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boombox-fuckboy · 2 years ago

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Hey!!! You commented on my post about limetown haha which is why I’m here. You offered to give podcast recs! What are your favorites?? I’m looking for some new ones

I completely forgot I had this ask, excuse the delay. Here's a selection of 30 podcasts I enjoyed from a broad range of genres: hopefully at least one appeals.

Let me know if you're after something more specific.

Arden: (Investigative, Comedy) On the 25th of December, 2007, heiress and young actress Julie Capsom crashed her car into a tree and fled into a nearby forest clearing, leaving a trail that seemingly vanished into thin air, and a dismembered torso in the trunk. A decade later, Bea, the first reporter on the scene, and Brenda, a detective on the case, are hosting a true crime podcast about it, and neither is remotely impressed with what the other has to say. Arden is also a retelling of various Shakespeare plays.

Desperado: (Supernatural, Adventure, Horror Elements) In a modern world of gods and magic, three young people, all under the patronage of death dieties, embark on the same adventure for different reasons: for safety, for revenge, and to kill The Old Man in the Sky. Fantastic banter and killer action sequences.

The Far Meridian: (Magical Realism) An agoraphobic young woman wakes one day to discover her lighthouse home has travelled to somewhere entirely unfamilar. As this continues to happen day after day, she uses the opportunity to search for her missing brother. A really unique and charming piece of fiction.

Gastronaut: (Sci-Fi) Interstellar travel audio blog of a former food critic as he travels to an active warzone to get firsthand experience with unfamilar cuisine. ft. Disgruntled martian nobility, sinister businessmen, explosive mushrooms, forbidden snacks, rogue revolutionary artists, and the consequences of your actions.

Girl in Space: (Sci-Fi) The Girl In Space lives alone on a space station, doing science, making cheese, rewatching Jurassic Park, and tending to the plants, animals, and artificial sun entrusted to her. It's a little lonely, but not a bad life. Would be a shame if someone came along to ruin it.

The Goblet Wire: (Microfiction, Weird Fiction) A surreal microfiction with horror elements, taking the form of phone calls to an audio-based game in which the voice of the mysterious Dictator leads each player through fantastic and horrific world and story.

Hello From The Hallowoods: (Horror, Supernatural) A dramatic entity beyond your comprehension visits your nightmares to tell stories of the people (in varying degrees of human and alive) that inhabit the strange, deadly, and beautiful Hallowoods, as they find meaning and sometimes eachother.

Hi Nay: (Supernatural Horror) A year after moving to Toronto, sound designer Mari finds herself drawn into helping people around the city with various horrific supernatural encounters due to her babaylan (shaman) family background. It quickly becomes apparent that there's something much more sinister and complicated happening in the background.

Inco: (Microfiction, Sci-Fi) A perpetually exausted interstellar information trader and her peppy AI find a mysterious (read: bratty) boy floating in space and are inadventently pulled into a world political intrigue.

Inn Between: (Fantasy) Ever curious about what the D&D characters get up to at the tavern between sessions? A generally lighter-hearted (with some exceptions) with richly-written and always-growing characters. A really interesting format, too: a lot of the adventure appears in the "next time" and "last time" segments which makes it all flow really nicely. Not a tabletop podcast.

Janus Descending: (Sci-Fi, Horror, Tragedy) A xenoarcheologist and a xenopaleontologist are sent to a study a dead city on a distant world. Nobody likes what they find there. A unique format, with one set of logs presented first to last, and the other last to first. I'd recommend listening to the supercut for this one.

The Kingmaker Histories: (Steampunk, Weird Fiction, Adventure, Fantasy Elements) In the Valorian Socialist Republic 1911, on her 25th birthday, tailor's apprentice Colette experienced the worst headache of her life. As a result, she fleed from town with a human artificer and a fae chef - both now smugglers - pursued by an utterly furious flesh-crafter. I'm not sure I'm selling how good this podcast is but it's very good.

Life With Althaar: (Sci-Fi, Comedy) A human repairman moves to a space station on the edge of human territory that is perpetually on the edge of self-destruction, and ends up with a less-than-ideal last-minute roomate. Althaar is polite, friendly, deeply interested in human culture, and eager to be friends. Unfortunately he belongs to a species that sends humans into a visceral panic at a glance.

Lost Terminal: (Sci-Fi, Hopepunk) Seth is a very lonely AI living on a satellite. His crew were left stranded aboard with no hope of return, and it's been longer than he can count since then. The Earth below him has changed dramatically, and with only a few other AI down there to talk to, he's very lonely. But! He has a plan to make some new friends.

Love and Luck: (Romance, Slice-of-Life and Urban Fantasy Elements) Voice messages cataloguing two young men falling in love and opening a queer dry bar together.

Midnight Radio: (Light Supernatural, Romance) Sybil McIntyre, host of the ever-popular 1950's nightly radio hour, begins exchanging letters with an old fan who has reluctantly returned to visit Sybil's beloved town.

Midst: (Weird Fiction, Western, Sci-Fi and Fantasy Elements) The old-western planetoid islet of Midst floats, rotating steadily, in a sea of reality-warping darkness. Down in the town of Stationary Hill, things are in movement, and vistors from the light above are about to bring unanticipated change. ft a monocycle-riding monster-hunter, radio-famous airship paladins, deadly mica, the universe's peppiest cultist, good dogs, and a really strange businessman.

The Mistholme Museum of Mystery, Morbidity, and Mortality: (Weird Fiction, Supernatural, Urban Fantasy and Horror Elements) A friendly AI tour guide leads you on a tour of the Mistholme Museum, explaining the strange and often alternatural story behind each item.

Monstrous Agonies: (Supernatural, Relationship Advice) An interpersonal advice show for supernatural entities and other people living liminally in the modern world.

Night Shift: (Urban Fantasy, Investigative) Set in a modern world with the addition of magic, which manifests in small inherited skills/traits, can warp people in horrific ways, or can be manipulated with the right science (and intense work) to induce superpowers. Sebastian Fenn is a barista at Night Shift Coffee, but since things are slow he's decided to start a podcast to talk about various mysteries, crimes and conspiracies around the city, and of course finds himself deeper in them than he'd intended.

The Pasithea Powder: (Sci-Fi, Thriller Elements? I think?) The last major interplanetary war was full of atrocities, but none more infamous then the creation of Pasithea Powder, a memory altering drug which was used to horrible effect and landed it's entire team of creators in prison. So when decorated war hero Captain Sophie Green sees one of them wandering free, worlds away from his prison, she gets in touch with a very old, estranged friend: one Dr. Jane Gonzalez, who's behind bars for the very same reason.

SCP: Find Us Alive: (Weird Fiction, Supernatural, Horror and Slice-of-Life elements) You don't need to know anything about SCP to enjoy this. A research team gets trapped in an underground research facility when the complex collapses and the building is dragged into a pocket dimension. The tear it was designed to study begins creating tiny copies of itself, generating strange entities the team needs to deal with. And as if that wasn't enough, the entire situation physically resets itself every 30 days. And yet, this is genuinely also an office comedy.

Second Star to the Left: (Sci-Fi) Audio logs of a scout sent to explore and establish early infastructure new world, and the communications with the minder in charge of keeping her alive.

Seen and Not Heard: (Slice-of-Life, Drama) Seen and Not Heard follows Bet, who's still adjusting to life a year after a bout of severe illness, and the resulting hearing loss it caused. It's about the ways we make connection, and food, and art, and different kinds of grief.

The Silt Verses: (Horror) In a modern world where gods are abundant, frequently both commercialised and restricted, two devotees of an outlawed river god go on a pilgrimage.

SINKHOLE: (Sci-Fi, Weird Fiction) Forum posts from a data restoration community in a near future where the human brain is its own computer and one city hosts a massive void.

Starfall: (Fantasy) Seeking to escape her mysterious past and find some purpose, a young swordswoman joins a travelling actor's troupe. This new life is unfamilar and sometimes stressful, but she's taken under the wing of stagehand Fel, who's determined to help her feel welcome as she experiences the figurative and literal magic of the theatre for the first time.

The Tower: (Weird Fiction) A low-key, meditative podcasy about a young woman who decides to climb a seemingly endless tower. Gorgeous sound design.

The Vesta Clinic: (Sci-Fi) New GP Dr. Fae Underwood, with the expert transcription skills of resident AI Sec, writes up patient reports on human and alien patients of The Vesta Clinic, a medical clinic on the edge of human space. Really comfy and creative.

Victoriocity: (Steampunk, Mystery) Set in the steam-powered Victorian city of Even Greater London, an aspiring journalist and a tired detective find themselves working together to solve a strange murder. I say Victorian but as queen Victoria is now an extensive grandiocity of cyborg components following seven only-kind-of-successful assassinations, you may need to adjust expectations a little.

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redbatchedcumbermayned · 1 year ago

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It all started under a duvet held up by an oar

Not so long ago I emailed Chris Tester, the voice of Heinrix van Calox in Owlcat’s recently released CRPG Rogue Trader, and asked if he would like to sit for an interview with me. Having some experience in interviewing people I like, most famously Oscar winner and all-around sweetheart Eddie Redmayne, this was not a completely nerve-wracking endeavour. And within a day of sending my email, Chris said yes. And what a pleasure it was interviewing him: Chris was so generous with his time, that the agreed upon 30 minutes turned into 50 minutes as we brushed upon many topics from his start as a theatre actor to his first voice-over role in a video game to his recently discovered hobby of playing D&D. Of course, we also spoke about all things Warhammer 40k, his new found fame brought on by voicing Heinrix and the insights he could share about the character.

I will publish this interview in three parts over the next week in text form and with the accompanying audio file (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.

Part 2 of the interview

Part 3 of the interview

Fran: Thank you very much for taking your time.

Chris Tester: That's no problem. No problem at all.

F: So then let's start. You graduated in 2008.

CT: I did. Yes.

F: You started out as a stage actor. Did you always want to become a stage actor or an actor in general? Tell us a bit about your career.

CT: I always wanted to be a stage actor. Yes, as soon as I knew that I wanted to be an actor, which probably wasn't until I was a teenager. But yeah, my first passion was always the stage, and that was kind of borne out in my career. I would have been open to TV and film of course, if it had come along, I'm a huge fan of TV and film as well, but I never got an audition for any TV or film work.

I think I literally did about three short films in my 10, 12 years of actually professionally acting, and it is one of those industries where the more you do of one thing, the more you seem to find yourself doing the same thing to a degree. So yes, watching Shakespeare from an early age was one of my first passions.

And that was what first planted the seed of wanting to do it myself. The whole aspect of live performance is still something that I'm very passionate about. Up until 2020, when the world changed, I was trying to do two or three theatre shows a year, but since 2020, I haven't been near a stage and I doubt right now, especially with the way that the UK theatre scene is going, that I'm going to be back on stage anytime soon. I am resigned to that, but at some point in my career, I know I will be on stage again, because I can't live without it, but only for the right thing, both financially, but more importantly, creatively.

F: Your production company is currently on hiatus?

CT: I was the producer of a theatre company, which was run and was the baby of the director of the company, a guy called Ross Armstrong, who's one of the most talented writers and directors that I've ever worked with. I was helping out with a lot of the administration stuff so that he could still put me in plays. Instead of creating my own work because I'm not a very good writer or the best writer in the world, I support those people who will write me good parts. So yes, it is currently on hiatus, but never say never, we would always be looking to get back. It's difficult right now. It's difficult for all of us, because arts council subsidy, that way of being able to fund stuff, is drying up. We were doing a national tour of the UK when we were doing that [with the support of a subsidy]. There's even less money, there's even more people. I won't bore you with anything more than that, but it's kind of tough. We'd like to come back, but in the right way, and that's tricky to negotiate.

F: It's always hard as a stage actor to earn a living.

CT: Well, I've been spoiled by voice-over as well, and whereas when I was in my 20s and 30s then you're all about your art. And of course, I'm still all about my art, but I'm also about my wife and my cat and the mortgage and the bills and wanting to have nicer things to a degree as well. I've come to terms with that and voice-over does facilitate that as well as it opens you up to different roles and working with different people. So, I can't complain.

F: It's quite similar with making a living as a writer, because with a steady income you get used to a certain standard of living and once you have obligations and bills to pay, I think the stress on your mental health being creative and having all the stresses of regular life thrust upon you brings with it a challenge.

CT: It's a cliche we can very easily fall into: if I'm suffering, then it means I'm an artist. And that's not necessarily very true. It very often means that the art that we create only reflects one aspect of our lives, and it's usually a very tortured one. I am also about having wider experiences and broadening myself out. Whereas I think when I was in my twenties, I was thinking a bit more like: Oh, I'll experience the world and life through my art and just purely through my art. Whereas now necessarily I need to have a life outside of it as well, and then I can justify like I have the life so that I can feed my art or not, whatever. You know, I'll be a better artist by having a bit of a life outside of it. Maybe.

F: But that's what your twenties are for.

CT: Yeah, indeed.

F: Doing the crazy stuff, doing the band stuff

CT: Yeah, yeah, exactly. So, there was certainly an aspect of that in my twenties.

F: So, what brought you to voice acting or voice-over work initially?

CT: Money. Video game stuff is kind of sexy and cool, and I'm a gamer, so that's important. Before I was a video gamer, I was a board gamer and off the back of that, I was a voracious video gamer, partly because I wasn't very good at team sports at school. I was always the person who was picked last in the football team. So that becomes part of your identity for better or worse. But video games, I was pretty good at, not amazing, but I was pretty good at, and I enjoyed it. And it gave me a different form of escapism as well, and off the back of that I always had an interest in them.

So, the very first voiceover job was a video game: Dark Souls, which is quite a big franchise. At that time, I was your very typically jobbing actor. My acting agent came in and said: I got something for you. And so, I went in with that. But it was only in 2016, 2017 that I realised it was something that you could actually do yourself. People had recording studios at home and they were contacting people directly, not just going through agents. Because I'd basically written to the same 20 voice agents in the UK, mainly in London for like eight years in a row and not received anything. So, you keep knocking on those doors hoping.

Before I'd even graduated from drama school, I'd burnt a CD and made these cases with my headshot on it and sent them all off at what at the time felt like great personal expense and didn't get anything for eight years in a row. So, I was a bit like, I'm obviously doing something wrong, but I don't really know what, because I'm doing these workshops and getting good feedback. Then I found out through a couple of online courses, that there were ways and means of doing it myself, and that was a bit of a game changer for me, and within six months of having started, I was earning more through voice work than the bar job and the box office job that I was doing combined. Within six months, I was kind of like: “I gotta quit because I'm actually holding myself back from things.” So that was quite a big shift.

F: Somewhere you said, you started out under a duvet and with an oar.

CT: Yeah. On my website, I do have an image of it. [Dear reader, I could not locate this elusive photo] I literally had to take the duvet off my bed and put it into the living room, which was the quietest space in my then shared flat. I also had to wait until after one flat mate had watched TV and another one had used the table that had their washing on it. One of my flat mates had stolen an oar from some night out and that was perfect in order to be able to erect it over my head and the duvet as a frame.

I did probably the first four or five months of voice recording like that. Probably about 10, 15 voiceover jobs that I actually got paid for, I was using that because it worked well enough. Since then, I've gone through various different iterations of a setup in the bedroom, to a setup in the hallway, to my current setup. In 2020 we moved to our first house, and this is the spare bedroom which I've had converted into a studio, which means my cat can be here asleep on me or near me getting fur everywhere, but it's fine. I can thrash around and I've got natural light to work in at the same time, which I find quite important. [Pictured below Chris' current setup.]

F: Very pretty. That's good. Guide us through a typical day of yours, if you like.

CT: Oh, sure. I mean, there is no typical day. And yet, and yet, and yet. A typical day for me is, because I am spending the vast majority of the day sitting in this room or somewhere close to this room, because I may need to record at short notice, because the vast majority of jobs are quite short notice. My priority is exercise for mental health more than anything. I've got some weights at the bottom of the garden, and I will get up first thing, and I will go there and I will do that after breakfast. And that's my minimal routine of physical activity done.

And then I'll come back, and this is so rock and roll. Now what I do is, I spend like an hour on LinkedIn. And that's what you dreamed of as a creative person. Isn't it as an actor? I spend time on LinkedIn regularly every day, because it's a really good networking place for a lot of my types of work, and first thing in the morning, I'm a bit mentally sharper. So that's when I come up with a quick post that may be inspired by a bit of content that I've made elsewhere. That probably takes about 20 minutes and then I spend another 45 minutes to an hour engaging with people and saying hi and introducing myself and asking questions, whether that's with video producers or game developers or documentary makers or pretty much anything and everything. There are a lot of people who are active at that time. And so I do it.

And then after that, if I already have some recording lined up, then I'll prioritise mid-morning, because I've warmed up physically a bit more then, and I'm focused. So, you're going through the scripts, annotating the scripts, recording the scripts, editing the scripts. But then there could be live sessions at any time within that as well. I try to keep hours from nine till six. But occasionally, like with Rogue Trader, that was recorded at various different times of the day because we had people in New York, we had people in mainland Europe, and we had people in the UK. So all different time zones, so that can happen at any time.

And then I try to do other kinds of bits and pieces of marketing whenever I've got free time to. I do use really exciting productivity hacks, like time blocking. Again, not something that as a creative individual, I was like: Oh God, this gets me so excited, because it doesn't, but it works. It's finding a system that works for you, but still has a certain kind of flexibility and fluidity. I'm trying to make sure that I get outside of the house, and that kind of stuff.

Recently, over the last year, I’ve started doing audiobooks as well. That long form type of thing is quite nice to be able to dip into because sometimes you don't record for two, three days. You don't get the work. Nothing’s coming in. So, you’re marketing, but it kind of connects you back to the performance side of things to go: I can do a few chapters and you know, that kind of thing. So that's probably it. I try to formalise it, but you know, every voice actor’s day is radically different. There are people, some of the biggest names, going into different studios every week or every day. I very rarely, despite being based in London, I very rarely go into external studios. Like I would say 99 percent of the work I just do from home.

F: So how do you find the right voice for the specific type of voiceover work you do, maybe start with how did you find Heinrix's voice?

CT: Thankfully, Owlcat sent through quite a detailed casting breakdown. So, you get a picture, and that's pretty crucial, as well as a short bio, in terms of the background of the character, but not too much, because you have to sign an NDA, a non-disclosure agreement. But even if you do sign an NDA, I think developers are always slightly hesitant of giving you too much info about the game because things could still be changed. But I think I did get a picture of Heinrix, if not in the first audition, then certainly on the second one. From that you immediately think about the physicality and what might affect the voice, and there was also some direction in terms of what they were looking for. Anybody who has heard the character and me, they do not sound radically dissimilar. There's not a transformative process that I needed to go through, other than his sense of authority and the space that he takes up and the sureness that he has in that he has a kind of divine right from the emperor, so that level of confidence being brought through.

The other part of the audition was about the void ship [the Black Ship] that he'd been raised in and the horrors that he'd seen. And you as the actor have to do the detective work to go like this is showing another side, the more vulnerable side, the side that underpins all of his life choices up to this point. It's essentially playing the opposite to a degree. So it was kind of knowing when to let those elements bleed through a little bit. I think I had probably about a page worth of scripts, quite a lot of script actually to audition with.

But I don't like to listen back to it a lot, because I think you get into your head. My biggest thing is stage work where it's ephemeral. You say it once and it could be different the next night. The whole point is that there's no one definitive way of doing things. Not quite the same with voice acting, where it's being recorded and you've got to get used to hearing it back. But I try not to overthink it. Just like record it two or three times with different impulses and then review and go like, those two seem pretty contrasting. I'll send those along and hope and then never hear anything back unless I do.

#chris tester #heinrix van calox #rogue trader #warhammer 40k #rouge trader crpg #owlcat games

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ronqueesha · 29 days ago

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youtube

MANY years ago, a 40k fan created this audio soundscape of what an Imperial titan might sound like in a battle. But only recently did another fan add 3d animation to it.

youtube

Owlcat's engine is basically incapable of properly showcasing a titan in the Rogue Trader game, so they make zero appearances. Which makes me sad, because they're one of the coolest things in a setting full of cool things.

Titans are the Imperium's ultimate ground weapons, capable of wielding literally apocalyptic weapons on their giant bodies. They are walking cathedrals covered in symbols of worship of the God Emperor, often the result of thousands of years of constant additions and embellishments.

The most successful titans have been around for nearly ten thousand years, and participated in the Emperor's Great Crusade to unite the galaxy. Although the Imperium CAN build new ones, albeit very slowly. (The first space marine game deals with defending a planet that produces them)

Titan pilots, or princeps, bond with their war machines even more than a knight pilot does. It's much like pacific rim, a single human brain cannot control something so big and so violent. But instead of bonding with another person, a princeps' mind interfaces with the titan's own consciousness. And by interface, I mean that they must mentally battle the titan's mind and force it to submit.

Titans all have EXTREMELY powerful machine spirits, some of which are so full of rage and bloodlust that they continually kill their pilots out of the sheer strain it takes to keep them under control. (are machine spirits the remnants of ancient ai systems that humanity used to use in the dark age of technology? are they literal spirits as the 40k universe slowly turns into a dark fantasy? that's a subject for another post!)

Titans are sometimes called God Engines because of the awe they invoke as they stride over battlefields. The ultimate visual sign of the Emperor's wrath.

#Youtube #the second video uses Tau voice lines from Dawn of War #which again goes to show how much of an impact that game had on the fandom

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calchexxis · 1 year ago

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40k Femslash Appreciation Post

There isn't nearly enough good wlw in Warhammer 40k, and don't get me wrong, I understand why. Considering the majority of the narratives consist of manly men doing manly things while wearing a buick on their torso and a refrigerator on each arm, there's going to be an obvious skew, and that's okay!

But today, I want to highlight some of the ladies of the 40k universe, as well as the other ladies that those ladies like to kiss. For the record, all of these will be on Archive of Our Own.

In my own corner, I've contributed:

Ennui: A longform about a Dark Eldar Wych and a Sororitas who find unlikely love on a world plagued by Orks, and in the process, discover a much darker plot that will threaten the fabric of the galaxy.

From Afar: Local Eldar Pathfinder pines after a pretty PDF guardswoman from the distance in the months while the Great Devourer approaches.

Saintsbride: A series rather than a single fic, that creatively reinterprets Saint Celestine and Inquisitor Greyfax's relationship in the audio drama Our Martyred Lady as being very gay.

His Fury, Our Hearts: Three Sisters Militant of the Adeptus Sororitas Heavy Armor division do battle against cult elements of the Alpha Legion while defending an irradiated hellhole, and also they kiss each other.

More excellent femslash can be found in the hands of user OnTheHuh.

The Iron Tower: An unflinching look at the darker side of the 40k universe on the smaller scale through the eyes of the 'bedmate' of the Planetary Governor of a Feudal world. Absolutely mind the tags, but you're in the mood for some angst and Regency-era style lesbian pining, this is your jam.

Sister Militant: Some of the best Adeptus Sororitas work out there, follows the trials and tribulations of a haunted Sister Militant as she struggles with her worth, her faith, and the demons in her mind. Very much mind the tags, again, but also again, Lesbian Angst and Pining. Also some really top notch action.

Finally, some more excellence from user AncillaThings!

Nemain's Bellum: A story that follows the ascension of a Sister Novitiate by her mentor, Palatine Caddel, through her first war and onward, when I said 'Sister Militant' is some of the best, this would be the rest of the best. Great sci-fi action and more girls kissing. Also trauma, but that's what we're here for, right?

Pigeons and Eagles: For fans of the truly excellent Rogue Trader game by OwlCat studios, and who maybe wants to see Sister Argenta being cute and gay with the God-Emperor's weirdest perfect princess, Cassia Orsellio, this one is for you.

#warhammer 40000 #warhammer 40k #fanfic appreciation #ao3fic #femslash #wlw post #ao3 fanfic #sapphic #sapphic fiction #sapphic fanfiction #sapphics in 40k

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popiellart · 3 months ago

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20 writer questions!

Tagged by @lamortwrites, thank you!

Tagging all my writer friends who actually have an AO3. and looking mournfully at those who i know write amazingly and don't let people read this shit\!!!

How many works do you have on ao3?

7, which is a fraction of what I got on the dragonage kinkmeme (40+). i want to be that kinkmeme guy again

What’s your total ao3 word count?

45,042

What are your top five fics by kudos?

On the last day of his childhood, Miquella made a man kill himself. [Elden Ring, shamefully unfinished, the title does a lot of heavy lifting for my hits statistic here, I think]

The hunt, the bargain, the council, the feast, the slaughter [Baldur's Gate 3, durgetash, I actually regret not calling it 'Unsparing' like I planned because that's a mouthful]

Eat your eyes, your visions, your goals, your hunger. (Drink your blood, your breadth, your mettle.) [Baldur's Gate 3, Elder Brain/The Dark Urge, i remember writing this instead of my engineering thesis.]

The Dark Urge sleeps alone [Baldur's Gate 3 again, Dark Urge/Lae'zel, this fandom ain't shit for sleeping on Lae'zel, see what I did there?]

A Good Fight [SWTOR, Shae Vizsla/Sith Inquisitor, an old work and literally just a sweet and simple pornography, none of that tortured purple prose nonsense]

What fandoms do you write for?

Currently I'm not writing at all, even though I really want to. Not sure why either. I have at least a couple more BG3 works in me.

Maybe I'd like to write something for Rogue Trader? There's a kinkmeme now, so -

My favourite is writing for some obscure fandom, sometimes in some obscure language, that nobody ever reads, except two other people. On that note I feel like I might have something cancel-able for Thaumaturge in me, we'll see.

I used to write a lot for american comics (DC/Marvel) and SWTOR, but those passions kind of went out for now

I'm sort of flopping around and waiting to be once again captured like BG3 did for me, though, and that's tragically increasingly rare

Until then, lewding my OCs in the privacy of my own google docs it is.

Do you respond to comments? Why or why not?

I always do. Even if it's just to say "thank you <3" . Genuinely grateful to people who take time out of their life to engage, it's very motivating to have that little connection

What’s the fic you wrote with the angstiest ending?

Outside of the kinkmeme fills, The Dark Urge sleeps alone definitely. I mean, the thesis is in the title, sort of, so -

What’s the fic you wrote with the happiest ending?

A Good Fight definitely, and by a lot.

It's about a Mandalorian and a Sith enthusiastically violencing each other, both getting a "happy ending", and setting up a later date at which they may violence each other some more or possibly third parties.

Doesn't get much happier than that

Do you get hate on fics?

Not really! everyone on AO3 tends to be very polite, getting a "wow you're sick in the head" comment from some logged-out anon is like hitting the lotto

Do you write smut?

I try but they keep turning into character studies

Do you write crossovers?

No, I'm generally opposed to crossovers. I wrote a couple of those when I was younger, I definitely remember a Marvel/Blade Runner cross-over in there, but I lost the taste for it

Have you ever had a fic stolen?

No.

Have you ever had a fic translated?

Yes, a couple times! Always very flattering. I also had the Elder Brain fic adapted to an audio-fic/podfic and it's the coolest thing ever

Have you ever cowritten a fic before?

Sort of? Not really? Sometimes I'll discuss something with a friend in detail and they'll use those ideas in a fanfic, but I wouldn't call it co-writting

What’s your all time favourite ship?

Cop-out answer but genuinely don't have one. It'll be my favourite ship out of whichever media I'm presently obsessed with, and will fade away with the rest of my obsession

What’s the wip you want to finish but doubt you ever will?

The fucking Elden Ring fic. I lovehate it. It haunts me. I keep getting comments on it sometimes and it kills me, I have an outline and all, I just can't get myself to do it

What are your writing strengths?

Being insane . Also I guess structuring the psychology of characters, portraying their various insane ways of negotiating reality based off the experiences we know they've had in canon.

i genuinely think if there were money enough for me in it, i would've made a great shrink, but i don't like being poor, so i'm stuck clicking my computer and channeling all my disordered patterns knowledge into porn fanfics

also, sometimes my purple prose really hits, but that's not a given

What are your writing weaknesses?

Writing. Genuinely cannot do it reliably on command

Thoughts on writing dialogue in another language in a fic?

Not a fan, I find it sort of purpose-less in most cases, but not a deal-breaker for me.

First fandom you wrote for?

Okay, so in classic sense, this will be either Wolf's Rain or kuroshit.

However, before I witnessed anime for the first time in my life, I have also plotted out an extensive Dragonlance self-insert when I was reading the books, though I don't remember if I ever wrote it down

Around that time, I have also started writing an original story that was definitely set in HOMMV world with filed-off serial numbers

Favourite fic you’ve ever written?

That's a hard one, I really like them all, these days I don't write a lot, but once I do manage to write something, I really write it

Even my old fanfics, where I was writing in B2 at most english, are pretty good. Not to toot my own horn, but -

#long post #thank u for tagging me those were funn :3333

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