#passive voice examples

[english-learning-hub]

Simple Past Tense in Passive Voice with Examples in six ways

[helenvaughans]

one thing that richard nixon has going for him is that he's one of the few people in history whose name is an instant punchline no matter the context

[cressidagrey]

Formidable

Pairing: Oscar Piastri x Felicity Leong-Piastri (Original Character)

Summary:  Andrea Stella figures out that Felicity Piastri is more than “just” Oscar’s wife. 

Notes: Big thanks to @llirawolf , who listens to me ramble and checks my science-y mumbo jumbo 😂

(divider thanks to @saradika-graphics )

It started the way most breakthroughs did—not with a groundbreaking discovery, but with a tired engineer holding a half-wrinkled printout and a hopeful expression.

“Boss,” James said, hovering just inside the doorway of Andrea’s office. “I think you should read this.”

Andrea looked up from his laptop. “If it’s another CFD model from that Reddit forum, I swear—”

“It’s not. It’s from a paper. Academic. Legit. Published in Race Systems & Applied Motion last month.”

Andrea raised an eyebrow. “Obscure.”

“Very. It has like 20 readers,” the engineer agreed. “But I think it’s real. It’s clean. It’s sharp. It’s…” He hesitated. “We might want to test it.”

That got Andrea’s attention.

He took the paper and began to skim.

Title: Redefining Compliance: Adaptive Suspension Geometry Under Load-Sensitive Parameters for Mid-Field Chassis Configurations.

Andrea kept reading. It was dense—academic, yes—but it was also practical. It spoke the language of someone who knew exactly what they were doing. There were no ego traps. No unnecessary complexity. Just hard math and hard-earned insight.

Andrea flipped the page. Then another. His eyes caught a note referencing flex dynamics in chassis response curves and passive recovery lag.

It was correct. More than correct. It was insightful.

The author wasn’t spitballing ideas from afar—this was the work of someone who had lived in the theory and understood the application. Who referenced real-world tolerances. Racing examples. The math was sound. The diagrams were better than half the ones their CFD team managed.

Andrea flipped back to the byline.

Dr. F. Piastri.

Piastri. 

James grinned. “Fun coincidence in the name, right? He’s smart.”

Andrea didn’t correct him.

Because yes—coincidence. Probably. But something about it stuck in his brain, like a whisper he couldn’t quite place.

He read the essay in full that night—twice. It was elegant, sharp, and frustratingly precise in the way only truly experienced voices ever were. The type of clarity that came from years of not just understanding a concept, but translating it into reality.

The next morning, Andrea sent out an internal email.

Subject: Additional Works by Dr. F. Piastri If anyone has access to prior publications by this author, please forward them to me.

By the end of the week, his inbox was full.

One essay became three. Three became eleven. Eleven became twenty. 

Each one published under the name F.Piastri, buried in obscure journals and small-circulation engineering reviews that didn’t get traffic unless someone was either deeply curious or incredibly desperate. 

Andrea was both.

Each article was smarter than the last—strange, elegant engineering thought-pieces published across the most obscure academic mechanical journals Andrea had ever encountered. Niche ones. The kind that only the most obsessive minds contributed to, with names like Thermoelasticity in Microstructured Materials and Lateral Load Adaptation Quarterly.

F.Piastri had written:

An article about Load-dependent understeer in transitional corners (with math that Andrea double-checked twice because it was too clean).

A 2019 think-piece on long-run stability under thermal degradation.

An essay about Aerodynamic oscillation buffering for short-track endurance vehicles.

An article about the economic viability of 3D printed carbon struts under rotational shear (he actually flagged that one for McLaren Applied).

 A thesis that corrected a widely accepted torque model—buried in a conference archive.

A published rebuttal in Journal of Vehicle Design so politely worded it read like a love letter—until you realized she’d rewritten the reviewer’s assumptions line by line.

There was even one article on fluid dynamics that had been cited in a grad-level textbook from ETH Zurich. 

Andrea devoured them all.

He—She?—wrote like someone who saw the car before it was built. Who understood not just how suspension worked, but how it felt. How energy passed through a chassis not as force but as intent.

The writing style was sharp. Practical. Absolutely ruthless in its logic. There was clarity there—an elegance—that reminded him of only a few people he’d ever worked with.

It was revolutionary. It was poetic.

By the time he tracked down the doctoral thesis from Oxford, Andrea wasn’t breathing properly.

Reinforcement Through Flexibility: Dynamic Adaptation in Composite- Structured Performance Environments.

By: F. Piastri.

 Submitted: December 2022

Andrea stared at the name.

F. Piastri.

He stared for so long his tea went cold beside him.

His hands were shaking—not because of nerves, but because he already knew.

He opened the PDF. Skimmed past the table of contents. Scrolled through diagrams that made his heart stutter.

There was no photo. No biographical section. Just a clean Oxford University seal, 284 pages of dense, brilliant theory, and then—

A dedication.

To Oscar: For believing in a future that didn’t exist yet, and building it with me anyway. Every lap, every choice, every time—you’ve been my constant.

And to Bee: For reminding me that softness and strength aren’t opposites. You are the best thing I’ve ever helped create.

Andrea sat back in his chair like he’d been physically shoved.

Bee.

Oscar. 

F. Piastri. 

Felicity Piastri. 

Felicity.

Oscar’s wife.

Dr. F. Piastri wasn’t some reclusive academic or distant uncle with a gift for simulation modeling.

She lived in Oscar’s house.

 She packed his lunchbox.

 She raised their daughter.

 And she had published papers on suspension theory that half of F1 would kill to understand. Quietly. Efficiently. Correctly.

Andrea leaned back in his chair, stared at the ceiling for a long moment, and whispered:

“…Of course it’s his wife.”

Of course the quiet, composed driver who rarely raised his voice and always had one hand on the bigger picture had married someone brilliant. Of course she wasn’t just talented—she was a published expert with a doctorate from Oxford.

Not a coincidence. 

Not a mystery engineer.

Not some guy.

But Oscar’s wife.

Oscar Piastri—quiet, methodical Oscar—had married a genius.

A doctor of mechanical engineering from Oxford who wrote better technical documentation in a margin note than most engineers did in a year. Who published under initials. Who could probably solve half their handling inconsistencies while holding a toddler on her hip.

Andrea sat in silence for a full minute.

Then he exhaled. “...of course he did.”

He opened a new tab.

Email draft: 

To: Technical Team 

Subject: URGENT – Reference Reading Required Attached: Every single thing Dr. F. Piastri had ever published.

***

The meeting was meant to be quick.

Just a routine Monday touchpoint—debrief, run through media notes with Sophie, talk sponsor appearances, maybe discuss Oscar’s upcoming comms obligations.

Zak had rolled in with a protein shake.

Lando was lounging sideways in a chair like he’d melted into it.

Oscar had a protein bar and an expression of polite mildness, as usual.

Andrea, meanwhile, had not slept.

 Not because of the race.

 Because he’d spent the entire weekend reading Dr. Felicity Piastri’s entire body of work. Every published paper. Every obscenely niche journal article.

And her doctoral thesis.

He hadn’t meant to do it all in one sitting. He just couldn’t stop.

By 2 a.m. he was muttering things like “Of course she used Euler-Bernoulli assumptions, she’s too smart for non-parametric bullshit.”

 By 4 a.m., he’d highlighted her proposed solution to dampen micro-vibration load in corner exits.

 By 6 a.m., he had a headache, an existential crisis, and a desperate need to know: Why had Oscar Piastri never mentioned this?!

So at the end of the meeting—just as Sophie was wrapping up and Lando was aimlessly spinning a pen like a propeller—Andrea set down a file on the table.

Calmly. Casually. Like he hadn’t just had his entire mechanical worldview rattled by a woman who wasn’t even on the payroll.

“Oscar,” Andrea said, voice deceptively neutral. “Why didn’t you ever mention that your wife holds a doctorate in mechanical engineering?”

Oscar, halfway through eating his protein bar, blinked. “What?”

Andrea gestured vaguely, as if the thesis were still radiating brilliance from his desk. “Felicity. Doctorate. Thesis. Dozens of published papers. Half of them useful to our current car design issues. Why didn’t you say anything?”

Oscar blinked once. “Oh. Yeah. She gets bored sometimes.”

Andrea blinked back.

Lando stared like he’d been smacked with a front wing. “Wait—she got a doctorate?!”

Oscar nodded, chewing. “Yeah. Finished it in 2022. She was stuck in that horrible flat in Enstone while I was back and forth with Alpine, and she got bored. Wrote most of it at the kitchen table while Bee napped.”

Andrea just… stared. 

He had read the thesis. Studied it. The mathematical modeling alone had kept him awake at night—and she had apparently written it during toddler nap times, while stuck in a damp shoebox flat in Oxfordshire.

Zak looked up slowly from his tablet. “Your wife was bored. So she got a PhD in mechanical engineering.”

Oscar shrugged. “She already had the research mostly done before Bee was even born in 2020. She just had to write it up. Bee was napping a lot anyway.”

Sophie blinked. “She wrote a 200-page dissertation with a toddler in the house?”

Oscar just shrugged. “It helped that Bee liked the sound of the keyboard.”

Andrea turned to Zak, still stunned. “She predicted the kind of high-frequency oscillation we’re seeing this season. Two years ago. In a footnote.”

Lando leaned forward like he was watching a live feed of someone discovering aliens. “She’s just, like, a genius?” he asked, voice too loud, too incredulous. “And you never brought it up?”

Oscar just sighed. “She hates that word.”

Andrea just stared at him. “Oscar, she’s not just good. She’s formidable. Has she ever applied anywhere formally?”

Oscar looked genuinely confused. “Why would she apply anywhere?”

Andrea stared. “To work. In engineering. In motorsport. Academia.”

Oscar blinked. “She does work. She manages our lives, Bee, the house, and the chickens.”

Lando leaned toward Andrea, wide-eyed: “I’ve never felt dumber in my entire life.”

Andrea sighed. “Join the club.”

***

The kitchen smelled like vanilla and wood polish and faintly like chicken coop — which meant Felicity had mopped and baked and wrangled Mansell, the escape artist hen, all while probably rebalancing one of their stock portfolios.

Oscar dropped his bag by the door and leaned against the kitchen entryway.

Felicity was sitting at the table in her old university hoodie, feet bare, Bee curled up under her arm asleep with Button the frog as a pillow. There were spreadsheets open on one side of her laptop screen, a half-watched nature documentary on the other, and one of Bee’s plastic toy bulls standing solemnly in the middle of the table for reasons unknown.

He smiled.

God, he loved her.

“Hey,” he said softly.

Felicity glanced up. “Hey. Dinner’s in the oven. Bee passed out mid-pie crust.”

“Excellent,” Oscar said, dropping into the chair beside her. “Because I need carbs.”

She raised an eyebrow, equal parts amusement and curiosity. “Bad day?”

“No. Just... intellectually humbling.”

Felicity made a low amused noise and went back to her laptop. “Did Lando try to explain crypto again?”

Oscar snorted and reached over to carefully lift Bee into his lap, her curls warm against his hoodie. She barely stirred.

He could have let it sit. Saved it for later. But it was buzzing under his skin.

“Stella read your papers.”

That got her attention.

Felicity paused, her fingers stilled mid-scroll. “Which one?”

“All of them,” Oscar said. “Apparently it started with one of the engineers, who brought an article in from Race Systems & Applied Motion. Then he spiraled.”

“Ah,” Felicity murmured, unsurprised. “That one had a good diagram.”

“He found your thesis,” Oscar added.

This time she didn’t answer right away.

He reached for one of Bee’s crayons and twirled it idly in his fingers, watching her.

“He read the dedication,” he said, voice quieter now.

Felicity’s eyes softened in that way that always undid him a little. Always had.

“Did he say anything?” she asked.

Oscar smiled faintly. “He said you’re formidable.”

There was a beat of silence.

Then Felicity laughed—not loud, not startled, just warm and wry and a little disbelieving.

“God help the man,” she said. “He must have hit the rebuttal piece from the Vehicle Design Journal. That one made a few engineers cry.”

Oscar grinned. “Yeah, well. He was halfway to building you a shrine by the end of the meeting. I also told him you got bored in Enstone and wrote your PhD while Bee was napping.”

Felicity gave him a look. “You make it sound like I was scrapbooking.”

“Weren’t you also doing that at the time?”

Felicity blinked. “...Okay, fair.”

Bee stirred slightly in his lap, a tiny sigh escaping her lips as she nuzzled deeper into his hoodie sleeve.

Oscar looked down at her—this tiny human they somehow made and raised—and then back at the woman across the table. 

Her hair was messier than usual, strands escaping her braid, and there was a faint flour smudge near her temple. She hadn’t bought herself a new pair of jeans in two years. She sometimes forgot to eat when she was buried in simulations. She once fixed the bathroom plumbing at midnight because she didn’t like how the guy from the hardware store spoke to her.

She was the smartest person he knew.

Oscar knew most people wouldn’t think it when they first met her. She smiled too easily. She didn’t correct anyone. She let others assume things—that she was just the girlfriend, just the wife, just the mother.

But she had a doctorate from Oxford, and more published academic papers than most career professors. She could hold court with race engineers and theoretical physicists in the same breath, then go home and teach Bee how to build a pulley system out of Lego and twine. She spoke in quiet, exact terms, and when she challenged people, she did it so gently they sometimes didn’t notice until it was too late.

He’d long since stopped being surprised by her. He’d just—normalized it. Integrated it. Felicity being a genius was like oxygen to him: invisible, essential, and easy to take for granted until someone else nearly passed out from the realization.

She was just Fliss to him. 

The woman who sold her designer bags to pay rent when her family cut her off. The mother of his child. His fiercest critic and his most devoted supporter. The one person he trusted without hesitation.

She didn’t want headlines or praise. She wanted quiet mornings and clever puzzles. She wanted Bee to grow up confident. She wanted Oscar to remember to eat something green.

She was the smartest person he knew — and she hated being called smart. So he didn’t. He just came home.

“He called you formidable,” he repeated. “And I agree. For what it’s worth.”

Felicity smiled then—slow and quiet, the kind that reached all the way to her eyes.

She leaned across the table and kissed his temple. “Thanks,” she said. “But if he asks me to consult, I’m charging him triple.”

Oscar laughed softly and ran a hand through Bee’s curls. “Deal.”

And he meant it. Because maybe it was easy for him to forget sometimes, tucked into the quiet rhythm of their life, that the world hadn’t caught up to how brilliant she was.

But he never stopped being proud of her.

Not for a second.

[valeriehalla]

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!

[strwberri-milk]

hii can i ask u to write hc about boys when they say something in conversation that will hurt mc, for example when they will mention her appearance like rafayel in ebb when he said 'its round like u'. hope u have great dayy<33

Zayne, being a doctor, has lots of opinions about some of your unhealthier habits. He doesn't share them all the time because he never wants to come off as nagging but you don't need him to say anything to know that he's staring at you judgmentally. He averts your gaze when you turn to him but it's already too late.

You feel yourself becoming demoralised, whatever you were doing totally abandoned as you decide to leave. Zayne knows exactly what happened, cursing himself for not keeping himself in check around you. He just can't help but worry, wanting to see you take care of yourself. The second you try to leave he grabs your wrist, apologising as he tells you it's just because he loves you.

He promises to use his words next time. You sniffle a little, deciding to act a little immature as you tell him that the issue is that he makes it very clear what he thinks. You'd rather him just tell you rather than look at you judgmentally, Zayne unaware just how it looked to you. Generally, he keeps his expression neutral but whenever it comes to you he wears his heart on his sleeve. Or he thinks he does - you've just become so attuned to him that you know what every slight quirk of his brow means.

Xavier also does micro expressions that seem a little judgemental, generally whenever you say something he finds a little odd. He isn't sure if it's just because he's missing some context but when he does it one too many times in a conversation you begin to mutter an apology for boring him.

He's tripping over himself to try and correct you, wanting to tell you that it's not that he's bored, he's just struggling to follow the conversation. You confront him by telling him that even when he's following the conversation just fine he still makes faces at you sometimes. He's now forced to admit that he thinks he makes faces the more tired he gets, body subconsciously trying to get the conversation to end so he can go flop onto the nearest fluffy surface.

However, since it hurts your feelings he does his best to monitor himself, trying to be more active in your conversations. You can see how tired he is though, taking pity on him and telling him to go take a nap. You'll be there to infodump on him when you wake up anyway.

Rafayel says things off handedly, especially when he's not feeling well. Normally you can take it well but today you just couldn't, his passive insult hitting you hard. He watches your face cloud over, brows furrowing as he tries to understand what this sudden shift in your mood is attributed to.

You make it clear it's because of what he said about you, the one statement being the straw that broke the camel's back. You ignore him, not wanting to even look at him as you walk away from him. You try to cool off, your mind spinning as his unintentional words play over and over again. It takes you a while before you can even speak to him normally and when you seek him out he looks like a scolded dog.

He immediately perks up when he sees you, apologising profusely when you come back to him. Despite being mad at him, you also know he provides the most comfort so you crawl into his lap and begin to scold him. He takes it in stride, knowing that he messed up and promising that he'll take better note of your mood to know when he should and shouldn't joke with you about things like that.

Sylus has a sharp tongue like Rafayel but he sounds slightly more "serious" when he says those things. His voice doesn't lend well to jokes unfortunately, meaning that if you're feeling a little more raw one day then you're going to take his words seriously, just like today.

He doesn't let you run from him though - grabbing you and asking you what the problem is. You normally can take his teasing, returning it to him twofold. When you don't quip at him he knows something is wrong, waiting for you to use your words and tell him. He's patient whenever it comes to you thankfully, letting you take your time. You struggle in his grip a little, not wanting to tell him right away but the warmth he provides is just too good so you bury yourself in his chest, telling him that he hurt your feelings.

He coos at you sweetly, telling you how adorable you are and apologising by peppering your face in kisses. He hates making you sad and even if he doesn't overtly say it, you know he regrets it by how he's careful not to insult you if you don't start it first, using how you speak to him as a gauge before returning with some of his usual playful nips at you.

[elixara]

phainon | relationship headcanons — what kind of lover is he?

content: fluff, phainon bf hcs, he’s a sweetheart, pet names: my beloved, gn!reader, mentions of pregnancy cravings but no one’s pregnant, probably slight angst at the end?

this guy is soft spoken. when explaining things, he’s calm, collected and his voice is so gentle with you. so when in arguments, expect that he’ll be the rational one between the two of you in the case that you’re hot headed. he’s the type of guy that balances out your loud and aggressive side (if you’re like that) because he’s such a sweet guy.

when he makes a mistake and realizes that, he’ll definitely apologize to you. no prides, no questions asked. if you don’t forgive him immediately, he’ll do anything. flowers? your favorite food? snack? this guy will be literally on his knees begging for forgiveness. this guy has no shame.

how about when he’s jealous? his voice can turn passive aggressive when he sees a guy or girl obviously hitting on you. no shame for that person, he thinks. he’ll have his arms around your waist, pull you closer to him until there’s literally no space left between you and will go like “are you bothering my beloved?” then glaring so hard until the other person hitting on you ran away. after that, he’d kiss the top of your head and go somewhere else.

he can be playful, both actions and tone of his voice. he might tease you a lil bit but it’s all fun and games. there’s something about that kind of trait that makes him look attractive. like you’d love to banter with him, of course not crossing the line.

when he’s retelling a tale of his fights or journey as a chrysos heir, he’d be poetic that puts shakespeare to shame. very descriptive scenarios he might re-enact them. that kind of thing. he’s like your personal bedtime story.

when it comes to fighting, we all know how skilled he is. but when you can’t fight, he can teach you. i did mention he’s soft spoken right? it’s the same with teaching you how to wield a sword and swing your blade. he’s very gentle with you. he won’t humiliate you for making a mistake. just so you could learn how to defend yourself against the enemies. if you can fight, he can worry about you but that doesn’t mean he’ll undervalue your strength and capabilities.

what if you have a request that phainon thinks he can’t do? for example, pregnancy cravings. he will do his absolute best to satisfy those cravings. if not pregnancy cravings and just normal or period cravings, same attitude. he’ll do anything and everything to give it to you.

PRAISE. he’s big on praising you even in the smallest things. you did well on your test? he’ll praise you. you flunked your test? he’d praise you for doing your best even if you feel otherwise. you successfully killed an enemy? soooo much praise from him.

values companionship and in extension, your relationship with him. you’re his lover, the light of his life, his air, his beloved heart. he adores you. your relationship with him is one of the things he keeps on going. he loves you too much that he will do everything to give you a beautiful world for you to live in.

we all know he has priorities and responsibilities that come in being a chrysos heir. he’ll put the planet first before you. the typical you or the world situation BUT he will try to put you first along with saving the world. if not, it will break his heart. to choose between you and the world.

[alisonsfics]

place to crash

pairing: carmen berzatto x reader

summary: carmy steps in as your knight in shining armor when your apartment’s electricity breaks, which makes you both test the line between friends and something more

word count: 2.9k

warnings: swearing, whole lotta fluff

“Oh, come on. Hurry the fuck up,” you muttered to yourself. You were currently on hold with the electricity company.

After a hectic service at the Bear, you had come home to your pitch black apartment with no power. The one thing you wanted to do was curl up and eat some leftovers while watching some tv, but that clearly wasn’t happening tonight.

“Hello? Are you still there?” The man’s voice echoed through the speaker. “Yes, I’m here,” you said, quickly. You didn’t want to risk him hanging up on you and having to start this process all over again.

“So, it looks like our crew has already gone home for the day. We can’t send anyone to look at it until tomorrow morning.” He told you. You huffed, running your fingers through your hair. “Alright, thank you. Have a fantastic night,” you said, passive aggressively.

You threw your phone down onto the kitchen counter.

With the electricity out, that also meant no air conditioning. You pulled your hair up into a quick ponytail. You were already sweating, so you knew there was no way you could stay at your apartment for the night.

You glanced back down at your phone, and it felt like the answer was staring you in the face. You opened your contacts and saw the one person you knew you could always rely on.

You clicked on Carmy’s name, smiling to yourself when you saw his contact photo. It was a goofy picture of the two of you from a party that Sydney threw. He had his arm haphazardly thrown around your shoulders. You were sticking your tongue out at the camera while he kissed your cheek.

You both had a history of becoming more affectionate than normal when you had been drinking. That night was a great example.

It only rang once before he answered. “Hey, what’s up? Are you okay?” He asked, immediately. Having seen Carmy less than an hour ago, he knew something was going on if you were calling him so soon.

“Hey, I’m fine, no need to panic. I just have a little favor to ask you, but you can totally say no—” you started to explain before he interrupted you.

“You’ve got it. What do you need?” He answered without a second thought. It made your cheeks heat up. Carmy was always ready to drop everything for you.

“You don’t even know what it is yet, Berzatto.” You told him, giggling to yourself. You couldn’t see him, but you could perfectly imagine the way he’d shrug. “I don’t need to know. I have no reason to doubt you.” He said, simply.

“Not even gonna make me work for it?” You teased him.

“You never have to work for it. Not with me,” he told you, honestly. Every time you talked to Carmy, it became harder for you to pretend you weren’t head over heels for him.

“Alright, well the power is out at my apartment—” you started to tell him. “Come stay at my place tonight,” he offered. You felt so grateful for him.

“Are you sure it’s not a burden? You don’t have to feel pressured to say yes.” You assured him, but you knew his answer wouldn’t change.

“Of course I’m sure. I’m not letting you stay at your apartment with no power. Come on over. I’m making dinner now. You eaten yet?” He asked. “No, not yet,” you told him.

“Alright, perfect. I’ll make you a plate, and I’ll see you in a few minutes,” he said, and you could hear that he was smiling.

“Thank you, Carmy, truly. I’ll see you soon,” you said, before hanging up.

You quickly grabbed a bag and stuffed some essentials inside it before heading out the door. Carmy’s apartment was only a short walk from your apartment. After five or ten minutes, you were at his door.

You knocked on the door and heard a lot of noise on the other side. “It’s open,” you heard Carmy yell.

You turned the doorknob slowly before walking inside. You saw Carmy turning his pullout couch into a bed. He was neatly fixing the blankets and adding some pillows.

You also noticed the table was set with two plates of pasta, and you couldn’t tell where, but from somewhere in the apartment jazz music was playing.

“You didn’t have to do all of this for me, Carmy,” you said, feeling guilty. He put a final pillow on the bed and walked towards you. “I wanted to,” he said, simply. He wrapped his arms around your waist, pulling you in for a quick hug.

“I’m sorry about your apartment,” he said, sincerely.

“None of that is your fault, Carmy. You don’t have to apologize.” You replied. His hand grazed the small of your back, and he gestured towards the dining table. He even made sure to pull your chair out from the table for you.

“Such a gentleman,” you said, unable to get the smile off your face. You always felt like a giggly schoolgirl around Carmy. “Only the best for you,” he jokingly flirted, but wasn’t willing to push it any further.

Carmy cared about you so much. You were practically his world, and he was terrified that if he told you that, you’d leave.

After eating dinner, you both got ready for bed in Carmy’s bathroom. It made you feel like a married couple, and you had to force yourself to ignore it.

“I know I’ve asked you like ten times, but are you sure you don’t want my bed? I can sleep on the couch.” He offered, wanting you to feel right at home. You grabbed his hand without thinking about it.

“Carmy, you are so sweet, but I promise that sleeping on a couch will not kill me. I will be fine, sweetie.” You told him. You weren’t sure where the pet name had come from. You’d never called Carmy “sweetie” before.

Carmy had practically jumped out of his skin hearing the name roll so smoothly off your tongue. He only wanted to hear you call him sweetie from now on. It took everything in his power to not confess his love to you right then and there.

“Okay, fine,” he gave up, knowing you were more stubborn than he was. He wrapped his arms around your waist, pulling you into a tight hug. You happily wrapped your arms around him as he held on to you.

You were taking in every part of this moment. You could smell his cologne, the same one he’d worn since you met him. You’d told him how much you liked it once, and he promised himself he’d never change it.

“Goodnight. Sleep well,” he said, kissing the top of your head and leaving you smitten.

You walked into the living room, and fell asleep within seconds of crawling under the blankets.

In the middle of the night, a sound woke you up. You jumped to sit up, looking around to see what the noise was. The bright LED numbers from the clock read 3:42. You realized the sound was someone jiggling the doorknob on the front door.

You jumped off the couch and ran into Carmy’s bedroom. You were half awake, and it was the only thing you could think of.

You reached forward and placed your hand on Carmy’s forearm, trying to wake him up. He jumped up as soon as you touched him.

“What’s wrong?” He asked, quickly. Even being half awake and in a dark room, he was somehow still able to sense that you were afraid. “It sounds like somebody’s trying to come in the front door.” You told him, which woke him up fast.

He grabbed the bat from beside his bed and headed towards the front door. Your fear only made him more confident. He knew that he needed to step up and protect you.

You stayed behind him. He got within a few feet of the door. Then, you both saw the door start to open.

“Get the hell out,” Carmy threatened whoever was on the other side of the door.

The door quickly was flung all the way open. “Cousin, chill the fuck out. It’s me.” You both heard Richie say.

You both breathed a sigh of relief. Carmy dropped the bat down to his side, irritated at Richie. “Do you know what time it is? What the fuck are you doing here?” Carmy asked him.

Richie flipped on the light switch and held up his spare key, as though that explained his presence.

“Oh shit, Y/N? What’re you doing here?” Richie asked, finally noticing you standing behind Carmy.

Before you could even answer, Richie’s eyes darted between the two of you. He saw Carmy just in boxers and you in an oversized tshirt, which he assumed must’ve belonged to Carmy. Then, it made sense to him.

“Oh wait. You two are hooking up?” He asked, smirking at the both of you. Richie was the most convinced of all your friends that you and Carmy were meant for each other. He saw it all, especially the way that your’s and Carmy’s gaze always found each other in a crowded room.

“No!” You and Carmy both quickly assured him, but Richie’s smirk didn’t fade. He didn’t believe either of you for a second.

“She’s just sleeping here tonight,” Carmy tried to explain.

“Oh yeah, I’m sure there’s been lots of sleeping going on here.” Richie teased, causing Carmy to put his head in his hands.

“The electricity is out at my apartment, so Carmy’s letting me crash here tonight. That’s it,” you tried to shut Richie up.

“So you came here for the electricity?” Richie asked, very aware of the double entendre. He loved how much he could get under yours and Carmy’s skin with just a few comments. “You’re the worst, Richie.” Carmy said, exasperatedly.

“See, we have the pullout,” you said, gesturing towards the couch. You saw a mischievous glint in Richie’s eyes. Richie was like a brother, so you knew the joke he was going to make before he even opened his mouth.

“The pullout COUCH, you fucking child,” you said, smacking his arm. Out of the corner of your eye, you saw Carmy with his eyes trained on the floor and his hand covering his mouth as he tried not to laugh.

You crossed your arms and frowned at him. “You are not helping,” you said, glaring at him. He quickly held his hands up in surrender, not wanting you to hit him too.

Richie moved past the joke, but wasn’t quite ready to stop teasing you yet.

“The couch looks pretty messy to me. I wonder how that happened.” He teased. You knew that was just trying to get under your skin, but if you stopped denying what he was saying, he’d be so much worse.

“Yeah, cause I jumped up in a panic thinking someone was breaking in.” You defended. Carmy placed his hand on your back, rubbing small circles. You and Richie were the two most stubborn people he knew, and he knew that neither of you liked to lose an argument.

“And little Carmy was ready to protect you? I won’t lie, that’s pretty sweet, dude.” Richie said, watching the way Carmy’s cheeks turned a soft shade of pink.

“So, why’re you here?” Carmy asked, changing the subject. Richie plopped himself down on the couch. “I need to crash here too. My neighbors are in a big fight and they won’t shut the fuck up.” Richie explained.

“Well, you aren’t staying here. Go find some other fucking place to stay.” Carmy said. He didn’t want anyone to break up his alone time with you.

“That’s not what you told her.” Richie argued, gesturing towards you. Richie had a point, but Carmy would never tell you no.

“Richie, just please leave. Besides, there’s nowhere for you to sleep,” Carmy begged him. Carmy knew if Richie stayed out, it would ruin everything with you. Richie would tease every move he made, and he couldn’t be as affectionate with you. That should have been Carmy’s first indicator that you both were more than friends.

“I’m taking the couch, you two figure out the rest.” Richie said, grabbing you both by the wrists and shoving you into Carmy’s bedroom. Carmy went to open the door, but realized Richie was leaning against the back of the door.

“Richie, let us out,” Carmy begged. You went and sat down on Carmy’s bed. “Carmy, c’mere, you know Richie’s stubborn, and he won’t give up,” you said, patting the spot next to you.

“Reminds me of someone else,” he teased you as he sat beside you. You lightly smacked his arm. “I am not stubborn. I was out there defending myself but also defending you. He’s gonna be insufferable at work tomorrow. He’ll tell everyone that we hooked up, and we’ll never hear the end of it.” You rambled.

“He’s been trying to get us to hook up for years, it might just be easier to actually do it and shut him up.” Carmy joked before he could process the words he was saying.

You felt your eyes go wide. “I’m sorry, Carmen Berzatto. Did I mishear you? Did you just suggest that we hook up?” You asked, truly stumped.

“Don’t look at me like that. I was just joking.” He tried to backpedal. He couldn’t read your expression, which was a first. It was because if he’d actually suggested it, you would have said yes immediately.

“I’m sorry about this. First, your apartment. And now, Richie being Richie.” He said, letting you rest your head on his shoulder. “Carmy, none of this is your fault.” You said, grabbing his hand and tracing your finger over his tattoos.

You both were painfully aware of the fact that you’d never been this physically close before. This was beyond the level of affection that you both could defend as friendly.

“So, if it wasn’t Richie, you were gonna protect me?” You asked.

“Of course, I was. I’m always watching out for you. Gotta keep my girl safe,” he said, wrapping his arm around your shoulder.

You sat straight up. Once again, you thought you’d misheard him. “Oh, fuck it,” he said, cupping your face and kissing you roughly. It didn’t take you any time to kiss him back.

He pressed his palms against your back and carefully pushed you back onto his bed. You ran your fingers across his toned chest. You could feel his muscles flex under your touch.

“I thought you said you were joking,” you teased him as he pressed kisses down your jaw. He let out a soft chuckle, his chest shaking against you. “Why? Do you want me to stop?” He teased.

“Fuck no,” you mumbled, cupping his face and pulling him down to kiss you. His fingers fumbled with the hem of your tshirt, letting his hands slip under it and caress your skin.

He felt you groan against the kiss and took it as a sign to keep going. One of his hands crept higher up your chest while he removed his other hand. He grabbed the bottom of your shirt and was ready to pull it over your head when the door burst open.

“Richie, the fuck? Get out,” Carmy yelled, quickly pulling your shirt back down to make sure you were completely covered. You hid your face in Carmy’s chest, not wanting to face Richie. You could already imagine the smug grin on his face.

“Well well well,” Richie said, in his signature “I told you so” tone.

Carmy didn’t want to put up with his gloating. “Richie, enough. Out!” He repeated, grabbing a pillow off the bed and throwing it at Richie’s face. The whole time he kept one arm wrapped around your waist, keeping you close to him and letting you hide from Richie.

Richie jumped backwards to dodge the pillow and finally closed the bedroom door. As soon as the door clicked closed, Carmy cupped your face with one hand and kissed you again.

You could feel the butterflies in your stomach as he ran his hand down your side. He let his fingers trace every inch of your skin.

You placed your hand on his chest and pushed him away. “Did I do something wrong?” Carmy asked, immediately concerned.

You quickly shook your head, trying to reassure him. “There’s nothing I want more right now, but we can’t do this with Richie here. You know that, Carm.” You said, caressing his cheek.

“One part of my brain knows that, but the other part knows how long I’ve waited for this, for you,” pressing a soft kiss against your cheek, “but you’re right.” he said.

“We’ve waited this long, what’s a little longer?” You joked, smiling up at him. He kissed your forehead, falling in love with the way you were looking at him. “Tomorrow night. I’m gonna take you out to dinner, and we’ll have a real date. I’m gonna spoil you.” He said, brushing a piece of hair behind your ear.

“I’m looking forward to it,” you said, leaning forward to peck his lips.

You both sat in silence, soaking in the moment. You both knew that it was perfect, and you wanted to remember it forever.

“You look really pretty in the moonlight.” You complimented him, admiring the way Carmy’s curls framed his face.

“You’re making it really hard to not fall in love with you,” he teased, pulling you in for another kiss.

taglist: @laurakirsten0502 @miraclesoflove @nathaliabakes @millipop18 @lillyssh-tposts @shyinadarkplace @vanteguccir @missroro @guacam011y @sw33t-cupid @ice-dtae @leyannrae @sia2raw @nyx2021 @just-a-littlebit-of-everything @shyconversationalbookworm @shadowhuntyi @visenyaverse @ruzannetheseahorse @superdeath @wandaswifeyforlifey @spookyqueen @mcuswhore @bookwormchick91 @princess-evans-addict @n3ssm0nique @peakascum @cjand10 @namsey1987 @supernaturalstilinski @stephv213 @warriormirkwood @one-sweet-gubler @narliesstuff @bibissparkles @stupiidfrogs @navs-bhat

Let me know if you want to be added to my taglist for all my imagines or for a specific character/fandom!!

[bouquetface]

Synastry Observations 8

Accuracy is influenced by ENTIRE chart.

🩵 Mercury conjunct Moon - Generally, indicates you are at an ease with one another. You may feel comfortable making edgy/dark jokes, expressing your true opinion. This placement when well placed creates a judgement free zone. It can indicate trust is easily built as you can feel comfortable sharing secrets too.

🩵 Venus conjunct Mercury - Venus can appreciate Mercury's thinking and speaking. You may like the other's voice, opinions, life perspective, etc. This can make it easy to open up with one another.

You may have a similar taste in art + media too. You can inspire one another. In the chart's of artists, this can sometimes be seen in synastry with their muses. They want to discuss their relationship.

This placement can make the two very touchy too. You are attuned to non verbal ways of expressing yourself. This isn't limited to romance, one look and you can know the person is upset.

🩵 Mars conjunct Mercury - This can creates tension. You may bicker a lot. You can talk a lot. You may have non verbal ways of getting at each other. This can cause a love-hate attraction or simply hate/resentment.

Mars may feel Mercury doesn't back up their thoughts or plans with actions. At worst, this can be compared to a situation where Person A keeps talking about wanting to improve but from Person B's perspective they fail to take the actions needed to improve.

Mercury is a neutral kind of planet. Mercury can understand Mars person's motives and anger. However, signs and the rest of synastry can show whether Mercury will be judgemental or accepting.

🩵 Moon in 6th House - Moon can be empathetic at 6th H person’s obstacles and burdens. Moon can be supportive and encourage 6th H person to do improve their life. Moon can potentially take on 6th H person’s burdens as their own. This could possibly be very draining in the long-run.

6th H person could do the same. They may offer Moon practical solutions to their emotions. 6th H person can ground Moon too. However, if negatively placed, 6th H person can see Moon has brining in burdens due to their emotional state.

🩵 Sun square Saturn - It can be difficult to feel comfortable in this connection. Your needs in the long-run can be very different. You may find one of you is stand-offish. You may find one of you is constantly able to find the negative/critique/fault in the other's ideas.

🩵 Moon sextile Moon - There is an underlying understanding of one another's emotional self. You can bond easily if this placement is strong enough + supported by the rest of the synastry.

Example: Taurus Moon sextile Pisces Moon - In a group setting, let's say pisces moon becomes tired or uncomfortable, the taurus moon may be able to pick up on this while the rest of the group does not notice.

Accuracy is influenced by ENTIRE chart.

🩵 Venus square Moon - There can be misunderstandings. You can be attracted or simply curious about your differences. The underlying tension can feel exciting and new. In the long-run, there can be misunderstandings. There can be a lack or imbalance of support.

Example: Scorpio Venus opposite Taurus Moon - TM found SV difficult to understand. They simply did not relate to the other on a deeper level. They had different values. This was in a friendship that has lasted many years. As long as there is tolerance for the differences, things go fine.

🩵 Mars square Moon - There can be a tendency to argue - unless in signs that aren't direct than there can be passive aggressiveness to the connection.

One person likely Moon can feel defensive + judged harshly. There can be a nervous or restlessness energy - feeling fully comfortable around one another takes much longer.

On the positive side, there could be a motivating/encouraging dynamic. Mars may spark something in Moon that inspires action - ex: this could be action out of spite, out of passion or out of competitiveness.

🩵 Mars conjunct Mars - If supported by negative synastry, this can be a quick crash & burn relationship. Things start up quickly, end quickly too. You can inspire action sometimes impulsiveness in each other.

If supported by positive synastry, this can be a protective dynamic. You have each other's back.

🩵 Saturn square Venus - If negative, Venus can feel Saturn holds them back. Venus can feel they are unable to express themselves fully without upsetting Saturn. This can be a slow relationship to progress. On the positive side, this could be a long connection - likely with some emotional or physical distance.

🩵 Neptune square Moon - You can share unspoken understanding of one another. However, if negative you feel you understand them but really you're just seeing what you want to see.

There can doubt in this connection. You or the other may tend to lie or avoid the truth to be seen a certain way.

🩵 Pluto square Sun - Intense feelings but there can be power struggles, feeling you need to fight for control. There can be a very alluring energy to the other. One person likely Sun can provoke darker thoughts in Pluto.

Example: Having taboo fantasies about the other. Wanting or having a toxic dynamic with the other.

[genderkoolaid]

actually going back to that post about abs not looking Like That except for when you are flexing. that's an example of how feminists need to loudly and blatantly take on "men's issues" as feminist concerns. everytime a superhero movie comes out and the main actor is dehydrated and starved and edited into vacuum-sealed muscularity, feminists need to make a big deal about how its deeply unhealthy and sends a dangerous message to young boys and reinforced patriarchal (+fatphobic) ideas of manhood. it's a gendered issue and feminism is the most known and effective movement for addressing gendered issues through the lens of patriarchy. it's not enough to passively say "oh yeah, feminism is for men too", we need to make "men's issues" synonymous with anti-patriarchal, feminist voices. if WE do not take up that mantle, then people who have no interest in solidarity with women or identifying patriarchy as the problem will take it up and use it to sell $500 abusive radicalizing "self-help" courses.

[the-cosmic-cauldron]

Unpopular Synastry Opinions (From the Voice of Pain) — Part 2

I don’t bite my tongue. So brace yourself.

• Conjunctions need to be talked about more in synastry.

You don’t want a conjunction with afflicted planets—Mars, Chiron, Saturn, Pluto, Lilith. These are harsh energies. For example, Mars conjunct Venus? Venus wants love and beauty. Mars wants dominance and aggression. That’s not sexy; that’s toxic. And it gets worse depending on the sign. In Libra, this same conjunction might look passive-aggressive—two people constantly undermining each other while smiling through gritted teeth.

Same with a Scorpio Moon conjunct Scorpio Moon—the Moon is emotional, and Scorpio is trauma-bond central. You don’t fall in love—you entangle. Be very careful with conjunctions. Study both planet and sign.

• I don’t give a shit about Moon connections if your dominant element contradicts it.

A Cancer Moon in a chart dominated by fire? Irrelevant. A Libra Moon in a water-drenched chart? Muted. The dominant element is more potent than your Moon. You can have Moon conjunct Moon with someone and still feel emotionally dismissed.

• Saturn in synastry is enough to run.

I don’t care what anyone says. Pain doesn’t make you stronger—releasing pain does. People say married couples have Saturn contacts. Yes, and many of them are enduring silent suffering. That’s not love, that’s survival. Our grandmothers called it “commitment.” I call it emotional imprisonment.

• North Node synastry is often the most imbalanced dynamic you’ve ever experienced.

It demands growth. And you know what most people do with growth? They fold. It’s one person accelerating while the other clings to the past. One outgrows, the other decays. You don’t always grow with your North Node synastry—you grow away from it.

• Stay away from Mars synastry if you’re sensitive or water-heavy.

Mars isn’t just sex. It’s dominance. Obsession. Possession. If their Mars aspects your Moon or Venus and they have a fire or earth-heavy chart? Run. Because they don’t want to love you—they want to own you.

• Pluto synastry is the hardest to leave.

Try leaving someone with Pluto contacts—you’ll trigger their deepest fears. Then what? Stalking. Harassment. Manipulation. Blackmail. Trauma bonding disguised as love. It’s not deep—it’s dangerous.

• 8th house overlays with someone who’s earth- or air-dominant?

They will emotionally avoid you. They’ll intellectualize what you feel. They’ll withdraw from the depth you crave. Don’t give 8th house intimacy to someone who’s allergic to emotional nakedness.

• Moon-Venus synastry sucks when your elements clash.

Think of it this way: the Venus person is loving, expressive, maybe even drenched in water energy. The Moon person, backed by air placements, doesn’t know how to give that nourishment back. Unbalanced. Heartbreaking. Disorienting.

• Neptune in synastry is sweet until you see clearly.

You thought it was spiritual? It was a dream. A fog. A lie. When you finally wake up from a Neptune illusion, you won’t just be sad—you’ll be furious.

Let’s talk aspects:

Trines are lifelines—especially when afflicted planets are involved.

Pluto-Venus?

Chiron-Sun?

Mars-Venus?

Mars-Moon?

These need ease. A trine can save your ass.

Even Saturn-Venus—if it’s going to show up, let it be a trine. Trines won’t erase the challenge, but they allow integration without devastation.

Sextiles are the REAL growth aspects.

Growth doesn’t come from opposition in synastry—it comes from compatibility with room to stretch. Sextiles are where the tools already exist; the work just needs to be done.

Mercury-Mercury? You learn to communicate.

Sun-Moon? You evolve in understanding.

Sextiles = fertile ground.

• Not all synastry is a blessing. Some will make you regress.

Some synastry is so unbalanced, you’re the healed one dealing with someone who hasn’t even started their journey. Be cautious. Love doesn’t require sacrifice—it requires alignment.

Signs to double-check in synastry ( OR YOU’LL BE CRYING FOR 30 DAYS & 30 NIGHTS)

• Libra: Harmony seekers, but too logical. Growth struggles in their passivity.

• Capricorn: Avoids emotional conflict. Escapes into work and distraction.

• Virgo: Dissects emotions like lab experiments. Vulnerability is their greatest struggle.

• Aries: Intense, bored easily. Emotionally inconsistent.

• Gemini: Commitment requires constant stimulation. Predictability repels them.

• Scorpio: More strategic than romantic. Love feels like a study.

• Aquarius: Romantic neglect is their blind spot. Detached. Prioritizes everything but you.

Houses that make it hard to leave: ( I’m talking break-up to make-up, Mercury rx and Venus rx bringing you back, calling off of no caller ID, stalking their social media, 1000 of apologies and make-up sex)

• 2nd: Possessiveness. Tangible security.

• 3rd: Mental stimulation. You learned so much.

• 4th: Emotional intimacy. Safety.

• 5th: Pleasure. Joy. Creativity.

• 6th: Devotion. They took care of you.

• 7th: Projection of long-term potential.

• 8th: Shared shadows. Deep exposure.

• 9th: Big dreams. Future plans. Soul talks.

• 12th: Unexplainable soul pull. You think of them without meaning to.

[sneakyxthexclown]

How Blitz Saved Stolas in Mastermind

Something I've been wanting to do for a WHILE is talk about a very, very specific scene in Mastermind. Seriously, it's, like, two sentences long, but it really stuck out to me, and I've been thinking about it since November. (Apologies if other people have talked about this before!)

Let me preface by saying, I LOVE English and writing. I minored in English with a writing concentration in undergrad, and I used to work in my college's writing center. When I didn't have appointments, I would study grammar rules and shit like that. While English is, in fact, a very stupid language, it is still quite fascinating.

The thing that really stuck out to me in Mastermind is Blitz's use of something called "passive voice" during the trial.

For those who may not know, passive voice is a way of constructing your sentences. It makes it so that the object of the sentence comes before the verb, and, in a sense, it can "hide" the subject. This is different from active voice, where the subject clearly does the verb to the object. For example:

Active voice: I (subject) kicked (verb) the ball (object).

Passive voice: The ball (object) was kicked (verb) by me (subject).

I've had MANY teachers tell me that using passive voice at all is a big no-no, and that's due to a couple of reasons. First, passive voice tends to create a more complex sentence, which can be harder for readers to interpret. And second, some people consider it too informal or "not proper" for writing because it's not as clear or concise as active voice.

HOWEVER

Passive voice is often still accepted when a person wants to remove blame or hide responsibility. For example:

The lamp was broken. The car was wrecked. The bank was robbed.

See how you still know what happened in all of those instances, but you don't know who did it?

That is exactly what Blitz does during the Mastermind trial.

After he admits to stealing the book (or "attempting" to steal the book as he says), he then states,

"Point is! It was given to me, okay? I was allowed to use it."

Instead of:

"Point is! Stolas gave it to me, okay? Stolas allowed me to use it."

Passive voice. Why?

To keep Stolas out of it. To protect him.

I believe that if Blitz had mentioned Stolas's name earlier, it would've been a surefire way to not only save Millie, Moxxie, and Loona but also his own life. I mean, look at how fast Satan was willing to change his tune once Stolas "confessed." Couldn't Blitz have just said, "hey, dude. Uh, actually, the royal who owns this book let me do all this, soooo, isn't he the one who should be in trouble here?" (Now, maybe Satan wouldn't have bought this since he wasn't willing to listen to most of what Blitz was trying to say that day, but that is an entirely different conversation.) He could've done that by using active voice.

But he didn't. He intentionally kept Stolas out of that entire conversation. In fact, Blitz never even mentions Stolas's name until Andrealphus already brought him up, until Blitz admits that he could've killed Stolas himself. But that still doesn't put any blame on Stolas. If anything, it just makes Blitz look more guilty.

I think we can all agree that Blitz isn't the type to throw his friends under the bus. Obviously, if Blitz and Stolas were on good terms, he would do anything to protect him. But they weren't on good terms.

This all takes place after the Full Moon, after Apology Tour, after all the screaming and the raging and the storming off in tears. Prior to the trial, the last time Blitz and Stolas saw each other, Blitz left still under the impression that Stolas was mad at him, that Stolas wanted nothing to do with him.

And even still, he didn't acknowledge the fact that Stolas did allow Blitz to use it (despite him stealing it first). Even though they weren't even close to speaking terms, Blitz still protected Stolas that day.

He could've tried to save his own ass. He could've been petty about the deal and said, "here, Stolas, this is what you get." But he didn't. Because even though Blitz has his own valid reasons for being mad at Stolas, he still loves him. And he'd still do anything to keep him out of danger.

Blitz tends to prefer actions over words (e.g., that's why Blitz gets upset when Stolas gives him the crystal. He interprets Stolas's actions as "you're throwing me away.") Stolas tends to prefer words over actions (e.g., that's why Stolas gets upset when Blitz roleplays with "I love you/I'll stay with you." He interprets Blitz's words as "this is a joke to me.")

But that day? They both chose the opposite.

Stolas's actions saved Blitz. And Blitz's words saved Stolas.

Isn't that neat?

[fillinforlater]

On her jeans (Part 1 of 3)

Male Reader x Kim Minji

Length: 3128 words

Tags: backstory, sex as payment, degradation, all things blowjob: face fuck, deep throat, gagging, chocking, throat bulging, rough face sex, training, passive hand job, master/daddy kink, desperate_trainee!Minji

TW: Minji is selling herself here kinda (oh no)

Credit: @sooyadelicacies for co-writing this crazy series with me. Mad lad!

-Part 1- -Part 2- -Part 3-

(A/N: Hey you! I know you're reading this. Get ready for your favorite girls to get defiled one-by-one. Goon or go (or something like that, sounded cooler in my head). For everyone else, have fun!)

"Huh? Minji? What are you doing here?" 

Kazuha asks, surprised to see the still-trainee on this floor of the HYBE building, knocking on an unoccupied training room that she has nothing to do with usually.

"I-I came here to ask you about something,” the younger stutters. “I heard you were personally selected for LE SSERAFIM—and that there is some backer for your success. Even th-the group's scandal went away without a hitch. 

“Who is helping you, who is he?"

"What are you talking about?" Kazuha responds, face in scrunches. 

"I know that you know, Unnie," Minji says and catches the door before Kazuha can close it again. "I need answers, please. I-I've seen their plans, this is going to blow up, we'll be a failure, HYBE's loving stock.

"I can't fail this."

Kazuha looks at the determined young girl, her face loosening up a bit, turning from trying to defend her future spot at your side from a new rival to worrying for Minji. She curls her finger and Minji enters the otherwise empty training room.

"You have some dangerous knowledge," the Japanese woman then says. "Asking for this—I think you have no idea what you might get into."

"Doesn’t everyone say this about the industry?" Minji responds with wit and looks at Kazuha's sweaty body in the mirror. "Everyone always shares their doubts, from the moment you start. And now we are here, ready to debut. I know I have talent, but will it be enough?"

"You really want this, Minji?"

"Yes, Unnie, more than anything."

"How old are you?"

"Eighteen. Why do you—"

"I'll give you his number." Kazuha sighs deeply, but nonetheless, her words have Minji in a delighted dance. "I'll tell him that you are good, so be good, be honest to him. I'm doing you a favor here."

"Thank you so much, Unnie!"

"But be careful: he is greedy, he wants more than you can imagine, so be ready to give him everything. And also—" 

Kazuha pinches Minji's chin, tilts it towards her piercing eyes and whispers in the most kind yet threatening voice: 

"Never try to get between him and me."

# 

"Oh my—your concept, these plans. They are fucking terrible. It's going to take a lot to salvage this, even you seem to know that, Minji." There is no need for you to hold back. If you think a plan is bad, you better tell someone before they fail. You’ve seen your fair share of bad plans, but not by HYBE and not to this extreme.

"I-I know. I tried to tell them, but the managers just shut me down.” Minji puts her arms back on her thighs. They were just dramatically cast into the air to get her point across, but the young girl saw your unimpressed gaze and quickly got professional again. “They are running us straight into a brick wall."

"I've seen many examples like this. A lot of companies think they can do no wrong, especially when a lot of time has passed since their latest failure." 

You give Minji her tablet back and rest your chin on one hand, the other tapping the giant desk before you. You are deep in thought, at least Minji should believe that. Instead you are looking into her eyes, mariana trenches of passion, hopefulness, determination. Minji has a pretty face, leadership qualities, all the skills of a superstar but most importantly, she has some thick lips that will be perfect for cock sucking. 

Okay, you are getting ahead of yourselves. The other big thing she has is the willingness to trade everything for her dream, for hope, maybe for fame too. She will give her dignity for glory—and you will make her do it right fucking now.

"This is a difficult case," you say slowly, watching her expression shift a bit, not yet gloomy but getting there. "Luckily, I and HYBE still have the time and resources to make your debut a success. People will talk about it for a long time. I can even guarantee you a music show win from the get go."

"Really? Oh my God, thank you so much, sir. You are way too kind." Minji jumps from her seat and takes a deep, formal bow. "I hope I can lay all of this in your hand?"

"You sure can, Minji, but you know this comes with a price, a hefty one at that. This cannot be solved with two phone calls and some convincing. Hell, I barely have any time." You stand up from your chair and look at the young woman, upper body still tilted but her huge eyes fixed on you, now you’re in front of her. You still dwarf her and she only now knows that she is completely outmatched and will pay up.

"I-I will give you everything, as soon as I can," she stutters. "I only need some time and, and—"

"But I need it now, Minji. Right fucking now.

"Get on your knees."

"Sir?" Minji asks, shocked. "On my knees? Do-do you want me to beg?" 

You snort. “I thought you were smarter. What did Zuha tell you exactly?” 

“H-how did you know—?”

“Minji, what you're asking for requires a complete 180. Your entire concept will have to be changed. From what I’ve heard, you need some new songs too. I have someone in mind who can spearhead your group but she's a wildcard, batshit insane really, but the right kind of crazy needed for something like this. But all of this will take a lot of fucking effort, time and money. And I need you to prove your worth, now."

Push down on Minji's shoulders until she winces and sinks to the floor. Black tiles, hard, cold and somewhat reflective. You know that for a moment all of them hesitate when seeing the rough outline of their head mirrored back to them. Are they really going to do it? Is this what they have to sell? Is it worth it? 

Those that stayed are now superstars and because Minji somehow knew about it and had the guts to look for you, there is not a single doubt in you that she will devote herself to you.

"I can make your dreams come true," you proclaim calmly, yet your words put Minji under unbearable pressure. "Fame, money, success are all guaranteed, out of question, beyond that everything is possible. When you just stay there, on your knees and open your pretty mouth—"

A zip and your semi-hard cock is released, to the absolute shock of Minji, whose mental image of her face is replaced by the first phallus she has ever seen before her eyes. 

"—I'll fulfill your desires."

Minji looks up at you and gulps. She thought the auditions and training evaluations were the final tests respectively, but now her entire career comes down to this one huge cock right in front of her. She curses the producers, the managers, those idiots at Ador—their mistakes have to be redeemed by her sucking dick and lowering to the level of a desperate whore.

Minji has no option. Idols are born from hardship and this is just another step, she believes. So her lips part a little, and when she locks eyes with you, they part a lot more. With a satisfied groan, you shove your cock deep into her throat.

"From now on, you'll call me Master. Later will be Daddy, but not until you've proven worthy. Your next few weeks will be rough, new people, new songs, new choreos." The first tears form in Minji's gorgeous eyes as gags bounce through your office. "I don't care how tired or sweaty you are, when I call you, you come to me right after practice, no excuses. You will obey every fucking wish, especially because I have so much work with you."

You drag your balls over her chin, let your cock rest at the top of her mouth and open it wide. Minji is clumsy with her teeth and with the way she tries to dodge your thrust, be it intentionally or out of fear. This is of course vastly inferior compared to a blowjob from all those second and third gen stars you've made big after giving them your big cock.

The only redeeming, already great quality, are her lips. Natural, not a talent or skill. She'd be a lot better just not moving, not thinking, a fleshlight, but how should such a young woman know?

"I assume you're smart enough to understand all this," you tell her expectantly and pull out. Minji leans forward and coughs up her saliva on your floor. You grab her hair and pull it back, get ready to spit at her, but she has wit.

"Ye-yes, Master. Excuse my incompetence, I—you're so big."

"No crying? No regrets? Well, that's more impressive than your blowjob skills. How about you clean up your incompetence?"

You take a step back and pull her face down, down by the hair, onto the tiles where her spurts of saliva lay. Minji hisses out in pain, you know she stares down angrily, shocked at how rude you are to her. She grits her teeth—

"Yes, Master, sorry, Master."

—and begins to lick the floor, slowly and only with the tip of her small tongue.

You are mildly impressed that she adjusted to her situation rather quickly. It is the sign of a prodigy in bloom. 

"I am curious, baby girl. I was informed you didn't really set out to become an idol. So why put yourself through all of this?" You muse and question her. Minji's eyes widened a little, finally shifting from their bristling anger. "Oh, I know everything about you, Kim Minji. It is my job to know and then some. So tell me: what is your ambition? What is your desire?"

"Who doesn't dream of being famous?" Minji says, determination in her eyes which she has pointed at you like sharp, pointy arrows. "I want to be a star, the idol that all my classmates, parents, grown-ups have never seen in me. I want to show them how wrong they were."

"Too bad that even after joining the great and successful HYBE, you are about to be their first blunder," you taunt her and slap her forehead with your cock. "Good thing you're ready to suck cock for some adjustments of their mistakes."

Minji puckers her lips and a bit carelessly gets your cock back onto them, spreading small licks on your cockhead. "This is nothing, I know hardship."

"Oh, 

"You call this nothing?"

You tsk and slap her face with your cock.

"You know hardship? Do tell, Minji..." You grip her head and begin to plunge into her mouth. "Hardship? We haven't even started yet. I'm not even at full size, stupid girl!" 

You see her eyes widening as tears begin to form with your rough treatment. Thinking back to Minji's words, you read her well. People doubted her—you could too. She wasn't so different from the others you've trained. All they needed was education to rely on you, devotion to you and love for you and only you.

"Make sure to keep your fucking teeth off of it," you growl while your fingers search for new ways to pull at her hair, to push her away and then slam her back down on your cock which is finally hardening at the arousal her fearful face brings. The inside of Minji's mouth grows wetter, sloppier, warmer, until suddenly—

The annoyance of her teeth returns and it stings. To start with blowjobs has both been a disaster for your pleasure but intense fuel to introduce Minji to the harsh reality that is you; you and the success that you bring. Everything she has ever wanted, you can bring her, and so she fights trough the tears and accepts that you press her flat on the floor and fuck down into her mouth like it's a pussy.

"Open wide, open wide," you repeatedly command, a hand on Minji's jaw to help her make this command come true. "You useless slut, don't waste your lips on such pathetic blowjobs. Fucking hell, when I'm done with you, you better deepthroat like a mid porn star.

"Fucking waste of my time, you stupid stupid girl. This is the standard HYBE is accepting now? Fuck, maybe we can't even blame the company for your group's future failure—it will all just be on you. If you don't fucking step it up, this is the last time you will ever contact me." 

Gaze still intensely focused on her, you pull out your cell phone and unlock it. You don’t really use it for much, except for phone calls, but this alone makes this device insanely valuable. You however don’t need to make a phone call now. You only need to show Minji one thing: your contact list.

She can see you scrolling past the names of tons of people, all in the industry. Well known producers, managers, executives, staff members, but most importantly, all highlighted by a colorful array of yellow, orange, red and pink: 

The full names of hundreds of female idols. Minji scans through the list, recognizing one Unnie after the other, from nugu second gen groups to absolute super stars.

You pull out of Minji's mouth, give her time to cough up all leftover spit and wipe her tears away. Ultimately, you help her up from the cold hard floor, the only thing still laying on the floor is her pride.

"Do you get it now?" you ask and look at her, eyebrows raised with the highest of expectations.

"Yes, Master."

"Then you know what you have to do."

"De-deepthroat like a p-porn star."

"Can you do that?"

Minji hesitates, something you cannot stand for the love of everything. You grab her hips and throw her on your desk, spin her until her head is hanging off of the table. With no further warning, because she does not deserve those anymore, you press your cock on her lips and fill more than her mouth. Minji's throat starts to visibly bulge from the massive width of your cock. 

Of course she is gagging, kicking her feet but that isn't even a flight response. There is no need for you to pin her down. She wants to stay, wants to become a good slut, a stupid girl that can suck your entire cock. Sadly, her newfound eagerness isn't rewarded with success. She needs training and stretching and so you stretch Minji's throat with lazy thrust and train her nose to accept your balls on them.

"You're so silly, but finally, we have some effort, Minji," you growl and reach into the top of her shirt. "We can work from here."

You fondle her breasts, run your hands down her soft stomach. 

"Good, I can definitely work with this. You remind me of—" 

But you pause, not wanting to divulge any advantages for her to pick up on. She looks like an absolute fuck doll as her head continues hang off the table. Even upside down, it was pretty when stuffed with your cock, your balls now touching her lips with each plunge. 

"Minji, it's not enough to deepthroat like a porn star. You'll learn to deepthroat like one of my perfect sluts, whores. Porn star is a start, but it will soon be an insult to you.”

She had no idea that her consideration as a future perfect whore meant you already took a liking to her. As of now, all she knew—no, all she could think of—was your cock and that she needed to keep her teeth off of it. It needed to fuck her throat if she wanted any chance at a great career. 

And so Minji takes it, acts like a whore who willingly gets gag induced drool over her face, then fat, filled balls on her nose and accepts the greedy hands all over her midriff. Minji always thought that she needs this tight, perfect form for the approvement of the public—now it's you who decides if her body is acceptable and ripe for a fucking. 

Your seal of approval is the frantic way you tear open her shirt, then her bra and start to knead her breasts, while her tongue movements become actually enjoyable. You thrust harder, making Minji's face pale as she struggles to get air. She looks gorgeous like that, so you slap her tummy and before the choking is too hard, you back off and pull your pants up.

"That's it for today," you say as Minji still gasps for air. "From now on, you'll be here everyday after practice."

Short silence, disbelief in her eyes. "H-huh—yes, Master."

"The door will be open. Walk in and lay down on the table, just like this. You will wait until I return or have time for you. It doesn't matter what happens, you will lay there until I am finished with you."

"Yes, Master."

"A lot will change." You rub sweat and spit off her temple with a gentle hand and look at her glassy eyes. "You might not get any sleep at all. Now you will learn true adversity.

"Okay, fuck it. You don't deserve this, but I don't care."

Pull your pants back down and lower your balls onto Minji's mouth. This time, there is no hesitation, and she opens her fuckable lips wide. Her tongue starts to twirl around your sac while you begin to jerk yourself off. When Minji finally starts to suck, you feel a satisfying conclusion to this messy meeting arriving. But—

"Why would I do it myself? Get your hand here!"

You find one of Minji's hands and start to spit on each finger. Like a waterfall, it runs down until you deem it lubricated enough. Then you put them around your manhood and begin to thrust. It's a lot colder than a pussy, but Minji seems to instinctively know how to tighten the gap, the grip, her hand-pussy suddenly becomes worth cumming in.

Take a final breath and climax, each pump sending long streaks of pearly white on Minji's body. You cover her in seed until one long line, from her navel to her throat, forms and you admire how carefully she worships your balls. Wipe your cockhead clean on her hand and make a mental note to have this soft palm be a useful masturbation aid for another time.

"Who would've thought that you're already in love with my balls?" You almost crack a smile through your stone cold facade. "A good sign that you're already a whore."

"M-Master, I..."

"Shut the fuck up.

"Tomorrow, after practice. No underwear, no questions, no one is allowed to know."

[sydneymykah]

BEYONCE THE MESSENGER?

⋆⋅☆⋅⋆ Astrology & Numerology ⋆⋅☆⋅⋆

𝐖𝐇𝐘 𝐈𝐒 𝐁𝐄𝐘𝐎𝐍𝐂𝐄 𝐑𝐄𝐋𝐄𝐀𝐒𝐈𝐍𝐆 𝐀𝐋𝐔𝐁𝐌𝐒 𝐎𝐍 𝐅𝐑𝐈𝐃𝐀𝐘 𝐓𝐇𝐄 𝟐𝟗𝐭𝐡?

ACT I: Renaissance - July 29th

ACT II: Cowboy Carter - March 29th

Act III: ____ - ____ 29th?

⋆⋅☆⋅⋆

★ Beyonce is a spiritual woman. She makes it very apparent in her lyrics and her visuals. She’s a believer in astrology, religion, the occult and spirituality. Beyonce is also an intentional woman. So I find it to be no coincidence that those reasons are behind why she decided to release her three act projects all on the 29th of specific months. Both on Fridays.

“Cuz I’m a clever girl” - Beyoncé

𝐅𝐫𝐢𝐝𝐚𝐲 - 𝐕𝐞𝐧𝐮𝐬 𝐝𝐚𝐲

★ 𝐑𝐞𝐥𝐞𝐚𝐬𝐢𝐧𝐠 on Friday is nothing new in the modern days of music. In fact Beyonce pioneered it and made it an industry standard when she dropped her self titled album with little to no announcement. With visuals to back it. Making Friday, the day of Venus, the day she drops albums feels alined. Especially with these three act projects. She could’ve easily picked any day as we’ve seen with artists like Tyler the creator who dropped his recent album on a Monday morning despite the new norm.

★ 𝐅𝐫𝐢𝐝𝐚𝐲 is ruled by Venus which coincidentally so is Beyonce. Venus rules many things involving beauty, love and the arts. Her choice to release what will probably be her most studied albums next to lemonade on the day of Venus feels like beautiful poetry. Since self titled Beyonce has put artistry over hits. (Although 4 laid the foundation) Artistic vision over charts. Visuals and story telling over gimmicks. In 2013 she said in her documentary life is but a dream, “People don’t make albums anymore”. Ever since then she’s been putting all her passion and love into these projects. Choosing Friday to release her albums and then that choice becoming the norm can show not only her impact but how shes become all about the art.

★ 𝐕𝐞𝐧𝐮𝐬 the goddess, who Beyonce has also channeled, was worshiped for her beauty and eroticism but also for victory when she brought victory to the Romans. Beyonce invokes victory when she uses her platform and status to get what she wants. Specifically as an artist she wants people to pay more attention to black music history and the importance of black artists. To many, whether in the industry or not, Beyonce is seen like a hero. Especially to black woman. Her victories feel like ours. Beyonce credits black artists who were/are overlooked and uplifts the new upcoming ones. When she wins awards and breaks records with these songs/projects we too win with her.

𝐓𝐡𝐞 𝟐𝟗𝐭𝐡

𝐈𝐧 𝐧𝐮𝐦𝐞𝐫𝐨𝐥𝐨𝐠𝐲 𝟐𝟗 𝐞𝐪𝐮𝐚𝐭𝐞𝐬 𝐭𝐨 𝟏𝟏.

11 in numerology:

★ 𝟏𝟏 in numerology can be perceived like yin and yang. The masculine and feminine, the active and passive. Both exist next to each other. One and One. Balance. Which can be representative of what Beyonce wants out of these albums. To set things right. “We’ll be the ones to purify our father’s sins”. 11 can be referred to as the physic master. Jesus being the example for his name adds up to 11. Being the messenger of god. Beyonce is a religious woman so it’s no stretch to think she believes she should be a messenger of god as well. She sees the future she wants with these albums. She has even referred to herself as “Beysus” just saying lol. 11 being the numerology behind the day she releases these specific projects her message is to educate the masses on the black history of certain genres of music. These albums existing being the message she wants to put out.

★ 𝐒𝐩𝐞𝐜𝐢𝐟𝐢𝐜𝐚𝐥𝐥𝐲 with 2 and 9 being what makes 11 here it’s stated that 2 is peace and fluent speaker. 9 being humanity and brotherly love. This three act project is meant to represent all of these things. Beyoncés using her voice and other peoples voices to send a personal message. Beyoncés own personal journey of finding peace. Humanity being talked about specifically racism, discrimination, and misogyny. Brotherly love being exuded in these projects through collaboration and the merging of genres.

Numerology pdf ;)

11 in tarot:

The Justice Card

★ 𝐓𝐡𝐞 Justice card. Being the symbol of truth and representing justice, fairness, and showing us the outcome of certain actions. The time of judgement. Beyoncé’s Act one and two share a similarity. The reclaiming of a genre(s) that originated with Black/African Americans. Renaissance being house music and Cowboy Carter being country. It feels extremely intentional that this date, the 29th, was chosen for this exact reason. Beyonce is, if you will, bringing justice to the black voices that were snubbed and silenced out of their own genres. She’s placing judgment on the music industry who has upheld ostracizing, discriminating, and casting aside black artists in these said genres.

11 in astrology:

★ 𝐀𝐪𝐮𝐚𝐫𝐢𝐮𝐬 is the 11th sign in the Zodiac. Ruled by Uranus this air sign is known to be UNIQUE. Futuristic, ahead of its time, innovative, a bit more free thinking than others and carries humanitarian traits. Aquarius tends to care a lot about the environment around them especially their community. This is why the 11H is the house of friendship, networking, and social groups. The topics of the first two acts aim to show the possibilities of being a genreless artist, finding community and giving back to communities. Uranus is a planet that rules the future. The interesting thing about this to me is the best way to predict the future is to know the past and to be aware of the present. When it comes to Beyoncés 3 ACT project they all aim to be innovative. (We don’t have act three yet but that’s a clear pattern) Not just sonically but lyrically as well. Knowing the past of these genres, how they’re being treated in the present and shining a light on them, hoping for a better(more just) future. It’s crazy to see how quickly these predictions/observations have come true. We hear Beyonce say lines like “Wildfire burnt his house down, insurance ain’t gon pay no Fannie Mae,” and we’ve seen the fires in LA and how insurance companies have treated the victims. Beyond this Beyoncé’s purpose of these albums in my opinion is to show the potential future of music, specifically music that black people have been shut out of. With the hopes more black artists feel the freedom and liberation to be in any genre they want to participate in. I mentioned Aquarius being a bit more free thinking than others. At the Renaissance tour the interlude right before I’m that Girl had a line that is looped repeatedly: “Be free”. And quotes like, “whoever controls the media controls the mind”, and “Imagination is more important than knowledge”. Using symbolism like hive mind, the news and robots to show her audience to free themselves of the box society puts them in. The box society and the music industry has tried to put her in.

Overall:

★ 𝐓𝐡𝐞𝐫𝐞’𝐬 definitely a clear pattern as to why Friday the 29th was chosen to be the date these albums are being released. The artistic integrity, the feeling of victory when a new album is released and the unsung voices of the past get the chance to be seen and heard. Beyonce places herself as the messenger, the mastermind, the judge. The one with the sword and the one with the light. Passing judgment to the music industry who has treated her and other black artists of the past with blatant disregard after years of being discredited. She does this whilst also uplifting the new artists, the artists of the future. To be innovate, think outside the box, and to be free.

There’s more to add here considering the specific months these albums were released and the astrology behind the number 29 more. So stayed tuned, there might be a Pt. 2

xoxo

- Sydney Mykah ✫彡

[notnights]

PV’s tips for some Gangle writing:

We don't know all the depth Gangle has just yet, but there are a few things I notice as patterns. What they mean and why she does them are of course up to interpretation, said interpretations are what we can use to give some fun insight into what and how we write about her.

Gangle actually talks back to Jax.

"You didn’t do anything." "I feel like that violates some kind of convention." Shaking her head no at him in the dinner scene.

Prompt examples: How far is she willing to talk back? Is this her own small form of rebellion against her situation?

She questions things, she’s often asking what’s going on.

“What about Zooble?" "How’s Kaufmo doing?" "WHATS HAPPENING?!" (anyone would probably ask this one in that situation) "Why are there two bad guy trucks?”

Prompt examples: Why is she so curious? Does she want to make sure she's kept in the loop?

Gangle actually speaks pretty clearly.

Despite speaking through tears and stuffy nose, she's pretty clear. She will get a shaky or quiet voice, but not stutter. In fact Pomni stutters more than her so far.

No prompt examples for this one, this is more in relation to how certain dialogue could be from her, tips on how to make her "sound."

Gangle appears to see situations that need involvement, but is passive about getting involved.

-Worrying about Zooble being taken by the gloinks but not doing anything about it herself until Jax finally gave her the task. -Rock, paper, scissoring Kinger for who would actually help Zooble (she gets lucky Kinger does it anyways). -If Jax hadn't made her drive in episode 2, its hard to say she would have had much of a role in the adventure itself. -She just sits there as they interact with the Fudge -She keeps lookout as they travel, it's possible either Jax or Ragatha (they're the two that take leader initiatives so far) gave her this task seeing as previous evidence shows she's less likely to take initiative in a task herself. (We only have two episodes so this is subject to have more evidence against it in the future.)

Prompt examples: Why does she lack motivation? Does she have any motivation? Why does she not want to get involved? She is indeed submissive and agreeable.

Those are the things that standout most to me, and usually what I question when making funnies involving her. Give all the love to this gangly woman.

[moonselune]

hi there 🙃

could you write the female companions' reactions to a normally passive (as in, pacifist, -- bard, healer, etc) tav, who genuinly dislikes violence, absolutely demolishing someone after they dared lay hands on their beloved?

not like in a, 'dont touch em!! Take dat!!' way after someone accidentally bumps shoulders with their partner, im talking about someone insulting tavs significant other, both physically and verbally, SO BAD, that tav cant help but go ballistic on em 😦

like, for example, someone berating Shadowheart, mocking her, mocking shar, kickin her to the ground n allat, and before she can even respond or fight back, the very same person who was berating her suddenly has a spear impaling them through the heart ?? As the stranger falls down, tav stands tall behind them, pulling the spear out and hurling it to the ground along with the now lifeless corpse 👽

if this is too dark feel free to ignore 💕

Ahh I love this and not too dark at all xox

Karlach:

The camp was quiet, the crackling of the fire and the occasional distant howl of wildlife the only sounds in the crisp evening air. You watched as Karlach, her fiery mane glowing in the flickering light, paced near the edge of the clearing. Her usual exuberant energy was gone, replaced with a taut line to her shoulders and a clenched jaw. It was rare to see her so subdued, and it made your heart ache.

The cause of her distress, Gortash’s lackey—a smarmy, cruel barite with a penchant for striking where it hurt most—still lingered in the shadows, his mocking laughter replaying in your ears.

“Naive and stupid,” he had jeered earlier. “To think you’d ever amount to more than a pawn, Karlach. A brute without a brain. That’s all you are, just a weapon Gortash no longer needs.”

Karlach had held her tongue—barely. You’d seen the way her fists had clenched, the way her chest had heaved as she fought to keep her Infernal Engine from roaring to life. Instead of lashing out, she had walked away, muttering about needing to cool off.

But you couldn’t let it go. Not this time.

You rose from your seat by the fire and slipped into the shadows, the hidden dagger in your boot feeling heavier than usual. Violence wasn’t your way; it never had been. But for Karlach? For the woman who had given you her heart, who carried so much pain behind her warm smiles and boundless energy? For her, you would make an exception.

You found the lackey leaning against a tree, a smug grin plastered on his face as though he thought himself untouchable. He didn’t even notice you approach.

“Lost, are we?” he sneered, his eyes finally meeting yours. “Or have you come to defend your pet?”

You didn’t respond. Instead, you closed the distance in a flash, the dagger in your hand before he could even register the movement. One swift, silent motion, and it was over. The man’s eyes widened in shock as he crumpled to the ground, his lifeblood staining the forest floor. You wiped the blade clean on his cloak, your heart pounding in your chest—not from fear, but from the fierce protectiveness that had driven you to act.

When you returned to camp, Karlach was sitting by the fire, her head resting on her knees. She looked up as you approached, her fiery eyes searching your face for any sign of what had transpired.

“Where’d he go?” she asked, her voice tinged with confusion. “The loudmouth. I didn’t hear him leave.”

You sat beside her, tucking the dagger away as nonchalantly as possible.

“Don’t worry about him,” you said softly, offering her a reassuring smile. “He’s gone now. Probably realized he wasn’t welcome.”

Karlach tilted her head, studying you for a moment. Then she smiled, a small, grateful thing that made your heart swell.

“Guess even idiots like him know when to back off, huh?” she said, leaning into your side.

You wrapped an arm around her, pulling her close as her warmth seeped into you. If she suspected anything, she didn’t show it. After all, you were the pacifist, the one who hated violence. The idea that you could harm someone—let alone end them—would never cross her mind.

As you sat there, the fire crackling softly and Karlach’s tension melting away, you felt a strange sense of peace. You had done what needed to be done, and Karlach was none the wiser. She didn’t need to know. All that mattered was that she was safe, her spirit undimmed.

You pressed a kiss to the top of her head, your lips brushing against her wild hair.

“I’ll always look out for you,” you murmured, more to yourself than to her. And you meant it—no matter what it took.

Minthara:

The dimly lit underdark tavern was alive with the quiet murmurs of its occupants, the air thick with the heady mix of incense and intrigue. Minthara stood at your side, her presence regal and unyielding even in the face of a room filled with drow - some nobles. Their venomous words and sidelong glances were nothing new—Minthara had endured their scorn since the fall of the Absolute. But tonight, one of them crossed a line.

Lady Velrith, a figure draped in finery as dark and ostentatious as her twisted smirk, circled Minthara like a predator.

“The mighty Minthara,” she drawled, her voice dripping with mockery. “Once a chosen of the Absolute, now… what? Cast aside by the very gods you claimed to serve? Even Lolth herself wouldn’t sully her name with your devotion.”

Minthara’s hands clenched at her sides, her jaw tightening as she prepared to retort—or strike. Her amber eyes glinted with barely contained rage, but before she could act, you stepped forward.

“Enough,” you said, your voice calm yet laced with a warning. Velrith turned her gaze to you, clearly unimpressed by your intervention.

“And who is this?” Velrith sneered, looking you up and down. “Minthara’s little pet, come to defend her honor? How quaint.”

Your grip tightened on the hilt of your dagger, hidden beneath the folds of your cloak. You were not one for violence—it was something you abhorred, something Minthara often teased you about. But this time, this venomous noble had gone too far. Minthara was yours, your heart, your everything. No one insulted her and lived to gloat about it.

Without a word, you lunged. The dagger moved like a whisper, slicing through the air and finding its mark in Velrith’s throat. Her eyes widened in shock as she staggered, clutching at the wound, blood spilling between her fingers. She collapsed to the floor, lifeless.

The chamber fell into stunned silence. You stood over the noble’s body, your chest heaving as you looked down at her. The room seemed to shrink around you, every eye locked on the scene. But none mattered except Minthara’s.

When you turned to her, she was staring at you, her expression a mixture of astonishment and something else—pride.

“You… killed her,” Minthara said, stepping closer. Her voice was quiet, but the weight of her words hung heavy in the air. “You, who flinch at the mere thought of bloodshed.”

“I did,” you replied simply, wiping the dagger on a scrap of cloth before sheathing it. “She insulted you. I couldn’t stand by and let that happen.”

Minthara’s lips parted, as though she wanted to speak but couldn’t find the words. For a moment, the ever-composed drow was at a loss. Then, a slow, almost predatory smile spread across her face.

“You stole my kill,” she said, her tone light but edged with amusement. “But I find I cannot be angry with you. Not when you’ve proven yourself so… capable.”

“I wasn’t going to let her speak to you like that,” you said, stepping closer to her. “You deserve better.”

Her amber eyes locked onto yours, and she reached up to cradle your face in her hands.

“You surprise me, my love,” she murmured. “You, with your pacifist heart, spilling blood for me. I could not ask for a more devoted partner.”

Her words sent a warmth through you, even as the weight of what you’d done lingered in the back of your mind. She leaned in, brushing her lips against yours in a kiss that was both possessive and tender.

“Next time,” she whispered against your lips, “leave the killing to me. But… thank you. For reminding them, and me, that I am not to be underestimated.”

The two of you left the chamber together, her hand resting on your arm as though to shield you from any further hostility. Though you had shocked her, you had also proven your devotion in a way few ever could.

Lae'zel:

The air in Creche Y'llek was sharp with the scent of steel and the faint tang of psionic energy. Githyanki warriors moved through the halls with an air of superiority, their every movement deliberate and precise. You stayed close to Lae’zel, her presence steady and fierce as ever, though you could sense the tension coiling in her like a spring. This was her home, but it was no safe haven—not anymore.

“Traitorous filth,” a sneering voice cut through the air, stopping the two of you in your tracks.

A gith warrior, clad in gleaming armor, stood with arms crossed, his expression twisted into a contemptuous sneer. His name was Ver’sath, a seasoned warrior and a guard they had encountered at the entrance, and his eyes burned with disdain as they locked onto Lae’zel.

“You dare walk among us, tainted by the ghaik’s spawn?” Ver’sath spat, his voice dripping with disgust. “Your very breath defiles this creche.”

Lae’zel’s jaw tightened, but she stepped forward, her gaze like steel. “I am no ghaik, Ver’sath. I bear the parasite, yes, but it does not rule me. I will cleanse myself and prove my worth.”

Ver’sath snorted, taking a step back as though the mere proximity of her presence was offensive. “You are already lost, Lae’zel. A ghaik puppet masquerading as gith. I wouldn’t sully my blade or my honor by crossing steel with you.”

The insult hung heavy in the air, and you felt your blood boil. Without thinking, without considering the consequences, your hand darted to your weapon. Before Lae’zel could respond, you surged forward, the blade singing as it left its sheath.

The movement was swift, fueled by a fire you rarely allowed to burn. Ver’sath’s eyes widened in shock as your weapon pierced his chest, the blade slipping between the plates of his armor. He staggered back, a choked gasp escaping his lips as he collapsed to the ground.

Silence fell over the corridor, broken only by the sound of his lifeless body hitting the stone floor. You stood there, breathing heavily, your weapon dripping with blood.

“Lae’zel,” you began, turning to her, but her expression stopped you short.

Her golden eyes blazed with a mix of fury and disbelief. She grabbed your wrist, yanking you aside.

“Do you know what you’ve done?” she hissed, her voice low but intense. “We are in a creche! Such actions will not go unnoticed!”

You met her gaze, guilt and defiance warring within you. “He insulted you. He—”

“I did not need your protection,” she snapped, though her grip on your wrist softened. “This place is not like the surface. Here, there are rules—strict ones. You jeopardize both of us.”

“But he called you…” you trailed off, the weight of your impulsiveness settling over you. “I couldn’t let him speak to you like that. I couldn’t stand it.”

For a moment, Lae’zel said nothing. Then, with a heavy sigh, she released your wrist.

“You are a fool,” she muttered, her tone softer now. “A reckless fool. But… you acted from loyalty, and for that, I cannot truly fault you.”

Her gaze lingered on the fallen Ver’sath before returning to you.

“Come,” she said, pulling you away. “We must move quickly before his absence raises questions. But hear me, my love—do not act so rashly again. I can handle the scorn of weaklings like him.”

You nodded, swallowing hard as you followed her. “I only did it because I care.”

She glanced at you, the corner of her mouth twitching in what might have been the ghost of a smile. “I know. But let us survive this place, so you may continue to care another day.”

Shadowheart:

Shadowheart rarely showed fear. She was a woman forged in darkness, raised to endure pain and thrive in chaos. But as she knelt on the damp cobblestones of the alley, surrounded by sneering Sharrans, her shoulders trembled ever so slightly. Their taunts echoed off the walls, cruel and cutting.

"Look at her," one sneered, his voice dripping with contempt. "A failed servant of the Dark Lady. What a disgrace. Did Shar discard you like the trash you are?"

Another kicked her in the side, and Shadowheart grunted, but she refused to cry out. "Pathetic," the second hissed. "Begging for scraps of redemption when you were meant to walk the shadows."

The third leaned close, gripping her chin roughly and forcing her to meet his gaze. "Do you miss her embrace, girl? Or did you run because you knew you weren’t worthy?"

Shadowheart’s hand twitched toward her weapon, but she was outnumbered, outmaneuvered, and worse, they knew her weaknesses. She felt their jeers carving into her like knives, cutting far deeper than any blade ever could.

But then, a voice cut through the din like a blade through silk. “Take your hands off her.”

The Sharrans turned, their expressions shifting from derision to surprise as you stepped into the mouth of the alley. You weren’t carrying a weapon; you never did. You were a bard, a healer, someone who mended wounds and sang away sorrow. To them, you were no threat at all.

And yet, there was something in your eyes—a stillness, a quiet storm—that made them pause.

"Or what?" one of them sneered, recovering quickly. "You’ll sing us a ballad?"

Your gaze flicked to Shadowheart. She was watching you, her face pale but her eyes wide with something like warning—or perhaps pleading. And then your attention snapped back to the Sharrans.

It happened so fast they didn’t have time to react. In one fluid motion, you grabbed a discarded spear leaning against the alley wall—likely dropped there by the very fools now surrounding Shadowheart—and hurled it with deadly precision. The first Sharran crumpled to the ground, the spear embedded in his chest.

The others blinked in shock, their bravado faltering. Before they could act, you closed the distance. Your movements were a blur, driven not by technique but by sheer, unrelenting determination. You snatched the spear from the lifeless body and swung it in a wide arc, knocking the second Sharran to the ground. He tried to scramble to his feet, but you drove the butt of the spear into his skull with a sickening crack.

The last Sharran, the one who had dared lay hands on Shadowheart, stumbled back, his confidence shattered.

“You��re mad!” he spat, drawing a dagger. “You’re just a bard—!”

His words were cut short as you thrust the spear forward, impaling him through the heart. He looked down at the weapon protruding from his chest, his mouth opening and closing as if searching for words. Then he fell, lifeless, onto the cobblestones.

You stood there, breathing heavily, the spear still clutched in your hands. Blood dripped from its tip, pooling around your feet. Shadowheart pushed herself upright, staring at you in stunned silence.

“Are you hurt?” you asked, your voice softer than she expected. You turned to her, your hands reaching out, but when you saw the blood on them, you hesitated.

Shadowheart shook her head, stepping closer. “You…” Her voice faltered, her usual poise slipping. “You just…”

You dropped the spear, letting it clatter to the ground as you moved to her side.

“They touched you,” you said simply, as though that explained everything. “No one touches you.”

For a moment, Shadowheart didn’t know what to say. She had always seen you as the gentle one, the light to her shadow, the person who hated violence and refused to carry a blade. And yet here you were, standing over the bodies of her tormentors, bloodied but unbowed.

“You didn’t have to—” she began, but you cut her off with a look.

“Yes, I did,” you said firmly. “And I would do it again.”

Her lips parted, but no words came. Instead, she closed the distance between you and pulled you into a fierce embrace, her hands clutching the back of your tunic as though afraid you might disappear. You held her just as tightly, the adrenaline in your veins slowly giving way to the aching reality of what you’d done.

“You’re a fool,” she murmured against your shoulder, her voice thick with emotion. “A reckless, beautiful fool.”

“And you’re worth every risk,” you replied, your lips brushing against her hair.

For once, Shadowheart didn’t argue.

Jaheira:

The evening at the tavern had been pleasant—cozy firelight, a few shared drinks, and soft murmurs of conversation between you and Jaheira. That was until a brash mercenary swaggered in, loud and boisterous, his voice cutting through the calm like a blade. His gaze had landed on Jaheira almost immediately, and the mocking began.

“Well, if it isn’t the elder druid herself,” he sneered, leaning on the edge of your table. “Tell me, Jaheira, do you need a cane to walk the forest now? Or do you just lean on the young one here to keep from breaking a hip?”

Jaheira’s lips tightened, her calm exterior betraying the faintest flicker of irritation. “Is there something you need?” she asked coolly, clearly unimpressed by his attempt to bait her.

The mercenary chuckled, ignoring her measured tone. “No need to get prickly, grandmother. Just surprised to see someone your age still kicking about. Aren’t you tired of pretending you can keep up with the rest of us? Retirement suits your kind better.”

Your hands clenched under the table. You hated violence, avoided it when you could, but the disdain in his voice and the way he looked down at Jaheira lit a fire in your chest. Before Jaheira could respond—before she could dismiss him or turn him into a toad with a flick of her magic—you stood up, your chair scraping against the floor.

“Step outside with me,” you said evenly, your voice calm but cold.

The mercenary blinked, surprised by the sudden challenge from someone who looked so unassuming. “What’s this?” he laughed. “The pacifist wants to have a word?”

“Now,” you insisted, your tone brooking no argument. The quiet intensity in your gaze must have unnerved him, as his smirk faltered before he shrugged and followed you out.

The alley behind the tavern was dark, the cold night air biting at your skin. The mercenary turned to face you, still smirking. “So, what’s this about? You gonna give me a little lecture? Maybe cry about—”

His words were cut off as you moved faster than he expected, the dagger in your hand finding its mark before he could react. A choked sound escaped him as you withdrew the blade, letting him crumple to the ground. You wiped the dagger clean on his tunic and left him where he fell, the anger in your chest finally settling as you turned back toward the warm glow of the tavern.

Jaheira looked up as you reentered the room, her sharp gaze immediately locking onto you.

“What happened?” she asked, her voice laced with suspicion.

“Nothing,” you replied, slipping back into your chair with an air of nonchalance. “It’s taken care of.”

Jaheira’s eyes narrowed slightly, and she reached across the table, her thumb brushing against your cheek. When she pulled her hand back, there was a faint smear of red on her fingertip.

“I see,” she said dryly, a faint smile tugging at her lips despite the situation. “And I suppose I shouldn’t ask for details?”

“Probably not,” you admitted, leaning back in your chair.

Jaheira studied you for a moment, her expression unreadable. Then, she reached for her drink, raising it in a small, almost imperceptible gesture of gratitude.

“I don’t need to know,” she said, her voice soft but firm. “But… thank you.”

You smiled, a warmth blooming in your chest that had nothing to do with the firelight.

“Always,” you said simply, and Jaheira’s small smile widened just enough to light up her face. The incident, though dark, faded into the background as the two of you resumed your evening, the connection between you stronger than ever.

I hope everyone is having a very happy holidays, here are some bg3 ladies for you all. Hope you enjoyed this! - Seluney xox

If you want to support me in other ways | Help keep this moonmaiden caffeinated x

[beheaded-sweets]

I've read lots and I mean lots of SAGAU content. People have different interpretations, so here's mine! Well, at least an idea of it.

Tw: Brief mention of Tartag going bozonkers on murder, perhaps general creepy, very unorganized since this is just an initial idea

Alright, so MC can control characters but isn't aware the characters can understand whenever they speak or what their next plans are in the game.

This leads to the controlled characters making odd voice lines often.

Like Xiao? He'll be like, "Adepti aren't meant to follow orders from outsiders. But...I'll make an exception this time." And then he'll proceed to try and burst out as many crits as he possibly can.

But here's the thing. If MC doesn't have the character at all, they aren't aware of MC. So this leaves all the MC's and unobtained characters very confused when the ones that are being controlled starting mutter random bullshit about a deity.

The ones that are directly in MC's party of course are probably the worst in terms of their obsession and admirance. They'll always try to ruin pulls on the gacha, or try to sneak creepy ass voicelines once in a while.

For example, Tartaglia, "Being covered in blood is something I don't mind. As long as I get to serve you. You're my idol."

Also, depending on the character's personality, MC will get different buffs for gameplay.

For example, more lighthearted characters like Ganyu or Nilu will get buffs for passive things like drop rate or decreased item respawn time.

Meanwhile, aggressive characters go all for the buffs for battle. Crit Rate, Crit Atk, Elemental mastery. You know, the things you always ended up farming for.

Also, the more manipulative/conniving characters will affect your gacha pull rates. Other personality types can too, but these fuckers will refuse to let you have your pull.

Another thing I've thought of is how the characters' backgrounds affect how they view MC. More so on what kind of attraction to them.

Like the little kids obviously see MC as a guide or an older person to look up to.

The teenagers see them as either best friends or a first true crush kind of deal.

The young adults will most likely be romantically obsessed with MC, unless their backgrounds say otherwise. (Idk, hints that they're aro or something).

The archons and the older, non-human ones will often...feel entitled. They think that you should listen to their guidance or be grateful that they're in love with you. Because why else would you be so stuck on trying to use their power?

Anyway, that's all I have for now. This is just an initial idea. I hope to get some content out soon. On more specific characters to be exact.