#linear narrow-band sorting machine

[yummy1210]

Wholesale Straight Cross-Belt Sorter

The linear narrow-band sorting machine is a linear sorting device with strong compatibility for packages and high sorting capacity. It supports sorting of large and heavy goods, and is compatible with mixed sorting of large and small items. It is efficient and flexible, and can handle various types of packages such as cartons, soft bags, and special-shaped items with stable center of gravity.

Application scenarios: small and medium-sized outlets, terminal distribution centers, e-commerce logistics warehousing, etc. that have high requirements for site utilization and a large number of medium and large items and heavy items

Product advantages

● Strong narrow belt combination capability, small pitch and high overall load-bearing performance. The number of trolleys can be flexibly used according to the size of the goods, while meeting the requirements of high-speed and large-load transportation and sorting. ● The trolley has a small pitch and low requirements for front-end packaging. It can be loaded manually or directly connected to the telescopic machine and belt section; at the same time, it can be combined with a single-piece separation system to achieve automatic loading and automatic sawing, reducing manpower investment. ● Linear layout, small footprint, flexible layout, and strong scalability. Customized design can be carried out according to the needs of different sites, and the number of grids can be flexibly assembled. ● Modular structure solution, convenient disassembly and assembly, simple maintenance, and low overall noise.

What are the key technologies of narrow-band sorting machines?

1. Infrared communication technology This technology is used to achieve stable communication between various modules inside the Straight Cross-Belt Sorter to ensure accurate communication and execution of sorting instructions. 2. The image scanning system reads the barcode or QR code information on the package through a high-precision scanning device to achieve fast and accurate information recognition. 3. The control system is usually composed of PLC and HMI, which is responsible for processing the information obtained by the scanning system and controlling the action of the sorting machine to ensure high efficiency and accuracy of sorting. 4. The mechanical design includes the use of permanent magnet linear motor drive and chain plate + joint bearing to install the fixed trolley to improve the stability and durability of the sorting machine. 5. The adaptive processing system can adjust the sorting rules according to different customer needs, improve processing efficiency without increasing labor costs. 6. The modular design allows the narrow-band sorting machine to quickly adjust the sorting capacity according to specific needs, which is easy to install and maintain. 7. High-speed sorting capacity The narrow-band sorting machine can achieve high-speed sorting, and the processing speed can reach thousands of pieces per hour to meet the needs of large-scale package processing. 8. Accurate sorting technology uses a variety of sensors to scan and measure express delivery, avoiding collision and damage of items, and achieving efficient and accurate sorting. 9. Reliable and stable operating performance The narrow-band sorting machine adopts advanced mechanical design and control system, which can work continuously for a long time with low failure rate.

What should be paid attention to in the operation of the linear cross belt and why?

1. Equipment inspection Before starting the sorting machine, all mechanical parts should be thoroughly checked to ensure that there are no loose or damaged parts. This includes checking the tension of the conveyor belt, the wear condition of the rollers, and the firmness of the fixings. 2. Sensors and scanning equipment Ensure that all sensors and scanning equipment are clean and in good working condition so that the information on the package can be accurately read. The accuracy of the sensor directly affects the accuracy of sorting. 3. Control system Monitor the response speed of the control system and the running status of the software to ensure that the sorting logic is correct and avoid sorting errors caused by system failure. 4. Safe operation Operators should follow safety regulations, wear appropriate personal protective equipment, and avoid contact with moving parts when the machine is running to prevent accidental injuries. 5. Maintenance and care Regularly perform equipment maintenance and care, including lubricating moving parts, replacing worn parts, and cleaning dust and debris to maintain the best performance of the equipment and extend its service life. 6. Emergency preparation Be familiar with the location of emergency stop buttons and other safety devices so that you can take quick action in an emergency to prevent accidents from expanding. 7. Operation training Ensure that operators receive adequate training and understand the working principle and operation process of the sorting machine to reduce operating errors. gosunm provides online training and guidance. 8. Software update Regularly update the software program of the sorting machine to fix potential software defects and improve the stability and processing speed of the system.

gosunm is a comprehensive solution provider for intelligent logistics systems! It mainly wholesales and manufactures narrow-belt sorters, circular cross-belt sorters, and swing-wheel sorters, providing one-stop solutions and customized designs. Your consultation is welcome!

[gosunm]

Linear cross belt sorter manufactured for small and medium outlets

Parcels Sorting system is a conveying device frequently used in modern logistics warehousing. Items are placed on the sorting machine, which can drive the items to move longitudinally along the rack and move transversely, thereby driving the items to move in two-axis planes, which is suitable for the transportation and sorting of parcels.

The linear cross belt sorter is a sorting device with a linear layout. Known as the "magic tool for sorting small and medium-sized outlets", the linear sorter is an intelligent device that is driven by the electric roller of a linear motor to sort with "intelligent trolleys arranged at intervals".

Application scenarios

Cargo/parcel sorting and transportation for the express and logistics industries

Solve the problem of port delivery at the end of the express logistics industry, sorting before delivery

Small footprint, high sorting efficiency, new general-purpose automated sorting equipment

Good feasibility of personalized customization

The linear narrow-band cross-belt sorter is a closed-loop system consisting of a main machine composed of continuous trolleys, tracks, induction platforms, leaky cables, communication systems, power supply systems, sorting crossings, barcode scanners and other equipment. The serial trolleys are driven by motors and run in a one-way cycle along the tracks in the vertical direction. The goods are automatically and smoothly introduced into the sorting machine trolley through the induction platform. After the barcode is read by the scanner and the database address is queried, the goods are smoothly unloaded to the designated sorting crossing through the action of the trolley belt.

Features

Small footprint: With a straight-line shape, the minimum footprint is only about 300 square meters, which can save site area and rent to a great extent; suitable for small and medium-sized enterprises and outlets.

Fast sorting speed: the line speed is ≤2.5m/s, achieving a maximum sorting efficiency of about 10,800 pieces/hour;

Simple loading operation: It can be manually operated, or directly connected to the telescopic machine and belt section to realize automatic loading, automatic sawing and automatic grid dropping, reducing manpower input;

High sorting accuracy: the top scanning barcode recognition rate reaches 99%, automatic recognition, automatic grid dropping, high accuracy, avoiding manual operation fatigue, error-induced misclassification fines;

Strong customization flexibility: It can be customized according to the needs of different sites, the trolley track is modularly assembled, the number of grids can be flexibly assembled, and it supports port entry/exit operations, Adapt to different sizes of packages;

Short delivery cycle: Thanks to the standardized composition structure and lightweight overall shape, the linear equipment takes only 10 days from production, transportation, assembly to commissioning, which can quickly meet the user's use needs;

High cost performance: The investment cost of linear equipment is lower than that of the loop line, and it can greatly alleviate the efficiency pressure brought by the increase in operation volume, optimize manpower allocation, and more efficiently complete the tasks of sorting and delivery, and promote the healthy operation of outlets.

Process flow

After the equipment is turned on, the origin of the trolley line and the origin of the bag supply belt are synchronized at both ends by adjusting the speed of the bag supply section; when loading manually, the light curtain scans the package and immediately determines the corresponding trolley number that falls when it flows into the line at the current speed, and sends it to the host computer; after the host computer receives it, the package arrives at the loading point and successfully sends the corresponding trolley PLC to send the corresponding car number and center the package; when it arrives at the target grid position, the unloading instruction is sent to the corresponding trolley PLC, and the trolley rotates to send the package into the grid to unload the package. Cross-belt sorters have become the core equipment of modern logistics systems due to their high efficiency, high precision and flexibility. When selecting a model, small and medium-sized enterprises need to consider their business scale, technical requirements and cost budget to select an appropriate solution. In the future, with the deepening of intelligent and green technologies, cross-belt sorters will demonstrate their revolutionary value in more fields.

[joneswilliam72]

The 405 meets La Dispute: Jordan Dreyer gives us the inside story on the band's ambitious new album Panorama

When arriving to meet Jordan Dreyer to discuss La Dispute’s new album Panorama, it was hard to miss the giant brick of a book that he had sitting next to him on the table – and I immediately knew this was going to be a great conversation. Of course, having listened to La Dispute’s back catalogue and especially Panorama, I knew that Dreyer was a man of words and expression, but the honesty and clarity of his answers to my questions still went beyond my expectations.

What unfolded was a fascinating glimpse into the working of one of America’s most cherished bands, and particularly the machinations of their verbose singer. Without further delay, read on to find out the background behind La Dispute’s excellent new album Panorama.

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Panorama will be your first album on Epitaph, it's such a great label to be on at this point.

It's so cool. I did my own circling back when we made the decision [to sign with Epitaph] and realised how invariably woven my own musical history is with the label; they've put out so many records I've loved at different places in my life. I'd forgotten how many Epitaph releases I've loved with a fervour since I was a 13 year old. It's fucking cool, it's really an honour to be a part of the history and the roster right now. So many of our friends are on Epitaph.

It was a long break between albums for you guys, I'm guessing you weren't expecting to take so long?

No, I mean we toured fairly extensively when Rooms Of The House came out, so I think we needed time away to be with family and everyone had different things going on. We needed to decompress and work on other things. But it was the longest break by far we had taken, especially since we all live in different places now. When we all lived in Grand Rapids, Michigan, even if we weren't touring we'd see each other or we could practice and write music. So it took some adjustment getting back into the swing of things; it was a lot of time off from a thing that we'd done pretty much every week for 8 years of our lives.

Yeah because even between the other albums you'd have EPs or some kind of release.

We kinda always were doing different things, so to fully step away from it - not be playing shows, not be writing music, not be getting together and rehearsing - got a little stir crazy.

And then when it did come to recording you ended up scrapping the album, or a certain amount if it?

I think we maybe took too much time off. We had 3 months blocked off when we were all in Grand Rapids, or close to it, and we were going to work essentially 9-5 every day and crank out a record. We worked for 2 months, and I think all of us independently realised things weren't working, until it all came to a head. It just didn't feel right, and then we started over. I think part of it was taking so much time off, we forgot how to work effectively, and it took us failing for 2 months to get back to what felt natural.

Was it truly a complete restart?

We came back to certain things later on in the studio, but by and large we threw everything in the bin, which is kinda crazy to think about; 2 months and then... we had a decent amount written and then...

For you lyrically, was that when you shifted to what the album is now?

I think there were a few lyrical themes carried over, more so than the music did. I had a hell of a time myself in those 2 months trying to decide [what to write]; I had spent 3 years collecting information and hearing stories and when it came time to decide the particular vision conceptually and thematically for the record it was hard for me to pick and choose what I wanted to. So when we first sat down to write part of the problem was that I had all of these ideas and it was super scattershot, and maybe overly ambitious. So I think when we stopped and started over it helped me narrow my own focus and settle into one or two of those ideas rather than trying to shoehorn 9 or 10 into 45 minutes of music.

The final album is pretty much on one single topic, which is a pretty personal thing...

It just kinda happened that way too. It's funny, I don’t think I realised exactly how personal it was until a month after we finished and I could go back and listen to it again without hating it; because you spend so much time working on one thing you have a tumultuous relationship with it. I think when we started over and we just said "alright we're gonna start from the beginning of the record and we're just gonna write all our way through it," it forced me to do the same, and it kind of became this linear narrative - if there is a narrative at all - but this one theme emotionally carried on from beginning to end.

The musical element flows so well with the traumatic nature of the lyrics, did they write to your words, or how does that symbiotic relationship work?

I think in this particular instance it was much more the opposite direction; I had a very general theme and introduced that to everyone at the beginning, and they sort of worked on a sonic aesthetic to match the content.

How did you describe the theme to them at that point?

Similar to what it became in the end: loss and the grieving process, removed from the moment, and how memories can be transformative or can transport you to a moment from a long time ago. When we first hit the reset button and we all had a very honest conversation with each other about why it wasn't working and about what we all individually wanted from the record, sonically especially, we kinda came to a point where we were like "alright we want this record to be heavier, we want it to be more of a screamo record than Rooms Of The House was, but we also want it to be weirdly proggy and to experiment with additional instrumentation and kind of create this ethereal piece." That really helped me settle into focusing on those moments of transport where you are driving down a road and thinking about a car accident.

And it works so well! It's so evocative, the whole way through. The use of Michigan as a setting is integral to the lyricism - even though you live somewhere else now.

I moved to the West Coast, I live in Seattle with my partner who is in Grad School. Had she not been accepted into that programme I doubt that I would've ever explored. Michigan has been such a big part of our band, and continues to be, and I wrote over half this record living in a different state, which I think in some ways probably helped me - being not constantly inundated with it, and also being nostalgic for it. Homesickness played a weird role in me focusing on the setting, the environment where the record takes place. It's crazy how much Michigan has been a part of everything we've ever done.

Before we dive more into the details of the lyrics and the songs, let's talk about some of the surface level stuff: tell me about the cover art of the album.

It was a leap of faith; Adam, our bass player, has always managed the art direction of the band since really shortly after he joined almost 10 years ago. This time around, going into it he knew he wanted to outsource some things; you get to a point where - and I think it's always been an impetus for being creative for us, if you do things the same way you'll get more or less the same product, so we've always tried to introduce restrictions or forced ourselves to move in a particular direction in a particular way, so for this he wanted to pick another artist who did something beyond his own skill set and interests.

When we hit the reset button and we were talking about making a kind of proggy screamo record he printed off a whole bunch of images from artists that he enjoyed and posted them on the whiteboard that we always keep to write our notes on, so we had all these crazy science fiction video game images from Victor [Mosquera], who did the album artwork, and when we were talking about potential artists for making the cover he filtered through a few different ideas and artists he loved and we kept circling back to the one we had printed on the whiteboard. So Adam had a style book and an outline of the themes and he gave it to Victor. Victor sent us some black and white sketches and we picked a couple of particular things and he focused on that. It's been really cool to make this record and to flesh out the vision across mediums.

Like the videos too.

Yeah, the videos too. We were trying to really remain in the ethereal, other worldly landscapes. It's been really satisfying, especially because it's so outside of the box for us. I think the cover is really startling - at least it was for me seeing it at first. I think it needed to be that way; it needed to be shocking and it needed to be stark, and I think it fits some of the imagery on the record in a way that's not too literal, not too overtly "hey this is what the record's about." It was cool to make something that looks like a video game.

And tell me about the title, Panorama; is it because it's seen through your eyes?

Yeah, it's not mean to be super nuanced. I've kind of always described Wildlife as being this snapshot of the city, with similar themes of loss and grief and coping mechanisms, making sense of existence as a whole but told through neighbourhoods. On this record I wanted to be more focused on a synthesis of the last two records, where it's like dialling the microscope in from that theme on to a more specific relationship between individuals. I kept thinking about the drive that I would take, that was the initial spark for the record, seeing memorials along the road and hearing stories from my partner about people that she knew or people that her family knew. Everything in the record is taking place in this one long drive, it made sense to think of it as kind of either a panoramic photograph or a long tracking shot from a film, so it was really just meant to keep it to the idea of the record.

The album starts with the instrumental intro 'Rose Quartz', which is the first appearance of minerals and stones that crop up throughout the record; is that something you have experience with?

No. In talking about grief and the grieving process I wanted to talk about seeking external sources of comfort and I wanted a symbol for it, and I didn't want to talk about religion or something that felt too direct or too obvious - something that's so grandiose that it distracts by placing too much focus on that aspect. So I picked crystals. Initially when we first started writing that was a part of the theme and we were gonna do transitional tracks in between every few songs as benchmarks that guide you through the themes of the record, which stopped making sense when we decided that it would be one long continuous piece. I still wanted to incorporate that into the record, so it appears lyrically throughout as progress through the stages of healing. I did a lot of weird reading about the supposed healing properties of various stones and crystals.

Did it tempt you to actually try them out?

I never discount the possibility of something, but it's not for me. They're cool - they look cool! [Laughs]

'Rose Quartz' leads into the two-part 'Fulton Street'; Fulton Street is an important street in Grand Rapids?

It's a state highway, it runs all the way from the West Side of Michigan all the way across to Flint, Michigan, which is where I think it ends. It's a pretty significant street in the city of Grand Rapids, it runs from downtown out past where I lived for years with my partner, and then beyond that towards Lowell, Michigan, where she's from, so we would drive it pretty often. We spent a lot of time driving back and forth between where we lived out to Lowell.

And the songs are a narrative of that drive and the memories, which is very cool. But I'm particularly interested in the part where you mention "in the shadow of the pyramid"; what's that referring to?

[Laughs] Part of that drive is through Ada, Michigan, which is a little township between Lowell and Grand Rapids, that's generally fairly affluent. It's the headquarters of a national company called Amway, which is a multi-level marketing business - it's a pyramid scheme; it's a gigantic enormous pyramid scheme that has had an outsized influence in Grand Rapids because the two people who started it are two of the wealthiest families in the state of Michigan. The events in that point in that song take place less than a mile down the road from Amway International headquarters. The venue we play in Grand Rapids is called The Pyramid Scheme - it's a big thing.

What happens between 'Fulton Street I' and 'Fulton Street II', it seems like there's a change of perspective?

The first one is one narrative thought; the beginning is about a body that was found in the late 90s at a particular place on that stretch of road, and then it shifts into brief snippets of multiple stories meant to show that travel through time and space - memory being prompted by notable places. Then it shifts into a vision of my home life at the time that we were writing the record and the year or two leading up to it, and then returns back to the stories that I talk about at the end of 'Fulton Street I', but at a more emotional level. It kind of shifts from talking about the events to talking about the reaction to the events. The space in between was meant to show time elapsing.

There's a lot of darkness, obviously, in the lyrics, but one that stands out to me is "There is that phantom path carved in ghost steps, sloped down to a pond somehow still half-frozen, the evidence of struggle..."

That is a reference to another event on a stretch of road that we would drive to get to Fulton Street. Initially I had a few different stories that I wanted to speak about more specifically, again similar to the way that we did things on Wildlife, and then we shifted to making this sort of stream-of-consciousness narrative, and I decided that the right thing to do wasn't to have this song tell this story, but it still showed up on the record in a couple of different places. It's a reference to an accident that happened in the winter on the route out to Lowell, and it's another spot on the record where the character telling the story is meant to be transported from reality to a past instance - which connects to 'Footsteps At The Pond'.

The pond shows up a few times; is that a specific place?

Yeah. It's not from a story directly related to anyone I know; it was another death, another tragedy, that happened on that stretch of road. I feel like when you live in a city like Grand Rapids that isn't particularly populous, everyone has more direct connections with people who might have been involved in accidents or tragedies, you become more cognisant of the stories. That's what I couldn't stop thinking about when we'd pass that place, which is right in our neighbourhood, so [we’d pass it] all the time. There's a degree of talking about other people's tragedies to envision my own reaction to one in my life.

'Anxiety Panorama' is at the heart of the record, and is such a heavy listen - was it tough to write?

It was one of the harder ones to write, for sure. It was one of the last ones I finished. It went through various vocal incarnations, because I had such a difficult time figuring out how to capture what I wanted to capture mood-wise, and because it's a short song, relative to most of our songs, but it goes through so many different things, so finding ways to make my part contribute to the song without being fucking obnoxious was a little hard. At a certain point I had to stop trying to be specific and focus more on capturing how it feels to be anxious than trying to articulate. Rather than trying to be like "hey, here are x numbers of adjectives and metaphors and similes that tell you how it feels to be anxious," it was more like "let's try to make the song feel anxious."

It comes across as being so close to the bone.

Good. I hope so. That's another one where I was so involved in it in my own head that it wasn't until we finished and I could go back and listen to it that I realised how intense it was... maybe too intense. [Laughs]

Definitely not too intense! I love the line "I was building landmarks for my errors in your scars."

Thank you.

You intended to make one long piece of music, but did you think about the sides on vinyl? Because that is the perfect ending to side A.

Good, we made the right choice then. We debated for a long time about how we would break up the first half of the record, because initially I don't think that song was there, it was later in the record, and it felt off, and then it was Brad our drummer, who is the mastermind of those types of things, he was like "wait a minute, this song should be here, it should end the first part."

And then it opens up perfectly on the second side with a more serene sound on 'In Northern Michigan'. It's further back in time than the rest of the record, and it seems happier.

I think the last two songs on the record are the "happiest."

But there are some happy memories on 'In Northern Michigan'.

Definitely, I guess in that respect yeah. I think the last part of the record is meant to offer some sort of statement of love and a conclusion of sorts. But as far as individual moments that's definitely the song that is remembering good things.

Which makes the harder parts hit harder when they're put right up against each other.

I think you need the contrast. You need to break things up. I say that, and then I think back on all our records, and there's a big disparity between happy and sad.

Is 'You Ascending' a peaceful ending?

I think it's a peaceful ending. It's been interesting when I have looked at what people are saying about the tracks we've put out so far, hearing their interpretations, because as intense as it is, as emotional as it is, it comes from by far and away the happiest period of time in my life, where things have gone exceptionally well for me, and I have wonderful people and a wonderful partner. Having said that, even in the happiest moments in your life nothing is uncomplicated, and that's part of finding contentment, learning to balance the difficult things with the good in your life.

So, if the record is kind of, at its bare bones, a journey between two people, one of their grief and the other's close proximity to it, the end is supposed to be a statement of love and a way to say that part of being in any relationship is agreeing to be there for someone's grief, to be there for someone's difficult moments. So in some ways I regret not being more explicit in that capacity, or not writing a coda to the record that says so. The end of 'You Ascendant', a visual of someone literally ascending, is a symbol of somebody assimilating their grief in a beneficial way, rising above it. The last part of the record is to say that no one is alone in that.

In the lyric sheet some parts are italicized and some aren't, is that meant to signify anything?

Yeah, I wanted to clue you into the difference between what's real and what's internalised. I tried at times to use my language as well, saying "nights" or "days" at the beginning of certain phrases, it was meant to evoke some sort of remembering; something happening in someone's head as opposed to happening in real life. In the [limited edition] book I annotated all the lyrics, and I might do so even more extensively in the future online, because we only had so much time - and I'll probably remember things that I forgot to include.

Have you guys discussed what you're going to do live; if you're going to play the whole record in full?

I think we're going to try to play every song, maybe someday play it in order. We've done it with every record at some point I think - I don't know if we've played Rooms front to back - I think this record probably ought to be. Not right off the bat, because if you put the record out and then went out on tour and only played these 10 songs I can imagine that would be an unsatisfying experience for people who haven't had an opportunity to sit with the record, or who don't like it and like other records - which is fine too. But I think at some point [we will].

We've got a friend coming on tour with us to help us perform the songs, because there's so much more than 5 people can do, so we've got a friend coming to play additional parts, and our tour manager's going to do our auxiliary percussion. The idea is to be able to play everything we wrote and performed on the record, at least as close as is physically possible with 7 people on a stage - and I'm not much help. At a certain point I think we'll play it front to back.

And finally, I can see from the book on the table that you're a reader, are there any books or writers that might have influenced the writing on this record?

Everything that I've done since Rooms of the House has been pretty heavily indebted to Don DeLillo, who's a favourite author of mine; when we did Rooms Of The House I read Underworld and a couple of his more recent works of fiction. This one I was reading a lot of William T Vollmann; some of the initial structural ideas that showed up on the record were borrowed from his books of fiction and short stories. A lot of this one too was film, we set out early on to make something cinematic in scope, so David Lynch, always been a big Stanley Kubrick fan, so there's some of that on the record. So not exclusively literature this time around, which was kinda fun.

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La Dispute’s new album Panorama is out now on Epitaph – read our review.

from The 405 https://ift.tt/2TPtlSC

[gosunm]

How To Choose Dws Sorting Systems?

What is DWS Sorting Systems?

DWS Sorting Systems refers to Dimensional Weight Scanning sorting system, a logistics automation equipment that integrates dimensional measurement, weight weighing, barcode scanning and automatic sorting functions. Logistics automation equipment refers to a collection of equipment that uses advanced technology and control systems to achieve automation, intelligence and efficiency of logistics operations during the logistics process.

How To Choose Dws Sorting Systems?

Choosing the right DWS (Dimensional Weight Scanning) Sorting System is a multifaceted process that requires comprehensive consideration of the system's technical performance, application requirements, cost-effectiveness, and future scalability.

At the same time, you should also understand what problems the core of dws sorting systems can solve for you：

1. Improve efficiency

It can quickly process large quantities of goods and reduce manual operation time and error rate. For example, automated sorting equipment can sort thousands or even tens of thousands of parcels per hour, which is much higher than the speed of manual sorting, greatly shortening the time that goods stay at logistics nodes.

2. Reduce costs

In the long run, although equipment procurement and maintenance require certain costs, the overall operating costs are reduced by reducing manpower requirements, reducing labor intensity, and improving space utilization.

3. Improve accuracy

With precise sensor technology and control systems, logistics automation equipment can accurately identify, transport and store goods. For example, in warehouse management, the sorting system can accurately deliver goods to designated locations and reduce cargo storage errors.

Solution display

Loop cross belt sorting system

The loop cross-belt sorter is a closed conveying and sorting system composed of a group of trolleys and trays. The system can sort and process various boxes, cartons, parcels, clothing and other objects well. It is the mainstream sorting and processing key equipment in the field of express delivery and e-commerce. It has strong adaptability and flexible configuration. It can be connected with various information management systems of customers and customized according to user needs.

Narrow-belt sorting system

Thenarrow-belt sorting machine is composed of a conveying surface connected by multiple belt trolleys. The package is transported under the action of power. When the belt trolley runs to the designated slot position, a group of belts moves to send the package into the slot. The conveying power can be either a common motor or a linear motor. According to the power source of the belt on the trolley, it can be divided into pneumatic fork narrow-belt sorting machine and electric drum narrow-belt sorting machine. At present, the electric drum narrow-belt sorting machine is commonly used in the market.

In actual sorting scenarios, the narrow-band sorting machine, horizontal belt conveyor, climbing belt conveyor, induction mechanism, code scanning system, SDS system, chute, etc. together form a narrow-band sorting system. After the package is placed on the matching conveyor line, the code scanning system scans the barcode information, the narrow-band sorting machine control system receives and processes the sorting signal, and finally the main line sorting car sorts the package into the corresponding grid chute to achieve accurate sorting, with a sorting accuracy rate of ≥99.99%.

Balance wheel sorting system

Balance wheel sorting machine is a package sorting equipment that uses conveying wheels to transport packages, and servo and mechanical structure to control the steering. Whether friction type or direct drive, each balance wheel is an independent module, and the structure adopts a plug-and-play method, without the need for mechanical locking structures such as screws. 

The pendulum wheel sorter has a stable conveying and sorting process with high efficiency. It is particularly suitable for conveying and sorting various parcels, clothing, books, boxes, boxes, and some soft packages. It is a commonly used sorting system in the market.

Small flip tray sorting machine

The small flip tray sorting machine consists of trays, tipping devices, recognition systems, and conveyor devices. It has a small size, fast sorting speed, and is compatible with irregular items weighing less than 10kg. It can effectively meet the efficient sorting needs of multiple industries such as express delivery, postal services, e-commerce, and footwear.

The small tray sorting machine puts the goods on the tray by manual or automatic feeding. The identification system takes pictures of the identification barcode, quickly analyzes the goods information, and assigns the task to the designated compartment. When the tray runs to the sorting compartment, the tilting device accurately discharges the goods. The action is gentle and efficient, and the sorting efficiency can reach 17,000 pieces per hour.

Applicable to the postal industry, e-commerce industry, supermarket industry, clothing and footwear industry, fresh food delivery and other industries

DWS Sorting System is a key tool in modern logistics. It combines measurement, scanning, weighing and sorting functions to provide enterprises with efficient and accurate cargo handling solutions. By introducing this system, enterprises can not only greatly improve operational efficiency, but also significantly optimize transportation costs and meet the diverse needs of the modern logistics industry.

Choosing a suitable DWS sorting system requires comprehensive consideration of the system's technical capabilities, application requirements, cost-effectiveness and supplier's service quality. First, evaluate your needs, and then compare different systems based on performance, integration, maintenance support and other factors, and finally choose the system that best suits your business model and development goals. Of course, if you still don't know how to choose DWS Sorting System, you can contact gosunm. We can customize DWS Sorting System for you according to your needs. Gosunm has independently developed dws system with sorting machine since 2019. It has served hundreds of small and medium-sized express outlets and e-commerce warehousing companies, giving you factory prices and high-quality services. Come and consult us for free!

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Small And Medium-sized Express Parcel Sorting Solutions

At present, the popularization of automated parcel sorting equipment has driven the rapid development of the global logistics and express delivery industry. However, there is currently no targeted equipment to meet the sorting needs of regional express headquarters, direct-operated centers, and first- and second-level large outlets with large inbound and outbound sorting volumes. For this reason, Gosunm has provided a solution that can complete the sorting tasks efficiently and accurately.

With the basic completion of the layout of front-end automation equipment, the number of inbound deliveries at express delivery terminals has increased year by year, resulting in a large number of deliveries and high labor costs. In order to solve the automation development of small and medium-sized express delivery terminals around the world, gosunm has created an automated sorting equipment for small and medium-sized express delivery centers - a linear narrow-band sorter.

The linear narrow belt sorter is a linear express cross belt sorter. Different from the circular cross belt sorting system, the linear sorter system is mainly a new type of general-purpose automated sorting equipment for sorting goods or parcels at the end of the express and logistics industries.

The main components include the feeding system, sorting trolley, grid system and control system.

It has the characteristics of small footprint, high sorting efficiency, labor saving, energy saving, and easy operation.

Linear sorting equipment solves the problem of existing cross-belt sorting machines being tall and occupying a lot of space.

The working principle of the equipment is that the parcel is loaded on the supply table, the code is read by the scanner, the position of the grid is determined, and the goods are unloaded to the designated grid smoothly through the trolley belt conveyor. The linear sorting machine has the following advantages:

Small footprint: Straight-line shape, minimum footprint of only about 300 square meters, can greatly save site area and rent.

Fast sorting speed: Line running speed 1.2m/s-1.8m/s multi-band adjustable, achieve sorting efficiency of 8000-13000 pieces/hour.

Simple loading operation: The configuration can be manually loaded or automatically supplied, and unloading can be directly connected to the telescopic belt conveyor to avoid manual handling in space.

High sorting accuracy: The top scanning barcode recognition rate reaches 99.97%, automatic recognition, automatic grid drop, high accuracy, avoid fatigue of manual operation, error caused by misclassification;

High cost performance: The investment cost of linear equipment is lower than that of circular line, and it can greatly alleviate the efficiency pressure brought by the increase in operation volume, optimize manpower allocation, and achieve more efficient completion of sorting and delivery tasks.

Personalized customization: Different linear cross-belt sorters can be customized according to the specific needs of customers, including customized size, number of smart carts, package supply platforms, and customized grid size for automatic package drop, to support inbound and outbound express delivery and e-commerce warehousing sorting and transportation, etc.

Linear sorting machine application scenarios

Express delivery industry

With the development of the market, the sorting volume of small and medium-sized outlets mainly for port entry has increased, and the labor cost has become increasingly high. The linear cross-belt sorting equipment, with its unique advantages, can better meet its automated sorting needs.

Cross-border e-commerce/e-commerce industry

With the surge in demand for e-commerce, the number of packages at major activity nodes has increased exponentially. The high-efficiency sorting of the linear cross-belt sorting machine has enabled the logistics sorting efficiency to meet the requirements of major markets and industries.

Its application areas include tobacco, clothing, maternal and child products, supermarkets, medicine and other industries. In the future, with the development of the express delivery and e-commerce industries, automated sorting equipment will become the "standard configuration" of express delivery outlets, improve the sorting efficiency of outlets, solve the problem of outlets coping with rising labor costs, and truly achieve the development goal of helping small and medium-sized outlets to automate and be efficient.