#im still trying to understand color mapping
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My entry for @xnzlian DTIYS challenge! :3
It took me a while to get to it and finally I'm done with it
Killer belongs to RahafWabas
Ccino belongs to Black-nyanko
#my art#im still trying to understand color mapping#digital sketch#artists on tumblr#xnzliandtiys#undertale#undertale au#sans au#killer sans#something new au#ccino sans#fluffytale#now I need other things to be done
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seeing your clowns made me go feral since my fixation is cringe and clown flavored
Who let you cook like that who let you cook AUTHHFFH UR ART IS SO COOL IM BEING DRAGGED AWAY
You’re hatching is so fucking inspiring since it’s soMETHING I try to do in my own work I LOVE UR ART
would it be fine to ask what brushes you use? I love ur values also, you’re so so good at shapes and form WAAAA I LOVE UR STUFF. I did dig up an old ask you made iirc, but I’m not sure if it’s changed
Hey! Thank you very much. I'll go through the brushes I use for each program: Drawpile
From what I understand most of these are MyPaint brushes... but I only know them as drawpile brushes because that's what I use. Main ones I've used lately is Irregular Ink and a default brush for coloring
I don't really change the size of irregular ink much and the pressure doesn't matter that much. It has high stabilization which I haven't changed, but I'm sure you could get away with lowering it. For the other brush I'm pretty sure it's a default one that I slightly tweaked (drawpile is a bit bad about communicating what brush exactly you are using to you.) I quite like it because it feels like playing with clay, makes it easy to map out the volume. I use it for those lineless pieces I do from time to time too. I change its size a lot while drawing. I've also used these two, one of the pencil brushes and a second one I stole from Jokioro that I have no idea what is called
I used the first one for the D'arce I did a while ago and the recent VTMB piece. It's great at emulating sketchy graphite pencils, I like layering it to do multi-colored hatching rendering. The second one I don't know how to use super well yet but it's probably my fourth most used as of late. It works very weirdly so if you wanna figure out how to make it work I recommend looking at how Jokioro draws. Clip Studio I bounce around a lot with all the brushes, but I use a loooot of stuff from the Frenden pack. Mainly Meeko Leako for lining and even coloring, it has a great texture to it, very fun
This has been my most used brush for years. It's great for super straight lines and produces a great difference in value between quick lines and thick lines. I haven't used it as much since I picked up drawpile more recently, but it's amazing! Other than that I use the default G-pen when I just want simple lines without much texture
It's a bit ugly at a glance but I think if you lock in it's great for super clean lines, just trying to get the point across without much noise. I also like coloring with it at times, when I'm going lineless. SAI Binary pen. Use the binary pen. It's the best brush ever made
It just feels super right to draw with it, it's so simple but it makes your lines look super slick, and it's just a binary pen. I guess they just got the behavior down perfect for it. But yeah, love this brush. IRL I've always used these archival ink pens in different sizes for basically everything I've done traditionally, and of course just a simple number 2 pencil for sketching and such. I've used a bit of charcoal recently, and been wanting to deep into darker pencils for detail, but this is still the default. I also will probably try out dip pens sometime

That's all I can think of immediately, but I always like to mess around to try and find another great brush, and you should do the same even if you end up using these a lot.
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ive never been shipped before ahh ! im so excited for this one!
i think im pretty shy at first but im so easily able to warm up to someone if they match my personality! im an ad design graduate and i love being so exploratory when it comes to sudden changes and stuff! like ill research a place but i also still want to explore without the guides and all that! im a bookworm (i love love love historical fiction) plus i love historical/ supernatural documentaries! im described mostly as energetic and loud, but when my social battery gets depleted im lichrally just sat on the corner dazing off or staring into space 😭 literally just 🪑 im not much of a party girl, love love just being w friends and hanging out even while we’re on our phones !
oof... you were difficult because i have so many ideas in my head now.... but I definitely gotta say Charles here (oscar was a close second)
He definitely reorganizes your bookshelf by the color of the covers and says it was all for the aesthetic
Then you explain that historical fiction should be grouped by time period, not spine color
You two definitely watch conspiracy documentaries about the roman empire to fall asleep, while sharing a blanket;
You design his merch together — you doodling while lying on your stomach in his Monaco apartment, him coming over with snacks and input like “what if you made it gold… with a tiny sword?”
Charles does deep-dive research for a spontaneous trip while you just wants to get lost in a random village — so you compromise: he secretly memorizes the map, let you "lead," and smile when you get lost exactly where he wanted to go.
You showing him your favorite historical fiction book and explaining the plot passionately while he just watches your face, not the book.
He prints out one of your design projects and frames it quietly in his apartment, even though you’re insecure about it.
You give him a crash course in aesthetics and color theory, using his Ferrari paddock fits as the perfect example of “needs improvement.”
"Why are you so obsessed with ghosts?" “Because history is just unfinished business, Charles.” (Now he watches ghost hunting videos just to understand your obsession.)
You sketch a view from a café while he quietly sips espresso across from you, his sunglasses slipping down as he stares — not at the view, but at you.
He makes you try karting for fun. You’re terrible. You crash into the barriers. He keeps the photo of your helmet-hair in his wallet.
"Charles why do you look like a sad medieval prince in this photo" "Maybe I was. Reincarnated. You’d know. You read those weird books."
“I miss you. You’re being broadcasted in 4K on my TV but it’s not the same.” “Then come to the race. I’ll wave at the camera. Only for you.”
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Your art is so pretty and clean and colorful!! I’m still thinking about happy Chert in their summer dress.
Do you think maybe you could talk about your process? Especially coloring and rendering? Im working on understanding my own style, so I’m asking some of my favorite artists how they learned and refined theirs. Practice, obviously, but what kind of practice? What were the hardest things to figure out?
Hi!!
First of all: AAAAA?????
Second of all: This genuinely made my day reading this <3 Thank you so much, like seriously :’}
A part of me doesn’t feel all that qualified to answer this, I’m still learning and refining my own style and it genuinely feels so crazy (in a good way) that people have been really enjoying the stuff i do, but in regards to what kind of things i do for practice/ things I’ve learned over the years-
1. Be insane about a character
Like 0 joke, there was a 6ish month period a few years ago where i got really obsessed with a couple of my ocs and used them for pose practice ALOT. Using references was a BIG help to learn anatomy. I’d usually find a pose i was looking for on google, paste it into my canvas and do a few tracing passes.
One where i map out the skeleton in one colour. Another where I map out the BIG shapes in a different colour. And then another where i map out little shapes or shapes that I’ll need to add (wings, horns, etc) in a third colour. I’d then hide the reference image and set the traced skeleton off to the side and try to recreate it step by step!
These were only a year apart!! Left- Pre obsession (2022) Right- Post obsession (2023)
I had another bout of it late 2023-early 2024 with some Baldur’s Gate ocxcanon shenanigans that also boosted my art in the same way. And now I’m in my Mylo/Startners era!
2. My basic art process
The sketch is done on a mid grey canvas with coloured lines (mostly for eye problems lmao). I learned from a post SOMEWHERE on tumblr that blurring the sketch and putting it on REALLY low opacity helps a lot with line confidence and it really does work.
Lines are done in a non-black colour depending on what the main colour scheme is. Most of my furry works and my oc works are done in brown because i use a lot of natural browns and beiges in them but almost all of my outer wilds stuff is done in navy blue or dark purple. There are some works even done in pinks and reds just because i thought it would look pretty! I also LOVE using textured brushes and use the same textured pencil on 7px width for like everything now.
Colours are done by half manual colouring and half fill bucket. It’s a pain in the ass but Krita is weird to work with sometimes. I throw down basic flats, 2 layers of blush, and things like eye shines etc. Almost every single thing has its own layer, usually grouped into things like ‘Skin, clothes, eyes, etc’ and then regrouped into specific characters if theres more than one.
Rendering is still something I’m working on. I have a really hard time understanding light and shadows but it REALLY helps to understand the 3d form in some way whether thats with references or with a 3d model!
I personally love my layer adjusters (cannot think of the right word rn) when it comes to shading. I mostly use Multiply, Colour burn, and Luminosity (Sai) for shading. Screen is used for glass and Overlay is used for things like eye shines and sparkles!!
Then to finish everything, if theres no background i love adding a light colour border around everything to make it look kinda like a sticker :3
3. Don’t be a perfectionist.
I know saying that to artists is like asking the world to stop turning but i swear to you that it doesn’t matter. It’s not very often that i sit and do proper line work, a lot of the time (if the sketch is clean enough) i just colour in the sketch or just post the sketch as is. And even when i do line work leaving in line gaps or shaky/sketchy lines isn’t the end of the world. If anything i find that textured lines and colours look NICER that perfect crisp works a lot of the time.
4. The hardest things I had to learn
Anatomy, colour theory, shading, perspective, and backgrounds were some of the hardest thing’s I’ve had to learn, and honestly sometimes i don’t feel like i understand them at all. I hardly ever do backgrounds or weird camera angles because it hurts my brain to try and figure out stuff like foreshortening, but sometimes you just have to try it out.
You gotta get weird with it sometimes. Go to a colour pallet generator online and colour in something using it. Draw the same character a million times. Try different brushes if you do digital or try different mediums if you do traditional. Get out of your comfort zone!
I know it’s very controversial these days but steal style things from artists you like. My art is a mishmash of so many different artists who have inspired me over the years that i no longer know where half the things I do come from. Sometimes you even just have to go ‘What if…?’ And try something!!! That’s how I started doing eyes and lips the way i do! Even if you don’t do it consciously, a lot of the time your art will be influenced by something you’ve seen like games or shows and that’s okay!!!
In short, i really hope this made like a lick of sense.
I’m not a professional in the slightest, I’m just a man who’s been drawing since elementary school (and almost dropped out of art college), and I’m i don’t really know how to give coherent advice, but I genuinely hope this was helpful!! I’d post like examples of my art process but the laptop I’ve been doing all my art of is kinda down for the count rn! If/when it’s back up and running i might add some stuff to this but for now!!!
Thank you so much again for coming in and asking!! <3
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Textile Time: House of Dragons Season Two Opening Credits
It took nearly 2 years for House of Dragons to come back to us and yes, this post is a bit late with only one episode left of the season 😬 but I’m trying to embrace the "it's better late than never," and I'm working on being an im-perfectionist these days, so here we go.
A rush of excitement ran through me like an electric jolt as I heard the first notes of epic opening credits theme.
youtube
I settled in on the couch and to my utter delight, I saw not the expected template of blood spreading rapidly while fueling the mechanical architectural map of last season and GoT but a fabric becoming blood stained as it is digitally embroidered, threading a chronicle of Targaryen history (updated throughout the season) and expanding before our eyes.
What makes the new opening credits so stunning beyond the Targaryen content is the method in which the captivating digital embroidered effect, coined “threadification,” is executed by design studio yU+co’s 3D division. Kudos for taking a medieval art and a modern art form and created a striking Medieval-esque masterpiece.
The success of which can only be credited to the commitment in understanding the threading process and how it could be transformed into a digital media.
I embroider myself and am self-taught. It was something I picked up more than a year ago, so this truly hit the spot for me.
Research pays off
yU+co’s design team studied the embroidery process from the Game of Thrones Tapestry and examined the Apocalypse Tapestry. It comes as no surprise that the GoT show runner would pitch The Bayeux Tapestry as inspiration for yU+co.
The Bayeux Tapestry is not a tapestry!, it is a 1,000 year old embroidery narrative depicting the series of events leading up to the Norman conquest of England in 1066, fought between William the Conqueror, Duke of Normandy and Harold, Earl of Wessex, later King of England.
Using this real world pictorial testimony of medieval war as a guide for the House of Dragons opening scenes only adds to the credibility and stellar execution.
Now a confession -
I was only this many years old when I found out about the existence of the Game of Thrones Tapestry😳. I thought I was a fan.. but apparently I was living under a rock because how did I miss this amazing piece of GoT content and art???!?

Game of Thrones Tapestry, Season 7, Episode 4 📸 Kal242382, CC BY-SA 4.0, via Wikimedia Commons
I believed the new opening credit sequence was completely original, as in no embroidery existed in the GoT world until HoD’s season two opening. Nevertheless, the opening credits are still amazing, still impressive, still educating people about the middle ages and how not dark they were.
Embroidery vs Tapestry
Magaret Wade Labarge in her article, "Stitches in Time: Medieval embroidery in its Social Setting," defines embroidery as:
"..the art of applying decoration by needle and thread to the surface of a piece of woven cloth, usually called the "ground." It is an optional decoration worked after the while weaving process, including the dyeing and finishing, has been completed."
When we look at the Bayeux Tapestry we clearly see the richly colored stitches embroidered on top of a cloth. The “design” is independent of the weave.
See what the Bayeux Museum has to say for itself-
So why does this misnomer matter? Because knowledge is power or maybe not, but you never know when this topic will come up at a dinner party or when you might bump into Chris Helsworth.
But really why should you care? First of all, it's important not to take things at face value, like The Bayeux Tapestry. And also this visual record is an extraordinary piece of history. Do you know how difficult it is to find textiles that survive, let alone in this condition?
The Norman Conquest was a big deal in European History. French speaking Normans ended up conquering England, Scotland, Wales, Ireland and even got to Southern Italy and Sicily! And, in doing so, they brought a wealth of new words, thousands of which are still used by us English speakers today.
Want more?
How the Medieval Tapestry in the New ‘House of the Dragon’ Opening Sequence Got Its Weave
Game of Thrones Tapestry
Frenchified English - thank you, Normans
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I loove being on my feet for most of a 3 hour studio class -_-
Hii im gonna use this space to ramble about some of my project ideas i didnt get to talk about in class :3 and you guys will actually understand it cause you know LEDDlabs.
SO this is the basic layout, current plan. All those crochet squares im doing, theyre gonna get sewn together into a big rectangle. I'm not 100% decided on what color ill use but they'll have like borders around each square and a big border around the whole thing.
And then if I have time, I'm considering making a big back piece, so I mapped out a pixel LEDDlabs logo in the correct aspect ratio. My fellow art students are trying to talk me into leaving the messy back visible tho, for Art Reasons. But i think that sounds too fragile. I want this thing to live forever.
AND JUST FOR FUN, I also allowed myself one sketch of "what is the most amount of work I could put into this final project" which is: blanket design with twice as many squares. but LOOK each rat has little drawings of stuff significant to them and their arcs yaaay. wouldnt that be neat. its not happening tho <3
Anyways right at the end of class today I was talking to my table buddy and I was like yknow I love this project but it is so very Flat compared to my usual crochet projects, i miss having dimension and interactivity, and my buddy was like (paraphrased) add dimension and interactivity then? and it was REVOLUTIONARY. i can do that.
so im thinking about crocheting a maze now. very fixated on the idea of crocheting a maze which is not what my buddy suggested at all but its what i landed on. layer of squares attached to layer of MAZE and you can flip them up like stickynotes to look at the underside and maybe the logo can still go on the back of the maze idk. still need to chew on this idea.
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hi hello!! im not the greatest with theories, BUUUUT……
figured id throw my hat into the ring!!! basically for the past two days ive been mapping out a little… i honestly dont even know the term for it. ive called it a “theory web kind of thing, of sorts” for monkey wrench!! (however i feel as though that may not be the correct term to use, i dunno, it just doesnt sound right)
it is very big and convoluted, and also difficult to read in the screenshot of the full thing because of how massive it is, so i figured id walk you guys through it maybe?? FAIR WARNINGS: THIS POST WILL PROBABLY CONTAIN MONKEY WRENCH SPOILERS AND IT WILL MOST DEFINITELY BE RIDICULOUSLY LONG. THIS IS THE ONLY WARNING. CAPISCE? ALRIGHTY LETS GET INTO IT.
WAIT ACTUALLY ONE MORE THING:
some of this kinda piggybacks off of theories and stuff that ive seen from other users of this site, most notably @toastraccoon and @awwkie-dot-jar (sorry for the @’s, wanted to give credit and figured that would be the best way to do so since the @’s redirect to the respective blogs). both of them were actually what inspired me to put this together in the first place!!! go check their blogs out theyre amazing btw
the rest of the post is below the cut!!
anyway, without further ado:
for simplicity i have dubbed it “monkey spaghetti” because if you look at it from a glance it looks like a nice, hot bowl of unconventionally-colored pasta noodles, i think.
first and foremost, in order to understand my bullshit i made a helpful handy-dandy little key, pictured below.
i had to move the key so that’s why the square is out of place. i simply directed to its proper location on the key with an arrow :^)
anyway, i’ll start with walking you guys through the bigger blob first, that being this one:
so first of all:
(i dont think you can really see if very well so i will say it here, the screenshotted post of the giant statue of the primaries in the second image is from awwkie-dot-jar)
*yeah, in hindsight i feel like i exaggerated a fair amount, but the point still stands regardless. i tacked on the “like, at ALL” just because i didn’t wanna completely state the obvious. i should go back and edit it i think.
and:
as well as:
AND:
NOTE: my screenshots loop back to things i have previously shown for continuity reasons!!! so you dont get confused trying to read the whole web all chopped up like this :^D
additionally:
!!!THIS IS NOT ALL OF IT, TUMBLR IMAGE LIMIT IS 30 PER POST SO I WILL HAVE TO REBLOG WITH THE REST!!!
before i do that, i will reiterate:
i do NOT know what im doing
im not sure whether i have everything correct
because i have never done this before
i mean i hope i have everything right but like
yeah
take everything with a grain of salt
considering i have kind of poor memory sometimes
and also how many spitball ideas i put into this shit
TO BE CONTINUED FOR NOW
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All the questions you wanna anwser
(this is from an old ask game)
1. When did you start creating art?
erm idk.... 2019 or so?
2. Do you do art in any professional capacity? (Graphic design, commissions, animation, etc.)
not yet but im planning on being an art teacher
3. What are your favorite subjects to draw? (OCs, your fan faves, etc.)
anime characters..........
4. What's your least favorite part of the body to draw, if any?
hands or really any part of the body that's in perspective
5. What piece of art are you still proud of to this day? (Show or describe)
i'm not particularly proud of any of my pieces but here are some that i still really like :) (i also really like that one mari & sunny lily of the valley piece that i'm not attaching directly bc i don't wanna trigger tag)
6. Favorite and least favorite angles/perspectives to draw?
i don't really have any... what's easiest is just straight-on, but that looks boring, so I can't realistically say it's my favorite... but if it's hard then I don't like it either.... sigh
7. Who are some artists that have inspired you?
see okay the thing is. artists that inspire me seem to always have an art style that i Can't Really Replicate. like i've seen so many of those painterly-style ethereal anime girls and pieces with the most gorgeous fucking colors ive ever seen in my life and they look SO PRETTY but i just Don't Understand Them At All 😭😭
so i'd say rixypill because recently i saw one of their art pieces and the amount of relief it brought me was insane. it was a gorgeous gorgeous art piece AND it looked like something i could realistically achieve. i didn't even really realize it but for such a long time i was trying to turn my art style into Something Completely Different and idk it just made me realize that i could make beautiful art Without having it stop being My Art
8. How would you describe your art style?
pink (with guest appearances from purple, orange, yellow, and blue)
9. What's the longest you've ever suffered from artblock?
several months
10. How do you deal with art block?
i don't <3 (I do challenges with predetermined prompts, and you can add deadlines if that helps you)
11. Have you ever drawn a meme with your OCs or canon characters from a fictional media?
yeah, i think i've made mini-animatics for like 2 vines. i don't do enough art shitposting tho
12. Ever participated in a multi-artist collaboration (3 or more) such as a multi-animator project?
i mean i did like 2 meps when i didn't understand what the fuck I was doing but i don't think those can really be counted........ i've done like art telephones and 3-person art trades but nothing really outside of that
13. What kind of art do you personally not see the appeal of, and why?
i think all art has appeal if you look hard enough
14. Do you prefer to make fan content or original content?
fan content
15. Do you/have you participated in Artfight or art trades in general?
i've done artfight in the past but i don't think i'll do it again because i'm usually really busy in july and even if i'm not i really struggle with doing anything for artfight 💀 i've done a good amount of art trades tho and if any of mutuals are interested in art trading with me feel free to ask :D
16. What was something you used to struggle to draw with confidence/ease, but have now mastered?
i don't think i've mastered anything really 😭 but i'm definitely a lot better at eyeballing colors than when i first started!!
17. Your personal favorite works of art (not made by you) are...?
there are lots of really awesome works in this world that i really like and if i didn't list like 500 different artworks i wouldn't feel like i'd answered properly so im gonna sit this one out lol
18. Do you typically use filters on your art?
yeah, i use saturation filters + gradient maps + blending modes at the end of every piece
19. What's your biggest insecurity when it comes to your artwork?
i have so many 😭 i'm in the "i hate all my art" stage of improvement rn..... aside from that, i hate that a lot of my art is so boring.... like there's not a lot of interesting perspectives or actual Meaning... that's the main reason why i made ychallenge! i want to make pieces that invoke emotion & mean something to me and aren't just there to look pretty
20. What motivates/inspires you artistically? (topics, emotions, etc)
fandoms mostly! if i was doing solely originally art i'd make maybe like one thing a year
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Love in the Past - Chapter 2: The 80´s are back
Eddie x 2022! Reader
(time travel reader)
Chapter 1: 2022 > < Chapter 3: The Stranger
Summary: who would have thought that a simple investigation of events that happened more than 30 years ago would lead to an unforgettable and somewhat bizarre journey?.
Author´s note: thank you for liking this new project. I´m so happy a lot of you like it! <3 Here´s the second chapter! it´s longer than the last one!
(btw I finished editing this while listening to the BTS comeback and now I´m listening to Run BTS someone help me bc im screaming and vibing)
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The road felt shorter than you expected, there were almost no cars in the highway, it was like a desert road. When your playlist was about to come to an end you entered a road surrounded by trees creating large shadows on the pavement. Driving for a few more minutes you arrived in Hawkins. The welcome sign looked so old and worn you wondered why no one had painted the sign. The houses looked dimly colored, there were few people walking the streets, several stores were closed and some were even abandoned. The town's shopping mall looked old but there were still stores inside trying to survive.
It was as if the town was stuck in an era and people didn't want to move on from there.
You decided to park your car in front of a closed video store. Some time ago this kind of stores had closed thanks to the dominance of the stream pages, if it was a hard blow for those nostalgic people who rented movies every Friday you couldn't imagine what the owners of these stores suffered.
You took your backpack from the passenger seat, disconnected your cell phone that was already fully charged and got out of the car to close it. The people who were nearby did not bat an eye at your visit, it was as if you were just another resident of the place. Arriving at a convenience store you found a map of the place for tourists, along with the map you took some candy to eat while you investigated the place. As you approached to pay you saw a man listening to the radio. Noticing your presence he started to count the total without even looking at you.
"Excuse me..." you began with a bit of shyness. The man in front of you looked at you with boredom. "You know what happened to the Lab near Hawkins?"
"Another dumb tourist coming to make videos?" the man said angrily. "understand, we don't want any more cameras here, so you can take your things and leave" you took the things you had bought in a bag and left.
When you got back to your car you decided to eat some of the candies you had bought while you opened the map. People were being hostile, who knows how many had gotten your idea to investigate personally. You stood for a while thinking and looking at the map not knowing what to do until something caught your attention. On the map there was a blank space.
As if it wanted to hide something.
Quickly you started your car and began to head to that place while you guided with the map, when you left Hawkins the trees appeared again and gave shade. When you were already arriving to the point where the map was blank, the road started to turn into dirt, you had crossed some trees and further ahead you saw a fence.
Stopping the car you realized that you had arrived at the laboratory. Outside the walls were graffitied, the fence was broken by some curious explorer of what the building was hiding and some windows were broken. Definitely an abandoned place.
As you got out of your car you realized there was a vibe you couldn't understand. You felt an emptiness in your chest when you looked at the building in front of you. As if someone, or something, was watching you. Your hands felt cold, your chest felt heavy and you felt that at any moment something was going to come out of the forest.
The silence was too noticeable.
You decided to walk to your car to check the things you had in your backpack when a small 'click' made you stop, it had been heard from one of the doors of the lab.
Another 'click' caught your attention again near the window.
It wasn't until the third 'click' that you quickly grabbed your things and ran to the entrance of the broken fence, ready to enter. You'd rather be indoors alone than in the middle of the forest where anyone could be.
Inside the fence you realized that it wasn't a long way between the entrance of the lab and where you were, so you decided to take your time walking. The grass was a bit dry and high, it had been years since nobody had given it its due maintenance, a rocky path was present and the closer you got to the entrance, the more it turned into a cement floor. Already in front of the entrance you thought for the last time if this was a good option.
There is no one, I don't think anything will happen" you said to yourself.
When you pushed the door of the entrance you realized that the door was open, someone who came before could have opened it, inside it was cleaner than you expected, apparently only graffiti were on the outside of the building, inside there was only a lot of dust and cobwebs that had been collected over the years that had been alone. The deeper you went the more it was confirmed that the place was a labyrinth, there were stairs everywhere so you decided to walk through the building from the bottom to the top.
Along with the door to the stairs down you came across the elevator, but you decided to take the stairs because there was a chance that years ago there was no light. The further you went down the less light came in so you opted to use the flashlight on your cell phone. When you looked down you realized that there were several floors but many of the deepest ones were impossible to enter because something had broken the stairs. Upon noticing this you decided to enter the last accessible floor to continue your plan to tour the place. Inside was a huge machine with crystals around it to observe and under this machine was a tunnel.
The small tunnel of your dream.
You approached it carefully as if it was going to trap you. You slowly crouched down to illuminate it with your flashlight but you could only see several spider webs. Where will this lead to?
You decided to be brave and go inside, the spider webs stuck easily to your clothes and the further you went the more you could remove them. A few minutes passed while you continued advancing, your hands, knees and back were hurting thanks to the position, for a moment you thought about whether it was better to go back, and when you were about to make the decision the other side of the tunnel was present so you decided to keep your backpack in your backpack to be able to crawl faster. When you arrived you realized that it had taken you to the same room where the machine was, as if the road had just turned you around.
What a waste of time.
On your way out you wiped your hands on your torn pants and walked to the second floor of the lab to pick up a candy you had left in your car. As you neared the entrance you could see red and blue lights.
The police had arrived.
Someone had probably seen you enter and called the police to get the crazy tourist out of the abandoned place, so you decided to leave the lab. There were two officers watching you through the window. As they saw you leave the lab they quickly approached.
"You know you just committed a crime by trespassing on private property, right?" asked the younger one as he grabbed your arm.
"I'm sorry, I just wanted to see what was going on" you said nervously.
"Well you're lucky we're the ones who found you and not the federal police, they're worse" continued the cop as he led you to his old car. "However, we have to take you to the station to collect your data.
"Please" you pleaded. "I promise not to come back, just don't lock me up".
"Get in the car" whoever was holding you pushed you into the car and closed the door with some force and then they both got in the car and drove you to the station. The road was silent, the trees around you seemed greener, but it could be the effect of the light. When you arrived at the town you saw that several stores that had been closed before were now open and people were coming in and out of them somewhat animated, everyone's clothes were colorful and everyone's hairstyles were somewhat extravagant. It didn't take long to get to the station.
When they parked, the policemen took you with them so that they could collect your data, inside there was some old furniture and a range of coffees. The cop who had done most of the talking sat you down in front of a desk and began typing on a huge computer.
"Wow... what an old computer" you commented in surprise making the policeman look at you strangely.
"It's about two years old but I don't think it's that old" he replied somewhat offended.
"Two years old? Well you should get a more... I don't know... current one" you said confused by the machine selection.
"I don't know what you are playing is but I don't care. Tell me, what is your name, who are your parents and why they don't seem to love you" commented the officer as he started typing.
"I am (y/n) and my parents do love me... as far as I know" you said angrily.
"As far as you know... but no parent would let their child wear ripped jeans".
"well it's very fashionable in case you didn't know" you folded your arms.
"for hippies, not for normal people" said the cop imitating you. "but I don't care about your inattention, I have to fill out your report..." he said concentrating on the huge computer. "If Hopper was here this would be easier, he likes to take care of kids like you".
"I'm not a kid anymore"
"And yet you dress like that of your own free will? You young people are very strange" said the policeman without looking at you, he printed a sheet of paper and gave it to you with a pen "write down your data where you have to".
You were writing down your data until you noticed something strange.
"Excuse me, the date is wrong, here it says 1986" you pointed it out, the policeman just looked at you strangely.
"Kid... we are in 1986..."
We are in what?
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@lillyof-thevalley @jedinerd27 @supergmbstuff @greekktragedyy @preciousbabypeterr @st3venluvbot @caitsymichelle13 @joukiworld
#eddie munson fluff#eddie munson imagine#eddie munson x reader#stranger things imagine#stranger things one shot#eddie munson#eddie munson blurb#stranger things
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Nancy Wheeler’s MBTI
Introduction
Hello there this is gonna be kinda of a rant post because I want to start making another series of character breakdowns however im very torn in which one I want to start however I am currently in a dilemma over Nancy’s MBTI. So id like to pose the 2 most likely types of hers and try to map it out. Please let me know of your opinions and your thoughts on all of this.
the most likely types for Nancy are: ESTJ or ENTJ. However I think its important to look at her enneagram since it affects her functions and such. I personally I believe Nancy’s enneagram is 1w2 sp/so Being an enneagram 1 can give her the look of an Si user too sometimes. Ive seen some people type her as an 3w2 sp/so however I am not fully sure about this since I think it only applies to S1 Nancy rather then her character all throughout the show.
Small Break down of Each Type
ESTJ (Te-Si-Ne-Fi)
Im currently leaning the most towards ESTJ I think Nancy displays quite allot of Te all throughout the show and people who type her as an ESFJ are conflating kind behavior with Fe. But thats just a stereotype I get that in media there is this idea of high Te users being incredibly mean and irritable but not every character is like this and using that metric to type is just bad. Now to her axis I think I can see a bit of Si in Nancy she is very usually very careful and sticks to maintaining step by step solutions. Also she doesn't seem to be working towards long term goals (or maybe im wrong about this) However couldn't everything I just said be traits of enneagram 1? Since I've seen people conflate these two allot look at Princess Leia Organa (ENTJ 8w9 or 1w2) who isn't interested in meticulous processes and details but for some reason we see her get typed as an ESTJ allot. I genuinely don't remember if Nancy was ever interested in details which leads me to another thing about details Se is also a detail oriented function; extroverted sensing details and introverted sensing details are different. One Is based on prior examining things through a subjective sense and the other one is based on objective observation. For example an Si user could understand every part of a clock while an Se user would look at the physical traits of it (color, material, temp etc...) Ive seen people debate that Nancy having a develop Ne is what makes people confuse her Si-Ne with Ni which I guess? However look at Sokka from ATLA (ESTJ 6w7) Even when he fully develops his Ne in Book 3 he still uses his Si allot and constantly narrows solutions with those by exploring those and I personally don't see Nancy interested in exploring all of those solutions in any capacity. Maybe the use of external pattern seeking?? but then again that could be Se? IDK guys let me know.
ENTJ (Te-Ni-Se-Fi)
Allot of people use the “I know something happen to Barb” line in S1 as an explanation for her Ni however couldn't that just her going to Ne in stress trying to explore a possibility?. Also I do think I see more Ni than Ne I think Nancy does jump to conclusions a bit too fast sometimes. However I also see her step by step process (something an Ni user wouldn't be very fond of) Also she tends to be a bit too careful (but again E1). Also she doesn't seem to be quite as impulsive as an ENTJ would be even some E1 can be quite impulsive such as Light Yagami from death note (but I think thats quite debatable since Light kinda borders the line between impulsive and careful quite allot in the show). Also next to Se I don't see much Se in Nancy she doesn't seem to be that interested in Te-Se processes like other ENTJ would (unless again I missed something) she seems to be quite careful and sturdy with her processes rather than rushing head on like allot of ENTJ do allot the time. However again I could be assuming her Se is well develop same with her Ne. I could see how she tunnel visions allot in the show and how she tends to hyper focused on goals allot of the times making her struggle with her Se but I don't think thats quite enough to type her as an ENTJ how many other charcaters with other types have focused on goals too hard and ended up losing track of themselves?.
Idk guys sorry for the long rant post I am just very curious to map this out I usually am very certain of a charcaters typing however this one Is just weird maybe I missed something's so please let me know your thoughts below
#mbti#zodiac#zodic signs#ennegram#mbti personality types#personality types#16 personalities#entj mbti#enfj#mbti estj#estj#enneagram#enneagram 1#1w2#stranger things#nancy wheeler#3w2#so/sx#so/sp#virgo#debate#st season 2#st season 3#st season 4#st season 1
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Love 😆✨️✨️ the Mori drawing he's my favorite berserker!! You make drawing him look easy he never looks good when i try to doodle him. Anyway do you have tips for drawing fate charachters? Thier hair is hard to draw and the designs tend to be complex
thank u thank u ^_^
As for some tips, I’d say tracing is a good tool when trying to dissect/draw a complex design. And if a design has a lot of layers, I find it helpful to think about what each layer would look like on its own. Also for f/go characters specifically, sometimes their sprites are a better reference than their normal artwork.
I drew up a lil demo to kinda show my thoughts but it’s kinda long so it’s going under the cut
oki doki. gonna use koyanskya of light as the subject because i like her design but it is hard to draw imo

so. gonna use tracing to map out all her parts so it’s hopefully easier to understand later.

tracing of her figure

tracing of her clothes (color coded to help differentiate all the parts)

tracing of her hair (color coded to sort the layers)
oki. so. now that we have like all her puzzle pieces figured out we can apply the pieces to a new form

so this is the pose i wanna draw her in (traced over a reference off pinterest)

so now im just taking the info i got from mapping out her outfit before, and applying it to this new figure

and doing the same thing with her hair.

then u put all the pieces together and clean it up with some more detail

and boom. new pose. this is still missing quite a few details but it should be easier to add those now that the overall design is already drawn out.
this is a lot harder to do with traditional art, but it can kinda be done with tracing over a printout or tracing over a screen
#aaaaaa#hope this is at all helpful ;-;#i’m not good with words n stuff#ask tag#and yes. i am pro tracing. as long as ur just using it as a tool for learning and not for just replicating full pieces and others art n#claiming it as ur own#i legit started drawing by tracing monster high art off my family’s computer onto printer paper
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how do you go about coloring your art?? Its so pretty and the color pallets always look so good!
<3<3
THANK YOU VERY MUCH !!!! 🙏🙏🙏🙏 i feel that i will ramble for a While so i am going to leave my full explanation under the cut
i often try to use direct opposite colors in the color wheel (i forgot what its called but it's something like complementary colors iirc) as a way of contrasting- usually useful for highlights.
as a general rule of thumb its very useful to try to have a bit of a grasp on color theory, values, warm & cold tones, etc. if i want to add a shadow usually i go for a colder shade (to the left) but if its a highlight i go to the right (the warmer side which has the reds oranges and pinks) but that can also be completely swapped depending on the mood i want to convey. tho to be fair u dont need to be a color connoisseur just like the basic understanding of colors and such. a big help was somenormalartist on YT their vids are nice esp the one about advanced shading.
honestly i dont think too hard on my coloring processes bc a lot of times i can be left unsatisfied with them too dkdhkjfg and my base colors usually look bland so i often play around with layer modes and gradiation maps (!!!! one of my favorite things ever)
^ this is my base color set for my kris drawing,, i do shade n highlight as i fill in everything else. i like using brushes that sometimes have slight hue shifts per stroke bc it adds an extra flair to the colors. i dont think this specific piece had bad base colors but most of the time my works have really bland ones haha
then i add a gradiation map to better bring out extra hues etc. make it more appealing ish
recently a favorite layer mode combo has been darken+multiply and each color for the respective layers *have* to be complementary (at least when i do it) bc it adds better contrast and gets interesting products after. (such as the greenish mood here)
both the grad maps and layer modes are very useful and its also nice for having colored lines without having to manually do it yourself lol
the brush i used and what my gradiation maps tab looks like haha....
other tidbits:
- i usually color in just one layer (base colors at least)
- sometimes use transparency to have that glass ish kinda look? very useful for a transparent-colorful ish effect
- sometimes i add an overlay or multiply layer on specific parts of the drawing or the whole layer to set a nicer base color (usually salmon, mustard yellow, or baby blue)
- i often overlay layer mods and grad maps on top of each other if im still not satisfied with the colors i end up with
anyway hope this helps lol!!! its very nice to be able to ramble about this so thank u for asking haha....
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hello, i am here! Stannis with the prompt: a diary where you can communicate with your soulmate, please. it can be hc's or scenario; however you choose to quench my thirst for him, I will be grateful.
hi molly, thank u for giving me such a treat!!! bc this was my first prompt and it... uh ....................
really got away from me
(LOTS OF ANGST BUT ITLL BE OK I PROMISE MAYBE)
The first thing he felt about it was annoyance. The six year old second son of Lord Baratheon looked down and saw that someone had doodled all over his book. He figured it was Robert, though he'd never seen a quill in his brother's hand unless it was being forced by the maester. He set the leather bound book in front of his mother expectantly, silently waiting for an explanation. When she looked at it and gave him a curious glance, he finally spoke.
"Robert's been drawing in it," Stannis said. He placed it right on top of her embroidery so she'd see. Lady Cassana wasn't bothered, rather, she was curious. She picked up the book and flipped through the pages.
"Did you see him do it, sweetling?"
"No." The lack of evidence didn't deter him - no, this was evidence enough. He didn't understand what his mother was so amused about.
Lady Cassana stopped on one of the pages. She smiled at the messy drawing of what was probably a cat catching a mouse. Under that was a tidy little castle with a series of smiling figures. "I don't think it's your brother, Stannis."
Stannis frowned, ready to argue that fact, but she asked, "Do you know what a soulmate is, sweetling?"
“No.”
“It’s a special person that only you can speak with this way,” She touched the book. “It's a special thing, I did it when I was your age. It’s the will of the gods, my love. You should write something back."
He hesitated. “Do I… have to?”
“Not if you don’t want to. But perhaps say hello, give it a try.” Lady Cassana said. She was smiling broadly now. “Enjoy it while you can.”
"What if they're not literate?"
Maester Cressen looked up from his papers, surprised the usually quiet boy was speaking during lessons. Stannis repeated, “What if my… soul mate doesn’t know their letters? You said the smallfolk don't."
The Maester stood and walked over to the leather book. Two years later, and it still looked in good condition. Stannis took care of this things, especially this. As usual the page was covered in whimsical drawings.
“Have you tried to write to them, my lord?”
“Not yet.” Stannis was furrowing his brow already, wanting his questions answered. “What happens if one soul mate can’t write, but the other can? What if both can't?"
“My lord, there's no need to worry about things that are irrelevant to you.”
“What do the smallfolk do?” Stannis pressed on. “Draw pictures like this? How do they find each other? How do they know what the other person looks like?"
Maester Cressen was already turning back to his papers. “Soulmates don’t always find each other, my lord, nor should they expect to.”
“Why not?”
“Distance, lack of communication, familial duties.” The maester said dismissively. “If you’ll return to your lessons—”
“I finished. What’s the point of soulmates if they can never meet?"
Maester Cressen sighed. There was no escaping this anytime soon, he feared. “It’s the will of the gods, my lord, and a great mystery we maesters have studied for centuries. It’s best not to think much of it, however. Draw or write back in the book, if you wish, but do not spend too much time with it. It’s best not to get expectations of someone you will likely never meet.”
Stannis looked down at the book, startled by a new drawing already appearing. He couldn’t see them being made, only when they were finished. It was a school of fish, or maybe a flock of birds. Wouldn’t it be simple to ask where this person lived, and go see them? What was the point of all this if he was just meant to ignore it? He wanted to ignore it, but this mysterious person kept drawing all over his notes and it was distracting.
“Mother said it’s 'the will of the gods', too. Does that mean it’s bad to ignore it?”
The maester stood up and closed the leather book. He replaced it with a chart of various colorful coat of arms and a map. “I daresay it’s time to move on to the next lesson."
It took him a few days, but the lordling decided to write in the book. Stannis wasn't much of an artist, so Hello seemed like a good start. He was relieved when there was a simple ‘hello!’ written back within a few minutes, and later, a scribbly flower with a long stalk underneath. Seeing the words form on their own so quickly, and in response to him, unnerved Stannis. He closed the book and tried not to think about it the rest of the day.
He checked a week later, where more drawings were present, with more words: whats your nam?
He wrote back, Name has an 'e'.
And before his eyes, a minute later, there was a name… and a house, and a title. Caspian.
She was a highborn lady? Stannis looked at the page, not sure what to think about it. It’d be alright to write to a lady, wouldn’t it? Maester Cressen was the one worried about this soulmate business. Perhaps it was because a lord and peasant couldn’t be together? Stannis knew that rule already. He knew the decorum and niceties his parents rehearsed him through, even at his young age. He walked to the library to find a map, and in the time he finally located it and rolled it out, there was more on the page.
A drawing of something weird and arrow-shaped. this is our sigil. its a manta ray.
Stannis had never seen one, but he had a sense that wasn’t what they looked like. He tried looking through the map, but words kept appearing.
whats your nam where are you from? ?? are you a boy or girl do you like horses ? I like swiming and horses! im good at it
He considered closing the book again, rolling up the map, going back to whatever he was doing before. If there was no point, then why bother with this? ... Then again, he’d have to go back to the training yard, and Robert was there swinging around a huge wooden sword.
Stannis frowned, deciding this was the less annoying (and painful) activity for now. He found an ink pot and quill, held it tightly and wrote in a fine penmanship—
My name is Stannis Baratheon.
The last part smudged, and it didn’t look exactly how his father signed it, but it was his best. The response wasn’t immediate, and he quickly saw why. A drawing of a stag appeared on the paper before the words did.
Its good to meat you! lets be friends
Friends? Friends. He thought about it. Stannis didn’t have friends, just brothers. He didn’t think he needed any. This didn’t have to be so bad, though, he could try. If it was too tiresome, or too... strange, he could stop. Maester Cressen wanted him to stop, anyhow, and his mother said he didn't have to.
It’s spelled ‘meet’. We can be friends.
Lady Cassana patted his mess of black hair, and Stannis didn’t flinch away this time. Instead, he asked, “Were you and father soulmates?”
“No,” She answered honestly. She was always honest, and he liked that. His father joked too much. “Do you remember what I told you about duty? Sometimes we have to set aside our hearts to best serve our realm. Sometimes we have to set aside this.”
She gave the leather book back to him. Maester Cressen had taken it, and he was determined to accept the punishment, but it bothered him more than he wanted to say. He was grateful his mother returned it, though he was struggling to meet her eyes. His ears were still red from embarrassment, but she wasn’t upset, or teasing, or scolding.
“It hurt me to set my own down, but I knew it wasn’t meant to be. Your father had one that he never wrote to. The idea of having it and setting it aside was too much for him. And yet, we love each other very much, and we love our sons.” Lady Cassana stopped touching his hair when he finally squirmed away. Stannis ran his fingers along the leather spine and the uneven parchment bound inside the book.
When he took a long time to answer, she spoke softly. “It’s your decision, Stannis.”
That night, he wrote in the book, asking what she’d do when they grew up. When she'd stop writing. The response was instant. There was a drawing of a sad girl next to her words.
your my friend! i like writing to you. do you want to stop?
I don’t. Stannis decided, and that was it.
The talks still came, though. It happened before, several times, and here it was again. It didn’t matter that he stopped bringing the book to his lessons, or that he only wrote in the privacy of his room. Maester Cressen always seemed to know.
“It’s for your own good that you begin to set it aside, Stannis,” The old man said. He always seemed old, but when he was scolding it was especially so.
Stannis wasn’t one to talk back, but he still struggled to hide his scowl. This wasn’t the first time the maester made him set his jaw and tense it up. It wasn’t his business. She never discouraged it, so he didn’t understand why Maester Cressen had to.
“It’s not inappropriate,” He said. “She’s a lady. I never write improperly, it's like sending letters."
“Sending a strange lady letters is inappropriate,” The Maester sighed. “Especially without the knowledge of her family. What would they say?"
“She could tell them at anytime."
“Do you tell your lord father and lady mother all that you write, then?”
Stannis gritted his teeth and turned away. At ten and three, Stannis could already see over the old man’s head, and he didn't feel like a child, so he didn't appreciate being talked to like one. “You don’t speak to Robert about these matters.”
“Robert is at the Eyrie, no doubt being told the same by Lord Arryn. Stannis, do you understand why I say these things? Do you understand the trouble it could cause you, and worse, her?”
Maester Cressen often referred to ‘her’, or the girl, even if she was just as grown as Stannis. He didn't ask her identity, and Stannis didn't give it. He hated having to hear this conversation again. Of all the trouble Robert was already causing in the Eyrie — he saw those letters, it was his duty to attend to them while his parents were at sea — Stannis felt like his own actions were hardly important. There would be weeks where he couldn’t write to her at all, or she was busy as well. If anyone tried to read what they wrote, gods forbid, it was mostly idle talk and drawings.
Lots and lots of drawings, she still had that habit. She was getting very good at them. Stannis brought his mind back to the present. “I understand.” He said, in a tone that made it clear he didn’t actually intend to stop.
Case in point, he pulled out the worn leather book that evening. It was the second, or maybe the third one. If she didn’t draw so much they’d have more room, but sometimes Stannis wrote a lot, too. She made it easy to do that. It was alright if she didn’t answer right away, or if at all. It was good to just write it.
He frowned as he moved to the most recent page. It was a short, curt sentences, which wasn’t like her. There were no pictures.
My cousin died this morning. We were riding together, and she fell from her horse. I couldn’t help her. No one blames me, but I feel terrible. I’ve been crying all day. I’m going to the Godswood tonight to pray for forgiveness. I might be quiet. I'm sorry.
‘I might be quiet’. ‘I might not write tonight.’ ‘I’ll write to you tomorrow’. ‘I’ll tell you about it when I can’. Those were phrases the two of them were used to. It was expectant. They may not write every day, or every week, but eventually they will.
Take the time you need. I’ll be here for you.
It made his chest hurt to write that, but he knew it was the right thing. It’s what she would always say to him, and without fail, he’d eventually come around and tell her. She was the only one he really told… anything. He wondered if the same was true for her. She mentioned visiting ladies now and again, a knight’s daughter she played with, and… this cousin.
He kept the book beside him the rest of the evening, knowing she likely wouldn’t respond. By the time she did, the earlier conversation with the maester had left his mind.
The longest they’d gone without writing was during the following year. It took months before he could pick the book up again, even look at it. It was months using all the willpower he had to get out of bed and carry on. There was Renly to look after, and Storm’s End to attend to, and the duties that Robert neglected when he returned to the Eyrie. He should have stayed, but he didn’t. So Stannis took care of it. He did what was right.
When he was finally able to pick up the book, when the choking pain keeping him up at night had dulled to just a constant ache that allowed sleep now and again, he hesitated.
The latest page was inquiries of how he was, where he was. There was a variety of pictures, black and some colors she’d managed to get ahold of. Her manta rays looked like proper rays, and so did the stags she had become so fond of. She drew some ships she’d seen in the harbor, a cat that liked to hide away in her bedroom. Then the pictures stopped.
My father told me what happened. Stannis, I’m here. You can write to me, whenever you can. I’ll always be here.
It hurt again. He closed the book, listened to the fire flickering loudly in the hearth in his room. It was becoming stuffy, but he didn’t want to open a window. He could hear the waves and the crashes against the rock from his window, and that would lead to the sounds of broken wood and screams in his sleep.
He moved closer to the fire, away from those sounds. Flipping through the old book’s pages, looking at the art and some of the sillier things she wrote. Apparently when he’d make her laugh, she’d screw up some letters. She told him as much. When he corrected any spelling, she liked to make the same mistake and circle it. She liked to draw little figures that were supposed to be them, but it was awful on purpose, and they were usually doing something ridiculous like riding a dragon.
Looking back on those gave him the strength to flip to the newest page. He stared at it, wondering if he should stop. He was acting Lord of Storm’s End. Wasn’t his duty even more important than this, and wasn’t her reputation in danger? ‘Willed by the gods’, they said, but he no longer believed in those. What gods would smash his parents and their great ship against the rocks of their own castle? The same stupid gods that would create this... this connection in a world where it would inevitably be severed.
He gritted his teeth, feeling the pain shoot up across his jaw and straight to his head, where a headache would start. The fire was right there. It would be easy to …
His hands moved on their own. The words were sloppy and left heavy ink blotches on the paper. I’m here.
I am too. I missed you.
The response was near instantaneous. Perhaps if she waited, he could’ve done it. He could’ve burned it, if she hadn’t wrote that. Maybe it didn’t matter what she’d say. The sudden longing and loneliness hit him all at once, but it was easy to respond.
I won’t do it again. Being gone for this long.
A pause, a heartbeat, and a tensing of his jaw that made his head ache again. He added in an anxious scrawl, I missed you too.
It was another sleepless night, but for once, it wasn’t because of the nightmares and the crashing waves. The sun came up as he wrote in the margins of the last page, promising to find a new book.
There was modest wooden box he kept them in, hidden under his bed. He was good at hiding it now. No one had bothered mentioning Stannis’ old habit anymore, assuming he’d grown out of it. He’d dated all of them to the best of his knowledge, though he rarely went back to read them. He used to, but that simple act flustered him horribly. They were still in good condition, except for one that had been partially chewed by a hunting hound. The one time he was careless.
The hound was no longer around, and he regretted that. He liked dogs. He liked that one, upset as he was when she chewed the diary years ago. She was still a good, loyal dog. He had to butcher her with the rest.
Stannis tried to remember when they ate the dogs. Thinking was a slow, laborious process now. He had to sit down to do it, and getting up was even worse. He stayed standing as long as possible, afraid of what would happen if he stopped. He couldn’t stop, not while his men needed him, and Renly, and Robert.
He moved slowly. It was hard to tell if it was to conserve energy or if he simply had no energy left. Stannis carefully unwrapped the small leather strap that kept the diary bound and closed. His shaking hands struggled to grasp the paper and turn the pages, but he managed. It was the writing that was the hardest. At least there was plenty of paper and ink, only because no one could eat it.
When he looked at the page again, the lighting was different. The candle was lower than before. He’d dropped his quill on the floor — no, he was on the floor, leaning against the cool stone. Stannis didn’t remember falling. He wasn’t sure if he passed out, or fell asleep. Again he turned to the proper page and picked up the quill. He tried to write before he remembered he needed ink. The ink dragged across the page as he wrote languidly, Are you there
The question mark was more of an ugly splotch that spread across the paper.
Yes, always.
Her family supported the rebellion, being sworn to Eddard Stark, and outraged at what the Mad King had done to his father and brother. Stannis told himself it made writing easier, not that he’d ever give her any information that could endanger her. Early on, they didn’t speak of it. Especially now, he couldn’t. He couldn’t…
He couldn’t… think. Stannis struggled for words. He mentioned what day it was, how many men he had left. A log that helped keep him grounded, something he hated to subject her to, but he needed the clarity. Sometimes she corrected him on the day, and that startled him. As he finished his short report, his hand trembled, and he dropped the quill again. Stannis exhaled, forcing the air through his lungs, then struggled to breath in again.
Not for the first time, he wondered if this was dying.
He wasn’t sure how much time passed before he looked at the page again. She wrote a lot, and he couldn’t remember when it was there.
When you make it through this disgusting siege — and you will make it, Stannis — I’ll be there. I swear it, I’ll sail down to Storm’s End with my family’s ships. I don’t care anymore. I want to be there.
She’d said as much before, when this started. Stannis discouraged her. He didn’t have the strength for that anymore. Instead, he fought to keep his eyes open, fought to think about it, difficult as thinking was. Thinking of their meeting used to be a surefire way of a day full of anxious thoughts, but now it was… grounding. He couldn’t see the end of the rebellion, or the end of this siege. He just had to endure it. That’s what Robert said: Endure it, brother. Hold it for me.
But he could see her, in his thoughts. He could try. Some years ago, she asked what he looked like, and he responded as such: Blue eyes, black hair, like his father and brothers. Asking the same of her felt… strange. She didn’t answer right away, so he panicked. He said she didn’t have to do such a thing. It was inappropriate. She told him to wait, which he thought was odd.
Several hours later, she took up nearly a whole page with a ‘messy’ self-portrait: her words, not his. It was only a bust, but it still transfixed him. It was clear from the drawing she had looked in a mirror, and it was messy, and it was surrounded by words describing her hair color and her favorite dress and her eyes. Stannis couldn’t look at the page for days after that. He’d break out in a sweat just thinking about it.
It was comforting to think about the old picture now. Maybe 'comforting' wasn’t the right word, but she was the one who was good with words, and pictures, and little fantasies like this. She liked to write about what they could do if they met.
Maybe he took too long to respond again. She had written more. We’ll meet and you’ll show me the drum walls around Storm’s End. You promised. I’ll bring my best paintings, I made one for you. I don’t care if it’s allowed or not, it’s a gift. I want to see you so badly it hurts.
Stannis touched the letters. He was startled by how his pale hands seemed to blend into the parchment. He didn’t recognize the knuckles sticking out. He wondered what she sounded like, and how she laughed. He didn’t think he could manage it now. Stannis glanced around for the quill, dipped it into ink with a great deal of effort, and slowly slid it across the paper. He stopped abruptly, ruining the words.
You’re the strongest, most noble man I know. You will make it through this and the rebellion will end, and I’ll be with you. I swear it before the old gods and new.
The ink seeped into the paper, the quill trembled in his hand as he tried to hold it properly. He was dying, he decided. Only dying men ate disgusting leather they tried to boil into water and infected rats. Even the latter was becoming scarce. He scrawled a response, struggling to pull the words together.
I miss you.
I miss you too, Stannis.
#tihs is so self indulgent kfskfks#pls dont expect the other prompts to be this long haha i just went kinda nuts!!#stannis baratheon x reader#libra fics#libra minis
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The Beauty in Empathy
master list
ya boi took all the time in the world writing this but here we go baby! also...yall get soft!Heisenberg content
⚠ Trigger: Panic Attack, PTSD
Summary: the travel to the village has left you shaken up and unsure of what to do with your life. You lack direction, an objective, something to anchor you give the sense of control, it doesn't matter what, you just need something to control.
It, almost, feels nice to come back to the factory, not carrying for the ache in your limbs or the blisters on your feet, you need to feel safe in any way shape or form, and the closest thing to a safe heaven...is the factory. Where no one can touch you, where Heisenberg's sole presence is enough to ward off unwanted visits, where you could run through the maze of corridors and find refuge in some empty room.
There was so much going on, the euphoria you got that morning over the small win against Heisenberg was gone now, replaced by uneasiness, fear of what you don't understand, of what you had gotten yourself into. But you don't let panic subdue you again, taking deep breaths, you run to the living quarters, crates creaking with the movement, fresh vegetables, and cans making so much noise, you were sure the Lord would come and yell at you, he never comes, not even when you almost throw down the door and begin to scream, he's not there.
It takes you a bit to calm down and regulate your breathing, you feel disoriented, suddenly everything is too much and you begin to get rid of the rope wound around your shoulders and hands, wincing when the crates and sacks do so much noise.
And there you stay with your head pressed against the door and eyes shut, remembering how your mother used to cook and clean when stressed, she said cleaning your living space clears the mind and keeps us sane, cooking fills the soul and your stomach with the warmth of your home.
That makes you get up slowly, moving to the kitchen to clean it and the fridge thoroughly, ignoring your aching and shaking limbs in favor of putting everything away and leaving out some ingredients to make a simple vegetable soup. Taking a cutting board and knife you start chopping and cutting vegetables, casting a glance at the clock in the wall and wondering, when will Heisenberg come back and if you should leave him something to eat.
You are done cooking, letting the soup boil, and slowly make the room smell deliciously, remembering how your mom used to cook this soup when you were distraught or sick, you are distraught indeed, but getting lost in memories of people that don't exist anymore feels...useless, painful, stupid.
All of your attention is brought back to the mess on the table and coffee table, all those blueprints and papers just laying around, feels wrong. Picking up every single one you do quick work of rolling it and placing it upright in one of the crates the Duke used to pack your groceries, carefully stashing papers and placing them with the prints, dropping the crate over the kitchen table, grabbing the broom and sweeping the small living room.
With a prideful smile, you stare at the much cleaner area, serving yourself a generous portion of soup and taking a seat at the table, it tastes just as good as your last meal last night, you feel pleasure by eating something this warm, feeling the heat go down your throat and radiate through your entire chest and bleeding down your body, it's nice a feeling. But the heat doesn't linger long and the cold of the world beyond the factory hunts you.
You lost it all so fast, everything stole away by Miranda and the creatures that attacked you, yes, you have a "home" here and a room, and Heisenberg's presence seems to guard off against anyone coming close to this place, but you have no control over anything anymore, and that's what scares you, the lack of control over something.
Routine...that's a way to control your life, something so easy yet so valuable right now, that you don't fight off the prospect of binding yourself to something as monotonous as routine. You were adventurous and brave, now you are scared and ready to find some resemblance of normality, it might be hard, seeing how Heisenberg seems to be more on the chaotic side, but, starting tomorrow you will need to work on that, you need to reclaim a bit of your life.
For now, the best you can do is rest, tame your emotions, abide by the contract you made this morning, maybe...if you play your cards well, you get more perks or small liberties.
Heisenberg drags you out the next day to finally help him with the ventilation, barely giving you time to eat anything and forcing you to chug your coffee, running after him to not be left behind.
The Lord can see you, scribbling something on one of his old note pads, stopping outside of certain rooms to scan the place and write down more notes, mumbling to yourself about what you will need to fix the room. So you are a planner, he likes that, you could also be faking it in favor of getting on his good side, let's see how well you do.
"Let me get this clear" you sigh putting on a pair of his gloves, looking at the rather shabby board connecting the railway and the hole in the wall where the ventilation duct is visible "I have to go across this, get inside and then find the problem?"
"Yeah, basically" he's looking at you, judging your reaction, half expecting you to back off and run away "Is there a problem, sweetheart?" he leans close to you, blowing smoke in your face
With a huff, you take the cigar from his hand and take a drag and puffing the smoke back on his face, jumping over the railing and swiftly balancing over the board towards the hole "You better find a way to pass me whatever I need, cuz im not doing the trave back and forth every fucking time!"
Karl grins at your boldness, smoking his Cuban cigar like it's nothing, raising a brow when you finish it "Will find a way, don't worry about it"
"You better do, Karl!" turning around you grimace looking at the duct, there's water and cobwebs "This is asinine..."
"You will do amazing, darling!" he screams with a lot of amusement when he sees you climb into the duct, enjoying the view of your ass "way better than I could do"
"Oh, bite me!" you yell back with a bit of humor, quickly crawling to the spot marked on the map he gave you the day prior, only stopping to wipe off the sweat from your forehead and assess the damage "Hey, Heisenberg! We have rats here...seems they been doing a number on the ventilators' wiring!"
"Fucking hell! again?!" there's a moment of silence and you use it to look around, definitely, there are rats here, he should think about acquiring some cats, "Think you can fix it?!" you hear him clearly as you make your way back
"If you have some electrical tape and new wires? I could do it today but the rats will come back and eat the new wiring!" he sees you come back, looking at him expectantly
He waves dismissively, turning around to dig through the toolbox, he swears he saw some spare wires here..."Oh don't worry about that, darling, you fix the wiring and I'll just let the lycans have a feast on the vermin" he says as if you knew what he's talking about.
"The WHAT now?" Heisenberg chuckles at your expression, smiling a bit when he tosses the tape and wire in your direction barely catching them.
"More fixing and less asking, you can meet the pack later after we are done with everything you need to work on!"
You hate the way he's smiling, it makes you shudder and feel weary for whatever he's planning.
And you are right in feeling apprehension, Heisenberg keeps dragging you around, helping you up when the repair it's too high, happily taunting you when he sees you stand on a piece of metal, watching your legs wobble and the slight terror when he screams for you to balance yourself because he's not going to save you if you fall, cackling when you tell him to shove it and balancing on the metal sheet.
At the end of the day, he's surprised at how unbothered you seem at being covered in grease and sweat, nonchalantly cleaning your face with your sleeve "And here I thought you were lying about being a mechanic, color me impressed"
"I told you, I'm a woman of my word, I would never lie to you Heisenberg~" something stirs inside him in the way you smile, cocking your hip to the side, he hates your guts but he gotta admit, you are a sight for sore eyes "This has been a beautiful day and everything, but! I'm in need of a shower and I wanna eat something"
"Not yet princess" you yelp when Karl grabs your shoulders and quickly pushes and guides you "You were curious about the lycans, yes? I think is only fair for you to meet them, seeing how you will be staying here for a long time, it's better if they understand that you aren't food"
"WHAT, WHAT DO YOU MEAN!?" you try so hard to hold onto the door frames, make him stop by refusing to walk, try to walk backwards, only making him grow annoyed and throw you over his shoulder "HEISENBERG I'LL DECK YOU AGAIN, PUT ME THE FUCK DOWN!"
"I would LOVE to see you try that stunt again, girly. It's quite clear your daddy never showed you to be more respectful, I might need to teach you so manners" he has the good forsaken audacity of slapping your ass with his free hand
Heisenberg grunts and chuckles when you trash in his hold, trying so hard to run away from him "HOW DARE YOU?! IM BEATING YOUR DUMB FACE WHEN YOU PUT ME DOWN!" you make him laugh when a yelp scapes you the moment the cold air of the outside hits your skin and at least has the decency of softly putting you down, raising his hands as if ready for you to pounce "DON'T you dare to do that again, got it!?"
"We'll see if you mishave and threaten to punch me again, there must be some punishment, don't you think?" he's all smugness when he speaks, puffing up with pride when you blush and begin to frown, getting ready to tell him off only to get cut off when he whistles.
The sound is loud and fills the still air with a disturbance that feels disrespectful, making you wince when he keeps whistling rhythmically, that reminds you of how your grandfather used to have whistle based commands for the digs in his farm, which means...that the lycans are dogs, probably, and Heisenberg just lets them roam around, there's a small chance that the dogs are trained to chase or hunt vermin.
You both stay outside, waiting, getting a bit excited at the idea of seeing a dog after so long. Karl lifts a brow at the eager look on your face, wondering if you even know what's going to happen or if you are that stupid. He's ready to see your reaction, heard you scream in terror, or try to run back to the factory, although, he hopes you don't do that otherwise the lycans might give change and end up killing you.
The cocky smile on his face grows when he sees you pale in horror when the lycans come running, snarling and snapping their fangs at each other. Heisenberg was ready to hear you scream and see you escape, but he is not prepared for what you do next.
All that eagerness, the small hope you felt, all die when you see those beasts, all running to you like it happened that day, the phantom pain in your side makes you choke and freeze, these aren't the same beasts that...killed you...but the memory is still fresh, a part of you tells you to run, to hide, you scream or fight! but the rest of your body refuses to move. The closer they get, the louder the voice in your head becomes, so...you run and hide.
Last time you tried to run to your home and that got you almost mangled, this time? you let instinct guide you, pulling Heisenberg's coat up and hiding behind him, like a child would do, both arms winding around him with crushing strength.
In another situation, he would have made fun of you, laughing and asking where all that bravado of yours had gone to! But he can feel your chest rising and falling so fast, your entire body is shaking so hard it's making his necklaces clink and your teeth clack, you are muttering something but he can't tell what, more importantly...you are crying. He knows the signs of shell shock, oh he knows them too well, whatever happened to you, the lycans triggered a flight or fight response in you, a very strong one.
You can't hear anything over the ringing in your ears, so it's impossible to hear when Heisenberg whistles and makes the lycans scatter again. You do feel his hands peeling yours off him, the weight of his coat covering you and how, strangely, careful he is when picking you up, barely able to register his voice telling you to put your arms around his neck, the firm hold of his hands on your legs and what you guess, was a huff when you locked your legs behind him.
He's beyond surprised when you willingly allow him to pick you up like this, a million questions running through his head over your reaction. Guilt taking a hold of his heart knowing he made you THIS scared, to the point of sobbing on his shoulder and refusing to let him go even after making it into the living quarters but he manages to convince you to let him go, sitting you where you can see him cook and barely hear him talk...something about helping him with a reactor? you are not sure.
Karl watches you eat slowly, looking for any sight you might throw up or if the shaking in your hands gets so bad you might be unable to eat. He goes as far as to escort you to the bathroom, leaving you a new shirt and alone. There are no words to be exchanged but you know, he will come back to check on your jittery self and take you back to your room.
Once alone, you let shame eat you alive, wondering if he thinks less of you, if he will make fun of what just happened, or if tomorrow he will relegate you to some stupid minimal task thinking you are some weak damsel in distress. Dread crush you, not excited for the next day.
Waking up is torture and dressing up is suddenly the toughest task you have been saddled with, the smell of coffee fills the kitchen and, to your disgust, you see Heisenberg dump what might have been three spoonfuls of sugar on his cup. The man perks up when you get close to the table,
"Alright darling, let me start by saying..." here he goes, he's going to laugh and humiliate you "I'm NOT your fucking delivery man" Heisenberg throws a utility belt at you, the weight of the tools on it make you tip back and almost lose your footing "I went to the Duke to see if he got me some new stuff and he said your tools and boots arrived early, I only brought all this back so you won't lose time passing you anything"
"Eat something, we have time" He knows he shouldn't bring back up what happened yesterday, giving you time to process it all and think about what his next steps should be regarding the lycans and your fear of them.
The day is just like yesterday, but you pick on the subtle differences, Heisenberg seems more aware of any sounds that might startle you, steering you away from areas where he knows the lycans are chasing after rats and having a feast on some other things. You don't comment on it, smiling inwardly at his attempts to prevent you from going into another panic attack.
You are sitting in front of a broken generator, judging the damage and sighing when you come to the sad conclusion that you might need to rebuild the entire engine, Karl is close by, two rooms down from where you are. Getting up and stretching is a small pleasure, hearing your back crack loudly, groaning over the stiffness on your neck.
"I got you bad news, backup generator number eight? dead as fuck! I might need to rebuild it which means I'll be doing a list of what I need" you say while entering the room, his back is facing you and he seems to be deep in thought hunched over something.
Getting close you can see him pulling pieces towards him the metal listening to his command and coming his way, a screwdriver in one hand and a magnifying glass in the other, he seems to be struggling to assemble something.
Smiling a bit, you are careful when putting your head on his shoulder, effectively making him jump "Whatchu doing~?" Heisenberg curses under his breath, looking at you to the best of his abilities
"Reactor, damn thing keeps exploding whenever I do test runs" he feels you hum and see your hand get close to the project without touching
"Maybe it's the material or the lack of a cooling system, but that's my opinion" you straighten back "And like I said, the generator is dead, gone, either replace the whole unit or we rebuilt it"
You hear him grunt and pat his pockets looking for something, soon the smell of tobacco fills the air and he too gets up, looking at you, clearly thinking something or how to say it "Princess, about yesterday..." you go stiff, immediately looking away "I don't know what happened before you were brought here, but I do know that it's important for your safety that the lycans learn that you are a part of my..." at this he hesitates, chewing his cigar "family, so if you ever need it, they will come and help you"
He waits for you to say something or to see if you panic again when he sees no sight of terror he continues "There's a small group of lycans that are a bit more tamer, and I was thinking about introducing them to you, one by one"
"You want me to just do what, play fetch with them, scratch their bellies!?" there it is, your panic begins to raise and before it explodes, he grabs your shoulders making you look at him.
"You won't be alone, I'll be there and if the lycans try to EVEN bite you, I'll kill them on the spot! I will even teach you how to control them, that pack will be your...personal guard, but I'll be there"
You relish in the feeling of his gloves hands over you, thinking slowly about this. You need routine and maybe training the beasts to obey you might be good...having control over another being could be good and Heisenberg said he will be there the whole time, something about his voice makes you trust him. "If you leave me alone even ONCE, I'm destroying your knees with a wrench"
And there's that wolfish smile and hearty laughter, with renewed joy he pulls your hand telling you about how you will have the right to do that if he abandons you ever after this, he's staying with you throughout the whole process. Heisenberg catches you off guard when he takes off his coat and drapes it around your shoulders, pulling you outside, standing next to you.
"Let's start with whistling, ok?"
You must admit, you have a lot of fun learning how to do the right whistle command to call this particular pack, laughing a bit when Karl squishes your face whenever you fail to produce the right sound, once you get the sound right, he teaches small commands, how to make one sole lycan come to you, have them stop dead in their tracks, among others and how to make each whistle sound loud.
He does chuckle when you jump the moment the pack comes bolting from the woods towards you, the grip on your shoulders return and that anchors you, giving the stop command and smiling once the small group stops, Heisenberg all but smiles proudly when you take control and pick one lycan to get close and dismiss the others.
"Once it's close enough" Karl whispers low enough for you to hear "take off your gloves and let it smell the back and palm of your hands" he sees you nod and waits for the lycan to get near you, his hands sliding up and down your arms, he can feel you tremble a bit when you take off his gloves and let the beast smell you.
The lycan looks up to you, then at Heisenberg, opting for keeping its attention on you, you called it after all "It won't bite you, it can smell that you belong here, it knows better" Even with his reassurance you are weary of the beast, everything inside asking you to run away, yet you stay put, dogs can smell feat and react to it and that never ends well.
"What else can they do?" Karl can hear the terror in your voice but feels proud of your bravery, quickly teaching you what other tricks the thing can do.
By the end of the day, you are rather surprised when he cooks dinner again, he's actually pretty decent, his cooking lacks a bit of salt but it's good and he's doing his best to have you well fed.
"May I ask...why are you being so nice?" you ask him looking at his back "I've been a bit of a brat"
He laughs looking at you over his shoulder "I suppose...I understand what you are going through" he says, turning his attention back to the stove.
You want to ask him what happened to him, what made him so emphatic out of the blue but the tone of his voice and the stance of his body is enough indicator that this time is not the right moment to ask about it, perhaps one day, you two can share the pain that haunts you both.
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would you mind sharing your process of retexturing an object? i always see cc i rly like but wish it was more texturized instead of all smooth in a solid color (don't know if im making sense) but after i try to change the texture in ps it still didn't look good? i think im doing something wrong, or does it depend on how the mesh was created on blender? your wood texture for peace's cc looks perfect that's why im over here begging for tips
Hi there! I’m sure there are better, more professional, or even easier ways to do it than how I do it, but I’m not an expert and just hack my way through things.
For the most recent retexture, I opened a greyscale version of the wood texture alongside the object texture in paint dot net, pasted the wood tex in a new layer over the object texture, and set it to overlay. I move the layer around until the wood pattern sits where I want it. I test different positions, saving it and popping it into S4S a bunch of times until I’m happy. To get a good strength of texture, I sometimes duplicate that wood layer, alternating between overlay and multiply, until it’s how I want.
I was lucky with peacemaker’s pieces, in that all the bits of the texture were in the same orientation, so I didn’t have to have separate layers for say the front and the sides (sometimes you have to retex different parts separately, rotating the texture, resizing it, etc, depending on how it’s mapped).
I also have those wood textures saved as patterns in photoshop, and I have in the past used the pattern layer option to do similar, but my copy of photoshop is a buggy little pos so I prefer to do as much as I can in paint dot net. Nice and lo-fi lol
For really complicated objects there’s probably a Super Proper way to do it using Blender or something, but I can barely understand enough to open Blender, let alone work with it, so idk. I spend hours muddling through with trial and error pasting and moving, moving and pasting.
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Blueberries and Cowboys: Chapter 2
A choose-your-own-adventure style fic. First, 2 platonic chapters for set-up/build-up. And then, the story will split into 2 paths depending on your romantic pairing preference: You and Thrawn, or You and Eli.
Chapter Masterlist
Chapter 2: The Plan
Pairing: None...yet...
Chapter Warnings: Mentions of bullying
Length: 2k
AO3 Link (In case you like it better over there, it’s okay, no judgement)
The rest of the week saw the three of you using every bit of free time outside your classes and studies to gather information for Thrawn to build a solid plan.
Eli tailed his pesky classmate Arden everywhere, even skipping a class one day to break into his dorm, trying to learn anything about the guy that could be useful to get him involved in the plot. Thrawn analyzed the simulation software and protocols that would be used to administer the tests, mapping out every possible way Commander Burdick could hijack it. And you were the one spying on the Burdick himself. Since the commander didn't seem too interested in your grades, you were able to shadow him without suspicion, and had been able to slip a bug into his offices to eavesdrop on any potential conversations about his plans for sabotage.
Your classmates and the staff were none the wiser. That was the advantage of being social outcasts. Half of them avoided you all like the plague, and the other half already thought you were weird people doing weird things. So it wasn't long before you'd all gotten enough intel to work with.
It was late in the evening at the end of the week. You found yourself in Thrawn and Eli's shared dorm, which looked identical to your own in the opposite wing, because the Empire couldn't bother with things like individuality or comfort. Eli sat on the edge of his top bunk, his legs swinging casually, and his coat unbuttoned to reveal a wrinkled undershirt you knew he hadn't bothered to wash all week. Thrawn paced about in the middle of the room, his long strides only allowing him about four good steps before he had to turn around. He still had his uniform on, boots and badges and all.
You leaned against the railing of the bed, watching Thrawn as he went back and forth. Sometimes he sat still when he was scheming, with his fingers steepled and his gaze seemingly reaching into some unknown dimension beyond your comprehension. That usually happened when he was running through variables that didn't concern you, at least from his perspective. You and Eli had accepted long ago there would always be parts of his plans he would never share with you. He was kind of a control freak like that.
But tonight, he seemed to be more welcoming of collaboration, hence his steady rhythm of pacing in front of you.
"Only one variable remains, as I see it," he was saying. "We understand how the commander will manipulate the system to cause a redundancy in the simulation, thus rendering the test impossible to finish successfully."
You and Eli shared a glance; the only person who truly understood how that was going to happen was Thrawn. He'd tried explaining numerous times but when it came to codes and tech, the two of you weren't able to fully keep up.
"We also know through your investigating," Thrawn motioned to you with what you thought was an impressed look, causing you to feel a little pride, "that the commander plans to only sabotage my test, believing it will be too suspicious if Eli also fails. He will also manipulate his false code to originate from the computer of his former lover Eva Carroway, who currently works in HR. So if an investigation does ensue, it will be traced to her and not him."
You and Eli chuckled under your breaths. It had been a little amusing when you'd discovered Commander Burdick was using this plan to not only undermine Thrawn, but also get revenge on his ex-girlfriend. But even more hilarious was how awkward Thrawn treated the subject. He had been quite perplexed to learn people could be so vindictive after a break-up. And any time he explained that detail of the plan, like he was doing now, he hesitated over his word choice. You couldn't tell if he only pretended to be confused about romantic relations, or if that was truly an area he found himself lost in.
If Thrawn noticed your snickering, he didn't respond to it, only continued to recap the plan. "We have also determined how we will expose the altered code naturally, so it does not cast suspicion on us... What was the word you used?"
"Backfire," said Eli.
"Yes. It would not due to have anyone suspect that we altered the test ourselves, or to have our concerns disregarded altogether. Thus, arranging for the maintenance crew to get a mild case of food poisoning so their performance checks are postponed to occur right before the tests will take care of that variable. At the least, they will fix the altered code and I will take the test as normal. At the most, they will report it and the commander faces expulsion."
"So..." said Eli through a yawn as he stretched. "What's left to work out, then?"
Now it was time for you and Thrawn to share a look.
"Were you not interested in involving your classmate, Arden Fey?" asked Thrawn in his soft, contemplative voice.
Eli shrugged. "Yeah. But Burdick's already got his scapegoat, his ex. So it'll be easier to keep him out of it. Whatever."
You could tell he was trying to be nonchalant. But just this morning, he had spent the entire walk between classes ranting about some new insults Arden had come up with, and how badly he wanted to show the guy up once and for all. You knew your friend wasn't feeling "whatever" about it.
"It's not a matter of ease or difficulty," Thrawn stated plainly. He had stopped pacing and was standing with hands behind his back, highlighting the broadness of his shoulders and the height of his stance. His presence seemed to fill up the whole room, and not for the first time, you were glad to be his friend and not his enemy.
"Yeah," you added in encouragement. "We just have to get creative. Find a way to make Arden a more appealing scapegoat than Burdick's ex. In fact...."
You trailed off as an idea occurred to you. You darted out of the room, surely leaving your two friends perplexed, but you would only be a second. You sprinted down the corridor toward the lifts, where a bulletin hung against the wall with fliers and pamphlets. One notice was a bit larger than the others, a promotion of an upcoming gala event to celebrate the Academy's anniversary. You ripped it off and went racing back to the boys' dorm room.
Eli had come down from the bunk and held a concerned look, probably prepared to follow you if you hadn't returned so quickly. Thrawn was still standing composed, but there was a curiosity in his eyes that made you smile.
You held up the poster in front of your chest. "What do you think the likelihood is of us playing successful matchmakers this week?"
Thrawn understood your idea almost immediately, looking down on you with a pleased smirk. It made you flush a little, to know the Chiss was impressed. You rarely had a chance to contribute good ideas when his mind worked so much faster than yours.
Eli caught on next, and he started to grin, the happiest you'd seen him in a while. His smile was infectious and you grinned back. Happy looked good on him.
"We know Eva's not shy with younger guys," you explained. "Before Burdick, she was fooling around with some intern in the med bay."
"And Arden's vain enough," added Eli. "If he thinks anyone's interested, he'll go for 'em."
"So we get him to ask her to the gala as his date...." you said.
"Burdick sees the two of them together...." said Eli.
"And realizes he can get back at his lover in another way, by pinning the sabotage on another student...." joined Thrawn.
The three of you stood together, proud and satisfied that yet another plan had finally worked out. It was almost worth the stressful studying and petty bullying and all the other unpleasant things you had to endure at this god-forsaken school, just to have fun moments like this with trusted friends.
"We should attend this gala as well," Thrawn said eventually, holding out a hand for the poster. He inspected it thoughtfully. "It is only a few days before the tests, so I hadn't planned to pay it any mind. But now...."
"Yeah, we should make sure Burdick's as jealous as we want 'im," nodded Eli.
You were secretly pleased. The plan was already a win-win, but now you would be able to go to the event yourself, too. You hadn't mentioned your desire to go to either of them before, figuring they weren't interested and not wanting to sound silly if you suggested it. But you did love dancing, and it was so very rare you got a chance to wear something other than your Imperial uniform.
"It's a dance," you noted, in case they couldn't tell by the details on the poster. "We'll need to go in pairs."
"I suppose it would make the most sense for you and Eli to go together," said Thrawn quietly.
You looked between the two, realizing both of them were flushed slightly. Eli's cheeks were dotted with pink, standing out amongst his dark brown features, while Thrawn had more of a purple tint to his face now, a color you'd never seen there before. You could feel yourself growing warm and uncomfortable as well. It was only a dance... only a way for you to enact a much more important plan... but it was the first time your trio had had to engage in anything other than platonic friendship. The balance of your group seemed to be shifting ever so slightly in this moment, and you had no way of knowing if it was for good or ill.
You cleared your throat, pushing away any feelings that might have been brewing in your chest, and instead calling focus back to the mission at hand.
"Actually, I think I'd better go with Thrawn. Whoever doesn't go with me would have to find their own date, and no offense Thrawn, but I think Eli has the better chance of asking someone else."
You hoped they hadn't noticed how hollow your voice sounded, how hard you were trying to keep yourself emotionless.
Eli was pinker than ever. "Uh, I highly doubt that..."
"You're not completely hated around here, you know," you said quickly. "Definitely not with the girls. You're not bad looking, you can be charming if you try, and you're... you know, human." You glanced at Thrawn and added again quietly, "No offense."
Thrawn shook his head. His color and demeanor had already slipped back into his usual neutral self. "No, I agree. Those are the dynamics of our peers and we must work with it. I will take you to the gala, Eli will find his own date, and all three of us will push Arden and Eva together as well. It's a good plan."
You all nodded in agreement. But there was a knot in your stomach, a nervousness you didn't quite understand. You cared very much for both Thrawn and Eli. They were your best friends, your only friends. As a group, you were bonded by your ostracism, protecting and supporting each other on your journey out of this hell-hole.
And separately, you had something special with each, too. You and Eli came from similar backgrounds, and had the same need to disconnect from your surroundings and just have a bit of fun every once in a while. The two of you had spent many late nights together, either hopping between bars, exploring the city, making each other laugh uncontrollably, or quietly sharing the honest thoughts you both buried far too deeply inside. Some nights you'd done all of the above, and returned to your dorm feeling both exhausted and renewed.
But Eli didn't always appreciate the finer things in life, and that's where you connected with Thrawn. He wasn't necessarily an optimist, but he had this way of noticing the beauty that existed everywhere around you, even in the most simple or mundane of moments. Everything had the potential to be interesting. His calm but strong presence had kept you grounded and sane throughout your studies here so far. Sometimes you would talk, other times you would simply be in the same space. And either way, you felt better about life.
You didn't exactly want your relationship with them to change. But you couldn't help but feel this gala would do just that....
Next Chapter: The Preparation >
Blueberry Path | Thrawn x reader
Cowboy Path | Eli x reader
#star wars#thrawn#eli vanto#thrawn x reader#eli vanto x reader#choose your own adventure#friendship#romance#friends to lovers#mitth'raw'nuruodo
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