#real in theory

[spookcataloger]

The Euthanasia Coaster

[nikoco11]

been a while, angel

[chloesimaginationthings]

The truth on Cassie's dad liking FNAF Bonnie,,

[drchucktingle]

shooting the messenger

something you learn writing SOCIAL HORROR of any kind is there is just a huge portion of buckaroos who will always think the political things being reflected in art are not real or overblown, and theyre almost always wrong. i believe love wins out, but there ARE scoundrels to battle on our way there

in my first horror novella STRAIGHT the buds are going out to a cabin three years after first annual zombie day because theres a vaccine. theyre acting normal. amount of early reviews docking stars for 'being unrealistic that folks would return to acting normal in just three years' is HILARIOUS now

in BURY YOUR GAYS there are were some folks all the way up until a few weeks ago who would review and say something like 'loved the book but this issue is over. queer media is mainstream'. YET SUDDENLY we now have pride days getting removed from official calendars, gay media deleted, flags banned

so point is IM RIGHT ABOUT EVERYTHING. just kidding. although i am. BUT ACTUALLY my point is that HORROR taps into something SO important. it taps into fear yes, but it also taps into a subliminal deep knowledge that culture KNOWS but most people are not ready to hear yet. it is a MESSENGER genre

maybe that is why i talk to much about connection between PUNK and HORROR. both strong messenger genres, and how fitting that we have whole idioms about 'killing the messenger'. these artistic expressions are often maligned as 'too much' because sometimes the truth is hard to hear and feel and read

all of this is to say I AM SO PROUD to trot here in the world of uncomfortable truths with you. im also deeply honored, and it is fight i will not back down from. fortunately WITH LOVE AS OUR FUEL this is battle we will win. that is a truth i am certain of, so lets HOIST THE FLAG OF LOVE AND TROT ON

PS: as far as pointed messages go, my next book LUCKY DAY has a ferocious way and sure as heck isnt pulling any punches. give it a preorder if you can

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[schneckmag]

Every single deranged fan theory is being pelted with tomatoes. Couldn't be happier

[ghostie-goo]

welcome to the fog king 🙏

[planetsandmagic]

"even if no one else accepts you, I'll live with you"

[sadpanda]

The strand being back when he’s finally taking control back from his parents ohhh 911 hair department I could kiss you

[lilacthebooklover]

my ten-year-old sister has been infected with toxic old man yaoi disease specifically of the billford variety. unfortunately, she considers it strange that bill is a triangle & ford is a human. her solution? make ford into a shape too. squares, ovals, oddly shaped blobs. forget humanizing bill– 2D ford is the way of the future <3

[dcxdpdabbles]

Sam glancing through the window: Hey, he's back!

Danny: Crude. What's he doing now?

Sam: He's just standing there. Menacingly.

Tucker: What did you do to this ghost to have it follow you around dude?

Danny: I might have wandered into his Hunt by accident. But he didn't even have up a claim scent!

Sam: What kind of ghost doesn't mark their territory?

Danny: That's what I said. I tried to talk to him about it, but he wouldn't hear me out, even though it was an emergency.

Tucker: What emergency?

Danny: There was a mugging going on. The guy with the gun was getting violent and I think he was about to kill a kid so I stepped in. Now Vengeance won't leave me alone

Sam: Vengeance?

Danny pointing at the figure on the roof across the street: He literally said "I am Vengeance". Whenever he does a lighting strike hits the sky so I'm going to respect it.

Sam opening the window: Hey Vengeance! Get out of here! Yeah, I'm talking to you! You wannabe Goth! Go on, get!

Danny: Sam don't interact with him! Now he's going to follow me around more!

Tucker: He might even go from staring at you from the shadows to like talking to you.

Danny: *sigh* I knew this move was a dumb idea.

Tucker: Hey, how else would we get Wayne Enterprise to fund our computer systems? We're this close to creating the best thing to ever happen to Tech Geeks!

Sam: GO ON GET! GET OUT OF HERE! SHOO SHOO!

Danny: Sam!

[aashidoodles]

[chloesimaginationthings]

Shout out to Hudson from FNAF 3!!

[drchucktingle]

three point tether

the reason art with ai at the creative helm will never get traction in any long term or meaningful trot is because art is more than what is in the text of the book, or notes of the song, or runtime of the movie. art is whats OUTSIDE of the medium, a performance piece between creator and experiencer

i say this all the time and i think most buckaroos think im off in the clouds as eccentric ART WEIRDO (theyre NOT WRONG) but in a practical BUSINESS sense what i am saying is true. folks want to pretend art is in some lab where art and artist and viewer are separate things. but they never will be

art exists outside of a vacuum. it is not static. it grows and lives and evolves based on culture its in and who is experiencing it. whether you know it or not, what you LIKE or DISLIKE has just as much to do with the story AROUND the art than the art itself.

you carry what you know about me to my tinglers, you carry what you know about the beatles to the beatles, you even carry what you DONT KNOW to artists and THAT changes your experience. the STORY outside of the art is unavoidable because the lack of a story is still a story

so what does this have to do with ai art? my point is, the STORY of ai generated art is potentially interesting when it FIRST happens, or when its a one of one, but when it is co-opted by corporations to make slop, or when you consider the ethics of data scraping and theft, the story becomes sour

in other words, REGARDLESS OF WHAT AI GENERATED ART ‘MAKES’, the STORY outside of the story is derivative and unethical. what is even more important, and the greatest problem of all, is that its very very BORING. ‘oh wonderful someone made a painting from a prompt CANT WAIT to dive into this world’

so fundamentally these projects from tech goofs only serve to show that they have absolutely no understanding of art in the first place. the starry night is not just a painting, it is a three point tether between van gogh, the painting and us, which is constantly breathing and moving and living

if i was to give advice to any artist about how to stand out in their field i would say this: figure out what YOUR STORY is, not just within your chosen medium, but OUTSIDE of any medium. THAT STORY is your art, and it is infinitely cosmically unique. USE IT. EMBRACE IT. that is your power buckaroo

[hajimedics]

I'M NOT YOUR DOLL AND I'LL THINK FOR MYSELF AND I'LL LIVE FOR MYSELF

[televangelistics]

GUYS WAIT I JUST HAD THE BIGGEST BYLER BRAIN MOMENT. BEAR WITH ME.

So the scene where Eddie says Nancy jumping into Lovers Lake after Steve is an unambiguous sign of true love. LOVERS LAKE GATE???? MIKE JUMPING IN TO SAVE WILL WOULD BE AN UNAMBIGUOUS SIGN OF TRUE LOVE???????