#insane about It in general

[weirdthoughtsandideas]

In 9th grade I drew SO MUCH Reddie fanart and I gifted so much of it to my friend and I’m no longer friends with her because we went to different high schools and fell out of contact and I am wondering if she still has all of those artworks somewhere 😭

[hinamie]

quick itfs sketch page

[themanlykittenkayden]

So called “slow burn enjoyers” when the slow burn isn’t just a single arc of miscommunication issues into immediate happily ever after, but instead two characters with deep-rooted trust and emotional issues realistically taking a long time to uproot and undo that damage to grow as people whilst having messy and complicated feelings for each other that would be unhealthy for them to indulge in in their current stage, if they could even realize those feelings as being love at all: :O

[himulrai]

with this the spike trilogy comes to a close

previous here!

I have really bad art block atm my posts are gonna be even MORE rushed and staggered than usual I'm so sorry😕

[superbat-lmao]

Jason travels to an alternate universe where Bruce only cares about being Batman. He took in each of his kids to serve the mission, not be his children.

Now, faced with alternate versions of his family, Jason has to grapple with the fact that his Bruce does care, that he is his father. Because the man in front of him now, trying to send him home, isn’t even close.

[queenoftheantz]

cant stop thinking about the guy who came up to me at the comic festival this weekend, looked through my dungeon meshi stuff, then when he didnt recognize the winged lion told me he stopped reading because the world building wasn't solid enough.

The world building wasn't solid enough. In dungeon meshi.

[glazeliights]

plural paper is so real to me

[wlwanakin]

current convo around sexual violence in star wars has me thinking abt the time on twitter when someone reposted some fuck ass post from here calling anakin’s dynamic with the queen in the tcw zygerria arc “catgirl bdsm roleplay” or some shit like that and i was like “hey that feels like a really distasteful way to talk about that arc” because like, this is the arc where this literal queen of a slave empire constantly makes sexual advances towards anakin and then enslaves him and those advances do not stop at all after that and also he gets knocked out and wakes up in her fucking bed and that’s not even getting into the stuff with ahsoka and that arc having so much implied sexual slavery going on in the background too and even when i was twelve and stupid i was like hey that’s pretty rapey. but then a bunch of people said i was stupid and sensitive and reaching. so

[thistlerock]

I think Gorgug grows up trying to take up as little space as possible.

I think that as a child, before he was all that conscious of his own decisions, he broke a lot of stuff. That's fine, small children do that and his parents have had him since he was a baby. A huge baby, especially for gnomes. A huge baby that grew into a toddler the size of his parents who's (again, normal and okay) tantrums did actual property damage because he's an orc. They were never mad at him for it, they'd never be mad at a child experiencing big emotions and not yet able to process them or understand consequences, but we know how their families reacted to that. We know that they always saw him as something that would grow up to be a threat.

I think that pretty much as soon as he develops a sense of it Gorgug starts feeling ashamed. He's ashamed of how nothing ever fits right, and of how loud he gets when he's upset, and of how the other kids in the neighbourhood (because it's a small folk neighbourhood!!) get scared of him sometimes, and of how when he has bad dreams he breaks his bed and is unable to control himself, like a baby. There was probably a time where he thought he was really clumsy and he was ashamed of that too, but by the time he turns like twelve Gorgug kind of understands that he's not more clumsy than the average kid, it's just that every time he drops something or bumps into a shelf it'll do so much more damage than if anyone else he lives around were to do the same.

(And his parents are talented tinkerers but sometimes their work is so delicate and all he ever does is wreck things. He doesn't dare touch it no matter how much they try to share this passion with him — eventually they assume he just doesn't like it and they would never force him to do something he doesn't want. Gorgug doesn't let himself discover how much he enjoys it until sophomore year. I wonder if he regrets all those years he spent fearing the possibility of ruining things and depriving himself of something he ended up loving.)

(And he was never "stupid", it's just that all he ever thought himself of was a brute so he never entertained the possibility of his own intelligence until faced with it. He didn't know he could thrive academically so it wasn't something he ever considered committing to. He literally just played bloodrush because he was good at it, not because he liked it. He just thought he had to, and he thought math is something he couldn't possibly do. Why try?)

Entering Highschool Gorgug is very shy, and he doesn't really have friends. Adults always like to blame the latter on the first, but sometimes it's the other way around and sometimes it's a vicious cycle. Sometimes you're six years old and none of the kids in your elementary school class are anything like you but you desperately try to fit in until you slip up and show them how much of a freak you are one time (I think he got mad. I think he broke a table. I think someone cried. I think maybe there was a teacher who was so much smaller than him and looked at him as if he were something to be feared. I think that in that moment he decided that he is. Or at least his rage, maybe.) and then you never get to have friends again and you shrink in on yourself and you don't understand how anyone else does it — it's not even that you're scared you just don't understand, and maybe you just want to be alone. And then a happy outspoken child grows into a shy teenager because they don't have any friends.

I think Gorgug is careful. He is so gentle and empathetic and kind and he is so careful because every time he isn't something breaks. And every time he raises his voice someone is scared of him and all he ever wants is people to not be afraid. So he hunches over, and he stands in the corner, and he scoots to the very edge of the bench so you don't have to sit too close to him, and he takes every insult to his face without fighting back lest he'll get upset and despite all his fucking efforts all it takes is one asshole to take it too far and he feels himself snap and all he wants to do is break something and hurt and twist and kill. And that scares him. He doesn't allow himself to be angry (and as wonderful as Digby and Wilma are they don't understand. They don't understand that he has to be, that he has to let it out some time.) so he bottles it up and every time it explodes out of him he doesn't know how to handle it other than to swing his axe and kill maul bite snarl kill.

But then, his adventuring party seems to not mind his rage, or his size, or his freakish strength. If anything they seem to like it, or at least respect him for it. He's never considered doing something like music before because that's for talented people and it's art and he doesn't do art because his hands are only good for destruction, not creation. Right? He does the music anyway. It's nice because there he's allowed to be angry on the drums and no one thinks it's weird.

He meets a girl that finds his rage attractive and he was scared that he'd scared her but he didn't. Ragh becomes one of his dearest friends and maybe for the first time Gorgug looks at a raging (half-)orc — all snarling and panting and bearing his teeth and twitching at any sound or scent — and doesn't find himself appalled because all he sees is someone that's fighting to keep him and his friends safe. And oh, maybe it's okay to be enraged.

I think he grows into a young man that doesn't love being angry but stops hating it too. He likes, in a way, that he gets angry over the right things, and he likes that being angry enables him to protect those he cares for. In the end his rage is a survival instinct and it's good to be alive. That leads to him, for a while, only accepting his rage as something that's fine to express in combat, and if it's outside of combat then only to his friends. There's still this need to make himself palatable, to tone himself down so everyone stays comfortable around him, but that also fades eventually.

During junior year he does finally come out of his shell enough to just express his anger the second he feels it. I think it is liberating and it's also the scariest thing he's ever done, and he went through a forest that made him confront his deepest fears already. (And that's exactly what it was. The inconvenience to his parents, the fear it strikes in others, the rejection it brings, the way it seems to reduce him to a weapon or maybe a wild animal and to some people including parts of him means he absolutely cannot be an intelligent or loveworthy person. He's always been afraid of his own rage.)

I think that if a younger Gorgug could see his older self snarl at one of his friends for making a joke about his parents' lawnmower, with his tusks fully grown out and muscle finally starting to fill out his clothes a little, so strong and so dangerous and so unashamed of it, he'd feel no relief and only horror. I think acceptance is something that feels alien to him right up until he suddenly achieves it.

[t4tails]

millennials will be like "we only make fun of gen z bc they made fun of us first" and be referring to when a 16yo called them a disney adult

[sha-brytols]

listen not to pull the "wont anyone PLEASE think of the straight women" card but it has to be said i'm mildly convinced the so called "solas hate" from the devs is actually just misogyny.

[eshithepetty]

Cover art for my recent fic!! Go read it if you like Coralena, mental illness, and ENA falling apart upon discovering what affection feels like <3

[ID: colored and shaded digital cover art for the fic "Can I offer you a Nice Rock in this trying time?" by Eshisakka. It depicts Coral staring, wide eyed and blushing a bit, at ENA's outstretched, clasped hands, as if she is offering Coral something (though it also, coincidentally, looks like she's praying to her). In the background, there are other drawings of ENA - in the front, a profile of the light side of her face, lightly blushing; then one of her smiling and talking with her salesperson side, holding up a clawed finger; and then of her clutching her face, red arm missing, face green and hidden behind her hat. Behind her, there are floating scattered pages, and the title in the background. The art is colored in purple and teal tones. End ID.]

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[insomnya777]

HAPPY BIRTHDAYYYYY!!! A Jimmy 4 u ✨🎂

OH MY GOODNESS JIMMY YAYAYAYAYYAYAYAYAYYAYAYAYYAYAY THANK YOU!!!!!!!!!!!!!!!!!!!!!!!!!

[buttercupshands]

I like my new pencils so much you get a shadownilla sketch

[randomness-is-my-order]

do yall ever think about the fact that there will probably never be a protagonist like wei wuxian ever again or are yall normal?? he’s such a well-rounded, dynamic, all-encompassing PACKAGE of a character that it’s actually been a trouble for me to sink my teeth into epic fantasies these last few years because the MCs are such a huge hit or a miss for most of them and no character in my adult recreational reading career has ever managed to endear me as much wei wuxian has. he MAKES mdzs for me. without his manner of thinking, his method of interacting with the people and world around him, his backstory, his everything, mdzs would not be such a compelling and hard-hitting tale despite having all the elements to make an epic narration. like this guy has set the standard for main characters to be WAY too high. god fucking damn it.