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whiskerstech · 7 years ago

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Didn’t Arcades Die in the ‘90′s?

I mean yeah. But if they were totally absent from the public consciousness, you wouldn’t have clicked this article, and I wouldn’t have typed it up. If you’re thinking of a dark room in the mall with big cabinets and bad graphics, that’s where the hitch is. Next Level Gamers isn’t your parents arcade.

The arcades of yore had high end game systems, a powerful social atmosphere, and a fairly innocuous payment strategy. Then they died, because cabinets that housed one game couldn’t keep up with the games you have at your home. Consoles were less expensive. Stories became more important, and you can’t really follow in an arcade settings. Right now, with the industry moving towards esports, the cryptocurrency boom making gaming PC’s expensive to build, and the highest end consoles hitting as high as $580(at the time of writing this), with a subscription to play online an almost mandatory part of the experience, the market is prime for arcades to return, at least in some capacity.

Back in February, I had the opportunity to visit Next Level Gamers for an Overwatch tournament. The space had white walls and a high ceiling. Much more inviting than the dark caves of yore. It wasn’t super sterile, either. The walls were lined with mood-lighting, mostly purples and pinks, as I remember. Along the walls, between the lights, sit the main attractions. Huge TVs, attached to high end consoles. PS4 Pros to the left, Xbox One X’s to the right, with NES minis sprinkled between them. In the middle of the room was the biggest TV, set to display a feed from an Oculus Rift. The whole place felt sleek and modern, but still pleasant and inviting.

When I went, two tournaments were happening; the first was a Call of Duty: Black Ops II tournament, where competitors play in the zombies mode three times, and average their scores. The other, which caught my attention, was an Overwatch tournament. Since they don’t have twelve systems on the same operating system, that was 2v2 eliminations, best of 3. The experience as a whole felt very earnest. The competitors all played hard, but it wasn’t necessarily cutthroat.

Next Level Gamers is in Old Town, which is a few minute drive from the University of Maine. So, along with being a small town attraction, NLG can pull from the campus crowd during the school year. College kids love video games, and I personally adore the social aspect, which an arcade cultivates in a more personal way than queueing up with strangers can.

To answer the question at the beginning: yes, arcades died almost three decades ago. But if there’s ever going to be another time that could house them, it’s now.

#technology #tech #TechNews #cyber cafe #neato stuff #oculusrift #ps4 #playstation #xbox #xbox one #nintento #switch #nintendo switch #pcmr

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dooodle-bug · 4 years ago

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Handaconda Creepypasta Because you asked for it.

smh smh I can’t believe yall really just did the 69 note thing- THANK YOU- but I- /lhlhlh. Still mad I missed the event. Anyways take this and go.

I hooked up my Nintento Switch to my tv and inserted my brand new Paper Mario: The Origami King cartrage. I had recently bought it at a garage sale that my family went to a few weeks ago. I really wanted it because I heard it was a good game and I couldn’t have bought it at retail price. I felt like there was something off about the packaging, but I couldn’t care less because i got what I wanted.

Now that school was over I decided to finally test the game out. Putting it in and turning on the thing and taking out my controllers revealed to be the beginning main title screen of Origami King! It first started with Olivia doing the folding thing and the view of the castle and game logo shown. But something felt off. The music and sound effects sounded a bit strange and the colors were less bright. I passed it off as a glitch and continued playing.

The game played normally, mario went to peaches castle with luigi and the place was empty. The entire prologue of the game felt pretty normal, nothing strange or unusual at all. Then when Olly threw me out of the castle and started the true gameplay, something felt off.

There were a few glitches mario getting stuck on stuff and being hard to control and olivia saying some weird messages mixed in with ther normal dialouge like “come”, “help”, and “us”. It was very weird, but I just thought it was some sort of localization mix up or the game getting beat up from being previously owned by someone.

Now that I think of it, when I went to pay for the game, the guy at the table seemed concerned when I handed him the game. He said “You;re gettting that game?!” after I handed him the money, which was strange, but he was probably just a pmtok hater.

Anyways I played for what felt like huurs, getting past the red streamer really fast (who’s boss had a orange pencil for some reasone even thoght I tought there wasn’t supposed to be)

But the weird thing was: as the game went on, it got glitier and glitier, mario being almost impossible to control, olivia saying weird and mixed up things, the battles were almost impossible, it was really weird. But I kept playing because I REALLY wanted to see the ending I loved the game so much.

Eventually, at 3 am, I managed to get past the sumo boss bros and into bowser’s castle. I know I was supposed to go to bed, but I really wanted to finish the game and know what happenes.

For some reason my health increased to 666 hp even though before it was only 200. Oh well having a health boost was good.

The castle was messed up. Paper scrapes of paper folk were eveerywhere and sprinkled around, there were these big and creepy paper cutout dolls that moved around the rooms that i had to avoid because otherwise I would get a game over and my game would crash.

At last, I made my way to the hallway where I should be expecting the next boss: Handaconda. But it wasn’t there. Everything went quiet and scary, I didn’t know what do do. Suddenly, the handaconda popped out of nowhere and grabbed me! The boss battle started and I wasn’t ready.

I tried to attack it, but nothing seemed to work. The game was acting super glitchy as I could barly use any attacks or move around. Then, the handaconda made its move. its flat, twisted and snake-like body raised it’s middle finger and flipped mario off, comeing out of the screen and flipping me off too. Then I died instantly

The end?

#JHGIVYYCFCFTFCDYTCFTTXTXFYTXTFC HELP I CAN'T BELIEVE I WROTE THIS-#This is a joke please don't think about it too hard-#my writing #pmtok #paper mario the origami king #tw glitch #tw death #tw creepy #i guess-#tw creepypasta

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backtothe1990s · 8 years ago

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#90's #90's gaming #90's toys #90's stuff #toys #stuff #gaming #nintento #gameboy #gb #nintendo gameboy #game boy #retro #vintage #grunge

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duhragonball · 5 years ago

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Mega Man X

I’ve spend this holiday weekend alone playing Mega Man X2, so I’m gonna piss and moan about the MMX games for a hot minute.

The original Mega Man franchise was a group of games on the original NES: Mega Man 1 through 6. The general consensus is that 2, 3, and 4 are among the best games of that era. 1 had some problems, 5 and 6 were about where fans consider the series to begin going downhill, but you know, 6 was surprisingly fun to play the last time I went through it. They made a 7th game for Super Nintendo, and an 8th for PS1, but they’re awful. I bought the Mega Man Legacy Collections on Steam just to play them and see for myself, and there were a few decent parts in both games, but mostly a lot of nonsense, and the jump from 8-bit to 16 or 32 or whatever wasn’t kind to Mega Man.

Somewhere in the 1990′s, the Mega Man series shifted focus to Mega Man X, a spin-off series for the Super NES. It was set further into the future, and even though the main character looks exactly like Mega Man, he’s apparently a different robot called Mega Man X, or just X. The main thing that pisses me off about these games is that they refuse to explain this. Dr. Light built the guy, but we never find out why, or what connection X has to the original Mega Man. Is he an upgrade of the original, or an entirely new robot designed to replace the first? What happened to the original Mega Man? You only see Dr. Light as a hologram. Is he dead in this future era?

What sucks about these games is that they really got stuck on the idea that they needed to add cutscenes and storylines, and they put more and more in each sequel, but I don’t think they ever cover the stuff that I actually want to know about. It’s always about X’s buddy, Zero, or Sigma coming back to life, etc. They never explain what happened to Dr. Light, or why he buried all those upgrades around the world before he vanished.

The other thing that sucks is that it really isn’t an improvement on the original series. You’d think a future version of Mega Man, on the Super Nintento would kick ass, but not really. He’s got the same powers as the original Mega Man, except he can’t do the slide and he doesn’t have Rush to fly him around and help him jump higher. Instead, he’s got this stupid wall-jump thing. I hate the wall-jump. You can cling to walls for a second and sort of slide down, but if you keep pressing jump you can shimmy back up the wall. That’s nice for saving you from falls, except the game insists on making you use it everywhere. You have to use the wall jump just to navigate the levels, and a lot of the boss battles depend on you hugging a wall to avoid enemy attacks. And a lot of key upgrades and items are hidden in places where you need to do pixel perfect leaps from a nearby wall.

To me, it’s a bold step backward. Mega Man sucks at jumping, probably because Mega Man isn’t supposed to be about jumping. He’s supposed to be about fighting other robots and stealing their weapons to use on other robots. The whole idea is that you only have to deal with difficult obstacles if you choose to. If you’d rather bypass a hurdle, you should be able to follow a different path to get some weapon or item that lets you avoid it. But the X games seem delighted to add impossible jumps to the game just to pad it out.

What really frustrates me is that I wanted to play these games to judge them for myself, and I’m on X2 and I’m already kind of sick of the formula. And I’m not even into the bad ones yet. I watched a video last night about how X6 is the worst one of the bunch, although there’s a lot of people who consider X7 to be the worst. And I have a hard time believing X8 was good, since that was the last one they made. I’m stuck on X2, which is supposed to be one of the best, and I don’t like it.

Maybe I should just set it on this “Rookie Hunter Mode” thing that’s on the Steam Version. I’m not wild about doing that, but these games are just lousy and I only want to go through them in case there’s some fun parts to be found.

#this is why i'm skeptical of mega man 11 #they made 9 and 10 a few years back and those were awesome bc they went back to the 8bit formula that worked #11 looks like an snes game and that was where they jumped the shark

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soyouareandrewdobson · 5 years ago

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There must be something in the water...

This comic by Dobson, is in my opinion one that really serves as one of the biggest self owns in his history, once you know a few things about the quote and are familiar with the work of the person who said it AND Dobson’s output .

See, the quote “My books are like water; those of the great geniuses are wine. Everybody drinks water.“ is alluded to none other than one of America’s greatest writers in the 19th century. Samuel L. Clemens. Or as he is known to many people worldwide, Mark Twain.

Now let me admit, I have not really read much of Clemen’s work in my life, but I have read articles about him, saw quotes of him, read up on his life as well as his social opinions and thanks to popculture osmosis I am aware of the plot outlines of works like “The Prince and the Pauper” and “The Adventures of Tom Sawyer”. I say plot outlines, cause lets face it, those movie adaptations we all know and love obviously miss the point of Clemens social satire he either hid well in his work or was as subtle as a sledgehammer to the head about.

Clemens in a way was an anti-Dobson. He came from a privileged upbringing, but took on a rather “low class” job in his youth before becoming famous through his writing. Similar to Dobson he hated racism, was obviously against conservative Christianity and for his time a “woke” fellow. But unlike Dobson, I think he did not just do it for virtue signaling, he genuinely believed in the cause and if he felt he went too far, he also apologized. Like his takes on Christianity certainly became more mellow later on in life (at least as far as I know)

Additionally, Clemens was funny. He was critical of society and literature (I highly recommend you to read Fenimore Cooper’s Literary Offences to get just how brilliantly this man could dissect the work of others. Here is a link to it https://tvtropes.org/pmwiki/pmwiki.php/Literature/FenimoreCoopersLiteraryOffences )

Both in a way he would use snark to mock them, but also get a valid point across.

And the water line up there? In a way it is both the greatest ego boost, but also self deprecation he could go for.

See, the line actually goes like this

„My books are like water; those of the great geniuses are wine. (Fortunately) everybody drinks water.“

The boost comes from the fact that he is essentially saying “everybody reads my books”. Which lets face it, was true. Clemens was read by many people, both scholars and people from the general public. He was legitimately popular, to the point that even 110 years after he died he is still well known. Not only his works, but the person himself has become an iconic figure in our cultural conscious. Or to focus on what was really important: Clemens: I make money through my writing, bitch!

Okay, he wouldn’t have said it like that, but he would have at least acknowledged that making good money through his work was a nice benefit.

But in the same way, the line is a bit of self deprecation and slightly humble. See, he says his books are water. Something basic, something not everyone can afford. While the books of great masters are like wine. Something not everyone can afford, but which is in a way “sophisticated” and will live on too, even in higher regards.

I bet that at times Clemens could be full of himself, but we have to understand, this was a man who could take criticism and give it. A man who understood also something about literature and had certain insights others did not have at his time. A deadpan snarker who when he got a positive review allegedly told one of his first critics something along the line of “You made me as happy as the white slave owner chick who realizes her kid was going to be white after all”.

So what I believe is that he was humble enough to see that there were also people better/more sophisticated than him, which he even looked up too and whose work he compared with wine. People by whom he as a creator was like water in comparison. But thankfully (or rather, fortunately) everyone drinks waters aka “reads” the stuff he writes and therefore guarantees his career.

Which honestly, I consider also something of a truth some content creator should go for. Look, I am not saying that we should stop trying to go for something meaningful when we create art or tell stories, but in a way if Clemens was alive today, he would consider his water statement just further confirmed in the way a lot of popcultur works nowadays. Best example, Marvel movies. Marvel movies, as entertaining as they are, are basically just water (or soda), compared to genuine artistic movies or movies with deeper social issues in them. And yet, those movies make money and seem to connect with people at times better than something more “sophisticated”. Go figure.

But, back to Dobson for a bit, okay?

See, for Clemens the water line made sense, because again, his works were popular and understandable for everyone, making them as accessible as water. But for Dobson? Oh boy… For starters, if we compare their achievements in life so far Clemens already wins. Cause by the time he was 39 (Dobson’s current age at the time this post is written) Clemens was successful under his pseudonym by writing multiple articles and short stories, including The Innocent Abroad, Roughin It and Tom Sawyer. He was also married and was involved in multiple businesses. Dobson meanwhile had attempted to create the following comic series Patti, Formera, Percy Phillips, Legens/Alex ze Pirate, Danny & Spots, Brentalfloss Comics and they all sunk faster than the Titanic. Okay, not the Brental Floss Comcis, those just ended because Brentalfloss thought it was time to end it, but still.

Four major stories he supposedly wanted to write abandoned because they did not earn him the reputation he wanted and one unpopular out of touch gaming comic strips where the punchline was that a rejected clone of Cubitus with the Marsupilami (go look them up) liked the Wii, while its owner/friend was a hardcore PS3 gamer who obviously always needed to be in the wrong because after all, only troglodytes play non nintento consoles.

All his major books got rejected by the public, because the writing was either not good or the artwork was at best mediocre at worst something people on manag forums could draw better when doing fanart.

And yet here we have Dobson, using another ones famous and funny line claiming “his books are like water. Everybody drinks water” indicating amongst other things “everyone reads my books and they are easily accessible”.

No, that is a freaking lie. No one read your books, most of them are not accessible to anyone because they are either out of print or you could not see them anywhere if you dig up as deep as possible online (see my paywall post earlier this week). And when people read your books common criticisms included how unoriginal and aimless your stories would feel (Formera), how derivative characters were from other fictional characters (Alex ze Pirate is e.g. just Lina from Slayers but with the bitchy temper of a Rumiko Takahashi character) and how unlikable most characters would just be (see everyone in Alex ze Pirate except the Ninja Girl and Sam).

Or to put it in Clemen’s work when describing the sins of Cooper’s Deerslayer, your works tend to break among other things the following rules:

- … A tale shall accomplish something and arrive somewhere. But the Deerslayer tale accomplishes nothing and arrives in the air.

- They require that the episodes of a tale shall be necessary parts of the tale, and shall help to develop it. But as the Deerslayer tale is not a tale, and accomplishes nothing and arrives nowhere, the episodes have no rightful place in the work, since there was nothing for them to develop.

- They require that when the personages of a tale deal in conversation, the talk shall sound like human talk, and be talk such as human beings would be likely to talk in the given circumstances, and have a discoverable meaning, also a discoverable purpose, and a show of relevancy, and remain in the neighborhood of the subject in hand, and be interesting to the reader, and help out the tale, and stop when the people cannot think of anything more to say. But this requirement has been ignored from the beginning of the Deerslayer tale to the end of it.

- They require that crass stupidities shall not be played upon the reader as "the craft of the woodsman, the delicate art of the forest," by either the author or the people in the tale. But this rule is persistently violated in the Deerslayer tale.

- They require that the personages of a tale shall confine themselves to possibilities and let miracles alone; or, if they venture a miracle, the author must so plausibly set it forth as to make it look possible and reasonable. But these rules are not respected in the Deerslayer tale.

- They require that the author shall make the reader feel a deep interest in the personages of his tale and in their fate; and that he shall make the reader love the good people in the tale and hate the bad ones. But the reader of the Deerslayer tale dislikes the good people in it, is indifferent to the others, and wishes they would all get drowned together.

And now replace the Deerslayer tale with Alex ze Pirate/Formera and tell me those rules are not broken.

I am sorry, I get Dobson just wanted to be more sophisticated and give himself a slight ego boost and trick his readers into thinking he is deeper in his thinking than he really is. But if Dobson’s books are like water, said water is somewhere in the desert in an almost empty well that has also been poisoned. Either it gets detoxed and filtrated for consumption or you are better off drinking your own piss. Which is Clemens code for “write fanfiction”.

#adobsonartworks #andrew dobson #syac #so you are a cartoonist #sjw #literature #mark twain #water #alex ze pirate #comics

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a-d-rowen-author · 5 years ago

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Final Fantasy VII eh?

I don’t have a PS4 so I haven’t played the Remake demo yet, but I’ve seen the hype and it feels good.

It’s impossible to overstate for me how much FFVII changed things. I was the sort of kid who was super into Japanese role-playing-games in the 16-bit era (SNES), but living in Britain I never got to play very many of them because the top titles were not released in my country. A lot never made it outside of Japan because of the huge amount of work they were to translate (shmups, platformers, beat-em-ups etc. were much easier to translate) but even those that got to the US, like Final Fantasy IV (II) and VI (III), never had a PAL release, because the company responsible for distributing Nintendo titles in the UK had got the idea that UK gamers were all ignorant savages who wanted action games and thought turn-based story-heavy RPGs wouldn’t sell... which was probably true to a certain extent, I mean all the kids I was friends with thought Mortal Kombat was the pinnacle of gaming. But still, there was definitely demand for that type of game, as anyone who read Super Play magazine would tell you.

A few action RPGs did have a PAL release, but if you were into the idea of fantasy games of the sort that Square and Enix were putting out you were really limited in your options. Secret of Mana was fucking amazing and Illusion of Gaia was underrated but there was no Final Fantasy, Breath of Fire, Chrono Trigger, Earthbound... You had to get an NTSC adaptor and mail-order these games from the retailers who advertised in the back of games mags and hope the title worked with your machine.

So when the N64 (then the Ultra 64) was announced and Square was one of the developers enlisted by Nintendo, it looked like it was probably gonna be the same old story - the next Final Fantasy would be on the N64 and Nintendo in the UK would think British gamers would be too scared of all the numbers and text and turn-taking, and would pass on the title.

Then of course Nintento and Square parted ways over the fact that the N64 was going to be a cart-based system at first, which Square felt wasn’t conducive to all the FMV content they wanted to use and went to Sony, with their CDs and their massive, massive marketing power.

Cut to 1997 and I’m watching TV and it’s a commercial break in like Star Trek or Babylon 5 or something, and I see two words I never thought I would see in a TV commercial in my country come up on screen.

Final. Fantasy.

You don’t know, unless you were that type of gamer in the UK then, how much that fucking meant. Not just that we were finally getting a Final Fantasy game, but we were getting one that was being treated like the absolute AAA blockbuster we had always said that Square’s games should be seen as.

I bought a PlayStation that autumn.

The rest is history. FFVII went to the top of the charts and stayed there for a not inconsiderable period of time. All the kids who I’d tried to convince that Secret of Mana was at least as good a game as Mortal Kombat were lured in by the Trojan horse of state-of-the-art graphics and memorable characters into playing a goddamn turn-based Japanese RPG. Final Fantasy became a global brand and Squaresoft one of the world’s most respected developers. Publishers no longer underestimated the potential for Japanese RPGs with their strategic combat, number crunching and epic plots to appeal to gamers in the West, and a great many more titles followed on that generation of consoles and after - not just Final Fantasy games but stuff like Suikoden, Xenogears, Disgaea... even all those old Square Enix games from the 90s got reissued on the PS1, the GBA and so on.

Looking back, it’s easy to see that FFVII is far from the perfect game. Its success arguably overshadowed better games in the series and subsequent releases never had the impact FFVII had. Many now resent it for its ubiquity, the plethora of Sephiroth-like villains and big-haired, big-sworded heroes in its imitators, not to mention Square themselves often seeming afraid to move on from milking the FFVII cash-cow with the endless Compilation of spin-offs which arguably add little to the main game.

But what Final Fantasy VII did for the gaming landscape, especially in the UK, can never be understated. If any game deserves a fancy, epic remake, it’s this one.

#final fantasy vii #final fantasy 7 #ff7 #FFVII #ffvii remake #gaming

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earthnashes · 3 years ago

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“I ain’t king for nothin’.”

Quick lil doodle of Bowser to celebrate the big man now being on the big screen! :>

#Super Mario #nintendo #nintento headcanon #my art #my stuff #Bowser #koopa #doodle #monster mondays

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naiiiiiy4-vi · 4 years ago

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my science class was completely decorated to be mario themed and all we did was nintento stuff, and i basically thought that was just something stupid we did in out class but damn. apparently not-

You can only reblog this today.

#not art #mario

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green-pact · 6 years ago

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Gush to me about your tes ocs (specifically Skyrim ones because I barely know anything about the other games.......)

YESSSSSSS I hope you don’t mind me also including reference images and links, since I have a lot more stuff abt some of them on my artblog. I have a LOT to say, but I’ll try not to make it too long bc you’d be here all day hah,,

my skyrim ocs are Gaemir, Gudbrandr, Tedyth, and Jotrjo, and they’re usually the main ones I focus on in my art and stuff. the other main one I focus on is one of my ESO characters, Velethryl, who is actually a Kirby oc. like. Kirby from Nintento, that Kirby. Velethryl’s personality and abilities are mostly the same between verses.

since TES-verse Vel is really close to how he is in Kirby-verse, I’ll just leave some links to the info I have about him; X - X - X. or you can just look through my artblog and see all the stuff I post about him. my friends often compare him to Ancano, Mannimarco, Dagoth Ur, etc. basically any evil elf man is what Vel is like. some other details I can give about him is that he named his guar Patchouli, and it was a gift from his wife. his wife is a little Bosmer lady who is as close to a cowgirl as you can get in TES. she likes riding horses but Vel does NOT, so she got him something else to ride. he has connections to House Telvanni, but because he despises people he often either locks himself in his study or lurks around Morrowind practicing magic alone. he also has an illegitimate child that he has no clue about. later on down the line, he has a descendant, one of my skyrim ocs, Tedyth.

my first lad is Gaemir (pronounced “gamer” lmao..) more or less my first serious TES character. his name was originally Jecra, in my original save before I started over he was a high elf rather than a wood elf, and he was originally intended to be as close to a knight as I could make him.

currently he’s a spellsword, a priest of Mara, and a worshiper of Hermaeus Mora, though Mora is none too pleased that Gaemir is illiterate. his whole shtick is that he wants to help people see the light and do better through guidance. he assumes that people are good at heart and that most people who are “bad” are just misguided. the only people he has no sympathy for are Stormcloaks and Dark Brotherhood assassins. he likes to hang around on Solstheim, has two kids, and is in a poly relationship with Revyn Sadri and Teldryn Sero.

next is Gudbrandr, a mute high elf! he was raised by Nords after his real parents were executed by the Thalmor for speaking out against them. he uses Nord sign language and rather than using his actual voice for The Voice he signs Dovahzul. (basically I was too lazy to do the first few quests of the game so in-game I never fight the first dragon and absorbed its soul. thus mute character!) he’s a Dark Brotherhood assassin, is very very close to Cicero, who he trusts with his life. rumors spread through the Brotherhood that he COULD speak, but only to Cicero. I started a fic about him that you can read here, though I need to update it.

Tedyth is my token mage character, his specialty being fire. surprising. he was adopted young by an Imperial couple, though they treated him poorly for nearly all his childhood which eventually lead him to setting their home on fire and running off to live by himself. doesn’t like people, doesn’t like crowded areas or loud sounds, and doesn’t like being touched, he basically just wants to be alone. though he doesn’t like being around other people, he makes an exception for Kharjo, who he sticks with very very closely. his hair was very long when he was young, but the day he set his childhood home on fire he singed it off to be short, which is why its also a mess.

AND THEN WE HAVE JOJO, his name is Jotrjo but calling him Jojo is a bit easier. he’s an adventurer! he loves adventure! enjoys long walks on the beach and delving deep into ruins. he mainly gets enjoyment out of seeing new sighs and experiencing new things, things the common farmer would never get to see. he collects treasures and trinkets from his travels and likes to proudly display them in his home. he also loves story telling, often captivating an audience of local kids who are so so eager to listen to him talk about the dungeon he just cleared. he has a daughter of his own and a husband, both of which he loves with his whole heart. he’s incredibly kind and cheerful, and would do anything for the people close to him.

#talk tag #velethryl #gaemir #gudbrandr #tedyth #jotrjo #mamma-dragon #asks

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