#snow white and the seven dwarves

[artist-issues]

I'm so tired of people saying that the Prince from Snow White is a creep for kissing Snow White when he thought she was dead.

People act as if he put his tongue down her throat while she looks like a regular corpse.

Maybe I'm just more comfortable with death because of my upbringing.

There's a European tradition that you would kiss dead people goodbye. You would also wait with a dying person because dying alone was one of the most horrible ways to die.

In Poland, you would spend three days with the dead body of your relative in the house so family and friends have time to say goodbyes. We even have pictures of family members in coffins, so we could remember them.

Yeah, it's a very post-modern, historically, culturally-small-minded way to look at it.

Specifically in this movie (which is a fairy tale's fairy tale) people just...totally ignore the scene where The Prince is introduced.

Seriously and truthfully, BECAUSE the Prince only takes action in three scenes of the movie, you HAVE to take all three of them very very seriously. Because thats all there is to know about him. That's how fairy tales work: lots of information hiding under very brief, simple snippets of information. It's called nuance.

Anyway.

The Prince kisses Snow White as a culmination of their promised love for each other.

First scene he's in, he falls in love with her because of her obvious purity and he overhears her longing for someone to love her. Then she runs away because she's not sure of him, and doesn't know him. But he sings his part of the song, which is all about how he has just one heart to give, one devotion to spend, and he's choosing to give it and spend it on her if she'll have him.

And she will have him. How do we know? She sends a kiss to him on the dove. That's how the exchange ends; that's how she responds, and that's why he leaves satisfied. It's their engagement scene. They're promising their hearts to each other.

Fast-forward, the Queen messes up what might have been the natural follow-through of that engagement which is marriage by trying to kill Snow White, she's living in the woods, but she won't forget the Prince and wholeheartedly believes he'll come find her.

And the very next thing we hear about him is that he keeps his promise. He's got one heart, one love, one devotion, and it's promised to Snow White, and he will not stop searching for her. When he finds her, he's returning her kiss from their engagement scene. He thinks she's dead, but he has to finish his quest anyway. This is him, trying to keep his promise even if she's dead; he's trying to fulfill the exchange they had when they saw each other last.

It's ridiculous to assume that she needed to be awake and alive to give permission for him to kiss her; it's ignorant of the whole relationship, symbolic and literal, between these two fairy tale characters. She already sent him her kiss and her heart; he already promised to claim it; he's fulfilling the promise in that scene.

Crazy postmodern people, don't know how to take in a story. Not everything gets to have your socio-cultural lens imposed upon it.

[stingrayextraordinaire]

Modern Disney Moodboards // Snow White

I'm wishing for the one I love to find me today.

[bookshelf-in-progress]

Reflection: A Retelling of “Snow White and the Seven Dwarves”

The mirror is a gift from the dwarves. Its frame of hammered gold is wrought with delicately-crafted birds and beasts, fruit and flowers. Its silver-backed surface, unlike those created by human craftsman, shows a true reflection.

The queen loves to gaze at herself in the mirror. It tells her that she is beautiful—skin like milk, hair like midnight, eyes as blue as a crystalline lake. She is young, healthy, graceful, charming—perfection in human form. Truly a queen worthy of this kingdom.

Then, one day, the mirror’s message changes. It shows that the queen has lines around her eyes, sunspots on her nose, wicked glints of silver in her night-black hair. The queen does all she can to hide the damage, spends hours before the mirror with cosmetics and concealers. To the rest of the world, the queen is as perfect as ever.

Yet every morning, the mirror tells the truth.

Worst of all, her husband has a little daughter—barely fourteen years old—who grows lovelier by the day. Every morning, the mirror says that before long, those who worshiped the queen’s beauty will transfer their devotion to the princess—and will be right to do so.

The queen's beauty would not seem so tarnished if the princess were not there for comparison. The queen tries to send the princess to an isolated estate—tells her husband it is better for the girl to grow up away from the corrupting influences of the court. But the girl is too dear to her father. She wastes away with homesickness, until her father the king orders her to come home for the sake of her health.

The queen tries neglecting the girl in ways the king won't notice—refusing to let her wash with good soap, denying her a maid, forbidding her fashionable clothes and hairstyles. Through it all, the mirror tells her that the girl’s beauty shines out brighter than ever.

Before long, the queen spends hours by the mirror each day, locked in a futile endeavor to restore what is lost forever. One moonlit night, she finds a dagger, and considers plunging it into her heart just to end this ceaseless torment, but the morning shows her a better path.

She will never be perfect, nor make the princess less so—but she can destroy perfection.

It would be easy to take this dagger to where the princess sleeps and shove it through her perfect heart, but the queen doesn't dare to mar her own beauty with blood-stained hands.

She gives the dagger to a loyal huntsman. He takes the girl into the forest—and returns holding a small, bloody heart.

That night before the mirror, the queen's smile makes her glow with a new kind of beauty.

*

People often tell the princess she is beautiful. She believes them, for she has never seen an ugly face. Old Sal’s missing tooth is an open door into her smile. The chambermaid’s freckles make a daytime constellation. The little stable boy’s one good eye glitters green as an emerald. Her stepmother owns a beautiful mirror, but the princess barely gazes at it. Why would she waste time examining her own familiar face in a world with so many other lovely faces to gaze upon?

One day in early spring, she asks to go berrying in the forest beyond the castle, as she once did with her mother. To her surprise, the queen permits it—the queen rarely allows the princess anything that might be a luxury. She even sends one of her huntsmen as protection.

In the eaves of the forest, the princess finds strawberries not far from the path, and she hastens to gather as many as she can. She invites the huntsman to join her, but he stands statue-like at the edge of the clearing, always on guard. Not wanting him to go without, the princess brings the berries to him, and offers him the largest, sweetest one.

As she does, she gazes at his face. Scars make mountain ranges along his cheeks and brow. His hair is edged with silver. The lines of his face are solid as stone. His deep gray eyes hold storm clouds.

“Oh, my,” the princess says in awe. “You are beautiful.”

The huntsman’s face disappears as he hides it in one of his hands. “I can’t,” he says, his voice rough with unshed tears. “I must betray my queen."

His other hands darts to the side, quick as a serpent, and the silver flash of a blade disappears into the undergrowth.

The huntsmen places both of his hands on the princess’ shoulders and crouches to look into her face. “You must run. The queen wants you dead. If you stay at the palace, she will find a way to kill you. You must flee into the forest and never return.”

“The forest?” the princess asks in terror. She has often wandered in the eaves, but she has never dared the strange terrors that are said to lurk in its interior.

“There is nothing there that can harm such innocence,” the huntsman says. “You will find shelter.” He turns her around and pushes her toward the depths of the forest. “Now run! As fast and as far as you can!”

The shadows of the forest embrace her, and the flowers make a path at her feet. She crosses shallow rivers, climbs rocky slopes, winds through twisted groves of trees. She couldn’t return home even if she wanted to.

She had not been blind. She had seen something like ugliness in the queen’s face whenever they were alone. But hatred? Murder?

She nearly collapses with grief, but through the trees, she sees a wisp of smoke. A chimney. A roof over a tumbledown cottage. The princess runs through the open door, collapses on the floor, and is glad to find a safe place to weep.

Her father will think her dead, and she will not be there to comfort him. She will never again see any of the beautiful faces that fill the palace. The hundreds of hidden details that made the castle home are forever out of her reach. The huntsman saved her, but to what end? A lifetime of loneliness and misery? Is this truly a better fate than the quick death of a dagger through the heart?

She opens her eyes. She has looked too long at the sorrows in her heart. She must find solace from without.

She gazes upon the cottage.

And sees seven beautiful faces.

*

The dwarves love their princess. She is beautiful, not only because of her face, but because of the way her soul shines out through it. She is endlessly beautiful because she sees the beauty in everyone and everything.

There never was a girl so selfless. Her every waking moment is spent filling their days with a million small comforts. The cottage has never been so clean. The food has never been so lovingly prepared. There is nothing she would not do for them, and in return, they devote their lives to her service.

She needs their protection. One so naturally kind and innocent can’t recognize when strangers might have ill intent. One day, after being out in the woods, the seven dwarves return to the cottage to find the princess nearly strangled by a set of stays. When they revive her, she tells them of a ragged old woman (with such beautiful hands!) who asked for food and water and then repaid her generosity by giving a nearly-fatal gift. The eldest of the dwarves caught a glimpse of the stranger’s retreat, and saw enough of her form to suspect the queen.

The dwarves keep a closer guard on the princess, but six months later, a few minutes go by when all seven of them are away from home. They return to find the princess nearly killed by a poisoned comb in her hair. The story she tells is similar to the last one—an old woman in need of help repaid their kind princess with a gift meant to kill.

After that, the princess is never alone. The dwarf on guard duty always has the envied task, so lovely is it to be in her presence. A year, then two, go by with no signs of danger.

Then one winter morning, after a night of birthday feasting, all seven of the dwarves sleep late. The princess rises at her usual time, hoping to fix them a holiday breakfast. By the time the dwarves stumble out of bed, they find the princess sprawled across the kitchen floor—cold, pale and lifeless, with a poisoned apple in her hand.

They despise themselves for having failed her, but their love for the princess drives them to serve her the only way they can—by laying her body to rest. The cold, hard earth won’t take her, and they can’t bear to hide her away in the realm of death. Knowing that decay will not touch one so innocent, they place her in a coffin of glass and lay her in their garden, where her beauty can brighten the world in death as it did in life.

They keep a constant vigil, lost in loving grief. They ought to have known she would end this way. This is the fate of all innocence in this dark and sinful world—to be destroyed by wickedness. Even as they see this truth, they know that it is wrong. The world should not be this way, but what can they do? They wish and pray for better, but they can’t hope. How can innocence ever overcome such evil?

In the spring, when the last snow melts and the first snowbells bloom, the dwarves see movement in the woods beyond their cottage. A prince approaches on a snow-white horse. He is ruler of this forest and its mysterious ways—a king of kings, even more beautiful than their princess. His face shines with a wisdom that does nothing to defile the innocence of his heart.

He leaps from his horse, approaches the coffin, raises the lid, and takes the cold hand of the princess between his.

“Beloved,” he says, “arise.”

In his words and actions, the dwarves find the answer to the riddle they have pondered in their long vigil of grief. In a world of wickedness, the salvation of Innocence is Love.

The princess opens her eyes. Takes a breath. Sits up and gazes upon the world she loves, upon the one who loved her back to life. Something of the prince’s wisdom is reflected in her, so that her beauty is almost painful to behold.

The dwarves rejoice, and the princess rejoices with them. She kisses each one atop the head, but does not release the hand of her prince.

Eager to serve one who served them so well, the dwarves cook her breakfast, and she eats with even more enthusiasm than she showed in her former life. Yet when the meal ends, she stands with her prince at the threshold of the cottage.

“I must return to my father,” the princess says.

The dwarves protest. What of the queen? What of the danger?

The princess looks at her prince with eyes full of love. “I have nothing to fear.”

*

The king rejoices at his daughter’s return—he has thought her dead for so many years. Grief has aged and weakened him, but there is beauty in his face that grows brighter with every minute he spends in the presence of the princess.

The princess tells him of her troubles since she went away, and the king is horrified by her words. “I knew my wife had lost her reason,” he says, “but not her heart! She must pay for her crimes!”

He moves toward the door as though he will administer justice this moment.

The prince stops him with a gentle hand upon his chest. “There is no need.”

*

The queen gazes at herself in the mirror. She never looks anywhere else. If there is a world beyond the edges of its frame, she has forgotten it. She sees only her own face, searches for the remaining scraps of beauty, tries desperately to erase the blemishes that grow ever more hateful with the passing of years.

Another face appears in the reflection—a face the queen thought she had destroyed long ago. It is lovelier than ever. The queen hides her face in her hands so she can not see the painful beauty of the princess.

“Come away from there,” the princess says. “Gaze with me upon the other beauties of the world.”

“And lose myself?” the queen shrieks. “That is what you have always wanted—to destroy my very self! To take all the honor and beauty that should be mine!”

“I wish to save you,” the princess says. “Come away.”

“Never!” the queen screams, clutching the mirror in two white-knuckled hands. “I have everything I need right here! You can’t take it from me!”

The princess touches the queen’s shoulder. The queen screams and shrinks away, hiding her face once more in her hands.

A man’s voice—painful in its beauty—says, “Beloved, she has made her choice.”

At long last, they leave. The queen looks in the mirror and sees no face but her own. No greater beauty remains nearby to shame her.

In the confines of her world’s silver surface, she is fairest of all.

*

The queen is locked away in the prison of her choosing.

The king stays to do what good he can for his kingdom, and the princess promises to return for him after he has fulfilled his purpose.

The prince places the princess on his snow-white horse, and they travel once more past the cottage of the dwarves, who are glad to see her so beautiful and beloved.

At last, the prince brings the princess to his kingdom at the heart of the forest.

The beauty she finds there is beyond words.

[alifeoffairytales]

"Schneewittchen" watercolour painting by Eugen Napoleon Neureuther, via Red Cape Tales

[snoopylovessoup]

[maybethistimemegz]

Snow White and the Seven Dwarves (1937) || Snow White (2025)

[dilfgmancoolatta]

rachel zegler did nothing wrong btw. youre all being so dramatic abt her takes on a movie thats almost a hundred years old with a mediocre plot. shes not being misogynistic for commenting that the original story was sexist bc snow white is not a real person. she does not make choices

[m00nb04rd5]

Can I have a moodboard for Snow White?

https://disney.fandom.com/wiki/Snow_White

Snow White (Snow White And The Seven Dwarves)

[fictionadventurer]

Oh gosh, I just remembered an old idea I had for a space opera retelling of Snow White, where Snow White was the right hand of the Evil Queen, but then the Queen got paranoid and assumed she was a traitor and sent an assassin after her. But then Snow White got rescued by a Scarlet Pimpernel type of character (who was a childhood sweetheart) who hid her on an isolated planet with a bunch of other people he'd rescued from the evil queen, and then Snow White gets to find out that while she'd thought of herself as Padme Amidala, to the rest of the universe she was actually Darth Vader. And she has to try to live alongside people who see her as evil incarnate, while also learning how to live without the advanced technology and cybernetic enhancements she's used to.

This is way too old of an idea to do anything with anymore (it's been muddled by too many partial drafts and variants), but I still like the concept.

[cocoabubbelle-newblog]

Personal Opinion

I’ve been quiet about Disney’s Live Action take for Snow White up till now, so here is what I have to say:

Of all the things that concern me for this movie, Rachel Zegler’s and Gal Gadot’s casting isn’t one of them. I think Rachel is unconventionally pretty, and being of Puerto Rican descent myself, I was excited that this Snow White would be Latina. While the hairstyle and costuming isn’t great, saying that there is no way the Mirror would say she is fairer than Gal Gadot’s Evil Queen (Gal Gadot also being a beautiful woman) and calling her ugly is just unnecessarily unkind. Maybe this is a stretch, but FAIR doesn’t only mean ‘most light-skinned’ or ‘most beautiful’; it also means ‘free from bias, dishonesty, or injustice.’ Based on the song that was recently released, I am inclined to believe that THIS is the take the story will have on the phrase Fairest of them All.

Again, being of PR descent and having one side of the family from PR ranging of all skin tones, I think Zegler was neither “too white” to play Puerto Rican Maria from West Side Story, nor is “too dark” to play Snow White. That’s just me though.

The words on the necklace feel more like they belong to the theme from Live Action Mulan.

I do wish they stuck with casting people with dwarfism for the dwarves. The CGI doesn’t offend me, but c’mon. We’ve seen Tolkein/Narnian/DnD/etc dwarves. Emphasis on Narnian bc when they did the first two films, Disney DID get actors with dwarfism and put them in great makeup/costumes. Also kind of interesting that Peter Dinklage was willing to play a mythical dwarf here but his comments regarding the Snow White (2024/5) film potentially cost others with dwarfism those roles. Looking at the official cast, only ONE of the voice actors for the dwarves is Martin Klebba = Grumpy. Not that dissimilar to the last Grumpy-esque dwarf he played in Mirror Mirror….who casted actors with dwarfism…

Some of the official comments made to promote the movie, including from the actors, have made me roll my eyes so much that I’ve cramped my extraocular muscles. You don’t have to agree with the direction the original movie took with their characters and messages, but putting it down in order to try to elevate the new adaptation seems to be not the wisest decision.

“It’s not the 30’s anymore~” Guys. The earliest versions of the original fairytale sometimes had SW’s own birth mother being jealous of and attempting to kill her, the dwarves MADE the young princess clean and cook for them instead of her offering up those skills, and the prince was an actual stranger who was willing to buy her dead body from the dwarves, among other weird things that the animated film changed/left out. How Disney handled the romance, characters, and overall plot back in the late 1930s was actually good imho.

I liked Zack Snyder’s take on the DC Universe, so the color wash ranging from dark to bright in this film doesn’t bug me.

Is it impossible to use and train real animals anymore in a humane environment? Must the majority of them be CGI?

The potential love interest being a mix of Robin Hood and Flynn Rider is ok I suppose. Not super original, but ok. (I will forever defend the original Prince though; he is NOT an old creepy stalker thank you very much;). HOW.E.VER. The recent comments from those who worked on the movie piqued my interest, namely that they drew inspiration from the discarded draft that the original prince was held prisoner by the queen in her dungeon and that this new character was disillusioned by the power structured of the world. So whether or not this means that this roguish rebel is actually our prince in disguise after all remains to be seen. (Probably not; I tend to overthink things.)

The music is pretty so far. Might buy some of the songs when the soundtrack becomes available. Don’t think some of the original songs needed to be replaced, but Waiting on a Wish sounds lovely even though it’s not I’m Wishing.

If I do wind up seeing it, I’ll just view it how I’ve always tried to view remakes of the originals I loved: just a different take that I am not obligated to love, but will be pleasantly surprised if I do (ex. Cinderella (2015) and Little Mermaid (2023) among some).

Update: saw the movie. Some parts made me roll my eyes and/cringe, but ultimately I had a lot of fun and genuinely enjoyed the rest of it!

[artist-issues]

Snow White and Treasure

While I’m on her topic.

I noticed treasure in my re-watch of Snow White and the Seven Dwarfs. Every key character’s treasure reveals their true nature on the inside.

Nowhere is it more evident than in the Queen herself, obviously.

Her treasure is holding the title of Fairest of All. That’s what she cares about. How she’s perceived. After all, why else does she sneak out of the castle through the catacombs? Why does she have the Huntsman do her dirty work—why not just kill Snow White on her own? She clearly gets way too much joy out of the idea of poisoning Snow White.

But she can’t do that. She has to hide her true nature, so she sneaks out of her own castle.

Ironically, her treasure is Being the Fairest—but she’s not beautiful on the inside. She’s ugly on the inside, like a rotten apple! And that fixation on getting her treasure eventually puts that ugliness on the outside, no matter how much she wants to look the opposite.

The next character we have who’s treasure reveals his true nature is Grumpy. (My favorite.)

All of the Dwarves treasure their own comfort to some extent. But Grumpy doesn’t just treasure comfort. He treasures his own safety. After all, what is grumpiness if not a person who has been afraid and self-protective all their life? He’s always defensive, always on the lookout for a scam.

Grumpy is the last to change…and the only one who’s true nature is revealed when he does. Also, Grumpy is the only character who’s treasure changes.

Grumpy starts out being the most against Snow White. All of them are, at first, until they interact with her and she shows them what she can do for them.

But Grumpy takes the longest to warm up, because he’s not just afraid that she’ll bring the Queen to the cottage and put him in danger. He’s afraid of feelings. They make him feel unsafe.

I know that sounds weird but seriously. That’s his big beef with Snow White. He clearly likes her in spite of himself, but he’s terrified of opening up, because she’s A) new and different and B) getting attached is vulnerability, and vulnerability is dangerous.

That’s the opposite of Snow White! When she’s being her most vulnerable about her wish, he’s meeting the whole idea with scorn: “Ha! Mush!”

But he can’t help feeling, anyway. Because Snow White is so pure, and so not defensive, she gets under his skin.

And his treasure changes.

He goes from saying “get rid of her, she’ll bring nothing but trouble” to LEADING THE CHARGE to save her from the Queen.

He goes from treasuring his own safety to treasuring Snow White’s safety.

And that new treasure reveals his true nature: Grumpy is sentimental, and feels things strongly. Who is the Dwarf crying the hardest when Snow White dies?

Those two characters show that one’s treasure reveals their true nature, no matter how they try to guard against it or hide it.

The Queen’s treasure of her own appearance reveals that she’s ugly on the inside.

Grumpy’s treasure of safety reveals that he is very vulnerable on the inside.

But Snow White? Snow White’s treasure is not defended. Snow White’s nature is not hidden. Because Snow White is utterly innocent and pure. She just is who she is, beautiful and simple, and that’s what so great about her. She treasures love—and she is loving. She tells the birds at the wishing well, and sings out her wish, for love. That’s rewarded; the Prince hears it and promises her his heart. (She’s his treasure by the way.)

She tells the Dwarves that she’s got faith in his love, and she knows he’ll come back, and they just adore her.

She’s every bit as beautiful and vulnerable on the outside as her treasure of love is on the inside.

When she encounters lost birds, what does she do? Love them. When she encounters orphans, what does she do? Love them. When she encounters Princes openly giving their hearts to her, what does she do? Love them. Her nature reflects what she treasures.

There’s no sign of anything but innocence, no hiding, no disingenuousness—because why should there be? The thing she treasures is a good thing. So that’s what makes her beautiful.

Beautiful enough to be the Fairest of All dressed in rags and dirt.

Beautiful enough to be granted mercy by a Huntsman who’s own life is on the line.

Beautiful enough to be buried in a glass coffin, instead of buried alive when the Queen’s plot succeeds.

Beautiful enough to be searched for and found, against all odds, by the Prince who fell in love with her at first sight.

Someone who values love highly, and lets that treasure shine out through every part of their nature, is powerful. They can strike fear and hatred into the hearts of the most self-absorbed, and transform the most stuck-in-their-ways, and inspire love in anyone who comes into contact with them.

That’s what’s wonderful about Snow White. She’s pure, from what she treasures to her very nature, and needs to hide nothing about herself.

[thursdaymurderbub]

Screenland magazine, March 1938

[p1325]

[humanrestroom]

Snow White cigarette cards from Hong Kong

[fictional-orphan-smackdown]

MOUSE VS. FRIEND OF MICE, GO!

All propaganda and what each competitor is from under the cut

Chuck e' Cheese (Restaurant/family entertainment center chain)

Charles Entertainment Cheese grew up in St. Marinara orphanage and he loved singing, especially happy birthday. But he didn't know his own birthday (because he is an orphan) so all he could do was celebrate other kids' birthdays. His favourite part was the pizza. He also loved playing Pong and he went to New York City after winning $50 in a Pong tournament.

Snow White (Fairy tale)

I love her. She is so young and nice. She just wants to be kind to everyone. Animals help her do chores. Honestly the only person who doesn't like her is her homicidal vain stepmother (not great company to be in). the hunter doesn't kill her. the dwarfs give her a place to stay. THE ANIMALS LOVE HER. Iconic princess be it disney or any other version. Surprisingly did not put me off of apples as a kid.

[beauty-beast-week]

Beauty and the Beast Week 2024, Day 5: Dandelion Master List

Fic: Stubborn Hope (Beast/Belle, G) by @girlmercury

The Beast reflects on Belle's stubbornness, and the way she hasn't left him yet. (Set after he saves her from the wolves in the forest.)

Fic: Dandelion wishes (Cogsworth/OC, G) by @kikimccloud

On a beautiful summerday Henry Cogsworth found his wife Estelle in the garden of teh castle, bathing in the warms of teh sun and the quitness of the moment. But when he aproched her, she surprised him with a unexpected request…

Fic: A memory pressed into its petals (Belle/Gaston, G) by @firawren

Belle finds a sentimental keepsake that her husband Gaston has hidden. Something comes fluttering out from among the pages as Belle moves Gaston’s old family Bible to dust. She bends down to pick it up. It’s a white daisy, tinged with pink on the tips of its petals, pressed flat and dry. She smiles faintly, amused that Gaston would have kept a flower in the one book that belongs to him specifically, the one book Belle almost never opens. But as she tucks it back into the pages, she recognizes it.

Fic and moodboard: Secret Wish from the Past (Gaston/Snow White, G) by @twisting-echo

Snow White and Gaston take their children to a forest where they discover an old wishing well. Snow White shares the magic of making wishes, hinting at a secret wish of her own that came true. Gaston, curious, tries to uncover her secret, but Snow White keeps it a mystery.

Fic: If only you'll keep me - chapter 5 (Adam/Belle, M) by @annaofthenorthernlights

Adam dares to do what he must do - to confront his father...

Fic: Belle teasing Beast (cw suggestive) by @rs-hawk

Ficlet: Tarot Lie Not (Belle & Esmerelda) by @true--north

Art: Children - Belle and her daughter Rose by @beastylittlething

Art: Dandelion - Belle by @megamagimugi

Art: Feral Adam having his breakfast (cw blood, dead animal) by @cheetospuff

Art: Castle dads vs bathtime zoomies by @fizzy-dizz

Art: Babette and Lumiere bothering each other at work by @thisisnotlunatic

Art: Lumiere and Cogsworth spending the afternoon in the gardens by @loudeaglecollective

Art: Wishes - genderbent Adam by @elwynnie101

Art: It takes two - Lumiere and Cogsworth by @literallycogsworth

Art: Beast and Belle as children by @zoeloveconvers99

Photos: Disney Animator Doll Belle by @vulpixfairy1985

We caught a couple works that forgot to tag @beauty-beast-week, but if we missed yours in this day 5 list, shoot us a DM with the link and we'll add it to the list as well as reblog it.

View the entire fic collection on AO3