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janaknandini-singh999 · 1 year ago

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~ What Heeramandi Could Have Been ~

I loved the aesthetics ngl but ig I don't even need to get started on the plotline. By the end it was a rushed chaos of jealousy turned patriotism with the tawaifs going for each other's throats but suddenly coming together and cornering the Britishers. SLB thought he has a series in his hands now so he can mix everything together but what ended up was kinda a mess. I feel like they could've made two seasons instead, focusing s1 on the feud between Mallikajaan and Fareedan with its finale episode of Fareedan realizing what extent she had pushed Mallikajaan over and the grave sin she had made her suffer (the assault by Cartwright and the british police) and then S2 for the nationalist awakening and unity of Heeramandi

Here are some plot changes/additions they could've had according to me:

• Lajjo: Honestly I feel her character was wasted when it was so intriguing. Heeramandi especially Shahi Mahal revolved around matriarchy and how women were not tied down by men but Lajjo's character was an exception where she was controlled by her one sided love for Zorawar. She suffered from erotomania delusional disorder and used alchohol to cope. I found myself calling her female Devdas and felt bad that she didn't have much role in the plot, killing her off too soon without showing much depths and repercussions adding to the story. How her decisions and addiction spiralled her down to her own doom but with a last salute

They could've maybe shown Lajjo being reckless and impulsive without Zorawar so rushing to the frontline during the nationalist movement to sacrifice herself first out of everyone because she had no other hope to look forward for in her life anyway

"Zorawar ne kabhi saath nahi diya iss tawaif ka but iss mitti ne toh hamesha diya"

A queen of darkness and heartbreak in her own right

• Alamzeb & Tajdar: They could've been soo much better. Alam had understood that Tajdar's duties were towards his country as well. She could've teamed up with him in his missions, being a strength not an obstacle in his responsibilities. Alam, Taj and Bibbo working together in the rebellion

And Tajdar didn't deserve to be beaten to death like a dog by the britishers in jail after being sent there by his own father, but an honourable one after accomplishing a mission and being remembered like Shaheed Bhagat Singh

"Inquilaab aur ishq mein koi farq nahi hain"

A pair of patriotic tragic lovers in their own right

• Qudsia: She could've had such a major role to play in the entire series. Being married into the influential nawab lineage of Baloch and being a woman of her own mind, she could've proved to have substantial value too. By her interactions with Mallikajaan, it was evident that they had known each other since long and shared some history, probably going back to the time Mallikajaan had dethroned Rehaana and began her climb on the ladder of power in Heeramandi. They could've shown flashbacks of young Qudsia and Mallikajaan meeting for the first time as well, both women from different backgrounds respecting each other since then and Qudsia reminiscing how things take a full circle now that her own grandson was in love with her friend's daughter.

When the nawabs boycotted the tawaifs of Heeramandi in the end by the orders of the British, Qudsia could've used her son, who was full of guilt and remorse anyway after indirectly killing his own son so would've finally given up and given in, to get his connections and influence to get hold on the other nawabs and then she could've given their crucial information to Mallikajaan and the tawaif freedom fighters. She could've done this to avenge her grandson, as a tribute to his bravery for their country. She could've raised Alamzeb and Tajdar's baby together with Alamzeb in the end

A queen of grief and sacrifice for the country and her grandson in her own right

• Ustaadji: He was such an impressionable character despite being in just a supporting role. The nath scene was especially pivotal where the actor playing Ustaadji reveals that during that part when Fareedan gifts him the nath, he started crying even after the scene was done and SLB was so moved by his performance that he gave him a special token. The nath is a symbol of dignity and Ustaadji being a queer character was touched by the gesture of recieving the nath especially during those times when hijras, eunuchs were prejudiced against by invaders and colonizers but not by tawaifs who knew what it was like to face disgrace in society. Ustaadji had also joked about doing a nath utrayi (official debut of a courtesan) of his own. He could've actually done that and the britishers and nawabs would've been bewildered. Ustaadji being a popular messenger and figure in the series also had had an intimate encounter with Cartwright so had the insider knowledge to breach in so in the end instead of telling Alamzeb to kill him, he could've himself delivered the final blow, as the Indian flag would've swayed in the background through the window of the mahal, asserting that his identity may have been queer but he was a part of this country too

A king of popularity and scheming in his own right

• Bibbojaan: Ik SLB has a knack for tragedy and ik tragedy was written all over Bibbojaan since she was introduced but. she. deserved. sm. more. simply because everyone needed her. And especially when hers was the role that contributed the most in the freedom struggle too. She was there for her mother, her sister, the other tawaifs, and finally her country. In the dazzling, venomous world of Heeramandi, she was a north star for everyone

After Hamid Sahab's death, she should've been the leader of the group, devising plans and executing them. And post independence during the chaos of partition, she could've been the one to unite the people of Heeramandi and Lahore, helping them all like she did

A queen of freedom and unity in her own right

• Mallikajaan: The main character of Heeramandi had so many nuances and shades within that it was so engaging to watch her. First of all it was confusing why she'd bridle her own daughter's happiness and passion but then lay her own honour on line to protect her. She knew the pain of being separated from the child when Imaad was taken away from her because of Rehaana so why did she do the same to Rehaana's daughter? Jealousy and revenge have their own ways I guess but by the end of it all Mallikajaan was in shreds and abruptly attempted on taking the side of patriotism to cleanse whatever evil deeds she had done all her life. Even after all this one could feel for her so her ending should've been better served as well

The tawaifs could've trapped the british army in Shahi Mahal after luring them in and then blown the place up. Mallikajaan would've no doubt not leave the Mahal even during the destruction, as a result sacrificing herself too but there's a deeper meaning here. The Shahi Mahal stands for power for which Mallikajaan fought, even killed and did what not, not even sparing her own people throughout the story. She did it to consume others but in the end was consumed by the all consuming power itself.

"Maine Shahi Mahal ke liye sabko tabaah kar diya. Ab yahi mera guroor hain, junoon hain, fitoor hain. Aur main bhi issi ke saath tabah hungi"

But the dignity that was stripped away from her by the british police is back in her eyes now as she stares at them all as she presses down the button of the bomb, whispering "Inquilab zindabaad"

This incident and Shahi Mahal instead would be known as "Mallikajaan's Majestic Massacre Mahal" and the biggest act of rebellion by tawaifs, sending chills down the britishers as she'd have power over them even after her death

A queen of power and twisted fate in her own right

• Waheeda: A fascinating character indeed, someone you'd have a love-hate relationship with. She was an isolated, intimidating tawaif who I can picture siding with the britishers and enemies to take down Mallikajaan, only for them all to realize she was using them for her gain

After Shahi Mahal blown up, she could've gone somewhere else in Heeramandi to establish her own mahal from scratch, finally becoming a huzoor

A queen of scars and quiet rage in her own right

• Shama: Fareedan could've given the keys of Khwabgah to her and made her that place's huzoor. She would've given a tough competition to her mother and fought for herself. Mallikajaan had once pointed out that only she had the deceit and tact rather than all her own daughters to be a true tawaif and yes she had the charm of a tawaif at such a young age so she could've manipulated the nawabs to boycott the britishers instead

A queen of a promising heroine of seduction in her own right

• Fareedan: When she realized what she had done to Mallikajaan, she could've been gradual about it because she was still close to Cartwright at that point. She could've used that advantage to extract more information and get close to other British officials, still pretending she's against Mallikajaan. That would've been a fatal attack planned with the tawaifs and freedom fighters after getting to know their weaknesses.

After the partition and realizing the futility of it all, she could've gone across the borders, already used to travelling the land when she was tricking and running away from husband to husband when she was a child, and could've built an orphanage so the children wouldn't go through what she went through as a child when she was sold off in Heeramandi

A queen of challenges rising above injustice in her own right

• Satto & Phatto: After Mallikajaan who they were loyal to, and after Fareedan, Alamzeb, everyone gone, they could've shifted out and opened a dhaba or something in Heeramandi, with Iqbal working for them now. The dhaba would've become famous and so would they and they'd look back on how every tawaif including them would dream of becoming the queens of Heeramandi and they were actually that now after so much of their trustworthy hard work that was unpaid before but is recognized now

The queens of loyalty and dreams in their own right

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