#pyih

[coelasquid]

A comic about Saejima getting tied to a chair

[markodragic]

when she. when she fuckim. she. the 💗

[warpednyliummybeloved]

quirked up white boy,,, goated with the sauce even

[kenzan-brainrot-mp4]

Hello! The twist ending of PYIH kind of shocked me. 'Twas really foolish of me for thinking that for the entirety of Kiryu's saga, Majima has just that twisted obsession with Kiryu, being a "Mad Dog" and all. I came across your PYIH analysis the other day and it really brought home what they were conveying with the ending.

I'm still having trouble wrapping my head around the premise of PYIH. Is the sole purpose of Majima's "filming/documentary(?)" is to rehearse telling it to Kiryu? Because if it had been, that would be even crazier.

Oh, and at this point, is it even reasonable right now to interpret their relationship as platonic or brotherly? What do you think?

YEAHHHHH imo I think yakuza kenzan yakuza 3 (rooftop scene) is where we first truly starting seeing a glimpse of a deeper dynamic between Majima and Kiryu that goes beyond the "weird twisted obsession" reading, and we see more examples of it later as the series goes on (gestures at yakuza 5 and IW) but moments like those were decently subtle/blink-and-you'll-miss-it (not to mention they lessen in frequency also probably in part to Majima's lessening screentime throughout the series), but pyih's ending really goes out of its way to ensure that you actually Know how deep and genuine Majima's feelings are, which I am both extremely appreciative of and Kinda Crazy about

I think the whole documentary thing is interesting. Given the fact that they went out of their way to get the equipment/crew/etc. for the "film version", I would say that the Majima's retelling of his story at the studio and at Kiryu's bedside serve different purposes, and that him telling the story on set was not specifically for Kiryu (what Majima plans to do with the "film version" I'm not completely sure, but I guess for now we can assume it's just a project Majima wanted to do while getting Majima Construction back off the ground?) I'd say the premise of pyih is both to retell Majima's story as he presents it to the "general audience" And Kiryu, hence why the game starts with one and ends with the other. It's the same story to everyone, for the mostpart, and the main difference between the two 'versions' is How he presents it (to the cameras/the players/main audience he puts on the fuckass pirate costume and the theatrics, to Kiryu he tells it to him straight, without the extra show stuff for the cameras. We can Assume the story he tells to each audience is practically identical, considering that the cutscene of him telling it to us in the beginning of the game and him telling it to KIryu at the end of the game use identical lines (cough cough in the Japanese audio), but his tone of voice between the two are notably very different)

Uhhhh shoot I don't know if any of that made sense 💀 Point is I think Majima telling the story of pyih is, in fact, meant for Everyone, it's just that Kiryu gets a sort of special, more authentically told version of it if you will (After all, Majima could've just shown Kiryu the film when it was finally done, but instead he went out of his way to tell it to him personally)

As for the question of "is kazumaji canon now", WOO boy. First of all I actually lowkey want to thank you for asking that question, I've been wanting to post about it for a while now but kept putting it off lol. I mulled over this exact question quite a bit during the week-or-so long time period that I was writing most of my analysis after finishing the game, and, despite the fact that I myself am very vocal about liking kazumaji in a romantic scenario/context, I would not personally call it canon, and I say it is still absolutely reasonable to interpret them as platonic.

While many of the aspects we see in their relationship (especially on Majima's end) such as obsession, devotion, etc. etc. are often associated with romantic interest (Especially in fandom spaces), I don't think they have to be considered specifically romantic. People who have read through my posts may remember a while back that I did an analysis of The Sun at 36.5 wondering if the song was written with the intent to represent Majima's feelings towards Kiryu (for the record this was incorrect and the meaning behind it goes past the scope of the game) and I was going pretty insane about it lol. That's because, had the song been written with that in mind, it would've meant with almost 100% certainly that they would be, in fact, canon, and that would've been Insane. However, this is not the case, and other than that theory I had there's nothing else in the games that would specifically state that either one has Explicitly Romantic feelings towards the other. Do they have a very deep and complex relationship, the likes of which they don't share with many other characters? Definitely. Is it explicitly romantic? I wouldn't say so

The main example I would like to bring up to argue against it would be minedai (*cough* my second favorite yakuza ship I fucking Love Mine Yoshitaka so much he's one of my favorites). I'll link this amazing post with all the examples but essentially, while minedai and kazumaji share many of the same themes in their relationship/dynamic (again, obsession, devotion, you get the drill (can you tell Majima and Mine are two of my favorite characters yet LOL)) the main difference between them is that, with minedai, it is basically outright said Multiple Times in Multiple Sources outside of even Yakuza 3 itself that Mine loved Daigo, with words used Specifically to convey strong romantic connotations, a choice rgg went out of their way to make every single time they wrote about them together. Kazumaji, on the other hand, does not use these kinds of words to describe each other, whether it be in words coming from Kiryu and Majima themselves, or official relationship charts, descriptions, etc.

Can feelings including romance be heavily implied without needing to be explicitly stated? Absolutely, but with the way rgg tends to Very Obviously and Explicitly state when characters Are romantically interested in each other, and also simply because there is still (imo) plenty of room to read kazumaji as Not romantic, I wouldn't say it's canon. And for the record, I wanna reiterate that this is coming from someone who is personally very enthusiastic about kazumaji as a ship, so I'm trying to be purely objective here, and that is my verdict (Also this is just a random aside, but I really don't agree with the people who are (unironically) labelling Kiryu and Majima's relationship as "queerbaiting". but that's a whole other discussion entirely)

Thank you for shooting an ask !!

[millionmaggots]

mama a majima behind you

[trixibebe]

Minami ~ !

[biscuitrogue]

Captain Beef I would never think of you as a one-off background character

[cowboymantis]

Absolutely addicted to the Pirate Yakuza soundtrack (as usual after a new Yakuza game), and it's full of bangers but I wanna give a special shoutout to this song here because it literally feels like this gif 😭 THIS APPEARS IN MY HEAD WHENEVER I LISTEN TO THE SONG

[skysquid22]

The Magician

Read here.

Pairing: Majima Goro/Jason Rich

Word Count: 2,514

Tags: Ryuu ga Gotoku | Like a Dragon: Pirate Yakuza in Hawaii, Post-Ryuu ga Gotoku | Like A Dragon: Pirate Yakuza in Hawaii, Hospitals, Story within a Story, Pre-Relationship, Promises, POV Majima Goro, Loneliness, Fear of Death

Summary:

As thanks, he’ll give him a parting gift before he went back to his room. Majima couldn’t cure his loneliness by staying, but he could give Jason something else. “I’ll share a story with ya. It’s about someone I know.” Majima looked at the tiger lilies under the window. He ran a lithe, pale finger along a groove in the plastic of the armchair.

After the events of Pirate Yakuza in Hawaii, Majima goes to visit Jason and hears about a bad dream. Knowing plenty about those, he shares a story himself.

[asofteredge]

Thinking about amnesiac Majima in the beginning of pyih seeing himself in the mirror for the first time. Taking the eypatch off- which had to be super nasty, saltwater sodden and full of sand- feeling that empty flatness underneath, having no clue what happened. What sort of assumptions would he make? Would he feel any particular way about it?

[markodragic]

tbh i can't be mean to marvel stans for losing it over "its me blorko" credits scenes bc all rgg has to do is show me these two and i'll holler and clap in real life

[warpednyliummybeloved]

jason rich has a chest tattoo RGG TAKE OFF HIS SHIRT FOR RESEARCH REASONS

[kenzan-brainrot-mp4]

Idk more random small details about the pyih ending that make me insane because I can't shut up about this stupid game:

Idk how deliberate this was from the translation team (and I have my own mixed feelings about the caption translations from more recent rgg games) but I really like the (potentially unintentional) double-meaning from Saejima saying "Guys our age are supposed to be smart enough not to go chasin' legends." You'd think that because the entire conversation revolves around and constantly repeats the words "dream/yume" (cough cough Yakuza 5) he'd say "not to go chasin' dreams", but I think by using the word "legend" instead he's able to refer to not only the legend of the treasure that everyone's been pursuing the whole game, but also the living legend himself, Kiryu Kazuma (in jp and eng he is referred to very often as a legend/legendary ("densetsu no ryuu/yakuza" - "legendary dragon/yakuza")). Not only was Majima chasing after the legend of some miracle treasure but he's also been chasing the "legend" that is Kiryu himself (something something idolization, something something Majima always wanting to bring back that strength and vitality Kiryu had at the peak of his "legend" days (see: yakuza 1 with Majima trying to fight Kiryu constantly to help him regain his strength, trying to especially hard to support him since yakuza 3), even as the chance of that happening dwindles, even if reality is literally telling him to his face that they can't go back to those days, that everyone's getting older and not what they used to be). Which imo makes Majima saying "Well, still just a dream in the end." all the more heartbreaking. It's resigned, not only to the fact that he'd never find that miracle fix to save Kiryu's life but also the fact that he can't, no matter how hard he tries, keep Kiryu around forever, that he can't keep up the image of the legendary Dragon of Dojima up for him forever. Idk I just think that was very cool and sneaky as hell if intentional, especially since they don't switch out the word "dream" for "legend" anywhere else in the conversation.

Saejima mentioning how Daigo said "Majima's runnin' around like he's forty again". Okay honestly I'm just putting this because I think it's funny that even while Daigo was going through his emo era and pissed off at Kiryu for "killing" his dad, he still remembers how enthusiastic/energetic Majima was over Kiryu all the way back in ~y1, even though we never saw him in that game. I mean it's painful as hell to think about now, considering the present day in-universe and what would end up becoming of that enthusiasm as the years went on but uh, hey.

Majima being so god damn deflective while Saejima's in the middle of revealing all his motivations for going to Hawaii. He says 3 whole lines during that part of the cutscene but it's all so Majima-like it hurts (this part's gonna be Long):

• "Told him that, huh?" (responding to Saejima recounting what Majima told Shigaki about not wanting to go to Hawaii) - Majima trying to act nonchalant/aloof while knowing what Saejima's about to start bringing up, trying to act that way even though we all know damn well that he remembers perfectly (and probably painfully) well how he acted/what he said before going to Hawaii, considering the circumstances surrounding the whole situation. His body language also starts to change from here; he turns his head to look directly at Saejima when talking to him less often, spends more time looking ahead/up/down/avoiding direct eye contact in general even when Saejima turns to look him while speaking multiple times/for prolonged periods of time (istg I could talk about Majima's body language in serious moments like these literally forever but I'll try to keep it brief) • "Kid's always been a ball breaker" (lmao) - Paired with the line before this one (Daigo's reaction to Majima). He tries to sidestep the actual point of mentioning what Daigo said, (directly exposing just how much Majima changes when Kiryu is around/involved) with feigned exasperation, and once again does not actually acknowledge Saejima's point. His body language also changes again to something more restless; (adjusts his posture from the previously relaxed way he was leaning against the car, looks away from Saejima completely, starts tapping his foot/bouncing his leg, lifting his cigarette without actually taking a drag from it) • And then of course the big one: "Well, still just a dream in the end. Stupid or not." Up until this point, Majima hasn't said anything of any actual substance until Saejima directly namedrops Kiryu. It's about the most he actually says of any worth regarding his feelings towards Kiryu himself, but that line alone reveals so much about his feelings not only in that moment, but likely the feelings he's had throughout the series towards Kiryu. It's totally unfiltered, for once, showing off his resignation from not only his inability to help Kiryu by the end of this game but likely also the weight of chasing after Kiryu all these years (again, "Guys our age are supposed to be smart enough not to go chasin' legends." Cue Majima always chasing after Kiryu/what Kiryu wants for literal decades). It's a Singular straight answer after two deflections but it says so damn much, especially coming from Majima himself. • I also just wanna note the quick range of expressions Majima's face goes through when Saejima says "Yeah, too bad about that 'elixir of eternal life.'"

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Apart from the different expressions he makes themselves, I think it's so fucking interesting (read: painful) how this occurs when Saejima (who, by the way, is at that moment not looking at Majima) is technically supposed to be the one that the player's eyes are focused on in that moment, since he's the one speaking. The camera doesn't try to manipulate the focus of the shot to hide Majima's expressions/feelings, they don't cut him out of the frame, they don't actually do anything to directly hide Majima's face at all, but most people (including Saejima himself) would miss this regardless, because it's done in a moment where, theoretically, nobody would or should be looking. Hell, even when the camera gives us a Direct close-up shot of Majima's face when Saejima mentions Kiryu ("Kazuma Kiryu. You never could give up on that one.") his expression doesn't betray too much of how he feels, but it's only once focus is finally taken away from him that he becomes most expressive. (rgg has always been so good with showing off characters' feelings with microexpressions and I feel like this applies to Majima especially. the same kind of thing happened in y0 when he saw Makoto at the end of the game (another scene that I could analyze for hours). The times when he doesn't speak and just. Reacts subtly and potentially subconciously with his face are ironically some of the moments where he says the most about himself. Go off king don't openly express your thoughts or feelings at all 🔥🔥🔥) • And then after all that (when Saejima looks at Majima again) Majima changes the topic to Noah. You could argue that Saejima, with bringing everything before that up, was trying to open up the opportunity for discussion on Majima's part about his behavior/feelings towards Kiryu, however this was largely unsuccessful. He only succeeds in this when he finally just says Kiryu's name outright (which, by the way, surprised me so much when I first watched the cutscene. I thought they were going to keep dancing around saying Kiryu's name directly/only implying him for the rest of that conversation, but I straight up gasped when Saejima said his whole name like that. It was significant, and Saejima wanted it to be, too), and even then that success is only marginal. It's enough for Majima to finally give away one of his "real" thoughts, completely unfiltered, about as straightforward as it's gonna get, just Once in that whole part of their conversation, but after that he immediately goes to pivot the topic of the conversation to something else. Which like, damn. Damn. That's pretty crazy.

The final detail I wanna mention, (this one I think mostly everyone got) was the way that Majima repeats his line from the beginning of the game "Where do I begin? That's right… (etc)." I love how they decided to have Majima say that line again differently, because the differences say so much. The version from the beginning of the game is said in a deeper more "intimidating" tone. The whole point of it is for story-telling drama, the theatrics, specifically to entertain/pique the interest of an audience, but the way he says it to Kiryu is much more easy-going and authentic. Ironically, it's once he leaves the player's sights and once he's with Kiryu that he discards the theatrics, where he simply shows off his fully genuine self re-telling the story. (One thing I will note is that the eng sub/dub translated that line so it would be different in the beginning and end ("Alright -- let's set things straight." (to player) -> "Where do I begin? That's right." (to Kiryu) even though he says the same thing twice in the japanese audio. I know that this is so that they can match up Majima's audio with his animations in the english dub, and they reuse the eng dub captions even for the japanese dub, and while I do not neccessarily. Like that. It does hammer in the tone difference between the way he speaks to the player vs. to Kiryu further (again, trying to be more intimidating vs. more easy going), which is an okay consolation if nothing else). I just think it's crazy to hear him talk like that with Kiryu after all this time, considering that he usually only talks this directly with Kiryu in fleeting moments. No high-pitched voice/fluctuating tones, no "Yo, Kiryu-chan", just being straightforward and to the point. Man. God.

It's been 4 days since I beat this game and everytime I see someone post about it or think about it for more than 10 seconds I die and explode into a million pieces. At some point I want to 100% this game so I can get as much dialogue/as many details as possible (also the game's just really fun lol), but for now I am just rotating this cutscene in my head forever and ever in an endless cycle. I am so sorry for posting about this game like everyday but I am so unwell over it it's not even funny I hope you can forgive me </333

[millionmaggots]

pirate yakuza spoilers below ⬇️

im losing my marbles oh my god jesus christ it was all for him

i came here for silly pirate adventures and i ended up bawling over majima's unending care for kiryu and desperation to keep him around by any means necessary

not even amnesia could dry up the infinite well of fucking dedication he has for this man oh my god screaming crying throwing up

the way he went after it even without knowing why,,, ohhgbb kazumaji string of fate you will always be famous

im looking at it from a kzmj angle, but even if u don't ship em, this shit is just so touching‼️‼️‼️‼️ no matter what lens ur looking through, he just cares so much 😭😭😭😭

and if he can't come with him to do all this crazy shit, he at least gets to hear all about it,, at the very end, his voice is so gentle- kiryu's too weak to fight him so there's no pretense or competition left, just the genuine care that's been there all along

[abtwofangs]

GOROMI POSTING 💋

🎀 • these r lazy sketches and stuff but i wanted to draw goromi so bad sooo here she is ^_^ pirate and cunt form!!!! Don’t mind my anatomy bc im not vry good at anatomy uhm or drawing majima but im practicing more <_< also shimano is ugly asf so he gets low effort

[zevzevarainai]

Like a Dragon: Pirate Yakuza in Hawaii (Demo) - The Sun at 36.5°C