#im having fun leave me alone

[sleepy-hyperfixations]

my slow decent into madness

[monosanimegenericzone]

Hunter x Hunter: Post Mortem Nen (troupe business)

hi so the troupe and post mortem nen.

i dont ... actually expect them to be utilizing post mortem nen because that's not how they work. they're content with death and dont ever think of cheating it because its never been a threat before.

but. the brainworms started crawling with this very touching sentimental idea: a pact was founded between the 8 founding members that weren't chrollo to create post mortem nen contracts.

and this is entirely copium. take it with a grain of desperation.

the founding members all know- the second the untrustworthy number four was added that the spider has one glaring weakness. once it loses its original members, which is very much a possibility especially in the early days, the troupe's entire purpose would be swayed.

what purpose? good question.

the 8 excluding chrollo make an agreement to make post mortem nen agreements so that the spider's purpose and its drive would never be forgotten. and each of them do it differently because obviously they have different abilities.

nobunaga i fully believe just has a straight up post mortem hatsu. since we've never seen it and since he's based on the samurai. i fully believe that he exclusively focused his hatsu into his time after death. it allows him to be more careless with his life and apply his knowledge of nen more recklessly. if he is killed nothing happens but if he manages to end his own life via seppuku then it activates. idk what exactly but im thinking real hard about it.

feitan i think i talked about before but Mortem Vindicta. applied to his own death, whatever he suffered from the deaths of any of those he cared about would unleash in an attack so powerful it would vaporize anyone in its vicinity. and yeah i get that part of his immense power is that he has no control over it but in post mortem nen i feel like he could slip in a clause about not harming anyone bearing the spider tattoo.

machi could just keep sewing herself up remotely. like after she 'dies' her nen will fix her body to a state of plausible resurrection but needs an additional push to be fully resuscitated. so like someone would have to restart her heart but other than that she's perfectly healthy. and it doesn't ever expire.

phinks i cant think of a good one but probably something very simple since he is an enhancer. since his ability revolves around karma and he takes heavy inspiration from egyptian mythology, i'm thinking something about earning his right to live again in death. i'll come back to this when i get a good idea but there is something there i can mess with.

shalnark would have something to do with his pins and his phone. his power i believe is sourced by his phone being one of a kind. so therefore he'd tie an ability into that. i believe his post mortem nen would involve a consciousness transfer. if someone uses his antenna on someone else and presses ok on the prompt on his phone, then a copy of his consciousness will be downloaded into the target and overridden creating a perfect replica of shalnark in a different body. however this only works if same person is the one to complete both actions. and his phone has to be undamaged and functional.

franklin is hard because i feel like he'd be the least willing to indulge in post mortem nen. i dont think he would choose himself to come back to life but rather use his nen to protect another. since he's an emitter his post mortem nen could take the form of a nen beast similar to the ones in the succession war. maybe a large sniper rifle headed beast thats an amalgamation of different limbs similar to frankenstein. it can appear with any troupe member and as soon as any target the majority of the present troupe absolutely hates comes into view they get sniped into oblivion. it never misses. it has exactly 7 shots and then after that it's gone forever.

paku is hard because i think she'd be like franklin. she doesn't want to live again if her death was deserved, so she'll choose to protect others. and i think hers is very straightforward: exactly what she did in yorknew. she would share her memories and her desires with the rest of the troupe. keep the dream alive and therefore she lives on through them. call it Memory Bomb: remembering purpose.

uvo i think would also not want to engage in post mortem nen, but he would still make the contract with himself after listening to some reason. and i think he values the quality of new members very much. so he could set a condition on his number and then the approval or disapproval of his peers. so it would go something like: if i die and the one who replaces me/takes the number 11 is not approved of or betrays the troupe, his nen will resurrect him immediately and he will have the insatiable need to find and kill the perpetrator. after that tho he chillin. back to normal.

this is wild speculation and major amounts of coping. but i will admit that this intrigues me.

im intrigued...

bonus thought of chrollo seeing that extra clause in shalnark's entry in bandit's secret and meaning to ask him but by then the phone was damaged and shalnark was dead

and chrollo remembering that clause and holding shal's phone that has a single bullet hole through the screen.

guah.

[mister13eyond]

Seeing a lot of new people show up in my notes with like "proship dni" or whatever so RENT LOWERING GUNSHOT: IM AN ADULT WHO DOES NOT CARE IF PEOPLE HAVE PROBLEMATIC SHIPS, IM OLD AND BELIEVE TABOO FICTION IS SAFE AND HEALTHY, IM AN OLD MAN WHO THINKS IT'S FINE TO HAVE SHIPS THAT WOULD BE BAD IN REAL LIFE, I BELIEVE IN TABOO KINKS AS HEALING PLACES, I DO NOT DO SHIP DISCOURSE, I THINK IT'S OKAY TO WRITE ABOUT BAD THINGS HAPPENING TO GOOD PEOPLE WITHOUT CONDEMNING IT IN THE NARRATIVE, I THINK IT'S OKAY TO GET OFF TO MAKE BELIEVE BAD THINGS!!! THANKS

[numberonetacostan]

Obliviously fruity vs excellent gaydar

[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[hakusins]

cw // suggestive

worshipped route for whitney the faithful (or fallen?) where he's preparing the sacrifice pc for weekly prayers~

whitney the faithful/swap au idea belongs to @just-dol-headshots

[ihatebrainstorm]

I uh.. ya g guh yea yuh huh squeeble deeble

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[centipedetea]

its killing me that spamton is going thru that situation where people hate woobifying fanon so much that they lean too far in the opposite direction and create fanon 2 where he's cartoonishly evil for no reason

[moeblob]

I've been obsessively playing Fantasy Life i....

I might be a little bit too enamored with the angler hat (thank you for letting me use its appearance on any job i want without losing stats. that's a pro-fun move game. thank you).

[blaiddraws]

if you ship ingo and emmet please don't follow me

[starry-bi-sky]

okay so i was thinking of a joke earlier about how in DPDC Amity Park's slogan "a great place to live" is not only city propaganda but also the city lording it over the rest of America for being normal. But then I remembered that, despite how many DCU Cities with heroes in it there are, the amount of cities in America without heroes still far outnumber the amount of cities in America WITH heroes.

So I did a little digging so the joke would still land. Something most heroes have in common is that they operate in major cities. What makes a major city? I found that the general consensus is that the population is roughly over or around a million. THEN I looked up the populations of cities in the DCU that I thought of off the top of my head. So Gotham, Metropolis, Starling City, Central City, Jump City. All of them ranked up to millions in population (most of them were in the tens of millions).

Amity Park's wikipedia describes it as being similar to specifically Philadelphia, Chicago, and San Francisco.

Philadelphia's Population: 1.576 million as of 2021 Chicago's Population: 2.697 million as of 2021 San Francisco: 815,201 as of 2021

Whiiich means that Amity Park if we take that from canon, is probably a major city. There are approximately 19,000 cities in America with probably less than a hundred that are major cities. Adding the DCU major cities wouldn't skew the data too much.

Which MEANS that I can make the joke that Amity Park's "great place to live" is not only just typical city propaganda, but also its Amity Park lording it over the other major cities for being one of the only major cities that doesn't have problems bad enough to warrant a superhero or a vigilante. Cue stage left the Fentons and Phantom :)

Amity Parkers were probably SO proud that they didn't need a superhero. They didn't have to worry about things like 'world ending threats' and 'super-powered individuals' and 'staggering property damage'. And then enter Fentons.

It also could be used as an excuse for why nobody took notice to Amity Park getting ghosts if folks like me aren't huge fans of the notion of a media blackout via Tucker, Technus, or the US Government. Or if you want to keep Amity Park as its urban city self. Amity Park's news on ghosts gets drowned out in a week because there's news on more popular, well-known cities going on every other day. The shit going on in Amity Park is every other major city's regular Tuesday and it gets filtered as such.

[oboes-bos-hoes]

As important as it is to acknowledge positive male friendships, respectfully, they’re dating, your honour.

[ganondoodle]

i cant lie, im also beating myself up about not being able to get excited for the new game, or anything anymore it seems, while it can be fun to criticise things, some things you just dont like so badly that the frustration knowing it could be so much better but isnt and you not able to change it outweighs any fun- i dont like being a 'hater', i hate totk, but not bc i hate zelda but bc i LOVE it and want it to be better (though im starting to doubt my ability to do anything good with it too..)

and with the new game trailer (like, i still hope its better than im fearing rn) i feel similarly as when the next totk trailers dropped after the first one (which DID excite me), all of them gave me a sense of dread bc it seemed to go into a direction i wouldnt like, i tried to tone that voice down to enjoy the game, but then .. i was right

i dont want to be an annoying complainer about everything new, but maybe i am and i dont like that thought, i dont want to spoil anyones fun, i want to partake in it :(

[khaosssss]

played against another chamber in comp,, twas not fun,,

[xxplastic-cubexx]

chat wait i fucking won they DID GIVE HIM A BROWN PALETTE