#retro regulator

[semioticapocalypse]

Lothar Rübelt. Perlen der Großstadt (Traffic regulation at Michaeler Platz). Vienna. 1932

Follow my new AI-related project «Collective memories»

[applepieshy]

I had an idea to redesign vox because I didn't love that a character obsessed with modernization would wear a top hat and bowtie. then after a brief stint into madness where I read my partner's historic costuming textbook I drew.... all this.

(side note: the idea of vox being a trans man who transitioned AFTER death was super compelling and absolutely inspired by @prince-liest so while this is not direct fanart of their series I wanted to give a shoutout anyway!!!)

okay some TRULY unhinged rambling about historic costume below the cut YOU HAVE BEEN WARNED!

1950s: for this design I very much did not want to go to the typical a-line housewife look, because I feel that is unfitting for vox's character. instead I went for a more business look, but there is still a level of femininity that he would have been expected to perform. i wanted to express his discomfort with that through the pose and expression, though at the time he wouldn't necessarily have a framework for why he hated it

1960s: this one was very fun. i loved the idea of vox beginning to eschew some of the expected feminine presentation, and he no longer wears makeup, jewelry, or hose (though its hard to tell in black & white); however, he's kind of at war with himself in this time period. he's obsessed with seeming perfect and having a respectable image, so he would not go in for the counter-culture movements that were so big in the 60s. he's still kind of riding those coattails though, pushing those boundaries while still not acknowledging his queerness.

1970s: to me, it was very important that the gender hit as he entered the world in color. in my mind the gender euphoria is physically manifested in a wizard of oz situation - he can become who he always has been. anyway, gender aside, I think it was very important to me personally that he wore an ascot. it was for my mental health.

1980s: I wanted the 1980s to be the period where he began to gain some power and notoriety because of the de-regulation of television during this period to allow more ads, mirroring real-world history. I think if the 70s were when vox gained some real confidence, the 80s are when he got an Ego (tm). "business casual" also began to become more acceptable in this time period, and the t-shirt/suit jacket combo was very important for me to include, as to me it epitomizes the commercialism and machismo of the 80s.

1990s: this was actually the decade I was the most nervous to design, and yet I think it turned out the best? the 90s are known for grunge, which I think is NOT vox's style at all. I decided instead to lean hard into the yuppie look, which I know is more associated with the 80s but was definitely still a thing in the 90s. I also allowed a little hip-hop influence in the form of a gold chain from val, which is not something I think vox would ever pick on his own.

2000s: if the 90s were the decade I was worried about and turned out great, the 2000s are the decade I thought I had down SO GOOD and then totally floundered in execution. I still love the bubble-mac inspired head, and I tried to make his clothes as "round" as possible. I also like that this is the time where his saturation got cranked. however, I don't know if I'm in love with the vest and super bright sneakers, because again, looking back on it, he kind of looks like he works at a movie theater or best buy or some shit lol,,,

2010s: I think it's telling that this is by far the closest to his canon design (2014 tumblr lookin ass). I really wanted to pull from that hipster tech bro era, but unfortunately that aesthetic has a veneration for "retro" which again, is not fitting for vox. I still think he would wear the bowtie during this time because, well... he sure does in the show!

2020s: this was fun because I had an excuse to pull from haute couture design rather than street fashion because of the introduction of velvette into his life. I truly do not think velvette would let vox and val walk around in the outfits that they do because it would be an actual embarrassment LMAO. for this, I wanted his decorative "robes" to be evocative of the time he depicted himself as a priest AND of a cape/robe of an emperor. he does think of himself as that bitch, after all.

[yuwuta]

hi hi hi do u have any nerd!gojo thoughts

i would also leave with a nerdjo edit but i’m afraid that my tiktok username will be attached if i share it sooo it’s the most recent post from @/hvegeum ^.^

i love nerd gojo art because canonically that’s exactly who he is like he went to a highschool with a population of 6 people across two grades and he was the least liked of them all LMAOOO if you stuck him in a normal school, he absolutely would not have been popular. he might have a sort of miyamura-ism about him where people acknowledge he’s attractive, but it’s not enough to overpower the fact that he playing digimon in the back of his math lecture and hasn’t done the reading for history in 3 weeks. satoru is a LOSERR!!! and it’s a big part of him charm, this six foot tall guy with the brightest eyes you’ve ever seen and a swimmer’s build is into retro games and baking competition shows and wakes you up at 5:30am to stand in line with him at some bakery so that you guys can get a seasonal flavor that sells out within in the hour.

he’s a genius in some subjects, but absolutely helpless when it comes to others. it takes you and shoko physically pinning him down for him to even open his biology textbook, and thank god for that one youtube channel that explains major historical events through claymation because there’s no other way to get satoru to care about it. math and physics come easy to him, and he’s absolutely the guy who’s head of the math club and spends his time making toy rockets in the chem lab and that’s his definition of fun. he often drags you to the lab during your free periods just to ramble on about chemistry and physics and how he could totally slip something into nanami’s shampoo to make his hair pink and he wouldn’t even notice until it’s too late—to which you remind him that nanami would have to willingly let gojo into his house first.

if he wanted to, he could be an athlete, but satoru doesn’t really do team events (despite not liking being alone. like ever. ironic the dude with the worst separation anxiety on the planet cannot handle team sports), and his eyes are too sensitive for him to do anything outdoors for extended periods of time; plus it’d be a whole thing for him to get regulation goggles—it’s just a headache, or so he says. if he’s ever at a sporting event, it’s because he’s in the bleachers cheering you on—or, playing on his game boy until it’s time for your event, and then going right back to his game once you’re off the field.

he would much rather be the loser tagging along and bothering the hell out of you than anything else—and that’s the thing about him being a nerd: you’re the one who picks him up and makes sure he gets his “non-boring” schoolwork done, and that he doesn’t skip class to go to conventions, and snatches his phone from him when he’s playing games instead of listening; and satoru rewards you by being a leech. you’re the one who’s so hellbent on making sure he’s a functioning member of society, so now he insists on functioning right by your side. it’s like he was some stray dog and you’ve corralled him, and now he sticks by you out of blind and sort of aggressive loyalty. congrats, you’ve got your own loser to keep in your pocket

[george-oswald-dannyson]

A Letter to All Players from Bluepoch

In recent days, multiple controversy-related incidents involving employee conduct have occurred both within and outside Bluepoch. These include cases where employees, without authorization, leaked unreleased content to players, causing the company to suffer losses in content assets. Some employees also posted internal photos on social media and exaggerated their roles and authority, leading to public backlash and negative discourse. These incidents have not only damaged our company’s reputation but, more importantly, betrayed the trust and expectations of our users toward us and our title Reverse: 1999. We feel deeply responsible and heartbroken over this and would like to extend our sincerest apologies to all users.

1. Reflections and Corrective Measures The above-mentioned violations have breached the rules and policies laid out in our employee handbook. The individuals involved will face strict internal disciplinary action. At the same time, we will enhance our information security protocols, reinforce confidentiality over project materials, strengthen internal regulations concerning employee social media usage, clearly define boundaries for public statements, and strictly forbid any false claims regarding one’s role or status within the company.

We acknowledge that personal views or preferences expressed by employees before joining Bluepoch, provided they do not violate public order and good morals, should not be taken as representative of the company’s stance or the employee’s current views. Nonetheless, we are aware that certain past statements made by employees have hurt our users, and for this, we sincerely apologize. We firmly believe that creators must respect the content and understand the team’s values in order to produce their best work.

This incident has exposed weaknesses in our internal management and gaps in staff training. Going forward, we will continue optimizing our training system, implement evaluations around company values, and deepen employees’ understanding of the company and project’s creative tone. We hope every member of our team will truly understand and embrace the creative philosophy of Bluepoch and Reverse: 1999.

2. Creative Principles and Team Mission

Bluepoch is committed to content-driven creation and strives to become a benchmark company for narrative games. We remain dedicated to infusing every piece of work with the passion and expectations of our users. We understand that the unique tone of Reverse: 1999 stems from our relentless pursuit of retro aesthetics, literary storytelling, and cinematic expression. The vibrant discussions about the Storm Era’s worldbuilding and the genuine love users have for the characters continue to nourish our creative process. For this, we offer heartfelt thanks to every user who has accompanied 1999 on its journey.

We have closely followed recent user feedback across various platforms and will continue to uphold the following principles in our content creation:

— No “personal agendas” or individual biases: All creative content within the team undergoes multi-level review to ensure it serves the worldbuilding, story, and character development. Personal preferences will never be allowed to distort the project’s tone.

— Openness and growth together: We welcome creators who hold ideals and passion. In our recruitment process, the core criteria is alignment with the company’s creative philosophy and shared commitment to our project’s vision.

At Bluepoch, we will always treat every story and every line of dialogue with sincerity. The tone and direction of Reverse: 1999 will continue to be overseen by our lead creatives—Hitako, Factory Head, Guest Cat, and others. We believe that only through a shared faith in our content can we remain true to our mission in a changing market. Thank you, Timekeepers, for your supervision and understanding—let us walk together and protect this journey that never ends.

Bluepoch

May 6, 2025

[kompaktcat]

Sasha here!

CW here for references to hypnosis;

With the recent vibe of robot girls being The Thing on here lately I thought it might be fun to share a related thing of mine that's been an ongoing project for a while. While I have not had the drive or capacity to really work on new updates for it for a long while (I just kinda came out of a bit of a dormancy which does not help), this project was the collision between my enjoyment of machine/robot/pet play, hypno stuff, and a l o v e for prop making that we don't get to indulge nearly enough.

The goal with this was to make something that looked like it was plucked straight out of its universe and plopped into ours, and while not perfect, I'm proud of the work that went into it. It's intended to carry the vibe of an old software manual binder, but in a retro future sorta way.

The other goal was "Imagine if a robot girl had a manual to mess with her firmware" because let's not dance around that.

Please note that within the context of this project, where "System" appears, is meant to convey "operating system," as this project was conceived prior to RealisationsTM

Presenting the Firmware Operator's Manual

Neofelis Integrated Systems is imagined to be a prominent industry leader in the electronics integration and cybernetics field, that is rumored to dabble in biosynthetics and synthetic intelligence development, but these rumors are unsubstantiated outside of the company. In reality they're a Bit Fucked beneath the surface.

Opening the cover, numerous post-its are scattered on the interior, to help sell the idea that this manual existed in a real working environment. An extra LOTO tag is included in the manual, Just In CaseTM

The interior title page mirrors the outer cover, but with some additional information. Numerous pages within this project are also dotted with UV reactive EUrion constellations to depict anti-duplication measures.

Contents 1/2. The second half won't be shown here because Reasons. EPM here refers to Elevated Permissions Mode -wiggle eyebrows-

You can't just design and construct synth prototypes without proper regulation. That just won't do. Everything is definitely above board here.

These pages are just such a vibe. I can't help but add them between sections.

There are a few graphics that were made and sprinkled into this project to really fuel the software manual vibe. The chassis diagram in the print copy is now out of date, slightly. Also, never miss an opportunity to hide memes in a creative kink project. We like easter eggs.

Beyond this there's complete sections regarding ethics and safety (some of which is genuinely important SSC/RACK info, because that's important), and the sections containing various hypno commands, which will not be shared openly for obvious reasons. There's also the Error Codes page at the back, full of error codes I really have not bothered to memorise admittedly.

Anyways, that's all to share. Questions are encouraged though!

[carionto]

The Situations of Bames Jond - Human Activist

Intro, panning shot, exterior, mid 21st century Human city Silent music, hip-hop tune over opening credits, give sense of nostalgia (Kpop or EDM?) Establishing shots of office building, then of a ICE vehicle of "muscle car" variety (will have to build a prop and CGI that), people walking around the interior (remember to get ONLY Human extras this time) Cut to BAMES JOND lighting a herb stick (prop) and angrily folding up a retro iPad.

BAMES JOND: "Curse management! These regulations won't keep the streets safe from the troublemakers. I have to take matters of importance into my own two hands,

Again..."

Cut to dramatic montage of Bames Jond's previous incidents. (hold each new shot for at least 2 seconds and lower the exposure, last premiere was a health and safety disaster with the Ker'hrah audiences) Title card: BAMES JOND 2: SELECTIVE JUSTICE SCENE 1 BAMES JOND is talking over a phone, the slim black rectangle variety, while walking around a corner of a lower income population street, and encounters TWO HUMANS in non descriptive purple attire (robes?) using compressed air bottles that shoot paint at a wall (CGI department is gonna be busy with this one, huh)

BAMES JOND: "I'll call you back later, I have an urgent situation on my hands!"

BAMES JOND approaches the TWO HUMANS and folds his hands over his chest, speaks sternly but cautiously

BAMES JOND: "Are you two artists? Did you procure a permit from the municipal government for this visual depiction you are undertaking?"

PERSON 1: "What permit? This is a free society where we can express our grievances in the public domain."

PERSON 2: "Yeah! Who are you to issue such implied suggestion that we are not complying with certain rules that do not even pertain to this situation, huh?!"

The TWO HUMANS exchange smiling glances and do a "high five" (Does anyone remember what that is? Our Human consultant is on parental leave for two more months, but we need these scenes shot quickly. -Do several improvisational takes utilizing their limbs, one has to feel right)

BAMES JOND: "I'm sorry to say that that is not how this works. This structure is legally under the jurisdiction of the local government, and I am an employee of said government. Now show me a permit or your public artist license, or things are going to have to turn unpleasant."

BAMES JOND narrows his sight at the TWO HUMANS, who are now becoming nervous and gain a stutter in their speech.

PERSON 1: "W-we would, but, uh, the thing is um..."

PERSON 2: "I-it got eaten by my pet moose, y-yeah. I am from Florida, so such things happen."

PERSON 1: "M-my license is still valid, b-but I just forgot to get a new one, what with the economy and all."

Cut to close up of BAMES JOND contemplating, insert flashbacks to news articles about Florida Man and various Prime Presidents talking about The Economy.

BAMES JOND: "Well alright, you two appear to be amicable young adults. Let me print you a map to the government building that issues new licenses and handles permits for public artistic endeavors. Remember to bring an identifying document with you, okay?"

PERSON 1: "Y-yes, thank you very much, liege."

PERSON 2: "We will pause our activity for today and g-go and get the legal matters sorted, Sama-san. Good bye!"

BAMES JOND looks on caringly at the TWO HUMANS departing the scene of an avoided unpleasant incident. SCENE 1 END

[sakvvra]

SenHaku Week 2024

Day 2

Prompt: Amnesia

Summary:

In a freak incident while exploring the caves, Senku goes missing and returns two days later bloodied, injured, and missing his memories.

TW: Suicide Mention, Miscarriage, Angst/Comfort.

@senhaku-week

.·:*¨༺ ༻¨*:·.

“Did he really lose his memories…”

“He certainly did… testing positive.. retro… amnesia…”

Apparently, Ishigami Senku, renowned and revolutionary scientist who “brought back the modern world” had a little cave accident and landed straight on his head.

He was labeled missing by co-worker Asagiri Gen who, when interviewed and questioned, answered profusely. ‘I knew it was right to put in the missing person’s eport-ray! There was never a time when he wasn't at his lab for more than two hours!’

Turns out Ishigami is a complete dumbass, instead of relying on professionals to go and dig out whatever needed material he wanted. He decided to grab the ores by himself. The day he was found, a few workers in the same cave were questioned and pointed out that he arrived at the west side of the cave at 6:24 A.M and reported that none of them had seen him exit.

When they never saw him resurface through their end— and also because the west cave and the east side are connected, they assumed that he exited through the east way simply because it was designed to be a proper and safer way to navigate incase of emergency.

At 8:04 A.M Gen filed the report, and before the time reached 10 everybody close to Senku or working with him was aware of his sudden disappearance.

When the worker’s found out about him vanishing, they knew he was trapped inside the cave when they questioned the east side and they never recalled seeing him exit. Experienced miners were requested to search the mine and traveled 100 meters deep that day, but they came back with no results.

The second day they increased their efforts and went 300 meters deep, this time aided with a man named Shishio Tsukasa incase of any emergencies. This search was unsuccessful as well.

At 7:12 P.M the same day however, Ishigami Senku somehow reaches the east mine entrance alone, limping on his left foot with a fractured ankle and heavy bleeding and trauma to his head. He was escorted by medics that were told to be onsite in an ambulance and was taken immediately into surgery. When told to resurface, Tsukasa and the others decided to follow the blood splotches on the ground and traced it from nearly 400 meters deep. They soon found that it ended at the bottom of a high drop that was usually surrounded by light.

How he fell, made it out, or even survived was a question that lingered even two weeks after the whole freak accident. Even now as he works in his lab, performing his only regulated 30 minutes of work. The words of his colleagues were more focused on him rather than the work.

He…

I felt required to use the word He.

He, Ishigami Senku, is me.

And yet I have nothing resembling him other than his attitude and brains.

At least that’s what– my mind draws at another blank, the guy told me his name already, so why can’t I remember it?

C-Cra… Ca… Cray?

“I saw these from the coast and I came running! Because that’s what I do!”

Loud is what comes to mind, I wince at the foggy memory and my head throbs.

“Hey! My name is…”

Chrome.

… That’s what Chrome told me.

A loud ringing sound came from the small alarm on my desk, I shut it off and attempted to ignore the increase of whispers and stares undoubtedly talking about me.

This means my thirty minutes are up. So I pack my things and swing my bag over my shoulder.

Eyes linger on me until I exit the building. It took nearly two hours and a half to memorize the whole institution without someone immediately recognizing who I was and offered to help.

If that wasn’t long enough, spending a whole week in a hospital recovering felt like torture. And I spent the whole next one persuading Dr. Xeno I could actually function properly without a guide.

“We can’t risk you injuring yourself again.” The man folded his arms, he of course, naturally had a stern look on his face. It fit him perfectly. “You’re lucky I won’t put you on suicide watch.”

I wasn’t sure if Ishigami Senku was planning to kill himself, he should know of all people on this planet not to explore as deep as he did alone. Of all things.

The smartest man in the world made a mistake so inexperienced and reckless the man closest to him in his workplace wanted to put him in suicide watch– despite me having lost all motives or memories on why he would commit such an act.

“I want to do this because you need surveillance. If I do, you’ll be monitored by Kohaku. She’s especially worried about you.”

Kohaku. No birth surname. She’s that blond woman with piercing cerulean-blue eyes and a fierce smile. She was introduced to me as chief of the police force, nothing more.

When she first laid eyes on me hours after I woke up, she couldn’t stop fiddling with the silver ring on her fourth finger resting on her left hand no matter how hard-nosed and rigid she tried making her face seem. It was awkward, but it was seemingly easy to ignore.

Entering the police station was much less overstimulating than the laboratory. They were still staring at me, but they at least tried to make it less obvious.

My eyes are drawn to the woman leaning on the front desk talking to the other woman behind it.

“I mean… basically yeah! I haven’t told him yet, however, I…”

Blonde tied-up hair, lean stature, boisterous voice.

That was definitely her.

I find my feet stuck to the ground, a lump grows in my throat and my head throbs unlike the ones before.

“Agh, fuck…” I groan lowly and grip my forehead, a ringing fills my head and I felt as if I was going to pass out if it didn’t stop soon.

I could see the receptionist point towards me in shock and Kohaku whips her head and rushes to my side.

“Senku!”

Damn… the ringing pitches and at this point the only thing keeping me upwards was her grip around my waist. She takes hold of my shoulder with her other hand and now I could feel the eyes of everyone looking at me.

It was another tinnitus attack and what feels like the worst cluster headache in my life.

After a while it feels as if I'm walking on air, I have no idea where she was directing me as I’d closed my eyes a while ago due to the light spiking my headache.

“My meds.” I wheeze out once I feel that I'm sitting down on something.

“Right!”

When she removes the bag from my shoulder and I hear the rustling sounds of her looking through it I groan and clutch at the side of my head. Hoping she’ll be a little bit faster.

“Got it!”

She dropped a pill and water bottle in my hand and instantaneously I swallowed both. A shudder leaves me along with another wince and Kohaku grips my knee and shoulder comfortably.

“It should fade soon…” She murmurs softly, I let out a shaky exhale, praying that it does.

And it did.

She’s silent throughout it all, slowly rubbing my shoulder. The stinging in my eyes, pressure in my ears, the piercing high-pitched ringing— all of it eventually faded away. So does my headache, but it takes a while longer and slowly disperses with one last pulse against my forehead.

I slowly open my eyes and… back to normal. I blink a couple of times just in case and soon I huff in disbelief. “Well… fuck.”

“Yeah, fuck.” Kohaku chuckles lightly. “Welcome to the modern world.”

I look at the surroundings around me and figure out pretty fast that she took me to the park close to the police station. No eyes to stare at me worryingly, no hurried whispers between colleagues when I enter a room— none of that.

Just birds tweeting and the sounds of cicadas chirping.

“Is this what it feels to be at peace?” I utter purely out of incredulity, a stupid statement to make, I doubt Senku would ever say something that silly. Maybe I just want to hear her laugh again.

She stares at me with widened eyes before she bursts into small giggles. I swallowed and felt my chest clench.

Heart palpitations?

“I guess you could say that… pffft!” She giggles again, her face is softly flushed a pinkish-red and she’s doing a terrible job at staying professional.

When she settles down, she lets out a breathy sigh and the woody park is silent again. There are no kids here as school’s currently active, however as it’s friday undoubtedly the park would fill up when classes are over.

I find myself gazing at her in the corner of my eye. She'd removed her touch on my knee and shoulder but it still lingers like a phantom.

“I used to go to this park a lot a year back.” She finally speaks, way lower than her previous tone. “I stopped going when It got easier to cope.”

Even an idiot could tell she was talking about death, something I narrowly avoided myself. I silently debate if I should poke further before opening my mouth to speak. “Mind if I ask what happened?”

Kohaku's breath hitches at the question, her eyes flickering from the playset and towards me. She reacts to that harder than I expected and I can’t even mutter a word before she speaks.

“Senku… last year I had a miscarriage.”

Oh.

Oh fuck…

Her teary eyes desperately search in my eyes and I can tell that she's just praying that her husband would come back and just tell her it’s okay.

But I'm not him, and I'm not sure when I'll even be him again.

“K-Kohaku, I’m sorry…” Is all I could say.

Pathetic.

She whimpers as she finds that her efforts are for naught, so she sharply turns her head away and fiddles with the silver ring in her lap again.

The initials on it read: I.K

Ishigami Kohaku. No birth surname, of course she has no maiden name because she’s married to me.

More so, Ishigami Senku.

This resolution makes me nauseous. I swallow harshly and look away, quickly squeezing my eyes shut.

Forget, forget, forget.

Why would he try killing himself and he was married to someone as beautiful as her?

Kohaku takes in a huge gasp of air and claps her hands together. The sound makes me snap to look at her just to find out that she’s now standing up with a bright grin on her face.

Her eyes are red… I made her cry… I note unconsciously and I regret it as I can't seem to hide the guilt on my face when she stares at me again and her smile falters slightly.

“Okay!” She shouts into the air, her sudden boisterous energy makes me stiff. “Today, I will make it my goal that Ishigami Senku WILL smile!”

…Huh?

I stagger as she takes my hand and yanks me up. “What are you…!”

“Cmon!” She grins, leading me out the park with a pep in her step. “We’re gonna have fun today!”

Fun? “We aren’t children!” I shout after and nearly trip over my own feet as she picks up the pace. “S-Slow down!”

“Being an adult has never stopped me from having fun! That’s one thing you should keep in mind!”

Kohaku snorts and giggles when I trip on my feet again, she playfully rolls her eyes and scoffs. Before I knew it, she’s carrying me up in her arms and starts racing down the sidewalk as if it were nothing.

What the fuck? The air is knocked out of my lungs as she barrels around the corner.

“Pfffwahaha!” Finally she bursts into full-blown laughter at what I can only assume was my face as we both bundle down the street. The feeling of the wind hitting my face makes my chest pound— was it heart palpitations? No.

This was exciting. I couldn’t stop the smile from growing on my face whatsoever. Kohaku notices it when she hears me laughing alongside her and starts giggling twice as loud.

She takes me to a movie theater, then a music hall, and lastly a crowded skating rink.

At this point it’s already 10 P.M and they both are way past their curfew, so she offers to walk me to my temporary dorm room.

“Oh my god!” She snorts, I could feel my face tinge red with embarrassment. “You absolutely suck at ice skating!”

This is the fourth time tonight she’s bringing this up!

“Oh, lay off!” I huff jokingly and Kohaku genuinely looks hurt, my breath hitches.

Soon however, she snickers and my shoulders untense. “Oh you softie, you totally fell for it.”

“Yeah well! I haven’t–!”

I went to quip back, but the moment we turned the corner we reached my apartment. It’s silent as we walk towards the building, if only the day was longer. That way they could both talk and laugh for longer. She follows up the steps yet stops half-way when I make it to the top and smiles.

“Well, that was fun.” I turn to look back at her and smile back warmly. “You got me to smile, too.”

I see her shoulders tense and I immediately worry if I said something. “Shit. Did I do something wrong? I know I'm not him– I mean, I am him, but I don’t think like him. I lost my memories because I decided to do something fucking stupid and leave you alone and–!”

“You knew?”

My rambles are cut short by her voice. Instantly my throat closes up and I’m left to wonder what she means.

“Knew what?”

Her eyes are watery but no tears spill. “That we’re married.”

It’s silent for a while and her cerulean eyes are piercing as she stares into my eyes. I nod softly, not quite trusting my voice underneath her gaze.

“When did you learn that?”

I pause for a second, thinking carefully of which words to use then finally speaking. “When I first saw you, you couldn’t stop messing around with your ring and at first, I couldn't clearly read the initials. When you did it again at the park today, that's when I was able to read it clearly.”

Kohaku hissed in some air, and I winced at the reaction, obviously that wasn't a good thing for me to remember.

“Dr. Xeno’s is going to merk me.”

“Huh? Why?” The panic in my tone was abundant, but she smiled and shook her head. Kohaku sighed a little, waving off my worry.

“He already told me to take the ring of the day we met again. He was concerned it would create a not-so positive reaction.”

“Buuuut.” She grows a grin again. “It’s alright. You didn’t have a panic attack or fade off into space. So he’ll be chill for the most part. Maybe. Hopefully.”

This time, the silence that drifts between us is comforting, but obviously it can’t stay like this and eventually she claps and breaks the pause.

“Welp! It was fun!” She giggles and my mouth goes dry, the idea of her going home alone twists my heart. “Goodnight!”

“Goodnight…” I leave her off with a smile and waves her off– because the thought of her leaving with the impression that she failed trying to make me happy made me restless.

Ishigami Senku is coming back– it doesn’t matter if he wants to, or not.

[sngl-led-auto-lights]

Why the headlights of a vehicle are generally yellow in colour rather than white?

The use of yellow headlights in vehicles, while less common today, stems from a combination of historical, functional, and regulatory factors. Here's a structured breakdown of the reasons:

1. Historical and Regulatory Context

France's Mandate (1936–1993): France required selective yellow headlights by law, believing yellow light reduced glare for oncoming drivers. This regulation influenced vehicle design in Europe and former French colonies.

Selective Yellow Filter: This tint filtered out blue wavelengths (below 500 nm), which scatter more in fog and rain, improving visibility in adverse conditions.

2. Functional Advantages in Adverse Weather

Reduced Scatter: Yellow light (550–600 nm) has longer wavelengths than blue-rich white light, minimizing scattering in fog, rain, or snow. This enhances contrast and reduces "whiteout" glare.

Improved Penetration: In foggy conditions, yellow light can illuminate road markings and obstacles more effectively than white light.

3. Human Vision Considerations

Scotopic Sensitivity: Human eyes are more sensitive to green-yellow light (≈555 nm) in low-light conditions, making yellow headlights appear brighter at night.

Glare Reduction: Yellow light contains less blue, which is harsh on dark-adapted eyes, reducing discomfort for oncoming drivers.

4. Bulb Technology and Aesthetics

Halogen Bulbs: Older halogen bulbs naturally emit warmer (2700–3500K) light. Without coatings, this appears yellowish.

Vintage Appeal: Yellow headlights are associated with classic cars (e.g., Citroën 2CV, Volvo Amazon), appealing to enthusiasts.

5. Modern Shifts and Exceptions

Regulatory Changes: Most countries now permit white light (e.g., ECE and DOT standards), favoring LEDs/HIDs with superior brightness and adaptive beam patterns.

Niche Applications: • Rally/Racing: Yellow auxiliary lights are used for fog penetration (e.g., WRC, Le Mans). • Aesthetic Choice: Some drivers install yellow tints or LED pods for a retro or off-road look.

6. Trade-offs with White Light

Brightness vs. Comfort: White light (5000–6000K) offers better color rendering and range but can cause glare in poor weather.

Technological Solutions: Modern cars use adaptive headlights, automatic high beams, and fog-light integration to mitigate weather challenges without relying on yellow filters.

Conclusion Yellow headlights were historically favored for their glare reduction and fog performance, driven by regulations like France's mandate. While white light dominates today due to advancements in LED/HID technology and adaptive systems, yellow remains relevant in motorsports, niche markets, and as a stylistic choice. The shift reflects a balance between safety, regulation, and technological progress.

[renchlist]

If you’re like most retro or custom riders, at the top of your parts list is an aftermarket motorcycle exhaust. With strict Euro-5 emission regulations, factory-fitted silencers can sound somewhat lacklustre.

But beyond sound, are there any benefits to upgrading your exhaust? In short, yes. I discuss them in this article.

[blackfiresigns]

Elevate Your Brand with Custom Restaurant Signs in Atlanta: The Ultimate Guide to Effective Restaurant Signage

In the bustling food scene of Atlanta, first impressions are everything. Your restaurant’s sign is the first handshake with every potential customer — and in a city teeming with culinary competition, standing out is essential. Investing in custom restaurant signs in Atlanta not only enhances your curb appeal but also establishes your brand’s identity in a crowded market. Whether you’re opening a new eatery or revamping an existing spot, effective restaurant signage in Atlanta can make the difference between a passerby and a loyal customer.

Why Custom Restaurant Signs in Atlanta Matter

Atlanta is a city that celebrates food — from Southern comfort classics to modern international cuisine. But with so many restaurants vying for attention, having a unique and memorable sign helps you get noticed. Custom restaurant signs reflect your brand personality and set expectations before diners even walk through the door.

A well-designed sign communicates your restaurant’s vibe instantly. Whether you run a cozy brunch café in Midtown or an upscale steakhouse in Buckhead, your signage should align with your atmosphere. That’s why working with a professional sign company specializing in signage for restaurants is key to success.

Key Benefits of Professional Restaurant Signage

Brand Recognition Your restaurant’s sign is your biggest branding tool. A memorable, professionally crafted sign can embed your restaurant’s name into customers’ minds. Think about iconic signs like The Varsity in Atlanta — they don’t just mark a location; they become city landmarks.

Increased Foot Traffic Effective restaurant signage Atlanta solutions attract attention and draw in hungry customers. A sign that stands out during both day and night can boost walk-ins, especially if your restaurant is located in high-traffic areas like Downtown, Virginia-Highland, or Atlantic Station.

Clear Communication A good sign communicates essential information clearly — your name, your specialty, and sometimes your opening hours. This sets expectations and reduces friction for potential guests wondering what kind of experience they’ll find inside.

Competitive Advantage A creative sign gives your restaurant a unique personality among competitors. If someone is searching for a restaurant sign near me, you want your signage to be the one they remember — or even take a photo of and share online.

Types of Custom Restaurant Signs in Atlanta

When considering signage for restaurants, it’s important to choose a type that matches your location, budget, and style. Here are a few popular options:

Channel Letter Signs: Individually lit letters that are highly visible at night. Perfect for modern restaurants or those open late.

Blade Signs: Signs that stick out perpendicular to the building, great for pedestrian-heavy streets.

Monument Signs: Ground-level signs that make an impression for restaurants in standalone buildings or complexes.

Neon & LED Signs: Perfect for diners, bars, and eateries looking for a retro or vibrant modern feel.

Window Graphics & Vinyl Lettering: Affordable, customizable, and ideal for sharing menus, hours, or promotions directly on your storefront.

Choosing the Right Restaurant Sign Company in Atlanta

Selecting a local expert for restaurant signage Atlanta gives you a big advantage. They’ll understand city regulations, permitting, and neighborhood aesthetics — crucial for ensuring your sign installation is smooth and compliant.

A good sign partner will:

Offer a portfolio of restaurant projects.

Provide design consultation to match your brand.

Handle fabrication with quality materials.

Manage permits with city zoning requirements.

Complete installation professionally and on time.

Consider Local Regulations for Restaurant Signs in Atlanta

Atlanta has specific sign ordinances to keep neighborhoods looking cohesive and safe. For example, certain areas restrict illuminated signs or limit sign sizes based on storefront width. Partnering with a professional ensures you avoid fines or forced removals.

Maintenance & Upkeep of Your Restaurant Sign

Once your beautiful new sign is installed, maintenance keeps it looking sharp. Schedule regular cleanings, promptly replace burnt-out lights, and fix any weather damage. Faded or broken signs can send the wrong message — your sign should always reflect the quality of your restaurant.

Finding a “Restaurant Sign Near Me” in Atlanta

When searching for a restaurant sign near me, look for companies with strong reviews, extensive local experience, and personalized service. Choosing a team that knows Atlanta’s unique character helps ensure your sign not only complies with codes but also complements the city’s diverse neighborhoods.

Final Thoughts: Make Your Restaurant Impossible to Ignore

In the competitive world of Atlanta dining, don’t let your incredible food go unnoticed because of poor signage. Investing in custom restaurant signs in Atlanta is one of the smartest moves you can make for your business. From creating an iconic street presence to enhancing your brand recognition, the right signage for restaurants turns passersby into loyal patrons.

[buonsai]

✩ Buon ❧ she/they/he ❧ 22 ☽

Part-time art blog, part-time writer's haven, part-time photographer's studio, full-time yappy hour.

I yap a lot! I chatter about books, movies, music, podcasts, and then some. I make sillies and talk seriouses. I write, I doodle, I photograph, and more. Wander below to see the grisly details!

What is this? Where are you? ❧ (abt da blog)

Do you like what I like, will you know me? ❧ (abt me)

What laws apply here? ❧ (rules + regulations)

How do you get around here? ❧ (tag directory)

Kinning? In this economy? ❧ (kins + comforts)

Where else do I haunt? ❧ (linktree)

Stop by the @buonfire! ❧ (miscellaneous sideblog)

If you found my freakblog... ❧ (no you didn't)

Skim the links above for a deep dive, see below for a glimpse!

Personal & Unique Tags

My tag system. Otherwise, most posts are tagged as expected!

Commentary: #buon.txt Writing: #buon.rtf Screenshots + Misc. Pics: #buon.jpg Photography: #buon.png Art: #buon.sai Videos: #buon.mp4 Asks: #buon.qna

Books: #pages Movies + Shows: #screen Podcasts: #pord Games, Both Video + Not: #vidya Music: #jukebox Quotes + Lyrics: #libretto OCs + Sonas: #carattere Kins: #kindred Relatable/Mecore: #abtme Friends’ Posts: #bestieposting Silly Things: #sillyposting Emotional + Personal: #youch! Rants: #ravings Comfort: #solace Beloved: #spark Reblogs: #rb

A Brief Debrief

General topics I chitter about (with subjects in said topics!)

Book Banter

✦ Genres: queer, fantasy, horror, sci-fi ✧ The Locked Tomb ✧ Wings of Fire

Movie/Show Suggestions

✦ Genres: queer, horror, comedy, sci-fi, fantasy ✧ A24 ✧ I Saw the TV Glow ✧ Jane Schoenbrun ✧ Robert Eggers ✧ Severance

Podcast Pontification

✦ Genres: horror, fantasy, comedy, nonfiction ✧ Magnus Archives/Protocol ✧ The Silt Verses

Game Garble

✦ Genres: RPGs, roguelikes, cozy, strategy, retro ✧ Balatro ✧ Baldur's Gate 3 ✧ Dungeons & Dragons ✧ Elder Scrolls ✧ IDV ✧ Minecraft ✧ Pokémon

Music Murmurin'

✦ Genres: punk, metal, rock ✧ AJJ ✧ Badflower ✧ Destroy Boys ✧ The Offspring ✧ System of a Down

Miscellaneous Muttering

✧ Art (my own work + reblogs) ✧ Bug blatherings ✧ Dragon discussions ✧ Photography (my own work + reblogs) ✧ Political pitter (occasionally) ✧ Queer queries (emphasis on asexuality) ✧ Writing (my own work + reblogs)

Everything looks better on desktop if you wish to gaze!

Banner photo captured by me. Profile picture drawn by me.

Dividers: 1st, 2nd, 3rd, 4th, 5th, 6th

[script-a-world]

Submitted via Google Form:

How can I have a world that improves technology but also doesn't remove obsolete technology? Obviously not all obsolete technology, ones too dangerous, doesn't have enough safety features etc, why of course they can go. Let's first start with things like computers. Clearly older things no longer run on newer computers, but it erases things that were made on old types. I want a society that actually preserves those old things and still has new things made with the old technology. If it's a car, well, obviously poor safety features do have to be gone, but any technology that can be kept stays - I suppose you can say retro but definitely trying to follow the old technology as much as possible.

Licorice: You can have this world by making it like the world you’re living in right now. Human beings have a tendency to get very attached to their old technology and invest a great deal of time and effort keeping it in working order, as vintage car rallies can attest. Of course, if you want to drive your vintage car on a public road you have to make sure it meets emissions requirements, is fitted with seat-belts, and fulfils all the other safety regulations. 

Technology very rarely gets removed, it’s simply superseded by something that does the same job better - but “better” is a subjective concept. It depends on what any given individual is looking for in their tech. For example, whenever I have to replace an appliance in my home I try to find a second-hand item that pre-dates ‘smart’ technology. They are easier and cheaper to repair, last longer, and have fewer things that can go wrong with them. 

Nowadays we have tablets and photoshop but people still make art using brushes, charcoal, paint and canvas. We have Google docs but people still write their novels by hand. We have electric cars but people still drive horse-drawn buggies as a hobby, and also as a competitive sport. In fact the only field in which I imagine obsolete tech really does completely disappear is in STEM, but even then there are probably hobbyists who lovingly maintain and use these old tools. 

In short, people hanging on to and lovingly using their old tech is just a normal thing that people do.

Tex: People keep around objectively dangerous technologies all the time as novelty or historical items (see: all the mercury in things, or radioactive materials), and will create entire hobbies around developing patches across technological eras (see: phonographs with USB ports, old video games in emulators on your computer) as a niche skill set. At that point it becomes history, and people work to preserve it for a variety of reasons. As Licorice said, the world you’re looking for is the world you’re already living in. What sort of technologies were you having in mind? There’s a fair chance some hobby groups are out there preserving, restoring, and using exactly that.

Feral: In addition to what Licorice and Tex have already said, I recommend that you look into planned obsolescence and understand that it is not actually necessary for a lot of slightly-less-than-new technologies to no longer be usable the way we often see with Smart devices. It’s a purposefully built in and added feature that could easily be left out.

[1997thebracket]

Round 2B

Note: this is our threeway matchup to even the numbers going forward! The two highest-voted films will both proceed, and the third will be eliminated.

Space Jam: Come on and slam, and welcome to the jam! What happens when one of the biggest athletes in the world tries his hand at acting-- alongside the Looney Tunes, no less? A confusing but lovable cinematic treasure. In the half-animated comedy Space Jam, basketball legend (oft-cited as the Greatest of All Time) Michael Jordan and the Tune Squad face off against the dastardly Monstars for their intergalactic freedom. Space Jam was the first film produced by Warner Bros Feature Animation, and although it was first released theatrically in the US in November of 1996 it would go on to gross over $250 million during its global run into 1997, making it the highest-grossing basketball movie of all time until 2022. From the slapping soundtrack to the classic jersey designs now coming back into retro-rotation, Bugs and his crew could not feel more firmly planted in the sensibility of the decade. Space Jam also features Wayne Knight of Seinfeld fame flattened in a truly haunting use of crude CGI. Look up 'flat Newman' if you've forgotten.

Austin Powers: Let’s keep this bracket groovy, baby! Austin Powers: International Man of Mystery is a spy spoof film released in 1997, written by and starring Mike Myers and featuring Elizabeth Hurley, as well as known names in the spy movie business Michael York and Robert Wagner. It was the first introduction of the titular icon-to-be Austin Powers, a free-loving secret agent who was cryogenically frozen in the 1960s, returned to us in all his velvet-suited snaggle-toothed glory in the ‘90s to face his nemesis once more. Parodying James Bond and copycat spy films as well as '60s pop culture, the movie would spawn two sequels and novelizations all sharing a similar sense for fashion, gags, and Austin’s recognizable catchphrases. As completely goofy as the film and its legacy is, critics were mostly favorable, with the New York Times writing "The film's greatest asset is its gentle tone: rejecting the smug cynicism of Naked Gun-style parodies, it never loses the earnest naiveté of the psychedelic era." (This is presumably an embarrassing typo: it’s shagadelic, Yorkie baby!)

Men In Black: Fifteen hundred years ago, everybody knew the Earth was the center of the universe. Five hundred years ago, everybody knew the Earth was flat, and fifteen minutes ago, you knew that humans were alone on this planet. Imagine what you'll know tomorrow. Men in Black is a sci-fi comedy, starring Will Smith and Tommy Lee Jones, which would go on to spawn a franchise after the success of the 1997 film. It centers around a secret government agency known as the Men in Black, tasked with monitoring and regulating extraterrestrial activity on Earth; these agents, notably our protagonists Agent J and Agent K, protect humanity from aliens living among us and ensure the world remains oblivious to their existence. The franchise was praised by critics and audiences alike for its unique screenplay, action sequences, and the humor and chemistry of the lead actors. Over the years, Men in Black has expanded to include multiple sequels, an animated series and spin-offs, all contributing to its enduring popularity as a cheekier take on the sci-fi genre.

[sakhshimandal]

Top 10 Fashion Trends Dominating 2025: What’s Hot This Year?

Fashion is an ever-evolving industry, and 2025 is shaping up to be an exciting year with bold, innovative trends redefining personal style. From sustainable choices to high-tech materials, this year’s latest fashion trends blend creativity, technology, and eco-consciousness. Whether you love classic elegance or cutting-edge streetwear, here are the top 10 fashion trends dominating 2025.

1. Futuristic Metallics and Holographic Fabrics

Metallic shades and holographic fabrics are taking over runways and street style. Designers are experimenting with high-shine materials, incorporating silver, gold, and iridescent hues into dresses, outerwear, and accessories. Expect to see metallic trench coats, shimmering skirts, and futuristic boots dominating fashion-forward wardrobes.

2. Oversized Silhouettes and Power Dressing 2.0

2025 is embracing oversized blazers, wide-leg trousers, and structured shoulders. Inspired by 1980s power dressing, modern interpretations bring exaggerated proportions with relaxed tailoring, making comfort a priority without compromising style. Oversized suits in bold colors like cobalt blue, emerald green, and fiery red are key pieces this year.

3. Sustainable and Upcycled Fashion

With sustainability becoming a core focus, eco-friendly fabrics, upcycled clothing, and slow fashion are making waves in 2025. Brands are using plant-based leather, organic cotton, and regenerated fibers. Consumers are also embracing vintage shopping and DIY fashion to reduce waste and promote circular fashion.

4. Gender-Fluid and Androgynous Styles

Fashion is becoming increasingly inclusive, blurring the lines between men’s and women’s clothing. Androgynous styles featuring unisex silhouettes, oversized shirts, gender-neutral tailoring, and non-binary aesthetics are becoming mainstream. This shift is redefining fashion norms, encouraging self-expression without boundaries.

5. Tech-Infused Smart Fashion

Wearable technology is making its way into everyday fashion. Smart fabrics with built-in sensors, temperature-regulating materials, and color-changing textiles are revolutionizing clothing. Augmented reality (AR) and digital fashion collections are also gaining popularity, merging fashion with the metaverse.

6. Sheer and Second-Skin Layers

Transparency is making a statement with sheer tops, mesh dresses, and barely-there fabrics. Designers are layering translucent materials over structured pieces to create a balanced yet edgy look. This trend brings an element of sensuality while maintaining sophistication through strategic layering.

7. Statement Accessories: Chunky Jewelry and Oversized Bags

Minimalism is taking a backseat as statement accessories make a big impact. Chunky necklaces, oversized earrings, and sculptural rings are must-haves this year. Additionally, oversized handbags and tote bags in unique shapes and bold colors are practical yet stylish, ensuring you carry everything in fashion-forward style.

8. Dopamine Dressing: Bold Colors and Playful Prints

Dressing for happiness is a major theme in 2025. Dopamine dressing focuses on bright colors like neon pink, electric blue, and vibrant orange. Playful prints, including abstract patterns, animal prints, and artistic designs, are making outfits more expressive and joyful. This trend encourages individuality and boosts mood through fashion.

9. Retro Revival: Y2K, ’90s, and ’70s Nostalgia

Fashion cycles continue to bring back nostalgic trends, and 2025 is no exception. Y2K fashion with low-rise jeans, cargo pants, and baby tees remains popular. The ’90s influence is evident in slip dresses, grunge-inspired plaids, and bucket hats. Meanwhile, ’70s-inspired flared pants, bohemian prints, and platform shoes are making a retro comeback.

10. Ultra-Feminine Aesthetics: Bows, Ruffles, and Balletcore

The rise of hyper-feminine aesthetics is redefining 2025’s fashion. Balletcore, featuring soft pastels, tulle skirts, and ballet flats, is trending. Bows, ruffles, and lace details add a romantic touch to dresses, blouses, and even accessories. This delicate, graceful trend is perfect for those who love soft and elegant styling.

Final Thoughts

Fashion in 2025 is all about innovation, self-expression, and sustainability. From tech-driven designs to nostalgic revivals and oversized silhouettes, this year’s latest fashion trends cater to every fashion enthusiast. Whether you prefer bold statement pieces or minimalist androgyny, there’s something for everyone. As fashion continues to evolve, staying stylish means embracing change while making sustainable and conscious choices.

[enbymeaning]

Bops, Body, and Belonging: Addison Rae’s Pop Debut Speaks to the Girls, Gays, and Theys

Read at https://www.enbymeaning.com/read/addison-rae-debut-album-review-2025

Addison Rae did what the pop girlies rarely do anymore. She dropped a debut album that’s camp, cohesive, deeply referential, and undeniably her own. And we are here for it. 

Addison isn’t trying to be revolutionary. It’s not an album about pain or protest. But for the gender-diverse and pop-literate, it lands right in the heart of what we crave in 2025: an unapologetically femme, emotionally complex, aesthetically maximalist body of work. This is the girlhood of digital natives and dissociative daydreamers, set to breathy vocals, glittering synths, and just enough lyrical chaos to keep it relatable.

From the Charli XCX and Arca co-signs to the Lana-core interludes and Jersey club opener, Addison isn’t just vibing, she’s studying the queer-pop canon and remixing it for the TikTok-to-Tumblr pipeline. It’s not queer music, but it understands why queer people need music like this.

Because when the world feels hostile, sometimes all you want is to throw on headphones and dance your way through a soft apocalypse.

Hyperfemme, Hyperonline, Hyperreal: Why Listeners Feel Seen

What makes Addison hit so hard isn’t just the production (which slaps) or the visuals (which serve). It’s the way the album feels fluid, constructed, messy, and euphoric.

From the very first glitch of “New York,” we’re dropped into Addison’s fantasy: a digital dreamspace filled with glossy lips, cigarette smoke, and feelings too big to say plainly. The soundscape references 2000s pop—In the Zone, Nocturnes, Confessions on a Dance Floor—but filters it through a Gen Z lens of Instagram-core aesthetics, Tumblr melancholia, and TikTok irony. This isn’t retro. It’s meta-nostalgic.

And for gender-diverse listeners? That’s everything.

Addison’s vocals are breathy, buried, and controlled, not because she can’t belt, but because that isn’t the point. She’s giving vibes first, catharsis later. Songs like “Fame Is a Gun” and “Aquamarine” sound like emotional regulation with a synth beat. “High Fashion” is a gender performance in club form, couture, curated, and just a bit unhinged. This is pop made for pre-gaming before crying in the bathroom mirror and texting your ex from the smoking area.

The femininity Addison performs isn’t for the male gaze, it’s for the mirrorball. It’s femme with teeth. It’s self-aware camp. It’s “I’m the richest girl in the world” followed by “Am I too old to blame my dad?” It’s queering the bimbo archetype and letting her cry in the rain.

This is not music that explains itself.
 It’s music that feels like survival with lip gloss on.

She’s Not Queer—But She Gets It

Let’s get one thing out of the way: Addison Rae isn’t publicly queer—at least not as far as we know. But she’s listening, and it shows.

In a year where pop allyship often feels like a brand collab, Addison’s connection to the queer community isn’t just lip service. She’s worked with Arca, collaborated closely with women producers Luka Kloser and Elvira Anderfjärd, and shouted out Charli XCX, Gaga, Lana, and Madonna in the lyrics of “Money Is Everything” like a gay rosary. She’s not here to co-opt the culture, she’s in community with the ones who shaped it.

And the queer fanbase? We feel it. Scroll through Reddit’s popheads thread, and you’ll see it over and over again: “This could be a gaybie’s inner awakening.” 
“I’ve been an unironic fan since ‘2 Die 4.’” 
“It’s modern girlhood — it’s pearls and powdered-sugar rage.”

Even The Cut called her “unknowable in the right way,” and they’re right. Addison doesn’t pretend to offer raw confessions or identity politics. Instead, she gives us emotional landscapes that are glittering, moody, and unfinished. Which, ironically, is more honest than half the faux-vulnerability pop acts out there right now.

There’s something quietly radical about a debut that doesn’t centre the artist’s trauma, but still invites you into it. “Times Like These” references body dysphoria and parental wounds with a shrug, not a scream. “In the Rain” feels like a rainy-night FaceTime that ends with “Anyway, I’m fine.” This is femme resilience, digitised. And it’s exactly the kind of music queer and trans listeners often build identity around—even if it wasn’t made for us.

Because Addison Rae knows where she comes from. And more importantly, she knows who’s listening.

Pop in 2025 Is Queer, Even When It’s Not

Addison Rae’s Addison isn’t just a debut album, it’s a cultural litmus test. Not because it breaks boundaries, but because it understands that pop doesn’t need to. In an era where the line between satire, sincerity, and stan culture is paper-thin, Addison’s offering is deliciously self-aware and earnestly unserious. That balance? It’s queer as hell.

She’s not the most vocally powerful pop star. She’s not the most lyrically complex. But she’s tapped into something deeper: the emotional architecture of queer fandom. The longing, the fantasy, the mess, the looped confession you dance to while trying not to fall apart. It’s performative girlhood, built for those of us who’ve always seen gender as a costume anyway.

This is an album made for people who:

Still remember LimeWire and Tumblr gifs

Think crying in club bathrooms counts as community care

Quote Ray of Light in one breath and Charli leaks in the next

And Addison gets that. Not because she’s been through it, but because she respects those who have. Her album doesn’t exploit queer aesthetics, it honours them. One Redditor called it “a soundtrack for a film where you’re the main character,” and that’s the entire point. Addison is the sonic equivalent of staring into a glittery compact mirror and asking: Who do I want to be today?

We’re living in a time where authenticity is overrated and curation is queer survival. Addison Rae, knowingly or not, has given us a debut that lives in that exact tension. And that’s what makes it matter.

Pop Isn’t Dead—It Just Put Its Headphones On

Addison Rae’s, Addison, isn’t the future of pop: it’s the now of it. And it’s queer, glittery, sad, unserious, and absolutely tuned in.

This album isn’t flawless. The lyrics wander. The interludes drift. But for so many of us, especially queer listeners, perfection was never the point. Addison succeeds because it knows how to set a vibe and hold a mirror up to it, one covered in rhinestones and smudged eyeliner. It’s about the mood, the movement, the moment. It's about finding yourself somewhere between a beat drop and a breakdown.

Addison isn’t trying to be Madonna or Britney or Charli or Gaga, but she’s a student of all of them. She’s filtered their iconography through a Y2K-core, TikTok-warped, emotionally literate lens and made something that’s less about storytelling and more about emotional immersion. That’s why the girls, gays, and theys are gagged.

Because in a world that often demands our pain be palatable, and our joy be marketable, Addison is a reminder that sometimes the most radical thing you can do is make a sad little dance album, put your headphones on, and vibe your way into becoming.

Addison Rae didn’t give us a manifesto.
 She gave us a mirrorball. And we saw ourselves in it.

Rating: ⭐️⭐️⭐️⭐️☆ (4/5 stars)

Addison isn’t just a solid debut, it’s a full-bodied, glitter-drenched love letter to pop music, digital girlhood, and becoming. While not without its missteps, it’s vulnerable, stylish, and knowingly referential in a way that hits home for the girls, gays, and theys. If this is Addison’s only album, she’s going out with a wink, and a legacy.

Fave Tracks: Times Like These, Aquamarine, Headphones On, Diet Peps, Fame is a Gun

Best For: Cry-dancing in your bedroom with lip gloss on and nothing figured out

Queer Core Takeaway: Gender is a moodboard, healing is nonlinear, and pop doesn’t need to explain itself to be real. Sometimes the most affirming thing is a beat that gets you through the week.

Want more queer music moments, pop culture analysis, and glittering hot takes? Subscribe to Enby Meaning for weekly drops that hit like Diet Pepsi.

[splashback-ink]

Welcome to Splashback Electronics! We're a small custom weapons shop in the Splatlands, run by Shella (who's an Octoling, and our only full time employee! She's also the one writing this! Hi!)

We specialize in 2 different weapon lines, plus a few experimental designs!

The first line is our flagship, Retro Splashback, which consists mainly of weapons based on Retro tech, such as our Ringtone Duelies, which are based on an old model of the CQ-phone, or the StaticFling Sloshers, which is made out of a hollowed out iMackerel

The other line is a pet project of ours, called the Splatstruments. A few examples we have so far are the Remix Splatling, which is made out of old DJ equipment, or our High-Strung splatana, which is designed after an upright bass

We also have a few stragglers that don't fit into either line, such as the Stop-n-Go blaster, or the Boilerplate Slosher

So if you're ever in need of a new kit, or just wanna test out something different, stop on by, and be ready for a Splash to the Past!

...we also do electronic repairs and sales!

(out of character, this is a blog for an unofficial weapons shop in the world of Splatoon 3, based on a little headcanon I came up with

Since the whole of the Splatlands is based on chaos, and being yourself, without many rules, I thought it'd be cool if turf war loosened their regulations a bit, allowing custom and homemade weapons that aren't from any of the big brands, as long as they pass a safety test (this won't injure someone) and a balance test (this isn't dramatically better or worse than the regulation stuff)

And this shop is a place where squid, Octo, and fish alike can get more unique weapons from a smaller maker

Also, this blog is run by @fieldsandfurrets )