#jean pagès

[dozydawn]

Alix HC SS 1936.

Art by Jean Pagès.

[sassafrasmoonshine]

Jean Pagès, illustrator (French, 1903-1976) • Cover art for Vanity Fair magazine • 1929

[monkeyssalad-blog]

1954 illustration by Jean Pagès by totallymystified Via Flickr: For an article about shopping on the Queen Mary. From Esquire.

[garadinervi]

Amour Systémique, Capc Musée d'art contemporain de Bordeaux, Bordeaux, April 7, 2023 – January 5, 2025

W/: Sung Tieu, César Andrade, Leonor Antunes, Pierre Barès, Nú Barreto, Irma Blank, David Boeno, Jean-Pierre Bruneaud, Daniel Buren, capcMusée d’art contemporain (Philippe Thomas), Nicole Eisenman, Chohreh Feyzdjou, Michel Gérard, Gilbert & George, Claude Gilli, Liam Gillick, Nan Goldin, Dan Graham, Mona Hatoum, Carmen Herrera, Noritoshi Hirakawa, On Kawara, Claude Lagoutte, Clémence de La Tour du Pin, Guillaume Leblon, Sol LeWitt, Benoît Maire, Nicolas Milhé, Thierry Mouillé, Max Neuhaus, Olu Ogunnaike, Masahide Otani, Bernard Pagès, Anne-Marie Pécheur, Présence Panchounette, Jean Pierre Raynaud, Ed Ruscha, Takako Saito, Dayanita Singh, Meredyth Sparks, Sung Tieu, Wolfgang Tillmans, Kaari Upson, Fredrik Vaerslev, Mona Varichon, Claude Viallat, Danh Vō, Marthe Wéry

[rugbyfil]

Rugby. Transfert. Le Stade Niçois continue son recrutement XXL

L’ancien rugbyman de Biarritz, Masivesi Dakuwaqa, âgé de 31 ans, condamné à huit mois de sursis pour avoir mordu un coéquipier mais aujourd’hui, se a signé pour deux saisons au Stade Nicois, dirigé par Jean-Baptiste Aldige, un ex-président du BO. Masivesi Dakuwaqa, d’origine fidjienne, avait été mis à pied du Biarritz Olympique après avoir mordu à la lèvre Pierre Pagès lors d’une soirée. Il avait…

[cleverhottubmiracle]

PARIS — Jean Paul Gaultier has tapped Duran Lantink to be its creative director, the Puig-owned brand confirmed Tuesday.The move makes the Dutch designer — whose puffy, body-reshaping silhouettes and distorted prints have made him a breakout fashion star — the first-ever successor to the label’s namesake founder, who became famous in the 1980s for blending pop theatricality and gender-fluid, inclusive storytelling with rigorous couture technique.Lantink will debut his vision for Jean Paul Gaultier during September’s Paris Fashion Week, staging the brand’s first ready-to-wear show in over a decade. His haute couture debut is slated for January 2026.“I see in him the energy, audacity and playful spirit through fashion that I had at the beginning of my own journey: the new enfant terrible of fashion,” said Mr Gaultier, who gave his blessing to the appointment.“Duran isn’t referencing Gaultier exactly, but you can find his values there in the way he is rethinking volumes, rethinking the body,” said managing director Antoine Gagey.The brand shuttered its ready-to-wear line in 2014, as top-end heritage brands and cut-rate fast-fashion groups alike pinched designer labels that had once been aspirational staples on the floors of department stores and multi-brand boutiques. For the last decade, Gaultier has shown only haute couture, which remained a laboratory for its founder’s campy, deftly constructed designs, while casting a halo over its significant fragrance business.Since 2020, when Mr Gaultier stepped down, the brand has used couture as a platform for rotating collaborations, giving designers including Glenn Martens, Haider Ackermann, Nicolas di Felice and Simone Rocha an unprecedented opportunity to try their hand at the artisanal form.The brand also revived its ready-to-wear offering with a series of capsule collections: collaborations with the likes of Lotta Volkova and Shayne Oliver as well as studio-designed drops informed by the brand’s archive. And despite the somewhat scattershot strategy, the business has steadily rebuilt a roster of around 100 stockists in addition to selling its collections directly online.“There’s a real demand for Jean Paul Gaultier, young people in particular are in step with its values,” Gagey said. But taking its fashion business to the next level will require a more stable approach. “We’re at a stage where we need more consistency across categories and seasons,” he added.Since reengaging with Gaultier, stockists have gravitated towards its entry-level luxuries like T-shirts and jersey dresses. Working with a single creative director will allow the brand to expand its credibility to new categories and stretch its propositions upmarket.“This brand is more elevated than people remember, with a heritage that is really rigorous and precise. We have a certain legitimacy in design, in luxury to reassert — not to mention the cultural credibility that was always a part of the brand’s story,” Gagey said.Lantink, aged 38, studied at the Gerritt Gerrit Rietveld Academie and Sandberg Instituut in Amsterdam before building his profile in the industry through celebrity projects like designing a pair of viral “vagina” trousers for Janelle Monae in 2018. His 2021 debut runway show, which was staged for an audience of buzzing drones during coronavirus lockdowns, garnered critical praise for its innovative use of upcycled materials and transformation of archival garments and prints.Duran Lantink Autumn/Winter 2025 (BERTRAND GUAY) By the time he joined the Paris ready-to-wear calendar in October 2023, he had already attracted a robust circle of support. Boosters included stylist Jodie Barnes, “Fantastic Man” editors Jop van Bennekom and Gert Jonkers and publicist Lucien Pagès, who cajoled editors to his outing on the ninth day of Paris shows.What they saw was compelling. Sportswear classics were reinterpreted in improbable, inflated proportions. There was humour (not just social-media-baiting gags), unconventional sex appeal and a sense of mystery.Lantink’s appointment at Gaultier follows big wins at the 2025 Woolmark Prize (announced in Milan earlier this month) and LVMH’s 2024 Karl Lagerfeld prize.“When I look at Monsieur Gaultier’s collections, it feels like he was always inspired by what was happening around him, culturally, socially and politically,” the designer said. “I feel a strong connection to that approach and spirit.But Lantink’s consecration as creative director of a major Paris house will come as bittersweet news to some, as the designer plans to suspend his namesake line to focus on his new opportunity.“Especially since I’m not only working on the ready-to-wear, but also the couture, it’s a big responsibility that I take very seriously. I have so much respect for Mr. Gaultier and his couture legacy, and I want to take the time to truly focus on the savoir-faire of the incredibly talented people in the atelier,” he explained.“Duran is something that won’t disappear,” he continued. “I’m still very eager to explore its possibilities — when the time feels right, and when I feel ready and confident that I can take on multiple things without compromising the quality.”Gaultier owner Puig — the Barcelona-based group known for its prowess selling fragrances — has steadily worked to rebalance its portfolio in recent years, shedding licenses in favour of investing in brands it owns outright like Jean Paul Gaultier, Paco Rabanne, Charlotte Tilbury and Nina Ricci. While the scale of its fashion businesses still pales in comparison to global scents like Rabanne’s “1 Million” or Gaultier’s “Le Male,” the company has sought to ramp up its footprint in apparel, notably by acquiring Dries Van Noten in 2018. After a long period of churning through designers, it has also built a more stable fashion platform at Rabanne, where Julien Dossena has been creative director since 2014.“Puig has a real strategy and ambition in fashion,” Gagey said.While luxury brands are currently facing headwinds worldwide, some labels that dramatically scaled back distribution in recent years are managing to bounce back with a new strategy. LVMH’s Pucci, for one, says it’s experiencing “strong growth” under designer Camille Miceli, who was brought in to relaunch the brand after it ditched many of its oversized boutiques in urban locations during the pandemic. L’Oréal’s Mugler, by contrast, parted ways with its designer of seven years Casey Cadwallader after sales and buzz tumbled from a post-pandemic peak.After onboarding Lantink, Gaultier’s immediate priority will be to grow sales through its current channels (the brand’s online flagship as well as leading stockists like Mytheresa, Saks and Nordstroms) as well as working more closely with influential stores like Dover Street Market (Gagey describes the Comme des Garçons-owned boutique as “re-positionnant.”)If all goes well, a return to retail could be in the cards in the medium term. “It’s time to dream bigger,” Gagey said. Source link

[norajworld]

PARIS — Jean Paul Gaultier has tapped Duran Lantink to be its creative director, the Puig-owned brand confirmed Tuesday.The move makes the Dutch designer — whose puffy, body-reshaping silhouettes and distorted prints have made him a breakout fashion star — the first-ever successor to the label’s namesake founder, who became famous in the 1980s for blending pop theatricality and gender-fluid, inclusive storytelling with rigorous couture technique.Lantink will debut his vision for Jean Paul Gaultier during September’s Paris Fashion Week, staging the brand’s first ready-to-wear show in over a decade. His haute couture debut is slated for January 2026.“I see in him the energy, audacity and playful spirit through fashion that I had at the beginning of my own journey: the new enfant terrible of fashion,” said Mr Gaultier, who gave his blessing to the appointment.“Duran isn’t referencing Gaultier exactly, but you can find his values there in the way he is rethinking volumes, rethinking the body,” said managing director Antoine Gagey.The brand shuttered its ready-to-wear line in 2014, as top-end heritage brands and cut-rate fast-fashion groups alike pinched designer labels that had once been aspirational staples on the floors of department stores and multi-brand boutiques. For the last decade, Gaultier has shown only haute couture, which remained a laboratory for its founder’s campy, deftly constructed designs, while casting a halo over its significant fragrance business.Since 2020, when Mr Gaultier stepped down, the brand has used couture as a platform for rotating collaborations, giving designers including Glenn Martens, Haider Ackermann, Nicolas di Felice and Simone Rocha an unprecedented opportunity to try their hand at the artisanal form.The brand also revived its ready-to-wear offering with a series of capsule collections: collaborations with the likes of Lotta Volkova and Shayne Oliver as well as studio-designed drops informed by the brand’s archive. And despite the somewhat scattershot strategy, the business has steadily rebuilt a roster of around 100 stockists in addition to selling its collections directly online.“There’s a real demand for Jean Paul Gaultier, young people in particular are in step with its values,” Gagey said. But taking its fashion business to the next level will require a more stable approach. “We’re at a stage where we need more consistency across categories and seasons,” he added.Since reengaging with Gaultier, stockists have gravitated towards its entry-level luxuries like T-shirts and jersey dresses. Working with a single creative director will allow the brand to expand its credibility to new categories and stretch its propositions upmarket.“This brand is more elevated than people remember, with a heritage that is really rigorous and precise. We have a certain legitimacy in design, in luxury to reassert — not to mention the cultural credibility that was always a part of the brand’s story,” Gagey said.Lantink, aged 38, studied at the Gerritt Gerrit Rietveld Academie and Sandberg Instituut in Amsterdam before building his profile in the industry through celebrity projects like designing a pair of viral “vagina” trousers for Janelle Monae in 2018. His 2021 debut runway show, which was staged for an audience of buzzing drones during coronavirus lockdowns, garnered critical praise for its innovative use of upcycled materials and transformation of archival garments and prints.Duran Lantink Autumn/Winter 2025 (BERTRAND GUAY) By the time he joined the Paris ready-to-wear calendar in October 2023, he had already attracted a robust circle of support. Boosters included stylist Jodie Barnes, “Fantastic Man” editors Jop van Bennekom and Gert Jonkers and publicist Lucien Pagès, who cajoled editors to his outing on the ninth day of Paris shows.What they saw was compelling. Sportswear classics were reinterpreted in improbable, inflated proportions. There was humour (not just social-media-baiting gags), unconventional sex appeal and a sense of mystery.Lantink’s appointment at Gaultier follows big wins at the 2025 Woolmark Prize (announced in Milan earlier this month) and LVMH’s 2024 Karl Lagerfeld prize.“When I look at Monsieur Gaultier’s collections, it feels like he was always inspired by what was happening around him, culturally, socially and politically,” the designer said. “I feel a strong connection to that approach and spirit.But Lantink’s consecration as creative director of a major Paris house will come as bittersweet news to some, as the designer plans to suspend his namesake line to focus on his new opportunity.“Especially since I’m not only working on the ready-to-wear, but also the couture, it’s a big responsibility that I take very seriously. I have so much respect for Mr. Gaultier and his couture legacy, and I want to take the time to truly focus on the savoir-faire of the incredibly talented people in the atelier,” he explained.“Duran is something that won’t disappear,” he continued. “I’m still very eager to explore its possibilities — when the time feels right, and when I feel ready and confident that I can take on multiple things without compromising the quality.”Gaultier owner Puig — the Barcelona-based group known for its prowess selling fragrances — has steadily worked to rebalance its portfolio in recent years, shedding licenses in favour of investing in brands it owns outright like Jean Paul Gaultier, Paco Rabanne, Charlotte Tilbury and Nina Ricci. While the scale of its fashion businesses still pales in comparison to global scents like Rabanne’s “1 Million” or Gaultier’s “Le Male,” the company has sought to ramp up its footprint in apparel, notably by acquiring Dries Van Noten in 2018. After a long period of churning through designers, it has also built a more stable fashion platform at Rabanne, where Julien Dossena has been creative director since 2014.“Puig has a real strategy and ambition in fashion,” Gagey said.While luxury brands are currently facing headwinds worldwide, some labels that dramatically scaled back distribution in recent years are managing to bounce back with a new strategy. LVMH’s Pucci, for one, says it’s experiencing “strong growth” under designer Camille Miceli, who was brought in to relaunch the brand after it ditched many of its oversized boutiques in urban locations during the pandemic. L’Oréal’s Mugler, by contrast, parted ways with its designer of seven years Casey Cadwallader after sales and buzz tumbled from a post-pandemic peak.After onboarding Lantink, Gaultier’s immediate priority will be to grow sales through its current channels (the brand’s online flagship as well as leading stockists like Mytheresa, Saks and Nordstroms) as well as working more closely with influential stores like Dover Street Market (Gagey describes the Comme des Garçons-owned boutique as “re-positionnant.”)If all goes well, a return to retail could be in the cards in the medium term. “It’s time to dream bigger,” Gagey said. Source link

[chilimili212]

PARIS — Jean Paul Gaultier has tapped Duran Lantink to be its creative director, the Puig-owned brand confirmed Tuesday.The move makes the Dutch designer — whose puffy, body-reshaping silhouettes and distorted prints have made him a breakout fashion star — the first-ever successor to the label’s namesake founder, who became famous in the 1980s for blending pop theatricality and gender-fluid, inclusive storytelling with rigorous couture technique.Lantink will debut his vision for Jean Paul Gaultier during September’s Paris Fashion Week, staging the brand’s first ready-to-wear show in over a decade. His haute couture debut is slated for January 2026.“I see in him the energy, audacity and playful spirit through fashion that I had at the beginning of my own journey: the new enfant terrible of fashion,” said Mr Gaultier, who gave his blessing to the appointment.“Duran isn’t referencing Gaultier exactly, but you can find his values there in the way he is rethinking volumes, rethinking the body,” said managing director Antoine Gagey.The brand shuttered its ready-to-wear line in 2014, as top-end heritage brands and cut-rate fast-fashion groups alike pinched designer labels that had once been aspirational staples on the floors of department stores and multi-brand boutiques. For the last decade, Gaultier has shown only haute couture, which remained a laboratory for its founder’s campy, deftly constructed designs, while casting a halo over its significant fragrance business.Since 2020, when Mr Gaultier stepped down, the brand has used couture as a platform for rotating collaborations, giving designers including Glenn Martens, Haider Ackermann, Nicolas di Felice and Simone Rocha an unprecedented opportunity to try their hand at the artisanal form.The brand also revived its ready-to-wear offering with a series of capsule collections: collaborations with the likes of Lotta Volkova and Shayne Oliver as well as studio-designed drops informed by the brand’s archive. And despite the somewhat scattershot strategy, the business has steadily rebuilt a roster of around 100 stockists in addition to selling its collections directly online.“There’s a real demand for Jean Paul Gaultier, young people in particular are in step with its values,” Gagey said. But taking its fashion business to the next level will require a more stable approach. “We’re at a stage where we need more consistency across categories and seasons,” he added.Since reengaging with Gaultier, stockists have gravitated towards its entry-level luxuries like T-shirts and jersey dresses. Working with a single creative director will allow the brand to expand its credibility to new categories and stretch its propositions upmarket.“This brand is more elevated than people remember, with a heritage that is really rigorous and precise. We have a certain legitimacy in design, in luxury to reassert — not to mention the cultural credibility that was always a part of the brand’s story,” Gagey said.Lantink, aged 38, studied at the Gerritt Gerrit Rietveld Academie and Sandberg Instituut in Amsterdam before building his profile in the industry through celebrity projects like designing a pair of viral “vagina” trousers for Janelle Monae in 2018. His 2021 debut runway show, which was staged for an audience of buzzing drones during coronavirus lockdowns, garnered critical praise for its innovative use of upcycled materials and transformation of archival garments and prints.Duran Lantink Autumn/Winter 2025 (BERTRAND GUAY) By the time he joined the Paris ready-to-wear calendar in October 2023, he had already attracted a robust circle of support. Boosters included stylist Jodie Barnes, “Fantastic Man” editors Jop van Bennekom and Gert Jonkers and publicist Lucien Pagès, who cajoled editors to his outing on the ninth day of Paris shows.What they saw was compelling. Sportswear classics were reinterpreted in improbable, inflated proportions. There was humour (not just social-media-baiting gags), unconventional sex appeal and a sense of mystery.Lantink’s appointment at Gaultier follows big wins at the 2025 Woolmark Prize (announced in Milan earlier this month) and LVMH’s 2024 Karl Lagerfeld prize.“When I look at Monsieur Gaultier’s collections, it feels like he was always inspired by what was happening around him, culturally, socially and politically,” the designer said. “I feel a strong connection to that approach and spirit.But Lantink’s consecration as creative director of a major Paris house will come as bittersweet news to some, as the designer plans to suspend his namesake line to focus on his new opportunity.“Especially since I’m not only working on the ready-to-wear, but also the couture, it’s a big responsibility that I take very seriously. I have so much respect for Mr. Gaultier and his couture legacy, and I want to take the time to truly focus on the savoir-faire of the incredibly talented people in the atelier,” he explained.“Duran is something that won’t disappear,” he continued. “I’m still very eager to explore its possibilities — when the time feels right, and when I feel ready and confident that I can take on multiple things without compromising the quality.”Gaultier owner Puig — the Barcelona-based group known for its prowess selling fragrances — has steadily worked to rebalance its portfolio in recent years, shedding licenses in favour of investing in brands it owns outright like Jean Paul Gaultier, Paco Rabanne, Charlotte Tilbury and Nina Ricci. While the scale of its fashion businesses still pales in comparison to global scents like Rabanne’s “1 Million” or Gaultier’s “Le Male,” the company has sought to ramp up its footprint in apparel, notably by acquiring Dries Van Noten in 2018. After a long period of churning through designers, it has also built a more stable fashion platform at Rabanne, where Julien Dossena has been creative director since 2014.“Puig has a real strategy and ambition in fashion,” Gagey said.While luxury brands are currently facing headwinds worldwide, some labels that dramatically scaled back distribution in recent years are managing to bounce back with a new strategy. LVMH’s Pucci, for one, says it’s experiencing “strong growth” under designer Camille Miceli, who was brought in to relaunch the brand after it ditched many of its oversized boutiques in urban locations during the pandemic. L’Oréal’s Mugler, by contrast, parted ways with its designer of seven years Casey Cadwallader after sales and buzz tumbled from a post-pandemic peak.After onboarding Lantink, Gaultier’s immediate priority will be to grow sales through its current channels (the brand’s online flagship as well as leading stockists like Mytheresa, Saks and Nordstroms) as well as working more closely with influential stores like Dover Street Market (Gagey describes the Comme des Garçons-owned boutique as “re-positionnant.”)If all goes well, a return to retail could be in the cards in the medium term. “It’s time to dream bigger,” Gagey said. Source link

[jogallice]

0️⃣ La lettre d’infO (la quotidienne annécienne) 🤍

Sélection journalière à destination de 12 réseaux sociaux et de 3 messageries instantanées en provenance directe de mon infolettre 📧

1️⃣ Les Journées (j’adOre) 💛

Aujourd’hui, lundi 11/11/24, Jour férié de l’Armistice du 11 novembre 1918 et Journée internationale des célibataires 👌

2️⃣ L’actu (point trop n’en faut) 🧡

Annecy : plus de 500 m3 de gravats évacués, les eaux du Thiou nettoyées, relogement des sinistrés, expert mandaté... la ville d'Annecy a fait le point vendredi dernier sur les mesures prises suite à l'incendie du 30 octobre 🗣

Haute-Savoie : deux associations environnementales portent plainte contre l’entreprise Red Bull et le pilote de motocross freestyle, Thomas Pagès. Fin septembre, ils ont diffusé en ligne une vidéo du freestyler originaire de Nantes à moto en pleine montagne, près d'Avoriaz ⚖️

COP29 à Bakou (Azerbaïdjan) : l'an dernier à Dubaï, la précédente Conférence des parties avait rassemblé plus de 80.000 participant·es. Mais l'édition 2024 du sommet de l'ONU sur le changement climatique s'annonce beaucoup moins bondée, avec des absences de marque 🤔

3️⃣ L’agenda (l’agendalp pour les ancien·nes) 🩷

🖼️ Deuxième semaine❗️ExpO : Enfance(s) de Gilles Camillieri ➡️ Photographe voyageur, passionné par l'ailleurs, qui nous offre, au travers de cette exposition, un regard curieux sur l’enfance dans d’autres cultures ℹ️ Jusqu’au ven. 29/11/24 🎫 Accès libre 📆 Lun. 11/11/24 ⌚️ 7h-21h 📍 Centre Bonlieu (1 rue Jean Jaurès) 📷

🖼️ Dernier jour❗️ExpO de l'association Artistique de Meythet : ouverture exceptionnelle ce lundi ➡️ Exposition de dessins et de peintures ℹ️ Jusqu’au lun. 11/11/24 🎫 Accès libre 📆 Lun. 11/11/24 ⌚️ 10h-12h30 & 14h-17h30 📍 Mairie déléguée de Meythet (rue de l'Hôtel de Ville) 🎨

🖼️ Dernière semaine❗️ExpO : Rouge ➡️ Le travail de Marcel Savy oscille entre le figuratif et une abstraction guidée, lui permettant d’aller à l’essentiel tout en laissant place au rêve dans ses toiles ℹ️ Jusqu’au sam. 16/11/24 🎫 Accès libre 📆 Lun. 11/11/24 ⌚️ 14h-18h45 📍 Artekné (Centre Bonlieu) 👨‍🎨

4️⃣ La météO (pour celles et ceux qui veulent vivre) ❤️

Qualité de l’air à Annecy (indices ATMO) :  le temps reste automnal sur l'ensemble de la région avec des conditions atmosphériques favorables à une bonne dispersion des polluants. La qualité de l'air devrait donc peu évoluer et rester bonne à moyenne sur l'ensemble de la région 💨

Dans la cité lacustre et ailleurs, au niveau de vos déplacements, privilégiez vélo, trottinette, marche à pied, etc. et au niveau de vos activités physiques, privilégiez les parcs, les zones piétonnes et les rues peu circulantes pour vos activités de plein air 🌬️

L’indice de risque pollinique à Annecy est nul (niveau 0) ➡️ Ambroisies, armoise, cupressacées, graminées, saule, autre : niveaux 0 ➡️ Indice communal valable du 9 au vendredi 15/11/2024 inclus 🤧

5️⃣ Les dictons (maximes et autres proverbes) 💚

Trois dictons du jour pour le prix de deux : « À la saint Martin, châtaignes et nouveau vin. », « À la saint Martin, la chasse prend fin. » et « À la saint Martin, les soirées ressemblent aux matins. » 👌

Et trois autres dictons du jour pour la route : « À la Toussaint commence l'été de la saint Martin. », « Bel été de la saint Martin présage un hiver certain. » et « Été de la saint Martin, qui dure du soir au matin, avec la neige en chemin. » 🧐

« Pour celles et ceux qui aiment l’hiver : « À la saint Martin, la neige est en chemin, si elle n’y est pas le soir, elle y sera pour le lendemain. » et « À la saint Martin, l'hiver est en chemin, manchons aux bras et gants aux mains. » ❄️

6️⃣ Les fêtes (rigolO est le calendrier) 🩵

Je vous souhaite une très bonne journée annécienne et un excellent automne à Annecy, dans les 33 autres communes du Grand Annecy, en Savoie ou ailleurs 🍂

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bon premier jour de la semaine à tous et à toutes ⁠⁠⁠⁠⁠🌺

Bonne fête aux Martin et demain aux Christian 😘

7️⃣ Cohérence (simplification) 💜

J’utilise les chiffres 0, 7, 8, 9 et 10 pour rendre plus lisibles les différentes parties de cette sélection (simple utilisation n’ayant aucun rapport avec les parties “officielles”).

JamesO InfO V1 : jusqu’en 2012 (1.000 abonné·es) 🅰️

8️⃣ Migrations (en cours) 🤎

Les parties 7, 8 et 9 ne peuvent pas encore être diffusées totalement pour des raisons techniques. J’y travaille actuellement de manière régulière.

JamesO InfO V2 : de 2013 à 2022 (12.500 abonné·es) 🅱️

9️⃣ Abonnez-vous (augmentation en 2025) 🩶

Les parties 10, 11 et 12 sont exclusivement réservées à mes abonné·es et ne sont plus diffusées sur les réseaux sociaux et autres messageries instantanées. 

JamesO InfO V3 : depuis 2023 (15.000 abonné·es) 🆎

🔟 L’ours (je préfère le dahu) 🖤

JamesO InfO La quotidienne

N° 1.185 du lundi 11/11/24

Information - Expression - Opinion

Par JamesO Média (Presse & Édition)

Responsable éditorial et légal : J.-O. Gallice

📷 JamesO PhotO à Annecy le 10/11/24 📸

JamesO © AlPy News ® StudiO 147 ℗ 2SC ™

[alwaysalwaysalwaysthesea]

March 1940 cover of French Vogue by Jean Pagès.

(source: Gallica)

[radimus-co-uk]

Jean Pagès

[fashionbooksmilano]

Métaphore  Keiichi Tahara

Kyuryudo Art Publishing, Tokyo 1986, 178 pages, 26,5 x 36,5 cm, softcover, ISBN  9784763086198

euro 160,00

email if you want to buy booksinprogressmilano@yahoo.it

A photo book "Metaphore" by Keiichi Tahara (1951-2017), one of Japan's leading photographers after the war. Since the 1970s, based in Paris, he has been attracting attention for his sculptural and visual monochrome works that skillfully use "light and shadow", and has been highly acclaimed for his contemporary art works with the motifs of "city" and "window". increase. Since then, he has been active in a wide range of fields such as architecture, sculpture, and installation, as well as photography. This is a collection of works composed of "fashion photographs" that are unique to Tahara, and is a collaboration with Yohji Yamamoto. In 1982, Yohji boarded Paris Fashion Week with Comme des Garcons and announced a collection called "The Impact of Black". In this book, Tahara modeled the artist, 1981-86. The portrait taken during is posted. A number of works in the black world with a strong masculine element, which are rare in this era.

Photographs of French artists, plus examples of their work. Artists include Bernard Lamarche-Vadel, Gérard Garouste, Jean-Pierre Bertrand, Jean Degottex, Jean-Marc Bustamante, Alain Borer, Pierre Antoniucci, Jean-Charles Blais, Luciano Castelli and Bernard Pagès.

Cet oeuvre regroupe les photos prises pour les catalogue Yohji Yamamoto pour l’homme de 1981 à 1986

28/02/23

orders to:     booksinprogressmilano@yahoo.it

ordini a:        booksinprogressmilano@yahoo.it

twitter:         @fashionbooksmi

instagram:   fashionbooksmilano, designbooksmilano tumblr:          fashionbooksmilano, designbooksmilano

[notrebellefrance]

Les Cévennes en automne

Les Cévennes, c’est un pays de granit et de schiste situé en bordure méridionale du Massif Central et sur le versant méditerranéen, entre les sources de l’Ardèche et de l’Hérault. Nature belle et rebelle, farouche et généreuse tout à la fois dont le paysage rasé fût entièrement redessiné par la main de l’homme Toits de lauzes

(pierres de schiste)qui y créa bancels, faysses, terrasses aménagées pour la culture de la vigne, des mûriers et des céréales. Et ceci avec un habitat tantôt de schiste, tantôt de granit, couvert de lauzes, qui se confond dans l’environnement.

Ce fût le pays des Camisards. Les Huguenots des Cévennes portaient la chemise blanche la nuit en signe de reconnaissance d’où le nom "Camisard".

Mais l’Histoire des Cévennes a eu ses heures sanglantes lorsque la révocation de l’Edit de Nantes en 1685, provoque l’interdiction de pratiquer la religion "réformée".

Telles des bêtes traquées, pourchassées par les dragons du Maréchal de Villars, bergers, cardeurs de laine, ramasseurs de châtaignes, les gens du peuple prophétisent au monde "la liberté de conscience".

Le relief accidenté, les montagnes et les vallées impénétrables mais familières, sont des abris naturels où se tiennent des assemblées secrètes... Quelques noms de chefs camisards : Roland, Jean Cavalier, mais aussi de martyre : Marie Durand.

Ces guerres de religions ont inspiré de célèbres écrivains, tels que J.P Chabrol, André Chamson, J. Carrière, Michel Jeury, de cinéaste:René Allio et poète: Marcel Pagès, mais aussi de villageois comme le bourgeois Durand de Massane dans son "Livre de Raison" (c'est-à-dire "livre de comptes").

D'autres auteurs, amoureux des Cévennes, s'en sont inspirés tel Jean Ferrat dans une chanson qu'il intitula La Montagne

[thehomelessmonk]

The newly built church of St Michael's Abbey

This is just magnificent. The newly built church of St Michael's Abbey in California was designed in such a way that the sunlight would strike the alter at the end of Vespers on the feast of St Michael (September 29). Here's the moment! Kudos to the architect, Jean-Louis Pagès.

source

[abridurif]

Tout arrive

Le 7 octobre 2021 paraîtra mon premier livre – Vide sanitaire – aux éditions Verticales. Déjà cette perspective me remue grandement, l’image choisie en couverture en témoigne – comme une trouée, remous d’air et de fumée dans la pièce aveugle. Ce n’est pas comme si je n’avais pas accompli ce trajet. Depuis le temps que je couvais ce récit. J’ai donc attendu que la résidence d’écrivain s’achève pour me mettre à écrire « pour de bon », n’étant plus dans l’obligation de rendre public ce qui pouvait me travailler alors. Pour cela, il a fallu l’étincelle produite par une rencontre fortuite avec le tandem d’éditeurs Yves Pagès et Jeanne Guyon, rencontre qui a eu lieu un soir d’été, devant la galerie Poggi, à Paris, au sortir d’une conversation entre Jean-Max Colard et Gregory Buchert – autour de son livre Malakoff paru le 16 mars 2020. Lors de celle-ci, entre autres choses, ont été évoquées la mélancolie de l’exposition et la tentation d’arrêter l’art. Aussi le galeriste, connaissant mon parcours biscornu, m’a-t’il donné la parole. J’ai alors évoqué mes années pompes funèbres auxquelles je ne cesse de revenir depuis mon départ de L’Autre Rive, tout en avouant n’avoir pas encore trouvé la forme littéraire pour accueillir ce récit. Après quelques petits pas devant la porte de la galerie, Yves Pagès est venu me parler ; très vite, le courant est passé entre nous, j’ai compris ce qu’il attendait de moi, il m’a remis au travail illico, a su trouver les mots. Dix jours plus tard, il m’a écrit un mail qui n’a fait que confirmer ce que j’avais senti lors de notre bref échange. Son message, je le sais presque par cœur, tellement il a agi comme un détonateur.

Cher François Durif, Nous avons discuté sur le trottoir à la sortie de la rencontre avec Gregory Buchert. On avait évoqué un hypothétique réagencement/remembrement/réactivation de notes prises au cours de tes activités funéraires, mises en regard avec une pratique artistique et sa propre crise. Tout cela, je voulais juste te dire que ce n’est pas tombé dans l’oreille d’un sourd. À une prochaine ici ou là (sans date) Yves

Un an après, je suis allé déposer moi-même les épreuves corrigées au comptoir de Gallimard, et il m’a rejoint au café L’Espérance à l’angle de la rue de Beaune et de la rue de l’Université. Quelle histoire ! Si on m’avait dit qu’un jour…Tout cela me rend de l’énergie, pas mécontent que cette sortie ait lieu à l’âge que j’ai aujourd’hui – aucune envie de passer à côté. Le sentiment de me redresser. À l’injonction de rester vertical, je réponds avec entrain. Tout arrive et tout arrive en même temps, disait l’ami Robert Filliou, lui qui tenait tant à réhabiliter les Génies de Café et ne cherchait pas à rentabiliser son talent.

Après tout, l’art est ce que les artistes en font, et nous tous écrivons, peignons, composons, aimons, jouons, etc., parce nous savons le faire. Ce que je veux dire c’est que nous ne sommes pas seuls. Nos buts sont fondamentalement ceux de tout le monde. Les défaites de tout le monde sont aussi les nôtres. Pour moi, celui qui au moins m’aide à vaincre le pire est mon ami, s’il le désire.

Aussi y-a-t-il de l’amitié à travailler avec des éditeurs comme Jeanne Guyon et Yves Pagès. Rien que le fait de savoir que des gens comme eux existent et ont la possibilité de manœuvrer dans le monde de l’édition, me rend heureux. Je ne sais pas si cela existe dans le monde de l’art.

Pour celles et ceux qui sont à Paris dans les semaines à venir, plusieurs événements accompagneront la sortie du livre. Le premier se déroulera le jeudi 14 octobre à 20h au Générateur - 16, rue Charles Frérot à Gentilly : lecture-performance suivie d’une séance de signature-dédicace. https://legenerateur.com/spectacle/vide-sanitaire/ Et le samedi 16 octobre, rendez-vous à 11h au Générateur pour une virée en hétérotopie, au cimetière de Gentilly et ses abords : https://legenerateur.com/spectacle/promenades-durif-2/

[whatdoesshedotothem]

Thursday 20 September 1838

7 5

12 ¼

finish morning F57 ½° at 8 10 – Josephine saying it would be clear sent for Markett and the mule to go to the pic du Midi – looking at maps – breakfast at 8 ½ to 9 ½ - no newspaper off to Beaucens at 10 – the little mule had come to go to the Pic du Midi, but far too much brouillard – Charles rode the mule and Pierre walked – I alighted at 10 10 and walked 35 minutes – at the bridge of Luz at 11 10 and here left Pierre – quite useless to take him to Beaucens – we being all mounted should get on faster without him – at the pont d’Enfer at 12 ¼ - and at 1 7 left the Pierrefitte road and turned (right) the long [straggling] village to Villelongue which we passed thro’ in a few minutes and at 1 ¾ the poor but picturesque little village of Beaucens, embroidered in walnut and cherry trees – at the chateau at 1 53 one of the most picturesque old gothic castle-remains I have seen in France – 1 tall machicolation square tower and 1 lower square tower and a considerable quantity of walling remaining – the chateau seems to have been latterly rather modernized so as to have been habitable probably not long before the revolution of 1789 – the present possessors 2 paysans brothers bought the castle and 5 journaux of land 4 years ago for 2000/. of Madame Montaspet [Mont Aspet] or some such name – the sons prefet of Argeles [Argelès-Gazost] wants to buy merely the old castle for government with the

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view of keeping it up – Price has not yet been named but the frère aîné said they should not take less than 2000/.  I laughed and said I had no intention of becoming the purchaser but I thought if I held out my hand to him with 1500/. in it, the chateau would be mine – he said nothing to the contrary – we looked upon the chateau and lands there to belonging (on sale) of the chateau de Villemure [Villemur] where lived the Béarnois poet Despourrins whose grandson and heritiers are now going to sell the chateau and what remains of the estimate – the rental of the lands and farming buildings used to be 2000fr. a year – but now the rental is reduced to only 750/. so much has been sold off – my friend the frère aîné (Jean Ballotte) values the estate as it is (chateau and land) at from 30000/. to 35000/.  – I observed the purchaser ought to have 5p.c. answer – oh. yes! certainly – the mountains Charles had always called Monts Travisés are the montagne de Bergonz which includes the mountains farming both sides of the valle d’Estrême de Sales – the brêche in this montagne (that has so often reminded me of les Echelles [Les Échelles ]near Chamberi [Chambery] is the brêche du roi pour aller a St. Pé – Pic de Soulon or called here pic du midi just above the village of Soulon [Soulom] – Soulon [Soulom] and Estalos the 2 original villages Pierrefitte belongs to Estalos – the village under the chateau de Villemure is Adas and then the village of Lāŏ (Lāh-��) – Argeles [Argelès-Gazost] a charming valley – 80 men now employed at Arrens [Arrens-Marsous] (in the valle d’Azun) making a new good carriage road to Eaux-bonnes – A- had eaten the cold mutton we brought with us – and then sat sketching in her rough book – off from the chateau de Beaucens at 3 40 – stopt at 4 20 at Villelongue to put on my tartan cloak and off from there at 4 25 – a horse road from Villelongue to Bagnères de Bigorre by the valle de Baudéan – 4 hours from here to the Hourquette, and then 1 ½ hour farther to Rive (Rēē-vă) a village de l’Esponne [Lesponne] – I suppose it a good journey from here to B. de B. by that route – one ought to see the lac blue a little distance from the route in question at 4 hours distance from Villelongue – at the bridge at Luz at 5 33, in 1 8 hour from Villelongue – at home (having stopt a minute at the saddlers’ about a portmanteau) at 6 50 – determined to be off at 7am tomorrow for Eaux-bonnes – Pierre to be off on foot au point de jour and Charles to ride the mule with us – dinner at 7 10 to 8 then sat with A- partly talking, partly sleeping and writing the 1st 28 lines of today till about 9 ½ when Mr. Pagès came and sat an hour – the lac blue, called by the people here the lac de Lioo or some such name well worth seeing – the English sulphur springs (Harrogate) weak – none in French but in the Pyrénées – the springs in general deposit the sulphur but Barèges does not – and this is its great advantage – the baths of Schintznac [Schinznach] good but not so strong as here – Panticouse water said to be strong (sulphurous) – the German baths some of them good – the Italian not renommée – does not know the baths of Batalha [Battaglia Terme] not far from Padua – A-‘s pain in her stomach today nervous – she should travel a great deal and seek a good climate – sat with A- till near 11 – fine day tho’ brouillard on the mountain tops – F58° at 11 ¼ pm