#jason: and my right hand

[unidentifiedgothamite]

the batboys chillin' on WE's roof after patrol

jason, bored & horny: oi goldie, bet ya 10 bucks you can't do 10 consecutive backflips across the roof

dick, never backs down from a challenge: ha! prepare to be 10 bucks lighter, jay

damian, sweet summer child: what are you doing? we all know grayson can do that

tim, just wants to go home: he just wants to ogle at dick's assets clearly

[gender-premium-tm]

these guys are literally all i draw nowadays. what the fuck

reblogs>>>likes

[ragnarokhound]

I think the best titans tower scenario is one where tim gets a good look at jason in his new and improved robin outfit and gets so hard so fast he’s lightheaded, immediately derailing jason’s plans for the beat down because Jason’s going “what kind of FREAK”

anon, i love this for you, and i like the way you think lmao

like, i'll be real, the OG robin costume is goofy as hell on Jason in the TT sequence, but at the same time? Can we not simply appreciate a well-built man in booty shorts and pixie boots. Let he who is free of sin be the first to condemn Dat Ass. Especially when it's flexing that hard to beat up a guy i, personally, like to headcanon as having a giant mcfreaking crush that unfortunately did Not die with Jason lololol RIP to Tim Drake

(btw i am imagining Jason tearing off his infinitely more sensible Red Hood fit and then upon getting this reaction from Tim, has to pause because 'i'm wearing this to make a statement here. this isn't about that. why is this doing it for you, kid' and Tim just has to sit there stewing in his own humiliation like 'can you just kill me now? let's go back to the part where you were beating me up to teach me a lesson oh god wait no don't do that, fuck--' and Jason's like '🧍i'm gonna go actually, you made this weird. beatdown cancelled' and Tim, with his gloves over his face just muffles out a 'thanks, see you never' and throws himself out the window)

[ghost-bxrd]

Prompt:

Arkham Knight Edition

Jason gets thrown into an alternate universe and finds his younger self being tortured in the asylum.

Things get… a little blurry after that.

When Jason comes back to himself he’s got a shaking kid clinging to him and a worrying amount of Joker parts strewn all over the floor, walls, and ceiling.

Seems like it’s going to be one of those days…

[llmsos]

If you need to be mean, be mean to me.

[clockwaysarts]

Wip of the boy, looking different than normal a bit. And what is that next to him? ;)

[starry-bi-sky]

thinking about Dan in CFAU and just how different he needs to be (in my opinion) in order for Danny's whole thing to work. Canon Danny with Dan's influence, would never even consider thinking of killing anyone even after losing people close to him because he'd be scared of becoming like him. CFAU Danny however has been festering in this hurt and anger for years and wants the Joker dead and is plotting it. I don't think he'd do that with Dan's influence.

I explained how Rath came to be in this post here. Things happened in TUE as normal -- Danny's family dies, he lives with Vlad, Vlad rips out his ghost half. The difference here is that not only was Danny in a grieving state (something exclusive to banshees that the post goes into) but he also doesn't end up fusing with Vlad.

What happens instead is that Danny's ghost half, consumed already with grief and now enraged by being murdered and lied to by Vlad, destroys him completely and disappears into the ghost zone. He traps himself unintentionally in a negative feedback loop of grief, and as a human spirit banshee, cannot mentally handle the constant agony and sorrow he's experiencing. What happens is that he ends up driving himself insane with misery.

So the difference here, ultimately, between Dan and Rath, is that at the end of the day; Dan is fully aware of his actions. He knows what he's doing is wrong, and delights in it. He acknowledges his lack of humanity and feels no remorse in doing what he does.

Rath? He's... not. Not really. Dan is a hulking mass of muscle; tall, towering, terrifying. He loves what he does and does what he loves. Rath, however, appears as a scrawny young boy in raggedy clothes far too big for him, hunched in on himself while dirty, unkempt hair curtains his face and hides whatever he doesn't have ducked down in his curled-in form.

Rath is locked in a constant, unending state of sorrow and misery. He, for lack of better words, is unable to perceive the world around him properly and lashes out terribly and violently at anyone or anything that catches his attention. The only thing that he knows is that his family is gone, his other half is gone, that everyone he loves is gone, gone, gone.

He is a zombie apocalypse wrapped up in the form of a malnourished child, wandering the world in search of people who are not there, and becomes furious if you're not them. He is constantly crying, but he's been crying for so long that he's all but lost his voice. Meaning anyone trying to keep an ear out for him has to listen for soft, pained gasps and quiet whimpering, and wonder if the sound they're hearing are hurt survivors, or the very thing they're running from.

As a result, Rath's influence on Danny isn't that he's scared of doing something bad and becoming like him. He's scared of losing control of himself and dooming himself and others to eternal misery. As a result, he's adamant that things that he's done were not done out of pure emotion, but were active choices he made.

Up to and including killing the Joker. There's enough grief and rage behind his views on him that anyone could argue, especially knowing that Danny's a ghost, that he was not in the right mind when he did it. He was blinded by his emotions and was not in the right mental capacity, he had no control over himself. It'd work as a convincing argument.

If it weren't for Danny himself arguing against it. Killing the Joker was a choice he made, fully and willingly. It was autonomous, premeditated murder and he won't accept anything else -- it was not a fit of passion, it was not act of insanity, it was a decision. He won't accept it being anything else but revenge either, and if anyone tries to claim that it was a necessary evil he will yell at them. He didn't do this for the betterment of the public, that was just a fortunate side effect. He did it for himself and Jason. If you wanted it to be a necessary evil, then you should've killed him yourself. It was a selfish evil and he knows it.

In the end, Dan’s existence would prevent Joker’s death. Rath’s existence only solidifies it.

Rath's complete difference from Dan is one of my favorite parts about this au even if he never makes a direct appearance.

[ins0mnina]

happy pride to my beautiful princess and her loyal knight

this was supposed to be a piece based on a percabeth wedding theyna fic but i was sad Thalia wasn't wearing a suit. so i got possessed again, and then pride month rolled up ! here we are

[nopejustnoped]

Jason wasnt a killer right off the bat like that just did not happen. He got more aggressive and shit later on just as the comic world changed and got darker in the 80s. It feels ragebait-y when they look back on a teenager reacting to extremely dark situations and go "he was such an angry kid" he really wasnt like that and even later his behavior was understandable. I wish theyd have more patience writing stories about robin jason bc getting to his later stuff you could realistically write how his reactions in the diplomats son reflect his ideas from uth etcetera etcetera. Rewriting 12 year old jason every two minutes and portraying him as a feral child is just not interesting 😭😭😭 jason is simply unlucky that hes been written in the comic decade of agony and despair but its so funny how modern writers try to twist his personality like theres a limited amount of jaybin content. His characterisations didnt fluncuate like that.

[sunlitlemonade]

i want to write jason & natalia but head so scattered.....

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[rosaeh]

okay, maybe im slightly obsessed with jason todd but i SWEAR i just watched le comte de montecristo and it's so ak!jason coded

ce n'est pas de la vengeance, c'est la justice

like jason coming back to gotham for revenge justice under a new name (arkham knight) after rooting in arkham and finding out reader "moved on" — she didn't you fool.

and like having his plan all figured out, step by step and mentally torturing batman and all. theater kid much.

anyway i loved the movie.

[rebornofstars]

i mean personally i find the appeal of batfam comes from the unbelievable tragic fucked up dumpster fire of interpersonal dynamics between every single character. i keep seeing the accepted fanon shove them into neat little boxes of brother and son and father and sister and like you aren't wrong but when are you going to mention the fact that this is simply how they choose to refer to each other in front of strangers to prevent themselves from having to try to explain the infinitely messy impossible gordian knot that is their relationships to each other. because you just know whatever the fuck is happening between those little weirdos aint right. big happy found family? they're stuck together against their will for life, yeah, and none of them would know how to feel a thing without the terrible ecstasy and adrenaline of what they share, and it's some kind of family, sure, but it's a monstrously complicated one, and not the kind of thing you can just explain. or leave. or understand. even when you're right in the thick of it. i like to think that they each have a wildly different take on what they mean to each other, and none of them are wrong but all of them are missing some key facet of it, and only the characters directly involved in each combination have the whole story. that's how twisted things get: nobody understands how damian and jason manage to continuously interact without hard feelings. nobody gets why steph and alfred talk when they don't even get along. nobody knows what the fuck is wrong with dick and bruce!!!!!

[jankwritten]

Jasico Bingo Challenge: CHB Jason

Nico isn’t sure what’s worse: the fact that his childhood best friend seemingly disappeared into thin air a week ago, or the fact that the hottest guy he’s ever seen in his life has mysteriously appeared within Camp Jupiter’s walls. 

“Of course it was the first cohort,” he overhears after a Senate meeting, whispered in the halls. “He must be crazy powerful, if Lupa didn’t even need to train him!” 

“Shut up, that’s just a rumor. Everyone has to meet Lupa.” 

“They definitely met,” the first voice insists. Nico leans further into his shadows. The pair pass in front of him. “But she just let him go.” 

Hot guy is, of course, the gossip of the week. The month, even. 

Nico privately decides that hot guy is worse, only because it seems like his presence alone has turned the Legion into morons who’ve forgotten their freakishly powerful, supposed-to-be-Praetor has literally evaporated. Poof! No more son of Neptune! 

Nico would think the people who just a few years ago made a massive deal out of every move said son of Neptune made would pay a little more attention to the fact that the whole freaking man is gone! 

But no. There’s new gossip to be had, about a blonde with drool-worthy eyes and a scar on his lip and a suspiciously-missing backstory. 

Spend enough time in the Underworld, and you learn to suspect the whole amnesia act. Shades always know more than they pretend to. 

As the senate hall empties, Nico sinks fully back into the shadows. 

He will not let this stand. 

(to be continued)

[doubletalkingmaeve]

Prayers will not save me

[roobylavender]

im really sorry if this question ends up being repetitive: but, if not for bruce’s over reliance on dick to regulate his thoughts and emotions, why would dick grow up into feeling like he needs to repress his emotions so much and his eagerness to act as people’s support? i know youve spoken about wolfman and his altering of their relationship but if ntt is generally an accurate portrayal of an adult dick, to me this nevertheless sounds like the consequences a parent-child relationship where the responsibilities are titled too much towards the child

i suppose this could also segue into asking for recs that would help me better understand your interpretation of their relationship 👀

not repetitive at all! to me the irony of wolfman's depiction of dick lies in that it is simultaneously something you can logically ascertain from prior canon but not for the reasons actually presented by wolfman. if that makes sense. he does extra work that isn't actually necessary to help explain why dick would act the way that he does because there's plenty of reasons for it without rewriting his history with bruce to have always been suppressed and edgy and dark. to me it makes far more sense to capitalize on the inevitable disconnect between bruce and dick as an adult and a child. batman: full circle is a good example of that dichotomy (and although it was published in the early 90s it built on mike w. barr's prior understanding of the relationship between dick and bruce that he wrote into the early 80s). bruce's primary concern for the people he works with is never standards or finesse but safety. he worries constantly about others coming to harm under his watch and with a child in particular those worries were exacerbated. he ran a tight ship not because he believed dick had anything to prove but because the only way dick could keep being robin was if he went about it safely. that was obv easy for an adult to understand. but not so much for a child

to bruce these worries were practical and par for the course (as well as an expression of his love and protectiveness) but for dick their consequences formed the crux of his entire world. as a child he idolized everything about bruce. his heroism. his work ethic. his skill. his resolve. his preparedness. if dick couldn't live up to the standard he set for himself in idolizing bruce then what could he ever hope to amount to? that was the thought constantly going through his head. and it's why the bulk of his childhood and primary tenure as bruce's partner was so precariously protected by the fact that nothing bad ever really happened during it (and admittedly this framing is convenient because even chronologically speaking nothing very significant happened in their history with each other until dick left for university in 1969) (i know dixon opted to write that whole shtick with dent in his version of events but personally i never found it necessary to do so). there is enough there in the idea of dick working hard for the course of a decade to embody who he believed bruce to be that lends itself to it eventually being difficult for him to healthily express himself once the rift between them actually began to emerge

because what about bruce was there to actually see that was broken and dark before dick became an adult? i know a lot of dick fans hate batman #408 because they don't like that it enforced "retirement" upon dick (which i personally believe is a conclusion they come to because of the way batman #416 re-framed the same scene) but to me that's an inaccurate reading of the text. batman #408 was about bruce (admittedly far too belatedly) recognizing that he could not in good conscience continue to ask dick to go out and be a vigilante on what he considered to be his own "orders". he viewed dick's close call with death at the hands of the joker as something directly of his own making. although their tenure with each other had been wonderful if dick wanted to continue to be a vigilante it had to be on his own terms and of his own volition. obv that was logical to bruce and it was something dick managed to accept in the moment. but it's still hard to go from always having a purpose alongside someone you idolized to finally being entrusted entirely to forge your own

in general i like the idea of dick the adult becoming privy to all of the personal problems and conflicts that come with being a vigilante. he was conveniently shielded from a lot of those problems as a child because all he had to do was be bruce's partner and hope to live up to the title. bruce had no reason to trauma dump on him or talk about his worries and concerns at length with him because it was never supposed to be dick's job to field those worries and concerns in the first place. he was a child. the only thing bruce wanted to do was to help channel his emotions through an outlet and provide him with a home to grow up in. but when you become an adult often that dynamic shifts. you're still not responsible for fielding those worries and concerns but you can perhaps be trusted with them. that's why i like the framing in batman #408 of dick now being a man. it's a subtle way to frame the double-edged sword of adulthood. the world is in your hands now but so will be the horrors that come with it. coming to terms with the real world that bruce lives in should be hard for dick. coming to terms with who bruce is when he's not perfect should be hard. coming to terms with how quietly bruce kept his grief because he did not see fit to overwhelm a child with it should be hard. that dichotomy of dick both wanting to be bruce's brother and his son should form the crux of their conflict with each other because you can't hope to be someone's equal and someone's protected at the same time in that kind of relationship. for dick to transition into the position of equal he has to expose himself to the fact that bruce is not in fact an idol but someone irrevocably human. and that should interfere significantly with his head and his own standards for himself