#me for the sake of plot

[aangelfreckles]

Don't know what I was getting at with this, as if I'd allow these two to be happy

(btw my asks are open if y'all ever have questions about my oc, I have no lore art yet so everything I have is collecting dust in a google doc)

[kermdoeswriting]

Bruce Wayne's a Foster Parent. Also he avoids death a lot so a dead person can usually tell if a humans meant to have died but didn't.

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"Bruce you know I wouldn't ask this of you if I didn't have to but-"

Bruce just sighed from his side of the phone, pinching the bridge of his nose.

Nobody ever really expects to get a phone call nearing 3 am but exceptions had to be made when you were a legal foster parent and also a part-time secret super hero. If it wasn't one thing calling for him it was the other.

On the other side of the phone, Bruce heard the caseworker, Roni, chuckle.

"It's just for 3 nights and half of the day after, but I need you to be prepared for something before I can pass them off to you."

Bruce sat upright now on his bed, attentively listening to her words. Usually the kids didn't really come with any pre-warnings from the Caseworker themselves, letting anything about each Foster kid be said inside of their personal files that got sent along with them.

But when she gave out this information it was usually important. The last time Bruce had gotten a warning like this it was for Jason which was ages ago it feels at this point.

"What is it?"

"The kids are-" Her voice trailed off, like as if she was still searching for the right words to say. "They've been through what I can honestly only describe as the equivalent to a meta-kid trafficking lab"

Bruce shifted as he heard the driving continue on the other side of the phone.

"They're very guarded because of what they went through and they might display.. unusual behavior. More unusual then a meta-kids behavior after such a situation would be, but don't let it fool you! The kids are really sweet beyond being afraid."

Bruce frowns at the descriptions before replying to her, mentally trying to prepare himself for the idea of these kids and what they might have went through.

"I'll make a note of it then. Thank you, Roni"

"No, thank you, Bruce. I really appreciate this last minute placement. We'll be by really soon"

He was left with a click as he removed himself off his bed and threw the covers to the side of him. Alfred would want to know that they would have 2 new guests in the manor, at the very least to greet them and have rooms prepared even if they didn't need to have them prepared further then what they already were.

It was less then 5 minutes later that Bruce found himself, with Alfred, greeting the temporary fosters at the front door. Roni looked tiredly at them as she pushed the kids front and center.

Bruce could relate heavily.

"Hello Danny, Ellie. It's nice to meet you both, I'm Bruce Wayne."

Danny just stared at the mans outstretched hand for a second before he turned to look up at him, a pinched look on his face. Ellie matched his expression, although being a bit more subtle about it as she looked over Bruce as a whole.

Eerily, Bruce felt like his very soul was being judge the longer the kids stared at him. He also felt a sense of familiarity with these two kids the longer this continued.

They seemed detached rather than afraid like their caseworker had explained earlier, more so viewing the world as if they were outside of it rather then in it in any way.

Danny was quick to glare at him after another moment, "You're a fruit-loop, aren't you?"

Ellie broke from her own scanning almost immediately when she heard Danny's comment, cackling beside him before shoving him off with her arm. The action made Bruce smile as he took his arm back and placed it by his side.

Alfred also looked amused between the pair of siblings before turning attention to the task at hand again. Bruce just smiled at his pseudo-fathers usual fondness over children, knowing he was being reminded of his own grandchildren.

"This is Alfred. He's going to be the one to show you over to your rooms for the next few nights." Alfred greeted the kids in the same polite way he usually greeted all guests before he leaned down and extended his hands towards their belongings. He didn't grab their belongings just remained leaning over them before questioning the kids if they would like help to take their stuff to their rooms.

Bruce only really saw it faintly and if it were any other moment he might have ignored it as a sleepless hallucination, but for some reason he noticed the change immediately. The twins eyes go from a darker blue to a flashing bright green.

As if alarmed by the sudden movement towards their belongings.

Danny was quick to catch his own staring as well, eyes flashing back to blue for only a second before reverting back to green. Almost as if to give off some kind of warning.

Ellie noticed his staring immediately and shoved Danny again, this time more forceful for his attention before turning to whisper something to him when she had him back.

Bruce felt his skin crawl before turning away to face their caseworker, not really understanding anything they were saying beyond hearing a few words and feeling their eyes look between each other and his back.

Death Touched was an especially new description, and one that stuck in his head the second he heard it.

Bruce waited until the kids were guided away by Alfred before talking to their caseworker officially and waking her up from her half delirious tired drop-off.

"Hey Roni? Is there any chance we can extend the Fenton kids stay?"

There was something going on here with these kids and he was going to get to the bottom of it. One way or another.

[justaz]

merlin who uses his magic everyday in ways that he doesn’t realize isn’t normal. magic helping him see in the dark so he can find his way in the woods or dark rooms with no problem. connecting with the woods around him so he always knows where he is and whats in the general vicinity which allows him to sense bandits just before they attack. using magic to keep warm in the cold or to cool down in the heat. confident and willing to go toe to toe with anyone bc he knows that regardless of what they throw at him, he could always win bc he could just use magic.

then somehow someway (post magic reveal) a sorcerer takes away merlin’s magic. or well just locks it away ig. but anyways merlin doesn’t have this part of him anymore and is left feeling empty, exposed, and vulnerable. arthur, the knights, and merlin going on a quest for answers to their problem and a way to get merlins magic back. but. but. but merlin is all jumpy and he’s rambling more than ever and is often reaching out to grab onto someone (usually arthur) and everyone’s confused and then they get ambushed and merlin freezes in the middle of the path like a deer. he’s watching everything go down around him with wide eyes until he’s targeted and one of the knights have to rush in to save him. afterward merlin is constantly holding someone and his grip is rather tight. he keeps looking around, his eyes scanning the trees around them over and over. when they try and settle down for the night, merlin wont leave the camp without an escort or two and when they’re trying to go to sleep, merlin is flinching at every noise in the woods around them and ends up shuffling over toward the person closest to him and laying pressed up against them.

arthur opening his mouth to tease and call him a coward when the word registers in his mind and he realizes that that’s what he’s actually seeing, merlin scared and defenseless. he ofc doesn’t realize the true depth of it all, i mean he knows merlin is missing his magic but he doesn't know that magic has always been a part of merlin, it makes him him. he’s had magic since he was born, he’s never known life without it. as he is now, he feels bare and exposed and blind and deaf and terrified. the knights are his defense rn and for the past few years, merlins been their protector so its a complete reversal of everything he’s ever known. he’s scared. arthur bites his tongue and lets merlin hold onto his arm and snuggle up close at night for some form of comfort and security. he doesn’t tease or mock and responds to his ramblings of fear with a level of gentleness the knights weren’t aware he even possessed. merlin slowly relaxing as arthur subtly comforts him without addressing it

[heshmmity]

i have an urge to post it here so i post it here. be normal guys

50 shades of "bill we need to stop doing old men yaoi kisses its not very good for my reputation" dude nothing will save your reputation atp.

[truuskn]

Spotlight: Jazz is peak Prowl being able to comfort Jazz even though Jazz doesn't want to open up about how he's feeling and Prowl completely respects that

i love their dynamic so much here and in "all hail megatron", it's such a shame that their connection ended up being completely forgotten in the rest of idw series... reading "optimus prime" and coming across that one frame, observing what we have had and lost because the authors couldn't keep in mind how and who they were writing... it actually hurts

you guys. you guys! why are you doing this to us. why is it so hard for you to keep track on your story!! why do we have to see their relationship... fall apart?? without a decent look at it?? somewhere out there, in the background?? we're just left with the fact that they are over or maybe never even were there in the first place

prowl and jazz had so much potential at some point of idw history. the way how well they worked together despite all the difficulties, how sincerely prowl supported jazz even though he remained very closed off and aloof the whole time, how he really tried to be a good loyal friend, respected jazz's personal boundaries, didn't push, didn't go too far with his concern, didn't except anything in return and was just there to help... a rare bright moment for this version of my poor boy :'D

there were so many opportunities to develop this further, to show how they could exist in the new cybertronian future for which they had gone through so much hardship, how could they fight all the problems that were coming down on them, together, exactly as it was on earth. but, alas, we have to accept that they were quickly brushed aside and forgotten. a little time passes and they become strangers. forever. their entire bond is just erased. because that's how idw works with their characters...

[kaymarie-bell]

proper British gentleman with a strict mom and a need to follow rules that secretly longs to be in a band

Riddle Rosehearts 🤝 Edward Midford

[pencilofawesomeness]

How Fairy Tail could have had a really cool thematic parallel if they Committed to the Bit:

I often joke about my constant urge to spew essays on characters and topics I have thought too much about, but I refrain because translating all the thoughts in my head to words takes time and effort, and sometimes I am speaking to the void. However. I am spinning in my chair, gnawing at the bars of my enclosure, and frankly thinking way too much right now so I must scream.

It would have been so impactful if Fairy Tail emphasized Jellal being brainwashed.

Jellal is my boy, of course, but I’m not even just talking about the impact to his character: I mean the impact of the entire plot. This, of course, if we went the whole mile with the theming. The machination of being controlled, emotionally or magically influenced, or even unable to fulfill a desire due to an insurmountable obstacle, comes up numerous times throughout the plot, to both primary characters, supporting characters, and antagonists. While Fairy Tail is absolutely a series about friendship, it is also about choosing your path, with a large recurring theme of, regardless of connotation, about being selfish, and what that means on both ends of the spectrum. It’s a matter of free will, and the antithesis to this is all manner of external control. So really, it makes sense that this should be a thoroughly explored theme.

I could talk all day about all the different examples and aspects of this but I came here to talk about Jellal. First, the slavery aspect really hits the nail on the head, so we’re off to a great start—this, of course, applicable to multiple characters, which I really enjoy. Things go wild, however, when Jellal effectively chooses to trade himself for Erza in the punishment game and gets the ever-living shit beat out of him at the ripe age of eleven or twelve years old. He is, understandably, not in a good place, and he comes to the stunning conclusion that… he hates the slavers. Yeah. Checks out. Then, he hears the voice of ‘Zeref’ spewing rhetoric about hate, and it overwhelms; this, we know in hindsight especially, to be Ultear casting a mind-fuck spell in order to manipulate him, under the guise of pretending to be a figure young Jellal believed to be a god. 

When I first saw this flashback, watching the anime, I was unbelievably hyped. For all of Fairy Tail’s odd relationship with foreshadowing, I got the gist of it as soon as the magic went into his right eye and overwhelmed him. In Japanese media especially (largely due to the prevailing symbolism of the daruma doll), the right eye is a huge indicator of free will and the future—namely one’s goals. Creepy magic ghost entering the right eye with magic-bind looking things and immediately warping Jellal’s goal? A+ delivery. Of course, at the time Zeref—an unrevealed ‘evil’ entity—seemed a likely culprit, but Ultear being the puppeteer changes little of the result. In fact, it actually creates a super interesting parallel, but more on that later.

First, there are the consequences of Jellal being an antagonist who is not in control of his actions. I see people lament that it “cheapens” the severity of the arc and provides a cop-out redemption for Jellal, and while the execution of the latter certainly could have been different, I don’t think the premise of mind alteration cheapens the overall plot and theme of Fairy Tail at all; on the contrary, it could have been used to further emphasize intra- and inter- character conflict as well as provide a super engaging parallel for the end of the series. The theme of nakama, family, and friendship is huge, so what better way to emphasize that than to show a twisted example of it?

Jellal goes from ride-or-die loyal and ‘good’ to circumstantially loyal to an ideal (and the people attached to it) and ‘evil’ with the flip of a magic switch. Erza gets the immediate short of the stick when she is the first victim (aside from Jellal himself) to this meddling, and the caring friend she had seen days or weeks before is now cruel, insane, and full of threats—threats she takes heed to as she is cast from the island. Now, Erza is also a child, and one full of trauma, so I am not trying to invalidate her fear or blame her for any outcome. This also does not dive into the intricacies of saving friends at cost to oneself, and all of the conflict thereof; if anything, the complication of the matter bolsters the drama and impact. And then, we have the rest of the squad. Sho, Wally, and Milliana buy into the idea without any trouble, and they continue to buy into it as they get older. Beyond morality, it’s a power fantasy, and those are easy for formerly powerless people to latch onto. However, Simon is the only one who realizes that something is fundamentally wrong and twisted with Jellal… and his ultimate goal, developed over the course of roughly seven to eight years, is to wait it out until he finds the opportunity to kill him, or get somebody else to do it. Ultear, even after integrating herself into the group out of nowhere, gets away with her plan, because ultimately nobody questions that Jellal’s sudden change was anything but a result of trauma and his own will—even in a world with magic, where the very first arc revolves around the use and mistreatment of charm magic.

(Now, as an aside, I unfortunately have some experience in friends suddenly changing. In real life, it is rarely so sudden and obvious, of course, and the culprit is usually those horrible little signals and hormones within the mind, and nothing so fanciful or external as magic. I had a friend take a nosedive into some truly batshit ideas—cult-starting worthy—and exhibit wild mood swings and displays of unprecedented behavior. It admittedly took me a moment to ascertain it among the known issues, but once the pieces clicked, it clicked. I wished I had noticed sooner, and even though she was more culpable of her choices than a person supernaturally influenced by an outside force, I still can’t hate her for all the harm done. This is all just to say that I have, especially in recent years, a personal perspective on this trope and an appreciation for the painful nuance.) 

Refusing to reveal this mindfuckery in the arc diminishes the severity of it a great deal, I fear. We, along with the characters, spend time believing he died an insane villain… and then when he comes back amnesiac, it softens his character but does nothing to contradict how awful he had been. It’s not until years later, arcs later, that we get this random instance of the long overdue reveal to tell us that the manipulation has been discovered off screen. Not only is this utterly underwhelming, but Jellal is now actively working with Ultear and is fine with it! He’s still (understandably, after all this damn time thinking otherwise) blaming himself and lighting his own pyre to atone for things started by a factor completely outside of his control, and every character lets him. The discussion of autonomy is wasted. So, too, is all the juicy emotional fallout. We don’t see Jellal grapple with the horrifying reality that he has not been himself, that years of his life were wasted as a mental slave instead of a physical one; we don’t see Erza beat herself up (likely unnecessarily) because she could have potentially protected him but she hadn’t out of fear, and then she condemned him unknowingly; we don’t see the others truly come to terms with the fact that Jellal had been stolen from under their noses and they never noticed; we don’t even get more than a glimpse in Ultear’s head, who committed the deed because she thought her means wouldn’t matter and then they did. 

It’s horrifying. It’s tragic. It was, perhaps, preventable—in that the problem was a punchable one, to a degree—except the people involved were just children, just human, and it wasn’t enough. Friendship and flashy magic power could not trump trauma and entrapment, not this time. No matter how I think the series could have and should have handled it (and I have several ideas, of course), Jellal’s story provides a haunting case of failure regarding the themes of friendship/community and freedom that our protagonists embody. 

Which brings me to the perfect opportunity to follow up this occurrence of stripped autonomy and loss of freedom with a culmination of the affected themes, plot points, and more: the books of Zeref. 

Namely, the idea that the etherious—sapient, cognizant, and fully capable of autonomy via every depiction given of them, from Tartaros to even Lullaby to especially Natsu—can be and have been resolutely manipulated and controlled via the books by Zeref. Now Zeref, infamously hands-off up until the finale, barely utilized this. The most we ever see is instilling a directive and supernatural need to kill Zeref in the texts, which serves as an externally imposed goal. (Sound familiar, yet?) Provided Larcade clearly doesn’t have these instincts, it is not a guaranteed addition either, which further adds to the sense of deliberation. Natsu experiences this only in the last arc, in what I assume is supposed to be a very tense and jarring plot of a friend and protagonist suddenly losing himself, but it does not get expounded on for long enough to hammer the point home. The plot point of reclaiming the book becomes about saving his life only, and not his autonomy. Not only could this have been emphasized to be properly horrifying and devastating, but the effect—and the suspense—would be doubled with the prior establishment of Jellal’s arc and the tragedy therein. 

To back up for a moment, this parallel is further accentuated by the fact that Ultear and Zeref are clear mirrors of each other. Ultear was afflicted by a magic condition outside of her control and she was enslaved as a lab rat for it. When she broke free, she perceived her mother to have abandoned her, so Ultear, in her unresolved anger and grief, aims her entire goal to rectifying it, which culminated in planning to undo the entire timeline in order to make the one she wanted all along. Any casualties, any cruelties—including the mental enslavement of a slave child—are means to an end, and will ultimately be forgotten. Zeref lost his entire family to tragedy, and in his grief, he refused to forfeit the idea of regaining what was lost, namely his brother. He became afflicted with a curse—a magic condition outside of his control—and experienced cognitive dissonance for it. Ultimately, this miserable existence culminated in the idea of erasing the timeline entirely and forging his own. Any casualties, any cruelties—including subjecting his creations to the same lack of complete cognitive control—are means to an end, and will not matter. 

I mentioned that selfishness is also a recurring theme and this is a prime example of the dark side of it. For Lucy, claiming her independence and following her own path against the wishes of her estate, it is a wondrous thing. Freedom cannot be achieved without some selfishness, and this is a wonderfully handled theme in Fairy Tail, where our protagonists unabashedly put their friends above concrete morals and follow a creed to live their life to the fullest—the eternal adventure. For characters like Ultear and Zeref, their personal desires—born of horrible tragedy and frankly understandable things to want—come at the cost of the autonomy of everyone else, especially the pawns they use to further their goal. This, in true fictional hyperbole, begs the question of where the line in the sand is to be drawn, of what is acceptable on a moral standard and what is not. It is, of course, colored by the protagonist’s point of view as clear antagonism, but as a viewer of the media it provides to us to question when protecting one’s ideal becomes irrevocably an attack on the sanctity of others. 

Which brings us back to the matter of the books. The intended horror of Natsu losing control of himself, I think, could have been really emphasized in order to highlight these aforementioned themes. Imagine if, instead of a complete menagerie of new characters as the final invading force, Zeref’s key piece of his invasion was Natsu. With the intended goal of undoing time, having Natsu kill him is no longer necessary, so it would be more pragmatic to use Natsu instead as a weapon of mass destruction for his goal. Not only is he inside of Fairy Tail, but Zeref is, theoretically, doing this for Natsu too, and he won’t remember this upon success—nevermind that the Natsu we know, that presently exists, that we have watched develop over the entirety of the series, would be forever erased regardless. 

Armed with the knowledge of what happened to Jellal, and how he ultimately had no one to intervene for him, this increases the urgency within the characters and will likely expedite their discovery of why Natsu turned against them out of nowhere. This time, a resistance is launched, and characters have the chance to intervene on the behalf of a friend. Gray couldn’t save Ur, Lucy spent years ensnared by the will of a family member, Erza didn’t recognize Jellal’s plight until it was too late, but they can save Natsu, and save him quickly. Fairy Tail, Team Natsu especially, can rewrite the book of E.N.D. solely for the great cause of freeing their friend and handing him back his free will, and in the process, Fairy Tail saves their own future as well. This doesn’t preclude the ability to free Zeref from his curse, but with or without that we have a beautiful culmination of fighting for the sake of a friend, for the individual and for the whole group. This time, friendship wins. 

I just think it could have been really cool.

[fadingstudentbananacookie]

The fact that the whole Dance is centered around a 30-year-old Rhaenyra and a 50-year-old Daemon having beef with some 14-20-year-old nepo babies—including an alcoholic with mommy issues, an autistic pixie girl, an anime villain, and a twink—will never be not funny to me.

C&H set the bar in hell and Rhaenyra still couldn't jump over it 💀

I mean, no one in Team Green gave a single fuck about any of Rhaenyra or Daemon's children. They were either casualties in the war or minor grievances for Alicent, Criston, and Otto. The Dragon Seeds were the ones who actually put up a good fight. Fuck, even Bloody Ben who was 11 in F&B, did so much more!

I literally just started laughing like a maniac alone in my room when I thought about this.

[chialattea]

I fucking LOVE my wife DAVRIN dragon age I hope you all Davrin haters’ computers EXPLODE how do you look at this man and not feel a little religious like yes sir don’t mind Assan we’ll be doing a dark ritual all of our own all night long I will put warden stamina to the test buddy— guys I have a plan for getting rid of the evanuris and buddy, it’s baby-proof (heh)

[lordgeneralsix]

local guy claims intellectual superiority by declaring people who criticise veilguard just haven't played long enough and don't really know what bad writing is. it must be very peaceful to have such an empty head.

[yunara-maiden]

okay, so most definitely an unpopular opinion considering the amount of caitlyn fans/stans (in addition to fans solely bc of caitvi) but i wanted to articulate my thoughts on her s2.

firstly, i loved the idea of her character in s1. along with jayce, i understand that they were both fundamentally flawed due to inherent, latent prejudices that they held against zaunites. they often misspoke and stepped out of line when speaking to ppl like vi and viktor just on the basis of their privilege of being born piltovan.

but it was interesting to see how their good hearts and intentions led them to being forced to face their troubled and unfair prejudices. of course, i didn't agree with how they viewed zaunites, but i was rooting for them to become spearheads of change and reform.

anyway, i digress to where i am now where i am feel incredibly disappointed by the writing of her character.

i love a good villainess and was actually quite excited to see where her fascist arc would take her. it would be such a diametric, polar opposite of her character in s1 where she was slowly beginning to see piltover's role in the systematic oppression of zaun.

it would've been compelling to see her become completely lost to her grief and rage and the message behind how the repercussions of cataclysmic calamity that she and jinx cause as mirrors of one another would've been interesting (ie. jinx shooting a rocket launcher at the council in her loss of silco vs. caitlyn gassing innocent civilians in a bid to discover jinx after losing her mother)

but again, the writing didn't do much for me in the way of caitlyn or her mother in s2 in so many different ways.

i understand that there are nuances and complexities in difficult mother-daughter relationships and i understand caitlyn has every right to grieve. but her grief is not parallel to the grief of vi or jinx or any other zaunite when most of the misfortune that befell zaunite deaths can indirectly stem from the choices made by ppl like cassandra and the council.

yes, cassandra built systems to ensure that the grey did not completely suffocate zaunites. but this still by no means absolves all her other sins in her complacency in the oppression of zaunites–not to mention her attitude towards zaunites or anyone else that she deems "less than"

caitlyn's villain arc was watery and diluted at best. it was initially really interesting to see count caitlyn and her cape step up to the plate under ambessa's encouragement, but by the next episode she was already wavering and uncommitted. it seemed like a pointless route to entertain with how brief it was. and as others mentioned, caitlyn was being a cruel asshole without the direction of ambessa with the usage of chemical warfare.

caitlyn's choices had very little repercussions throughout the season. she hits vi with a rifle and turns her back on her and is basically instantly forgiven. she performs chemical warfare and her guilty conscience is the only real consequence she faces. she loses her eye in a fight, yes, but it is also a battle she invited when she accepted tutelage under ambessa to sustain a fascist regime. she makes it blatantly clear that she accepts vi bc she views vi as an entity separate of the rest of the animals of zaun and there isn't really any content that implies these views have changed or that there will be any reform imminent for enforcers/piltovan-zaun relations aside from reluctantly allowing Sevika a spot on the council

i dont even want to get into how vi become completely a shell of the amazing, compelling character she was in s1 and how the heart and soul of the show (the sisters' rs) was essentially abandoned to make caitvi happen rather than rly considering the optics and pragmatism of having an oppressed, falsely imprisoned, vulnerable zaunite being with an enforcer without due sensitivity and consideration of what needs happen to make caitvi happen in a sensible fashion.

i just feel like by the end of the show, caitlyn ends up right where she started where she's a privileged piltovan living her cushy life with no repercussions. there was no real reason to write her as an empathetic character, struggling with what she knew as a piltovan vs. what she sees when she is with vi down in zaun, bc in the end, the empathy did nothing to change how she treated zaunites or how her enforcers operate on the day-to-day.

and i actually think if the writers didn't try to play caitvi off as being a healthy, beautiful representation of a lesbian relationship instead of toxic one marred by power imbalances, it would've been a compelling and tragic message.

TLDR: i think many ppl have expressed their disappointment in how vi (and jinx) were written in s2, but i also think the writers did a terrible job in writing caitlyn as well.

[cherubscherry]

Jayvik nation I need opinions for my most beloved and babygirl AU I am cursed with visions of.... The Hex-Files AU.

I'm plagued by it constantly I mean LISTEN LISTEN, it's perfect!!! Jayce "Spooky" Talis, laughing stock of the FBI for his eccentric and esoteric interests!! Left down in the basement with a bunch of unsolvable cases that he lovingly keeps trying to solve case he KNOWS that shit is Magic/Paranormal!! He's completely OBSESSED, and also has not a lot of people skills given, well, his obsession.

Viktor having annoyed enough higher ups with his desire to actually be in the field for FBI work and the higher ups condescendingly taking one look at his leg and cane then going "No <3" before sending him down to the Hex-Files unit to "reign in" their little """rouge""" agent. Thinking so smugly they are 2 birds 1 stoning it. He's sooooo mad, he's smart, and capable, and if SOMEONE would just let him actually HELP PEOPLE he'd be SO GOOD AT IT Actually, OBVIOUSLY. The hubris <3.

Mulder and Scully's first meeting IS so Jayvik coded I'm right and I will NOT accept criticism.

Their first meeting starting off on the wrong foot??? With Jayce on the defensive but when they both are like, genuinely invested in their unit Actually??? Whoops wrong move Head Office these two are Insufferable now actually and will enable each others most Unhinged tendencies. In 1 case (more like in just their first meeting) they became ride or die and joined at the hip. I love them, they are haunting my dreams.

Also the name Hex Files??? It's perfect!!! Don't trust your government (Council)??? It was meant to be!!! It's doomed me in the narrative!!! Now I have to like.... plan stuff and figure out long term story lines, I'm ruined!!! I'm in shambles!!! I'm overcome with love and excitement!!! My head is in my hands I am sick!!!

[tamaytsuki]

*reading fanfiction*

“He wouldn’t fucking say that!”

*keeps reading*

[melljam]

“to you, father, rules are more important than me.”

[kaidanalenkosprmanager]

Horizon - The Aftermath MIRA’S MORE CANON ME2 When you died? It tore me apart. It was like losing a limb. Mass Effect 2: Legendary Edition

[binglepringle]

Haven’t made any new art that I actually like enough to post lately, so here’s the state of my comic book collection for yall 🤲

(The speckles on some of the edges/bags is dust btw)