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witchyafterdark · 8 months ago

Text

Consolidated HL Character Profile #2:

— Sebastian Sallow —

Note: Finally, here is Sebastian's version of the complete profile analysis I've done before! I actually started doing his profile before Ominis' but his character information and background became more difficult for me to understand. Nevertheless, I'm happy to post this one for all the Sebastian girlies — and fans in general! 💕

As always, tags and shoutouts are at the very end of this post.

This is a very, very long post. Pace yourself and take your time.

—---—---—---—---—

I. Possible Birth Place

NOTE: These are all speculated places backed with cross-referenced research, and other people’s headcanons. This was the most difficult part of this post, and I am open to other suggestions and ideas.

Before we begin to even tackle all the possible birthplaces of Sebastian (and Anne), there are a couple of important things that needed to be discussed. At the end of this segment, there will be options to choose from based on narrowed down (and specified) locations.

Firstly, we know that Sebastian’s parents were professors who unfortunately passed away before he and Anne developed their magical abilities. Therefore, majority of people in the HL community have an unspoken agreement that the Sallow family (except Solomon) used to live near Hogwarts—if Mr. and Mrs. Sallow were to fulfill their work as professors during the day, and come home to their children at night every single day. They had to live near their place of work because it was indicated that they spent nearly every waking moment in the cellar attending to their academic pursuits.

But wait… where exactly is Hogwarts located?

Scotland is a massive place with lots of towns and cities. In order to narrow down the possible locations of where Hogwarts is situated, I have referred to this source that had studied this whole topic with as much precision as possible that simultaneously pieced together book-canon mentions of the castle itself.

This map shown below is the route that the Hogwarts Express travels from London (at King’s Cross Station) to the castle that oversees Hogsmeade as well. According to the website linked above, standard Victorian steam-powered trains run for 80mph (or 128kph). But under route calculation and terrain consideration, the train would have had the speed of around 65mph if it is to comply with the fact that the students reach Hogwarts by nighttime. And since the entire magical community of Hogwarts and Hogsmeade (and the entire magical Scottish Highlands) are hidden from muggle view, the estimation of Hogwarts’ location is either the Galloway Hills or the West Highlands.

For the sake of congruency between book-canon information and the landscape of the game’s map, this post will settle on the West Highlands instead.

Fun Fact: It was said that Hogsmeade was founded by an Englishman named Hengist of Woodcroft. I noticed that places with the word “-croft” is predominant in Hogwarts Legacy. There’s the Undercroft and Feldcroft, and I think it wraps up nicely alongside the origins of the founder of Hogsmeade himself.

—

Now that Hogwarts’ location has been established, let’s move on with Sebastian’s possible birthplaces.

1. Aranshire

It has been such a long while ago, but I have asked permission from @hogwartslegacypics to reference the post she did before. (Thank you for allowing me to use your work for mine. All pictures used in this segment are credited to you).

There have been deleted voice lines that Sebastian would say or be triggered when you walk with him around this area using the Companion Mod. The quest in Aranshire would have the main character investigate what happened in the village becoming abandoned by its townspeople. This would lead to a house inhabited by Mary Portman, and she was responsible for breeding all sorts of spiders in the cellar of her house.

Furthermore, Sebastian would have a specific voice line once you get inside the cellar. I have tried to activate this dialogue with other NPC’s but it’s only him that says it. There is the possibility that this quest was supposed to be done with Sebastian as part of his questline.

In this video, with the timestamp 59:39, only Sebastian says this line:

“I suppose we know what happened to Mary Portman. She was breeding the spiders.”

It would be both economical and logical for the Sallow professors to have a house near their place of employment instead of boarding with the other professors in the Faculty Tower without a live-in sitter watching their two children. And even if they did hire someone to watch their children, we were never given any indication that the twins were left under someone else's care when Mr. and Mrs. Sallow were still alive. Plus, it would put quite a dent on their finances to rely on childcare services for the whole school year that they'd be at work.

Lastly, giving birth at home is the norm during Victorian times. According to the Victorian Web:

"... for much of the nineteenth century the safest place to be delivered, regardless of social class, was at home by a well-trained midwife. Until the widespread use of antisepsis in the 1880s, male practitioners were more likely to carry infection, using unclean instruments and moving as they did between different types of medical cases and post-mortems to deliveries."

And so, it would make perfect sense that Mrs. Sallow would give birth at the comfort and safety of their home—which would indicate that Sebastian and Anne's birthplace would be Aranshire, or at the very least, near Hogwarts.

2. St. Mungo’s Hospital, London

Another possible place where Sebastian and Anne might have been born is actually at St. Mungo’s Hospital for Magical Maladies and Injuries.

I would like to believe that Wizarding medical practices have stark differences from their muggle counterparts, and that the use of magic may have provided the Wizarding world some medical advances long before muggle technological discoveries.

While all of this is just speculation, there is also the possibility of complications with giving birth to a set of twins. Given that most women of the Victorian age preferred home births due to the higher maternal mortality rate with hospital births, there could still be the possibility that Mrs. Sallow had Sebastian and Anne at the hospital.

Both of his parents are professors, and was said to be open-minded folks. It wouldn't be surprising if they are the type of new parents who had read every maternity book they could get their hands on, and may have chosen the option of having medical witches and wizards to aid the delivery of the twins—should any sort of complications arise in the midst of labor.

St. Mungo's Hospital is located in London, concealed in such a manner similar to that of Diagon Alley.

"To enter the premises, one might step through the window of what appeared to be a red-bricked, condemned department store called Purge and Dowse, Ltd. This acted as a magical gateway to the main building, much like the barrier at King's Cross Station to Platform Nine and Three-Quarters. Although the "department store" building housing the hospital might have been relatively small, this was not an indication of the true capacity of a magical building, the interior looked exactly as a hospital should. One way an individual could enter the building was speaking to an apparently inanimate dummy in the department store."

3. Fort William, Scotland

For Sebastian's last possible place of birth, I had to resort to looking at his wiki page. There was one little thing that I noticed written on his biographical information. There is chance that he is a half-blood.

Given that both his parents are professors, we don't actually have any actual confirmation or evidence that they taught at Hogwarts!

It could be feasible that one of Sebastian's parents was indeed a professor at Hogwarts, while the other one taught at a muggle school. If that's the case, then the Sallow family might have to settle somewhere in the "middle" of their place of work—one goes to the Wizarding community while the other goes to the nearest muggle town.

And according to the map below, the nearest muggle town that was actually the final stop before Hogwarts was Fort William.

Although, just because Sebastian and Anne were born here doesn't mean that they were raised here. It was still canonically stated that Sebastian grew up within the Wizarding community; which is around Hogwarts, Hogsmeade, Aranshire, and other hamlets deep in the Scottish Highlands.

Nevertheless, if one really wants to pinpoint an actual location on the (muggle) map, then Fort William is the nearest and most likely place. And yes, the Hogwarts Express Train passes by this beautiful town.

—

End Results:

Sebastian (and Anne) was most likely born in Aranshire, given the amount of evidence we have in the game—alongside exclusive deleted voice lines from the character himself. Then again, the two other options listed above can be considered as well if we entertain the idea of expounding on the tidbits and hints of information we have about him (such as the possibility that he is a half-blood).

—---—---—---—---—

II. Possible Date of Birth

NOTE: If you're not interested in astrology, you can just skip this one, and go to Part 3, 4, and 5!

This section of the post is pure speculation, and no solid proof at all. But we do know that Sebastian should be born between September 1, 1874 and August 31, 1875 if he was to be eleven years-old during the start of his first year at Hogwarts. Therefore, all of the following information is gathered by astrological observations of his character.

(I have a personal tarot and astrology account, @tarotwitchy, if you guys are interested in knowing more about this type of content).

Based on character analysis, I believe that Sebastian is a Virgo Sun, Scorpio Moon, and Sagittarius Rising.

Now, what does that mean?

Let's break down his character one astrological placement at a time.

1. Virgo Sun

— A lot of people think he is a Scorpio Sun. But as one myself, he doesn't quite fit the bill. Instead, based on his actions throughout the game, he represents the hallmark traits of a Virgo Sun. A person with this placement is someone who gets things done. They have laser-sharp focus on things that matter to them, and they will stop at nothing until they've satisfied their own thirst for knowledge and understanding and experience of whichever captivated their whole attention.

— It's because of this "obsessive" behavior that he is tagged as a Scorpio. But in his case, obsession is a manifestation of an unhealthy Virgo; one that cannot admit defeat and accept their losses. It's like beating a dead horse. It's not actually obsession that took over Sebastian. It's his stubbornness. It's his refusal to acknowledge that he is, in fact, not correct in his methods, and disregards anyone else's advice and pleas for him to stop.

— Before the whole Scriptorium and Relic debacle, you get to know him as someone who has a great reputation around school. The professors and the librarian acknowledge that he is a bright boy, and a notable duellist. When done right, a person with Virgo Sun shines brightly in perfecting their crafts and honing their strengths. The best part is that they have no qualms about helping others reach their full potential as well (and this is evident with the way he helps the MC perform well in practicing spells and teaching them Confringo. He loves knowing beyond what the school is willing to teach. For him, knowledge is knowledge).

2. Scorpio Moon

— This is what most people think he is. But in astrology, the basest of our instincts and emotional fallback is not reflected by our Sun sign but by our Moon sign. Our Moon sign is our last line of defense when the going gets tough. We fall into the characteristics of this placement when our "public façade" has failed to mitigate whatever issue we're dealing with.

— As for Sebastian, his Scorpio Moon took hold of the reins during the time when he was running on fumes; mentally, emotionally, and physically. In Ominis' only note, he mentioned that Sebastian is not acting like himself. As much as he is severely influenced by the Relic, it is believed that Dark Magic amplifies the wizard's emotional status.

— With Sebastian, he was already emotionally worn out from the knawing hopelessness of his sister's condition and from the verbal assault he endures from his uncle. When you combine all these elements together, you get the unhealthiest version of a volatile Scorpio Moon.

3. Virgo Mercury

— People with their Mercury in Virgo are reservoirs of both knowledge and the ambition to understand more than what they already know. They aren't the type of people to stop searching for answers simply because they already found a half-baked solution to their problems. They go the extra mile, and then some more.

— And as we all know, Sebastian had turned the entire library upside down reading tome after tome on possible solutions for Anne's dilemma. A Slytherin main character would first encounter him pacing back and forth in the common room reading a huge book... on the first day of school.

— Majority of people with this astrological placement report that they just have that intellectual "itch" that needs to be scratched with more and more information, experimentation, research, and discovery. Until that hunger is satiated, they will not stop their quest to find out the truth they seek. We see Sebastian's downward spiral with this attribute. He was willing to go as far as casting the Cruciatus curse just to get his hands on Salazar Slytherin's spellbook.

4. Scorpio Venus

— Men with Scorpio Venuses are those who aren’t afraid with the nitty gritty of interpersonal and romantic relationships. Some people like to keep things on the surface level, not really bothering with really getting to know other people on an intimate level. And yet, Sebastian has shown to be yearning for more information about the people he’s involved with.

— In the game, when the main character was starting to understand their abilities with ancient magic, Sebastian was quick to ask, “what aren’t you telling me?” He’s the kind of person who goes beyond the hi’s and hello’s, and wants to understand his companion’s current situation. This is the hallmark trait of a person with their Venus in Scorpio. Furthermore, he also exhibits the mentality of wanting to always be in-the-loop of his loved ones’ lives, even if he’s dealing with his own problems at the same time. In his mind, your problem is also his problem, and he will not abandon you in your most trying times.

— This kind of closeness can sometimes be overwhelming for people who aren’t used to another person being very personal and up-close with their lives. But this is one of the way a Scorpio Venus shows their love, and this is very evident with how Sebastian is also helping the main character in their quest find out more about Ancient Magic in spite of drowning in his own research on Anne’s cure.

5. Leo Mars

— If Mars in Leo had a textbook example, Sebastian’s face would be on the cover. To name a few examples of how he exhibits some of the qualities this astrological placement has, let’s start with the fact that Mars is the planet responsible with body language. The way Sebastian was portrayed during his cutscenes and with his routine walks around the castle, he has a very confident gait and posture. He naturally carries himself with his own brand of masculinity; not aggressively so, but securely taking up appropriate space for himself.

— Another quality that people with Leo Mars has is that they are not afraid of being under the spotlight. They live up to people’s expectations of them, and they deliver a spectacular show of presence. In Sebastian’s case, he was one of the best duelists of Crossed Wands, and he doesn’t shy away from being the main character’s opponent during Defense Against the Dark Arts class.

— He is charismatic, ambitious, and playfully adventurous and competitive. Then again, Sebastian is shown to be stubborn, dramatic, and prone to anger. These are the characteristic manifestations of Mars in the sign of Leo.

(Not to mention that his favorite spells are fiery in nature!)

6. Sagittarius Rising

— A person’s ascendant has something to do with people’s first impressions of them. There are some astrological analysis of what Sebastian’s ascendant (or rising) sign would be. Majority of them are saying he has a Scorpio Rising. To have a Scorpio Rising, one has to have a demeanor of being unapproachable, have an air of enigma, and being quite intimidating. However, our first interaction and impression of Sebastian couldn’t be further from the truth. He is open, he is approachable, he is playful, and he is chatty. Ominis, on the other hand, has a Scorpio Rising for the same reasons I stated above for this sign.

— Therefore, Sebastian has a Sagittarius Rising. Traits of this sign include having a curious glint in their eyes, being quite effortlessly popular amongst his peers, charmingly clever, and has an intellectual brand of humor.

— Sagittarius is the sign of higher learning. If the main character was a Slytherin, the very first cutscene of Sebastian is with him pacing back and forth in front of the fireplace, with a massive book in his hand, and reading and learning what he can about his dilemma. That is a very obvious and blatant display of a first impression of a Sagittarius rising.

—

End Results:

Sebastian Sallow was born on September 15, 1874 at around 1:00PM, during the autumn season.

Of course, all of this is just my personal headcanon but I made sure to back them up with research and imbued them with my own astrological knowledge when it comes to matching his personality and his possible birth date.

—---—---—---—---—

III. Psychometric Analysis

NOTE: I will be linking the sites for these tests should you want to take them yourself! 😊 Have fun!

1. MBTI

— ENTP (Extrovert, Intuitive, Thinking, Perceiving)

"ENTP's are known for their rebellious streak. For this personality type, no belief is too sacred to be questioned, no idea is too fundamental to be scrutinized, and no rule is too important to be broken or at least thoroughly tested. This could make them seem overly cavalier or defiant, but at their core, their innate tendency to test boundaries has more to do with their desire for innovation and change."

Sebastian is, quite literally, the poster boy for ENTP. He embodies the trademark inquisitive nature of this type, and he has the signature charm to back it up as well. He isn’t afraid to get his hands dirty to understand a certain topic he zeroes in on, and he doesn’t shy away from topics that would be considered taboo. As a matter of fact, he thrives in the taboo. Sebastian doesn’t discriminate the information that comes his way; instead, he has his own mental compass and filter that systematizes the knowledge he comes to possess.

2. Enneagram

— Type 8 with wing 7; SX/SP (The Maverick)

“8w7 people are action-oriented and powerful people with a passion for pursuing new opportunities. They tend to be self-confident, sociable, pragmatic and comfortable with conflict. They’re ambitious and independent, preferring to follow their own path. They dream big and have the dedication to achieve their goals. They thrive in environments that encourage their idealism, while granting them the authority to make a difference. They don’t settle for anything; they always seek more. They are also strategic and tough if needed.”

True to the name of this particular Enneagram, Sebastian is known as a rebel and a maverick. He’s the kind of person that questions the rules and authority instead of following blindly. He has his own moral code that he abides to because he is secure in his ability to make the correct decisions, even if we know that he’s going down a dark path. As a rebel, he will stubbornly insist to everyone that his way is the right way because he has already examined the possible courses of action outside the constraints of authority.

This is why he ended up butting heads with Ominis (who thrives in his own systematic order). To Sebastian, no rule is too sacred to break. As long as he sees the alternative outcomes to a specific goal, he will march to the beat of his own drum.

3. Four Temperaments

— Choleric–Sanguine (The Executive)

"The Choleric-Sanguine has a natural drive to quickly get results. They are goal and bottom-line oriented, and can be very persuasive in promoting their ideas and goals. They are easily annoyed when others do not comply with their instructions or direction but it passes quickly; quickly aroused, easily calmed. They are not angry, although others may at times think they are furious. They are impatient and will push others to obtain results and be productive."

This is blend of Temperament fits Sebastian perfectly, especially towards the tail end of his plotline. It’s very evident is his voice lines that he isn’t afraid to push people to their limits and persuade others relentlessly. He jumps into the heat of the battle without much thought, and he expects people to follow suit. He doesn’t appreciate it when his close friends question his motives because that would be an insinuation that they don’t trust his judgments. He is quick on his feet and even quicker with executing alternate routes to get closer to his goals instead of wallowing in his failures.

—---—---—---—---—

IV. Corporeal Patronus

NOTE: An Animagus is a witch or wizard's animal representation of their basest instincts and behavior. A Patronus is an animal manifestation of what makes them happiest. While most people will have the same animal for their Animagus form and Patronus, it's not always the case. We know that a person's Patronus can change throughout their lifetime.

Majority of people in the community have an unspoken agreement that Sebastian’s Animagus is a fox. By extension, his Patronus must take the corporeal form of a fox as well. However, I personally disagree with the definitions that I find in most sources. Therefore, I researched every possible Patronus result in the Wizarding World official test, and painstakingly reviewed their meanings using multiple sources. I have also enlisted the help of my cousin, who also completed her gameplay as a proud Hufflepuff, to determine which amongst all the extensive Patronus possibilities suit Sebastian the best. And after two hours of combing and debating through it, we have decided on the Buffalo.

This source defined this patronus as such:

Few possess just the right strength of character for their patronus to take the form of a buffalo. Those that do are dedicated individuals who are fiercely protective of those close to them, and not in a general way, either. Anyone foolish enough to attempt to harm another under a buffalo’s care is unlikely to come out unscathed. They are fighters, and it’s not uncommon for a buffalo to have their own personal code or way of acting to which normal morality simply doesn’t apply, which can be dangerous even for the buffalo. When all is well, they are placid but often outgoing, with strong personalities and who like having fun with those they bond to. However, going too long without contact with friends or family can lead to a buffalo feeling anxious or sad, and they will usually be at their best when sharing time with others. They are steadfast friends that enjoy being helpful and lending a hand to complete a task, or just making someone feel better. The buffalo is full of many feelings, the strong stature of them showing through a person in this way. They try to appear stoic, but it often backfires and they wear their hearts on their sleeves. They are passionate about everything they do and headstrong. They make sure their opinions are known by all that they concern, because they want to show that they are not weak. They feel as though their emotion and lack of control over it does in a way give them weakness, and it angers them greatly. They have strong tempers that are easy to lose.

A witch or a wizards Patronus has been proven to change over the span of their lifetime, and is influenced by major milestones such as marriage, relationships, or simply being influenced by your parent’s Patronus. However, based on the game material itself, a Buffalo Patronus fits Sebastian the best. Yes, he can still emulate the trickster and cunning nature of having a Fox Animagus. But based on his emotional state throughout the game, this animal’s spirit and its subsequent meaning perfectly reflects why he did the things he has done. He bulldozes his way through things without much contemplation, and he does wear his heart on his sleeves. Sebastian is the type to also care about the problems of his friends and loved ones personally, and will be their pillar of strength when needed.

—---—---—---—---—

V. Wand Analysis

1. Wand Wood

Based on the physical characteristics of this wand and the meaning of the wood, it's highly possible that Sebastian's wand is made from Yew Wood.

According to the wand wood information:

"Yew wands are among the rarer kinds, and their ideal matches are likewise unusual, and occasionally notorious. The wand of yew is reputed to endow its possessor with the power of life and death, which might, of course, be said of all wands; and yet yew retains a particularly dark and fearsome reputation in the spheres of duelling and all curses. However, it is untrue to say (as those unlearned in wandlore often do) that those who use yew wands are more likely to be attracted to the Dark Arts than another. The witch or wizard best suited to a yew wand might equally prove a fierce protector of others. Wands hewn from these most long-lived trees have been found in the possession of heroes quite as often as of villains. Where wizards have been buried with wands of yew, the wand generally sprouts into a tree guarding the dead owner’s grave. What is certain, in my experience, is that the yew wand never chooses either a mediocre or a timid owner."

There have been a plethora of different wand woods that are actually suitable for Sebastian's magical disposition. Most people have hypothesized that his wand is made from Aspen due to its duelling nature. However, I have considered that Sebastian's duelling skills are not emphasized because of the wand he uses. It is through his innate magical skills and strength that made him an exceptional duellist.

I also do not see him joining a duelling club (Silver Spears) as a way to flaunt his wand and the exclusivity of what it entails. He was most likely recruited due to his consistent displays of sheer talent and capabilities in martial magic during classes. Sebastian doesn't seem to be the type to use a personal artifact to bolster his reputation. Rather, he utilizes everything he has with efficient resourcefulness to hone his abilities manually and with hard work. You can take his wand from him and provide him with another, and he'd still be formidable with it. That is the kind of witch or wizard Yew wands choose — just as it chose Tom Riddle and Ginny Weasley.

2. Wand Core

This one is easy to determine. Sebastian's wand is imbued with a core of Dragon Heartstring. According to Ollivander, this wand is powerful yet volatile at the wrong hands.

"As a rule, dragon heartstrings produce wands with the most power, and which are capable of the most flamboyant spells. Dragon wands tend to learn more quickly than other types. While they can change allegiance if won from their original master, they always bond strongly with the current owner. The dragon wand tends to be easiest to turn to the Dark Arts, though it will not incline that way of its own accord. It is also the most prone of the three cores to accidents, being somewhat temperamental."

With how quickly Sebastian reads and practices a lot of things in such a short period of time (and simultaneously juggling his studies along with it), it's safe to say that he is a quick learner. He easily absorbs what he reads and witnesses without trouble, and he is able to put into immediate use what he discovers just moments ago. It makes sense that he is paired with a wand with this kind of core, as he needs a magical conduit that doesn't hinder his fast progress.

Furthermore, it is a matter of fact that he truly is drawn towards the Dark Arts, and he was able to cast all the Unforgivable Curses without any error nor did he fumble with them. It takes a great amount of skill a wizard possesses in order to execute these highly complex, powerful, and very dark magic. This is something that a Dragon Heartstring wand core looks for in its owner; the innate drive and relentless energy to fulfill advanced forms of magic. Sebastian just so happens to tick all of those boxes seamlessly.

3. Wand Flexibility and Length

According to the official source:

"Wand flexibility or rigidity denotes the degree of adaptability and willingness to change possessed by the wand-and-owner pair."

Because of that, his wand's flexibility is most likely Hard. This source had explained it perfectly:

"A wand of this flexibility is very difficult to work with and its loyalty is not won easily. Hard wands are great for complex and advanced levels of magic, so beginning wizards and witches may find extra difficulty with this wand when it doesn't perform well for simple magic. As such, this type of wand is best suited for wizards and witches who are gifted, stubborn, and never give up. Owners of this wand also have a tendency to view things in absolutes; black or white. Some people may find them intimidating or difficult to approach."

Majority of Sebastian's wand analysis categorizes it as Unyielding. And while that was the initial decision in this post, I ultimately decided otherwise. With this flexibility, it really puts emphasis on his natural affinity for difficult spells and his tenacity to see through what he started. This kind of wand is not for the timid witch or wizard but someone who is comfortable being challenged time and time again. And of course, Sebastian sees a challenge as a test of his magical progress and curiosities.

As for the length of it, a standard 12 and 3/4 inches suits him just fine. He isn't too cocky about his skills but he also has confidence in himself to get things done.

—

End Results:

Yew Wood, Dragon Heartstring Core, Hard Flexibility, and 12 3/4 inches long! (It isn't a mystery that Confringo is one of his favorite spells!)

—---—---—---—---—

Honestly, this is a difficult one to finish. There wasn’t much to go on with, and every information here was based on very limited information. And most of my posts took a back burner because I feel like I needed to finish this one first. And I had this post sitting in my drafts for more than a year now!

Nevertheless, I am happy with what I produced, and this was given the same amount of thought as the one I had with Ominis. This one’s for all the Sebastian lovers! I hope this is up to par with other character analysis we already have in the fandom.

Tags:

Just a shoutout to my cousin, Marsha, for helping me with this post! I had so much fun doing this at the crack of dawn while we FaceTimed. Without your help, this post won’t be published. Love you to bits, and I’ll see you in December!

@sunnyrealist: I promised, didn’t I? I’m sorry it took a year, though!

@pufflehuffing: I swear, our conversations will always be the highlight of my social media presence in this fandom. This one’s for you, too!

@ravenwind-75: I know you’re an Ominis girlie but I also promised to share this with you once I wrapped it up. Our chats have always been so nice, and I genuinely enjoy being a part of your community.

—

Look at the date when I first created this post. It's been rotting in my drafts for more than a year now... just like the rest of my other posts. 🥲

#hogwarts legacy #hogwarts legacy headcanons #hogwarts legacy headcanon #sebastian sallow #sebastian sallow headcanon #sebastian sallow headcanons #sebastian sallow imagine #sebastian sallow imagines #sebastian sallow x mc #sebastian sallow smut #yes i put this in the smut tags cuz i feel like this is an intellectual kind of smut where the information fucks you until your brain's mush #the brain rot is strong #the brain rot is real #the brainrot continues #but after this post... I'm going to lay low on the headcanons #i'm afraid this one did me in #my brain is fried #witchy speaks

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catghoststories · 8 months ago

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Frank, Eddie, and the Tell-Tale Heart

So, I know the main focus of this update was Poppy, which I was happy to see (though I'm not happy to see what happened to her). I do have a theory cooking about her, Sally, and the Commedia Dell'arte, but Frank n' Eddie are my favorite pair, and I've been stewing over this particular theory since the July '23 update. This tiny line from the Looky-Loo storybook is what cinched it for me.

Source: Merchandise Page, Looky-Loo Storybook

This line isn't read out loud, but we can see it at around the 9 minute in the video, above Eddie, looking so polite. It reads,

"Villains!" I shrieked, "I can deny it no longer! I admit the deed!—tear up my flower bed!—here, here!—it is the ticking of my beloved alarm clock!"

This isn't the actual line from The Tell-Tale Heart. The original line reads "Villains!" I shrieked, "dissemble no more! I admit the deed!—tear up the planks!—here, here!—it is the beating of his hideous heart!"

Source: The Tell-Tale Heart

The Tell-Tale Heart is about someone murdering their roommate, cutting him into pieces, and hiding the evidence under the floorboards of their house.

And I think this is what Frank is going to do to Eddie, in an attempt to protect him in a perverse, misguided way.

This rewritten lines seems very specific to Frank and Eddie. We know Frank loves his garden. And who's the only character in the Neighborhood who owns a clock? Eddie.

At the end of the Homewarming video, Frank sees how distressed Eddie is. As many have theorized, Frank seems to be somewhat aware of what's happening, although we don't know to what extent. But he sees that Eddie is now in the line of fire of The Powers That Be, and he becomes worried for him.

I think Frank will dismantle Eddie and hide him in his garden until he deems it 'safe' for Eddie to come back, once the 'eyes' are off him. (Kind of reminds me of the Eye of Sauron from Lord of the Rings). An unintentional—or perhaps intentional—side effect of being dismantled and put back together, with new parts, is that Eddie doesn't remember things well.

Including, possibly, his and Frank's relationship.

This goes along with the theme we've seen several times in WH now, including this new Halloween update. The puppets unintentionally—yet seriously—harm their loved ones in order to protect them from something they deem far worse—whatever that may be.

As these posts by kykudos, oniongrass, and nikkiiiscute discuss, there is an image from one of the hidden bug clips of Frank's garden with 9 clothespins—one buried in the dirt.

Source: Welcome Home Hidden Audio ('til it's back on the official site :3)

And there's the references to burial in Bug-a-Bye and Goodnight, too. This post by the-nosy-neighbor goes quite a lot into this song very well, especially how it might indicate Frank could put Eddie into a suspended state!

Source: Transcript Page, Bug-a-Bye and Goodnight

Now I have been thinking about this dismantling/reassembling thing for a long time, especially since the last Halloween update. Eddie is one of the puppets with a new costume, and he is Frank(enstein)'s monster. And he has a big yellow band-aid on the back—Frank's color. If Eddie is taken apart, Frank will patch him up again.

Source: Clown's Tumblr

(Also, I'm curious about the blue hand and face in Eddie's costume design. That's Barnaby's color. Does Frank use Barnaby's spare parts to put Eddie back together?! 😳 Especially since I feel like Barnaby's time on Mister Bone's Wild Ride is fast approaching—but that's yet another post 😅)

But based on the Tell-Tale Heart line, Frank may have been the one to do the dismantling in the first place, which is quite dark. Based on the below picture from the former staff member page—clearer image here from Clown's Tumblr—Frank may be aware they're puppets and made up of various parts.

Source: Welcome Home Wiki until it's back on the official site :3

There is also an intense piece on Clown's Ko-Fi here (please support Clown if you can!) that shows butterflies doing SOMETHING to Eddie. Are they putting him together? Or taking him apart to join them in their hibernation? 🤔

Frank also likes gelatin. As he tells Poppy in their hidden audio, 'it holds perfectly sliced fruit beautifully'. Perfectly sliced, cut up fruit, eh? Gelatin is a preservative that we also see in the cookbook recipe, and we all know Eddie has an unholy encounter with his single pea. So yet another symbol of suspended animation that is related to Frank and Eddie.

Source: Merchandise Page, Cookbook

So it seems like Frank has some experience in preservation, hibernation, etc. and knows how to use it, if it comes to it.

The next big update will likely be spring-themed. A long time ago, Clown posted that Frank has a holiday in spring. Of course this isn't canon until it's on the website, but either way, I think Frank will have an important role in the spring update, which I believe will also focus on Julie. We may see him wake up Julie from hibernation...and Eddie from his dirt nap.

Source: Clown's Tumblr

(I've been so curious about that shadow behind the flower. At first I thought 'OMG, it's Eddie's hand!', but I don't think so. 😅 I dunno what it is, but it doesn't quite seem flower like to me...🤔)

This Ko-Fi post (again, please support Clown if you have the means!) was posted around Easter this year and had a bunny/Easter theme. Clown says "What is there to say though... Well! We know what the next holiday is in our Home Sweet Home, I'd say." A huge theme of Easter/Spring are Rebirth and Resurrection.

As this post by serene-hatterene so beautifully details, Frank may feel pressured to kiss Julie to wake her up to prove his heteronormativity. Maybe to further protect Eddie, too, to prove they aren't a thing. Seems like Julie's family may show up this update, too, and we know family can cause a lot of pressure for couples during holidays. 😬

My last item isn't that strong, but I have been thinking of since the July '23 update. In Eddie's Big Lift, Frank says the following line:

Source: Transcript Page, Eddie's Big Lift

The tense of "You always did work too hard" always bothered me. Why doesn't Frank just say, "You always work too hard!" And Eddie doesn't seem to know what he's talking about. Frank sounds almost wistful here. It's like he's talking about his ex—a former version of Eddie, pre-dismantling, perhaps?

(Also, 'Enjoy the ground, Mr. Dear'? Dude, if this theory is right, that line is even more screwed up than it already was. 😳)

Here is my order of how I feel these events actually happened:

Secret Bug Audios (Eddie and Frank flirting) -> 1st Halloween Audio (Eddie still seems like his chipper, knowledgeable self) -> Homewarming -> Springtime (and Eddie's Resurrection)? -> Eddie's Big Lift

Not quite sure where this last Halloween update lands, but I feel like it's later. Eddie seems ignorant of the potential adverse effects The Brickening (TM) could have on Poppy. I feel like he's been more sensitive to Poppy and others in the past (but maybe I'm wrong, I'm biased towards him, heh). Perhaps after his Reconstruction, his memory has now been reset, and he has "fallen into line" with the other Neighbors and their weird, pile-onto-one-person ways.

Anyway, what do you all think? 😬😬 I do hope I'm wrong, since Frank is my favorite, and this would make me feel very differently about him. 😬😬😬 Please tell me your own WH theories, too! I find them so interesting!

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thenightling · 1 year ago

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Dead boy Detectives review

I've watched all eight episodes of Dead Boy Detectives and it was a decent show. It's not something I may obsess over like The Sandman, or The Witcher, but it was decent.

Dead Boy Detectives is the story of Edwin Payne and Charles Rowland. Edwin was killed during a Satanic ritual in 1916. Charles died from hypothermia and internal bleeding after some bullies drove him into an ice-cold lake while throwing rocks at him.

(Note: That was not how Charles actually died in the source material. In the comics, Lucifer had quit and shut down Hell (the basis for the TV show Lucifer) so many evil souls returned to Earth, including the boys that sacrificed poor Edwin. They badly burnt Charles' back on a hot stove and Charles died from his injuries.)

The two ghosts decided to dedicate their afterlife solving mysteries to help other ghosts find peace. They are aided by psychic, Crystal Palace, who is haunted by her abusive ex-boyfriend who happens to be a demon.

Both Edwin Payne and Charles Rowland originated in Neil Gaiman's The Sandman: Season of Mists, The Sandman: Volume 4. Issue 25 of The Sandman comics, and within Act 2 of The Sandman audio drama.

The Dead Boy Detectives made their TV first appearance in Doom Patrol for HBO Max (now Max). During a shakeup at Max the show was moved over to Netflix as to better connect it with The Sandman since that is where they originated.

The show features different actors from the ones that played Charles and Edwin on Doom Patrol.

The Dead Boy Detectives is a decent show but ...it feels a bit like a CW teen drama. I had been told that some of the show's writers were originally writers for the CW... and it shows.

There are some deliberately surreal elements of the show that I think are a callback to their appearance in Doom Patrol.

I love the variety of supernatural entities in the show, including the appearance of two of Morpheus's siblings. Death and Despair. The things I don't like about the show can be considered CW tropes or cliches. The angsty romances and unrequited love. The ham-fisted abusive ex metaphor between Crystal and David The Demon.

And of course the most tedious of CW tropes, the end of the episode pining and angst while a sad pop song plays in the background.

If you look past the CW-ness of it, the show is enjoyable.

The only other things I can complain about is the "connecting thread" subplot of The Afterlife: Lost and Found feels like unnecessary filler. And I wish they would openly establish that Edwin, being an innocent, would NOT return to Hell if collected by Death now. I don't think that should be left hanging over his head. Especially since we're supposed to see Death as a kind entity. Also I think Charles says "Aces" a little too much. It's very distracting and makes me feel like the writers didn't know much late 80s English slang. It would be like if he was an American and they had him say "Radical" all the time. I get that it's kind of his catchphrase but it also got a bit annoying.

The parts I don't like are CW tropes and what I'd consider to be late 90s Vertigo edginess.

The thing I liked were plentiful though. The protagonists were and are likable. The ending is satisfying enough so that if there is only one season this was still good. I liked that it appears that one can ascend out of Hell after some self-reflection as is indicated by the boy Edwin confronted in Hell. The blue light was established to mean ascension, a good afterlife.

I also LOVE the opening credits theme music and animated sequence. It reminds me of the intro to Showtime's Creature Feature movies. (See the trailer for 2001's She Creature, not the 50s version. Watch the trailer at thirteen seconds in, on Youtube, and you'll see what I mean).

That's two Gothic themed shows from Netflix in the last two years with great opening credits sequences. The first being Wednesday. That one won Danny Elfman an Emmy.

It's funny, Wednesday and Dead Boy Detectives (which is a spin-off of The Sandman) have great opening credit intro sequences but The Sandman does not. Apparently Neil Gaiman was told people don't watch the opening credits anymore so The Sandman doesn't have them.

I feel we were cheated out of what could have been a great opening sequence for The Sandman.

Episodes 7 and 8 of Dead Boy Detectives were probably the best of the series. I liked it well enough that if Dead Boy Detectives gets renewed I'll happily watch season 2.

#Dead Boy Detectives #The Dead Boy Detectives #The Sandman #Sandman

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sandplague · 8 months ago

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pathologic 3 save & sound 2024 presentation

this is a quick attempt at a transcript of the presentation. I think I got most of it but there are some words I was unable to hear, I can't say I have a lot of practice doing this and that's on me so if any of you guys can help me I'll edit it asap

Ressa Schwarzwald: I'm Ressa from Gameowdio. Our team has been working on Pathologic 3 with Vasily Kashnikov and his apprentice Nikolai. This video will feature some of the audio stuff we've made together.

Our goal regarding audio direction was to give the real experience of being in the epicenter of an epidemic. Fully realistic, no bullshit. So we are obviously shooting this video in The Town. We realized pretty early that the game was quite different from the original Pathologic 2 because of the time travel mechanics. So for the prototype we built a time travel machine [the date November 1924 shows on screen], which appeared to be quite useful to record some source sounds, and [date changes to November 3024] make this video in just half a second using existing technology.

Let's start with the music.

Vasily Kashnikov: Hi, I'm Vasily Kashnikov, audio director of Pathologic 3 project. I'll tell you how our music is structured. We were already thinking about how the Bachelor's game would sound when we were working on Patholgic 2 and writing music for Haruspex. In Pathologic 2, the music had more ethnic and real motives (motifs?) and instruments. Since the city and its customs are familiar with Haruspex since he was a child, he is involved in the traditional way of life. In the case of Pathologic 3, this is the view of an outsider who evaluates everything from the point of view of rationality and science. Therefore, we are trying to make the Pathologic 3 soundtrack colder and more detached from the steppes and ethnicity in character. There is more synthesis, guitars at the same time, the Bachelor communicates with those in power so the soundtrack contains a large share of minimalist so-called furniture music that could sound in the beginning of the last century. Piano etudes and references to composers of that time: Satie, Debussy, etc. The soundtrack is a rather eclectic mix of dreampop, downtempo, and (?) minimalism.

In the city when the Bachelor is alone with himself, we emphasize the cold mind of the rhythm section: less emotional harmony, and sometimes electronic timbres. In the rooms where we need to separate the main character from those he interacts with, we use more expressive harmonies and more classical instruments: piano and guitar passages.

When we designed the interactive music system, we assumed that time is finite, and the music had to change depending on the amount of time the Bachelor had left. However, we later abandoned this system and now the music changes depending on the state of the Bachelor himself, who can fall into apathy or psychosis. To emphasize these states, we apply filters and effects to different layers of our tracks and get a slower, muffled sound in the case of apathy, and wired (?) nervous, glitchy in the case of psychosis. In the infected quarters, there are interactive systems that... [screen begins to distort] oh my god, Nataliya! Please stop this!

Nataliya Radina: Whoops, hehe, sorry. But yeah, basically the other system we created reflects everything you hear in the game. Such as... If we use our gun when dealing with the local thugs, the longer we aim the weapon at the people, the less sounds of the outside world we hear and the louder becomes the heartbeat. To add to the intensity, sharper tone was used along with a high pitch tinnitus sound. If the psychosis level goes to the maximum, it starts to damage Bachelor's health, which is accompanied by flashes on the screen, as well as low heartbeat and short breathing sounds.

Vasily Kashnikov: In the infected and rebel's quarters, there are also interactive systems that change the character of the music by adding or disabling instrument layers depending on the state of the world or the Bachelor's equipment to fight the plague. As a result, we have 12 tracks for each day spent in the city. they can freely switch between each other and several dozen themes for locations and characters, and all the music is subject to change depending on the state of the Bachelor.

Nataliya Radina: Since the game has a weather changing system, we also wanted to reflect that in our audio feedback as well. The game has global wetness parameter that shows how intense the rain is. The more it rains, the more squishy and muddy are the steps of the outside surfaces. Moreover, if you come closer to the window, you can hear the rain pondering on the glass. Even in the middle of the plague, we always have room for cozy moments, right? My favorite part of that system is involving cows. [cow moo]. So, when it's raining, you can actually hear very very soft sound of raindrops dropping on those bovine butts. And I personally think it's beautiful.

Artur Ramanouski: Hi, my name is Artur, and I was also involved in creating some sound assets for the game.

Probably the hardest thing to record were the footsteps. I had everything planned out: bought the equipment, got every type of surface, but...there was one small thing I overlooked: I live in a city with over 12 million people. Noise everywhere. The solution was simple and ingenious: I recorded everything on a Sunday, because in Buenos Ares, Sunday is the one day when no one does anything.

Nataliya Radina: One of the most important places in the game is the cathedral. There we have a system of ladders that control the speed and direction of time. Direction wise, we can have it flow normally, or reversed. [entire presentation is rewound very quickly so it's back to Ressa]

Ressa Schwarzwald: She is super professional.

Nataliya Radina: As for the speed, we can make it stand still, go twice as fast, or half normal speed. We created an audio system that has to (?) understand what is actually happening around (inaudible). When we reverse time, spatial effects are added to the surrounding sounds. Ambience, steps, and the mechanism itself. When time stands still, we increase the low frequencies in the ambience, and all the other sounds are muted to zero. Now lastly, when the time goes twice as fast, or half the original speed, the pitch of the surrounding sound changes accordingly.

The coolest part of this system is that it's been actually implemented into the game engine using only one parameter.

Ressa Schwarzwald: Thank you for watching. See you here, later!

#pathologic #pathologic 3 #save & sound 2024 #info #daniil dankovsky #vasily kashnikov #audio #soundtrack

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laserwinq · 2 months ago

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a 3d animation test I did since I'm a bit rusty !

Im planning on doing more in the future

(Animation by me, done in Blender, model and character belongs to Blushcrunch, audio credits to original source)

#dandys world #dandys world fanart #roblox #animation #blender #3d artwrok #3d animation #3d animator #dandys world sprout #sprout dandys world #artists on tumblr

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detailtilted · 3 months ago

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Looking for people who were SPN fans around 2007-ish. (Lost SDCC 2007 Video Files)

Hi! Are there any SPN fans still around from back in 2007 who downloaded and still have the SDCC 2007 videos that were once available at this link? https://scaperanya.livejournal.com/2037.html#t55541

About My Quest

There were 23 videos listed (including a "#6.5") , but only 12 of them have been located on YouTube, published by Mobycat33. Part #'s 1-6, 7-9, 16, and 18 are missing. At one point they were reportedly all on YouTube, but maybe some of them were made private or unlisted or deleted altogether.

Since the videos were made freely available for download on a file sharing site at the time, I'm still holding out a tiny thread of hope that maybe a fan who was around back then might have quietly downloaded them and managed to hang onto them for all these years.

I actually did manage to make contact with scaperanya and she graciously granted me permission to use content from the videos that still exist, but she didn't seem to have the missing videos. I don't think she's in the fandom anymore and the videos are almost 18 years old. I also managed to hunt down a couple of the people who commented on her original post, but I couldn't track down very many of them and I haven't been able to find anyone who still has the files.

A Note for Followers of My Videos

Don't worry, I do have enough SDCC 2007 content already to make a full video. The main set of videos I'm using has a pretty good view of Jensen most of the time. It's just that I could really use more of scaperanya's videos to increase visibility of the other people on the panel. When possible and/or relevant, I have a smaller window in the sidebar showing people who aren't in the main frame. It's similar to what I did for SDCC 2008, but without the perpetually collapsing bubbles. I have now managed to muster up enough sense to not make the windows round! Also, the audio in this panel is reaaaaallly bad at times, so another audio source would be a huge help for the subtitling endeavor.

Contact Methods and Logistics

Feel free to contact me however you feel comfortable, whether in response to this post or via another method. Private messages are fine, and you can also e-mail me at [email protected].

If you're concerned about the logistics of how to share the files, I usually use WeTransfer.com which allows limited free transfers. You input the person's e-mail address you want to share the files with and attach your files. It will automatically upload your files and send the person an e-mail with a link to download them. The other person will see your e-mail address, so you'd want to use an address you're comfortable sharing with me or else create a new one. If you have another preferred file sharing service, I'm definitely happy to work with that. I just wanted to explain one way it could work for people who have never shared large files before. I know sometimes I'm reluctant to offer to do something I don't know how to do for fear it will turn into a major ordeal that I don't have time for. Transferring files this way is actually super simple.

If I can answer any other questions, just let me know. I do not pester people, so if you contact me with questions and then decide not to do it and I never hear from you again (or even if I do), I promise I won't follow up and bug you about it.

Relogs for Visibility Greatly Appreciated!

I'd be greatly appreciative of anyone willing to reblog this to help increase visibility. This is my last ditch effort before I give up and declare it a lost cause.

#jensen ackles #dean winchester #eric kripke #sera gamble #ben edlund #SDCC 2007 #SDCC #supernatural #spnfamily #spn #enhanced edition con video development

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mariacallous · 8 months ago

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On Saturday, an Associated Press investigation revealed that OpenAI's Whisper transcription tool creates fabricated text in medical and business settings despite warnings against such use. The AP interviewed more than 12 software engineers, developers, and researchers who found the model regularly invents text that speakers never said, a phenomenon often called a “confabulation” or “hallucination” in the AI field.

Upon its release in 2022, OpenAI claimed that Whisper approached “human level robustness” in audio transcription accuracy. However, a University of Michigan researcher told the AP that Whisper created false text in 80 percent of public meeting transcripts examined. Another developer, unnamed in the AP report, claimed to have found invented content in almost all of his 26,000 test transcriptions.

The fabrications pose particular risks in health care settings. Despite OpenAI’s warnings against using Whisper for “high-risk domains,” over 30,000 medical workers now use Whisper-based tools to transcribe patient visits, according to the AP report. The Mankato Clinic in Minnesota and Children’s Hospital Los Angeles are among 40 health systems using a Whisper-powered AI copilot service from medical tech company Nabla that is fine-tuned on medical terminology.

Nabla acknowledges that Whisper can confabulate, but it also reportedly erases original audio recordings “for data safety reasons.” This could cause additional issues, since doctors cannot verify accuracy against the source material. And deaf patients may be highly impacted by mistaken transcripts since they would have no way to know if medical transcript audio is accurate or not.

The potential problems with Whisper extend beyond health care. Researchers from Cornell University and the University of Virginia studied thousands of audio samples and found Whisper adding nonexistent violent content and racial commentary to neutral speech. They found that 1 percent of samples included “entire hallucinated phrases or sentences which did not exist in any form in the underlying audio” and that 38 percent of those included “explicit harms such as perpetuating violence, making up inaccurate associations, or implying false authority.”

In one case from the study cited by AP, when a speaker described “two other girls and one lady,” Whisper added fictional text specifying that they “were Black.” In another, the audio said, “He, the boy, was going to, I’m not sure exactly, take the umbrella.” Whisper transcribed it to, “He took a big piece of a cross, a teeny, small piece … I’m sure he didn’t have a terror knife so he killed a number of people.”

An OpenAI spokesperson told the AP that the company appreciates the researchers’ findings and that it actively studies how to reduce fabrications and incorporates feedback in updates to the model.

Why Whisper Confabulates

The key to Whisper’s unsuitability in high-risk domains comes from its propensity to sometimes confabulate, or plausibly make up, inaccurate outputs. The AP report says, "Researchers aren’t certain why Whisper and similar tools hallucinate," but that isn't true. We know exactly why Transformer-based AI models like Whisper behave this way.

Whisper is based on technology that is designed to predict the next most likely token (chunk of data) that should appear after a sequence of tokens provided by a user. In the case of ChatGPT, the input tokens come in the form of a text prompt. In the case of Whisper, the input is tokenized audio data.

The transcription output from Whisper is a prediction of what is most likely, not what is most accurate. Accuracy in Transformer-based outputs is typically proportional to the presence of relevant accurate data in the training dataset, but it is never guaranteed. If there is ever a case where there isn't enough contextual information in its neural network for Whisper to make an accurate prediction about how to transcribe a particular segment of audio, the model will fall back on what it “knows” about the relationships between sounds and words it has learned from its training data.

According to OpenAI in 2022, Whisper learned those statistical relationships from “680,000 hours of multilingual and multitask supervised data collected from the web.” But we now know a little more about the source. Given Whisper's well-known tendency to produce certain outputs like "thank you for watching," "like and subscribe," or "drop a comment in the section below" when provided silent or garbled inputs, it's likely that OpenAI trained Whisper on thousands of hours of captioned audio scraped from YouTube videos. (The researchers needed audio paired with existing captions to train the model.)

There's also a phenomenon called “overfitting” in AI models where information (in this case, text found in audio transcriptions) encountered more frequently in the training data is more likely to be reproduced in an output. In cases where Whisper encounters poor-quality audio in medical notes, the AI model will produce what its neural network predicts is the most likely output, even if it is incorrect. And the most likely output for any given YouTube video, since so many people say it, is “thanks for watching.”

In other cases, Whisper seems to draw on the context of the conversation to fill in what should come next, which can lead to problems because its training data could include racist commentary or inaccurate medical information. For example, if many examples of training data featured speakers saying the phrase “crimes by Black criminals,” when Whisper encounters a “crimes by [garbled audio] criminals” audio sample, it will be more likely to fill in the transcription with “Black."

In the original Whisper model card, OpenAI researchers wrote about this very phenomenon: "Because the models are trained in a weakly supervised manner using large-scale noisy data, the predictions may include texts that are not actually spoken in the audio input (i.e. hallucination). We hypothesize that this happens because, given their general knowledge of language, the models combine trying to predict the next word in audio with trying to transcribe the audio itself."

So in that sense, Whisper "knows" something about the content of what is being said and keeps track of the context of the conversation, which can lead to issues like the one where Whisper identified two women as being Black even though that information was not contained in the original audio. Theoretically, this erroneous scenario could be reduced by using a second AI model trained to pick out areas of confusing audio where the Whisper model is likely to confabulate and flag the transcript in that location, so a human could manually check those instances for accuracy later.

Clearly, OpenAI's advice not to use Whisper in high-risk domains, such as critical medical records, was a good one. But health care companies are constantly driven by a need to decrease costs by using seemingly "good enough" AI tools—as we've seen with Epic Systems using GPT-4 for medical records and UnitedHealth using a flawed AI model for insurance decisions. It's entirely possible that people are already suffering negative outcomes due to AI mistakes, and fixing them will likely involve some sort of regulation and certification of AI tools used in the medical field.

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kaptainandy · 1 year ago

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Hello gay people (Re-Animator fans)...

I bring news. We have been bamboozled. Hoodwinked! By whomst you ask? Well, ourselves...

So, we all know the iconic scene where Herbert beheads Dr. Hill with the shovel, and spits the iconic, "Plagiarist!" line. It's funny and very in-character for Herbert West.

It's been included in many-a-gifset, for example:

screenshots sourced from these posts (from left to right):

@astralbondpro [post link]

@oldschoolteenflicks [post 1 link] [post 2 link]

@horrorfilmgifs [post link]

Well, what if I told you...

Nope...turns out the entire time he says,

"Laid to rest."

I discovered this when putting together an integral cut of the film with CC (DM me if you want the link!). I sourced all existing clips and CC from the Arrow DVD release from 2012 and when I got to this scene was shocked to see, "laid to rest," and not "plagiarist." I thought maybe it could have been an error in the CC, so first I took a closer look at the clip:

When Jeff delivers the line, his lips don't touch to make the "P" sound.

Okay, well I could be hearing wrong, it could be off-sync audio, or it could've been ADR/looped incorrectly in post. All valid points. Which is why, I cross-referenced the CC on other platforms. And...

Both Tubi (top) and Apple (bottom) caption it "laid to rest"

But we don't stop there! For further confirmation why, let's check out to see how the novelization did this scene. And...

"...Laid to rest."

(shout out @nemeyuko for the Apple screenshot and novelezation screenshot; they made a post about this as well here!)

And if you're still not convinced, I regret to inform that going back to THE SOURCE - the original screenplay - is a dead end. The scene was not originally scripted with dialogue so this line was either improvised by Jeff, or work shopped between him and Stuart Gordon on set or in-post.

In conclusion:

Pack it up boys, we have Mandela Effected ourselves.

This is the biggest Reani fandom scandal since the Fellactio Tapes™

#we fucked up #an iconic line and we all heard/remembered it wrong #reanimator #re animator #reanimator 1985 #herbert west #jeffrey combs #stuart gordon #horror movies #80s movies #kaptainandy's log #shit post #long post

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menlove · 1 year ago

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[image id: an ask from @harbingerofskulls that reads: "im gonna b real i only knew the jerking off i would love to hear you elaborate more if you want to go on the whole situation" /end id]

answering here so i can save as a draft without risking the ask disappearing bc tumblr's been doing that lately but

oh god </3 for everyone else- it's talking about this post. sooo i'm gonna go through each one bc i've been feeling insane for several weeks. i'll do my best to cite my sources lmao

i don't know (johnny johnny)

this is referring to this unreleased VERY early beatles track from 1960. the audio quality is absolute shit & as such unfortunately people love to put words to it that don't make much sense in either direction (i.e a lot of mclennon fans want to hear "you're in love with me" and a lot of people that hate mclennon will just make up the weirdest lyrics that make 0 sense so it's Not Gay). some of the lyrics that ARE clear make it obvious this song is about the two of them running away together- at one point i'm fairly certain paul says "how am i gonna tell my father that we're leaving town?" probably referring to them leaving to hamburg. which would be fine but some of the other lyrics areeeee..... very..... Hm. like multiple times paul refers to john as "my boy" and there's bits of them talking about not knowing what to tell their friends & wanting to just run off together alone. if i were the other members of the band having to record this i would have killed them with hammers <3 also the entire end is just paul going "oh johnny" like 1 million times. okay. sure. also since the lyrics ARE so garbled i mean i guess people could be right about it saying "how am i gonna tell my father you're in love with me" but i just don't hear it. still, a very gay song about running off together and getting away from everything and everyone, complete with moaning the other's name </3

2. paris

this one is a huge part of McLennon Fandom Lore lmao but for good reason. not citing sources on all this bc it's one of those that's just Fact & can be found in like any beatles biography or thebeatlesbible.com (my savior) but. for john's 21st birthday, he got 100 pounds from a rich relative. instead of taking his girlfriend or any of his other friends, he decided to use the money to take paul to spain. but they stopped in paris on the way and just decided to stay there. which i mean like. taking your best friend over your girlfriend to the city of love is a little weird but it's not THAT weird. it's everything else that makes people want to chew glass about it. including some of the other things on this list. like this audio of john just goofing around singing about paris and paul, with such hits as "my cheri, my pau pau my pau paul." which is :| okay best friend. and paul has this picture hung up in his house that he took of john sleeping in paris. okay. sure. why not. (although ig there's some doubt about if the photo is from paris? either way it's a picture paul took and has framed in his house which is incriminating enough my man). also NOT in the original post but may pang, a woman john had a brief affair with in the 70s, wrote a book called loving john. in it, there's this quote:

After a late lunch, Linda launched into a long paean to the joys of living in England. When she was finished, she turned to John and said, “Don’t you miss England?”

“Frankly,” John replied, “I miss Paris.”

okay! also in an interview once he said:

The thing was all the kissing and the holding that was going on in Paris. And it was so romantic, just to be there and see them, even though I was twenty-one and sort of not romantic. But I really loved it, the way the people would just stand under a tree kissing; and they weren’t mauling at each other, they were just kissing.

(interview with david scheff for playboy in september 1980)

3. if i fell

this one i already made an insane post on that started my spiral into posting about the beatles publicly </3 but, essentially, the song "if i fell" by john is..... well it's most likely about paul. he said it wasn't about his wife but that it was auto-biographical and he never really had any public affairs that weren't flings, certainly not a lover. but most damning is he wrote the complete lyrics for the first time on a valentine's day card addressed "to paul with love" with some hearts and arrows pointing to where the lyrics were written. absolutely insane. made me insane.

4. oh! darling

rawest paul song of all time if i do say so myself lmao. but it's just.... Highly Suspicious, that's what it is. a Lot of beatles fans/historians will admit this song is most likely about john but they won't admit that it's fucking romantic if it is. like.

like that is so blatantly romantic idk what to say other than that. also, in the official recording on abbey road, there's Several points where paul says "darling" that sound more like he's saying "johnny" which is what he called him. people brush it off by saying it's his accent, but there's a very clear difference between when he's saying "darling" and when he's saying "johnny". i mean the Lore behind this is that it was written right when things were splitting up between them (& the rest of the band) so it makes sense and it's why most people are willing to accept it's about john. it's just insane to me that they'll accept it's about john without considering the implications of that.

5. the real life demo

this one made me want to light myself on fire i won't lie to you. but here it is! john had a song called "real love" and this is a very early demo of it. but instead of the lyrics that came to actually be in the song (which are thought to be about yoko but let's not get into the fact that it was on a tape labeled "for paul" but whatever), it includes john fucking crying as he sings saying:

"was i just dreaming or was it only yesterday? i used to hold you in my arms. and now a baby and another on the way... la la la la farm..."

which can quite literally be about no one else but paul, as this demo was recorded when he'd just had two children with his wife linda and linda was pregnant with their third child. they'd moved to a farm in scotland. hearing this audio clip did genuinely make me want to lie down in the dirt for a week. also "i used to hold you in my arms" just... yeah. god. when people think it was unrequited idk what to say, really.

6. If Paul Were A Woman-

shoving these two together but. in april of 85, paul said in an interview about john and yoko's relationship:

"I mean, I couldn’t stand in the way of someone who’d fallen in love. You can’t say, 'Who’s this?' You can’t really do that. If I was a girl, maybe I could go out and…"

okay bestie <3 and what would make your relationship different if you were a woman? interesting! and yoko had something similar to say. in this audio, she says:

"I’m sure that if he had been a woman or something, he would have been a great threat – because there’s something definitely very strong between John and Paul."

just reminds me of being a kid and telling my best friends "if i were a boy i'd date you" lol. incredible. does anyone here know about bisexuality.

7. stuart!

not much to say here except that john had a best friend, stu sutcliffe, who died young & before that had been the bassist in the band. paul fucking hated him sooo much oh he SEETHED. a lot has been written on that relationship but it was.... very interesting to say the least. it could have just been about the band, or just jealousy over john's friendship, but take that with a lot of john biographers suspecting john had feelings/even a sexual relationship with stuart and it paints a very Interesting picture to say the least

8. john's bisexuality

here's a compilation of quotes about it, but john was more than likely bisexual. which has nothing to do w paul, really, but more to do against people that like to claim they were both Heterosexual Men. although an interesting quote in this compilation is him saying he's "had paul" lmfao

9. paul's post-beatles work

there's just.... there is so so so much here i don't even know where to begin. @ringompreg has a good compilation of paul songs here. a lot of them do take a bit of Lore but like..... it comes down to the fact that both him and john have/had admitted many times to using their lyrics during The Breakup Years to talk to/reference each other and sooooo many of these lyrics are insanely blatant. the two i mentioned were tug of war and let me roll it, both of which are acknowledged to be about john by most people WITH NO ONE BOTHERING TO ACKNOWLEDGE THE IMPLICATIONS OF THAT which..... tug of war has this:

we could stand on top of the mountain with our flag unfurled? dancing to a beat played on a different drum? this is what gaylors think gaylor conspiracy is but paul mccartney is really out here saying this shit.

and let me roll it is so fucking blatantly romantic but every reviewer is like haha! what a cool song that's "making fun" of john and clearly in his style! like are straight people stupid genuinely. anyway:

bonus to that but about JOHN'S solo work :)))))) he wrote a song called "watching the wheels" and when you consider he very much responded to MANY of paul's solo stuff it's :)

which as a response to let me roll it would just be... so devestating but it may be a stretch idk if i'm onto anything there it's just worth Mentioning

and there's a lot of others, a lot of them in that post up there. like far too many where paul mentions falling in love with a friend like Alright.

10. paul's first lsd trip with john/"i know" "i know"

this one is less blatantly romantic but it is just insane. here's an article. and a quote from george martin about it. the first time paul tripped on acid w john was bc john accidentally took some and he took him home & then took acid w him bc he didn't want john to be alone on the trip :( but, notably:

"And we looked into each other’s eyes, the eye contact thing we used to do, which is fairly mind-boggling. You dissolve into each other. But that’s what we did, round about that time, that’s what we did a lot," the singer recalled, "And it was amazing. You’re looking into each other’s eyes and you would want to look away, but you wouldn’t, and you could see yourself in the other person. It was a very freaky experience and I was totally blown away."

he also apparently saw john as the, and i quote, "emperor of eternity" during this trip??????? okay

SOMEWHERE i can't find it rn and i'm getting lazy but somewhere they (i think paul?) talk about the fact that they used to just stare into each other's eyes and then say "i know" "i know" which. considering john's song "i know (i know)" makes me crazy

11. in my life/i will

these are really just some devastating songs with lyrics that make you really raise your eyebrows. for in my life, written by john, it's just an incredibly romantic & sweet song that is again, not about his wife. given that the lennon estate is still out here posting pictures of paul to those lyrics i have to say it's a liiiiittle suspicious. and i will is...... it's one that paul insists is not about his girlfriend at the time, jane asher. and when you look at the lyrics vs how him and john met.... like. the song goes:

and the story of how they met was that paul saw john repeatedly before they ever met, when he didn't know who john was other than that he thought he looked cool & admired his sideburns (lmfao). and when they did finally meet, it was when john was singing at a garden fete (party) and paul was in the crowd just Mesmerized. so. well. you can see.... you can see how fitting that is. makes me crazy makes me want to chew glass actually

12. "we were each other's intimates" and other insane quotes

"we were each other's intimates" is a paul quote about john which is just insane but that's not even the tip of the iceberg. here's a ton of quote compilations.

13. "literally everything else"/honorable mentions

some honorable mentions go out to: john going on stage w elton john & playing i saw her standing there and introducing it as "a song by an estranged fiance of mine" okay! the "just like starting over" demos. okay! which isn't even to MENTION the fact that paul locked himself away in the studio listening to "just like starting over" on repeat for DAYS after john died like???? john saying repeatedly that he considered paul & yoko to be his two major partners in life including in an interview the literal day he died. a whole ass rpf movie where they kiss & talk like they're ex-lovers and dance in central park (two of us) made by the same dude that made the let it be movie like. he knew them personally? he worked with them closely? and the only thing paul had to say about it was just essentially that it was what he wished would've happened like???????? i can't find a super reliable source for this so take it w a grain of salt, but apparently paul referred to mclennon fanfiction as "beautiful stories" and doesn't mind them being written. paul also had a cat that had kittens & he named two of the kittens pyramus and thisbe after fictional lovers he and john played and he gave pyramus (the character paul played) to john :|

and literally so much else like all of this and it's not even all of it. it's not even close to all of it. i didn't even get to talk about the way in "get back" the documentary, paul started talking about john leaving the band for yoko and how john would choose her over them and then he got teary eyed, started choke laughing, and then started singing "build me up buttercup" before looking at the cameras and stopping. what the FUCK was that about! IT'S NOT EVEN GETTING INTO THE SONG "TWO OF US" THAT'S SO OBVIOUSLY ABOUT JOHN THAT IT HURTS. it's. it's not even scratching the surface. they were just genuinely insane about each other.

#mclennon #this is long but it had to be to expand on every reference i made in that post FJADJFASDF

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redbatchedcumbermayned · 1 year ago

Text

It all started under a duvet held up by an oar

Not so long ago I emailed Chris Tester, the voice of Heinrix van Calox in Owlcat’s recently released CRPG Rogue Trader, and asked if he would like to sit for an interview with me. Having some experience in interviewing people I like, most famously Oscar winner and all-around sweetheart Eddie Redmayne, this was not a completely nerve-wracking endeavour. And within a day of sending my email, Chris said yes. And what a pleasure it was interviewing him: Chris was so generous with his time, that the agreed upon 30 minutes turned into 50 minutes as we brushed upon many topics from his start as a theatre actor to his first voice-over role in a video game to his recently discovered hobby of playing D&D. Of course, we also spoke about all things Warhammer 40k, his new found fame brought on by voicing Heinrix and the insights he could share about the character.

I will publish this interview in three parts over the next week in text form and with the accompanying audio file (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.

Part 2 of the interview

Part 3 of the interview

Fran: Thank you very much for taking your time.

Chris Tester: That's no problem. No problem at all.

F: So then let's start. You graduated in 2008.

CT: I did. Yes.

F: You started out as a stage actor. Did you always want to become a stage actor or an actor in general? Tell us a bit about your career.

CT: I always wanted to be a stage actor. Yes, as soon as I knew that I wanted to be an actor, which probably wasn't until I was a teenager. But yeah, my first passion was always the stage, and that was kind of borne out in my career. I would have been open to TV and film of course, if it had come along, I'm a huge fan of TV and film as well, but I never got an audition for any TV or film work.

I think I literally did about three short films in my 10, 12 years of actually professionally acting, and it is one of those industries where the more you do of one thing, the more you seem to find yourself doing the same thing to a degree. So yes, watching Shakespeare from an early age was one of my first passions.

And that was what first planted the seed of wanting to do it myself. The whole aspect of live performance is still something that I'm very passionate about. Up until 2020, when the world changed, I was trying to do two or three theatre shows a year, but since 2020, I haven't been near a stage and I doubt right now, especially with the way that the UK theatre scene is going, that I'm going to be back on stage anytime soon. I am resigned to that, but at some point in my career, I know I will be on stage again, because I can't live without it, but only for the right thing, both financially, but more importantly, creatively.

F: Your production company is currently on hiatus?

CT: I was the producer of a theatre company, which was run and was the baby of the director of the company, a guy called Ross Armstrong, who's one of the most talented writers and directors that I've ever worked with. I was helping out with a lot of the administration stuff so that he could still put me in plays. Instead of creating my own work because I'm not a very good writer or the best writer in the world, I support those people who will write me good parts. So yes, it is currently on hiatus, but never say never, we would always be looking to get back. It's difficult right now. It's difficult for all of us, because arts council subsidy, that way of being able to fund stuff, is drying up. We were doing a national tour of the UK when we were doing that [with the support of a subsidy]. There's even less money, there's even more people. I won't bore you with anything more than that, but it's kind of tough. We'd like to come back, but in the right way, and that's tricky to negotiate.

F: It's always hard as a stage actor to earn a living.

CT: Well, I've been spoiled by voice-over as well, and whereas when I was in my 20s and 30s then you're all about your art. And of course, I'm still all about my art, but I'm also about my wife and my cat and the mortgage and the bills and wanting to have nicer things to a degree as well. I've come to terms with that and voice-over does facilitate that as well as it opens you up to different roles and working with different people. So, I can't complain.

F: It's quite similar with making a living as a writer, because with a steady income you get used to a certain standard of living and once you have obligations and bills to pay, I think the stress on your mental health being creative and having all the stresses of regular life thrust upon you brings with it a challenge.

CT: It's a cliche we can very easily fall into: if I'm suffering, then it means I'm an artist. And that's not necessarily very true. It very often means that the art that we create only reflects one aspect of our lives, and it's usually a very tortured one. I am also about having wider experiences and broadening myself out. Whereas I think when I was in my twenties, I was thinking a bit more like: Oh, I'll experience the world and life through my art and just purely through my art. Whereas now necessarily I need to have a life outside of it as well, and then I can justify like I have the life so that I can feed my art or not, whatever. You know, I'll be a better artist by having a bit of a life outside of it. Maybe.

F: But that's what your twenties are for.

CT: Yeah, indeed.

F: Doing the crazy stuff, doing the band stuff

CT: Yeah, yeah, exactly. So, there was certainly an aspect of that in my twenties.

F: So, what brought you to voice acting or voice-over work initially?

CT: Money. Video game stuff is kind of sexy and cool, and I'm a gamer, so that's important. Before I was a video gamer, I was a board gamer and off the back of that, I was a voracious video gamer, partly because I wasn't very good at team sports at school. I was always the person who was picked last in the football team. So that becomes part of your identity for better or worse. But video games, I was pretty good at, not amazing, but I was pretty good at, and I enjoyed it. And it gave me a different form of escapism as well, and off the back of that I always had an interest in them.

So, the very first voiceover job was a video game: Dark Souls, which is quite a big franchise. At that time, I was your very typically jobbing actor. My acting agent came in and said: I got something for you. And so, I went in with that. But it was only in 2016, 2017 that I realised it was something that you could actually do yourself. People had recording studios at home and they were contacting people directly, not just going through agents. Because I'd basically written to the same 20 voice agents in the UK, mainly in London for like eight years in a row and not received anything. So, you keep knocking on those doors hoping.

Before I'd even graduated from drama school, I'd burnt a CD and made these cases with my headshot on it and sent them all off at what at the time felt like great personal expense and didn't get anything for eight years in a row. So, I was a bit like, I'm obviously doing something wrong, but I don't really know what, because I'm doing these workshops and getting good feedback. Then I found out through a couple of online courses, that there were ways and means of doing it myself, and that was a bit of a game changer for me, and within six months of having started, I was earning more through voice work than the bar job and the box office job that I was doing combined. Within six months, I was kind of like: “I gotta quit because I'm actually holding myself back from things.” So that was quite a big shift.

F: Somewhere you said, you started out under a duvet and with an oar.

CT: Yeah. On my website, I do have an image of it. [Dear reader, I could not locate this elusive photo] I literally had to take the duvet off my bed and put it into the living room, which was the quietest space in my then shared flat. I also had to wait until after one flat mate had watched TV and another one had used the table that had their washing on it. One of my flat mates had stolen an oar from some night out and that was perfect in order to be able to erect it over my head and the duvet as a frame.

I did probably the first four or five months of voice recording like that. Probably about 10, 15 voiceover jobs that I actually got paid for, I was using that because it worked well enough. Since then, I've gone through various different iterations of a setup in the bedroom, to a setup in the hallway, to my current setup. In 2020 we moved to our first house, and this is the spare bedroom which I've had converted into a studio, which means my cat can be here asleep on me or near me getting fur everywhere, but it's fine. I can thrash around and I've got natural light to work in at the same time, which I find quite important. [Pictured below Chris' current setup.]

F: Very pretty. That's good. Guide us through a typical day of yours, if you like.

CT: Oh, sure. I mean, there is no typical day. And yet, and yet, and yet. A typical day for me is, because I am spending the vast majority of the day sitting in this room or somewhere close to this room, because I may need to record at short notice, because the vast majority of jobs are quite short notice. My priority is exercise for mental health more than anything. I've got some weights at the bottom of the garden, and I will get up first thing, and I will go there and I will do that after breakfast. And that's my minimal routine of physical activity done.

And then I'll come back, and this is so rock and roll. Now what I do is, I spend like an hour on LinkedIn. And that's what you dreamed of as a creative person. Isn't it as an actor? I spend time on LinkedIn regularly every day, because it's a really good networking place for a lot of my types of work, and first thing in the morning, I'm a bit mentally sharper. So that's when I come up with a quick post that may be inspired by a bit of content that I've made elsewhere. That probably takes about 20 minutes and then I spend another 45 minutes to an hour engaging with people and saying hi and introducing myself and asking questions, whether that's with video producers or game developers or documentary makers or pretty much anything and everything. There are a lot of people who are active at that time. And so I do it.

And then after that, if I already have some recording lined up, then I'll prioritise mid-morning, because I've warmed up physically a bit more then, and I'm focused. So, you're going through the scripts, annotating the scripts, recording the scripts, editing the scripts. But then there could be live sessions at any time within that as well. I try to keep hours from nine till six. But occasionally, like with Rogue Trader, that was recorded at various different times of the day because we had people in New York, we had people in mainland Europe, and we had people in the UK. So all different time zones, so that can happen at any time.

And then I try to do other kinds of bits and pieces of marketing whenever I've got free time to. I do use really exciting productivity hacks, like time blocking. Again, not something that as a creative individual, I was like: Oh God, this gets me so excited, because it doesn't, but it works. It's finding a system that works for you, but still has a certain kind of flexibility and fluidity. I'm trying to make sure that I get outside of the house, and that kind of stuff.

Recently, over the last year, I’ve started doing audiobooks as well. That long form type of thing is quite nice to be able to dip into because sometimes you don't record for two, three days. You don't get the work. Nothing’s coming in. So, you’re marketing, but it kind of connects you back to the performance side of things to go: I can do a few chapters and you know, that kind of thing. So that's probably it. I try to formalise it, but you know, every voice actor’s day is radically different. There are people, some of the biggest names, going into different studios every week or every day. I very rarely, despite being based in London, I very rarely go into external studios. Like I would say 99 percent of the work I just do from home.

F: So how do you find the right voice for the specific type of voiceover work you do, maybe start with how did you find Heinrix's voice?

CT: Thankfully, Owlcat sent through quite a detailed casting breakdown. So, you get a picture, and that's pretty crucial, as well as a short bio, in terms of the background of the character, but not too much, because you have to sign an NDA, a non-disclosure agreement. But even if you do sign an NDA, I think developers are always slightly hesitant of giving you too much info about the game because things could still be changed. But I think I did get a picture of Heinrix, if not in the first audition, then certainly on the second one. From that you immediately think about the physicality and what might affect the voice, and there was also some direction in terms of what they were looking for. Anybody who has heard the character and me, they do not sound radically dissimilar. There's not a transformative process that I needed to go through, other than his sense of authority and the space that he takes up and the sureness that he has in that he has a kind of divine right from the emperor, so that level of confidence being brought through.

The other part of the audition was about the void ship [the Black Ship] that he'd been raised in and the horrors that he'd seen. And you as the actor have to do the detective work to go like this is showing another side, the more vulnerable side, the side that underpins all of his life choices up to this point. It's essentially playing the opposite to a degree. So it was kind of knowing when to let those elements bleed through a little bit. I think I had probably about a page worth of scripts, quite a lot of script actually to audition with.

But I don't like to listen back to it a lot, because I think you get into your head. My biggest thing is stage work where it's ephemeral. You say it once and it could be different the next night. The whole point is that there's no one definitive way of doing things. Not quite the same with voice acting, where it's being recorded and you've got to get used to hearing it back. But I try not to overthink it. Just like record it two or three times with different impulses and then review and go like, those two seem pretty contrasting. I'll send those along and hope and then never hear anything back unless I do.

#chris tester #heinrix van calox #rogue trader #warhammer 40k #rouge trader crpg #owlcat games

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