#reading order is going to be a bit different than published

[readingasoiafachapteraday]

THE WORLD OF ICE & FIRE

Reading Order & Thoughts Apparently

//Investigative read with the aim of finishing a fanfic <SPOILERSGALORE>

~this is not intended to be useful in any way shape or form do not construe as such but laughing at it is ok~

The Dawn Age

-dragonglass arrowheads found in giant ribs could be from children-giant war but also cud just as easily be wight giant

-brandon the builder was taken to a secret place by the children when he sought help to build the wall hmmmmmm okk

-“the manner in which Brandon learned to comprehend the speech is a tale in itself and not worth repeating here”?????? WTAF fuck u condal i mean yondel tommen loves stories

-greenseers can see distant events AND COMMUNICATE?hmmmmmmmmmmmmmmmmplotdevice

-wolfcontrolling skinchangers maxxx common, separately called wargs? stark blood fuckfest much????

-Seastone chair on old wyk wo any ppl SUSSAUCE

The Coming of the First Men

-alleged timing 8000-12000 yrs ago hmmmmm if ww are 6000 yrs ago it’s almost halfway hmmmmmmm

-what they running from? first men possible valyrian ancestors upset w the animalxhuman experiments? conveniently vague time periods

-first settled on DORNE that goddamned desert summins up w ur magic stone i will find u

-greenmen antlermen same same????

-arm of dorne, marshes, all considered natural disasters but w doubt so why not children cause doom of valyria possible??

The Age of Heroes

-ringforts this ringforts that fist of first men this infrastructure that

-find thenn constr. & every single built structure NotW

The Long Night

-do monkeys and elephants have anything in common

-Barth’s “fragmentary treatise” everything shat out by Barth & Munkun makes me want to kms

-Fomas ur understated & prolly right u religious fuck

The Rise of Valyria

-new power in east right after LN recovery, what festive timing gee i wonder if these events r related

-first empire ofc ofc just after old ghis & Qarth & YiTi & Asshai but those r “claims” yea we don’t talk bout that look dragons! blood sacrifice!

-five great wars w ghis “when the world was young” hmmmmmmmm

-Shadow texts say dragons tamed by “people who had no names” hmmmmmmmm

Valyria’s Children

-Qohor&Norvos founded following religious schisms? Only Qohor smiths still know to rework VS

-way way way too many mentions of wealth & human flesh needed in the mines

-fire vs water

-sus that andals & rhoynar both fled from Valyrians but in the second coming “the gods” spoke to the HS while the waterbenders fought both times

-is the long night just fire vs water 2.0?

Arrival of the Andals

-wtf is a fucking swan maiden

-writing the lines of the hugor hill story backwards is not as great a puzzle as u seem to think

-Urron Redhand ruled IIs by “axe&sword” for 1000 yrs, throwaway name? I think the fuck not.

Ten Thousand Ships

-Nymeria of Ny Sar SUS naming

-“few wish to dwell beyond the sound of her eternal song” faith close to old gods

-wtf r the orphans of the greenblood upto

-davos dayne my new OC, forgive me as i project onto u for the forseeable future

-seriously tho the best part so far, need a movie for THIS not whatever fart pudding they baking

The Doom of Valyria

—wtf is the difference between the 14 fires & R’hollor summins weird

-accidental poisoning of one of the flames? like pollution but magical bywaste pollution

-red clouds rained down dragonglass???? and black blood of demons which cud just be dragon blood as they pop in the air from toxicity

-dothraki & sellsword companies both popularised only in the power vacuum

-the conquerer’s attention lay west even as a child hmmmmmm

[northern-passage]

what have i been up to?

i decided to do a little check-in type post just to let you all know what i've been working on. i know things have been quiet here, mainly because i'm just not as active on social media as i used to be (but especially here)

i have been working on tnp, though. i've been rewriting chapter 2 (what was previously chapter 1) and i know a lot of people complain about rewrites but the fact was simply that i had written myself into a corner; when it comes to IF, when you have a lot of stats and branching and variations to track, you get to a point where it simply does not make sense to try and force it, and i really needed to go back and fix my coding and cut a lot of variables. which is what i've been doing, and many of you have seen how that's changed the game so far with the rewritten prologue (now chapter 1).

with that in mind, i've also done a lot of worldbuilding. again, you've seen some of this if you saw the pantheon post i made a while ago (though some of that has changed already, too, along with more edits to chapter 1 😅) and i've put a lot more thought into the setting, how the world "works" and the different relationships between countries and cultures, etc.

i will be yapping about all of that under the cut if you're interested, but if not, just know i am still working on the game. i do not have an estimated timeline for an update, but i am trying very hard to get chapter 2 out this year.

anyways, my rambling:

one of the main changes will be how Gael and Adrania function. Gael and Adrania remain similar in essence but the relationship has changed, as has the source of their hostilities. i've also put a lot more thought into the way gender roles would work in this world, something that i've previously been a bit wishy-washy on. reading more fantasy and studying lectures on the craft and understanding the way oppression works in the real world has allowed me to brainstorm a better, more realized world with tnp.

that being said, i still stand by my original goal with this project, which is that i'm not really interested in writing violent/graphic misogyny, transphobia, or homophobia. but i am interested in exploring the way empires hold power, and for tnp, that has always been through money and trade. even in the very first iterations, the major cities like blackwater and king's harbor are designed with very clear and purposeful class divides, i've just put a lot more thought into how this would actually work.

and there is also the influence of the gods; when your major religious figurehead is revered as a "mother," as well as the enforcer of justice, what does that mean for the world and the women in it? when you have gods that are genderless or genderfluid, how does that change societies perception of trans people, and gender as a whole?

i struggled when i started tnp about how to depict gender in this world, and originally i simply chose not to give it much thought, and i used a lot of anachronisms rather than actually trying to explore what transness and gender within the context of tnp would look like (i think this was my biggest mistake with Lea at the start. if you remember that you're a real one lol). and i think that's a cop out and simply not how any society would work. Adrania is an empire; people will be forced to comply to various roles and expectations in order for this empire to retain control.

so this led me to 1. reimplement the tolls, something that was present in my very first draft but got scrapped before publishing for the first time. it's easy to control people when you have papers and tolls to track them (or restrict their movements if they don't have the "correct" papers). 2. expand on the relationship between Gael and Adrania. where did these two countries come from? when did they split? how has Adrania managed to grow in power while Gael has not? and how has the plague exacerbated the hostilities? etc. we'll see a lot of this explained in the next chapter (as well as some edits made to chapter 1 again), with Adrania's trade agreements and how they exclude Gael specifically.

and finally, what gender roles are people expected to play within society? if Adrania's main god is a woman (okay, a wolf, but you get it) and a mother and also known to be a ruthless dispenser of justice, what does this mean for Adranian men and women? if their god of death is genderless and also commonly represented as a god of dreams and transitions (from life to death and wakefulness to dreams and from one gender to another or beyond) how does this impact the trans people in this world? if the god of war and harvest is sometimes a woman and sometimes a man, who benefits from elevating one depiction over the other?

lots of fun questions! which i think has led to some interesting changes in the game which makes the world feel more real. it also gives me a reason (not that i "needed" one but, ya know *gestures vaguely*) for all of the women i have in combat leadership roles: Keres, Hadrien, and Merry, just to name a few, and why someone like Redwine would be disliked and challenged as a political, landowning leader instead (and ultimately replaced by a man). while all the warrior gods are women (Wolfmother, the Moon, Stormbringer), Adrania emphasizes the male depiction of the Sun, which leads to this divide of men seeking landownership and more administrative political roles, versus women who, outside of motherhood, make careers as generals and captains and knights.

with trans people, there are similar expectations, of course, but they are also pushed towards more spiritual roles due to their perceived kinship with the death god as well as the Sun (and this also means that while motherhood is revered in this world, there is a looser definition here than in our world, due to transness being acknowledged, accepted, and an integral part of society. what "motherhood" is and what it means to people will be explored heavily in game, you just have to trust me on this one!) obviously there is a real history of trans people being seen this way, and it's something i've turned over in my head for a while. beyond the spiritual, though, trans people are seen in every other role as well, and we'll see some trans people who have little to no relationship with religion or the death god (like Merry, Lea, Clementine, Rodrick, and Rafe) and others that have an actively hostile relationship with it (Noel. lol) and including the potentially trans mc, we see a diverse depiction of trans people, as hunters and watchers and captains and healers and bards, etc. i'm hoping this still gives a well-rounded, multi-faceted look at how trans people live in this world without pigeonholing them solely as "divine oracles," or othering them from their cis counterparts.

overall, i feel that i've matured as a writer since i started tnp and i want that to reflect in the world as well. rereading the original demo made me cringe and a lot of it just felt very childish and flat, and i feel like i really didn't have a strong enough grasp on the fantasy genre, nor the skills and knowledge required to do proper, intensive worldbuilding at the time. now i think the story and setting and characters have grown a lot and i'm more capable and confident to do the things that past me couldn't. anyways thanks for reading all this, this post was just an excuse for me to talk about everything because i'm dying keeping it all to myself LOL. i look forward to catching back up to chapter 3 and finally sharing it all with you eventually!

[innerfare]

You See His Cabin For The First Time  

Summary: You see their cabin (or in Sabo's case, his bedroom at the RA base) for the first time.

Characters: Luffy, Usopp, Zoro, Sanji, Ace, Sabo, Law, and Kid

Genre: Fluff

CW: None // SFW

——— 

Luffy: He's literally so proud of just his hammock. Insists it can hold the both of you and could probably hold the entire crew if you tried, asks if you want to try, asks you if you’re sure when you say no. Definitely has a couple of dirty dishes that he’s forgotten about, as well as a few wrappers on the floor. Has some fishing poles, a net, quite a few different games, and a bookshelf that’s full of both comic books and snacks so that he doesn’t have to go all the way to the kitchen if he gets hungry in the middle of the night. 

Zoro: Your first thought is, why does it smell so freaking good in here? You expected dirty laundry strewn around and the stench of sweat and maybe a hint of metal from those blades he was always sharpening. And sure, there is a hint of metal in the air, probably more from the many weights against the wall than his swords, but it also smells fresh, like laundry detergent. He has his own wanted posters on his wall- not just the current one, but the old ones, too, all of them lined up in order so you can see his increasing bounty. He also has a collection of unique booze bottles from all over the world, his equivalent of keeping a map with pins in the locations he’s visited. Oh, and there’s an anatomy coloring book and some markers that belong to Chopper that Zoro keeps in his room because sometimes when Chopper is having a bad day, he wants to chill with his dad big bro. 

Sanji: Sparkling clean, and yet, he’ll apologize anyway because the pillows aren’t fluffy enough, the rug isn’t completely straight, etcetera. His closet is very well organized, all of his clothes ironed and properly taken care of (Sanji’s the rare type to actually read labels and do his laundry accordingly). His most prized possession is a book on the All Blue, which he’s poured over countless times, using color coded tabs to flag various pages and writing detailed notes in the margins. He also came across one of Zeff’s old wanted posters in Loguetown, and he keeps it framed next to his own, the closest thing he has to a family photo.

Usopp: You’re surprised to find he has quite a bit of clutter in his small space. He has a collection of different style slingshots and a surplus of supplies to fix them should they ever break, as well as literal boxes full of special stars and ammunition. He has an entire set up rigged on his desk to create more, and some plants in his windowsill to grow ingredients. In addition, his bookshelves are heavy with various collections of fables and tales; he’s working on his own and hopes to publish it one day, but he doesn’t talk about it because he’s worried nobody will take him seriously, and you only learn about it when you see the notebook he left on his bed. He also has a couple of fun hats, crazy sunglasses, and feather boas that he definitely pulls out when the Straw Hats get a little too drunk. Oh, and there’s a picture of his parents on his nightstand. 

Ace: His cabin is pretty sparse because he tends to travel light. He has a collection of animal teeth secured from a menagerie of wild beasts he’s taken down over the years, and he’s very proud of those teeth. He'll tell you about each one if you ask, is practically bursting at the seems with stories. He has way more animal teeth than he does clothing or books. Also has a pretty sick tiger pelt for a rug (he had intended it as a blanket, but he runs so hot he can’t actually sleep with it). He has Luffy’s wanted poster on his wall, and beside it, a note reminding himself to send money back to Dadan on the first of every month. Buried in the chest at the foot of his bed, he has the original ASL flag. 

Sabo: His bedroom at the Revolutionary Army’s base is a total bachelor pad, and when you see it for the first time, it wasn’t planned, so he’s a little embarrassed by the state of it. He has some dirty dishes he forgot about, some dirty laundry on the floor, and a pile of books on his bed. He spends virtually no time there and probably wouldn’t even have furniture beyond a mattress on the floor if it wasn’t provided by the Revolutionary Army as part of his living quarters. That being said, he did pin Luffy’s and Ace’s wanted posters to his wall, and he has a couple of different lotions and skincare products on his bathroom counter. 

Law: You don’t know what you were expecting- would it be sterile like an operating room? You’re surprised to see comic books and a few action figures. He has some records, too- a bit of rock, some low-key emo music- and to your complete and utter surprise, a candy wrapper on his nightstand. And then there’s the coin collection on his desk, tiny pieces of metal he picked up on his many travels. You’re careful not to have a big reaction to his personality showing through for once. 

“I like your action figures.” 

“They’re kind of childish, but-” 

You cut him off before he can dismiss his own interests as dumb. “No, they’re not. They’re cool.” 

Kid: It’s as messy and ostentatious as you’d expect, but he sheepishly tries to fold the leopard-print blanket crumpled on the bed and put some laundry in the hamper, though you quickly deduce he has no clue which clothes belong in the hamper and which go in his closet. It’s shocking to see him care what someone thinks. He has a pile of lipstick and nail polish on his desk and an impressive collection of weapons he’s stolen from various pirates; he could probably open a museum with all the weapons he has. Also has lots of tools he forgot were in there. TBH, he’s probably as shocked as you are by the state of his cabin because he spends most of his alone time in his workshop, anyway. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[elodieunderglass]

I'm not as familiar with LOTR as you are, so I wondered if you could tell me if my wild theory is completely off-base.

No one knows where the Hobbits came from, except that at some point they diverged from the line of men. No one knows much about the Entwives' appearance, but we do know that they fucked off a long time ago.

Could the Entwives have been dryad-ish and hooked up with the hobbits' ancestors and so be the foremothers of the hobbits?

Ah I think I saw that post! The concept has a lot of charm, and when the Tolkien estate loses its corpse-grip on the property in 2050 or so, I think you should write it and sell it 😤 I’ve definitely read some good takes on entwives in fanfiction that both leaned into canon and moved away, and I think that sounds like good fun to explore. A common theme in the fandom is playing with Yavanna, the Green Lady, being the mother or patron of hobbits. This isn’t canonical, but she’s a “green goddess” archetype and is married to Mahal/Aulë, the father of dwarves, which shippers often leverage to their advantage. You could do something quite charming there with Yavanna if you wanted to. We also know that Entwives loved gardens and orchards rather than forests.

Some things I would explore with this include:

what is going on with all these consistent ideas of people, races, women disappearing. We know that a lot of it is how Tolkien processed an almost OCD-like Catholic framing of “the fallen world is getting worse and can never be repaired”, war experiences, romanticism and other stuff stewing in his old man head. What are some ways you could show what’s stewing in your head? What does “people disappearing” mean to you? and why is it especially healing that they disappeared in order to make new families?

I think “they disappeared from their old kin and made new kin” is an interesting and weird thing worth wondering about!

- this would possibly make hobbits a more recent race than is implied. What does that mean to you?

- why are hobbits teeny tiny?

A very good starting point, that Terry Pratchett used a lot, is taking some grand statement in fantasy fiction, and making it reflect a different political reality. “Most dwarves are girls actually.” “Wizards parody academia, but, like, FOR REAL.”

I personally have a different take because of my own political feelings and framings! I have a lot of complex feelings about Tolkien chickening out of hobbits. For various political reasons I personally have to take the stance that they are fully human, fully indigenous, and have their own native language. and that their disappearance is less “teehee we lost them” or “O, the Catholic guilt of the Fallen World, how far we have fallen from the light of the two trees God’s sinless light” and a lot more “oh yeah I’ve seen THAT pattern before.”

If you have a political sort of lens on, someone telling you “yeah… hobbits came from nowhere 🤭 and then disappeared 🤷‍♀️ sad!” is a story that can also invite the response of “OHhhhh you wanted their LAND real bad, huh.” Like, we know what that means, right.

It’s a political stance for me. Hobbits have to be close enough to us to touch, and we have to be able to face that, and the fact that 5,000 media properties will chew on tolkienelves and sell them to you before even admitting to the 🤭 just makes it even more of a 🤨. To me.

…But I have literally just been elbow deep in my own demented fanfic thing that involves inventing a language just to swear in, to enable my standing on a box shouting HOBBITS OUGHT TO RESIST GOING EXTINCT ACTUALLY, based entirely on, I think, spite. Why do multiple authors publish orc football games (Terry Pratchett) and orc coffeeshops (Legends and Lattes guy) and do every damned thing with every bit of Tolkien’s corpse but refuse to look directly at hobbits. I am feral over this and wrote 59k words so far to damage and harm my friends

In conclusion I see a great story shape there about kindred and I think you should explore it and it should be about evolutionary biology and women and divorce and nobody being wrong.

And if anyone argues you with some podcast boy “well actually”, just bite them and do more character work and sit on their heads

[iruiji]

SAGAU but Creator Reader has been tagging along with the Gourmet Supremos.

If you didn't know or have forgotten, Gourmet Supremos are one of those quest series that is randomized because some part of the questline can only be accessed with dailies (like Whispers in the Wind or Snezhnaya Does Not Believe in Tears or Garcia's Paean).

This questline spans from Inazuma up to Sumeru. I think there were 6-7 quests in total? I forgot. (it's 8).

(These are Julie, Parvaneh and Xudong in order.) There are more characters that made a cameo in here but we'll just limit it with these three.

Context dropped, onto the short HCs.

• Okay so, I didn't really read the whole story of this one so I'm just going to make some random HCs on the fly. I'm aiming for a goody-feel with this one so no heavy angst will be involved.

• Alright, so. Xudong is the leader of the Gourmet Supremos, and he only found you because when you land in Inazuma, you literally dropped into their camp and was about to steal a sausage from Julie's backpack (but there were so many ingredients there!!!)

• Xudong was fuming, lmao.

"THIEF!! SOMEONE, HELP!"

• Aight, geez, made you run a marathon there.

• The next time you've met, all three were together and they saw you roasting some lavender melon in some dilapidated tent you found while walking aimlessly. Hey, better than no shelter at all. For some unfathomable reason, your inventory only consists of food materials - with everything, and I mean everything, missing.

• God damn. It's like the heaven is telling you something. 🙄

• Anyways, yeah. So for some reason, the only access to the goddamn ingredients are locked, and you can't use it and you don't know when you would be able to use it, so you have to scrounge up whatever pitiful sources you can get.

• Sadly, it's mostly lavender melons.

• Like, you already made several dishes from this and it's really starting to grind on your gears, so you took a dive in one of the caverns and found some meat and was happily grilling it with the melons when the trio came out of nowhere.

"Thief!"

The hell. "I didn't get the sausage, though."

"But you still tried to!"

"I mean, I was dying of hunger, so.. you know."

Julie, bless her heart, gets in between you two. "It's fine, Xudong. They needed help, did they not?"

"But-"

This time, Parvaneh chimes in. "As they've told you, they didn't get anything, so let it go. And you." She points at you with calloused finger. "Who are you?"

That caught you off guard a little. Told them your name and, to Xudong's bewilderment, started chatting amicably with you. Some time later though, he softened a bit but still a little cautious. They traded cooking tips with you, and, to their utmost surprise, you exchanged many tips on cooking as well.

"How do you know all this?" Xudong asked as you finished explaining the difference between sauteing onion and garlic first.

"Oh. I'm uh, a professional chef back in our place. Been years though, so yeah." You replied as you took a bite of their chicken. "Holy shit, why is this so good?"

Julie and Parvaneh just smiled proudly.

• So like, you became a new addition to their team - but you actually specialize in desserts. Xudong has many a great views in cooking, as well as the two ladies, and together you journeyed the whole of Inazuma for rare ingredients and made some two or three journals that have been since published and loved by people. (The fangirling/fanboying is real when you saw Xiangling's message drooling about your own version of Tiramisu).

• One day, however, you lot came across a shrine - it doesn't look abandoned, oddly, but it looks really, really old. You asked them what's the deal with this one, and they explained about the Creator.

Oh.

You're in SAGAU?

Shit.

"People said they've come back, but we don't really know.."

Double shit.

• With that knowledge, you try and avoid the main cities as much as possible and only let the three buy on populated areas. Thank God they didn't really notice you suddenly covering half your face with a mask - which you only shrugged when asked.

"I like masks."

Fair enough, they suppose.

• ..oh fuck, is that Yae Miko?

"Ara, and who is this?"

Xudong, Julie and Parvaneh bows and you hastily followed.

"She is our new companion, Lady Miko."

She looks at you with an impish grin. "Oh?"

Dont act suspicious. Don't act suspicious.

"..yo."

Nice.

• Coming across the main characters from the game are very, VERY rare. You can actually count on one hand the characters you've met:

Yae Miko;

Thoma (he was going around asking for favors as usual and you bump into each other and only had quick apologies as interaction);

Kujou Sara (she was patrolling the area and asked about your mask - which you replied that it's part of your outfit. damn, her glare was fucking menacing!);

Kuki Shinobu (you were side to side buying groceries once), and lastly;

Kamisato Ayato (you actually didn't meet - you just saw him giving speech in a podium for some event you just came across).

• You figured, hey, maybe you're NOT the creator or whatever. And just tried to live normally after some time. The mask stayed though, because you just survived the pandemic back here and was cautious.

• About a year and six months with the team, Xudong suggested you come all to Sumeru to expand your knowledge. Holy shit, yes please!

• ..and then you met the Traveler on your way.

"Your Grace..?"

Triple shit.

😭 sorry for disappearing for about a year - i was too lazy finishing anything. And now, I added another idea not to finish on the list 💀 wrote this whole thing in like 30 minutes motivation really is a wonderful thing, huh?

[amtrak12]

After a conversation with a friend about this weird trend of fic readers who only want epic length fics (and also what seems to be a massive misunderstanding between parties on terms and their definitions), I went searching for the fandom sources I cut my teeth on. I don't have much bookmarked from those days anymore, but googling got me to this fiction length/terminology breakdown from a Livejournal blog. (Which also has good fandom definitions for other terms like A/N and fanon too, so if you're super new to fandom, go check that out.)

The definitions come from the publishing world (hence the page counts), but fandom and fanfic has always borrowed heavily from official publishing terminology. Flash fiction (aka, anything less than 1k words) is called a 'ficlet' within fandom. We call everything else a fic until it reaches the novella mark -- which may start at 20k words but as synecdochic breaks down on their Dreamwidth blog, there's a lot of overlap between short stories and novella word counts. Because, when you're not constrained by physical page counts, the real dividing line between short stories and novellas are the number of plots and themes you're using. (Seriously, go read their meta on this topic. It's fantastic!) Either way, once you're hitting tens of thousands of words, you're in longfic territory. And then if your fic is even longer than that -- 100k+ like shown in the screenshot above -- it's called an epic fic.

And these terms, longfic and epic, are important because they're used to differentiate these stories from the average fic. Because, at least in the 2000s up until the 2020s, the most common fic lengths you ran into were between 1k-20k words. "Fic" made the reader assume only a few thousand words at most. It's only when you changed the term to drabble or ficlet or longfic that they would realize 'oh this is going to be shorter or longer than normal'.

I don't really understand why that baseline assumption has changed amongst the newer demographics (and maybe amongst some long-running fandom members too?). I've seen a lot of theories and 'tiktokification' complaints, but I honestly don't know what's true. And I don't want to start a fight or even try to change anyone's minds if they are dead set against reading short story length fics. You can do what you want!

Just maybe shift your attitude about it a little bit? Remember that it's a personal preference the same way tropes are, and that one story length isn't better than another. Just like tropes, each story length serves its purpose. Some stories are best told in 1-2k words. Some are best told as 100 word drabbles -- or even a single sentence! And then, yes, some stories do need to be 100k+ in order to be told properly.

But that's not every story. And it shouldn't be expected of fic writers to pad a 1500 word plot into some sprawling epic just because they left it on a cliffhanger. The cliffhanger is probably the point of that fic! Short stories are an entirely separate art form to novels and as such are able to cover different topics than novels can or cover the same topics differently. And that's what makes them special!!

And look at that word count breakdown by genre! That's mainstream publishing standards! Now, go back up there to the definition of a novel and notice that the average published novel is 80k words long.

Let me repeat that:

The average length of a published novel is 80,000 words long.

Could a novel go longer? Sure! And if you're dipping into adult sci-fi or fantasy, absolutely it will be longer! But does your fic need to be longer than the average novel in order to be good? In order for you to feel satisfied when you finish reading it? Why does the length of the fic matter more to you than the content?

idk just some rambling food for thought, but I guess too long, don't read:

~✨~ Every story length is valid ~✨~

It just depends on the plot you have and the structure you want to use to tell it.

[traegorn]

Do you have any tips for how to write a book? My husband thinks I should write the shitty wicca hallmark romcoms I want to see in the world and I think I might actually try

Plot your structure ahead of time. I'm not a panster -- I'm very much of the perspective that you'll have less to clean up in the edit if you plan out your entire book ahead of time. So this is how I write.

Like I like to start by writing down everything I know about the story -- characters, setting, etc -- and making a story bible to refer back to. You'll add to this as you go too. It's easiest to remember what color a random character's eyes are if you put it in a side document.

Then write a synopsis of your story. Like under a thousand words, but have it break down your entire plot, motivations, etc. That way you know where things are going before you start. Now, you can change this as you go if the way your characters end up doesn't jive with your original plan. I rewrote the synopsis for Shadowcasting about halfway through because one of the major characters just felt different than she did in my original plan, and her changed motivations shifted a lot of the events of the story.

Then comes your chapter by chapter outline, pacing out rising action, climax, etc. by breaking down the whole thing. I number the chapters and write a brief two or three sentence synopsis about what happens in that chapter.

And then, once I have that document, I start writing the actual text chapter by chapter from the beginning.

I don't write romance, so I don't know the genre well enough to give advice on mapping out the kind of thing your audience expects -- but if you read a lot of that genre, you probably already know that bit by now. But make a plan, know the tropes (and which ones you want to use, which ones you want to avoid, and which ones you want to subvert), and then execute it. The hard work is getting the actual text down.

And then, once you finish a draft? Put it in a metaphorical drawer and don't look at it for a week.

You want to let yourself forget it.

Then, open it back up and start your first set of revisions -- read through the thing and start cleaning up language and fix any structural issues you missed. At this point I've done things like re-ordered entire sections of the book -- the fight at the church in Bloody Damn Rite happened at a completely different point in the original draft, and the party Riley attends with Carson wasn't even in the first draft.

Then set it back down for a week.

When you open it back up you look for continuity errors, and go through the whole novel again. Then put it back down for another week, and when you open it back up you'll go through it again to fix language.

You're going to be doing that a lot, putting it down, fixing a more granular thing, and then repeating the cycle getting smaller and smaller each time. And then finally, you'll have a book.

If you're submitting to publishers, this is where you stop and start that whole process (which I know little about because I chose not to pursue that route). If you're self publishing and you work with an editor, this'll be the time you get them involved. If you want beta readers, this will be when they take a look too.

And then you should probably make more changes. If you're not hiring an editor, I recommend letting it sit again and doing a few more passes. Also, this is where a self publishing person has to do the work of formatting the interior (please get your front matter right like copyright page and title page), and either contracting a cover designer or doing it yourself. For my comics I do my own covers, for my novels I hire a graphic designer.

But eventually, at the end, you'll be ready to send this into the world.

And then the hard part starts: Getting anyone to read it.

Good luck.

[enlitment]

i am curious about robespierre and camille and “doomed by the narrative”, if you are free i would love to learn some more about them since i only have basic frev knowledge!

- @iron--and--blood

Thank you so much for the ask! ✨

The short version is that they started off as school friends and got separated for a couple of years after finishing their studies. Then the revolution started in 1789 and brought them together again by uniting them in their shared goal, only to completely tear them apart in 1794. And by ‘completely tear them apart’, I mean that Robespierre was one of the people who signed the decree for Camille’s arrest which led to his execution in 1794. Talk about star-crossed…

The answer would not have been possible without this great article by @anothehumaninthisworld btw! Definitely go read it if you haven’t already and are craving more information.

Both Camille Desmoulins and Maximilien Robespierre studied at Lous-le-Grand, the former Jesuit school, in Paris. Camille was 2 years younger than Maximilien, but they definitely knew each other, and there is a strong suggestion that they were friends back then. Later, Robespierre calls Camille his ‘study companion’, ‘college comrade’ and (and this will be important later, so just put a pin in that) ‘a talented young man without mature judgement’. Their favourite topic to discuss with each other was apparently the Roman Republic - because of course it was. I also like to imagine they bonded over their enthusiasm for classical authors!

Although two years is not that much of an age difference, a lot of people (including Przybyszewska, who takes it to the max) picked up on the fact that their dynamic was kind of like this:

picture by @did-slid-skid (hope it’s okay to share it, if not then I’ll take it down. Give it a like here!)

…and it sort of continued to be like that until the bitter end, but let’s not get ahead too much.

Once the revolution kicked off and Camille started publishing his first newspaper, he seems to have tried to capitalise on the fact that he knew Robespierre,whose political career at that time was already gaining significant traction (in a bit of ‘I’m so proud of my famous talented friend! Just look at Robespierre! And have I mentioned he is *my* friend?!’ kind of way). At this point, Camille might have had an incentive to exaggerate their closeness a bit to help his own journalistic career.

But I think it’s fair to say their relationship became closer once again sometime during 1790 since Robespierre was not only a witness at Camille’s wedding to Lucile, but he also became a godfather to Camille’s and Lucile’s son Horace, according to some sources. And if not a godfather, then definitely at least an occasional babysitter.

Also not super relevant from a historical perspective but the wedding scene in La Revolution Francaise is very cute, despite the film's many issues:

Then, around late 1793 and the first half of 1794, things got really messy. I mean, they were always really complex of course, it was the revolution and fractions kept forming and falling in quite a rapid succession. I mean messy specifically in regards to Camille. To put something really complicated as simply as possible, Camille started to be associated with the Indudgents/Dantonists - a name coined for the political fraction which included figures like Georges Danton and Fabre d'Églantine, who was involved in a massive corruption scandal.

Around that time, Camille also started publishing a newspaper – La Vieux Cordellier – which criticised the actions of the Committees and as such, came to be seen as something that was actively undermining the authority and the efforts of the revolutionary government.

There was quite a heated public exchange between Camille and Robespierre in January 1794 at the Jacobin Club. It also marks one of the greatest instances of what I like to call ‘using Rousseau as a weapon”.

Basically, Robespierre ordered Camille to destroy the copies of his journal, to which Camille replied by quoting Rousseau and saying "to burn is not to answer." It's important to know that Rousseau was *the* hero of Robespierre - a fact of which Camille was fully aware - so this was meant to cut deep. It must have stung!

Robespierre then replied “Learn, Camille, that if you were not Camille, one could not have so much indulgence for you”. This to me really illustrates the nature of their relationship at this point in time.

I am not sure how much of this is actually historically accurate and how much is my view based on the interpretations of their relationship in the media, but the sense I get is that Robespierre was quite protective of Camille until he felt like he had no choice but to move against him.

Despite the small age difference, there seemed to have been kind of an older, wiser person in a protective role/younger man led astray (or, if you want to go the Przybyszewka's route, acting like a brat) dynamic. Robespierre is quoted referring to Camille as a ‘spoilt child’. I mean, Camille might have been one of the first people to be called enfant terrible (I swear I saw it somewhere and did not hallucinate it, right?), despite being a man in his 30s.

Camille's whole vibe is somehow 30+ going on 14. Like that's pretty much a historical canon.

But then, in one way or another, the situation reached a point where for Robespierre, the importance of preserving the revolutionary cause outweighed the importance of friendship with Camille - his old college comrade. (DOOMED BY THE NARRATIVE!)

In March 1794, Robespierre, as a member of the Committee of Public Safety, was among the people who signed Camille’s arrest warrant and thus, with a stroke of a pen, sealed his fate.

blood and ink parallel etc etc you get it ~

According to Robespierre’s sister, Charlotte, Maximilien tried to visit his friend in prison. I'm including a longer version of the quote because it is fascinating! Przybyszewska includes this supposed event in her play, The Danton case. It is also something which I may or may not have capitalised on in my own writing. Ahem.

"all I know is that my brother had much love for Camille Desmoulins, with whom he had studied, and that when he learned of his arrest and his incarceration in the Luxembourg he went to that prison in the intention of imploring Camille to return to the true revolutionary principles he had abandoned to ally himself with the aristocrats. Camille did not want to see him; and my brother, who would probably have defended and perhaps saved him, abandoned him to the terrible justice of the Revolutionary Tribunal."

An important question though is whether we can trust Charlotte as a source here… (most likely no?) If it were true though, it just screams doomed by the narrative (and own hubris?) to me.

Lucile Desmoulins, Camille’s wife, meanwhile tried to plea for Camille’s release by writing to Robespierre and trying to remind him of his and Camille’s friendship:

Have you forgotten these ties which Camille can never remember without tenderness? You who prayed for out union, who took our hands into yours, you who have smiled at my son and whom his infantile hands have caressed so many times (…) Even if he (…) hadn’t been as attached to the republic, I figure his attachment to you would have functioned as a substitute for patriotism, and you think that for this we deserve death?

(I’m not crying you’re crying)

Lucile’s letter, however, did not help to change Robespierre’s mind and overturn the decision. On 16 Germinal Year II (5th of April 1794), Camille Desmoulins was executed, along with other Dantonists.

Just one more line that always makes me sad, to really rub it in as a special treat – from Camille’s letter to his wife from prison:

“I have dreamed of a Republic such as all the world would have adored. I could never have believed that men could be so ferocious and so unjust.”

Or, as @anotherhumaninthisworld aptly puts it in the tags, Camille and Maximilien’s relationship essentially boils down to this:

(Really funny, but ouch.)

Their relationship also features prominently in the works by S. Przybyszewska, an early 20th century Polish playwright who very much picks up on the potentially queer vibes of Camile's and Maximilien's dynamic and just runs with it. She's much loved by the French Revolution Tumblr fandom for writing what is essentially a beautiful extremely angsty historical RPF in the 1920s.

[ririya-translates]

Jack Jeanne March/April 2025 News

Apologies if someone has already done a big news roundup post but I figured I'd write one for covering the fourth anniversary stuff and new book and manga releases.

This year's anniversary art took a very different direction from the formal styles from last year's with a more streetwear look. Official website here.

We got a livestream too with Yuka Terasaki (Kisa), Masumu Ono (Kasai), and Taichi Kusano (Mare) where they read some fan mail about things people like about JJ and which class they'd be in. The stream didn't reveal a lot of new news, although it does sound like Ishida and Towada are working on the sequel pretty much every day. Towada also posted this cute art before the stream on Bluesky.

On another stream Kisa's VA did with Gakuto Kajiwara (Shirota) she mentioned that she's only met with Ishida twice so far (and that he reminds her of Kenshi Yonezu??) so it sounds like probably a lot is going on in the planning and writing stage, but they're not at the recording stage yet. Also please watch this adorable clip of them singing Faded Color together.

As far as anniversary news, a lot of it was the expected things (mostly stuff that's hard to access outside of Japan) like Joysound karaoke collab, Gratte cafe collab, popup shops in Shibuya and Umeda with a little digital stamp collection game. I'm expecting merch to be sold online on Broccoli's store after the shops close at the end of March (requires a JP address so you will likely need a proxy shipping service outside of Japan). In addition to the acrylic stands and pins, there was a cute Tummy coffee tumbler and a sorta itabag-style tote with a window in it for showing off merch. They also announced a new drama CD coming out based on Towada's birthday stories (currently untranslated to my knowledge).

But the most exciting thing is that we're getting some new content! The first is a novel by Towada called 玉坂の光跡 or "Tamasaka's Trail of Light" which includes both the first anniversary novel "Happy Anniversary" (which used to be free but has sadly been cut to just a sample) and a new episode of 30k characters. It's a bit over 300 pages long which makes it slightly longer than the summer novel and Seven Winds. There's also some pre-order bonuses (art from Stella Worth and a visual board with a short story from Animate)

The second is a manga collection titled ジャックジャンヌ FOLIAGE ～アンバー・オニキス～ (Jack Jeanne FOLIAGE - Amber & Onyx) which has both Puppet and Parsley manga with some new art. If you want to check out the JP versions, I suggest trying to do so before April 17th as I'm unsure if they'll continue to be available for free after the commercial release.

But perhaps one of the most exciting things is that just today Ishida announced a new two-part manga one-shot published in Ultra Jump on April 18th. It's called "Duckweed" and will be focused on Minorikawa's first year after being picked to the be class lead's assistant and his challenges in managing all the Rhodonite girlies. Unlike the others, I do not expect this one to be posted officially online for free since it's being published.

For those who were maybe hoping for more sequel news, I do think the biggest thing we can take away from all this between the note at the end of Parsley, Kasai and Mare on the anniversary stream, and now a Minorikawa manga is that I get the strong sense the sequel will take place in the following year with Kisa as a second-year. I'm not sure how they will make this work with the graduated students, but that seems to be the direction all signs are indicating.

[neciebee]

2024 Fic Writer End of Year Roundup

Answer and then tag three or more creators to keep the game going!

(If you're in my answers consider yourself tagged if you'd like to play!)

1. How many words did you publish on AO3 in 2024?

17445. I just a baby.

2. How many fics did you complete this year?

6:- 5 one-shots and a drabble

3. How many in progress or ongoing fics did you start this year?

I really only write short one-shots, but two of them deserve a bit of fleshing out in a follow-up or three

4. What was your favorite thing you wrote?

I Need You was the first thing I wrote that has a possible continuation. I was obsessed with the idea of forcing the acceptance of the mating bond, and the subsequent fallout. More to come, hopefully! The muses bit me hard that day. Thank you, @mistandmemories, for popping my sprinting cherry!

Probably not what the question is asking, but I'm also pretty proud of some of the comments I leave on my favourite fics! (FUCK YOU, TESSALANTERN, and 🌈DENIAL SOUP!!!🏳️‍🌈 stand out as my favourites.) It takes a lot to digest so many plotlines and such incredible writing, and the live-reacts help me process the amazing stories that we've been blessed with. These authors put so much into their work, and I enjoy showing my avid appreciation (and horror)! ( @jules-writes-stories and @iftheshoef1tz, yours are coming once I recover from my indigestion and brain rot.)

5. What piece was your most experimental or different from your usual style?

I'm very pleased with my gift for @born-to-riot. It's the sweetest thing I've ever written and it's not even smutty! Not Sorry was probably the furthest deviation from my genre, as I mainly write smutty Sadlube where nobody is happy and the sex starts, continues, or ends in tears. Writing something for someone else took me out of my narrow band and I like it.

6. Did any fics surprise you - either while writing or their reception?

I was pleasantly surprised when commenters were keen for me to continue I Need You and Not Sorry. I did leave a lot more hanging than I normally do. I usually keep a couple of threads floating in the wind to tempt speculation, but I overdid it with those two. It's time I give y'all my LORE!!!

7. Do you have a fic you wrote and loved that went under the radar? (This is your sign to reblog/repost it!)

I Can't if you Won't, but I Will is my only Casriel, though they're both mated to their assigned vipers. It's their mutual substitution pining fuck! I spent ages reading and rereading the High Lord meeting and the subsequent night and morning in order to ensure everything was canon compliant. It first struck me when both Cassian and Azriel disappeared while Mor was getting disappointingly railed by the veritable Sex God of Prythian.

8. Who is an artist that inspired you?

@fourteentrout , @nus4y , @lucychanart , @works-of-heart , @krem-does-stuff , @naariel , @tendermiasma , @elleybug , @chunkypossum , @copypastus , @strykozart , and many more have all created works that I've stared and stared and stared at! For educational purposes.

9. Who is an author that inspired you?

Buckle up, y'all...

@mistandmemories for the pining

@jules-writes-stories for putting everything Azris into one masterpiece

@the-darkestminds for despair

@chunkypossum for getting me and giving us pain

@fieldofdaisiies for carving her words into my heart, @shadowsandlint for LORE, @iftheshoef1tz for luring me here in the first place, @futurehunt for amazing plots, @fourteentrout for an incredible output of sexytimes, @secret-third-thing for being unhinged, @acourtofladydeath for the insane premises, nat-tav for smut, @greenvelvetcouture for incredibly pornographic romance, tessabeth for twists, @pippsmcgee for having her fingers in so many pies and fucking that shit up, @nocasdatsgay for cliffhangers, @brunetterebel010 for a different take, @ofduskanddreams for making me love AU, flamesandshadows for Lucien love, @ysmtttty for being an absolute flirt, @unanswered-stars for the unanswered letters, @melonsfantasyworld for being a complete slut, Vivienne1412 for her Vanserras, shadowhandss60 for unapologetic filth, @g00seg1rl for hilarity, @witch-and-her-witcher for variety, astarla for romance without a bond, @yanny-77 for the lip ring, mathiwrites for Tamlin, voralisthelittlebat for stalking as a love language, nothinggoingontoday for the benefits, sam_lane for writing the real canon, @crazy-ache for the kitty, @zenkindoflove for Alexius, Clare, and Andras

10. Who is a new author you discovered?

I just got back into ff this year after two decades away. Everything and everyone is new to me and I can't be happier with the comradery between us all! But @buffy-vanserra, @g00seg1rl, @nus4y, and @jolenes-library have been recent additions to my subscribe button.

11. Did you do any collaborations? How did it start?

I haven't collaborated, but I did participate in the gift exchange, which gave me inspiration that I never would have found on my own (thanks @born-to-riot), and allowed me to dump my thirstiest dreams onto my Santa (thanks, @brunetterebel010). I also betaed for the first time (on the very last day of 2024) for @shadowsandlint, who I've been simping over since I first came across her work.

12. What accomplishments are you proudest of?

Hitting the publish button. I am so very shy about sharing the shit that falls out of my brain, but I've been met with only kindness and support instead of judgement and critique.

13. What did you learn about writing or creating this year?

Just get it down. You can edit later. Stop perseverating over the little things.

14. Any advice you’d like to share with new or aspiring writers?

Do it, don't be shy. We promise to be nice about it.

15. What are your creative goals for 2025?

I'd like to continue I Need You and Not Sorry. I'd also like to try writing other characters. The brain worms are wriggling. Ianthe and Tamlin are peeking in.

[solarecliipse]

lovestruck!

kita x reader. ‘m sorry but kita is just too much. english is not my first language, not proofread.

it was not like him, everyone on the team had already seen it, how he was swooning over you, it was like seeing a completely different person. you were a second year, part of the student newspaper, that’s why you meet, when he becomes captain, you’re sent to write a bit about him, and he becomes enthralled by you, the shy way your gaze averts his, nervous to be in his presence —maybe because he’s your superior, maybe because you think he’s really handsome— the beautiful pink gloss that covers your lips, and the way they move as you ask about him and the team, the shine your eyes get when you come by the gym to offer him the published article and he says how he’s already read it, and how much he liked it.

later on, he discovers you and osamu are good friends, since you share some classes, and today, when you come to watch their practice is when everyone notices, the way he seems so much more excited to practice, the sight of you making him a bit distracted from the way the twins bicker, and how he smiles when you pass him his water bottle make everyone on the team figure it out. and so, osamu brings you to practice more often, and suna then insists for him and kita to walk you home, even if he’s on his phone the whole time.

then, it gets to the point where it’s unbearable, everyone would think kita would be the kind of guy to ask you out after some time and be a gentleman all over, but he seems to can’t. he can’t get you out of his head, can’t think straight when you give him a shy smile from the other side of the hallway, he even finds himself feeling jealous from the way you and osamu talk and treat each other, because he can’t seem to go through the barrier that keeps your relationship like simple acquaintances, maybe friends? but not really.

when the nationals come you once again ask him for a short interview for the school paper, and of course he agrees, but this time he asks you for it to be outside school —because he’s, oh, so busy during the school day between classes and training—, and you agree to meet at a cafe near campus. it’s the first time he sees you wearing something that’s not the uniform, and you look so pretty he can’t look away.

“kita-san!” you greet with a smile as you invite him to sit down, “i arrived early to do some other tasks and i already ordered, would you like to join me?” you ask with a pink hue on your cheeks under his gaze.

he nods as you call a waiter, then he orders as you take your notebook and things to start the interview, “thank you for agreeing once again, kita-senpai, i know you’re really busy” you say as you bend your head a little, it makes him smile softly.

after finishing the interview you two start to talk about yourself’s a bit, and you’re about to stand up and say your goodbyes when he takes your hand, looks at you deeply, and starts talking with a bit too loud voice, “y/n-san, i know this may come out of nowhere,” he starts with a slight pink decorating his cheeks, “but i think you’re the prettiest, most lovely person i’ve ever met, and i really like you.” as he talks you can feel your own cheeks blushing and something like butterflies —or maybe a whole zoo— all over your stomach, “if you’d let me, i would like to start hanging out as more than friends”

and he’s a mess, even you can see this isn’t his usual him, he’s face red, all the way to his ears and neck, his hand’s sweaty as it hold yours and there’s more than enough people looking at you because of how loud he talked. so you smile, and nod “yes, kita-san, i would love for us to start going out”

and the relieve washes over him just before some more panic comes to his mind, what if you go out and he ruins it? or you think he’s too boring? or he- it’s all cut off when you lightly kiss his cheek, “i have to go now, kita-san, i hope to see you tomorrow.” and you leave him there, dumbfounded, flustered and ecstatic.

from then on, things get much more interesting, everyone in the team knows you’re going out, and atsumu starts to beg you to go to practice daily so kita doesn’t scolds him as much, suna stops walking with you two back home, and you start going out at least once a week, sharing all kinds of intime moments, you even meet his grandma, and oh how she adores you, can’t stop talking about how kita’s so inlove with you, and then when he meets your family he charms them, because he’s so helpful, and makes you smile in such a way. when the nationals come along you’re already officially dating, he’s your boyfriend, and he’s so happy to see you there at his matches, and you run to him after they lose against karasuno, and you share a hug and your first kiss right there. then at his graduation he gives you his second button after you sweetly ask for it, you’re the only person who knows him like that, he’s so damn lovestruck just one look is enough.

[smehur]

Some Harry/Draco Fic Recs

There is so much great fic in this fandom, I'm struggling to keep track of everything I read and like. I already mentioned some of my early favorites here, but I have since found several more.

In no particular order:

Hermione Granger's Hogwarts Crammer for Delinquents on the Run by waspabi

In which Harry did not go to Hogwarts, but is instead found by a group of seventh year students led by Hermione, and recruited for the war at the ripe age of 17.

I'm not usually a fan of AUs, but this charmed me within the first few paragraphs with irresistible characterization. Harry is a little different than how I imagine him, but the premise allows for it. And the Harry/Draco romance is possibly the sweetest, softest I've seen so far. 10/10 would read again.

In Pieces by dysonrules

Harry returns to Hogwarts as the new DADA instructor, only to find his teaching efforts thwarted by a very familiar ghost.

When I got this rec myself, I wasn't sure I would like it, because, well, the summary spells it out, doesn't it? But I ended up loving it. It's incredibly sweet and tender and sad and hot. I couldn't put it down.

An Emerald In The Sky by corvuscrowned

The hardest part about shagging an Unspeakable is that they’re not allowed to speak of anything. All Draco knows is that Harry works in Time. Harry works in Time, and while he’s out there in all of that time, it is as unforgiving to him as it is to anyone. Somewhere along the way, Draco realizes he's been thinking in lines, when he should have been thinking in circles.

This story moved me like few others. It's a masterpiece of 'show, don't tell' in that elusive way I have never been able to tap in my own writing. It speaks in images, and the images capture incredibly specific, perfectly chosen details that paint years and decades of slowly fading hope. Just the thing for one who considers their own aging and mortality increasingly often.

Take You Home by lq_traintracks (lumosed_quill)

Everybody’s a little fucked up after the war, Draco especially. What starts as hate sex after a night out, eventually turns into something else, something more like comfort. And even though his friends all tell Harry he’s just being used, all Harry’s doing is making sure Draco gets home in one piece. He’s not falling helplessly in love.

From the author of one of my early favorites (Right Hand Red), a hugely enjoyable read that makes love to a post-war Draco (and his long hair in a man-bun that he fastens with his wand). I gulped this down in one sitting.

Hey, Potter by SunseticMonster

Harry returns to Hogwarts for his 8th year, determined not to let Malfoy get to him. But when the snarky teasing starts up again, Harry finds that returning the jibes with compliments has a far more interesting outcome.

I am in love with this premise. It works so well? While I wished for a bit more shipping and a bit less collateral, I still enjoyed this story immensely and went on to read almost everything the author wrote for the pairing.

An Issue of Consequence by Faith Wood

Draco has woken up in an alternate universe. Or he has woken up utterly insane. Nothing else can possibly explain why Harry Potter suddenly seems to think he's Draco's boyfriend.

The light-hearted summary belies the gravity of the plot of yet another favorite tale from the pen of my favorite author. The POV immersion is so deep that I absolutely did not see the resolution of the mystery until it was revealed, and then I was just as shocked as Draco. Fabulous stuff.

A Doll's Tale by Faith Wood

Harry/Draco, as observed by Draco's childhood doll. Please note, this doll is very self-absorbed.

This... broke me a little, lol. Don't get me wrong, there's nothing (too) heavy, angsty or dark about this story. It's as innocent as they get? But it just clicked so well with the idea I've been brewing in my own (yet to be published) writings, of Draco as this... sensitive boy hiding under the guise of confidence and cruelty. And the plot-twist, Merlin. Was it obvious? Maybe, but not to me! It struck me like a (fluffy toy) train and days later, I'm still recovering. I want to take this fic and hug it when I go to sleep.

Actually, I'm in a bit of a pickle, as my instinct is to list pretty much every single thing written by Faith Wood that I've read so far. But that would be silly, so I'll list only one more, as a treat.

Beholden by Faith Wood

Draco Malfoy might not be a killer, but it turns out he's an effective painkiller. If stopping pain was all Draco's touch did, things might not be so complicated, but either way Harry can't afford to be choosy.

I already mentioned this one in that inaugural post I linked at the very top, but: 1) it's now completed and can be safely binged on; and 2) the only thing I said about it back then is that it deals with chronic pain, which was particularly relevant at the time because I was at the peak of sciatica and could relate to poor Harry all too well. But that's just one of the many merits of this incredible story. Now that I'm feeling better, I'd praise it first and foremost for the patient exploration of the characters' inner worlds and the gradual, methodical and inexorable buildup of their feelings and convictions that eventually leads to falling in love. A masterpiece of slow burn. I plan not only to read this again, but to study it in the hopes of improving my own craft.

Tagging the authors I found on here: @dysonrules @faith2wood @corvuscrowned @lqtraintracks and also my friend @kuraiummei who helped me find some of these gems.

Thank you for enriching my life. ❤️

[bao3bei4]

why zines? how zines?

i was on a panel at fanworks con 2023 about zines today. it was a lot of fun! i decided to turn my portion of the talk into a post for my friends who couldn’t make it to the panel. 

this post includes my thoughts on: 

why make a zine

how to generate ideas for zines

how to finish your zines

how to build an audience for your zines

so why zines? what are they? [ZEENS, rhymes with beans], pronounced that way because it’s a shortened form of the word magazine, are basically just that: self published magazines. but why make a zine over, say, a blog post? or any other piece of art. 

i have basically three reasons. the first is that making little books is cool. it’s genuinely awesome to make physical zines and have the product of your labor in your hand. it’s a great feeling to finish a project and feel a concrete reward, and a lot of times we don’t get that in our lives.

the second reason is that zines give you absolute editorial control. you can put anything you want on a page. whatever layout, whatever order, whatever fold, whatever content. you name it, you can do it. this is something other venues rarely give you. for artists, it’s phenomenal. and for the rest of us, it gives us the ability to become artists for a little bit, as we lay things out.

the third reason is that zines can be absolute shit. in fact, the more shit they are, the more diy and punk they are. they have an incredible lineage of stolen copy paper and anarchist politics. all that to say, is that there are no standards. the zine ethos is say what you wanna say. it’s tremendously freeing to go fuck polish and respectability, i’m making my project.

because of these three reasons, i want to encourage you to get started making zines by describing common challenges and worries and giving you several practical tips for each on working past them. so, in order, they’re “i don’t know what to make a zine about,” “i struggle to finish projects,” and “no one will read my zines.” let’s get into it.

first up, “i don’t know what to make a zine about.” i think this one is pretty common, even for experienced zine creators. sometimes you’re in the mood to make things but you have no clue what. a lot of people suggest to just go with random words or whatever pops into your head, but i’m picky! i find that unsatisfying! so here are some tips for people in the same boat. 

ONE: what’s distracting you? work with it. because anything can be a zine, let the things you’ve already done serve as inspiration. photos you’ve taken can be formatted into a zine. is there a game sucking up your attention? make a zine about it. the song stuck in your head can turn into a lyricbook, forgotten works in progress or sketches can be resurrected, cannibalized, or even published as incomplete zines. if you’ve been busy with real life, maybe the recipes you’ve been making—even if, especially if, they’re struggle meals, can turn into zines. interview your most interesting friend. summarize a book you read recently. even if you’ve just been doomscrolling, that’s a zine too! i got a zine last weekend called bay area newsreel which was collecting recent articles about local news from leftist perspectives gathered up into a handy volume. your attention is a gift, so look at what zine fodder it’s accumulated for you naturally. 

SECOND: add a twist. sometimes i have an idea but it isn’t quite right. it just seems too straightforward. so i try to develop along a single axis of content or form. what this means is basically go against your instincts, or rather, your first impulse. that first idea is very hard to walk away from, but doing so often gives you an idea that gets you unstuck. so for content, add a different perspective. for me this is often a theoretical approach. when i was stuck on my scum villain zine, turning it into freud zine let the words start flowing. next, on form: present it differently than your first instinct is to. if my first thought is “essay,” i try to figure out how to chunk out the information into modules or how to add interactivity or what kind of illustrations to add. if my first thought is “this could be a fic or comic,” i try turning it into an essay. saying things a different way often gives you a new perspective on the content as well. 

THIRD: copy! make your take on the same thing as someone else. it’s not stealing—well, ideally it isn’t. make your original take and give credit where credit is due and ask permission if necessary. but engage with the medium!!! making zines without reading zines is the same thing as trying to write a paper without citing sources, or a novel without reading your contemporaries. that is, you can do it, but it’s hard. zines are a genre into themselves so figure out how to situate yourself in their ongoing dialogue. an example of this from my own practice is that i own a zine about queer gods and mythological creatures from chinese history. reading it i was like. why don’t they talk about this. why don’t they talk about that. and that became the basis for my own zine, guaitai the strange and the queer which focused on queer chinese history and literature instead. different zine, same inspiration. 

all of my ideas suppose you have SOMETHING going on. what if you truly have nothing. my advice? adapted from my “how to write an essay” blog post, is to read a book. read an article. read something. and then post about it. and then turn your posts into a zine. don’t start entirely from scratch — give yourself a scaffolding. so first. read something and tell someone about it. i wasn’t lying about calling myself a consummate poster. it’s a big part of my thought process. 

second up, what if “i struggle to finish projects.” i’m no stranger to having a bunch of half finished half started projects lying around. but here are some zine-specific tips i have for addressing that.

FIRST! go smaller; go shittier. reduce the scope of your projects. make one pagers, lists. once when i was feeling stymied, i made a physical zine about movies i’d watched that month, just listing them with a couple bullet points on each film. i eventually turned it into a bigger digital zine where i listed movies i’d watched over the past several months with more thoughts on them, and nicely formatted. but that was something that came out of reducing my scope from “i need to write a manifesto on a movie i’ve watched recently” to “well i can just tell people about it” to “i can say two things about it.” and something actually got finished.

SECOND. your friends are a great tool for accountability. something i like to do is zine jams with my friends. nothing fancy, it’s just we’ll sit down for an hour and go we’re going to make something in this hour. or, for a bigger scope, we might work separately but commit to making a zine that weekend. it’s nice to have community and it’s nice to feel a little bit of a friendly deadline. i recommend this even if you DON’T have problems finishing zines. it’s a good time. 

THIRD. a lot of times if the words aren’t coming easily, it’s because i’m not trying to say the right thing. keep in mind that your zines don’t have to be “content.” this little paper zine i made about movies wasn’t made to share online; in fact, it’s not available online. i didn’t make it according to what other people would see or be interested in. you can and will burn out on making “marketable” content. corollary to this: sometimes what i have to say is something i DON’T want to share online. it might not be that it’s boring, it might be that it’s too personal. and i share a lot online, i write personal essays after all. but some projects i stall on because they’re really just for me, and i’m again, focused on making content. so this piece of advice is about rejecting the tyranny of the imaginary audience. 

and the next challenge is about embracing that audience! what if no one reads your zines, something that’s entirely possible. well there’s plenty you can do about that.

FIRST. cultivate zine community. read other people’s zines! talk to them about their zines! this greatly increases the chance that they will do the same for you. don’t go in expecting reciprocity; do it for its own sake, but it’s a great place to start. try asking people at zine fests if they’d be willing to trade with you, for instance. 

SECOND. write for yourself. it’s cheesy but it’s true. you really have to. if you’re not proud and happy with what you’re making on its own merits, what’s the point. now because this is a cop out tip, i’m not counting it as a tip on its own. 

so SECOND PART TWO. make your zines more accessible. if they’re not free, make them free—yes, you deserve to be compensated for your work, but it’s up to you to decide if you want a bigger audience first. if your zines aren’t short, make them shorter. make them short enough that you can post their entirety on social media or something else easy for your audience to consume. it’s a big ask sometimes to get someone to download your pdf! if they’re physical, hand them out to people you meet. remove all the barriers to entry.

THIRD. related to this, change medium. if you’re not making physical zines, try printing them out. if you’re not making digital zines, try digitizing them. both of these offer access to new audiences and new people who might be more interested in one form than another. 

i hope these thoughts encourage you to make a zine! if you do, please let me see it. i love reading zines. 

[batmanisagatewaydrug]

reading update: july 2024

full disclosure: I started out July in a bit of a mental lurch, really feeling stuck in a rut. there are a lot of reasons for that, absolutely none of which need to be shared with the general populace of tumblr dot com, but suffice to say that I was feeling listless and reading was not a high priority. I was pretty content to accept that this was going to be another month where I didn't finish a lot of books. I was too busy for most of June, and now too unfocused and bummed out in July.

and then that ended up not being the case. I think I can chalk that up to three things:

very early in the month I realized that none of the reading I had been planning on getting to was grabbing my interest at all, so I did something drastically different: picked up a YA memoir that I bought at pride on the recommendation of a bookseller. not my usual kind of reading at all, but YA is very readable and memoirs grab me fast because I'm nosy, so I figured it might be great for getting out of a rut. and boy, was I right!

Akwaeke Emezi also has a new novel out, and if you don't know then please note now that I'm a person second and an Akwaeke Emezi fan first. their newest novel was a sinister joyride, non-stop twists and turns that I couldn't put down until I saw the characters through to their bitter ends.

and, of course, over in the Dungeon Meshi manga I got to Mithrun. I've only had Mithrun for a couple of chapters, but if anything happened to him I'd kill everyone in this dungeon and then myself. even if I hadn't been able to read anything else, that would have kept me running back to the library for more Dungeon Meshi.

all of which added up to a fairly voracious appetite for books being reignited in my brain, and my second most book-heavy month of the year so far (still haven't beat May, but there's time). sick!

so - what have I been reading?

Delicious in Dungeon Vol. 7-10 (Ryoko Kui, trans. Taylor Engel, 2019-2022) - mannnnn I know I'm not saying anything that hasn't been said elsewhere, but Dungeon Meshi is so. fucking good. the way that Kui starts to raise the stakes of the story and grow the world beyond the core band of adventurers is so conscientious and well-done, timed perfectly so it never feels like having an undercooked heap of fantasy exposition thrown at you all at once. instead everything proceeds at a perfect simmer, leaving me feeling like the frog in that pot of boiling water who didn't notice how dire things had gotten until it was very suddenly too late and I was screaming bloody murder at a book. things have gotten so dire that I'm yearning for the days when fighting a red dragon was our biggest problem - and yet, through it all, every character remains rendered with humanity and compassion, no matter how scary, dangerous, or outright alien they first appear. I'm not naming any spoilers, but I need [REDACTED] to fix shit ASAP in Vol. 11 and [SUPER REDACTED] is on my shitlist fucking forever. also Mithrun sweetie you're perfect, do as many crimes as you want.

Heart and Hand (Rebel Carter, 2019) - my romance novel of the month, as picked by my lovely patreonites! this self-published historical romance promised some messy f/m/m, following a biracial (half Black, half white) young lady, Julie Baptiste, as she responds to a marriage ad that takes her out west to the fictional town of Gold Sky, Montana. Julie's sort of a standard historical heroine - she doesn't care for the silliness of high society and vastly prefers the company of books, looking forward to becoming Gold Sky's schoolteacher - but her marriage has a twist: rather than marrying one man, she's agreed to marry two, a pair of friends who have been inseparable since they served together in the Civil War. this book is charming, for sure, but I can't help be more intrigued by what isn't there than what is, namely: are these men having sex with each other or not? Rebel? hey, Rebel? why is there no DP in this two husbands mail order bride book? that was, like, he bare minimum that I expected. for the love of god, why did those men never put both of their dicks inside Julie at the same time? why did we spend so much time on emotional conflict that could be easily resolved if anyone just talked to each other when Julie's two beautiful husbands could have been having sex in front of her? HELLO?

also, listen, this is such a nitpick, but I am FROM Montana and it feels personal: I know that the general poverty of frontier life isn't sexy, but god these people are WAY too well off. at one point Julie enjoys some fucking BANANAS, something that I goddamn assure you were not easy to come by in late 19th century Montana. a banana. as fucking if.

All Boys Aren't Blue (George M. Johnson, 2020) - as is proudly advertised on the back cover of my copy, in recent years All Boys Aren't Blue has been the second most-challenged book in America behind Maia Kobabe's Gender Queer. reading through All Boys Aren't Blue it was initially hard to see what exactly was so objectionable, until I realized that a queer Black person living their life with compassion and joy is the scariest thing some of these motherfuckers can possibly imagine. Johnson writes about their life growing up in the nexus of racism, homophobia, and masculinity with wisdom and endless compassion, directly addressing young people who may find themselves in similar positions to offer them assurance that they, too, can be okay. more than anything, All Boys Aren't Blue is a plea for young people to live their lives without fear and shame. it's a beautiful blessing of a book that I hope brings comfort to every innumerable kids who need it.

Little Rot (Akwaeke Emezi, 2024) - how do I even begin to describe Little Rot? definitely not for those who feel squeamish about sex crimes, I guess that's an important place to start. this novel starts with the breakup of a long-term Nigerian couple, Kalu and Aima, and follows both of them into a weekend that starts with drugs and sex parties and spirals increasingly out of control from there, drawing more and more characters into a complicated snarl of money and power. Little Rot has the seedy, lurid draw of an episode of SVU if SVU ever grew up and realized that cops don't do shit, reveling in the nastiest that Emezi's imagined city of New Lagos has to offer. cannot say this book is for everyone - few of Emezi's novels are - but god, it's a thrilling study in corruption.

The Persistent Desire: A Femme-Butch Reader (editor Joan Nestle, 1992) - this is a massive and fascinating historical document, assembled by Nestle as part of her work with the Lesbian Herstory Archives. within this collection are letters, interviews, academic essays, poems, and transcribed oral histories from all manner of self-identified butch and femme lesbians. while some of the contributors are recognizable names in the history of American queer activism (including Pat Califa, who's a bisexual trans man now lmao), others are women who were just trying to live their lives with as much authenticity, comfort, and dignity as was possible in their time. (although, notably, the vast majority of these women are white, and all but a very few are Americans. racial and cultural diversity is not one of the collection's strong suits.)

the personal narratives span all over the twentieth century, and I was really delighted to see the very frank discussions of what would be written off as "bad representation" by a lot of queer resources today: butches overdosing on toxic masculinity and getting in messy bar brawls, femmes committing outlandish acts of adultery, lesbian sexual awakenings taking place between fairly young children, and one extremely memorable instance of a butch getting unexpectedly pregnant and decided to do a little sex work on the side since she couldn't get more pregnant than she already was. I was particularly fascinated by the many, many accounts of "second wave" self-identified lesbian feminists who tried to do away with butch/femme identities and "politically incorrect" expression of lesbian sexuality altogether (that's everything but mutual cunnilingus, btw) in pretty eerie echoes of contemporary radfem arguments. at close to 500 pages it's definitely better suited to skimming and stopping to read whatever catches your attention rather than trying to read cover to cover, but I think this is a really invaluable piece of history.

American Mermaid (Julia Langbien, 2023) - this was a novel, for sure. American Mermaid is a novel about a broke, anxious high school teacher named Penelope whose novel, also called American Mermaid, is a runaway success that gets optioned for film. Penelope quits her teaching job and moves across the country to Hollywood to work on the script with two dude bros who don't really Get what American Mermaid is about, and set to work turning Penelope's weird, unsexy female empowerment novel into an MCU-style action romp with a hot young lead. the novel's strongest when it's deep in the spirals of Penelope's frantic mind, probing the conflict between her fairly desperate need for cash (she wants to be financially independent of her conservative father, she has good reason to suspect breast cancer is in her future, she wants to start a family someday) and the artistic affront she feels at watching her story be disrespected and dismantled. where it's weaker is in the extensive chapters of the story-within-a-story; while useful for context, I straight up didn't need to read that much of Penelope's novel. and the plot overall kind of felt like it fell off the rails near the end once Langbien finishes making her point about how Hollywood sucks. it's not bad, but it's also just... fine. it's fine!

How to Taste: A Guide Discovering Flavor and Savoring Life (Mandy Naglich, 2023) - how do I put this so nicely? this book is for people who are kind of dork ass losers about food, a group that I do very much count myself as a part of. I first became acquainted with Naglich's work when she appeared on a podcast called the Sporkful, which claims that it is "not for foodies, it's for eaters." I'm a fairly devout listener, and after listening to Naglich describe her efforts to become a master cicerone (one of the world's most elite beer tasters, a distinction that is taken Very Fucking Seriously) I thought sure, whatever, that's a book I can get behind. Naglich is maybe a big more entertaining as a podcast guest than a nonfiction author. in places the book can be dry or roughly constructed in a way that suggests another pass by an editor or maybe a co-writer would have helped. and straight up, there are just weird fucking typos in this book that are like. crazy to me, I cannot believe they got through. the cheap-ass cover art also suggests this was not exactly a high budget production.

but having been very mean about it, there are a lot of extremely interesting tidbits about the world of professional tasting here! it sounds awful and you couldn't pay me to do it, but here's the cool thing: Naglich is extremely aware that what she does is insane and she knows that the average reader doesn't want to learn how to identify where a coffee bean was grown just by sniffing the bean from across a room. what she offers instead are really approachable ways to be more conscientious about how you interact with and appreciate food! and she also shares some really cool info about tasting snobbery that IS bullshit, to help you sort out the stuff that actually matters and emphasize that fun and personal taste ultimately trump any "rules." it's a very dorky book but I, personally, did have a good time.

Sex Criminals Vol 3: Three the Hard Way (Matt Fraction and Chip Zdarsky, 2016) - every time I read another volume of Sex Criminals I find myself thinking "man, hang on, do I ever actually like Sex Criminals? am I enjoying this?" but then I end up placing a hold on the next one. I don't know, it's charming! it's like so very VERY 2010s in its dialogue, by which I mean it's like. you know. it's giving Joss Whedon before we all found out how bad he sucked and collectively booed him. but man, I love a story that's down to get weird, and Sex Criminals is sooooo about being weird. and yet also very normal where sex is concerned! considering this is a series all about people having freaky world-altering powers that activate when they cum, sex is treated as an incredibly ordinary thing, warts and all. I like that! I like seeing that! idk, I don't need every comic to be perfect, as evidenced by the fact that I'm actively enjoying Azrael: Angel of the Bat. sometimes the vibes are just good.

[see-arcane]

The Vampyres--The Bones and Blood of the Book

Good news! I’m not dead and the book isn’t either! Just shambling slowly through the wasteland of the publication process. It’s been a bit since I last waved this bloody morsel around. So, consider this a progress report on the state of the novella, the prospective publishing options, and a few other questions that have been bouncing around in the inbox.

EDIT:

I have a website now! For some reason.

It's See Arcane Scribbles.

Smaller Edit:

Got a Spotify too for story soundtrack goodness:

COVERS

First things first—and the first part of a finished book is the cover. Here are some mockups I’ve been juggling, starting with the original placeholder. They’re far from perfect, but I’m proud of what I managed with a fairly skinny graphic art skill set.

FINISHING, FORMAT, AND FINANCE*

*(OR, THE HEADACHENING)

Copyright: Technically speaking, you have the copyright to your own writing once you put it to paper or screen. But this is somehow a different thing from a legally-binding registered copyright, which everyone declares is a must-have if you want your work to be protected with more than a non-textual trust-fall exercise, hoping nobody steals your work and runs.

That said, electronic registration with the copyright office is $65, or $45 to register one work by one author.

ISBN: I only recently learned the words behind this acronym. ‘International Standard Book Number.’ It’s the ID on a book that marks it as unique and helps commercial booksellers and libraries circulate it. Each iteration of a book—paperback, digital, hardcover, new editions, et cetera—has its own ISBN. When you’re publishing on your own, you purchase ISBNs through a service called Bowker.

One book/version’s ISBN costs $125.

There are better bargains the higher the number of books and/or versions you go, starting at a bulk of 10 books for $295. But as I only have the one (1) skinny novella on the table, that’s a no-go. Which begs the question of how many ISBNs are in store for this little monster. It depends on how many formats I go with.

eBook: The quickest and most cost-efficient option across the board for any self-publication service. Short, sweet, no printing pains of trim sizes or distribution costs or formatting, oh my. Nice.

Paperback VS Hardcover: …But I am now and forever a sucker for physical media. Even though it’s a teeny brochure of a thing, I want to hold a physical copy of The Vampyres in my hands! So bad! And every service I’ve looked through has stated the obvious: Hardcover costs more than paperback. My heart won’t break if I have to stick with paperback to spare everyone’s wallets—hardcovers are pricy in both directions!—but I am a little torn. Especially as physical size might affect the price too.

Here we have two of my favorite quick reads, an anthology of Poe stories and Clive Barker’s novella, The Hellbound Heart.

The Poe book is a clothbound hardcover. 6.5 x 4.5 inches, a bit over 120 pages.

The Hellbound Heart is roughly 8 x 5 inches (about standard for a novella), at 164 pages. But unlike Poe, it looks like Barker took some liberties with the spacing and font size.

Standard size dimensions cost less than unique cuts, which means that whether paperback or hardcover, I sadly have to say goodbye to the petite palm-sized edition I was hoping for. On the upside, good news to us crap-vision readers—the font’s going to get H U G E in order to make the book more than a pamphlet with delusions of grandeur.

Audiobook: The fact is, my voice is not up to the task of reciting anything with appropriate gravitas and I think we’ve all been spoiled by @re-dracula and assorted other podcasts’ skill in orating. I don’t have the cash to hire a professional and I’m not about to accept anyone’s freebie offers. I won’t pickpocket friends for their talent. If an audio version ever comes along for any story of mine it’ll be down the road when it proves worth the format’s effort and cost.

REVIEWS (and a Foreword!)

It was the best of times (People reading the thing! Commenting on the thing! Good good good—), it was the worst of times (The Mortifying Ordeal of People Reading and Commenting on the Thing). Time for what every advice site declares a book absolutely must have the moment it’s thrust into the wild.

Reviews, reviews, reviews.

I’ve already bitten several bullets and passed copies out to a handful of fellow scribblers to scrutinize, their reviews destined to be hung up like literary gold stars on their bookselling site of choice, my own included. Now comes my preliminary grovel to readers en masse to please drop a review, a comment, a blurb of any shape or size where you can once The Vampyres drops. I’ve already gotten some early comments that have consisted mostly of screaming. Screams also count as a review.

As an aside, there are two folks in particular who I reached out to who exist in the stratosphere of Coolest People in the Vampiric Lit scene. They promptly exploded me into disbelieving giblets when they told me, yes, they’d be happy to read my little story and offer up a review and a foreword for the book respectively.

I’m not sure what the decorum here is, but for safety (and surprise’s) sake, I’ll not name names. But they are names I’ve been happy to come across for the past two years while neck deep in the undead book club. I’m infinitely grateful to both of them and am waiting on pins, needles, stakes and kukri blades by my inbox so I can pin their words up inside the book itself.

FUTURE SCRIBBLING

To get one of the biggest questions out of the way, let’s talk about Barking Harker.

My very own object lesson on sunk cost fallacy.

I wrote my way through a goddamn cinderblock of text without even grazing the finish line of the first section of the story. A story made of so many convoluted triple-decker layers of subplots and side characters that it had the structural integrity of a monolithic Nature Valley granola bar, just waiting to fall apart under its own weight. Such is the hubris and curse of too-many-words-itis. The Vampyres remains a miraculous fluke, jotted down during an overdue break from BH’s slog. Not just because I tripped and fell into finishing the story, but because it’s comparatively compact! Brevity at last!

For those still craving the assorted gothic and ghoulish promises of the initial novel idea, don’t worry, those aren’t going anywhere. I’ve just crumbled the metaphorical bloodstained granola by my own hand and have done the sane thing of parsing out the various subplots to become the foundations of their own stories. Which they really should have been from the get-go. Insert 100+ clown emojis here.

On that note, I am turning into WIPs Georg over here. Good god.

I hesitate to throw myself all-in again and make promises of X Story that may leave me spinning my mental wheels or ballooning the plot out into a behemoth that can’t be steered back on course. Even so, here’s a peek at a few ideas I currently have on the brain.

So.

Not exactly lacking for stories. It’s just a matter of seeing which of them breaks ahead of the herd and squeezes out into the publication ether first.

LAST BIT  

Blah, blah, requisite reminder that I have a Ko-Fi where you can donate a buck or commission my best attempt at art, blah. Any pennies are a help.

But I’m betting very few of you came around here for my doodles. Somehow, a good amount of people tripped into this pit with me because you enjoy the rambles and horrors I’ve written over the years. Maybe some of you will even buy my book once it’s out. And you, there, on the other side of the screen—you’re reading this right now. You made it all the way to the bottom of this pile of exposition just because you wanted to. So, thank you.

Thank you for reading this far. Thank you for reading before and reading what’s to come. Thank you for giving me the confidence to even consider shouldering my own work out into the wider world.

Thank you.

P.S. If you want to re-read the preview, go here!

[arminaa8]

Saving Fic Epubs and Metadata Using Calibre

I FINALLY spent time learning how to set up Calibre with the FanFicFare plugin in order to easily keep track of fics that I've read. What's really awesome about it, though, is it does way more than just "keep track":

It saves epubs for future downloading (in case the fic is pulled from AO3)

It automatically "scrapes" metadata (title, tags, warnings, etc.) from the fic and includes it in Calibre's built-in spreadsheet

Allows you to create custom categories for things like notes and personal ratings, as well as categories for metadata not scraped by default (word count, for example).

Every bit of information scraped is SEARCHABLE and SORTABLE! Tags, authors, published date, etc.

However, the instructions for how to do all this are not clear-cut and are scattered on different sites and forums. So I've created a little guide based on what worked for me!

Here are my categories (if you know me the fic shown is not a surprise). I couldn't fit them into one long horizontal screenshot so I split them into two.

Most of these are default categories, but some (Thoughts, Words, Summary, Ratings, and Notes) are not. I've excluded default categories I didn't need, and created custom ones for the information I wanted to include.

Tutorial below the cut!

Download and install Calibre.

Once the program is open, click Preferences > Get plugins to enhance calibre Search for and install the FanFicFare and EpubMerge plugins (EpubMerge works in tandem with FFF and allows for downloading an entire fic series into one file).

_________________

Custom Columns

Preferences > Preferences > Add your own columns The custom column screen is shown below. Anything unchecked is a category I didn't want to include in my list. Anything with a column icon next to it means its a custom column I created. To create a new column, click +Add custom column.

The settings I made for each of my custom categories are shown below. Take note of the "column type" for each category. You can make any kind of columns you'd like!

Once you've made your custom categories make sure to click Apply on the "Add your own columns" screen. Now we need to configure the FanFicFare plugin to assign data to some of the custom categories. Click the down arrow next to the FanFicFare plugin icon on the main Calibre screen, then click Configure FanFicFare. On the next screen click the Custom Columns tab.

You will see a list of your custom columns with drop-down menus next to each. For columns you want the plugin to automatically fill, click the drop-down and select the matching data from AO3. There are many options to choose from, including pairing, language, warnings, etc. Note that I left the Notes and Thoughts columns blank. This is because I will input that information manually for each fic.

_________________

Downloading Individual Fics

Arrow next to FanFicFare > Download from URLs Paste in entire-work fic URLs into the black box. I personally found it tedious to copy/paste each link, so instead I found a Firefox extention called Copy All Tab URLs that does exactly what it says on the tin: copies all URLs from any open tabs. Much easier. Click OK. Then, WAIT. It takes a minute to fetch the data. If a fic is restricted, the plugin may show a pop-up asking you to log into AO3 so that it can access the fic.

You're good to go when you see the following pop-up in the bottom-right corner. Click Yes.

_________________

Downloading An Entire Series

FanFicFare combined with EpubMerge allows you to download an entire series into one epub file!

Arrow next to FanFicFare > Get Story URLs from Web Page

Paste in the link to the SERIES page.

Click For Anthology Epub to download everything in that series into a single epub.

The next screen lists all the links in that series. Nothing to do here but click OK.