s sad that the guy shes likes is dying. Because her friend is dying? Because her father created the virus thats killing him (what the writers want us to think)? Or because no matter what Kara does the people she loves keep falling through the cracks and shes helpless to stop it?
Her parents. Clark. Her adoptive father. Now Lena. Now Mon-el. Why can’t she ever do anything? Why is it always her fault? This poor kid has some deep seeded abandonment issues
Mon-el: you know you look beautiful with the weight of all these worlds on your shoulders.
I do remember my reaction here, cus I thought this was a weird line. A line that was obviously meant to be romantic and complimentary, but it felt unsettled in my stomach. Coming back and watching the scene it sits even more uncomfortably there. He obviously means well, but this line is kind of just shitty. Its a very selfish and unthoughtful thing to say to someone. 
Kara’s entire fucking life has revolved around other people and making sure they are happy and taken care of. But having “failed” at such a young age to do the impossible things asked of her (carrying on Kryptons legacy, raising Clark) she overcompensates. Any normal person would just make their life revolve around their family and friends, not healthy but it works. But Kara feels responsibility over an entire world of lost people and lives. So the amount she overcompensates is ungodly. She does have the weight of worlds on her shoulders. This is not a joke or hyperbole. Its just her life. And thats so fucking shitty. And to have someone actually see that and acknowledge it. To make it a reality so to speak. Then to have them say “yeah you look good like this” while you’re a shaking Atlas being crushed. It is just a little too much isn’t it? That pain to have someone see you finally, and then completely miss the point. For them to go “oh wow your so strong. your so brave” instead of “let me help you. you shouldn’t have to do this at all, forget by yourself. But now I am here”. 
I imagine this was the scene that crowned my darling himbo boy Mon-Hell? Which is so unfortunate. I hope Im wrong, but I feel that his character might just end up a big missed opportunity
I want everyone to know that me and Kel screamed through the entire enxt few seconds of the scene. We knew the kiss was coming from how they were building it up. But god was it painful, especially for it to be delivered after a line like THAT. But yeah very loud angry screaming
Also not to be that bitch but Kara and Mon-els scene was a total of 1:53 RT, and Kara and Lenas ran at a 1:57 RT. Just sayin...
No Lena don’t be evil thats too sexy...
Okay but the way that Lena just tricks Lillian is so good. Shes so clever. And added bonus she makes her ask for her help, which is nice actually. Lillian's obvious vice is weakness and that is often shown in embarrassment. A woman like this asking for help borders that line of weakness and its nice to see on such a dislikable character. Lena didn’t just get what she wanted she got a point over her mother.
Lena looks good in the purple coat. Repeat she is pretty
Love the mental chess game between Lena and Lillian. Lena offering help right off the bat and giving her the isotope free of charge. And then Lillian making Lena launch the virus to prove herself. Good stuff.
Kara appears: don’t do it Lena!
Lena: why not? im a luthor
Okay so obviously Lena switched the Isotope and the Virus won’t work. But thats what makes this line so perfect. Throwing it back in Supergirls face. Like “Yeah, Im a luthor. And Ill show you what im capable of.” But instead of mass death and destruction Lena saves the day. She saved thousands of lives, and its because shes a Luthor that she was able to do that. Really nice way to full circle that 
Wow Lillian really just starts booking it without Lena, huh? bitch
I really love the scene of the virus falling all around National City. The choice of an orangish snow falling was a really really good one. Paired with some excellent music for the mid season finale.
Its sad but I do love Hank just being ready and at peace with death. Im sure he misses his wife and daughters. 
Okay but Lena calling the cops is tea. Send your mom to jail honey. 
So we’re really not gonna talk about how Lena saved everyones asses? Like don’t you think Supergirl would want to talk to the woman that A) kind of tricked her, and B) saved National City. Thats just what makes sense??? But no we’re going to ignore that the DEO is a kind of shit at their job sometimes. And that the woman that they were accusing of having a part to play in all the xenophobic shit is the one who did their job. BY HER SELF. 
Okay rant over. This was a long one review dear god. Really really good episode though. I enjoyed rewatching all the scenes even if it was a mixed bag of feelings. Thanks for reading hope you enjoyed all the screaming!
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daydreamed-snippets · 4 years ago
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TW: Sorry, I’m in a mood. Talk of Suicide. Abuse of prescription medication. Underage drinking. Hints at abuse
It was quiet here in the bones of the old house. Cold. Drafty. Wildlife feasted on the general decomposition of trim. Faded tile and decaying drywall dangling at odd angles. Bricks lay uprooted by greenery. Furniture slowly losing its form was arranged haphazardly throughout the house. Winn could see her breath hang in the air, curl in a tight spiral before dispersing into the night. A single electric lantern kept watch beside a nest of her own making: a bedding of dried leaves, her favorite crochet blanket, and a little radio faintly playing an upbeat tune.
Oh, and a bottle of whiskey and every fucking antidepressant and mood stabilizer those bastards had ever prescribed for her. 
Playing eenie meenie miney mo, she uncapped a half-empty bottle of citalopram and popped all of it into her mouth. She took a swig, throwing her head back to ensure she swallowed. Looking around she supposed it was a fitting epitaph. Her end would be here, in this broken mausoleum, a showcase to humankind’s fundamental need to create something sublime but ultimately fail in its maintenance. To conceive something beautiful but become indifferent and bored with it, letting it fall into ruin. Wreckage that is only redeemable by nature itself. It would be nice, she thought, if something productive, beautiful even, grew out of her decaying life too. 
Then maybe everything would have been worth it.
Absently plucking at weeds poking through fractured flooring, she huddled over on herself waiting for the drugs to take effect. Her stomach turned as she tried not to think. Tried not to repeat the same question over and over in her head.
How many times did she have to lose everything to take the hint? How many times did she have to hit rock bottom before her knees buckled and her legs snapped trying to stick the landing as she broke herself to please everyone?
For her, the answer was four. Not that that matters now. Cause now it was too late. Now she finally gets it. Now she gets why her Mami was so unhappy. Why Miami's boyfriend, Leonard, wasn’t happy. Why her doctors weren’t happy. Her teachers, her friends. Everyone. Why the world was unhappy. Maybe her death would make them happy again.
A breeze picked up, whistling through the gaps. It sounded like someone was whistling and walking around the house, wooden planks creaking. That should have terrified her but her mind was starting to feel a pleasant, sleepy haziness. She took another half-empty bottle by her feet and downed the contents, choking on her own saliva and the aftertaste of the alcohol. 
Thoughts continued to rush in, unabated, like a broken dam. Each empty bottle held its own story, mostly of the times Leonard lugged her to another shrink, to “fix” her while her mother sat in the car, finding solace in a glass bottle wrapped in a brown paper bag. Finishing it before Winn’s hour-long appointments were over. 
None of it ever seemed to satisfy Leonard. Not that he ever waited for her to finish her prescription before shoving the next pill down her throat, deeming the previous one ineffective when she would have another episode. Promising that the next drug would be it. That the next one would work. And she believed him. Each and every time, she believed. Whatever was wrong with her, these next pills would fix it.
But they never did. 
Soon it turned into, why can’t you be like x? Why can’t you just do x? Your attitude is why x is happening to you. Do you even want to get better from x?
She could put anything in for x. The equation stayed the same, with one common denominator: 
Her. 
Winn. 
She was the shared numerator whose value was always zero. And anything that is multiplied by zero forever equals zero.
Another half-filled bottle, another swig. Her heart started slowing down. So did her breathing, face becoming flush. She was having a hard time keeping her eyes open. 
Another floorboard whined under stress, and a voice followed it. “That is an especially painful way to die, dear one,” someone called out to her. “Overdoses can be messy affairs when attempted through the unpredictability of drugs.”
A surge of fright course through her. Who was that? A ghost? Leonard? She didn’t know. They remained out of sight. She looked up through the smog of her mind, unaware that anyone had breached the house grounds. She curled more into her nest. 
It couldn’t be Leonard. At least she didn’t think it was him. It was hard to tell right now. It didn’t sound like him. Her chest wouldn’t stop stinging, though, at war with medical sedation and her adrenaline. Trying to play it cool, she schooled her tone, wishing she had a taser on her. Cursing how stupid she was to come here without one. “You lost?” she called, scrubbing her face with the bottom of her palm, her coordination clumsy. “The main road‘s that way.” She pointed, not exactly knowing if that was the right direction anymore. “House gone to be destroyed in the morning. The bots won’t check to see if anyone’s in here before they start smashing.”
“That’s why you’re here, isn’t it?” he asked, coming into view. It sounded more like a statement. “Because you don’t think anyone will find you before they start demolition.”
She squinted at the man in an impeccable blue suit, refusing to answer. Definitely not Leonard. But…
“Mmm, I know you,” she said scrunching her eyes, fighting to place the face, fighting to find a name. Yes, she has seen him somewhere, but her mind could only remember one location in which she encountered him. A place shrouded in metaphoric perception and youthful symbolism. A place that is both romanticized and villainized oftentimes in the same breath. A place she could only visit when she closed her eyes at night and slipped from this reality to another. 
“The man of my dreams. How—?” She swallowed, thoughts tripping over themselves. Her speech started to slur. He squatted in front of her, full weight on the balls of his expensive shoes, keeping his immaculate attire away from the dirt of the house. He moved gracefully, and though his smile looked concerned it was still every bit disarming.
“Uhh, I mean man from my dreams,” she stammered. “Uh, how is this?” It dawned on her. The part of her mind that was still intact. “Hallucinations. I’m dreaming. I-I’ve passed out.”
“You have not,” he said, making no move towards her. Simply staring her down with hooded eyes. “At least, not yet. And though I am, how did you put it, ‘the man of your dreams’, I’m not some figment of your imagination, Winnifred. I am quite real, and I’m here.”
Winn barked a laugh, “Oh my gods, for real? ‘I’m here’?” she mocked. “Everything’s good, I’m here.” She grabbed the bottle, his eyes following, and took a sip. “Fo sure, like that would really matter now. You can get your damn hair swirl outta my face with that.” 
She made a move for his hair, uncoordinated and choppy, catching herself when she leaned forward too much and fell onto her hands. It took a while. He remained still for her, attentive, but unmoved. She was able to ruffle his dark blond hair out of its slicked-back position, wrapping a finger around the bit of lock that fell over his brow without falling again. 
Their eyes met.
Realizing what she was doing she yanked her hand back as if burned. Confusion swept through her. He raised an eyebrow, the corners of his mouth twitching. “Convinced?”
“I can touch people in my dreams, it’s just...” It’s never felt so real. 
She reached for another prescription. Clearly, she was delusional. Clearly, this was a trick. She poured out the oval-shaped pill preparing to swallow it whole. It was quite possible that she was out cold, body slumped over like the furniture of this house. Quite possible she was unconscious and this was her mind’s last chance at providing her with a final comfort. A childhood sentential to keep watch as she fades away.
She tilted her head back, arm poised to sling the pills into her mouth. 
The man moves. 
He shifts to catch her wrist in a light but firm hold. The bottle slips out of her fingers, clatters to the floor, along with the pills, dropping between boards and out of reach. Winn curses. 
“Don’t touch me,” she said pulling away easily. “You don’t know me like that.”
“Listen to me, Winnifred,” his voice held a command. “I have not moved heaven and earth—I have not rescheduled my life just to watch your throw away yours. I do know you. I’ve known you since you were four years old. I’ve visited your dreams since your first nightmare. I’ve watched over you the best I could from afar.
“When I said, I’m here now, it wasn’t meant to be crass or derisive. So many people have let you down in your life, I being the chief among them. But I am here now. Things will get better. Let me prove it.”
“That wasn’t real. And dreams isn’t knowing someone.”
He tilted his head. “I know that your father left you when you were six. I know that your mother has been bounding from boyfriend to boyfriend, looking for validation but never really finding it. Each suitor worse than the last. The current beau is a monster called Leonard.”
She gulped, running a hand over her face. Tucking a curl behind her ear. He watched, gaze overly familiar. Possessive without even touching her. Eyes extracting what he wanted. She imagined he didn't take no for an answer. She imagined he changed outcomes to fit his ambitions. 
She felt unable to hide. 
“I know what he’s been doing to you,” he said, voice changing.
“H-how?”
He let out a breath of air. “I know this because I’ve seen your dreams. I know you’ve been having a recurring one of Leonard assaulting you, and then ending your life. It may happen in different facets and different places, but the theme is resoundingly the same. You also have recurring dreams of your mother’s lifeless body lying on the side of the road while traffic rushes by. Sometimes hitting her, most of the time not.” He adjusted his cufflinks, before completely abandoning his position to sit on the grassy floor. “You’ve been having these particular dreams for a while. It is because you venture into Leonard’s dreams each night, before going to your mother’s. It’s not unusual for someone with your abilities since they are the closest people to you. You’re able to see what Leonard will do to you, whether he’s willing to admit to his own perverse desires or not. And you’re able to view your mother’s darkest fears. Of being abandoned by everyone.”
“You’ve always had a talent for dream wandering and precognitive dreams. You were once able to control your dreams, steer away from the nightmares with my help.” 
“I can’t anymore. It’s too—” her voice cracked, and she was reminded of his face. His words. How Leonard taught her to hold her breath, to clamp down on her tongue. He taught her to hide truths, and keep secrets. To bear the scars without screaming, and conceal them. He showed her to shut up while her dignity—her pride—would rage beneath the surface while he was near.
“Those dreams are just dreams. That’s what Leonard said.” She needed to adhere to that. If anything could appease Leonard it was that. And she needed to appease him. Her mother was too weak, too afraid for her own life to safeguard Winn’s, and yet too desperate for a man to head out on her own. Besides if they ran, Leonard would eventually find them. He always found them.
“Trust me, like you once did,” his voice was soft, yet it cut through her racing thoughts like a well-crafted blade. He held his hand out to her, the gesture speaking of promise and nostalgia. Reminding her of how of a strong presence he was in her dreams. The one bit of sanity in an array of insane characters and worlds. He slew monsters, clothed her when she was naked, stopped her before she'd slip into a free fall. Laughed with her. Held her when she cried. He was kind to her. Above all, he showed her tenderness when no one else did.
“Remember me,” he went on, “as I was. I can be that for you again, in this waking land. You can still choose to come with me and leave all of this sorrow behind. Or,” he withdrew his hand when she turned her head, refusing to take it. “You can choose not to, and I will sit with you until you lose consciousness. Then I will carry you to the nearest medical facility where they will pump your stomach, and a physiologist will evaluate you. One not worth the paper their license was printed on. They will, in all likelihood, lock you away in a psychiatric ward, to be forever treated as a pariah. It’s your choice.” 
Her eyes jerked back towards him. He said it like a threat. Winn supposed she was running out of time. She wanted to trust him, but… she hadn’t seen him in her dreams for two years. He said that he’s there for her, but he hadn’t been. And she’d learned that being alone felt safer. 
She pulled back, making a move to stand. Maybe he’ll let her go. Maybe he wasn’t even here. His fingers didn’t act like a vice when he grabbed her earlier. She easily slipped him then. Maybe she can do it again. Maybe—
Her legs buckled under her, nerve endings on fire. She vomited, hopefully not on him. Gods, not on him. Her vision blurred, darkness edging the rim. She felt hands on her but wasn’t for sure. She was dazed. She needed to resist. Or maybe she needed to give in. She couldn’t open her eyes though was mildly aware of the feeling of being lifted, of a certain weightlessness. 
Winn was heaved against a strong chest. Instinctively, her hands went up, fingers curling and uncurling around dream man’s lapel in a display of rebellion or surrender, she wasn’t sure. She wanted defiance but it was so easy to just give in. Darkness claimed her.
Like it mattered because he wasn’t really there. Right? 
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rotationalsymmetry · 4 years ago
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General gripes about DS9 and gender (some spoilers) (content notes: some references to sexual abuse/trauma, and specifically spiritual abuse/sexual misconduct in religious leaders, also death/murder):
I swear to fuck these people do not know how to write female characters without shoehorning them into romance plotlines. (Or weird fucked up stuff, like when that Cardassian serial murderer kidnaps Kira.) Especially noticeable with Ziyal -- when Kira takes her to DS9, the writers apparently can't think of a single thing to do with a young woman other than ship her with a much older Cardassian. Then, she's starting to get her own life and make a name for her as an artist, and they fucking refridgerator her. The fuck. (And: the focus is on how her death affects Dukat, that fucker. Which, obviously sure it's going to affect him...but it's also going to affect Kira, who sees Ziyal as like a younger version of herself and was trying to protect her. And then Ziyal dies. That should have some sort of effect on Kira! And did no one else on the station make any sort of connection with her when she was there?) This is arguably not primarily a gender thing, but it is partly a gender thing: the show keeps demanding Kira find sympathy for her oppressors, over and over again. (This is a gripe fest: of course there's a lot of things about Kira's character that are done really well.) She keeps getting thrown in situations that show (some) Cardassians in more nuanced lights and that more or less force her into relationships with them, while meanwhile her old resistance cell friends all get killed off, her parents are dead, if she has any other family we don't hear about it, and she's basically left with no Bajoran friends even, as far as we know. She gets Bajoran lovers who... OK, about that. First, Vedek Bareil. Now, Bajorans are shown to have a pretty relaxed attitude towards their clergy (eg Kira is frequently rude to Winn even after she becomes Kai with apparently no consequences) -- but still. Vedek is roughly equivalent to, what, cardinal? He's high up in the heirarchy. And, he's put himself in a role of spiritual authority relative to Kira: she gets access to one of the Orbs through him. They've got a power imbalance and one that's connected to Kira's ability to do her religion. I don't care what the social norms are on Bajor that is 100% sexual misconduct on Bareil's part. If something went wrong in their relationship, it could fuck up Kira's connection to her faith. And in the show it's presented as no big deal.
(Star Trek seems to be aware of this when it comes to ship's captains! For all that Kirk notoriously fucks everyone, he never voluntarily (/outside of the mirror universe, outside of odd transporter malfunctions that split him into two parts, etc) came on to a crew member. But it's no less important for religious authorities.) (Also: this has nothing to do with celebacy. I'm fine with Bajoran religious figures being allowed to have sex and being allowed to have sex outside of marriage. But: a religious leader having a sexual relationship with someone who they're in a pastoral relationship to is wrong, and while Bareil isn't exactly Kira's pastor I think there is some level of, he's providing spiritual guidance to her. That means she's off limits to him, or should be. In the same way that bosses shouldn't fuck their direct reports, college professors shouldn't fuck their students, therapists definitely shouldn't fuck their patients, etc. Regardless of how they handle their sex life outside of those restrictions. And regardless of whether there's love involved or not -- romantic love absolutely does not make it better.) And then there's Shakaar, the former leader of her resistance cell. That she joined as a teenager. It's...yeah, it's been many years, yeah she's not directly under him any more, and yeah goodness knows a band of resistance fighters is probably not going to have a clearly written up sexual harassment policy so it's not necessarily unrealistic...it's not as blatantly "oh god no" as Bareil, but it's got some...is anyone thinking of potential abuse of power issues here? Anyone?
There was one episode where Jake and Nog were double-dating and it goes badly due to Ferengi, uh, gender roles not meshing well with Federation egalatarianism. And, then the rest of the episode is all about how they're going to repair their friendship. And I was thinking: we didn't see either female character either before or after, and why is a sexism issue being shown from the lens of "how can I, a nice guy, stay friends with my male friend who has sexism issues" and not "how am I, a young woman, going to deal with this affront to my basic personhood" or "how am I, a young woman, going to repair my friendship now that I talked my friend into a double date so I could date the guy I liked but his friend turned out to be garbage?" Like...out of all the potential relationships there, why is Jake's friendship with a guy with sexism issues (who's made it clear he's not going to change, at least as far as dating goes) the one presented as being in most need of preservation? I know, it's because Jake and Nog are more central characters and their friendship has been significant in the show for seasons now. But...that just brings up more questions. Like why does this show have a significant bro friendship between two teenage boys, but there's no friendship between two women (or between a woman and a man for that matter) that's given as much weight? There's some bonding between Kira and Dax, but it doesn't have the same presence and significance as Jake and Nog or, say, Miles and Julian. (I'm having first name/last name inconsistencies here. Ah well.) Keiko has no on-camera friendships. Kira has no on-camera friendships that have Jake & Nog or Julian & Miles weight. Dax maybe does with her Klingon buddies from Curzon's lifetime. (Benjamin Sisko also doesn't.) Ziyal could have, but doesn't. Molly could have, but doesn't. Miles doesn't seem to have any (on-camera or otherwise acknowledged) parent friends (like...there's one couple mentioned who can babysit Molly at times? That's it? We never even see them?), which is weird because fuck knows parenthood can make it hard to have any friends who aren't parents. Odo's got his weird frenemy thing with Quark. Garak has his standing lunch with Julian (if you read that as platonic, which ... yeah, there's not a lot of arguments for seeing it as platonic beyond "they're both men.") I am, don't get me wrong, extremely for showing male friendships. Very much for it. It's just...I want friendships that aren't between two guys also. And I want them to be shown as significant and meaningful and worth overcoming obstacles for. Friendships between women, friendships between people of the same race or culture (or alien species, since we are talking Star Trek here), friendships between men and women that aren't just a precursor to romance. And...parenting that isn't just...I want to see Keiko have problems with parenting that she overcomes with help from other people. I want to explore the emotional ramifications of Kira being a surrogate mom to Kirayoshi or being a semi adopted mom to Ziyal and then having her die. I want Kira to talk about how her own upbringing in times of famine and war and occupation affects her sense of her ability to potentially be a parent. I want a female character to calmly talk about her decision to not become a mother and have that decision be treated with the utmost respect. I want the sort of struggles that male characters have with parenting on the show, like Worf's difficulty connecting with his son or Benjamin's conflict over watching his son grow up and get less interested in spending time with his dad, be shown for female characters as well. And the joys, like when Benjamin remembers holding Jake as an infant, like when they reunite after Jake gets caught in a war zone. Rather than parenting be this thing that mom characters apparently do on autopilot without any internal conflict or feeling out of their depth or particular moments of joy and amazement. There's so many plot lines and moments and bits and pieces that could be amazing moments that give
mother characters balance and nuance and characterization, but they only ever get shown for fathers. (And this is not just Star Trek either...look at all the kids movies that are about father/son or father/daughter bonding, and somehow the moms...just aren't there. It's so good when there are single father storylines, just...where are all the mom storylines that could be like that?) And why do teenage boys get focus and their own stories (especially with Jake in DS9, but also TNG has Wesley Crusher and Alexander, and TOS had one story centering on a teenage boy) but girls either aren't there at all or don't get to have stories that are about them? Ziyal's stories aren't about her, she doesn't get to form her own friendships and only barely gets to develop an interest of her own before her life is taken away from her. Molly doesn't get stories that are about her. (And yeah, Molly's a lot younger than Jake, but those are still choices: DS9 could have been set when Molly was a teenager, or the show could have introduced a different teenage girl as a significant character, or Jake could have been a girl rather than a boy, or Benjamin could have had two children...)
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softlenaluthor · 5 years ago
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I’ve no doubt that we will see plenty of good SC content tonight, and I’m excited for that. (I’m actually going to watch the episode and not peek on tumblr.)
But my one (1) fear is that we will indeed see Kara and Lena as partners tonight, with no secrets between them and it’s all going extremely well except that’s the timeline where Kara does. And the take from that is, it’s better if Lena doesn’t know or it’s better that their relationship ends up damaged beyond hope for fixing because a Luthor and a Super fighting side by side is just asking for trouble, i.e. one of them dead.
That being said I do get some hope from Winn telling Kara to give it time, so they might work it out after all. Also, Staz has teased a couple of times that we need to be patient and added red and blue hearts to his posts and red and blue hearts are literally only reserved for Kara and Lena, I don’t make the rules. You can’t convince me that he doesn’t know that, that he thinks one of those hearts could be William. He can’t possibly be that dense.
Also, they said that Kara is going to feel stronger, more certain at the end of this episode. Surely that can’t be because she’s letting go of Lena, it HAS to be the other way around. Otherwise, what is this show even doing? Putting their feud at the center of this season only for it to fizzle out or not have any big payoff? It’s so weird that I’m so convinced that they’re going to end up doing the right thing, but also I’m not convinced at all...
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Some slightly-more-detailed musings on 5x06 (though I’m honestly so annoyed that it’s this episode that’s still lingering in my brainspace.)
So, positives first, I suppose: this episode did a fairly decent job of fleshing out Andrea, at least in a ‘I actually care about this character now’ kind of way. I genuinely enjoyed her relationship with Russell, and was surprised when it was revealed that she had powers. (Buuuuut let’s...put a pin in this. We’ll return to it in a bit.)
There wasn’t much, but I enjoyed the Alex, Kara, and J’onn bits that we got. In particular: Alex shouting SUPERGIRL! and Kara hearing; Kara’s heart-to-heart with Russell; J’onn showing up to help Alex, etc. 
I like the use of flashback episodes to work around the cast filming crossover stuff, and even though this episode had a lot of....not-great-stuff, it kinda felt nice because the cast is now so BIG that forty minutes devoted to basically just two characters was refreshing? Even if they jumped around the timeline at breakneck pace.
Right, so. Now for the, ah. Less-good.
The whole set-up of the medallion stuff is just...rife with dated, bad tropes. Though, I guess it’s...fitting? That the whitest, richest woman on the show is engaging in stuff like, ‘I know this culture best and I have a right to this ancient artifact’. But the fact that it was just another way to explain why Lena Hates Lying and Betrayal and not, you know, an explicit indictment or commentary on the trope itself is....mmmmm. “Not great, Bob!”
(I’m also having a hard time remembering...did they establish that the medallion was like...alien in origin? It was discussed when Lena was talking about countering Lex’s Kryptonite atmosphere idea. And I know it ended up being linked to Leviathan, but that...sits right up next to ‘the contributions of ancient cultures was ACTUALLY the work of ALIIIEEEENNNNNSSSS’ which...is again, NOT GREAT, BOB, and makes me weary of those ancient alien characters they’re gonna introduce next episode.)
(Some of that is inevitable, I guess, when your fictional superhero world posits that aliens do exist, but I think it’s just. Maybe. Too Many Bad Tropes.)
This whole episode radiated intense Indiana Jones vibes, but of the Kingdom of the Crystal Skull variety, which. If you’re gonna commit to Indy vibes. Pick a good one, at least. 
Adding to the list of, ‘Not great, Bob!’ we have the whole adaptation of Andrea’s character.
I feel as though Andrea comes across as a very sympathetic character, and by the end I was very firmly in the ‘redemption arc for Andrea’ camp, buuuuuuuuuut I gotta wonder why this particular character needed to be Acrata, given that the show is...very much doing its own thing. That runs fairly counter to the character’s comic roots. In a manner that is understandably offensive.
SPEAKING OF THE END.
Shooting Russell felt so unnecessary. 
(I think they recently announced that the character’s recurring, BUT, does that just refer to the episodes we’ve already seen? Will he be relegated to flashbacks going forward? Is he actually Not Dead? Very much hoping it’s the last one, but, uh. Not terribly confident.) 
So now we’ve arrived at the Lena portion of the list, AKA, my least favorite part.
There’s been so much Lena content this season, and none of it is really. Making me feel for her. At all.
(It’s achieving the opposite, in fact.)
No amount of additional backstory is gonna make me think that stuff like...faking a home invasion/assault to distract Kara, and threatening Andrea by mind-controlling her fiance to slit his own throat is okay. And I don’t think that the show is trying to garner sympathy exactly, but it’s really got me wondering...where this arc is headed.
I don’t see the show giving Lena a ‘dark’ ending, but they keep piling on all these bad decisions and I don’t...find myself rooting for emotional catharsis and an inevitable heroic turn and redemption, I just want her to get what’s coming to her. 
(Man I try not to worry about plot stuff that hasn’t happened yet but I am CONCERNED that all of this will ultimately be more about Lena than Kara and it will be Lena who, in the end, saves everyone thus ‘earning’ her redemption when what I REALLY want is for Kara to be like, ‘you’ve been a bad friend, actually, and the decisions you make are neither my fault nor my responsibility’ and Lena being like ‘OH you’re right, I need Help to deal with both my past emotional abuse and the fact that I’m PERPETUATING that bad behavior as a result of, at best, poor coping mechanisms and, at worst, no coping mechanisms at all’ but HNNNRRRRG, there’s been so little on Kara’s end. I’m really feeling that ‘no fear, one fear’ meme.)
(Okay on the flip side of my doom and gloom proclamation, maybe Kara being slower to forgive William is hinting at potential character growth...that, you know, while it is entirely in-character for Kara ultimately to be willing to forgive/never give up hope that people can change for the better, she’ll also recognize that she’s not to blame and has a right to be upset with someone who is LYING TO HER, MANIPULATING HER, and ACTIVELY PLACING HER LOVED ONES IN DANGER, WHETHER INTENTIONAL OR NOT.) 
I HATE THAT THIS EPISODE HAS INSPIRED SUCH A LENGTHY LIST OF THOUGHTS. BAH.
In summary: The cast this year is TOO BIG, so focusing on certain characters is GOOD but there were BAD TROPES and I am VERY TIRED OF THIS LENA PLOT unless it actually leads to GOOD DEVELOPMENT FOR KARA.
Some miscellaneous thoughts about the season as a whole because you know what? We’re already here, so we MIGHT AS WELL:
I really do feel like the biggest problem this season is that they’re trying to serve this big cast of characters AND Do Plot™ so everything is ending up very surface level.
And yeah, I agree with the general feeling of: Not Enough Kara
I do like all the J’onn stuff, though. Yay, Space Dad!
I also liked the premiere because it seemed as though it was setting up a focus on the Lena and Kara conflict as like. This emotional through-line for the season, but so far, Kara’s been investigating stuff and Lena’s been robbing people of their free will so as stated above I can only HOPE (ha, ha) that this will eventually result in the Good Kara Content I crave.
Pleasantly surprised by how much I like William and, as of this episode, Andrea. 
Other stuff I’m looking forward to (again in the hopes that it will result in Good Kara Content):
The crossover (YEAH YEAH I KNOW but, I gotta say, because Kara’s the only Arrowverse lead without a romantic partner, we tend to get good Alex and Kara stuff, all things considered. It’s not a LOT. But it’s THERE.)
Winn returning, because good SpaceFam stuff? Maybe?
The 100th episode, which, traditionally, is an excuse to engage in some fan service and nostalgia.
The end of the Lena plot please. 
A quick note: I’ve been fairly critical of Lena in this post, but do not take that as an automatic endorsement of any other popular ships/characters.
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superheroshippinq-archive · 5 years ago
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*slides in on my heelies* okay quill, gush time. Scream about anything and everything with your f/os. No holding back —Nic
@me-myself-and-my-fos you're so gonna regret giving me this ask but THANK YOU TGTGSHSGS
putting it under a cut bc its just a big gush dump abt literally all my f/os but to anyone who does read it all thank you and srsly i love u so much i hope u know that i would die for u 🥺🥰 💕
// literally like. where do i start my mind is EVERYWHERE and im having a CRISIS i just love them all ?? sm ?? yknow ??
// i think mainly i’ve been thinking abt mon and winn like .... omg. theres this thing mon el does in c*non where he was reading romeo and juliet and underlining lines that reminded him of kara and I WANT HIM TO DO THAT FOR ME SO SO BAD ........... like that is so soft and usually i dont like taking ideas from c*non ships but oh my god that one is so good .......... 💕💕
// i had a not so good dream last night so i was thinking abt winn comforting me after a nightmare ( and not letting me have coffee at like 2 am to keep myself awake bc he wants me to get some sleep ). and him staying up to help me fall asleep again even tho he’s tired. like. wow he would so do that for me 🥺🥺
// winn is just so cute like hes such a good soft boy and hes so awkward but silly and so CUTE like .... he has a very cute face yknow ?? like a puppy ?? i just ???? i adore him i ADORE HIM and every time i see him im like. sir. sir give me a KISS.
// also i cannot stop thinking abt .... reunions with both of them yknow .... bc theyre both in the 31st century rn and it literally does NOT help that cw keeps teasing them coming back this season like i am so impatient let me see my BOYS AND GIVE THEM BIG SMOOCHES !!!!!!!!!!!! 😤😤
// ok OK BUT ALSO OFC after the last supergirl ive been thinking abt brainy but more specifically female brainy like ......... GOD SHES SO PRETTY. LOOK AT HER. 
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// wow that is my WIFE RIGHT THERE THAT IS HER MY WIFE A LITERAL GODDESS I LOVE HER SM. shes so badass and stoic too and you already KNOW thats my type just LOOK at kate and jessica. my brain refuses to be on straight activity today i am SO bi. should i make a new tag for her or should i just keep her under brainy’s tag ??? IDK BUT SHES THE GREATEST. pls. marry me
// and speaking of my wife .... like ,,, wow. kate ,,, she is just. i SWEAR 90% of what she did in last nights ep was stand around in her suit but oh my god i love her so much i was in AWE. luke wasn’t on her comms when she went on missions in that episode so i kept imagining myself taking his place ( since hes my brother ) and being in her ear during missions and wow ..... we’re a power couple aren’t we ..... 
// also. she was just standing around letting those teenagers take selfies with her bc she cant say no lmfao shes adorable.
// I’D GUSH ABT ⭐ BUT I LEGIT DONT TRUST MYSELF WITH KEEPING HIM A SECRET BUT KNOW I LOVE HIM SO MUCH AND I SAW HIM YESTERDAY IN A RANDOM AD AND I SQUEALED
// ok ok thinking abt mon again bc he helps so much with my anxiety like ..... i can easily think of so many soft scenarios with him and they really help distract me when i get upset or anxious. i think of so much angst with him too but its GOOD ANGST and it still makes me really happy to think abt if that makes sense ??? i just wanna hug him and be in his arms and have soft domestic moments with him .......................... is that so bad ?? i love him so so much ??? 
// WINN TOO I GET TO SEE EVIL WINN IN THE NEXT EP AND THATS LOWKEY ( HIGHKEY ) SO SO EXCITING .... TOYMAKER WINN OH MY GOD
// its kinda funny that a lot of the time i cant think abt mon without thinking abt winn what does that MEAN
// literally just putting this here bc i started thinking abt female brainy again. miss dox. i’d be so lovestruck the first time i meet her i swear. like. i’d be pining so hard alex would tell me to just go home bc im not getting any work done LMFAO. she is literally the DIRECTOR OF THE DEO WHERE SHES FROM OH MY GOD. she is so powerful and knows it i love her. help.
// yknow .... ive been thinking abt the last ep of crisis and how much more cheerful/happy barry seemed and its just so good to see that again. it feels SO GOOD to see that again. all ive wanted this past like 4 MONTHS is for him to be happy again and its happened finally and gosh i am the big heart eyes @ him because im so happy and proud of him ................. i got lost in pics of him on pinterest this morning i SWEAR hes such a big comfort for me that i just go to him even when i dont need comfort tgbtrhgshg. barry sir i cannot wait to marry you. look how far we’ve come
// tomorrow is a new legends ep and i get new nate content .... like ... i love my historian boy i do not give him enough love but i adore him with all my heart. he’s actually one of my longest kept f/os since i’ve been shipping with him WAY before i even made that blog and i think thats pretty great of us 😤👌 im just hoping he gets a lot of screen time !!!!
// *points to conner and jessica* I DONT HAVE MUCH TO SAY ABT YALL RN BUT I THINK ABT YALL EVERY DAY AND I LOVE YALL SO MUCH AND IM NOT NEGLECTING U I SWEAR
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egdocument · 6 years ago
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About the EvaGeeks wiki and why you shouldn't trust it, concerning mainly one user.
On the subject of EvaGeeks: Let’s talk about the manipulation of information on the wiki, and perpetuated “nastiness” on the forums that has persisted for several years now. THIS IS A MIRROR OF THIS GOOGLE DOCS FILE. (My twitter post.) You can share this post or the original document freely, use parts of it, etc. I want this document to simply serve as a warning to new Eva fans and those less familiar with EvaGeeks and their history - as well as an update for people who haven’t seen the current state of it.
NOTE: If you can’t read any of these images, these are Imgur albums containing all of the notable ones: https://imgur.com/a/z2mGvvX https://imgur.com/a/oAgufc3
The intent of this document is not to “take down” the wiki or forum, obviously. The intent is simply to inform people of the dangers of trusting this site with their Eva info. It might be the best we have but that doesn’t mean we can’t improve it. I would actually love to see a more community cultivated version of the site with less biased information, but I fear that will never happen. The anxieties of any one (or many) individual(s), which have prevented consistent change until now are well justified, and it is not within reason to blame the outsiders for never bothering to correct the myriad of issues with the wiki. Please extend kindness to other Eva fans and approach sites like EvaGeeks with the appropriate scrutiny, if you aren’t already. We’re divided enough as it is.
Before I begin, I must state: All of the information presented is publicly available, either through main pages, chat logs or history. And yes, the link to join the Discord server and verify the information given in this is publicly available too. I will not link it myself, as I want to avoid any possible harassment of the users I speak about here. Harassment is NEVER the answer in any kind of conflict. This behaviour I don’t believe can go unchecked, but that doesn’t mean the consequences of it should be any kind of conflict towards any user. I will be naming them here so you are aware, but I really do have to advise you, as a reminder, DO NOT HARASS OR ENGAGE WITH THEM. The rule of thumb is that these issues are more systematic than you might think, and blaming or taking it out on a singular person or even a whole group is never justified. Targeted harassment, even with reason, especially never helps to remedy an issue, because it forces the person to double down on their behaviour and beliefs. Causing unnecessary pain to a person is never okay, and the ‘offences’ committed here aren’t deserving of it in the first place. Please also consider the feelings of the people who use the server and EvaGeeks site; not everyone is your "enemy" or your "target" (and frankly, no-one should be) and despite the feelings echoed in this document, EG is not a monolith of a singular opinion or belief.
The purpose of this document is to inform people of the ways EvaGeeks fails objectivity and has existed to push narratives and exclude outsiders for far too long. With new people coming into the Eva fandom (and there of course being others who have been around for quite a while but just aren't aware) I feel like now is the best time I could write this.
As for what prompted this, an anonymous member of the Discord server contacted me regarding the behaviour of one particular user they were concerned about. Said user had expressed considerable bias in the past and was admitting to making large edits to pages on the wiki very recently, and the person who contacted me felt unequipped to bring the issue to light themselves.
A decent amount of this document will be dedicated to presenting said user's contributions - while I feel someone always had to address the EvaGeeks Problem at large, it doesn't help that this user has essentially incriminated himself here to expose the problem in its entirety. 
There is quite a bit of pretense I must discuss before I get into the subject of the wiki pages themselves. I suggest you read all of it; the start of the wiki section will be in heading text if you’d like to skip to it. I’m sure information on the biased editing of wiki pages is privy to anyone who has used the server or the site itself, but at the server’s current status of 60 entire members, I know not everyone has, or is aware of what the problem actually is. Please note that the person who contacted me has requested anonymity and I will be complying. I will not include screenshots of their conversation with me, and anything I quote from them will be paraphrased so nobody can go full Sherlock and analyse their typing patterns. It sounds silly and it’s probably just paranoia, but they shared my concern here. Any conflict we can prevent is for the best. EvaGeeks, of course, has a culture very much promoting the idea that it’s the “number 1 source for all things Eva”, and for English speaking fans it definitely is - you’d be surprised the amount of people who still, after all these years, think this site is consistently reputable. For the sake of context, I’m going to assume that you are not all that familiar with the site’s history or nature, so I’m going to provide a little bit of information about it for those without any first-hand experience. The forums in particular cultivate a very join-us-or-get-out type community, where those who dare to go against the grain get incentivised to leave the site; they’ll claim this isn’t the case if asked and obviously the site is NOT a hivemind but that doesn’t mean it’s not insular. I can vouch for myself and many others who refuse to go in more than a few threads for fear of discussion turning particularly nasty. Even the server member who came to me about this has stated they feel it “might not be a hivemind but it sure feels that way.” Silencing dissent, even when officially-backed, is part of their culture. You don’t have to personally harass everyone who has an opposing thought to you for it to not feel acceptable, you just need to have a history of mocking those who do. If you want some previous, notable cases of “discussion turning nasty”, here’s some off the top of my head: 1. The AWL Incident - In which ADV VA of Rei and director of EoE dub, Amanda Winn-Lee, joined the forums for discussion and was promptly harassed by a user. Most of these messages have been deleted but you can view what remains of her post history here.  2. Recently brought to my attention: upon beginning translation of the Episode 24 drafts, EG forum user LiLi was subjected to incentive to leave, mostly in the form of homophobic disgust in replies to her thread or others they were mentioned in. Any information that goes against the cultivated narrative, even when it is literally officially licensed content, is only ever considered with a degree of reluctance. The fact these drafts co-exist with other pages concerned with this episode is almost a miracle. You can find plenty of repeat instances of the above if you want to (more to do with homophobia and misogyny than outward hostility, but honestly it’s the same thing.) A look at basically any EvaGeeks thread concerning pairings or the female characters will unearth a variety of awful comments from many other users, not that that would be surprising to anyone who has spent more than two minutes in the fandom. Now, of course, that’s very relevant to the topic at hand even if it doesn’t seem to be. The EG wiki and forum have quite a bit of overlap and circular influence on each other as you’ll see later if you aren’t already aware of it. For a short summary before we jump into things and analyse our subject of the day, this essentially means that anyone with an opinion or information the majority doesn’t like will never get in a position good enough to edit the wiki and keep the edits there. This has resulted in many articles filled with conjecture and fan speculation that serve to shut down other viewpoints, whether it’s intentional or not.
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ON THE TOPIC OF THE EVAGEEKS WIKI
The issue surrounding homophobia and downplaying of references to LGB content in Eva, through proxy of fan-dictated content control and translation is not a new one by any stretch of the imagination. I'm sure you're all very well aware. It’s far from the only issue present in the fandom but it will be our subject of conversation today. Any ‘one instance’ of this persistent behaviour from Eva fans is never going to be enough to summarise how insurmountable it really is, though, so today I instead draw your attention to one user of the wiki who goes by the name of FelipeFritschF and his recent, frequent updates to pages concerning Nagisa Kaworu.
[TOPIC: FELIPEFRITSCHF]
I must reiterate here: although this document is mostly concerned with this user and will contain a number of receipts from various places, it is NOT supposed to function as a hit piece or inspire any kind of mob. Leave this guy the hell alone, just be aware that he’s the one making most of these changes and isn’t a particularly impartial party, to put things lightly.
Now, before we really get into things, it should be stated that the EvaGeeks wiki requires approval to get your edits there, as stated at the bottom of the homepage, here:
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This means that anyone making consistent edits to the wiki has in fact been approved, and this isn’t the result of lack of maintenance.  
What you’ll find is that it is consistently Felipe making edits to the pages in question. Kaworu’s bio page, for example, is almost entirely edited by Felipe, which we can see from the “History” tab of the article.
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This is barely half of his edits made in the last few days. Take a scroll through it yourself if you’re so inclined. This hilarious bit of waffle was added by Felipe a few days ago and since revised since by him, as shown here. 
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(As an added bit of comedy, the man who decided to add in the Japanese in the first place apparently didn’t know the difference between 好意 (kindness, what Kaworu actually says) and 行為 (action). It’s been fixed since but I still think it’s quite funny.) Now, as anyone with even a rudimentary knowledge of Japanese knows, 好き is not actually a very ambiguous word at all. I think it goes without saying, though, and I’m not here to have an argument about translations with you all (for the record, Kanemitsu’s now scarily infamous translation of this scene is perfectly fine with me in a vacuum, it’s just literally everything else surrounding it that’s the problem. Also, regretfully, I will have to speak about this nonsense later when it becomes relevant.) I’m using this as an example instead, to show how utterly ridiculous this guy’s additions to these pages are. He’s not even making a point here. It keeps going past this excerpt, and I suggest you read the whole thing (Kaworu’s page is linked above.) The point of bringing this up - and when I eventually discuss the Netflix translation when it’s necessary - is not to complain about semantics, although I’d argue that’s what’s happening in these articles, honestly. It’s just helpful when proving the actual point of the editor being incredibly unreliable and biased in how he phrases and omits things.
On the page dedicated solely to Shinji and Kaworu’s relationship (which is basically identical to their section on Kaworu’s page as far as I can tell), we can see that Felipe has also edited this several times, and even credits himself with expanding the version on the Evangelion Fandom Wiki now copy and pasted back to EvaGeeks.
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The kind of “discussion” (very much not discussion when added to a wiki page supposedly presented as factual information, is it, frankly?) would be fine if it was happening in the EvaGeeks forum itself (and happen does it ever, but that doesn’t change the inappropriateness of this particular behaviour.) What I find disturbing is that in the past few days, this user has gone out of his way to make some already worrying articles even worse, presumably in an attempt to silence discourse, or add more fuel to the flames, surrounding the new Netflix translation. He has a whole page on that one, too, one which is very up-to-date in some regards and not at all in others, despite only being added a few days before me compiling this information. Frankly, going through this whole page on its own is a huge waste of my time considering how BLATANT it is in its biases, but I’ll do it anyway. It IS only a Theory and Analysis page (which is essentially an EvaGeeks free-for-all), but I think it’s quite bothering that the site even allows Theory and Analysis pages that consider only one viewpoint and are written by one person. The forum, presumably, is connected to the site for a reason. 
I’m just going to link it here, for the sake of brevity. https://wiki.evageeks.org/Theory_and_Analysis:Kaworu%27s_lines_in_Episode_24 I suggest you read this before continuing. For a slight departure, the original theatrical Funimation dub of 3.0 is partially available for viewing online, although the audio is in cam quality so you may want headphones if you have plans to watch what’s there. The home media dub’s major changes are to issues with lore and localisation of jargon. While not directly mentioned in this article, it is implied from the subject that this is what it’s about; it’s been speculated that the very literal translation of Episode 24 in particular has come about due to Khara’s embarrassment with how Funimation’s theatrical dub of 3.0 handled Kaworu and Shinji’s relationship rather loosely. Despite these claims, every instance of the two sharing (honestly pretty awkward and unnecessary) flirtatious back-and-forths are still present in the home media version, barring an instance in the stargazing scene where Kaworu’s dialogue was translated even worse than it is in the final dub. If you don’t believe me, do the comparisons yourself. It may not be conclusive, but I think it puts mostly to death the rumour that “a Khara employee was there and saw how people laughed at the Kaworu and Shinji scenes and demanded it needed to be changed for the final release and now that’s being reflected on the new translation”, which is what it tends to boil down to. 
It also goes without saying that NO ONE PERSON is “the most qualified” (holy shit, is this entry not even bothering to hide how biased it is) to translate an entire TV show, let alone something like Evangelion. Let us not forget that Kanemitsu’s claims that he respects “ambiguity” are not even true to begin with. EvaGeeks itself is a shining example of Eva fans, of which Kanemitsu is one and this is even discussed in the article, not being impartial enough to be tasked with discussing Evangelion! (There is obviously issue with citing the ADV translation as a source of all truth; if you read further into the thread on my tweet [the kitchen scene in EoE], I provide extra context for those interested, which I am aware has been spread around Discord and other places without that context included. Of course, I’m not an unbiased source either as you can probably tell from my tweets nor am I claiming to be, so please feel free to discuss these things in other places if you want. I’ve just got the tweets I have on hand here. Sorry about that.) Next, the repeat claim that this is “Khara’s licensed translation and thus the most accurate version” is pretty obviously nonsense; I’m sure I don’t need to point out to the audience that Japanese companies meddling in localisation has ended poorly in the past, or that Khara uses questionable translations from the dubs of the Rebuild films on licensed merch from time-to-time, or that the translation was fairly obviously not overseen or even QA’d by anyone following Kanemitsu’s translation work judging from the myriad of grammatical errors, missing subtitles and overly literal, poor sounding phrasing present in the final work. (Do I need to source this? Just watch the damn thing.) It’s not even like the ways it was translated have been consistent through different versions on Netflix; some were translated from Kanemitsu’s English to other languages judging from the obvious mistakes being present in multiple tracks, and some were barely even translated at all - the Italian version, the dub of which is mysteriously now missing, was so bad people were commenting that it sounded like Shakespeare or that it was translated word for word from Japanese. I dunno about you, the reader, but something about “Khara only bothered to check very rigorously the English version for their specific requests with the translation” doesn’t sound like what really happened to me. It’s more like they’ve just sent a translator they have worked with before to work on a project of theirs. Apologies for engaging in speculation, but that’s all this whole article is anyway. It’s just something I noticed from skimming through the page, but I find it quite interesting that Felipe makes a blanket statement about the excerpts from Schizo and Prano “being wrongly attributed to Anno” and then the source he provides for that is just someone on the EvaGeeks forums saying the same thing with little proper sourcing, when that was never really the intent of their post anyway. An interview summary exists where Anno has stated he wrote both books himself, and if you haven’t seen it, here it is. It’s obviously flimsy at best, but Tokyo Otaku Mode is an officially licensed Evangelion distributor. If Felipe is going to parade around his love for the Very Official Khara Subtitles Of NGE he can at least extend the same gratitude to other forms of official information; I mean, frankly, this article is about as reputable as anything in the Netflix subtitles are.  Lastly, another thing I found quite interesting is his strange love for the ADV VHS subtitles. I really, really think this is obvious, but subtitles changed in later versions of the ADV release were changed because they were deemed incorrect. I don’t have sources for this so take it with an absolute grain of salt but I believe there’s even a commentary track on the Platinum release where the translator talks in depth about why she translated episode 24 as she did. It’s not exactly a better word than Kanemitsu’s, but if we’re considering translator’s word as law for whatever reason like Felipe is here, we might as well consider hers, too, right? Oh, and actually, have a look at the sources used on that article. Most of the sweeping statements he makes have absolutely no backing beyond what he’s piecing together from old and irrelevant interviews (when discussing the Netflix translation) as well as...linking Kanemitsu’s job history...I mean, sure, the guy is qualified, but do I really need to go over this again?
INTERMISSION: Speaking of sources, you might have noticed from perusing these articles yourself that EvaGeeks has a very low standard for sourcing to begin with, which is likely partially to blame for how things like these articles can even exist in their current forms in the first place. A site that doesn’t have such a lenient policy on sourcing, though, is Wikipedia. Felipe, of course, cannot stay within the confines of the fandom and has decided to have a go at providing some information to Kaworu’s actual Wikipedia page as well.
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https://en.wikipedia.org/w/index.php?title=Kaworu_Nagisa&action=history Felipe is far less to blame for the state of Kaworu’s Wikipedia article, which is honestly pretty bad to begin with. There have been plenty of other people editing this one and the rather homophobic “Relationship with Shinji” part of the article has been present for a while before he started editing it. (The fact this article literally uses someone being explicitly homophobic as a source is not surprising for Eva fandom, but holy shit, am I disgusted every time I reopen this page. I'm not even going to bother figuring out who added that one.) I do wonder if his reasons for not desecrating this page the same way he has on EvaGeeks is because he knows it wouldn’t stay up for particularly long. Reminder that he is also the main editor of the same pages on the Evangelion Fandom Wiki, which is essentially a copy and paste of EvaGeeks. Of note is this little tidbit I found:
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This is what Felipe then deleted, as this is apparently not relevant, despite literally being about Kaworu’s relationship with Shinji. I mean, I’m sure this could have been put in somewhere else and perhaps phrased a bit better, but why the hell would you outright delete that kind of information? It’s supposed to be a wiki, not your own personal opinion chamber. BTW, this is the thread post he links as a rebuttal to that person adding it, and it’s probably for the best it’s presented here with context: https://forum.evageeks.org/post/886380/NGE-Ep24-Script-First-and-Second-Drafts/#886380
He clearly thinks he has a point here, but I’m not sure what exactly he’s going for. Basically everything he’s saying is conjecture, and while I can kinda see where he’s coming from it sure does completely fail to address the intent as explained in this interview. “Read the whole interview” is very dismissive, especially when the interview in full doesn’t exactly contradict the initial point. It does say quite a bit, how he will disregard official information when his wiki articles themselves are full of nothing but rambling.
Here’s another relevant and quite funny Discord screenshot:
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Felipe is making a pretty hypocritical statement here. I’m sure he does have a point - there’s probably been quite a bit of vandalism happening to these pages which isn’t exactly surprising (again, Eva fans are not often rational people, please be honest with ourselves). That being said, I think there’s a particular irony to the man who has written many very, very long paragraphs on the wiki pages he has control over trying to stop people from thinking there might be anything but “ambiguity” between a pair he doesn’t like.
In the case anyone reading has forgotten: the purpose of a wiki should be to provide unbiased information on the material it discusses. Obviously the repeating of “innocuous” statements about how “ambiguous” it all is, in the vain of EG’s now made fun of ‘we don’t know what he really meant by that’ and ‘why Kaworu is so intent for Shinji alone to have happiness remains a mystery’  are pretty obviously intended to downplay the very, very obvious “subtext” and leagues of official information provided.
It kinda goes without saying that WE CAN INFER THESE THINGS FROM THE ACTUAL INFORMATION ON THE WIKI, you don’t need to add a disclaimer to everything going “well we just don’t know what it means!” (even in instances when we do know what it means, but that’s almost besides the point). You don’t need to add in these statements, unless you’re trying to sway people into ignoring what's presented by the show. If you want people to draw their own conclusions, you are in fact capable of presenting information without commentary - in fact, that's kind of the whole point of a wiki. Yes, Eva is ambiguous at times, but talking down to people like they need this reminded to them constantly is an absolute waste of time and energy. It’s almost as if the editor has been trying to cultivate a narrative and has been getting away with it because you can’t really prove these statements are biased unless you do the research. (I mean, you can from context, but it certainly hasn’t done much to get them removed, has it?)
You can view the editing history of any given EvaGeeks article on their own pages if you want to see just how many times these things have been added in by Felipe. And obviously, no, it isn’t just his fault - there are other users, several, in fact, credited with the editing of these pages, many of the edits serving the same point as Felipe’s paragraphs on “ambiguity”. He’s just the most concrete example of a biased editor. Also, yes, I do recognise this has all happened within the few days post the release of Eva on Netflix and that it was likely prompted by that. But we know at least one of the mods is aware of it given how Felipe talks about it in the EvaGeeks Discord server. It’s also quite funny I’ve seen people linking these pages like they're some kind of "gotcha" in response to tweets discussing the new translation, as if they haven’t been invented out of thin air in the past few days.
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Now, frankly I’m sick of staring at EvaGeeks, and if you want any more information on these articles and others with instances of the same thing happening, you can have a look at it yourself.
Originally, this document contained far more screenshots from Felipe. My desire for this to not turn into a hit piece has lead me to remove a great deal of these messages. I do suggest, if you want to, you join the server and make your own conclusions. Even beyond what the member told me about I found myself agreeing with him fairly frequently when he was being reasonable - this doesn't change my concerns regarding the presentation of information on the wiki, though. The anonymous member was mostly concerned about this user having basically all the control over Kaworu's wiki articles, seeing as he has far too high of a stake in everything. Not all of these messages are inflammatory or even necessarily bad or wrong, but I find that to anyone privy to the “revelations” about the EvaGeeks Wiki here, they paint an interesting story, to say the least.
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It’s starting to sound like he perhaps has just had some bad experiences. The following few messages are part of the same conversation.
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I find it interesting how he flipflops from not understanding anything about the whole Eva Parallelism Theory Thing to suddenly being all for it when it concerns things not about the gay stuff.
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Comments on how ‘manipulative’ Kaworu is
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Because Kaworu is very pro instrumentality, and this definitely isn’t just a theory, I mean, it’s even talked about on the wiki, guys! (And I’m not even touching on the yes-men in this server.) Oh.
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Oh no.
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For the record, this page is clearly still under construction, and to point out any one thing about how bad it is would be essentially just poking a stick at a beehive. At least this one is so absolutely poorly phrased it’s doubtful anyone could mistake it for any kind of proper information. I also find it incredibly funny whenever pages on the wiki use the forum as a source. Relevant: Qmisato’s post on his defending of Shinji sexually assaulting Asuka: https://qmisato.tumblr.com/post/183082754484/yesterday-i-was-invited-to-evageeks-official
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In response much later. I really can’t see it as being framed as “fun teenage romance”, also why is the word romance suddenly being used to talk about Asuka and Shinji after the whole debacle with Kaworu? He’s said before he doesn’t see Asuka and Shinji’s relationship as romantic, either (and GOOD! It’s not!)
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(Also - it’s not sexual assault when Shinji tries to kiss Asuka in her sleep, but it IS when Kaworu does the exact same thing to Shinji? Make up your mind, dude.) Turning this sort of thing into Shipping Discourse is frankly not the right way to go about it, but it is perhaps notable that despite what Felipe says, he is in fact an Asushin shipper. (I don’t feel the need to post all these images in the document as its cluttered enough as it is.) At this point it’s rather adhom and I feel irrelevant but I do think it’s relevant that through all of Eva fandom, those who have the most issue “understanding” (more like accepting, I suppose) LGB subtext, are those who also are really attached to a fairly morally grey het pairing themselves. Again, seriously, there’s nothing inherently wrong with any of this and assuming the worst of someone because of the pairings they like isn’t my intent here, it’s more that I find this pattern has always been prevalent and it’s bothering me I’m seeing it STILL in 2019. ESPECIALLY from a wiki editor who inserts so much of that into his work on the site. 
  You’re probably sick of reading all of this (and I’m getting sick of writing it), so I’ll wrap up the part on Felipe quickly: Yes, I just dedicated several pages to screenshots of mostly innocuous (when considered out of context) stuff one guy had to say. I feel more obsessive than I’d like to admit, and frankly I have no business with this person. We’ve spoken twice on EvaGeeks threads if you can even call it speaking. This task was given to me by a member of the community who was concerned about his behaviour but didn’t want to publicise it themself and I feel a little out of my depth here. I at least hope we can come to the conclusion I wanted to here, that I fear may have been lost in this whole great mess of language - no one person should have THIS much sway over the state of a wiki that’s supposed to be impartial, especially when they have not been quiet with their biases in the first place, and it is the failure of everyone involved in the maintaining of the wiki itself that this sort of behaviour has been allowed in the first place. 
The guy can have whatever opinions and theories he wants, obviously. I don't give a shit; he's not even that bad compared to the grand majority of Eva fans to begin with. Don't think this document exists to "cancel" him or thoughtpolice, I truly, genuinely, do not care what is said inside this server anymore. It doesn't concern me. I mean, it's a fucking cartoon, for god's sake. This only becomes an issue when opinions are expressed on a wiki, for reasons I have reiterated many times now. EvaGeeks lacks the objectivity required to function as a wiki and I'm trying to make that clear. 
[ON THE TOPIC OF THE EVAGEEKS WIKI AND COMMUNITY IN GENERAL] As for who can edit the wiki and what they’re allowed to say: As you can see from the nature of people’s posts in this thread, you’re given access to do very specific things, and although I haven’t bothered going through the process myself (as I find it would be quite redundant, trying to fix such an inherently broken system), I’m guessing it’s very easy to get your edits reversed if you post anything they don’t like. Take that as conjecture of my own.
I have it in decent faith that the approval process involves whoever of the mod team is there at the time coming to an agreement based on people’s applications. Obviously this is a decent idea for a system, and I’m sure there are legitimate reasons as to why EG has to be locked down as much as it is; judging from the state of other fanon wikis I’ve seen there’s likely to be a decent amount of vandalism, especially in a fandom as passionate as Eva’s is. However, I think it’s fair to say that the complete restriction of updating these pages to those approved by a mod team who, while I’m sure are very reasonable people overall, certain individuals of which have displayed concerning behaviour and biases of their own in the server during my brief look around. I won’t be naming anyone in particular from the mod team as I don’t feel like I need to add any more targets of shame to this already horrifically negative document, but I have gotten the general impression (in case it needed confirmation, following the remaining of these specific changes on the wiki) that some mods, not all, aren’t the most nonpartisan individuals themselves. I do happen to be decent acquaintances with at least one of them so, again, please don’t consider this a personal attack.
My concern here plainly is that I don’t think a group of mods who have routinely failed to prevent events like the ones mentioned earlier, nor seem to have much of an issue with the myriad of examples of people being openly homophobic and misogynistic on their own forum are really in the position to be choosing who of the Privelleged Few get to control the Eva meta-narrative here. As I was writing this, I was alerted to the state of the primary Japanese Evangelion wiki as a source of cross referencing for what these things can look like if done right. If you take a moment to browse it, even if you don’t speak any Japanese and have to use an automatic translator it should be very obvious how something like this differs greatly from EvaGeeks. Kaworu’s page, for a relevant example, doesn’t have present any of the nonsense statements about ambiguity or overwritten descriptions of everything. The wiki respects the reader’s intelligence enough to know that it is, in fact, a wiki, and thus tries its best to be factual. His page is fairly decent in size and states things we know are fact rather than theory. There’s no attempt made to influence or confuse.
Oh, and just in case you think the mods aren’t actually active or present enough to know what Felipe is doing, his particularly awful page on Kaworu in episode 24 got a shoutout from the official Twitter account two days ago.  
If you are going to join the Discord server to verify things yourself* or do further digging, again, please be cautious of other users inside and do your best not to start anything. I am an occasional contributor to the forums and I’d prefer not to get my account flagged or to experience harassment myself, if any EvaGeeks members are still reading this document and disagree with my conclusions. I may not have posted much since I joined earlier this year, but despite everything I find the forums to be valuable for connecting with other fans and have enjoyed the positive feedback to my SIRP translation! Those who have spoken to me there have been very kind (including Felipe himself), and I must reiterate that this is not targeted at the whole site, or even at just Felipe. I simply believe there is more than enough evidence to suggest there have been consistent, systematic failures to recognise and correct the utter lack of objectivity present. I seriously don’t have any personal issues or beef with this guy, either. I wouldn’t have done this if it wasn’t someone else who came to me about it.
*It should be noted that the person who spoke to me has pointed out certain members have been concerned about outsiders joining and screenshotting the chat. They may remove the public link to join if this document were to cause a huge issue. I will leave the server following the publication of this document and I have no plans to join again. I can’t speak for those who may join of their own accord but I do hope people have heeded the disclaimer I made initially.
Thankyou to all the people who have extended their own kindness and support during the creation of this document, to the anonymous person who tipped me off and the lovely Eva analysts I know for offering their own experiences with EvaGeeks and further supplementary information. If this whole document reads like the product of a bad mental health day, I guess it is. Also yes I know how hilarious it is that I’ve spent all this time creating what essentially amounts to an EVAGEEKS CALLOUT POST but I mean. Someone had to say it. Why not make an utter buffoon of myself in the process?
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pass-the-bechdel · 7 years ago
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Supergirl s03e19 ‘The Fanatical’
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Does it pass the Bechdel Test?
Yes, seven times.
How many female characters (with names and lines) are there?
Eight (57.14% of cast).
How many male characters (with names and lines) are there?
Six.
Positive Content Rating:
Three.
General Episode Quality:
Fine.
MORE INFO (and potential spoilers) UNDER THE CUT:
Passing the Bechdel:
Lena explains her science to Kara. Kara meets Tanya. Alex tries to help Ruby. Kara tries to apologise to Lena. Alex tries to console Ruby. Kara gets through to Olivia. Alex and Ruby make up.
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Female characters:
Lena Luthor.
Kara Danvers.
Samantha Arias.
Eve Teschmacher.
Tanya.
Alex Danvers.
Ruby Arias.
Olivia.
Male characters:
Winn Schott.
James Olsen.
Mon-El.
J’onn J’onzz.
M’yrnn J’onzz.
Thomas Colville.
OTHER NOTES:
Kara, you’re asking James to be dishonest at his expense, and the expense of his relationship. This whole beef with Lena is exposing a distinct self-absorption in Kara beyond the behaviour she expects from her friends directly; she wants to be everyone’s main priority. I hope they bother to follow this through properly, because it’s kinda bigger than ‘having dual personas is hard’. 
James’ struggles with racism ring emotionally true in a way that things rarely have on this show since Alex’s coming out at the early end of last season. I was concerned for a moment that they were gonna be ham-fisted about it and embarrass themselves, but Mehcad Brooks delivered on performance. It’s a sad indictment of how the trust in this show has been damaged, that the knee-jerk reaction to it acknowledging a major social issue is one of concern and not appreciation. But, the fact that they handled this with tact means there’s still hope for them to mend that trust.
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Yeah, I’m still feeling distinctly off about the whole Kara/Lena situation and what that’s saying about Kara as a person, and about the way she views others in her life; I’m concerned that the writing is not wholly deliberate in the selfishness Kara has shown and therefore, that there won’t be appropriate follow-up and she’ll just keep on being self-righteously self-important. It’s not the first time we’ve seen her play the I-always-know-best-and-everyone-should-do-things-my-way-by-default trick (I’m thinking particularly of how unreasonable she was with James when she found out he was Guardian, but there are other examples variously), and it’s not an unrealistic or unacceptable personality flaw in and of itself, but it would be nice to have it acknowledged as a flaw, recognised as such, and maybe tempered with effort from Kara since they’ve gone and highlighted it like they have. When you’re dealing with a character who is supposed to be heroic and intrinsically good, you really have to keep on top of how that is presented, because if the attitudes your ‘hero’ takes towards others get too controlling or manipulative or selfish or whatever else, then you risk sending some pretty warped messages about acceptable ‘good guy’ behaviour, plus you kinda sorta maybe start making your hero into a villain in the personal lives of their loved ones, and that’s a messy can of worms to get into if you’re not deliberately trying to tell that story. Kara isn’t being villainously awful, but she does need to stop and really take a look at herself, and that thing about the trust that I don’t have in this show anymore? Makes me wary. That thing I said a few episodes back, about how they really need to start giving Kara some good personal story arcs again? That would probably help with this problem, to be honest. At least it might instill some faith that the writers were really thinking about the story they’re telling and not just chucking ideas in on the fly.
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ninjagoat · 7 years ago
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Notes on Supergirl 3x21
- I'll start by saying this: Lena deserves a bigger victory lap. She hasn't just cured Sam of Reign; she has cured a member of her 'family' from their murderous inner demons. This should be a huge deal for her. But I'll take the relieved smile, nevertheless.
- Sorry, Alex. Guess you won't be Ruby's mum forever after all.
- Kara making the decision to trust Lena with black Kryptonite, despite everything, is one of my favourite moments from this episode. Kara really does have faith in everyone. It's not just words. 
- Kara and Alex on that sofa, maybe for the last time. But Alex will always be in Kara's heart.
- Suuuure, Kara, you're just letting him tag along to pick up a gravity generator. Nothing else going on there.
- THE PARTY. There's so much I love about this: Winn's joy at celebrating his friend, especially the linking-arms-to-drink-champagne thing, which hits almost exactly the same tone as their dance in 1x03 (Winn is Kara's best friend. I WILL FIGHT YOU, AND I WILL WIN); Mon-El giving Winn a little hug; Alex's speech for her sister; and most importantly, Kara's speech to everyone else, which turns it from being a celebration of Supergirl, to a celebration of all the people that made her Supergirl. El Mayarah, forever.
- But my FAVOURITE thing about the montage is the ENTIRELY SEPARATE party at Catco that exists solely to include Lena (as 'family', no less) despite the fact that Lena has no idea where Kara's really going, or why it's so important to her; and when it should be clear to everyone in the audience that has ever met a person before that she is so much less Kara's family than anyone at the DEO party is.
- Kara's SO EXCITED to see all her stuff to see all her stuff from when she was a kid! And ROS- sorry, 'Thara'!
- Of course James is bored when there's no-one to save. He's driven to do this (see my notes on 3x19), but at the end of the day, he does this for fun.
- Winn, being Kara's best friend, has a much better of how Kara's trip to Argo is going to go than James does. Jeremy Jordan's spent all season playing Winn as knowing that one day, Kara wouldn't come back. But he didn't think it would be like this.
- The prop gag - that little toy gun going off unexpectedly - is a great distillation of the larger themes of this gun control story-line, and it's surprisingly well executed. No-one is, strictly speaking, evil, but all the gun advocates view the situation through a specific and very narrow lens: the manufacturer through the status quo of the industry; the gunman himself through his own personal problems; and Lena, through the attempts on her life, and her attempts on the lives of others (none of which were strictly self-defence, since she shot two of them in the back, and the other was an attempt at pre-meditated murder). Mental health is mentioned constantly. Lots of good choices.
- James's face when Winn compares the shield to a Picasso is priceless. How dare Winn be proud of his own work? Only James gets to exercise his ego through Guardian, Winn!
- Kara's so excited to not have to save anyone; because, unlike James, being a hero was never about fun for her. Kara heard people suffering, everywhere, and she had the means to prevent it, and the whole time she was told to hide, it ate away at her. She did what she could, when she could, as much as was healthy for her. But, on Argo, she is free.
But it can't last. If there's an accident or attack here, she can't do anything. And that's going to hurt so much more, and Mon-El knows it, which is why he gives her the Legion ring. It's totally not a marriage metaphor, honest.
- I refuse to believe that Lena thought four pizzas was the right amount. Or that she buys pizza. Or that she'll eat more than two slices.
- I am, however, entirely open to the idea that she's a libertarian who's about to sea-lion her black boyfriend - who she knows could be shot by police any time they feel like it - on whether or not kids should get killed just for going to school. She's never been a bleeding heart. Every issue she's ever cared about, she's always had a reason for it to be about her.
- James has had a good-natured nuclear physicist sitting outside his office for two years? Has he tried setting her and Winn up on a date? Put in a good word for him, even? Are you even really his friend, James?
(I say this, because if Winn does end up going to the 31st century, Mon-El is absolutely going to talk him up to every female Legionnaire that'll be willing to listen. He's a good bro).
- Mon-El and Kara are out on the most middle-class, late-20s-early-30s dinner ever. Totally not married, though. No, sirree.
- ...Why is there a loading dock at a law firm? IT'S A LAW FIRM. They don't take that many large deliveries. It's mostly paper.
- Kara and happiness: never a particularly stable combination. She could be happy on Argo, but she's been away for so long. And the only person in all of time and space who can truly relate to what she's feeling is right there with her, even though his reunion with his old people was so much different from this one; and she's standing there, asking him if she can ever be truly happy? Maybe he shouldn't unburden himself now. Maybe he should let her settle into contentment before springing this on her. But he's been down that road himself. He knows where that path leads, or believes he does. The time is now.
You can be happy, Kara. You both can.
- Arming the entire DEO? Does Winn have a staff, J'onn? *begins outlining spin-off, Winslow's Angels*
- "The only weapon anyone needs, is a shield." And a baseball bat. And a grappling hook. And smoke grenades.
Also guns, tazers, black-body field generators, lead dispersal bombs, terrorist-controlled attack drones with untraceable bullets, x-ray-vision-proof scatter fields, and Kryptonite.
Seriously, has he even met Lena Luthor?
- Speaking of whom, it's two episodes before the end of the season, and she's discovered something revolutionary! About black Kryptonite, no less! The stuff that can make World-killers! What could possibly go wrong?
- But it's great to see Miss Teschmacher take her rightful place as a Luthor minion. Now, to get her into that Superman '78 sequined cape...
- LenaWatch: No Winn/Lena scenes this week.
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ayalanaylo · 7 years ago
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i’m really confused about the writing in supergirl?
and i’ve tried to google my confusion away, but it led me to places i didn’t intend to reach and tumblr searching is leading me to spoilers (which i don’t actually mind that much, but i’m here for meta answers that i don’t find).
mainly i’m just baffled by james olsen and all the romantic arcs.
i’m turning to tumblr’s fandom expertise for answers but i need you to understand my zero point ground before i ask any substantial q’s - i did not read any supergirl comics before (have read some dc in general and am a huge young justice fan, yes) so comparison to the source material means close to nothing for me. i generally don’t watch superhero related stuff. so why did i even start watching supergirl?
i’m just a Simple Gay™. yeah, i’ve been bombarded for the past year or so with supercop gifs and whatnot - and don’t get me wrong, i absolutely know i’m not going to get any gay content out of this show - but i have a bit of free time and thought i’d give this series a shot because it had wandered the realms of my mind for so long, thanks to tumblr supercop fanbase.
also regarding expectations - i did not expect this show to be a stellar example of top tier writing. i knew this is a light hearted, carefree show i’ll watch for simple fun, and that meets my expectations quite well. i’m not, per se, disappointed of the writing - not every damn piece of consumable media needs to be shakespearean poetry (and people who dismiss those things on the merit of that alone are missing so much, imo) - but it bothers me to the core when i recognize a poor written character being paraded on the plot lines. what i mean by that - a character that seems so meaningless still stands on a pedestal the creators of said character created for it. it’s like a curator putting up his son’s kindergarten crayon doodle on the fine arts exhibition - like, i get that you love your son, but my dude this is so out of place.
i’m 13 episodes in (more than half a season?) and i think this is really early to be frustrated with james olsen, given there are 3 seasons out, but i find myself not indifferent but annoyed with his character and how it affects this perplexed romantic hexagon arc. now, this is the time i worry the thought of ‘you’re only here for the gay’ to come up, so let me put up a disclaimer - the fact that i considered watching this show in the first place because of a non-existent gay ship doesn’t mean i don’t get to criticize an existent (and prominent, mind you) romantic arc. yes, i crave for lgbt content that is not complete crap in mainstream media, but there are so many written and showcased fictional couples i appreciate regardless the gender and\or sexual orientation of the characters involved. but it’s not ‘despite’, it’s because i’m a gay person who lives in a time of decent and even good lgbt romantic arcs representation that i find it very hard to be forgiving for poor written cis-het ones. it’s because lgbt people endured the years upon years of piss writing of lgbt characters in romantic arcs that were generally concluded with ‘this personality-less gay character 1′ and ‘this personality-less gay character 2′ should end up together on the merit of their dictated sexual orientation alone, that i find myself angry of lazy writing of cis-het ones that try to condition the viewer to ship two characters together because the script said they will touch hands and camera direction said to zoom on their face. this is not writing and properly developing a relationship between two characters this is directed instructions from the production down, as opposed to from the writing up.
after my supposed establishment of why i’m an Angry Lesbian™ about hetero ships writing i want to get to the nitty gritty - james olsen and the oh so many other problems with other characters.
i get characters crushing on each other, it’s got real cute potential, but can someone explain to me, enlighten me please - why do i get to live through cringe worthy anguished characters with a crush that doesn’t let me on anything other than ‘okay, i get that they’re attracted to each other’. what is their human connection based on and why the story didn’t bother showing me? because literally every scene he has with kara (that isn’t his given alone screen time or the professional ‘friends helping supergirl with mission’) is either him telling her about superman in the first episodes or him giving her this eyebrow-frown look while she talks. we know nothing about this character and his dialog doesn’t make him voluntarily informative about himself - how am i supposed to connect with him and understand that kara finds his personality endearing if i know zero facts about him as a human being? i know he’s a photographer and he knows superman. when lucy lane is introduced it’s because 1. she was there and he didn’t voluntarily let the viewers know who she is, and 2. she was there to serve the romantic weird entanglement and nothing more. what it did give us? some info about their brake up and life together - it is still nothing about james’ personality traits. i don’t want a sad back-story as much as i want a well rounded character in the present-story.
i was just brushing it off or groaning in frustration most of the time, but somewhere in the middle of season 1 (don’t remember exact episode) alex referred to james as kara’s family. that ticks so many tickey things in me - alex is her sister since she was 13, winn is her good friend for presumably all years she’s working at catco, and james arrived a week ago and suddenly he’s family because kara is crushing on him? no. no. no, story, you need to show me and explain to me in so much detail why a week-long crush is someone’s family along side an actual sister and a very good friend, you don’t tell me about it retrospectively.
and for the ever loving fuck why does he keep advancing on kara when he’s in a relationship with lucy? winn even acknowledges this verbally to his face (episode 12 i think) saying he can go get kara if he wanted to, that he just need to end things with lucy - yet he sees that as a sign to gather up the courage for romantic advancement right after the kara-adam brake up before talking with lucy? that’s a big nope.
and adam. oh, adam, sweet summer child. he really is just a harmless side character who crushes on kara, and she reciprocates, for about an episode and a half - and then comes the time in a superhero’s journey for ‘my identity is known and that puts people in my immediate surrounding in jeopardy’ - ... while she’s on a date with adam? don’t get me wrong, it’s all fine, but it’s just fine. why did this moment have to come when our main hero is in a barely second date relationship? the brake up literally meant nothing to me because we had no time to get to know adam. who is he? he was there to advance cat’s character, we didn’t learn anything about him in his screen time that wasn’t already told to us by cat. we know 1. what cat told kara (that was confirmed in his screen time), and 2. that he thinks kara is amazing. all he talks about is her, never himself. i know gurnisht about this character - why should i care about him when kara brakes things up?
and then we have *spooky voice* the friendzoned guy. first, can someone please make this phrase disappear from existence, yet second, while winn is written with some mistakes (using ‘friendzone’, kissing without confirming mutual feelings) - he is the most developed character of this disastrous romantic blah and he is written is such way that makes me care about him. kara doesn’t reciprocates his feelings? fine and valid, i just wish i could care about who she likes because they would be rounded developed characters as the ones she doesn’t.
in conclusion - please explain to me why should i ship a guy-character and a girl-character if their only connection is shared screen time and not the blessed character and relationship development a lot of lgbt ships get on mainstream media recently?
*banging pots and pans* I’M A GAY WHO’S PRO WELL DEVELOPED HETERO-SHIPS.
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