#mokranjac

[rolflovesclassicalmusic]

Concert review, ★★★★, Piano Recital Ivan Bašić @ Aula, Alte Kantonsschule, Zurich, 2024-05-11 (Musik an ETHZ und UZH) — Bach: Toccata No.5 BWV 914; Haydn: Piano Sonata No.49 in C♯ minor, Hob.XVI/36; Ravel: Menuet sur le nom de Haydn, M.58 — Jeux d'eau, M.30; Liszt: Années de Pèlerinage, 3me Année: No.4, Les jeux d'eaux à la Villa d'Este, S.163/4 — Bagatelle sans tonalité, S.216a — Transcription of Wagner's Overture to "Tannhäuser", S.442

Photo © Rolf Kyburz, all rights reserved

More pics at https://tinyurl.com/mrv3evb8

[lesser-known-composers]

Vasilije Mokranjac (1923-1984) - Sonata romantica: I. Allegro ·

Ratimir Martinović, piano

[ozkar-krapo]

Ameli MIŠIĆ

"Srpska Klavirska Muzika XX Veka [Serbian Piano Music of the XX Century]"

(LP. Produkcija Gramofonskih Ploča Radio Televizije Beograd. 1992) [RS]

[zanimljivaekonomija]

Veličanstven koncert Hora Branko pred beogradskom publikom

Crkvena pevačka družina ''Branko'' nastupila je u subotu 6. novembra u kripti Hrama Svetog Save u okviru 53. BEMUS-a, pod dirigentskim vođstvom Sare Cincarević. Ovaj širom sveta priznati hor izazvao je veliko interesovanje beogradske publike priredivši veličanstven koncert pred prepunom dvoranom.

Na programu su bila dela duhovne muzike: intoniranje Polijelejnog psalma Protojereja Dimitrija Arzumanova, u izvođenju ženskog ansambla, zatim su usledila dela srpskih i ruskih kompozitora, od Stevana Mokranjca, Kornelija Stankovića, Sergeja Rahmanjinova i Čajkovskog, do nekoliko kompozicija novijeg datuma, mladih srpskih kompozitora, među kojima je i Heruvimska pesma, Andreja Cincarevića. U kripti Hrama izvedeno je i "Opelo", Stevana Stojanovića Mokranjca, u čast i pomen preminulom Patrijarhu Irineju. Koncert je završen "Vaskršnjim Antifonom” uz gromoglasan aplauz publike, a hor "Branko" na radost mnogobrojnih posetilaca izveo je na bis još dve numere, među kojima je posebnu pažnju izazvala Francusku Roždestvena pesma, "Slava vo višnjih Bogu".

Koncertu su prisustvovali Episkop niški gospodin Arsenije, vikarni episkopi Patrijarha srpskog G. Porfirija, remezijanski Stefan i hvostanski Justin, v.d. direktora Centra beogradskih festivala - CEBEF Damir Handanović  i umetnički direktor BEMUS-a Bojan Suđić.

Fotografije: Belkisa Beka Abdulović

[annieisyourfavourite]

classical music piece: *has the word "requiem" in the title*

me: yessss fuck 👏 me 👏 up 👏

[slavic-folklore]

Srem *KUD "Stevan Mokranjac" Kać

[sinadinthepainter]

acrylic, oil pastels, pencil on paper - 48x70cm  / work in progress  / Chinese Shanghai International Art Festival november 2020 / piano recital and exhibition 

Ludwig Van Beethoven - Sonata Op 2 No 3 Ludwig Van Beethoven - Sonata Op 7 Franz Liszt - Sonata h moll Vasilije Mokranjac - Piano Suite “Echoes”

[mitojevic]

View this post on Instagram

A post shared by Sladjan Mitojevic (@sladjanmitojevic)

Prve dve Rukoveti Mokranjca #mokranjac #mokranjčevidani #negotin #rukoveti (at Hajduk Veljkov grob) https://www.instagram.com/p/B2oCwjWh7ik/?igshid=12rv66cgqonqt

[mnogodobrajeguljo]

mokranjčeva rukoveti

[ousooo]

out now: SVETLANA MARAŠ - LIVE PERFORMANCE 2019-2020

Release: May 12, 2023 Format: cassette + digital Buy on Bandcamp / Kudos Stream via Spotify / Apple Music

«The nearly infinite improvisational potential in my performances is a result of tweaking the technology, using it in unpredictable ways, musically exploiting it, and maybe even misusing it.» - Svetlana Maraš

Composer, sound artist & musician Svetlana Maraš has spent years developing her unique setup for live performances. She builds her live sets as frameworks for exploration by emphasising the sculptural and improvisational potential, rather than reproducibility. The core of Maraš’ performative practice lies in the accessibility of all layers of what a ‘musical image’ at any given point consists of, and the gestural manipulation of these layers.

Using micro samples as a basis of her musical vocabulary, Maraš treats her live setup like an acoustic instrument. Using tablet controllers running a self-built Touch OSC interface, pedals and different pressure based interfaces, she manipulates and morphs the material with the mindset of a sculptor, while exposing herself to the audience and the room. Her focus lies with the musical form and the structure, while the shape of the sounds projected into the performance space define which turn she might take next.

Maraš explains: «I am interested in how sounds fill up the room, how they spread, how near or far they are, how ‘big’ or ‘small’ they seem, how they morph and move». With the set she played from 2019 to 2020, Maraš reached the apotheosis of her practice, regarding the handling and manipulation of micro samples and micro-collaging. -OUS is releasing a live recording of this set as a deep dive into the vast possibilities of live sound manipulation.

Svetlana Maraš is composer and artist active in the field of experimental music. Her work, which she presents internationally, encompasses variety of formats such as live performance, electro-acoustic composition, sound installations and works for the radio. She is the winner of the most prestigious Serbian composition prize «Mokranjac», awarded by the Serbian Composers’ Association. From 2016-2021, she was composer in residence and artistic director at Radio Belgrade’s Electronic studio, where she established numerous programs such as artistic residencies, educational courses and most notably, restoration of EMS Synthi 100. Currently, Maraš is Professor of Creative Music Technology and Co-head of Electronic Studio at Hochschule für Musik FHNW, Basel. 

___CREDITS

Music by Svetlana Maraš Recorded at Il Circolo del Frattempo, Zurich, 2019 Mastered by Manuel Oberholzer Artwork by Marko Vuleta-Djukanov Graphic design by Rebecca Morganti-Pfaffhauser

This live set was recorded at Il Circolo del Frattempo, Zurich, a co-production between -OUS and MADAM.

The set was additionally performed at: HEK, Basel CAN, Neuchâtel Galerie Weisser Elefant, Berlin

___SHOPS

Bandcamp / Kudos / Boomkat / HHV.de / Juno / Bleep / Newtone / Spotify / Apple Music

[thedaysofdisorder]

Vasilije Mokranjac - Etida br.4 (Etude No.4) Composed in 1951-52 Performed by Mirjana Šuica in 1979 

[todayclassical]

September 28 in Music History

1679 Birth of composer Mihael Omerza.

1612 Birth of opera composer Juan Hildago.

1681 Birth of German composer Johann Mattheson in Hamburg. 1705 Birth of composer Johann Peter Kellner.

1745 The British national anthem, God Save the King was first performed, at Drury Lane Theatre in London. 1748 Birth of composer Johann Michael Demmler. 1746 Birth of German composer Giovanni Punto. 1767 FP of Gossec's "Le Double Déguisement" in Paris. 1808 Death of Moravian composer, conductor and violinist Paul Pavel Hoesslin in Vienna. 1813 Birth of composer Anton Wallerstein.

1825 Death of Russian composer Dimitri Bortniansky. 1826 Death of Dutch metronome inventor Dietrich Winkel.  1844 Birth of composer Michael Hertz.

1855 Birth of German soprano Fanny Moran-Olden. 

1870 Birth of French composer Florent Schmitt in Blamont. 

1875 Birth of Bavarian soprano Hermine Bossetti.

1881 Birth of composer Henry Geehl.

1882 Birth of composer Mart Saar. 

1892 Birth of Hungarian soprano Adelina Adler. 1902 Birth of American musicologist Donald Jay Grout in Rock Rapids, Iowa.

1908 Birth of composer Marin Goleminov.

1913 Birth of American composer Vivian Fine in Chicago.

1914 Death of Yugoslavian composer Stevan Mokranjac in Skopje. 1917 Birth of composer Vaclav Kaslik, Czechoslovakia, opera conductor

1918 FP of Stravinsky's L'histoire du soldat, 'The Soldier's Tale'. Ernest Ansermet conducting at Lausanne's Theatre Municipal.

1923 Birth of musicologist Hugh Wiley Hitchcock.

1924 Birth of Russian conductor and violist Rudolph Barshai in Labinskaya. 1926 Birth of Austrian tenor Ferry Gruber, in Vienna. 1931 Birth of American composer Walter May. 1932 Birth of British impresario Sir Jeremy Isaacs in Glasgow. 1937 Birth of American composer Edward Appelbaum in LA. 1939 Birth of American tenor Harry Theyard in New Orleans. 1949 Birth of German tenor Hans Peter Blochwitz, in Garmisch.

1956 Birth of American composer Laura Kaminsky in NYC.

1959 Death of English humorist and musician Gerard Hoffnung in London. 1961 Birth of Belgian composer Alain De Ley in Wilrijk. 1961 FP Bartok's Scherzo for piano, in Budapest. 1964 Death of English composer Sir George Dyson.  1968 Debut of Spanish tenor Placido Domingo at the MET in NYC 1972 FP of Petrassi's Concerto for Orchestra No. 8, in Chicago. 1975 Death of Danish conductor Johan Hye-Knudsen in Copenhagen. 1976 Birth of Chinese-American composer Huang Ruo. 1991 Death of French composer Eugène Bozza in Valenciennes. 1997 FP of James MacMillan's Symphony Vigil, by the London Symphony, Mstislav Rostropovich conducting at the Barbican in London.

2000 FP of Tan Dun's Crouching Tiger Concerto by the London Sinfonietta at the Barbican Festival in London.

2010 Death of soprano Dolores Wilson.

[lesser-known-composers]

Vasilije Mokranjac (1923-1984) - 7 Etudes for piano (1951-52)

Mirjana Šuica - Piano

[ozkar-krapo]

V/A

"Антологија Српске Музике : Соло Песма (An Anthology of Serbian Music : Songs for Voice and Piano)"

(LP. Produkcija Gramofonskih Ploča Radio Televizije Beograd. 1977) [RS]

[zanimljivaekonomija]

Solistički koncert Stefana Đokovića na Kolarcu

Stefan Đoković, srpski pijanista održaće solistički koncert 7. septembra u 20 časova u Velikoj dvorani Kolarčeve zadužbine. “Velika mi je čast uvek da nastupim pred beogradskom publikom pogotovo sada nakon malo veće pauze prouzrokovane pandemijom. Biće mi drago da vas za trenutak izmestim u neki drugi prostor i vreme uz muziku Ludviga van Betovena i Franca Lista", rekao je mladi pijanista. 

Biografija

Đoković je prvo muzičko obrazovanje dobio već sa sedam godina. Diplomirao je MŠ "Mokranjac" na odsecima klavira i muzičke teorije i upisao studije  klavira u klasi dr Maje Rajković, na Fakultetu muzičke umetnosti u Beogradu. Tokom svog obrazovanja za klavir primio je mnoge pohvale i priznanja na nacionalnim i međunarodnim takmičenjima. Nakon završetka osnovnih studija nastavlja da radi sa prof. Petrom Bitelom na  Guildhall School of Music and Drama u Londonu.

Master studije za klavir u klasi dr Nenada Radića završio je 2017.godine na FMU gde je trenutno  student doktorskih akademskih studija. Takođe je diplomirao pevački odsek Muzičke škole "Mokranjac" u Beogradu u klasi Sanje Pljakić. Tokom vokalnog obrazovanja osvojio je mnoga takmičenja kao što su "Bruna Spiler", republičko takmičenje, "Nikola Cvejić", "Lazar Jovanović", "Amadeus Festival" ... U 2014. godini započeo je operske studije na Guildhall School of Music and Drama u Londonu, odakle je dobio stipendiju.

Kao dobitnik Christine Stone Scholarship Award započinje master studije u Londonu na Triniti Laban Conservatorie za muziku i ples. Učestvovao je na majstorskim časovima izuzetnih operskih pevača i saradnika kao što su Natalie Dessai, Ruth Falcon, Larissa Gergieva, Mignon Dunn, Joan Dorenman, Jaume Aragall, Christa Ludvig, Petar Dvorski, Antonio Carangelo, Silvia Greenberg, Jurgen Hartifiel, Đorđe Nešić, Snežana Brzaković, Eteri Lamoris, Natela Nicoli, David Vestfall ...

Učestvovao je u majstorskoj klasi maestra Petra Dvorskog u Piest'aniju u Slovačkoj i nastupao na Gala Opera Evening sa orkestrom Banske Bistrice.

Bio je učesnik IVAI 2017 u Njujorku kao stipendista. Radio je kao jezički trener za program Jette Parker u Royal Opera House za nastup opere Svadba Ane Sokolović na festivalu Aix-en- Provence. Nastupao je sa orkestrom Antonina Dvoraka i u vokalnoj radionici, a nastupao je i sa Simfonijskim orkestrom SMŠ "Mokranjac". Snimao je za nacionalnu televiziju, Radio Beograd, BBC radio, francusku nacionalnu televiziju, ruski Orfej...

Decembra 2017. debitovao je u Njujorku na resitalu pobednika u Carnegie Hallu.

Nastupao je u važnim dvoranama u Rusiji (Velika dvorana St.Petersburgske filharmonije, Centar za kulturu Elena Obraztsova), Češkoj Republici, Slovačkoj, Velikoj Britaniji (Cadogan Hall, Barbican), Francuskoj, Bosni i Hercegovini, Srbiji (Narodno pozorište, Jugoslovensko dramsko pozorište, Velika dvorana i Galerija Zadužbine Ilije M. Kolarca, Skupština grada, Velika