#lightning scene ramblings

[sneezypeasy]

The Lightning Scene, How Azula Targeted Katara (of All People), and the Doylist Reason Why That Matters

Mention Zuko's sacrifice for Katara in Sozin's Comet Part 3 as part of a pro-Zutara talking point, and invariably you'll get a Pavlovian response of:

"But Zuko would have taken the lightning for anyone."

(Not to be confused with the similar-sounding Pavlovan response, which is "Zuko's sacrifice ain't shit compared to a mouth-watering, strawberry-topped meringue dessert"*, which is actually the only valid counter-argument to how the lightning scene is a bona fide Zutara treasure, but I digress.)

Now, I've talked in depth about how the lightning scene is framed far more romantically than it had any right to be, regardless of how you might interpret the subject on paper; this is an argument which I still stand by 100%. That Zuko would have gotten barbecued for anyone, and that he was at the stage of his arc where his royal kebab-ness represented his final act of redemption, doesn't change the fact that the animators/soundtrack artists decided to pull out all the stops with making this scene hit romantic film tropes bingo by the time it played out on screen.

(I mean, we stan.)

There's also a deeper level to this conundrum, a layer which creeps up on you when you're standing in your kitchen at night, the fridge door open in front of you, your hungry, sleep-deprived brain trying to decide on what to grab for a midnight snack, and quite inexcusably you're struck with the question: Okay, Zuko may indeed have taken the lightning for just anyone, but would Azula have shot the lightning at just anyone?

But there's yet a deeper layer to this question, that I don't recall ever seeing anyone discuss (though if somebody has, mea culpa). And that is: would you have written Zuko taking the lightning for anyone else?

Or in other words, who Zuko would have taken the lightning for is the wrong question to be asking; the question we ought to be asking is who Zuko should have taken the lightning for, instead.

Get your pens out, your Doylist hats on, and turn to page 394. It's time to think like an author for a hot minute.

(If you don't know what I mean by Watsonian vs. Doylist analyses, and/or if you need a refresher course, go have a skim of the first section of this 'ere post and then scoot your ass back to this one.)

So. You're the author. You've written almost the entirety of an animated series (look at you!!) and now you're at the climax, which you've decided is going to be an epic, hero-villain showdown. Classic. Unlike previous battles between these two characters, your hero is going to have a significant advantage in this fight - partly due to his own development as a hero at the height of his strength and moral conviction, and partly because your villain has gone through a bit of a Britney Spears 2007 fiasco, and isn't quite at the top of her game here. If things keep going at this pace, your hero is going to win the fight fairly easily - actually, maybe even too easily. That's okay though, you're a talented writer and you know just what will raise the stakes and give the audience a well-timed "oh shit" moment: you're going to have the villain suddenly switch targets and aim for somebody else. The hero will be thrown off his groove, the villain will gain the upper hand, the turns will have indubitably tabled. Villains playing dirty is the number 1 rule in every villain handbook after all, and each of the last two times your hero's braved this sort of fight he's faced an opponent who ended up fighting dishonourably, so you've got a lovely Rule of Three perfectly lined up for the taking. Impeccable. The warm glow of triumph shines upon you, cherubs sing, your English teachers clap and shed tears of pride. (Except for that one teacher you had in year 8 who hated everybody, but she's a right bitch and we're not talking about her today.)

Now here's the thing: your hero is a hero. Maybe he wasn't always a hero, but he certainly is one now. If the villain goes after an innocent third party, there's basically no-one your hero wouldn't sacrifice himself for. He's a hero! Heroes do be like that, it's kind of their thing. The villain could shoot a bolt of lightning at Bildad the Shuhite, and the only thing that'd stop our boy Redeemed Paladin Bravesoul McGee from shielding his foxy ass is the fact that Bildad the Shuhite has the audacity to exist in a totally different show (disgusten.)

But. You're holding the writer's pen. Minus crossover shenanigans you don't have the licensing or time-travel technology to achieve, you have full control over how this scene plays out. You get to decide which character to target to deliver the greatest emotional impact, the juiciest angst, the most powerful cinematic suspense. You get to decide whose life you'll put at risk, to make this scene the most intense spine-chilling heart-stopper it can possibly be.

This is the climax we're talking about, after all - now is not the time to go easy on the drama.

So.

Do you make the villain target just anyone?

Or do you make the villain target someone the hero cares about?

Perhaps, someone he cares about... a lot?

Maybe even, someone he cares about... more than anybody else?

You are the author. You are the God of this universe. You get to choose.

What would deliver the strongest punch?

If you happen to make the inadvisable decision of browsing through these tropes on TV tropes, aside from wasting the rest of your afternoon (you're welcome), you'll find that the examples listed are littered with threatened and dead love interests, and, well, there's a reason for that. For better or worse, romantic love is often portrayed by authors, and perceived by audiences, as a "true" form of love (often even, "the" true form of love). Which is responsible for the other is a chicken/egg situation, one I'm not going to go into for this post - and while I'm certainly not here to defend this perspective as objectively good, I do think it's worth acknowledging that it not only exists but is culturally rather ubiquitous. (If you're playing the love interest in a story with a hero v. a villain, you might wanna watch your back, is what I'm saying.)

Regardless of whether the vibe you're aiming for is romantic or platonic however, one thing is for certain: if you want maximum oomph, the way to achieve that is by making the villain go after the player whose death would hit the hero the hardest.

And like I said, this doesn't have to be played romantically (although it so often is). There are platonic examples in those trope pages, though it's also important to note that many of the platonic ones do show up in stories where a love interest isn't depicted/available/there's a strong "bromance" element/the hero is low-key ace - and keep in mind too that going that route sometimes runs a related risk of falling into queer-bait territory *coughJohnLockcough*

That said, if there is a canon love-interest available, one who's confessed her love for the hero, one who has since been imprisoned by the villain, one who can easily be written as being at the villain's disposal, and who could quite conveniently be whipped out for a mid-battle surprise round - you might find you have some explaining to do if you choose to wield your authorly powers to have the villain go after... idk, some other sheila instead.

(The fact that this ends up taking the hero out of the fight, and the person he sacrifices himself for subsequently throws herself into the arena risking life and limb to defeat the villain and rescue her saviour, also means the most satisfying way this plays out, narratively speaking, is if both of these characters happen to be the most important person in each other's lives - at least, as of that moment, anyway - but I think this post has gone on long enough, lol)

This is, by and large, a rebuttal post more than anything else, but the tl;dr here is - regardless of whether you want to read the scene as shippy or not, to downplay Zuko's sacrifice for Katara specifically as "not that deep™" because "Zuko would have taken the lightning for anyone anyway", suggests either that a) nobody should be reading into the implications of Katara being chosen as the person nearest and dearest to Zuko, so that putting her life in jeopardy can deliver the most powerful impact possible for an audience you'd bloody well hope are on the edge of their seats during the climax of your story or b) the writers made the inexplicable decision of having the villain threaten the life of... literally who the fuck ever, and ultimately landed on someone who's actually not all that important to the hero in the grand scheme of things - which is a cardinal writing sin if I ever saw one (even disregarding the Choice to then season it with mood lighting and sad violin music, on top of it all), and altogether something I'd be legitimately pissed about if my Zuko-OTP ship paired him with Mai, Sokka, or just about anybody else 😂

Most importantly c) I'm hungry, and I want snacks.

*The Aussies in the fandom will get this one. Everyone else can suffer in united confusion.

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[mobgabriel]

"hey mob how crazy you are over echo and silent"

well...

all things considered i'm extremely normal about them

[a-storytellers-wish]

I finally watched Stardust (2007). Mostly for research purposes but I also happen to love fantasy so I really enjoyed it XD.

My favorite parts are the ghost princes and the gay captain.

[quadrantadvisor]

Sometimes I still think about The Owl House Gang all trying to watch ATLA together but then Zuko's backstory in The Storm retraumatizes Hunter so bad they have to stop

[aspecbuddie]

"just wait til he gets to the I don't have to do what you tell me phase" hurts more post s7

[scorchedmazes]

rewatching tst and i still cry when minho gets taken. it’s been 8 years.

[skyward-floored]

I beat hyrule warriors :D

[queenjunothegreat]

Me, not even done with my Lost Hero rewrite: Oh, wowie! Can't wait to show people my Blood of Olympus rewrite!

[seaside-hysteria]

Fictional sisterhood my beloved

[chronicowboy]

if there's one thing you do today make it listening to like a lover by loren kramar whilst thinking about buddie

[coolspacequips]

Here's something crazy... Still haven't watched Bridgerton s3, but seeing everyone fawn over the kanthony cameos, and then now having moved on to just fawning over iconic kanthony scenes apparently in response to it, has got me like sdkfa;sdfkadsk ABOUT TO REWATCH S2.....!!! AGAIN....!!!!

I saw the Dancing On My Own first dance scene on my timeline like 3x today and I'm foaming at the mouth, have been thinking about them all day LMAO

[t-lostinworlds]

thank goodness i brought my copy of lightning thief bc i'm able to read this before the show comes out but omg I'm at the minotaur scene and Percy arguing with Sally that she's coming with him to camp is making me so emotional 😭😭😭

[flanderized]

Ned + MF DOOM edit is being worked on… I’ll post it soon i hope

[lightning-system]

as a physically disabled person this was so sweet. like so often abled people try to 'help' but they do it in ways that serve them. they take their own action and use it to serve themselves under the guise of serving a disabled person. but kristen GIVES her action. she gives her action to lydia, for lydia to use how she sees fit to manage the situation, because the disabled person knows themself and their needs best.

its so nice to get help with no strings attached. i love kristen applebees.

“I’m battling against him constantly.”

“oh, okay. i give her the help action.”

“that’s very sweet”

[letorip]

can u give us a summary of kiss with a fist 4 without spoiling?

lol... here's a spoiler

kiss with a fist [iv]

"you smashed a plate over my head, then I set fire to our bed"

===+++===

pairing: tara carpenter x reader

summary: just as things begin to complicate even more between you and tara, her life becomes even more complicated

warnings: blood, angst, curse words, kissing, borderline sexual content

word count: 4.2k

A/N: i contemplated doing this in so many ways and i ended up thinking it was just funnier if i answered with the literal story. so... it was at least funny to me. it's shorter than normal, just because i didn't want to split up an action scene that'll take place next time, so expect a much longer part next time.

===+++===

===+++===

You didn’t like police stations very much, and you weren’t exactly doing a good job of keeping it hidden. Your knee bounced against the dusty linoleum in a quiet tapping noise, and although you yourself couldn’t hear it with the endless amount of phones ringing and shouting down the hall, Tara clearly could.

Her head rested on your shoulder, where you had slumped, and she placed a hand right upon your knee, stopping it from bouncing anymore. Her dark eyes looked up at you. “You’re making me even more nervous.”

“Sorry,” you rushed, quick to pull your knee away from her hand.

Tara frowned, looking back down to the tiling. “Of course this had to happen.”

You furrowed your eyebrows. “What do you mean?” She shrugged, and you had to nudge her gently. “Tara?”

“Nothing,” she murmured. "Just Sam's license and her getting attacked at the bodega... I wasn't there, (Y/n)."

"You couldn't have known," you said, frowning at her. "Everyone thought all the 'Stab' shit was over."

"Yeah," Tara scoffed. "Mindy always says lightning doesn't strike twice, but I'm starting to wonder if that's really true."

"Or maybe it's just a crazed copycat. There's no way of knowing it's actually after you yet."

"That's not what Sam'll say." She had an uncharacteristic look of defeat in her eyes that you hadn't seen before. Tara was a spitfire, even to Sam. But she looked beside herself, wallowing against the soft fabric of your jumper. "Sam'll say that Ghostface is back. That we need to leave."

"Maybe she's right," you shrug.

"Maybe," Tara said. "But I don't want to go. I don't want to leave. I want to live, but... if it's not him, I can't just keep living my life on the run from whoever's chasing me. That means Amber won."

"Amber?"

"Yeah... Amber. Amber Freeman. She was my, uh, girlfriend."

"Oh," you frown. Tara's dark eyes looked up at you, nervously watching your reaction.

"Yeah... and she was Ghostface."

"Oh," you repeated. Tara never spoke about her much, and neither had the rest of the core four, really. It had never really dawned on you to ask, just because it seemed important to Tara, and for the longest time, what was important to her wasn't important to you. "Are you still nursing that wound?" you asked.

She smiled, but it did not reach the corners of her eyes. "Sometimes. It feels weird since she almost killed me, but there are times I really miss her. Grief demands to be felt, and all."

"Even if it's a murderous psychopath?" you asked with a smile.

"Yeah," she snorted, turning her head on your shoulder. "Even if it's a murderous psychopath." Then, she grew serious. "We should probably talk about last night, right?"

You froze, swallowing what felt like a lump in your throat. "Uh, now?"

"Well, it's just, I kind of felt something... I don't know. I know we said this was fake and all, and I don't know if you have your eye on anyone else right now," Tara began to ramble, "so if you do, don't feel pressured to agree to anything. I know I kind of made a messy situation out of this, and I don't even know where to go--"

But she was interrupted by the door down the hall opening. It was loud enough that your attention was pulled towards it, and through it came a woman with a stack of files in her arm. She smiled warmly at Tara, walking right over, and Tara seemed to recognise her, sitting up in her chair.

The warmth on your chest where her head had been was gone in an instant, and you would have been lying if you said you hadn't selfishly begun to miss it.

"Tara, right?" the woman asked with a smile, and Tara nodded, eyebrows furrowed in confusion and an underlying suspicion. But the woman just gave her a gentle smile.

"Kirby," she said, extending her arm out for a handshake. "Kirby Reed. I used to go to high school with Sam, and now I'm with the FBI."

Your eyes widened. If the FBI were now involved with the case, it was definitely not a good sign. You felt Tara's hand go to yours, squeezing it. If you were to ask her about it, she'd likely say it was to calm the nervousness you hadn't been able to hide on your face, but you knew that it was to steady herself, if anything.

"FBI?" Tara asked. "So it's really him?"

Kirby frowned. "I'm hoping it's some copycat, but from what I've seen so far, I'm not too sure. Is Sam still back there being questioned?"

Tara nodded, grimacing. "Apparently, both of us are people of interest. Our roommate's dad is on the case."

"Well," Kirby said, "I'll see if I can help him." She turned to you. "And who's this?" she asked.

"Uh--" you started, but Tara shook her head, interrupting.

"--(Y/n) isn't involved," she glared, defending you with a ferocity in her voice.

Kirby gave you a look over. "Are you sure? I don't mean to disrespect either of you, but are you sure you can trust them, Tara? It's never who you expect."

Tara nods. "I know they're not Ghostface. (Y/n) wouldn't lie."

(Y/n) wouldn't lie. The sentence made you sick to your stomach. You could see Calvin in your mind, laughing at how you got yourself into this situation. Alisha would've found it funny, too. You swallowed, standing up from the chair. You smiled weakly at Tara. "It's okay, Tar. I'll go home... just let me know if you need to leave... for the... uh, arrangement, or whatever."

She nodded, mouth drawn into a line. "Yeah... see you later... Duck," she said, trying equally as hard to smile. You turned around, walking out.

===+++===

You had pretty much collapsed into bed, the moment you got home. It had been an exhausting few hours, what with finishing your model and then rushing with Tara to the police station. Your final class of the semester was later in the day, so you would take any sort of sleep you could get.

And the sleep you took, waking up a few hours later with mussed-up hair and a final to get over and done with. You grabbed the model and your backpack, heading for the train station, and finally checking your phone for the first time in a little while.

Little Shit (do not pick up): mindy wants everyone at the park later, after your final

Little Shit (do not pick up): good luck with that, btw

Little Shit (do not pick up): also we should still probably talk about last night i didn't get to finish earlier

You gave a thumbs-up to the first message, and quickly typed back a thanks, before tucking it into your pocket. The critique was boring, but you couldn't help but feel yourself swell with pride when your professor complimented the small amount of green space you had put within the actual walls of the building. It had been Tara's idea, and you reminded yourself to thank her later. Now all you had to do was go to Mindy's weird meeting, and you could begin your break.

The group was sitting on a group of benches near the green, with Mindy hovering over them, her arms crossed. When she saw you coming, she raised her eyebrow at you in suspicion. You rolled your eyes, coming to sit down next to where Tara had saved you a seat.

She sent you a small smile when you did, weaving your fingers together. You knew that to the group she was just doing it because you and Tara were allegedly a couple, but just to you it felt like so much more than that.

And it made you feel a little bit sick, again.

"How'd your final go?" she asked, and it made your heart stop for a moment, the way her warm brown eyes looked in the soft sunlight. You shrugged, but could not stop the smile spreading itself on your face.

"The professor liked your idea."

"Really?!" she asked, sounding super excited, and you nodded. "Well now who's silly, for telling me it was a bad idea?"

"Well because it is a silly idea, genuinely who would think of that."

"I would. It isn't silly, it's cool."

"I'm afraid cool doesn't always work, Tara."

"It did this time," she said smugly, sticking her tongue out at you. You rolled your eyes, knowing but not hating that she'd be gloating about it for weeks.

"Lovebirds, cut the chit-chat," Mindy shot, glaring in your direction, and Tara huffed in annoyance but begrudgingly turned towards her. "Now, as terrifying as it all is, I’m actually glad I get a chance to redeem myself for not calling the killers last time."

"Mindy," Sam chided, arms crossed over her chest.

"Right, sorry," she said. "The way I see it, someone’s out to make a sequel to the requel."

"What’s a requel?" Anika asked, leaning forward as if trying to understand her girlfriend's antics. You didn't know either.

"You’re beautiful, sweetie, but let’s hold questions to the end," Mindy teased.

From next to you, Tara looked more worried. "Stab 1 took place in Woodsboro, but Stab 2 took place in college…"

Sam tensed. "So you think the killer’s copying the second movie?"

"Like a homage!" Chad suggested, looking proud of himself. The rest of the group shot him a look. "What? You all I know took French, it should not be a surprise that I know that word."

"Just a little bit," Tara teased. He sent her a small smile, one that you knew came from his massive crush on her. It only made you feel a bit worse about the both of you.

"That’s one possibility," Mindy said, nodding at the suggestion. "Heroes now in college? Check. Suspicious new characters brought in to round out the suspect list and/or body count?" she looked at you, Ethan, Quinn, and Anika. "Check, check, check, and check."

"I really don't like this," Ethan said.

"But it can’t only be about Stab 2," Mindy continued. Tara's eyebrows furrowed.

"Why not?" she asked.

Mindy had a glint in her eye. "It would make sense if this were just a sequel. But we’re not in a sequel, because nobody just makes sequels anymore."

"So what is it?" you asked, deciding to bite on her theory.

"We’re in a franchise. And there are certain rules to a continuing franchise," she replied.

Sam sighed. "I had a feeling."

But Mindy wasn't deterred. "Now, rule one: everything is bigger than last time. Bigger budget, bigger cast, bigger body count; longer chases, shoot-outs, beheadings- you gotta top what came before to keep people coming back."

"Beheadings?" Chad asked, taking notes.

Next to him, Ethan looked rather lost. Quinn and Anika looked just as confused. You were glad you weren't the only one lacking a real understanding of how the core four operated. They had earned a right to be a little nuts after surviving Woodsboro, that you knew. But the whole thing seemed a bit conspiratorial.

"Rule Two, whatever happened before, expect the opposite. Franchises only survive by subverting expectations; if the killers last time were whiny snowflake film nerds with Letterboxd accounts instead of personalities, you can bet the opposite will be true here." It was hard to absorb these things laid out as facts, and you struggled to follow Mindy's train of thought, sending Anika a wary glance. She just shrugged.

Tara noticed your confusion, sending a small squeeze to your hand and mouthing the word 'later.' You nodded, turning your attention back to Mindy, attempting to do your best to listen.

"And Rule Three, no one is safe. Legacy characters are cannon fodder at this point, usually brought back only to be killed off in some cheap bid for nostalgia. Sidney’s smart to sit this one out, but it’s not looking too good for Gale and Kirby. And that’s not even the worst part."

"There's a worst part?" You asked. Mindy nodded, smirking.

"The worst part is franchises are just continuing episodic instalments designed to boost an IP, which means the main characters are completely expendable now too. Laurie Strode, Nancy Thompson, Ellen Ripley, Jigsaw, Tony Stark, James Bond, even Luke Skywalker all died so their franchises could live on. That means it’s not just the friend group, any of us could go at any time, especially Sam and Tara."

You sent Tara a wary look at the suggestion, leaning harder against her. She tried to send you a small smile to comfort you, but it did little to stop the thought coming to your mind. You were cursed, that much was true from the sheer amount of grief that seemed to permeate around your family. It was a bad idea, to get so close to Tara, and that you knew. But it didn't stop the fact that you had a near electric desire to do so whenever she was nearby.

"Wait, any of us? Am I in the friend group?" Ethan asked, beginning to panic. "Am I one of the targets? Am I gonna die a virgin?"

"Um," Mindy started, blinking. "Weird overshare, but at least that brings us to our current suspects." Her gaze steeled over.

"Ethan. The shy dorky guy who no one suspects, because he’s so shy and dorky." Next to him, Chad shot him a more assessing glance.

"Why am I on the list? Because I’m randomly Chad’s roommate?!" Ethan asked, raising his voice.

"Roommate lotteries can be juked, you could have fixed it to get next to us," Mindy shot back, crossing her arms in increased suspicion. She turned to Quinn. "Quinn. The slutty roommate. A horror movie classic."

"Sex positive," Quinn corrected, "but thank you."

"And how did you come to live with Sam and Tara?" Mindy asked, narrowing her eyes.

"I answered their ad online--" Quinn started, and Mindy scoffed, raising her hand up.

"Say no more, you’ve already implicated yourself enough. 'Ad online,' good lord."

"Mindy, it was an anonymous ad, and you know we vetted her, plus her Dad’s a cop," Tara interjected.

"Tara, Tara, Tara," Mindy said, shaking her head. "Cop Dad? That's a great cover. Don't you get that's how these movies would work? Speaking of, while we're on Tara," she continued, turning to you.

"Hi," you said.

"Hi (Y/n)," she replied, smiling. It dropped to a frown. Tara's grip on your hand tightened. "(Y/n). The enemies-to-lovers, quippy 'annoyance' one of our main characters has incredible sexual tension with."

"Ew," Sam shuddered.

"Ew indeed," Mindy agreed. "Never trust the love interest." She looked over to Anika, who was smiling at her girlfriend. "Ever." Anika's face fell.

"Okay. So we’ve got our rules, and we’ve got our suspects," Sam huffed.

"Wait- what about the rest of you?" Ethan interrupted.

"I mean, I think it’s safe to rule out the four of us who went through this last year in Woodsboro," Mindy shrugged.

"Agreed," Chad nods.

"Um, not agreed. Maybe the trauma of what you went through caused one or more of you to snap," Quinn suggested, playing with the nail polish on her fingers.

"Or the fame you got from the killings made you thirsty for more! Ethan jumped in again. "And, let’s be honest, some of those theories online about Sam are--"

Tara sends him a death glare. "Don'y you fucking dare finish that sentence."

"He’s right, though. Face facts. If we’re all suspects? You’re all suspects," Anika shrugs.

You sent a wary look around at everyone and then another look back down to Tara, wondering which one would hurt her, and just how you'd be able to stop it.

===+++===

That night was the first night in a while nothing was expected of you, but you couldn't find it in yourself to actually relax. Mindy's monologue about how royally bloody fucked everything was now that Ghostface was officially back had set you a bit on edge, and part of you couldn't help but blame yourself.

You had thought the curse would get left behind in Nebraska, when you left, but it seemed maybe you had taken it with you, packed with your belongings. Maybe it was now affecting the person you had wished to protect from any harm. It still felt miraculous, just how Tara had wormed her way from your shit list to deep within your heart. Maybe that was the curse. Someone who could make you so annoyed could also make you feel like your heart was skipping beats.

You coped with the extreme worrying through a cooked meal and TV binge, flopping down on the couch and turning your ringer on, in case you were needed. You knew that Sam and Tara were likely preparing for the worst, and you also knew that you had been included on the list of suspects.

Maybe none of them rightfully believed you had it in you, but you also knew that even being a possibility meant that the core four had to keep you at arm's length for a while.

Or, at least, that's what you figured they'd do.

Right as the episode you were watching began to roll credits, you heard a hard knock on the door, freezing. Mindy had said something in a text, telling you to be cautious of opening doors when no one was scheduled to come over. You shot a wary look to your magnetic strip of knives, hanging over the hotplate. If you were just fast enough, maybe you could grab a knife or two, if Ghostface busted the door in. There was usually a phone call, wasn't there? Then why--

"(Y/n)?" Tara called, giving a hard knock. You felt your cheeks flush. Oh. You dashed to the door, not wanting to leave her on the step for too long.

When you opened it, you could see that Tara's own cheeks were flushed, and her chest was rising and falling rapidly.

"Did you run here???" you asked, raising your eyebrows.

"Uh...maybe," Tara said, suddenly finding the hallway outside of your flat much more interesting.

"I thought Sam would have you under lock and key," you teased.

"I snuck out..." Tara said, cheeks flushing again, but this time not from the run.

"Oh, so I'm harbouring a criminal?" you joked. Tara rolled her eyes, groaning.

"Can I just come in?"

"Do you trust me to do that?" you asked, curious. "I understand if you say no, believe me I get it. If I had been attacked or anything, especially by my girlfriend, I wouldn't trust anyone for a long time..."

Tara watched you ramble speak, eyes wide and dark and beautiful in the dim hall light. "I trust you... and I, uh, want some small amount of normalcy, like it was at the lab. Before everything got so weird, you know?"

You nodded, stepping aside for her to enter and then freezing. "Wait, Tara, what happened to your hand?"

You hadn't noticed until now, but her knuckles on the other hand had been bruising a dusty purple colour, still red at the edges. You let the door shut behind you, turning to her hand and holding it up in the lamplight of your hall. "What happened?" you asked, eyebrows furrowing in worry.

Tara's cheeks flushed again. "I punched a bitch," she said flatly. Your eyes widened even more, and Tara was quick to shake her head. "Just Gale Weathers. She wrote, uh, a whole book on Woodsboro. Called Sam a bunch of bad stuff. She actually was outside the station with the news and stuff when Sam was questioned earlier today... so I punched her."

You snorted. "Judging by your hand you definitely got her."

"Oh absolutely," Tara scoffed, as if she was offended by a possibility that she hadn't.

"You should probably ice it," you said with a wince, looking at the bruised skin. She scoffed again.

"What're you, a doctor?"

You shrugged, leading her into your kitchen. "I was going to be."

"Oh," Tara hummed.

"Yeah... took one introductory class and realised I hated it. It sucks too, because I gave my parents this whole speech about how I wanted to be a doctor because of our family, and I dropped the profession about a month or two later afterwards."

"Is that why you and your dad don't talk much?" she asked. "Is he a doctor?"

"No," you said, shaking your head. It was an amusing suggestion. "About as far as you could get from it, actually. But no, it isn't why we don't really talk." You didn't say any more on the subject, even though you could tell that Tara was curious. "We should really get you iced up, your hand is swollen, I can't believe you didn't show me this earlier."

She rolled her eyes. "You're acting like my parent again."

"I'm just worried about you, Tara," you said, shooting her a meaningful look. She was staring up at you with those damn eyes again like you held her heart in your hands. "I mean, come on, let's just put a bag of ice on it or something, or--"

But before you could finish what you were suggesting, Tara interrupted you, throwing her arms around your neck and standing up on her toes. "Is this okay?" she whispered, voice low. It flooded your ears and squeezed the air from your lungs, just how close her lips were from yours.

You can't help the small nod, or the way you're probably dumbly staring at her mouth right now, but her eyes are warm and inviting, and your hands find their way to her waist, palming at the exposed skin of her cropped shirt with your thumbs. "I've, uh, kind of wanted to do this for weeks," Tara admits with a small grin. The words spin around and around in your mind like you're on some carousel of thought.

If you could have formed words, you would have told her the truth: you had wanted to kiss her since she walked in the room and you saw her for the first time. But you can't. So instead, you crash your lips onto hers.

Tara doesn't hesitate even a little bit, wrapping her arms around your neck and falling off her toes as she kisses you back with fervour. You follow her down, working your lips against hers as her hands give up on your neck and instead move to spread themselves out on the warm apples of your cheeks.

You're taken over by some other, hungry entity entirely, and you lift Tara up onto the kitchen counter, into the exact same place she was sitting when she asked you for help with this stupid scheme. It doesn't matter now, you're too lost in her lips. You feel her tongue push past and into your mouth, and her hands travel up your back to spread out against the back of your shirt and pull you against her.

You can't help the groan that escapes your mouth, and you feel Tara's teasing smile against your lips as she breathes in your smell. Your hands are still on her waist, sliding up so that your thumbs gently brush against the bottom of her bra. She shudders at the sensation, opening her mouth wider, and you can taste the lingering cherry of her chapstick on her lips.

Neither of you is especially sure how long you stay there, but when you finally have to pull away, you're scrambling for air. You lazily let your forehead rest against hers, catching your breath and struggling to stay on your feet. Tara lets her hands wander from your back into your hair, exploring the planes of your body for the first time, and you can't stop the small comment that worms its way from your mouth after.

"Exploring the merchandise?" you ask with a teasing, breathless laugh. Tara shakes her head, finally opening her eyes and looking up at you with that same damn beautiful look.

"You should come stay with me and the others. It's safer that way," she says, becoming worried again. Her hands rest on your cheeks and she kisses you again, softer, but just as meaningful.

You painfully have to shake your head. "I can't, you know that."

"I won't be mad if you leave town," she says. "I won't hold it against you."

You smile. "I'm not leaving. I'm not going anywhere, Tara."

She nods, processing it, before crashing her lips back onto yours and tugging at the bottom of your shirt, but you catch her hands before she can tug it over your head. "No, Tara- Tara wait."

"I want you," she says.

"I know, but we should wait," you say, hands on the side of her thighs. "Wait until it's over. Right now, Ghostface is more important."

"He gets everything, (Y/n). I just want this. I want you. I know we did this whole thing about fake dating, and I know it wasn't real, but I realise that I want it to be. I just want you."

There's a burning in your stomach, burning for her, and you pull her in for another kiss. Only to be stopped by the sound of your door creaking open.

You freeze and so does Tara at the noise. "(Y/n)?" she asks, trembling. "Did you lock your front door?"

===+++===

DUN DUN DUNNNNNNNNNNNNNNNNNNN catch you all next time for a big ole action sequence and a whole bunch of drama