#something something blade runner reference
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I hate this hyperfixation man what the hell is this

#batman#riddler#batman art#batman forever#twiddler#two face#something something blade runner reference
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“Over and over he watched Ridley Scott's Blade Runner, fascinated by Rutger Hauer…”
Description of Armand in “The story of Daniel, the Devil’s Minion”/ The Queen of the Damned
“I’ve seen things you people wouldn't believe... All those moments will be lost in time… like tears in rain.”
Roy Batty (Rutger Hauer), Blade Runner
“Your memory is a monster; you forget - it doesn’t.”
John Irving, “A Prayer for Owen Meany”
Daniel Molloy: “Note to self, everything related to Claudia from this point forward is without written corroboration.”
Louis: “Just our memories of her.”
Daniel: “… However porous they come.”
Interview with the Vampire, S2, Ep. 6
#basically Daniel your Devils Minion past is showing in your accidental Blade Runner reference#something something#memory lost in the rain#I mean I had a thesis somewhere but it’s brain rot now#apparently my new hobby is bad edits and hyper fixation#interview with the vampire#iwtv#daniel molloy#louis de pointe du lac#louis#Armand#claudia#memory and rain and tears#someone figure this out for me#or it could mean nothing#iwtv spoilers
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⋆. 𐙚 ˚𝓨𝓪𝓷𝓭𝓮𝓻𝓮! 𝓣𝓲𝓶 𝓓𝓻𝓪𝓴𝓮 𝔁 𝓡𝓸𝓫𝓸𝓽!𝓡𝓮𝓪𝓭𝓮𝓻˚ 𐙚 .⋆
✮⋆˙𝓗𝓮 𝓬𝓪𝓷'𝓽 𝓱𝓮𝓵𝓹 𝓫𝓾𝓽 𝓯𝓪𝓵𝓵 𝓲𝓷 𝓵𝓸𝓿𝓮 𝔀𝓲𝓽𝓱 𝔀𝓲𝓻𝓮𝓼 𝓪𝓷𝓭 𝓶𝓮𝓽𝓪𝓵 𝓪𝓷𝓭 𝓽𝓱𝓮 𝓰𝓲𝓻𝓵 𝓱𝓮'𝓼 𝓫𝓾𝓲𝓵𝓽˙⋆✮
I believe the reason I decided to study robotics in the first place is that I have always loved romanticizing machinery. There's something endlessly enthralling about robots and how much they both mirror and reveal about us humans. And don't even get me started on the intersection of the two. When biology and mechanics combine…
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Out of all the Batboys Tim is the one I can see falling for a robot reader the easiest. There is a reference to Pygmalion and Galatea in all of this. A futuristic parody.
✦ Yandere! Tim Drake who falls in love with one of his creations. It had been an experiment, a distraction really, something to fidget with during the long hours of the day when neither Tim nor Bruce could bear the suffocation of either life. Insomnia has a habit of running in the veins of the mansion's residents. Haunting them like feral phantoms. Bruce was the one to suggest it. Came up with the idea between screenings of Blade Runner and Her. What if there was someone else, something else. Who could pick up the slack whenever neither of them could. Someone to cover for both Batman AND Bruce Wayne. Red Robin AND Tim Drake…
✦ Yandere! Tim Drake, who has always found it easier to fall in love with machinery, with the motors that whirl and the computers that speak in tongues of one and zero. It's always easier to love that which you've programmed with your own hands. He glides his fingers over your smooth icy face, pinching your steel cheek with a boyish giggle. He's painstakingly meticulous with how he manipulates the wires of your exposed stomach. Smoothing out the solder, making sure the heat shrinks are snug. There isn't a resistor within you that's been placed carelessly.
✦ Yandere! Tim Drake, who is the first person, the first thing you see when your optics come online. The first person to utter words that float and register within your processor. You are his precious creations, his darling marvel, he built you with pieces of his heart, built you to be perfection. Weeks later you're sitting between his legs as he helps you choose a silicon faceplate. Superficial details really, Tim assures you, just something to help you blend in. He finds the particular shade you chose for your eyes cute. You aren't sure why that makes your processor buzz so quickly and your cooling fans to kick in.
✦ Yandere! Tim Drake, who steals kisses whenever his father and Alfred aren't looking. Who thinks that every human pales in the gleam of your beauty. Finit metal, that knows everything and nothing at the same time. Little robot girl who holds his hand as she asks and researches every enigma within minutes. Some nights Tim can't help but peel away the faux skin. To kiss your wires and your circuits. To make little tweaks to perfection. He whispers a name, your name, while he pecks your frigid iron lips…
But what about Tim with a cyborg reader? What about someone who is the best of both worlds? Indiffenitly entwined.
✦ Yandere! Tim Drake, who spends countless nights slaving away on the perfect imitations of the limbs you have lost. You were once a hero like him, another one of Gotham's beckons whose light was snuffed out by the the evil that roams within this city. You survived a fate much like his brother's only in this story Tim was there to rescue you from death's embrace.
✦ Yandere! Tim Drake, who intwines your nerve ends with wires, at first it feels like sand crawling beneath your skin, gliding through your veins. The phantom pain rings inside your head, a macabre symphony. You close your eyes and command movement, command a thing you thought impossible to miss. Your new fingers twitch your wrist moves. You fall into Tim's chest sobbing as he tries to comfort you. Still, you don't miss the satisfied smile he tries to hide.
✦ Yandere! Tim Drake, who insists on bettering your new body. On adding weapons and gadgets and lavish accessories. Who makes you stand in the lab for hours on end as he tweaks and plays with your cybernetics, who cuts and adds without permission. Who talks and talks about what he's doing and how much he adores you. Despite the pure love lacing each word you can't help but break out in a cold sweat.
✦ Yandere! Tim Drake, who's changed so much of your body. Who's made you forget where the cybernetics end and you begin. Yandere Tim Drake who kisses across the sacred borders of skin and iron. Yandere Tim Drake whose eyes gleam so terrifyingly and joyously when he looks at you. Who dubs you his perfect creation and kisses you so passionately, while you fight the urge to gag.
#I LOVE robot darling#been dying to find an excuse to write about it#tim drake x reader#tim drake x y/n#tim drake x you#yandere x darling#tim drake#tim drake x fem!reader#yandere x reader#yancore#yandere x you#yandere aesthetic#yandere#tim drake headcanon#tim drake imagine#batfam x reader#batfam#yandere batfam#batfam headcanons#dc x reader#yandere dc#batfam x you#dc imagine#dc headcanon#yandere imagines#yandere headcanons#yandere x y/n
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<<😺😺😺😺 | 😺😺😺😺😺😺>>
if i didn't respond to your comment it's bc desktop tumblr didn't let me, I still love and appreciate y'all
Maybe tomorrow he'd bring his book here, and keep the cats company while he reads. Would they like it if he read it out loud?
Oh lord, the crazy cat lady energy must be rubbing off on him already.
The cats certainly are. He looks down at his black attire now speckled with cat hair, and sighs. He should have asked Steph where the lint roller was before she left. With great effort, he stands up from the comfy couch, vowing to himself to only do a cursory search with no unnecessary peeking.
The entrance seems like an obvious start since people like to de-hair themselves before leaving the house. The dresser next to the door is cluttered with typical things - sunglasses, hand lotion, chapstick, some loose change, and jewelry. No roller in sight. So he goes to the kitchen instead, because kitchen is where everything goes. The cats are watching him curiously from their chosen perches around the house.
"Stop it. This is all your fault."
He finally finds what he's looking for on a windowsill next to a dead fly. He starts cleaning his clothes there, next to the fridge, and its colorful display catches his attention.
There's an Ewok magnet that looks handmade, holding up a birthday card, and a few holiday photos, capturing smiling people in swimming costumes. Some of them look older, like the photo of a kid in a wizard robe, or a pair of bloodied-up teenagers in sailor costumes, which must be a very obscure reference because Eddie hasn't seen it at any costume party before.
The caption under the photo reads BFF but someone added a circle of smaller F's all around the photo, turning them into a frame. Which, if Eddie's connecting the dots correctly, would imply that it's Robin and Steph. The quality isn't the best, but at first glance, he's assumed it must be a family member, maybe a brother, but he remembers her saying she's an only child.
He tracks the other photos, but most of them are new, of the Steph he already knows. There might be more around the apartment, though.
But he's already rolled his shirt and he'll be back tomorrow morning anyway, so he quickly works on his pants' legs, gives the cats a wave, and leaves.
While walking back, he's apparently so lost in his thoughts, he gets startled by his own uncle.
"The cats still alive?"
"Do you want?! Me?! To die?!" Eddie screeches, eyes wide and a hand on his heart, the other holding him upright against the wall. "Why the fuck are you sitting there in the dark?!"
Wayne looks pointedly at the lamp next to him, then to his nephew. Aside from his reading nook in the corner though, the living room has no other light sources right now, but Eddie just throws his hands in defeat, deciding not to argue. Especially not when his uncle finally folded and was reading Blade Runner.
"Must have been thinking some guilty thoughts, huh?"
"Excuse me?" Eddie takes a step back from his course towards the kitchen. His uncle was flipping a page in his book, clearly not reading but not looking up from it either.
"To get scared like that. Did you do something bad, son?" He finally looks up, and Eddie doesn't like it. He looks exactly like his friends just before teasing him about something. "Saw something you shouldn't have?"
Eddie folds his arms and sticks his nose up, hoping the evening darkness hides his warming cheeks.
"I don't know what kind of panty raiding you do up there, but I'm not a pervert."
"Panty riding, huh?" Wayne raises his eyebrows in interest. "That what you boys do in college these days?"
"Do you want a sandwich? Some tea maybe?" Eddie has already turned his back to him and is switching the light on in the kitchen. "And the cats are fine, thanks for asking!"
"Yes and yes. Thank you!"
Eddie prepares them sandwiches and teas and grabs his own book so they can read in silence waiting for the evening news. It's nice to have this, a break from busy and loud college life, just sharing silence and love for books with his uncle.
That is, of course, until Wayne looks at his watch and puts the book down to exchange it for a remote. Eddie likes to keep his nose in the book until the news become too distracting or he catches something interesting being reported on. His uncle has other plans for him this time.
"You know it's alright to like her, right?"
Eddie lowers his book, slightly incredulous that Wayne is still talking about it. He looks at him with wide eyes.
"You really want me to fuck your neighbor, huh?"
Finally, his uncle gets a taste of his own medicine, almost choking on the tea that he unfortunately decided to sip on at that moment. Eddie: one, Wayne: zero.
But later, the score evened out again, as all Eddie could think of while trying to sleep were the pictures on the fridge, and plowing his uncle's neighbor into her mattress until she screamed.
The next morning, with not enough sleep under his belt, Eddie skips two sets at a time, because he totally absolutely royally forgot about the fucking plant.
He fumbles with the keys, can hear the inquisitive meows on the other side of the door, and once he's in he takes a beeline to the kitchen, ignoring the little creatures following him like they have been starving on the streets and he was a fresh batch of tuna factory waste.
The plant looks normal, the same as it did 24 hours ago, and he waters it as per instructions while trying not to even brush its leaves because he truly believes his touch might kill it. His track record with plants indicates so. Only then does he turn to the meowing bunch at his feet.
"Hello, little demons. Time to feast."
The cats are fed, their mouths making unpleasant wet noises against the equally wet food, and Eddie has a moment to take a curious walk around the place, in search of more photos.
He finds a wedding photo, with Steph in a pink dress and stunning make up dancing with a man with curly hair. There's one from a barbecue, where Steph is being hugged by a tall man with a mustache. She's wearing jean shorts and a sweater in this one, and somehow, looks a bit off. It looks older than the wedding one.
But a true treasure chest is the huge frame he finds above a small bookcase.
It's a collage titled 'The fucking journey' that seems to be a collection of Polaroids from a multitude of workplaces, with the same two people present. Year after year, one job after another, until they got where they are today.
It starts with a 1983 and the sailor costumes he's already seen. They are less bruised and more tired in this one. Knowing where to start, Eddie's eyes track from one photo to another, observing Stephanie's features, her wardrobe, and her hair change until she becomes the woman she is today.
There was no boy in that photo on the fridge. It's always been her. Growing into herself.
Is this what his uncle was talking about? Well, not talking, but being annoyingly vague about it, like he wasn't sure what he was talking about himself.
Fear not, Uncle Wayne. Eddie's going to pick up every pamphlet and every zine he can put his hands on, to educate them both about who their neighbor is, how to navigate the topic and respect her the way she deserves.

ko-fi
#crazy cat lady stevie#steddie#transfeminine steve harrington#transfem steve harrington#tw: age gap#age gap steddie#stevie harrington#stevierything#mine
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Rodeo | lmh (m)
𓆩⟡𓆪 Pairing: hitman!Minho x arms dealer! F. reader
𓆩⟡𓆪 Summary: Minho’s relationship with you is like a good weapon - uncomplicated, refined, and trustworthy. He likes it that way. When you appear on his target list, his relationship with you becomes quite the opposite - complicated, rough, and unreliable.
𓆩⟡𓆪 Word Count: 18,249
𓆩⟡𓆪 Genre: Cyberpunk | Smut | Angst | Peers to Something
𓆩⟡𓆪 Rating: 18+ Minors are strictly prohibited from engaging and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.
𓆩⟡𓆪 Warnings: Violence, world building, murder, discussion of murder, depictions of blood and fight sequences, brief mentions of drugs, depictions of wounds and treating them with syringes if you don’t like needles, explicit language, depiction of an anxiety attack, angst and self-doubt, Minho being an idiot, gun fights and scenes with weapons, some vague terms and references specific to the world building, sexually explicit content featuring oral (f. receiving), vaginal fingering, unprotected sex, cum eating, bodily fluids, and mentions of spit in several places. I think that covers everything, for the most part.
𓆩⟡𓆪 A/N: This is what happens when writers just write what they're inspired for. After almost two months of being unable to write, I got this random idea and I just went with it and took advantage of the moment and... genuinely had so much fun writing this. It got so much longer and more complex than I meant to, but I hope you enjoy.
𓆩⟡𓆪 A/N 2: This work is heavily inspired by Fallout 4, Blade Runner, Altered Carbon and the lovely song Rodeo by WayV. I imagine Rodeo playing during the shootout scene at the bar. Additionally, a fun fact: I use the nato alphabet to communicate Minho's targets and reader's target in this spells out 'reader' in the nato alphabet :)
𓆩⟡𓆪 Posted: Sunday, March 3 2024
𓆩⟡𓆪 Disclaimer: All members of Stray Kids are faces and name claims for this story. This is entirely a work of fiction and by no means is meant to be a projection, judgment or representation of real-life people. Any scenarios or representations of the people and places mentioned in works are not representative of real-life scenarios.
| Masterlist | Ask | Tag List Request Form | Song Inspiration

Any work is good work.
Minho isn’t so sure that his father would say that as he crouches down next to the body on the living room floor. His thigh muscles protest, aching and tight from hours of sitting crouched across the street in the chill of a high-rise building waiting for his prey to enter this very building.
Neon light bleeds through the foggy window behind him. The room is awash in watery pink as he pulls out his scanner with one hand and leans forward with the other, pressing his gloved fingers to the man's chin to push his head to the side. It rolls easily, giving a fleshy sound that might make someone squeamish as the man’s cheek hits the floor.
Any work is good work, Minho thinks as he scans the man's non-existent pulse with his watch. He sees the blue ring of the biochip flash beneath cooling flesh, his watch flashing green with a soft buzz. The man’s entire life flashes on the screen - full name, date of birth, ID number, blood type, and place of work. Everything about him casts a sickly green glow on Minho’s sharp face.
Tapping a few buttons on the watch face, he waits, holding his wrist near his mouth as the sound of a dial tone chimes once. It’s silent in the apartment, though he can hear the hum of airborne traffic a few blocks off as the roar of adrenaline winds down.
“Receiving,” a male voice answers. Minho doesn’t know who it is - he just knows he’s one of any of the Delegators who work for Collect Co.
“Collection request number alpha-echo-tango-delta complete, served by Collector 102598.”
“Collected alpha-echo-tango-delta confirmed. Please place a beacon before you leave. All credits for this Collection have been transferred to your account. Please wait five to seven business days before funds are available for use. Your next collection is in four hours, seven minutes, and eight United Seconds.”
The line goes dead. The glow of the watch makes him squint before he can lower his brightness, scrolling to his bank account. He sees the credits added with a transaction pending. When he was a kid, the number glowing at the bottom of the screen to indicate his balance might have excited him. Now, it’s just a number on a screen that confirms the power won’t go out at his apartment and that he won’t go hungry.
Minho’s knees crack as he stands. He groans and leans backward, pressing his hands into the small of his back. A series of cracks slither up his spine, making his eyes roll back as he shuts them for a moment and shivers.
He’s so goddamn sore.
Leaving the body on the carpet of the living area, he goes over to pick up the handgun resting on the counter. The energy weapon glows at his touch, syncing with his interface briefly before he holsters it inside his jacket.
While he is technically within the law to eliminate targets for Collect Co., Minho finds that most people find it unsettling when Collectors walk around with weapons. He hasn’t given much thought to what people think about him, but it certainly causes a lot less trouble when he looks like an average businessman going to and from work instead of a licensed killer.
The gun isn’t technically legal, either. He would probably get away with it if a United Enforcer stopped him. The hitmen of the privately funded but government-sanctioned Collect Co., do not technically outrank the government’s militia, but no one with a badge is going to tell a Collector no. Not if they can help it, anyway.
Tossing a beacon on the counter for the cleanup crew to track to the apartment and get rid of the body and clean, Minho heads outside into the rain. He ducks his head down against it, water sliding off the slicker jacket he hugs a little tighter. He feels warmth kick in and his mouth twitches at the sign of the heating system in the body armor on his chest is doing its job. A nifty little upgrade from you, he knows.
At the thought of you, Minho turns north toward the speed train, remembering that he needs an adjustment on his armor that is out of sync with his watch, and JumpPacks. He already used the last one about five hours ago and he feels the numbness of exhaustion buzzing at his edges, a warning sign that if he doesn’t get a jump or sleep he’s going to pass out.
Whichever comes first.
Smears of color splash across the wet sidewalk as he jogs down the steps to the train. It smells wet and foul, making him tuck his chin to his chest as he rushes to the fast-closing door of the train. He steps over the threshold just as the doors clang shut, the hissing of an airlock barely finishing before it launches forward.
He tenses to avoid being pitched forward into one of the standing railings. As the train rocks, the fluorescents above nearly blinding him, he finds a seat toward the back of an empty car. This late at night, there are only two other people in sight, both of them curled heaps of clothes on a seat, fast asleep.
Sleep tugs at him the moment Minho sits down. He has a twenty-minute ride to North Ward Three, dropping his head against the back of the seat and closing his eyes.
The light still hums behind his closed lids, making a splash of colors. There’s no sound save for the whine of the magnetic rail beneath his feet and the occasional mechanical creek as the vehicle sways.
He melts into the seat a little, limbs loose. Fuck he needs a JumpPack. The last forty-eight hours awake are wearing him thin at the edges, stretching him like fabric over a surface far too wide. The forty-eight-hour mark is when he starts to decline, and as soon as he starts to creep toward seventy, he knows it’ll get messy.
Minho is a lot of things, but he is ultimately human. The JumpPack can help him push beyond shaky hands, imagining things that aren’t there and the foggy thinking, but they won’t keep him sharp forever.
As if proving his point, Minho hangs somewhere between awake and asleep, suspended in a dreamy space where he can still feel the rocking of the train but doesn’t feel the ache in his limbs or the pressure growing behind his eyes.
He flinches when the chime echoes above him at the next stop, eyes flying wide for a moment as his gaze sweeps the train car, his hand on the inside of his jacket where he grips the handle of a very nice knife.
No one enters the car. It’s just him and the other two sleeping people - he isn’t sure they’re even alive, really - and he relaxes, cursing at himself. This time when he drifts, he does so with a little more awareness, hand tucked warm against his chest and wrapped firmly around the blade.
It’s a unique little knife, snug in the sheath that’s buckled to the leather harness under his jacket. The handle is firm and made from non-conductive material that fits his exact grip from the meticulous measurements you took of his hand. You crafted the blade from a metal alloy you’d been playing around with and lined it with a highly conductive silver alloy you’d perfected.
When the button on the end of the handle is pressed, 5,000 volts of lethal electricity pulses through the sliver, finishing off a victim if he manages to fuck up a killing blow. It’s saved his life a few times in situations like now when he’s exhausted and his guard is blurry, or when someone has decided to make him the target for robbery.
A lot of your little gadgets have saved his life. You like to remind him every time he visits you. He doesn’t mind, though. You’re an easy enough arms dealer - easier than anyone else in the city, really. You don’t ask the kind of questions that he doesn’t want to answer, and you’re always two steps ahead of him. Even your prices are fair, which he used to find suspicious.
But Changbin and Jisung both swear by your tech and your business, and Minho is just happy that he doesn’t have to worry about you trying to give him a shitty deal or fuck him over.
The Collection industry is made for fucking over. He knows the system can be fucked with, especially the closer to the top you get.
Almost everyone tries to fuck Minho over. More than once he’s shown up as a Collection Request. He doesn’t know if it’s the system trying to clean up after itself or someone pulling strings to get him out of their way. It’s probably both, but every time it happens, he’s managed to evade it.
A Reverse Collection, those in his industry call it. In a way, it’s sort of like a pop quiz. He gets attacked or shot at, and if he wins, he passes the test and reverses the Collection, earning him more time without any coworkers trying to murder him. The Delegators don’t seem to care which Collector murders the other, and he’s never suffered for coming out on top.
Any work is good work.
Minho snorts at the thought, feeling the deep twinge in his extremities as he rouses himself, the train coming to his stop.
Rain sluices the streets in North Ward Three. Here, the streets are busier with an assault of people, smells, and sounds. LED umbrellas float along like jellyfish as people walk from pleasure house to food stand to fight arena. The hologram advertisements and neon signs are louder here, inescapable.
“The United Republic stands for justice, equality, prosperity and freedom, bought by the noble sacrifice of the United Church. Join us today-” Minho presses the ad blocker on his watch.
Immediately the holograms vanish and there’s just the neon watercolor reflecting off the umbrellas as he walks down the stairs of Neon Rodeo, the orange lights making his eyes throb as he reaches the door manned by two guards.
They know him immediately but they scan the biochip in his neck anyway. When they’re pleased, they step aside and the door slides automatically, the base vibrating his ribcage as he steps into the dingy light, hesitating to let his eyes adjust.
True to the name, there is neon fucking everywhere. The servers are dressed in chaps with LED lights and glittering tassels, their cowboy hats flashing smiling faces on top of their head. The neon here is low-grade and covered in layers of dust, giving the air a dusky, burning sort of glow as he walks around tables.
Eyes follow him as he goes. The regulars are familiar with him, tipping their head in greeting though he doesn’t do more than watch them from the corner of his eyes. The servers all slow-smile at him, teeth too white and too glittering. He finds them more unsettling than attractive, and he quickens his step to the unmarked door at the back where Hyunjin sits on a stool.
Hyunjin is perhaps the most unsettling thing in the Neon Rodeo. His eyes are a strange grey, looking at Minho as he approaches. There is a predatory gaze in Hyunjin’s eyes that never fades, a sort of knowing in them that Minho can’t shake. Minho knows Hyunjin is entirely human, but every time he approaches the man, Minho is suddenly unsure.
Nightcrawler.
Minho has heard the whispers about Hyunjin. He believes them, too. Everything about Hyunjin is like a carefully balanced blade, ready to tip in either direction. His senses are honed to perfection and he has a habit of both blending in and standing out depending on his mood.
And he can kill. Minho has seen the lethal man in action a single time when someone tried to push past him into the Builder’s sanctuary. Hyunjin had been so fast that even Minho had a hard time keeping up, struck by how efficiently and quickly the former assassin moved.
Unnatural. Everything about him is uncanny, which is in line with everything Minho has heard about the underground sect of killers. What Minho does is legally sanctioned murder. The Nightcrawlers do something far more sinister, their skills going beyond the natural desire for order in the United Republic.
Agents of disorder and chaos. That’s what some say. Minho isn’t sure where his opinion lands on the spectrum, but he gives them a healthy distance and respect either way.
Even the way Hyunjin sits on the barstool is unnatural, one foot kicked up on the bar between his legs, the other stretched out in front of him as he leans forward, his hand on the front lip of the seat.
“Hello, Cowboy,” Hyunjin greets, voice deep and smooth.
His hair is blonde today, slicked back out of his face, the ends touching his shoulders. He’s dressed in a black button-up with a cow print pattern across the shoulders and white, beaded tassels outlining the pattern. His dark pants are tight and he makes no effort to hide the gun on his waist or the knife handle peeking out the top of his cowboy boot.
“I don’t like when you call me that.”
Hyunjin’s smile makes the hair on Minho’s arms stand on end. “I know, but I like it.”
The guard makes no move to let Minho in and he tries not to show he’s irritated. By the way the grin spreads on Hyunjin’s face, Minho can safely assume he isn’t doing a great job. “Is the Builder in or not?”
“Who is to say?”
“Just tell her I’m here.”
“If she’s in, she already knows.” Hyunjin nods toward an empty stool at the bar. “You can wait, Cowboy.”
Gritting his teeth, Minho turns on his heel to sit on the stool a few feet away. Hyunjin’s uncanny eyes follow him, never leaving him once. Minho ignores him in favor of asking for water at the bar, the headache pressing behind his eyes growing more intense with the loud music and the choking smell of cigars.
When the water comes back, it’s warm without ice. He glares at the bartender who has already moved on to paying customers. The water is tepid and a little sour, making him cringe. He’s pretty sure it came from the faucet, but he sips on it anyway, eying the grimy fingerprints on the glass.
A cowgirl slides up next to him, her pink vest pulled tight across her chest, showing sweat-slick skin. She smells like vanilla, the scent overpowering as she leans in, lacquered lips grinning.
“Don’t,” Minho grunts, sipping the water. “Not interested.”
“But you’re so pretty.”
A severe reprimand dies on his tongue as Hyunjin appears like a wraith, leaning in close to murmur, “Builder is ready for you, Cowboy.”
The cowgirl cowers away from the Nightcrawler, pressing up against the counter and fleeing as soon as he slinks away. If Hyunjin is offended, he doesn’t show it. He slips back onto the stool with that same eager lean, watching Minho through narrowed eyes as the Collector gets up and walks briskly to the now-open door.
Minho doesn’t turn around when the door shuts behind him, immediately cutting off all sound. The door leads to a step of steps, mirrored walls on either side with glowing orange light strips above them. He climbs the stairs as quickly as he can, his head swimming a little as he gets to the top.
The entire second floor is a massive, open-concept workshop. Tables covered with papers and instruments are placed in a chaotic maze, glowing screens with slow-spinning schematics and drawings giving the space a clinical, blue light. Workbenches with user interfaces hum along the corners of the room. Closed metal doors and offices stretch down a hall toward the pack, all under high-tech padlocks and surely protected with some sort of weapon system, if Minho had to guess.
Amid the organized chaos is you. The Builder.
Minho hates calling you that. He thinks it’s a little ridiculous of a title, but it suits you. There is nothing in this room you haven’t built and no weapon on his person that was not carefully crafted by you. He hesitates to watch you, standing at the edge of your luminescent domain as you lean over something, a small welding tool in your hand.
“Do you need a formal invitation, Cowboy?”
He doesn’t mind the name from you. He tells himself that it’s because, despite his predisposition to not liking people, he doesn’t dislike you. You’re easy to deal with, sort of like the weapons you make. You make his life functional and you’re to the point. He admires that, and he’s willing to take a little bit of prodding and joking from you as a trade-off.
Wordlessly, he floats toward you. You don’t look up to greet him, but you kick your foot out and hook the toe of your boot underneath the leg of a stool to pull it out for him to sit on. He can smell a hint of jasmine and amber wafting from where you sit, making him clench his jaw as he fights a shiver.
“I don’t have long,” he says, forgoing the seat. “Just need JumpPacks and wanted to drop off my armor. It’s having trouble connecting with the interface of the watch. I hit it pretty hard last night and I think I damaged the receiver.”
That gets your attention, drawing your sharp gaze up to him. But instead of dropping your eyes to his chest where the flexible armor stretches across his chest, you zero in on Minho’s face.
Your silence is uncomfortable, but he remains unmoving, willing himself to stay in place under your calculating gaze. You lean forward, eyes drinking him in, examining him the way you would a schematic for a weapon or a complicated piece of data.
Minho busies himself with looking at you in return. There’s a crease growing deeper in your brow and your pretty mouth - he doesn’t remember when he started thinking it was pretty - begins to dip, displeased at something you find in his face.
“When is the last time you slept?”
“Are you psychoanalyzing me?” You level a stare at him and he feels his mouth twitch. Minho thinks besides the occasional joke from Jisung - which he defines as Jisung accidentally hurting himself - you might be the only person who makes him want to smile. “Fifty-two hours, eighteen minutes and forty United Seconds.”
“No to the JumpPack,” you say finally. “Sleep.”
“I have another target in three hours, twenty-eight minutes and fifteen United Seconds.”
“Down the hall and second door on the right. Sleep for two hours. It won’t kill you.” He opens his mouth to protest you cut him off, “I’ll be done by the time you’re up. Take off your armor.”
His hands open and close. You’ve never declined a JumpPack before. You’ve definitely never offered sleep before. He stands buoyed by his confusion before he reluctantly sheds the jacket. It crinkles in the silence as he shucks it from his shoulder and neatly folds it, placing it on the stool you had intended for him to sit on.
Next, he sheds the holster, his gun, and a few knives clanking as he does. You seem amused by the amount of weapons he’s managed to shove in the leather straps and he shrugs a little at your arched brow.
Minho’s shirt is more armor than a shirt. It’s made from highly coveted synthetic material with hard but flexible geometric pieces stitched in that sync with his watch to turn on a light energy shield, pulse when there’s an energy weapon aimed at him, and generally keep anyone from being able to stab him. You’ve also added little things like warming sensors and anti-theft.
Delicately, Minho peels off the shirt. He marvels as it moves, surprised at the give and flex of the material every time. He hands it over and you snatch it, tossing it on your work counter as if it’s not the most expensive piece of technology he owns.
Immediately he’s covered in goosebumps. Your studio is bitter cold and you always wear sweaters and jackets with sleeves pulled over your hands. You’re dressed as such now, the too-long sleeves on your arms pooling over your hands as he stands there, trying not to shiver.
You pay no mind to his armor, instead standing up and twisting your mouth in a frown as your gaze skirts his chest and stomach. For a second he feels self-conscious, which he thinks is a little ridiculous as he glances down his chest. He realizes there is bruising blooming across him, spider webbing across to show when the armor unsynced and he took a few hard punches.
Minho holds his breath when you lift your hands, as though you’re going to brush the tips of your fingers over each wound. Your hands are smaller than his and far more delicate, nimble fingers reminding him of artists. His mother was an artist. Her slim hands and careful brushstrokes are one of the few things he remembers about her.
That, and that she chose to leave him.
Minho finds himself so hypnotized by your hands that your voice startles him when you say, “Three hours, twenty-seven minutes and five seconds, Cowboy.”
You drop your hands and step away. He nods and sheds his watch as well, handing it over. “Alright.”
With heavy footsteps, he follows the directions to the appointed room. He’s a little off balance, his hip catching the corner of a table as he goes. He curses loudly, hands shooting to his hip where pain blooms from the jab. Your laughter trills behind him and he scowls over his shoulder at you, but you’re unfolding his armored shirt.
Muttering under his breath, he goes to the hall to the second door on the right. He’s never been in the hall before, but there are several doors lining each side. He carefully tries the handle, glancing up at the ceiling where a camera stares at him.
The handle gives under his hand easily and he swings the door open to what looks like a very small and well-kept medical room. He raises his brows as he steps in and closes the door behind him. There’s no lock on the door, his finger brushing across the handle to find one. He thinks about grabbing the chair tucked into the desk and sticking it under the handle, but the thought evaporates as quickly as it forms.
He’s not in danger here.
Slowly, he trods to the cot. It’s a standard size with a thin mattress and scratchy blankets. Carefully, he sits down and immediately his body sighs. Minho’s eyelids flutter as he sags for a second, shoulders rolling inward as he curves in on himself, exhaustion pressing in.
He needs to take off his boots, but his arms feel heavy. He promises himself that he’ll do it in five more minutes before he gives up and lays down on his side, kicking his feet up boots and all onto the cot. The room is cool so he reaches for the blankets, uncaring that they scrape against his bumps and bruises.
The last fifty-some-odd hours begin to press in on Minho, a physical force that squeezes everything out of him until he’s fading fast into a heavy, dreamless sleep.
-
A gentle knock pulls Minho from a heavy sleep. He feels the dregs of it like a weighted shadow he can’t shake off, groaning and blinking at the ceiling a few times. His limbs feel heavier than ever and his neck cracks as he rolls it to the side to look at the room he’s in.
He suddenly remembers where he is, flinching a little as he sits up, movements jerky with nervousness. The room is still dark and cool, the itchy blanket falling to the floor as he sits and stares toward the door where there’s another knock.
“Come in,” he rasps, voice deep and rough with sleep.
A crack of light appears in the doorway as you slip in. You’ve got your arms full of stuff, using your elbow to smack the touchpad near the door. Dark orange light fills the room, gentle enough that it doesn’t hurt his vision but bright enough to see that the stuff you’ve brought in is food and several bottles of water and some sort of blue liquid.
Minho eyes all of it warily, straightening as you stand in front of him, holding it out. He doesn’t move to take it and your mouth presses in a flat, firm line. “I know Collectors don’t have to be smart, but I do assume you know how to utilize the main food groups of the pyramid.”
He can smell the jasmine and amber again, soothing. “Why did you bring me food?”
“Because you look like shit, Cowboy. Don’t go losing your mind over a small gesture of goodwill.”
Chagrined, he snatches the items from your hand. He immediately realizes that there are energy bars, protein bars, and packs of gel that will replenish immediate levels of hormones and vitamins. He eyes you curiously as he sets the pile on the bed next to him, ripping a foil back open with his teeth.
You cross the room to lean against the medical table in the corner, crossing your arms over your chest. When he doesn’t eat right away, you raise your brows, waiting. He pops the end of a gel back in his mouth and squeezes, immediately tasting blueberry and lemonade. It’s not half bad, making him hum in fascination.
That gets a grin from you, his mouth twitching at the corner again as he works the gel in his mouth to break it apart.
“Fixed your armor. How hard did you knock the watch?” His guilty expression tells all and you scowl. “It’s made with durast carbonate. It’s pretty shockproof.”
“Didn’t mean to. Some guy’s goons jumped me when I was calling in the Collection. It um… took a bullet.”
“How did they get the jump on you, hmm?” He stares. “Were you tired?”
Instead of answering, he tosses the empty gel back on the bed and picks up a protein bar. He looks at it, squinting his eyes in the dim light. It’s peanut butter flavored, which he enjoys. He rips it open with his teeth and tears into it, realizing just how hungry he is.
Minho has no idea when his last meal was. He thinks you know his line of thinking, but you don’t say anything more. You’ve already gotten your barbs in and you don’t intend to poke until he’s truly annoyed or embarrassed, which he appreciates.
Without another word, you push off the desk and head to the door, slipping back through to leave him alone while he chews absently.
Alone, Minho realizes the importance of accepting food from you without second-guessing it. He slows his chewing, contemplating about that.
Minho’s relationship with you is like a good weapon - uncomplicated, refined, and trustworthy. Your tech has never failed him, you’ve always been reliable for a fast turnaround time or understanding of what he’s asking for, and you’ve never sold information about him.
Ever. He had tried to buy information from you on himself through multiple channels and pseudonyms just to see if you would, but he’d been met with steely silence each time.
He eats with a little more enthusiasm as he realizes he does trust you. You’re as steadfast as the guns you build, and there is a confidence in that that he can at least resonate with.
Examining the contents of the blue liquid, he realizes it’s electrolytes and mineral compounds. As he takes long gulps, he realizes he feels infinitely better already, senses sharp, aches a little less terrible, and his headache is gone entirely. He’s not at a hundred percent, but he’s a hell of a lot better than if he had waited around for his next Collection.
When he finishes, he crumbles the trash together and tosses it into the incinerator. He hears the fire hiss as it destroys the waste and sends the fumes somewhere to be turned into energy.
In the main part of your lab, Minho spots you. He hesitates in the hall for a moment, watching you play with his watch. Movement in the corner of the room makes him tense up, hand going to the knife in his boot. He realizes it’s just Jeongin sliding across the room on a rolling chair, pushing away from his computer to examine what you’re doing.
Minho only relaxes marginally. He’s still getting used to seeing your apprentice in your workspace, and though the youth is excitable and intelligent, Minho refuses to let Jeongin near any of his builds. The trust he’s established with you over the last three years does not extend to apprentices he’s only known for a few months, no matter how much you trust them.
You trust the Nightcrawler too, and Minho cannot fathom why.
As though sensing you on the edge of the room, you turn and look at him over your shoulder. The corner of your mouth lifts up and you beckon him eagerly before hunching over whatever you’re working on again. He strolls over, crossing his arms over his chest to lean against your worktable on the other side of you, eyeing Jeongin on your other side.
“Hello, Collector. How are you today?” Jeongin asks politely, giving Minho a smile that touches his eyes.
Minho says nothing. You elbow him sharply in the ribs and he coughs, clutching his stomach as he mumbles, “Fine, you?”
“Doing great, thanks! This piece of tech is a marvel.”
“My watch?”
It is his watch. A green light flashes on the underside of the face, the bio scanner that connects with the one with his neck to monitor his nervous system. You push the watch toward him and he carefully picks it up, brushing his thumb across the cool, glass screen.
An interface lights up again. He can’t figure out what’s so special until you gesture for him to put it on. It fits nicely, the perfect size. As he slides it into place and looks at the watch face, a diagram of thin body armor comes up, spinning. Except it looks different than the diagram that he’s used to, giving you a questioning look. You point to the corner of the room at a mannequin.
He walks over to it, cocking his head to the side as he stops in front of it. It’s far different from the armored shirt he wears. The contraption is equal parts ribcage and the thorax of a spider. The material looks like leather but feels hard to the touch like metal.
Skirting his fingers to the hem, he bends the bottom of the shirt, watching as it flexes easily. It makes no sense to him how something could be so hard and flex immediately. If he were to guess, whatever the cloth is made from is a newer technology than he has access to. Perhaps more bio-engineered spider web.
Minho’s fingers skirt inside of it, brushing across a strange, prickling fabric. It doesn’t hurt, but he brushes his fingers back and forth, rubbing the material between his fingers. It’s abrasive, but he can’t imagine what it is.
Blue flashes on the diagram on the watch. He pauses and presses his fingers to the needle-thin fabric. The watch flashes again and lines of color light up on the diagram, showing his nervous system in different, complex colors. He raises his brows. It’s far more sophisticated than what he came in with.
“The needles,” he calls, not taking his eyes off the contraption. “Do they connect with me?”
“Yes. When you put it on, it syncs with your biochemistry.” You get up and walk toward him. “You won’t even feel them. They’re the smallest on the market right now, and incredibly accurate. They use them in military armor to report back live health reports and status during enfighting. They’re more accurate than the sensors lined in your last one.”
“What’s the point, though?”
You reach out and tap the watch. He watches curiously as a series of icons pop up, each a different color. “Inside of this,” you instruct, tapping the hard shell, “Is a series of chemical compounds. When you have on the armor underneath your shirt, you can tap to inject what you need. The needles don’t push deep, but they’re high-grade enough to break the barrier needed to disperse the compounds.”
Minho looks up at you, silent. You don’t notice his trepidation, carrying on as you go into salesperson mode, explaining everything. “Blue is elektrolytes,” you instruct, pointing to it. “Green is a chemical compound of cortisol and adrenaline. Yellow is endorphins and an incredibly high-dose painkiller.”
“And purple?”
“Jump,” you deadpan. “But a compounded version Jeongin and I have worked on that lasts longer with less damaging effect. You should be able to sleep easier after using it. And you won’t need several JumpPacks a day to keep going. I can give you refills too, since it’s non-addictive.”
Minho stares. “What?”
“What part didn’t you get?”
“This is for me?” You scowl but he immediately notices the way you divert your eyes. You glance up at the ceiling, shifting from foot to food. “This is worth a million United Credits at least. I can’t afford it.”
“Do you see a price tag?”
“You can’t give me this for free.”
“Of course I can. It’s just a prototype, so if it accidentally malfunctions and sends all injection options to your body at once and kills you, well…” You shrug. “At least you didn’t pay me. Consider yourself a test subject. I’ve never integrated the needle network into armor before. I don’t have the builds the military uses, just intel. I had to do it from scratch, so it might not work. Your current armor doesn’t protect you from plasma. This does.”
Minho doesn’t buy your bullshit for two seconds. He knows you wouldn’t give him this if it would risk killing him. For all your jesting and affectation, Minho has learned how to read you pretty well, and the way you blow him off and scoff tells him everything he needs to know.
It is a favor and a gift, and a new sort of olive branch that he is unsure how to accept or take from you. Taking this gift worth more than his entire salary complicates things.
Did you make this specifically for him? He’s not sure. But the fact that he wants the answer to be yes is worse than anything else he can think of.
Minho has peers. You’re a peer. Always have been. Anything else would complicate the simplicity of the relationship, and Minho immediately steps back and removes the watch. You watch him with razor-sharp intelligence, drinking him in as he holds out the watch to you.
“The one I have is sufficient enough, Builder.”
You snatch the watch from him, pivoting on your heel and walking with a ramrod-straight spine back to the table. For a second he thinks you’re going to kick him out but then you take a breath and melt into a smile, though a little sharp at the edges and not reaching your eyes.
“Fixed the connection. I also reinforced it again. Give me a moment to sync to your old armor.”
Old armor. As if the new one is still his. His stomach flips and he grimaces.
The affectation in your voice makes Minho uncomfortable. He doesn’t move, watching you tap viciously against the screen on your work desk. Jeongin spins a pen in his hand, glancing between the two of you nervously. When he notices Minho glaring at him, he grins awkwardly and pushes his chair behind one of the clear screens, his face distorted by blue lettering and diagram.
Wordlessly, you hand him the watch and turn away when he takes it. You say nothing else, moving on to a different project as Minho delicately picks up the shirt. He slides it over, feeling the warmth seep into his cool skin. He meticulously pulls the hardness with weapons on, followed by his jacket.
Fully dressed, he waits for you to say something. He doesn’t know what he expects - or wants - you to say. But he pauses anyway, eyes on your bent shape. His gaze flits to your hands, delicate fingers typing wildly, tense as you wait for him to leave.
It feels like a stone has sunk to the bottom of Minho’s stomach. He doesn’t move for a few minutes, torn between walking out and preparing for his next Collection and staying to… what? He doesn’t know. He has no idea what to say or do, but he feels the palpable shift in your mood.
So Minho chooses the easiest option. He nods to himself and heads toward the exit. You don’t spare him a second glance but he certainly looks at you out of the corner of his eye. Your jaw is clenched and you tap with a ferocity that thinks might shatter your desktop interface.
As soon as the door opens, Minho is drowning in thumping base and synth again. Hyunjin leans on the stool, this time with his back against the wall and his glittering eyes focused on Minho. Though the former Nightcrawler wasn’t in the room, Minho has a sneaking suspicion that Hyunjin knows everything that happens in the Builder’s workshop.
Hyunjin’s smirk is all-knowing and Minho storms by him, hating him for it.
Rain no longer falls from a dark sky. Opaque, charcoal skies stretch above him, lines of moving air traffic creating layers of latticework. Looking at the watch - which shows his normal armor once more - tells him it's in the early morning hours now.
The streets are not as busy as the night before. There are still glaring advertisements and he spots a group of cloaked United Church members walking around to accept alms and recruit, but the energy is muted outside of the clubs and pleasure houses.
Morning commuters fill the speed train tunnels. United Travel Agents lurk in the crowd, watchful eyes on anyone causing trouble or trying to double up on the scanners as travelers pass through, machines charging their United Credits as they go.
Minho falls into the dull buzz of morning travel. Glancing at his watch, he knows he has enough time to go home and change. He likes to receive his calls while he’s at home anyway. He tries not to replay the last conversation between the two of you. The offer you’d made him. The meaning behind it, whatever it may be.
It’s nearly impossible, but he manages. Especially once he gets into his apartment, sinking into the routine of showering, changing, and sliding back into his clothes like a second skin. As soon as he reties his boots, his watch begins to ring.
“Receiving,” he answers, straightening up.
“Collection echo-tango-foxtrot-bravo has been assigned to Collector 102598. You have five United Hours to complete your Collection.”
“Collection accepted.”
The line goes dead. Minho slides his weapons into their holsters, then pulls on his rain jacket. It always rains in the city, like God is weeping for what he has become.
Any work is good work.
Minho leaves the apartment to take another life.
-
The water runs red in Minho’s shower. He stares it for a while, hot water rushing down his neck, shoulders and back in rivulets. It turns pink the longer he stares, the wound on his leg bleeding less and less.
The irony is not lost on him that if he had accepted your gift, he might not have taken a gnarly hunting knife to the thigh. He was lucky that it was an energy weapon, the blade cauterizing the wound immediately. He’d had to pick the wound back open to flush out the dead, burned skin and pour burning antiseptic on it.
Shifting, Minho examines the wound. Pain blooms in his thigh as he turns, making him suck in a sharp hiss. The wound is to the bone. He knows he’s lucky it was not a well-made weapon, the ion pulse too weak to sever his limb. Still, it’s a deep wound and it would surely fuck him up if he didn’t have the next twenty-four hours to himself.
If the knife had been one of yours…
A pulse of frustration echoes through him. He presses his closed fist to the old tile of the shower wall, feeling the dissonance between the scalding water and cool tile steady him. His knuckles are sore from the last Collection - which had gone wrong in every way possible - and he’s brutally aware of just how much everything hurts.
Yet the ache isn’t what bothers him. His Collection target getting the jump on him from inside intel isn’t what bothers him. Minho has had that happen enough times that he no longer feels surprised when a Collection knows he’s coming.
What fucking bothers him is the ripple effect of his rejection of your offer made.
Minho shuts off the water and steps out the water carefully. He can barely put weight on the leg, gritting his teeth as he grabs a towel and hobbles out of the bathroom, the steam billowing out into the tiny apartment and dissipating.
Blue neon lights from the shop across the way burn in his window. He hardly needs to turn the lights on in his own home to see in the dark, the ever-present glow of blue guiding the way.
Carefully, he sits on his bed. Another pulse of pain from the wound makes him shiver and take several deep, steadying breaths. He peels back the towel at the waist, revealing a single, thick thigh with a horrible cut right in the meat of it.
“Fuck,” he whispers. Walking around has made it bleed again, scarlet trickling toward the towel.
Trying not to disturb the wound, he reaches for the medical kit under the bed. The metal is cool to the touch as he flips the latches, rummaging around the bandages, antiseptics, and gels until he finds what he’s looking for.
Minho takes the single, long syringe and uncaps it with his teeth, spitting the cap on the floor somewhere. He flicks his hand a few times, holding it up to make sure there are no bubbles in the vial. Holding his wound carefully with one hand and with the syringe in the other, he inserts the needle deep into the flesh, the sting minor compared to the throbbing ache the cut itself emanates.
The compound burns as he injects himself. He clenches his teeth, pushing down on the plunger with steady pressure. He can already feel the numbness spreading in his leg as the local anesthesia takes root. He knows he’ll be itching when it wears off, the tiny nanobots working to stitch the muscle and tissue back together already making his skin crawl.
DeepStitch is an expensive thing to have. He pulls the syringe out carefully, glancing at the medical kit. It only came with one, meaning he was going to have to replace the vile. Medical compounds made for healing abnormal wounds cost a fortune, especially the type with micro-technology to assist the process.
Tossing out the empty syringe, Mingo lays on his bed, uncaring if he’s damp and in a towel. The numbness in his thigh spreads, making him shiver. He tries not to think about the fact that there are thousands of microscopic bots working on internally stitching his muscles an tendons as quickly as they can before the blood in his body deteriorates them.
The medical advancement of this world is beyond Minho, but he’s grateful for it as he drifts in a half-sleep. He finds it harder to sleep after using JumpPacks, his body unable to adjust from the constant state of false energy and adrenaline.
It makes him think about your stupid fucking offer again. A piece of armor that could sync with him and balance his hormones and chemical compounds at the tap of a wrist. Something that high caliber for a low-level contract killer was beyond him.
There was crazy, and then there was that.
Minho wonders if you’ve been charging him fairly, suddenly. He’s always thought the weapons and tech you provide him with were good prices. They were well-made but always within his budget, albeit he stopped looking at what you were billing him a long time ago. Now that he knows you’re willing to offer something that he’d only find on a United Praetor in the military, he wonders if you’ve been cutting him deals.
He’s never asked the others. Changbin and Jisung seem friendly with you, enough to make Minho wary about asking them questions. Though they’re the closest things that Minho has to friends, he doesn’t trust them whenever it comes to you.
Jisung already thinks it’s sweet that Minho is nice to you, and he hates that. Even if it’s true.
Time fades away as Minho circles his conversation with you over and over again. He examines every moment of it. When he can surmise nothing else of the interaction but you offering an olive branch of friendship, something a step beyond peers, he goes back to all of his other interactions.
He remembers almost every one of them.
Minho’s memory is fine-tuned. It has to be in his line of work. But the memories of you are particularly sharp. He’s able to recall the way you always poke fun at him to the exact line of his tolerance, the way you always know how to get in a good jibe without actually pissing him off. The way that you let Jisung and Changbin have it in front of him for his benefit, especially after they’ve irritated him, like you’re giving him a gift or saying I’m on your team.
Thoughts of you ultimately lead to other things like the way your eyes reflect the blue light of your many screens. Or the way you always smell like jasmine and amber. The way you pull your sleeves over your hands in sweater paws because it’s bitter cold in your studio to avoid explosions and corrosion of items. The way the nickname Cowboy runs so smooth off your tongue, making his toes curl.
Minho’s fingers twitch when he thinks about brushing the backs of his knuckles against your soft skin. He’s thought about it before and immediately cringed at the fantasy. Now, between exhaustion clinging to him and the numb limb, he doesn’t jerk away at the idea.
He finally falls asleep thinking of you and what it would be like to accept that olive branch.
-
The ringing of Minho’s watch wrenches him from sleep. He sits up straight in bed, gasping and hand shooting toward the nightstand where there’s a draw with one of his guns. He realizes that his wrist is vibrating and when he looks at the screen, he sighs with equal parts tension and regret as he realizes it’s work calling.
Fuck. He slept for almost twenty hours straight.
Clearing his throat, he answers. “Receiving.”
“Collection romeo-echo-alpha-delta-echo-romeo has been assigned to Collector 102598. You have five United Hours to complete your Collection.”
Information flashes on Minho’s watch and he feels the world disappear from underneath his feet. Your name, age, permanent place of residency address, and anything the government has both legally and illegally obtained flashes before him. He’s never even seen your full name before and there it is, glowing on his watch as he stares at the information.
It feels obscene to know any of this. He flicks his wrist, turning off the display. He doesn’t want to see any of it, doesn’t want to see when you were born, doesn’t want to see what ward you pay taxes in, doesn’t want to know your criminal history.
Minho’s ears are ringing. The Delegator does not confirm that Minho has heard or received the assigned target for Collection. Minho stares at the wall, his vision blurring at the edges as the name - your name - echoes in his mind over and over again. He hears it at the same rhythm as his pounding heart, pumping blood through his system as his watch flashes a high heart rate warning.
Your name. Your full government name and ID number. He’s only ever known your first name, but you’ve always been Builder to him anyway. Minho can’t remember if he’s ever said your name, and suddenly he wants to. He wants to know what it sounds like shaped by his mouth, what it tastes like on his tongue. Wants to say it so many different ways, laughing, smirking, sighing–
Three years and he can’t believe he’s never so much as said your name, and now that very name is on his list to kill.
Indecision roots his feet to the spot. This isn’t like a Reverse Collection where other hitmen try to kill him and he can get away with killing them instead, clearing his name for a little longer. This is a direct and finite order to eliminate you. There is no alternative to this Collection.
Irreversible.
Running his hands through his hair, he looks around his apartment. It looks unlived-in and completely impersonal. Just like the impersonal way he calls you Builder, as though not using your fucking name makes it more sterile. As if it keeps you further away from earning his trust.
Which you have earned. Implicitly. Minho can think of no one else he would let take care of him. That he would sleep or eat in the presence of. That he trusts not to kill him in his sleep while he’s unarmed.
Now he’s supposed to murder you?
Bile turns in his stomach. He hears the ticking of the clock on the wall. Every second inches closer to the decision he has to make.
Will he or won’t he?
Minho grabs his gun from the nightstand and walks toward the door.
He’s only a few steps toward it when he realizes he’s not dressed or prepared for whatever he is about to do - what is he about to do? He has no idea. All he knows is that he is dazed and his hands are starting to shake and his heart rate is climbing, his watch flashing a warning.
The room begins to tilt as his breathing comes out in haggard breaths. He stumbles a little bit, the blood pumping through him roaring in his ears. He belatedly realizes he’s having a panic attack, blindly trying to get back to his bed where he can sit.
What does one do during a panic attack? He has no idea, he’s never had one. He thinks of the last time he saw someone panic and immediately bends over to put his head between his knees, gulping air through his nose and out through his mouth.
What was it that Jisung said about panic?
It’s hard to remember. He thinks maybe there was counting involved, so he breathes in for seven seconds and then out for seven seconds. Does it again. And again.
Slowly, the world swims back into focus. He can feel the twinge in his thigh as he comes down from the momentary lapse of panic and judgment. When he trusts that he’s not going to vomit on his bare feet, he slowly sits upright, looking around the neon-blue room.
Quiet blankets the apartment. The world outside is faint. He can hear the clock on the wall as the minute hand moves, each marking the passing of a United Second. With a deep breath, he moves.
There are no thoughts as he goes. His mind is a single list of action items, marketing them off as he goes. Get dressed. Check his weapons. Arm himself to the teeth with things you’ve made him. Message Jisung a cryptic, one-word text that only the other Collector will understand. Arm a bomb. Leave.
It’s clinical.
Minho had always understood with absolute clarity the reality of his line of work. He’s always had a failsafe - or a killswitch, so to speak. From the first day of work, Minho’s only purpose was to kill until he died. He was always meant to die. And he tells himself that the single, little safe space he has in the world he started saving for… well. If you ever needed it.
Any work is good work.
Clouds hold in their rain. The night feels ominous. Minho glances up at the choked clouds, wondering what they’re up to. The Ministry of Weather controls the atmosphere in some parts of the city. Minho does not travel in those parts of the city - those assassinations are beyond the abilities of a Collector and reserved for Nightcrawlers.
Paranoia is imminent, but Minho tries not to look over his shoulder every five seconds. The mysterious nature of Collect Co. is still something he doesn’t understand, so it’s difficult to unravel the nature of his assignment. Without a doubt, whoever placed Minho as the Collector knows you supply his weapons.
That simple fact branches out into multiple possibilities. Perhaps the person who wants you gone simply thinks Minho is the best person for the job because he’s in your tentative circle of trust and a familiar enough face to slip through you’re defenses. Or perhaps the problem is him and they know he won’t complete the Collection, earning a job termination and his name showing up on the Collection list.
Either way, it’s on purpose. Of that, he knows for sure.
From his years working for Collect Co., there are only a few things that Minho is sure about. Delegators do exactly what their title suggests - they delegate kills. Callers are a tier above Delegators, calling the shots working the network of requests that come in for contracted kills. Legals do all of the paperwork and research before agreeing to a contract, and at the very top of the chain is the Floorman.
Beyond that, Minho has no concept of the hierarchy or who is hiring Collect Co. for jobs. There are obvious manipulations to the system and it’s impossible to work objectively within a private company that works with but not for the government, and Minho has little doubt that the financial benefactors are who really control assignments.
Which leads him back to the root of the question: why you? Is Minho the problem, or do you have enemies so large that they hold sway in Collect Co. He doesn’t consider that your deeds are nefarious enough to warrant a hit. What you do is illegal but you sell to the military, too.
So it begs the question: is it you or him who they really want gone?
Maybe it’s even a combination.
Still, he attempts not to seem paranoid. It’s easier than it should be, Minho’s mind so singularly focused on getting to you as he takes the train and traves to North Ward Three that he doesn’t have time to look around every corner or see if he’s being followed. There are other ways of keeping tabs on him, anyway.
The rain still holds as Minho gets off the speed train and ducks into the street. He keeps to the sides, activating his ad blocker as he’s immediately slammed by a screaming neon world. His gaze and gait must be sharper than he realizes, because people veer away from him, his energy repelling them.
From the corner of his eye, he notes Watchers - people responsible for keeping an eye on what’s going on in the street for their employer - take note of him. Some melt into the doorway of their workplace, and others call for runners.
Trouble. Minho looks like trouble and he can sense the shift as they catch wind of him.
The Watchers are no threat to him. Their entire purpose is to close the doors and pull back when they catch a sense of danger in the air. They’ll stay out of his way and won’t engage with him unless he threatens their clubs and shops.
Minho has little intention of doing that. He wants to make this as painless as possible.
Neon Rodeo burns like a dying sun. The orange falls over him as he jogs down the steps and lets the guards scan him. If they notice anything is off, they say and do nothing. Neon Rodeo is perhaps the only business without a Watcher, and it’s only because no one would dare interrupt the business with the Nightcrawler inside.
Synth rattles Minho from the ground up as he steps inside. The cowboy hats and their little smiling faces float like phantoms in the night. He only has a singular goal and he looks at no one else as he heads towards the back, sidestepping sweaty bodies and perfumed hair.
It’s full tonight, the weekend crowd packing the bar from corner to corner. It’s no matter. He cuts his way to the back where Hyunjin sits on a stool. Today, Hyunjin’s hair is blood red and his eyes are sharp, unnatural green. For a moment, Minho thinks of a chameleon before Hyunjin kicks a leg out and blocks the hall leading to the door.
“Your patronage has been terminated, Cowboy.”
Minho’s heart flips. Are you that angry with him? He drinks in Hyunjin’s dress and slowly his anxiety turns to understanding. Hyunjin is dressed in all black today. His shirt is armored and in place of pants with tassels are tactical trousers with pockets and weapons strapped to his thighs.
An assessment of the Nightcrawler tells Minho that there are weapons he doesn’t see. There’s a plasma pistol on his hip, a bandolier of small knives strapped across his chest, knives in his boot, and another plasma pistol on this calf.
Hyunjin’s fingers drum against his thigh as he watches Minho with those unsettling eyes. “Want to try, Cowboy?”
“I need to speak with her.”
“No.”
“I’m not-” Minho grits his teeth. “I’m not Collecting.”
“Didn’t say you were.”
Hyunjin knows. He doesn’t know how the Nightcrawler knows you’re a Collection on Minho’s list, but it’s clear in the way Hyunjin leers.
“Look, you can go in with me. Let me get her to safety.”
“And what do you think safety is, Cowboy? Even if you’re not lying, they’ll come after you too.”
“Listne, Nightcrawler-”
Hyunjin grins. It’s unnerving, and there isn’t much that unnerves Minho. “No, you listen. I tolerate you because I am ordered to. Now, I don’t have to. My only orders were to say no and to not harm you.” He leans back and spreads his hands and shrugs. The neon lights catch his blood red hair. “I’m always within my right to make a judgment call.”
“I’d never hurt her.”
“You’re not friends, last I checked.” Hyunjin cocks his head to the side. “You don’t have friends, right? That’s why you reject acts of faith?”
“What do you know of acts of faith, Nightcrawler?”
“You’d be surprised, Collector.”
Hyunjin is unmoving. Minho’s fingers twitch and Hyunjin’s eyes follow the movement. For a second, Minho wonders if he could beat his adversary to the draw. They could do it like an old fashioned movie, the bar the perfect setting for it. Hyunjin is totally unmoving and relaxed, not moving his hand toward his weapons.
He’s that confident in beating me.
United Seconds are ticking by. Every minute Minho doesn’t make his collection is time lost. He licks his lips ready to mount another argument when Hyunjin’s eyes flicker and look over Minho’s shoulders. His eyes narrow a fraction as they dart back to Minho.
“Here’s an act of faith. Let’s see what you do this time.”
The energy in the bar shifts. He feels the tremor go through the air and the hair on the back of his neck stands on end. Minho turns his head to the side, not enough to fully look back over his shoulder but enough to see the group of Collectors disperse in the crowd.
Both, Minho realizes. The Collection had been for them both, and it was a good excuse to get them in the same place. He grits his teeth as he realizes how predictable he is. They might have come even if he didn’t arrive, but they might have sent a smaller force.
Glancing at Hyunjin, Minho watches as the Nightcrawler does nothing. He waits for Minho, raising his brows and smirking.
Act of faith.
Normally, Minho doesn't believe in public acts of violence. Collectors are mostly prohibited from killing in public or endangering the lives of United Republic Citizens unless entirely unavoidable.
Now, though, he causes a scene and pulls his gun, swiveling around and leveling it at the nearest Collector he has a clean line of sight on. He feels the hum of the weapon and the click of the safety as he squeezes the trigger, the pulse of the weapon barely perceptible as it fires.
Plasma weapons are bright when they fire. It’s nearly blinding in the dark as he shoots, screams shattering the bar as the world turns into pops of energy and sizzling air. He ducks down as someone shoots at him, instincts kicking in as he grabs the leg of a table and yanks it toward him.
Behind him, Hyunjin lets out a manic laugh and stands from the stool. He drops a small device next to Minho, drawing his attention for a second. Minho watches as it expands with a shimmer of translucent energy - a shield. He looks at the Nightcrawler who crouches with him, grinning as he peers over the table and shields with his green eyes.
“There are eight. They’re just going to pin us here and shoot at us like fish in a barrel.”
“Is there a way through that door?”
“Sure there is. If they want to melt it down, I’m sure they have plasma blades, judging from the look of their very nice weapons. They can’t blow it without leveling the street.”
“Does she have a way out the back?”
“No, then I would have two doors to watch.”
A spray of metal and plasma ricochets off the shield that has molded to the shape of the table. Hyunjin gestures as if to showcase his point and Minho grits his teeth. Peeking around the table, he can see patrons hiding under tables and covering their heads. Collectors stand spread out, fanning the entrance and blocking the way, but they don’t come any closer.
They want to make the Collection, but they don’t want to face a Collector and a Nightcrawler together.
“Aren’t you some sort of unmatched assassin, Nightcrawler?” Minho asks, checking the mag on his plasma gun. “Can you just take them all out? That should be light work for you.”
“I’m good at not being seen, Cowboy. I’m not inhuman.”
“Oh good, so you’re actually useless when visible?”
Hyunjin’s face darkens. “You’d be surprised how often you don’t see me.”
The threat isn’t lost on Minho but it doesn’t have time to sink into its full effect as bullets rain down on them. They cringe together to ensure they’re behind the shield, which whines under the plasma assault and flickers. Minho thinks it will hold, but it’s only as wide as the table it molds to and the table isn’t very large.
Hyunjin reaches into his pocket and pulls out a grenade. Minho grabs it, looking at him with wild eyes. Hyunjin pulls his hand away. “It’s a flash grenade,” he snaps. “I’m not going to kill everyone.” He pauses and smirks. “I don’t do that anymore.”
“That’s hardly less settling.”
“You know,” Hyunjin muses, pulling the ring from the grenad. Green light pulses on it slowly, counting down until it starts to release blinding white flashes. “One day you and I are going to have a talk about why you think your profession is so much different than mine.”
“One is legal, for starters.”
Hyunjin lobs the grenade. “Right, so what you’re doing right now? This is legal?”
Minho is spared from having to answer as the world explodes in white. He and Hyunjin move at the same time, letting the memory of where the Collectors stand as they close their eyes and shoot. Minho’s shot blind thousands of times and it usually pays off.
It does for the most part now, the pair of them dropping Collectors as they shoot. The white light fades and there’s only a single Collector left standing by the door, his gun aimed at Minho. He swivels to shoot, but a bullet hits the Collector in the shoulder, twisting him backward from impact as he squeezes the trigger of his gun.
The shot catches Minho in the shoulder, knocking him back a step. He curses but keeps his weapon trained on the fallen Collector until he hears high-pitched screaming. It stops his heart, the sound of the Collector’s voice reaching a level of madness that echoes even after he gargles and goes silent.
Minho looks at Hyunjin with an accusatory glare but Hyunjin juts his thumb behind him in answer, pointing to where you stand at the door with a heavy pistol in your and. Minho blinks a few times in surprise.
“I think the nano-tips work, Jeongin.” You glance over your shoulder where the younger boy stands on the stairs behind you, armed to the teeth. “Remind me to write that down.”
Silence stretches in Neon Rodeo, save the soft quivering crying and sparking sign that’s been shot over the bar. From the corner of his eye, Minho sees it flash between Rodeo and Odeo over and over again, bouncing between the two words as the ‘R’ tries to fight for its life.
Then there’s you.
You stare at him with a guarded expression, drinking him in. Your gaze lingers on his arm, reminding him that it does in fact burn where the plasma bullet graze his shoulder. Next to him, Hyunjin shifts. The Nightcrawler barely moves forward, sliding part of his body between Minho and where you stand in the doorway to your studio, Hyunjin’s hand resting on top of his gun.
“You gonna kill me, Cowboy?” Your voice wavers when you ask. By the twitch in your lip, Minho can tell you’re upset that it does.
“No. I want to help.” Hyunjin snorts and Minho is reminded of his earlier question. What do you think safety is? “Consider it an act of faith,” Minho offers and Hyunjin’s snickering turns to curiosity. “I’ve rejected yours in the past. Let me off you the only one I have.”
No one moves. Minho slowly lifts his wrist toward Hyunjin, displaying the information. The Nightcrawler looks it over and raises his brows, looking back at Minho. “What strange turn of events, Minho.”
It’s the first time Hyunjin has ever used his name. He says nothing as the Nightcrawler heads over to you, murmuring quietly. Your face is inscrutable as you nod and look over your shoulder, saying something to Jeongin. He nods fiercely, face set in determination that makes Minho’s mouth twitch a little.
The three of them join Minho wordlessly as he turns on his heels and heads up the stares. Hyunjin’s watch flashes and lets them know that the United Enforcers are three minutes out and they need to get where they’re going.
You take the lead then, hurrying out the door but not out into the street, ducking into a noodle shop three doors down from Neon Rodeo. You shout in United New Mandarin at the woman behind the counter, shocking him - not that Minho knows anything about you at all - and the woman waves you off.
Through the shop and into the stock room you lead everyone, hoping over bags of flower and starch until you reach a table that you climb up on and pull a vent from a ceiling. It’s far too large to be a normal vent, and his questions are answered when he realizes it leads to a small garage that faces the next street over.
Once into the garage, Hyunjin takes the lead out into the street, weapon up. Minho brings up the rear, falling into a defensive unit as you go. Jeongin walks closely behind Hyunjin, his steps a little clumsy but his head on a swivel.
Good, Minho thinks. Jeongin is alert.
“Decided not to kill me?” you whisper as you skirt out into the street and hug the building face.
Minho can barely hear you over the fabric you’ve pulled up over your face. He blinks and thinks to do the same, pulling the hood up on his jacket and sliding up a black gaitor over the lower half of his face.
“I was never going to kill you.”
“Hard to tell with you.”
“I… don’t have an argument.”
And he doesn’t. He realizes that he’s kept you at arm's length despite your best attempts to spark some sort of friendship. What reason could he do that other than sparing himself if he had to kill you one day? It makes the most logical sense.
“I thought we were friends.” That makes him pause. You notice a few steps ahead of him that he’s stopped, looking at you. “We stopped being just business acquaintances over a year ago, Collector. My normal clients don’t get to test my new hardware or request as many JumpPacks as you do on the house.”
“They’re on the house?”
“Of course they are!” you snap at him. “Do you not look at your billing, Collector? How do you know I’m not overcharging you?”
“I stopped looking once I trusted you weren’t robbing me.”
“See, that’s a funny word coming from you. Trust.”
A whistle catches Minho’s attention. You both turn to see that Hyunjin and Jeongin are nearly three-blocks away at the entrance of a nondescript shop. Color floods Minho’s face when he realizes the pair of you had stopped walking to have your argument and he curses himself as you start moving again.
“I do trust you.” You say nothing to his comment. “I’m sorry I didn’t accept the armor.”
“It wasn’t about rejecting the armor, Collector.” The world Collector sounds dirty in your mouth. He suddenly wants to hear you call him Cowboy again. “It was about rejecting me when I thought we were already friends. I was wrong.”
Hyunjin leads them down into an alleyway that is void of anything besides dumpsters and murky puddles. The smell turns Minho’s stomach but he resists the urge to gag as Hyunjin bends down to pull up a sewer grate. He flashes his flashlight inside and nods before jumping down and vanishing. There’s a light splash as he lands and calls up for Jeongin.
Minho crouches close to you as Jeongjin adjusts to follow Hyunjin down.
“You weren’t,” he says as Jeongin jumps. You turn to look at him, confused. “Wrong. You weren’t wrong.”
You look him up and down, hesitating. Hyunjin calls your name and you turn away from Minho, checking your legs and arms to make sure your pockets are zipped. Minho watches as you jump. He realizes his holding his breath until he hears your feet splash.
Quickly, he scrambles to the grate, pulling the top with him. Looking through the hole, he sees the orange light of glowsticks as you and Jeongin crack and shake them, lighting up the tunnel in a very small ring of light. Hyunjin has turned off his flashlight and looks up at Minho, gesturing for him to hurry.
Minho holsters his weapon and jumps down, bending at the knee as he lands to absorb the fall. His boots splash loudly in the tunnel, echoing for a few seconds. His shoulder wound aches as he straightens up. Hyunjin is already lifting Jeongin up to pull the great back over the hole. The scrape of metal on the concrete sounds much louder in the watery tunnel, making Minho cringe.
Looking both ways, he sees the sewer is less of a sewer and more of a tunnel. The cloth pulled over his face does little to keep out the rancid smell, and he winces when he sees fat, black rats scattering on the edges of the orange light.
Something touches his arm and he jerks, hand going to his gun. You lean back and apologize, holding out a glowstick. He relaxes and takes it, fingers brushing yours as he does. He instantly gets a chill down his spine, though his fingers are warm where they brushed yours.
Minho clears his throat and holds the glowstick up, looking around the tunnel. He can hear the faint echoes of dripping water and every movement of the group feels loud in the pressing silence of the dark.
“What is this?” he asks, looking at you.
It’s Hyunjin who answers, “Nightcrawler shit. You’re welcome.”
“Should we expect any of your former coworkers, then?”
“They’re not so bad.” Hyunjin unholsters his weapon as he begins walking south down the tunnel, throwing Minho a sharp grin. “It’s the Darklings I worry about.”
You fall into step behind Hyunjin immediately, ducking your head to murmur something to him as you go. The glow of your light gets farther away as Minho stands staring at Hyunjin, unsure if he’s serious or not.
Jeongin steps up next to Minho. “He was joking about Darklings, right? The People Underneath are a myth?”
“Have you ever heard Hyunjin tell a joke?”
Minho leaves Jeongin thinking about it before the younger rushes to keep up with him, feet splashing wildly.
-
Whether Hyunjin was joking about the Darklings or not, they don’t run into anything except rats and roaches in the underground tunnels. Minho finds himself itching to ask the Nightcrawler questions and demand where they’re going, but he doesn’t,
An act of faith.
It was an act of faith when Minho showed Hyunjin the safehouse on his watch. It was one of the few things that Minho protected more fiercely than his life, and he was hoping that when Hyunjin saw the coordinates, title of ownership, and Minho’s information, he’d gain a little trust.
Minho had been right. Hyunjin, though still sharp at the edges, has become unnervingly benign with Minho, addressing him by his name. It’s not much to most, but he knows among killers it’s a huge step. One that means a little more trust, if not at least peers.
You remain quiet for the most part. Your eyes stray toward Minho often and when he catches you looking, you don’t look away. Your gaze is hesitant and questioning, as though you’re trying to figure him out like one of the schematics on your screens.
Biting into a protein bar, he quickens his pace to fall into step with you. “What will you do with your lab?”
Your lips twitch. “Chemical fire. There’s a stop-line in the frame of the building so it should be controlled. I promised not to burn down Neon Rodeo when I established my office there.”
“Who owns that place, anyway?”
“Bangchan.” The name sounds familiar. “Reformed Nightcrawler.”
“You keep unusual company.”
“Better than none.”
That gets a little bit of a laugh from him. You smile when he does and he swears it’s brighter than the glowsticks you carry. “I deserved that one. I’m working on it, alright.”
“How do Jisung and Changbin deal with you?”
“The same way I deal with them.” You hum, nodding in understanding. For a few minutes, it’s just wet steps echoing in the tunnels. “What made you decide to come with me? I assume you have your own fallback plans.”
“I do, but I don’t know. I wanted to accept your olive branch.” You look at him. “I wanted to trust you.”
He nods. His gut twists a little at that, both anxious and pleased. He’d been right about offering an act of faith in return for the one he scorned. Now, he just has to keep you alive, which he grows more confident in doing.
“Where are we going?”
He looks up at you. “Hyunjin didn’t tell you?”
“No, just said to trust you.” Minho’s brows shoot up and you snort. “I know. Whatever you showed him convinced him.”
“It’s a safe house on Isla de Suenos.” You look up at him sharply and he gives a soft grin. “My mother belonged to a very well-off family. I’m not supposed to exist, and she had to decide at a young age whether or not I was worth throwing away her family and their power. A single safehouse purchased with offshore accounts and through a network of money-changing and bought secrecy is the only thing she could give me.”
“She didn’t choose you?” He shakes his head. You think about that for a second and he lets the words sink in, waiting for the pity, which he hates. Instead, you hum. “No wonder you don’t choose people either.”
Your candor is a relief. You don’t tell him sorry or try to comfort him. You accept this as a fact of life, a normalcy that a mother would choose wealth and power over a child. “There are no records tying us together, but the title of the house is under what my name would have been if she’d taken me. Lee. My family name would be Lee.”
“What is it now?”
“I don’t have one. My father was servant-class. We don’t have family names.”
“He worked for your mother’s family?” Minho nods. “Lee. I like it. Will you keep it?”
“Maybe. It’s who I have to be, now.”
“No longer the Collector?” He shakes his head. “Good. Perhaps I like you more as just Lee Minho.”
Minho bites back a grin.
By the time they get to the surface again, they’re just outside of the city-proper on the northeast shore. Here, the night is bitter cold as the salty air blasts off the ocean, dark waves rushing and receding against the shoreline.
They take a brief break once their topside, Minho gasping deep breaths of fresh air in as he gulps down water. Now that they can see without the glowsticks, they toss them into the trash and breathe in silence.
Carefully, Minho peers at the wound on his shoulder. It’s caterized from the heat of the plasma, but the burn hurts something vicious. He has no medical supplies on him, and he examines the chawed flesh with mild concern.
Seeing the injury, you get up wordleslly from the rock where you sit and come over. Your hand digs in one of your pockets and you produce a packet of burn gel and antiseptic, wordlessly gesturing to the wound. He nods and you offer a tentative grin before ripping the antiseptic open with your teeth, spitting the crinkling material on the ground.
With steady hands, you squeeze out the translucent gel on the tips of your fingers and peel the damaged parts of Minho’s shirt away from the flesh. He sucks in a breath when you apply the cool gel to the wound, the stinging of the antibiotic catching him off guard. You shoot him an apologetic wince before continuing to press it lightly into the burned flesh.
You smell like jasmine and amber. Minho breathes it in deep, a soothing scent mixed with the salty air of the seat just a few yards away. His eyes flutter shut as your fingers work his shoulder, deft and skilled like an artist.
“My mom liked to paint,” Minho says automatically, unsure where the comment comes from. “That’s one of the few things I know about her. She had artists hands. You have hands like hers. Graceful.”
“Hmm, I wouldn’t say I’m an artist but I do draw designs for weapons a lot.”
“It’s a kind of art.”
“I suppose it is.”
Your closeness makes Minho dizzy. Instead of chasing you away in the past, he lets you linger and spread the burn gel on his shoulder. He doesn’t open his eyes, letting the sound of the ocean and the press of your steady fingers lull him into a moment of relaxation.
He can almost pretend you both haven’t thrown your life away to head to some house he’s never been to with little to no plan but to arrive there alive.
“Does it hurt?” he shakes his head at your question. You voice is soft and raspy, rising the hairs on the back of his neck. You’re so close he can feel the heat radiating from you, making him lean in on instinct, seeking the warmth. “If you let me give you better armor, plasma won’t hurt you.”
Minho’s eyes flutter open. “You brought it with you?”
“Of course I did.” Your face is inches from his, eyelashes fanning your bright, glittering eyes as you look up at him. “I don’t want you to get hurt.”
Hyunjin’s voice shatters the moment before Minho can respond. “Hello, yes, the child and I are still here.”
“I’m not a child!”
“The child and I need to leave, however. Seungmin and Felix are waiting to escort us. I believe your friend left transportation for you, Minho.”
You whirl around. “You’re leaving? What do you mean you’re leaving?”
“I have some Nightcrawling to do with Bangchan and Seungmin. I’m taking the child to stay with Swan.”
Minho has no idea who Swan is. He sees the uncertainty color your face as you regard your guard - your friend. “You would do that? Take him to stay with her?”
“Of course. Swan likes strays.”
“I am right here,” Jeongin reminds everyone, crossing his arms over his chest. “And I’m not a child.”
Hyunjin grins at him. It’s real and not a leer, something that Minho doesn’t think he’s ever seen. Hyunjin grabs Jeongin by the shoulder, pulling him along before flicking his poison-green eyes toward Minho and you. “Enjoy your evening. I’ll be around, Minho.”
“Wait!” you bolt over to them, catching everyone by surprise as you throw your arms around the two of them and squeeze. The smile on Hyunjin’s face is so soft that Minho has to look away, equal parts something like jealousy and feeling like he’s intruding. “Here.”
You divest several items from your pockets, shoving them into their hands. Medical gels, a few gadgets, and a little Scorpion figurine that you shove into Hyunjin’s hands. He raises a single brow in amusement but you say nothing to the Nightcrawler, rushing back to stand at Minho’s side.
Hyunjin and Jeongin lift their hand in waves to Minho before turning and heading down the beach at a slow pace, their feet sinking into the sand. Cold wind whips at Minho as he stands watching with you silent by his side, waiting.
Without a word, he turns and beckons you, heading up the rocky coast before heading back down precariously to a tiny cove with a boat buoyed between the rocks. It’s hardly a safe-looking boat and he realizes it probably wouldn’t have carried them all, but it’s something.
Minho climbs into the boat carefully before helping you step down into it. The rocking water throws you off balance and he steadies you, hands tight on your waist. You mutter an apology but he doesn’t let go until he’s sure you’re okay, eyes searching.
A moment of tension passes, his fingers pressed into the fabric of your hips, your closeness overpowering the sea air again. You clear your throat and it passes. Minho lets you go as he finds the key and plugs it in to turn on the engine.
You busy yourself with untying ropes, your steps unsteady as the vessel moves unpredictably beneath your feet. Once you manage to get rid of all the lines, he begins to navigate out the cove backward, turning the wheel violently from side to side as he fights the tide.
Thankfully with every swell that pushes the boat into the cove, it drags it back out. It takes about three swells before the craft is pulled into the ocean proper and he throws the throttle in reverse, water rooster tailing for a moment as he does.
You join him at the helm and stand close as he turns it around and drives. Wind rips at his jacket, blowing back the hood. He’s thankful for the face cover fighting the icy wind, squinting as he drives in the late hours of the night across a rippling black ocean.
The water gets rough as he turns to the east, glancing at the coordinates on his watch every once in a while. Your hand shoots out to grab his forearm on a particularly violent dip. He curses, pain radiating from his shoulder as you do. You immediately shout an apology and let go, but Minho snakes an arm around your waist, pulling you tight.
For a second, you stiffen, looking up at him uncertain. He remains steadfast in his hold, willing his heart to slowdown as he drives, determined to keep you from falling off the boat and into the water before you can even make it to the safehouse.
You relax into him after a second, pressing closer and letting him hold on as you go. He relaxes when you accept his help, breathing out a slow breath that he didn’t know he was holding.
It takes almost forty five minutes, but the dark shadow of Isla de Suenos materializes in the night. The city is a spec of light on the misty horizon as the waves begin to slow down until he can let down on the throttle, bringing the boat to a troll instead of a plane.
The collection of islands that surround the massive, man-made mountain in the middle of the seat are all only about seven acres in size and are privately owned. The level of exclusivity is something Minho is incredibly unfamiliar with, and he gets nervous as they approach the barely visible shield surrounding the collection of islands.
“Minho, there’s a-”
“It’ll let us through.” He squeezes your waist on instinct, hoping it’s true. As the boat passes, he holds his breath. He feels the biochip in his neck flicker and then they’re through the shield. The water is falt calm on the other side of the energy wall, tapping gently against the hull. “It’s biometric.”
“And you were sure that was going to work?”
“Mostly.”
“Mostly is not a great attitude in the invention field, Minho.”
It takes a second, but he realizes you’re calling him by his name and not Cowboy. He likes the sound of it on your tongue, though he doesn’t mind the diminutive.
Even in still waters, he doesn’t remove his arm around your waist, the protective instinct still high as he steers the boat according to his watch. Islands with lights hidden behind thick jungle and rockface slide past them.
The beacon on his watch flashes and he turns the boat, trolling to a long, empty dock ahead of them. The island is no different from the rest, covered in sprawling jungle and foliage that look monstrous in the ominous night.
Quickly, you tie off the boat and disembark. Your steps on the dock feel loud in the quiet night, the two of you hurrying along and up the shore until you hit the stone stairway that leads through the trees. Though he isn’t holding you close to him anymore, you still keep yourself pressed close, the back of your hands brushing as you begin the climb up the island.
Minho has no idea what the house looks like. He only knows that it’s coded to his biochip and that it’s always been there if he needs it. He doesn’t know if it’s stocked or if the electricity is on, or if it’s been raided and taken over. He doesn’t even know if there are codes to get access.
It is the most unprepared he has ever been.
A large estate springs up among the trees. The entire building is constructed on a platform with foliage and trees brushing along the foundations. It’s made up of windows and metal framing, the windows dark and hiding whatever exists within.
It is exquisit. Minho has never seen an estate or a luxury home before in person, but he knows that’s what this is. The thought seems a little silly as he leads you toward the modular home, steps quiet as he glances around. He cannot imagine that anyone but he and his could enter the grounds, but he’s still on edge.
At the door, there’s a single bioscanner. He leans his neck toward it, letting it flash over his biochip. The scanner turns green and he hears the hiss of an airlock. Glancing at you and shrugging, he tries the handle and pulls the door open toward him.
Inside, the air is cool. He steps in first, hand on his gun as he looks around the interior. It’s sparkling clean and decorated with dark wood furniture and greenery. He takes a few steps inside, flinching when automatic lights come on and cast a warm, gold glow in the house.
“You’ve been living as a fucking Collector when this existed the entire time?” you deadpan from the door.
No kidding, he thinks, turning to look at the multi-story wonder that is the home. It’s three levels of tropical opulence, making his head spin at all of the possibilities.
“I didn’t know what was here, honestly.” He turns to look at you and nods. You step inside and pull the door shut, tapping the screen beside it. The locks click in place again and with another tap, he sees the windows darken to privacy mode. “I assumed she didn’t leave me something grand.”
“It’s a good start on an apology. She’s still a bitch for leaving you and I think you should let me fight her.”
A ripple of fondness goes through him and he smiles at you, uncontrolled and large. You shoot a shy one back before looking away at the wonder of the home.
Unlike him, you seem to relax immediately, kicking your shoes off to wander around the house. He follows suit after a moment of hesitation, peeling the cover off of his face and kicking of his shoes. He leaves his holster open on his weapons, hands hovering near them as he follows you.
The house is extravagent. Smaller than he originally thought, with only three bedrooms and two bathrooms, but the spaces for each are massive and sprawling with greenery. It feels like the jungle is a part of the house - and he realizes it is, at least in the atrium. There’s a large pool and something that looks like a hot spring behind the house, hidden from the world by think palms and palmetto.
Each room is richly designed and cleaned, as though it has been kept for him all this time. He’ll have to worry about that at some point, unsure who has kept the house in such a presentable state while it’s existed.
After you’ve fed your curiosity, you drift to one of the rooms with a private bathroom. He takes the room across from you, feet dragging as the exhaustion hits him. His limbs feel heavy and peeling off his shirt with the injure arm makes him curse and hiss. He doesn’t bother looking in the mirror, knowing the old bruises from a few days ago are still there.
Steam fills the bathroom. He’s a little put out when he realizes that the stone shower has a wall of glass to reveal the jungle on the other side, but he realizes there’s no one to watch him. He shakes the uneasiness and steps under the scalding water, moaning as he closes his eyes and lets it run down him.
A screen with a dozen or more settings sits in the rockface of the shower, but he doesn’t know how to use them. He hits another button hoping for what is more water pressure and instead gets a heavenly waft of eucalyptus. He leaves the settings alone, settling for tranquility over scrubbing himself.
Minho doesn’t know how long he stays in the shower. His fingers prune and the crust and blood eventually peel away. He spends a short amount of time scrubbing his own skin, eager to get out of the shower and check on you.
Now that he has you, a new sort of stream of conscious has made itself permanent, always wondering where you are and if you’re okay.
Steam clouds the bathroom as he steps out, wrapping a towel around his waist. Water clings to him as he ruffles his wet hair, strolling out into the bedroom. He walks toward the table by the door, rifling through his things looking for medical gel.
A knock draws his attention and you open the door a crack, making a sound of surprise when you don’t expect to see him standing right in front of you. Your eyes dip down to where the towel is on his waist and back up, immediately opting to look at the ceiling.
Minho’s lips pressed into a firm line, trying to eat the smirk threatening to take over.
“Sorry, I assumed you were still in the shower. I - um - brought more gel for your shoulder.”
He steps away from the door, leaving drips of water as he does. “Come on in.”
“Are you sure?”
He shrugs and then winces, the burn pulling taught as he does. You enter immediately, shutting the door behind you and ripping the top off the packet as you do, eyes focused on the wound. You’ve got your fingers slathered in gel and pressing to his shoulder before you realize the forwardness, pausing to glance up at him.
Now, Minho does smirk. “I’m at your mercy.”
“Sorry. I know it’s hurting you and…”
“You don’t want me to hurt,” he fills in, remembering your words from earlier.
You nod and chew your bottom lip as you work. He studies you closely. He doesn’t know if it’s his acceptance that you’re more than just someone he buys weapons from, the exhaustion or the little sliver of feeling he’s always pretended wasn’t there, but Minho suddenly feels a little bolder.
A little braver.
“I never had a chance to thank you.”
“For what?” You throw the antiseptic on the table and rip open the burn gel. “Anything. Everything. I don’t think I’ve ever said thank you.”
“There’s a lot of things you haven’t said.”
“So let me.” You dart a look at him, nervous. When you don’t interrupt he continues, “You were right. We stopped being industry peers a long time ago, and I’ve purposefully ignored multiple favors from you to keep the illusion that simple relationships meant I couldn’t be hurt. Or hurt others.”
“And now?”
“I realize it was silly.”
“Hmm. At least you admit your faults, Cowboy.”
He smiles. You finish applying the gel, but you don’t move away from him. You linger, looking up through silky lashes at him. Your face takes on a dreamy look, mouth parted a little and he feels heat coil in his stomach at that look.
“Why’d you offer me that armor?”
“I was afraid of how often you were working. I knew you were getting hurt and I wanted to help. Why’d you reject it?”
“I didn’t want to hurt you.”
There’s a long pause. Your gaze drops to his mouth. You’re only a few inches away, the ghost of your breath against his neck. “What if I want you to?”
Minho needs no other permission. It’s like a dam giving way, the past few days able to wedge their way in and open him up to let the rawness spill out of him. He surges forward, catching your mouth against his as he does so, hands shooting to your waist.
You don’t push him away. Worse, you melt into him like it’s natural, hands skating up his arms and around the back of his neck to pull him in closer to you. Your mouth is warm and minty and addicting, scattering his thoughts to the stars as your lips move against his.
Heat is trapped between your bodies. He feels like he’s burning up from the inside, squeezing your hips as his tongue brushes against your bottom lip. You open up for him easily, like you were always made to and he groans.
Every time he has ever held back from you fuels him forward. He presses into you, turning you to push you on the mattress. You go willingly, opening your legs to let him slot between them. He leaves over you, mouth hungry. Devouring. Ravenous.
You gasp between kisses, nails grazing down his flexing arms. He wants to fucking drown in you as he bites the edge of your jaw, tasting the soap on your skin. You smell like jasmine and amber, though now he can smell the eucalyptus too, driving him insane.
You.
The one thing he’s let himself trust. The one person he’s let in, even when he didn’t want to admit it. The one person he wants to have more than anything else.
Greedy hands scrape up his chest. Your fingers are warm and searching as he nips the tender flesh of your neck, tongue laving over the bite to soothe it. The sounds dripping from your mouth are so pretty, driving him inside as he traces his desire with tongue and teeth.
The fabric of your shirt scrapes against his skin, itchy and in the way. His hands pull at the hem and he hesitates, looking down at you through a heavy-lidded gaze and panting. You not frantically, hands pulling at his to guide the shirt upwards and off, revealing warm skin.
Minho wants to taste every part of you. You create art with your schematics and your weapons, but you are art. He worships you with tongue and teeth, hands brushing up your stomach to cup your chest. His tongue pulls a languid moan from you as he flicks it over the peak of your nipple.
Fuck.
He’s greedy, sucking gentle on your pert bud, ensuring to scrap his teeth along the sensitive flesh. You writhe underneath him, unable to remain still. His other hand works you too, tweaking your stiff peak as he trails spit-slick kisses across your chest to wrap his lips around that nipple too.
Minho looks up at you through his lashes. You’re a rendering of pleasure, head pressing into the bed, chest pushed up, a sheen of sweat on your collarbones and neck. It drives him wild, cock throbbing heavily as he trails his mouth toward, fingers pulling your pants as he goes.
Your fingers twist in the sheets. Everything he does affects you and he’s drunk on it, heart thudding in his chest as he drops down to his knees. His towel falls and the cool air makes him shiver. He feels the sticky tip of his cock brush against his leg but he ignores the ache between his thighs, fixing his eyes on what’s between yours instead.
Pretty and wet, all for him. For him. He gets to have you. But he doesn’t yet, making you wait and feel the personal hell it’s been for him to pretend he wasn’t yours as he kisses up your thighs, licking warm skin and digging his teeth in.
“Minho,” you half gasp, half wine. He smiles against your knee, giving it a gentle peck. “Please.”
“Yeah?” he switches legs, biting your calf. “Want it that bad?”
“Need it.”
He brings a hand up to your dripping cunt, dragging a curled knuckle through your wetness. You let out a keen and he grins against your leg even more, hypnotized by the way your petty little hole clenches at the contact.
Minho drags it out. Plays with you, dragging that knuckle slow-soft through your folds, avoiding your clit. You let out a sound that’s almost a sob and he chuckles, bringing his hand up to suck at the stickiness on his finger.
“Hmm. Sweet.”
“Bet it’s better from the source,” you shoot back, trying to make a jab and failing with how weak your voice is.
“True,” he agrees, leaning forward.
Your taste blooms on his tongue as he licks up your center, slow and patient. He savors the taste, humming as he does. You buck under his mouth and he grips your thighs, pulling you open. You’re warm and wet and perfect, and he listens to your breath hitch as he licks you slowly, making sure to circle around your clit each time.
One of your hands shoots to his hair. He doesn’t mind as you pull. The sting feels good and spurs him on, eating you out properly. He loves the sounds you make for him, loves the way your thighs twitch as he sucks your click into his mouth, tongue flicking over it.
It’s wet and messy and just the way he likes it, slick dripping down his chin as he presses himself in further, desperate to fuck you into sanity with just his mouth.
He doesn’t have a problem doing it. You buck against his face and he lets you, holding his tongue flat for you to grind against. Your fingers in his hair have him in a vice grip and he moans, a steady stream of mhmmm dripping sweet from his mouth into your heat.
“Fuck,” you gasp. “Fuck fuck fuck.”
“Come on,” he mouths against you. “Take what you want, baby.”
The endearment slips from him more natural than anything he’s ever done. His fingers squeeze your thighs as you undulate against him, his entire attention fixated on you as the begin to shake. Your hand twists in his hair and he groans, equal parts pain and pleasure as you come apart.
He hums in satisfaction, keeping his mouth working on you, drinking you in as you continue to tremble. The power trip that comes with seeing you come is unmatched, lighting a fire in him as he licks you to oversensitivity.
“Minho,” you beg, voice squeaking. He grins, kissing your cunt before he mouths his way back up to you, capturing your mouth with his. You’re eager to taste yourself, tongue licking at him more than anything, smearing your slick on his lips. He feels his eyes roll back. You’re going to kill him. “More.”
Minho would conquer the world and call it yours if you wanted him to. There’s nothing he wouldn’t give you. Pretending otherwise was the great folly of man, he realizes, as he shuffles you up the bed and climbs between your legs, standing up on his knees.
You watch him, pupils blown and fucked out as he heaves. He can hardly catch his breath as he reaches down to take his cock in his hand, pumping leisurely as he watches you. The way you look at him like you’ll consume him whole makes him shiver. He wants you to. Want you to burn him up until there’s nothing left.
Leaning down, he drops his cock out of his hand in favor of sliding a hand between you’re legs. You’re a mess of spit and cum, making the glide easy as he slips a finger into your heat to work you open. Your head falls to the side, giving him access to suck at your jawline as he fucks you open with his finger, adding a second when he knows you can take it.
Your hips roll up to meet his thrusts as he scissors his fingers open, pressing against your warm walls to push the stretch further. You’re putty in his hands but he’s a mess in yours, too. He’s shaking by the time he slips his hand from between your legs to press the crown of his cock at your entrance, hesitating.
Minho looks up at you. He already knows there’s no going back for him, three years of his own stubborn delusions robbing him of what could have been. But he asks, anyway. “Are you sure?”
“I’ve been sure for a long time. It was you who needed convincing.”
“What a stuipd man I am.”
“Yes,” you agree. “But mine.”
That drives him wild. Simple words and yet the very action of you claiming him erodes the last bit of resistance. He pushes into you and goes slow with a considerable amount of effort, shaking and panting as he tries to keep it together.
You’re warm and tight and twitches of pleasure ripple through him from cock to stomach. Minho swears he comes alive for the first time as he seats himself in your cunt to the hilt, barely able to catch his breath as he ducks down to press his mouth against yours.
It’s not delicate, but it isn’t the same ferocity as earlier. It’s something else that lingers between madness and relief. He only begins to move when he feels your hips wiggle. He smiles into the kiss, retracting his hips before surging forward again.
Delirious. That is the only word that comes to mind as he starts to fuck you slow and deep. Your mouths bump together but you’re both breathing raggedly, shaking together. Your hands card through his hair, soothing and soft. His lashes flutter as he drops his head further. You press your lips against his forehead as he picks up the pace, letting your hands worship him as he fucks you.
How could he ever think he was sparing you from him? How could he ever make the mistake that if he kept on the fringes, you wouldn’t leave him ruined like this? It seems unimaginative now. Like something that was always meant to happen.
No wonder Collect Co. knew he would go running to you like a dog when they assigned you to him. Everyone else could admit it except him, an egregious error on his part.
But Minho has you now. Gasping his name and moving in his arms. Rolling your hips to meet his, your cunt clenching on his cock as he fucks you harder. He wants to dig into you and never let go. Wants to sink in to the very core and live there.
“Mine,” you growl as though you can read his thoughts. “Even though you tried not to be. You are mine, Lee Minho.”
When you say his full name like that, voicing the boy who could have been and now who is, he starts to come apart. His pace quickens as he chases your second release, holding you tight to him as he feels you clench longer and longer around him until you’re sobbing his name and spilling down his shaft.
Minho all but growls your name as he comes. Never again will you be Builder. You’re his. First and last name his to say. The acknowledgment almost makes him cry as he slows his thrusts, gasping for air as he tosses his head back, heat escaping between the two of you.
Finally, he stops fucking you, hands linked with yours as he leans up to catch his breath. He’s still seated in you, feeling the cum drip between where your ass is pressed against his thighs. He doesn’t care, feeling the sweat and the water from his shoulder drip down his back.
His arm burns where he’s used it. He’d been unaware of the pain while lost in you, but he feels it now, throbbing. He doesn’t care. He’d do it again a thousand times.
Slowly, he unravels from you. Your hands don’t let him go far, pulling him down next to you to roll toward. He smiles, tired and dreamy at the edges as he lets you. The bed is soft against his balmy skin, the cool air helping calm him down.
Finally, both of you can breathe. He knows that he needs to shower again, but he doesn’t want to get up. He wants to keep you near. Now that he’s all in, he wants to stay all in.
“We should call this place the Jungle Rodeo.” He cracks an eye open at you to realize you’re hiding a grin as you look up at him. “You know, since we can’t go back to Neon Rodeo.”
“What is it with you and rodeos?”
“You find Cowboys at the rodeo.”
“Oh?”
“And you’re here… so… it’s a rodeo.”
He blinks at you. “Your intellect is astounding.”
You laugh and it’s like taking a JumpPack straight to his bloodstream, a rush of energy and euphoria driving him upward and toward you. He smothers you with kisses, driving by the need to taste you again. You let him, giggling.
“What do you say then, hmm?” he growls, nipping your bottom lip. “Want to go for another ride?”
“That joke was terrible.”
“You know what they say. When at the rodeo.”
You laugh again and Minho is a goner once more, just like he was the first day he met you at Neon Rodeo.
-
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hello (one of the) resident phannie data analyst(s) here with some parasocial stats on dnp’s movie tastes! following: distribution of dan and phil's ratings overall, movies they each rated 5 stars, their lowest-rated movies, and the similarities + differences in their tastes
(lore moment: yes i am a data analyst in my real job. yes i surprised myself with wanting to do this in my spare time. but then i remembered when we read dracula in college (yes i was an english major) and i graphed like, how many times dracula was referred to as vampire versus monster or something. so i shouldn’t be surprised.
first up, their overall rating patterns and by ~special status~ (i.e., wall-e, kill bill, avatar, lmao, plus big hero 6 for the fun of it)
dan’s rated 304 movies and phil’s rated 305. both of them have mean and median ratings of 4 with min 1 and max 5.
both rated kill bill vols. 1 and 2 a 5. wall-e got a 4.5 from dan and a 4 from phil (phake phans). both gave avatar a 3.5. and big hero 6 3.5 (dan) and 4.5 (phil)
rating distribution:

i did analyses here by genre but i need to fix the output (i’m writing all of these based on the markdown document from my phone on the subway, but i need to fix the outputs and i don’t have my computer. so those are pending but there are other genre analyses that i could do & haven’t yet!)
while i was sorting through the data i got the impression that dan overall rated movies higher than phil. so, among movies that they've both rated, here's some information
number of movies dan rated higher than phil: 65
Empire Strikes Back, Blade Runner, Return of the Jedi, My Neighbor Totoro, Back to the Future II, Nightmare Before Christmas, Toy Story, Phantom Mence, Donnie Darko, Attack of the Clones, Finding Nemo, Oldboy, The Notebook, Batman Begins, Brokeback Mountain, WALL-E, (500) Days of Summer, Up, The Hangover, Drive, The Cabin in the Woods, The Avengers, The Dark Knight Rises, Life of Pi, Skyfall, The Hobbit: An Unexpected Journey, Whiplash, The Amazing Spider-Man 2, Room, The Hateful Eight, The Force Awakens, Manchester by the Sea, Deadpool, La La Land, Moonlight, Rogue One, Call Me By Your Name, Guardians of the Galaxy Vol 2., Wonder Woman, Spider-Man: Homecoming, I, Tonya, Thor: Ragnorak, Phantom Thread, Roma, The Favourite, The Lighthouse, Toy Story 4, Midsommar, Ad Astra, Knives Out, Soul, The Green Knight, No Time to Die, Don't Look Up, Spider-Man: No Way Home, Turning Red, Doctor Strange in the Multiverse of Madness, Thor: Love and Thunder, The Banshees of Inisherin, The Fabelmans, Glass Onion, Beau is Afraid, Barbie, Oppenheimer, Poor Things
number of movies phil rated higher than dan: 55
Star Wars (New Hope), Blair Witch Project, Requiem for a Dream, Memento, Ocean's Eleven, Lord of the Rings: The Two Towers, Iron Man 2, Thor, Captain America: The First Avenger, The Girl with the Dragon Tattoo, Moonrise Kingdom, Iron Man 3, Gravity, Prisoners, The Wolf of Wall Street, The Grand Budapest Hotel, Captain America: The Winter Soldier, The Imitation Game, Nightcrawler, John Wick, Gone Girl, Big Hero 6, Jurassic World, The Martian, The Revenant, Nocturnal Animals, Split, Get Out, Baby Driver, The Disaster Artist, Dunkirk, The Shape of Water, The Greatest Showman, The Last Jedi, Ready Player One, Crazy Rich Asians, A Star is Born, Rocketman, Once Upon a Time… in Hollywood, Joker, The Rise of Skywalker, The Invisible Man, A Quiet Place Part II, Greenland, Tenet, Malignant, Eternals, The Matrix Resurrections, Scream (2022), Nope, Prey, Talk to Me, Avatar: The Way of the Water, The Super Mario Bros. Movie, Mission Impossible - Dead Reckoning Part One
number of movies they rated the same: 99!
Alien, ET, Gremlins, Back to the Future, Top Gun, Aliens, Home Alone, Silence of the Lambs, Jurassic Park, Pulp Fiction, The Lion King, Se7en, Scream, The Fifth Element, Titanic, The Truman Show, The Matrix, Magnolia, Spirited Away, Lord of the Rings: The Fellowship of the Ring, Spider-Man, Lost in Translation, Kill Bill, Lord of the Rings: The Return of the King, Kill Bill Vol. 2, Mean Girls, Howl's Moving Castle, Children of Men, The Dark Knight, Pontypool, Inglourious Basterds, Avatar, Toy Story 3, Inception, Scott Pilgrim vs. the World, Black Swan, The Social Network, 21 Jump Street, The Hunger Games, Silver Linings Playbook, The Conjuring, Snowpiercer, Her, Thor: The Dark World, The Hunger Games: Catching Fire, Boyhood, It Follows, Guardians of the Galaxy, Birdman or (The Unexpected Virtue of Ignorance), Interstellar, Ex Machina, The Witch, Avengers: The Age of Ultron, Mad Max: Fury Road, Inside Out, Ant-Man, Captain America: Civil War, Your Name., Arrival, Three Billboards Outside Ebbing, Missouri, mother!, It, Blade Runner 2049, Hereditary, Black Panther, Annihilation, A Quiet Place, Avengers: Infinity War, Captain Marvel, Us, Avengers: Endgame, Parasite, It Chapter Two, Marriage Story, Uncut Gems, 1917, Black Widow, The Suicide Squad, Shang-Chi and the Legend of the Ten Rings, Dune, Last Night in Soho, The Batman (2022), Everything Everywhere All at Once, X, The Northman, Top Gun: Maverick, Bullet Train, Barbarian, Pearl, M3GAN, Dungeons and Dragongs: Honor Among Thieves, Evil Dead Rise, Guardians of the Galaxy Vol 3., No Hard Feelings, Saltburn, Priscilla, Society of the Snow, Saw X, Leave the World Behind
i didn't analyse this by genre or anything, but i could -- so if you're interested lmk!
the 5 movies with the most different ratings between dan and phil
- Iron Man 2 (dan: 2, phil 3.5)
- The Greatest Showman (d: 2.5, p: 4)
- Malignant (d: 3, p: 4.5)
- Scream (2022) (d: 2.5, p: 4)
- Beau is Afraid (d: 3, p: 1.5)
Interesting that even though dan has more higher rated movies, 4/5 of these ones phil rated higher.
next, their 5-star movies
dan's five stars: 80
Alien, Empire Strikes Back, ET, Blade Runner, Gremlins, Back to the Future, Top Gun, Aliens, Stand by Me, The Grave of the Fireflies, My Neighbor Totoro, Back to the Future II, Home Alone, Silence of the Lambs, Beauty and the Beast, Aladdin, Jurassic Park, Nightmare Before Christmas, Schindler's List, Pulp Fiction, The Lion King, Toy Story, Fargo, Scream, The Fifth Element, Hercules, Neon Genesis Evangelion, Titanic, The Truman Show, The Matrix, Fight Club, Magnolia, The Emperor's New Groove, Donnie Darko, Moulin Rouge, Shrek, Spirited Away, Lord of the Rings: The Fellowship of the Ring, Finding Nemo, Kill Bill, Oldboy, Lord of the Rings: The Return of the King, Shaun of the Dead, Kill Bill Vol. 2, Howl's Moving Castle, Revenge of the Sith, Brokeback Mountain, No Country for Old Men, The Dark Knight, Inception, Scott Pilgrim vs. the World, The Tree of Life, 21 Jump Street, The Avengers, Life of Pi, Skyfall, Under the Skin, Whiplash, Dawn of the Planet of the Apes, Interstellar, Mad Max: Fury Road, Sicario, The Hateful Eight, La La Land, Arrival, mother!, Blade Runner 2049, Avengers: Infinity War, First Man, The Favourite, The Lighthouse, Parasite, Midsommar, Uncut Gems, 1917, Dune, Everything Everywhere All at Once, Top Gun: Maverick, Oppenheimer, Poor Things
phil's five stars:
Star Wars (New Hope), Alien, ET, Gremlins, Back to the Future, Top Gun, Aliens, Home Alone, Silence of the Lambs, Jurassic Park, Pulp Fiction, The Lion King, Scream, The Fifth Element, Titanic, The Truman Show, The Matrix, Magnolia, Requiem for a Dream, Memento, Spirited Away, Lord of the Rings: The Fellowship of the Ring, Lord of the Rings: The Two Towers, Kill Bill, Lord of the Rings: The Return of the King, Kill Bill Vol. 2, Howl's Moving Castle, The Dark Knight, Inception, Scott Pilgrim vs. the World, The Girl with the Dragon Tattoo, 21 Jump Street, Interstellar, Mad Max: Fury Road, The Revenant, Arrival, Dunkirk, mother!, Blade Runner 2049, Avengers: Infinity War, Parasite, Uncut Gems, 1917, Dune, Everything Everywhere All at Once, Top Gun: Maverick, Terminator 2: Judgment Day, The Shawshank Redemption, Gladiator, Little Miss Sunshine
overlap: 39
Alien, ET, Gremlins, Back to the Future, Top Gun, Aliens, Home Alone, Silence of the Lambs, Jurassic Park, Pulp Fiction, The Lion King, Scream, The Fifth Element, Titanic, The Truman Show, The Matrix, Magnolia, Spirited Away, Lord of the Rings: The Fellowship of the Ring, Kill Bill, Lord of the Rings: The Return of the King, Kill Bill Vol. 2, Howl's Moving Castle, The Dark Knight, Inception, Scott Pilgrim vs. the World, 21 Jump Street, Interstellar, Mad Max: Fury Road, Arrival, mother!, Blade Runner 2049, Avengers: Infinity War, Parasite, Uncut Gems, 1917, Dune, Everything Everywhere All at Once, Top Gun: Maverick
& their lowest rated movies...
dan: matrix resurrections (1) , thor: the dark world (1.5), the rise of skywalker (1.5)
phil: crimes of the future (1), attack of the clones (1.5), thor: the dark world (1.5), don’t look up (1.5), the matrix resurrections (1.5), doctor strange in the multiverse of madness (1.5), beau is afraid (1.5), black bear (1.5)
not even chris hemsworth could save thor the dark world, i guess (kat dennings, though…)
movies they logged on the same date:
note that this is like, non-exhaustive, because this is only based on their diaries that list the date. i think in reality they've watched most of these movies together. frequently dan logged a couple days after phil which aren’t shown here. procrastination queen
Pontypool, Eternals, The Northman, Nope, Barbarian, The Banshees of Inisherin, Glass Onion, The Super Mario Bros. Movie, Beau is Afraid, Guardians of the Galaxy Vol 3., Mission Impossible - Dead Reckoning Part One, Saltburn, Poor Things, Priscilla, Saw X, Leave the World Behind
movies that one logged and not the other:
dan but not phil: 85
The Exorcist, Stand by Me, The Grave of the Fireflies, Beauty and the Beast, Aladdin, Home Alone 2, Schindler's List, Fargo, Romeo & Juliet, Hercules, Men in Black, Neon Genesis Evangelion, The Mummy, The 13th Warrior, Fight Club, The Emperor's New Groove, Moulin Rouge, Shrek, Legally Blonde, Monsters, Inc, Harry Potter and the Sorcerer's Stone, Scooby-Doo, 28 Days Later, Matrix Reloaded, Pirates of the Caribbean: The Curse of the Black Pearl, School of Rock, Matrix Revolutions, Saw, Shaun of the Dead, Shrek 2, Harry Potter and the Prisoner of Azkaban, Revenge of the Sith, The Devil Wears Prada, Borat, Casino Royale, No Country for Old Men, Death Proof, Harry Potter and the Order of the Phoenix, There Will Be Blood, Tropic Thunder, Slumdog Millionaire, Moon, District 9, Fantastic Mr. Fox, The King's Speech, We Need to Talk About Kevin, The Tree of Life, X-Men: First Class, Prometheus, Argo, Les Miserables, Django Unchained, World War Z, Pacific Rim, Under the Skin, 12 Years a Slave, American Hustle, The Babadook, The Lego Movie, x-Men: Days of Future Past, 22 Jump Street, Dawn of the Planet of the Apes, The Theory of Everything, Green Room, Sicario, Spotlight, The Big Short, 10 Cloverfield Lane, The Conjuring 2, Train to Busan, Hacksaw Ridge, Doctor Strange, Hidden Figures, Logan, You Were Never Really Here, Game Night, Isle of Dogs, First Man, The Ballad of Buster Scruggs, Suspiria, Spider-Man: Into the Spider-Verse, Glass, Hustlers, Pig, Violent Night
phil but not dan: 86
Jaws, The Terminator, Beetlejuice, Die Hard, Terminator 2: Judgment Day, Groundhog Day, The Shawshank Redemption, Leon: The Professional, The Usual Suspects, The Frighteners, The Sixth Sense, Being John Malkovich, American Beauty, The Green Mile, Gladiator, Catch Me if You Can, Elf, Eternal Sunshine of the Spotless Mind, Charlie and the Chocolate Factory, Little Miss Sunshine, Pan's Labyrinth, The Prestige, Zodiac, Spider-Man 3, Iron Man, Juno, Lake Mungo, Twilight, Zombieland, Kick-Ass, Brave, Evil Dead, The Great Gatsby, Now You See Me, Monsters University, Man of Steel, About Time, Dallas Buyers Club, Edge of Tomorrow, The Hunger Games: Mockingjay Part 1, The Hunger Games: Mockingjay Part 2, The Boy, Raw, Finding Dory, Suicide Squad, Fantastic Beasts and Where to Find Them, John Wick: Chapter 2, Lady Bird, The Ritual, Happy Death Day, Deadpool 2, Ocean's 8, Ant-Man and The Wasp, Bird Box, Booksmart, Crawl, Spider-Man: Far From Home, The Platform, Black Bear, Palm Springs, The Empty Man, The Innocents, Titane, Old, Free Guy, The Black Phone, Fresh, Watcher, Bodies Bodies Bodies, Ambulance, Aftersun, Crimes of the Future, Fall, Bones and All, The Menu, Sanctuary, Do Revenge, Smile, Hellraiser (2022), Mr. Harrigan's Phone, Plane, Missing, Infinity Pool, Past Lives, Knock at the Cabin, Scream VI
i’m interested to see how this varies by genre!
miscellaneous non-statistical things that made me parasocially emotional and/or laugh during this process:
they watched nope together on christmas eve 2022 <3
dan rated moulin rouge a 5 <3 nature boy <3
he also rated shrek a 5. of course. (valid).
4.5 from dan and 4 from phil from the notebook
5 from danny for brokeback mountain <3 and a 4.5 from philly
cmbyn, yes, has its issues, but dan rated 4.5 and phil 4
the shape of water got a 4.5 from monsterfucker phil lester (dan gave it a 4)
surprisingly phil rated rocketman higher than dan! surprising because dan liked so many musicals
dan gave hustlers a 3.5. i don't know why i think this is funny, but i do. phil doesn't have it logged or rated, lmao.
a 4 (d) and a 3.5 (p) for barbie!
phil gave twilight a 3. lol.
phil also gave do revenge only a 3.5. tragique.
phil watched a LOT of horror alone in october 2022 (aka while dan was on tour). anyway he's just like me <3
#dan and phil#dnp#phan#dan howell#phil lester#twitter says letterboxd should have been gatekept i say 1) know your phannie history! 2) this is nothing their usernames are so obvious you#think they didn’t know this would be found? be fr!
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Blade Runner is a serious contender for Your Obedient Serpent's Favorite Movie of All Time. I quite enjoyed this video essay, but, alas, while it's a pretty good assessment of the Ridley Scott classic, it suffers from a Small Reference pool and a lack of historical perspective.
youtube
At timestamp 1:56 in the video, the narrator says something that made me stop and do a double-take:
"The optimistic visions of the future that dominated the '70s were giving way to something darker."
I have an unfair advantage when it comes to Science Fiction Movies of the '70s: I sat through a whole lot of them, good and bad. As I've said many times before, I Was There At The Dawn Of The Nerd Age, when science fiction transitioned from a niche to something mainstream.
It's amusing to see the science fiction cinema of the 1970s dismissed as "optimistic". I mean, this was the decade that gave us dystopian masterpieces like A Clockwork Orange (1971), Silent Running (1972), Soylent Green (1973), Westworld (1973), and the original Rollerball (1975), and whose whose biggest SF franchise was the interminable chain of sequels to 1968's post-apocalyptic Planet of the Apes.
Star Wars came out toward the end of the decade, and it didn't get a second installment until 1980, so it's hard for me to think of it as a '70s franchise. Compared to the SF cinema of the rest of the decade, it's an outlier. It's funny that the video keeps going back to it as as the archetype of "optimistic SF" with a "bright clean white palette," though. When Star Wars first came out, part of what blew everyone away was that it WASN'T Bright Shiny White plastic: it was a grungy used future that looked lived-in.
Blade Runner's immediate visual progenitors in the early '80s were even bigger flops, though, and not ones that were redeemed by time. Films like Saturn 3 (1980) and Outland (1981) both tried to escalate the grungy look of Star Wars into a "noir" aesthetic, but their cinematographers and practical effects were nowhere near the scale or quality, and frankly, their plots were garbage. I'm not gonna pay Amazon $2.99 to watch Outland again; I still want my three bucks back from seeing it in 1981.
In conclusion:
Blade Runner was groundbreaking, but it was more evolutionary than revolutionary.
It's not that it did things that nobody had ever tried before. It's that it succeeded, because it did them on a scale that nobody had tried before. The video describes all of the elements in superb detail: an excellent script based on an excellent story, an accomplished cast, amazing practical effects, and a genius director. It was the first "dark SF" movie to really make the grade as cinema.
#I was there at the Dawn of the Nerd Age#the hoard potato#blade runner#science fiction history#science fiction#sci fi#Youtube
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Struggling with Setting and Plot
[Ask edited for length]
enzoid23 asked: I can easily make characters/relationships but the setting and plot are difficult for me. I like stories where characters are stuck together in a new place and have to learn to accept it or find a way to escape, which is a basic concept, but I can't figure out how to do it. I'm trying my to avoid copying other stories but I'm not sure where to draw the line between that and inspiration either. There's too many gaps, such as the how and the where and how many characters. I keep throwing in as much stuff as i can whether it fits or not, like a Mary Sue, but it's plot instead of a character.
First, since you asked about copying vs inspiration, start by reading these posts:
Taking Inspiration from Another Story’s Premise Similarities vs Plagiarism Plagiarism vs Reference vs Inspiration Hopefully that will help you get comfortable with borrowing ideas from other sources but making them into something new and unique to you.
Next, being able to come up with characters is great, but unless those characters are rooted in a particular setting or situation, it doesn't help much with world building and plot. And while some writers can find a plot within a setting, I think for most writers its easier to start with the plot, and once you have the beginnings of a premise, it's not too hard to expand a plot from there. As luck would have it, you already have the beginnings of a premise:
People get stuck together in a new place and have to learn to accept it or find a way to escape.
Now we can look at that and start asking questions. Perhaps the easiest question to start with is "do they learn to accept it, or do they find a way to escape?" Which one? Because those are two very different goals. Choosing one and eliminating the other tightens up your premise:
People get stuck together in a new place and have to learn to accept it.
All right... I think the next logical question is who gets stuck together in a place? Is it two people? Three people? Five people? Twenty-six people? One-hundred people? You don't even have to figure out the exact number right now, but just knowing whether this story is about two people, a few people, a small group of people, a bigger group of people, or a huge group of people is going to really narrow things down.
A small group of people get stuck together in a new place and have to learn to accept it.
Okay... where do they get stuck and how? Let's brainstorm... are these modern day boaters, or a misfit bunch of 18th century buccaneers, who become castaways on a remote island? Are they a group of students whose project gets them sucked into another dimension? Are they far-future astronauts who get stranded on an isolated planet? Keep going...
A small group of students get sucked into another dimension and stranded when their science project goes wrong.
Ahoy, there! A PREMISE!!!
Now you can start brainstorming the specific details... who are these students? Middle school/equivalent? High school/equivalent? University? Graduate school? Where and when is their school located? 1926 Chicago? 1980s London? 2077 Kinshasa? 1926 Shanghai?
A small group of middle school students in 1980's London get sucked into another dimension and stranded when their science project goes wrong.
Time to start world building and brainstorming this alternate dimension. Is it going to be an alternate version of our dimension? Will it be a dimension that's similar to a past time/place on Earth? Will this dimension be like a futuristic city? Will it be something fantastical like a place that feels like an alien city, or like Blade Runner meets Ready Player One? Are there other people in this dimension? Or is this group completely on their own?
Now you can start to think about a conflict... what is the problem that must be resolved by the end of the story? Is it simply a matter of figuring out how to survive in this new place? Are they immediately captured by some faction or army or group, and they must escape, or convince someone that they're not dangerous, or win their freedom somehow? What is the specific goal they work toward in order to reach this resolution? What steps must they achieve? Who or what places obstacles in their path, and what obstacles?
Once you know all of this, you can figure out the nitty-gritty details like how many characters, who each one is specifically, and what their role in the story will be. You can look at various structure templates (like Save the Cat! Writes a Novel, Larry Brooks Story Structure, Dramatica, etc.) for guidance... just don't feel like you have to stick to it exactly. You can also read through posts on my Plot & Story Structure master list for more help with plotting.
I hope this post gets you over the hump, though! ♥
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the notion in video game culture that gameplay and story are separate is one that i think speaks to the juvenile state of the medium - mechanics and experience convey narrative themselves. it's the equivalent to lazy dubbed-over monologues or exposition titlecards in film, in regards to the notion that 'meaning' is something that can be slapped onto a work post-hoc like a sticker, rather than something integral to the entire thing. that's what causes the feeling of dissonance between the two - imagine if film audiences constantly said they dislike 'story' in films, while referring solely to an epidemic of infodumping interstitial cards and blade-runner-style phoned-in explanations of character motivation
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Vague cyberpunk au where Edward is an AI that was built by Hoenheim, meant to be a rudimentary thing to cope with not being able to conceive with Trisha, more a pet project than anything else. But then Alphonse is born, a miracle baby, and Hoenheim all but forgets Edward (whose name could be E.D, maybe even pronounced like EDI from Mass Effect because it’s a cute name) and repurposes him to be a sort of glorified baby monitor for Alphonse, keeping an eye on him and notifying Hoenheim if anything seems awry. He’s so focused on Alphonse and dismissive of E.D that he doesn’t notice when E.D starts acting outside of his parameters. E.D wasn’t programmed to sing lullabies, but he starts doing that for Al every night, he wasn’t programmed to tell stories but he does so for Al whenever the baby looks sad or bored, and as Alphonse grows he comes to love E.D as a big brother figure and even finds himself seeking E.D out for conversation over his parents. By the time Alphonse is ten, E.D is all but completely sentient, and it’s all thanks to his love for Alphonse.
There could be angst, of course, E.D doesn’t have a body and can’t physically protect Alphonse or hold him or comfort him, and sometimes when Al is really upset he’ll just curl up against E.D’s processor and cry. And I don’t know how Hoenheim and Trisha might react to the rudimentary AI developing sentience and going “My baby now”, but they’re in for a surprise when little Alphonse asks if E.D can read him a bedtime story instead of Daddy. And the brothers only grow closer if Hoenheim leaves, enough that Alphonse starts getting into netrunning and mechanics so he can upgrade E.D’s tech enough to download him into something more portable, dreaming of building him a body one day. They’re both delighted when E.D figures out how to project a holographic image of something vaguely resembling a human shape, and as time goes on he starts modeling an appearance for himself using Alphonse as a reference while reveling in being able to actually make eye contact and use facial expressions while they talk.
This whole thing started because I had a mental image of Edward as the big blue hologram from Blade Runner lmao
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You said you were taking asks and I just want the boys watching movies. I feel like Charles and Crystal would think it’s the easiest way to introduce more modern stuff to Edwin. Showing someone your favorite movie can be really personal. You want them to love it too! And you have to hold yourself back on telling them all the cool Easter eggs and behind the scenes!
Here we go!! I got there eventually! Hope you like it!
Read on AO3
Fic under read more!
Crystal and Charles practically manhandled Edwin down onto the small couch that was tucked against the wall in the office. As much as one could be manhandled without being touched at all. Maybe it was more accurate to say that he had been bullied there, or peer-pressured into it.
They had been pestering him with every spare moment to join them for a movie night, declaring that it was the best way for him to get up to date on modern society. Plus, it would be beneficial for him to be able to understand all of the pop culture references that they were making, and any made by potential clients. It would help provide additional context, they had said, as though they had both been rehearsing it together for weeks.
"Oh alright, fine." Edwin said with a huff, finally giving in and allowing himself to be herded over to the couch. He sat in the middle between Charles and Crystal, who eagerly crowded in at his sides.
They decided to go through some from Charles' childhood that, as it turned out, Crystal had watched as a kid as well. They started with Princess Bride, then worked through Neverending Story, Legend, Labyrinth (not one of the three could deny the allure of David Bowie as Jareth), Back to The Future, and so on and so forth.
They continued with their movie nights, marathoning movie series and stand-alones night by night. The Lord of The Rings trilogy (extended director's cut, obviously), The Hobbit, Blade Runner, Star Wars, and then more of Crystal's personal selections; things like The Hunger Games, Gremlins, High School Musical, Mean Girls, Twilight, and many many more.
Edwin, to his credit, sat through every one of them, quietly taking in everything on screen, making sure to pay attention as Charles and Crystal joked about things that were happening and offered him little bits of trivia about the cast and film production.
The one about Viggo Mortensen breaking his foot on the helmet he kicked had certainly caused him to wince sympathetically.
This was something that was important to both of them, and Edwin listened as they told him how and why with so much enthusiasm (or disdain depending on the movie) that he couldn't help but get drawn into it with them.
"So, how have you been enjoying the movie nights? Not looking so bad now, yeah?" Charles asked, leaning back in the chair as they finished up their final film of the night.
"Well..." Edwin was reluctant to admit that they had been right.
"Oh come on! Don't bullshit, I saw you tear up during The Last Unicorn!" Crystal called him out and he fought the urge to immediately deny it.
"Alright, I concede that maybe it wasn't too bad watching all these movies with the two of you." Edwin said, hands folded on his lap.
"And just think, if not for us, your bestest friends of all time, you never would have had the opportunity." Crystal grinned.
"Please." Edwin scoffed. "Bestest is not a real word." he paused for a moment. "But... I suppose that I am... Grateful that the three of us have been able to do this together..." he paused again to get his bearings. This was harder to say than he had anticipated. "After Niko... I did not think that I would want to continue my pop culture education, as you've put it, but I am very glad that I did."
"Edwin..." Crystal didn't know what to say. They all felt Niko's absence like a gaping wound, still so fresh even after so much time.
"Mate... I think... I think she would have been happy to see you keeping on with it." Charles said, getting a little choked up as he put a comforting hand on Edwin's arm.
"I do believe that you are right about that... She would have been sad if I had not finished watching all of the things that she was so eager to show me." Edwin sighed heavily. "In a way, it is like we are sharing a piece of her each time we watch something together that she would have recommended."
"We should do the Ghibili movies next!" Crystal exclaimed, feeling the weight of their missing friend too much and needing to alleviate it. "Niko loved those movies. We can watch them all." she said in a softer tone.
"Well, you know the important question then, don't you?" Charles smiled warmly. "Do we go in number order or do we just watch our favourite ones first?"
"Do not be ridiculous, Charles." Edwin said, giving his best friend a pointed look. "We should always save the best for last."
Crystal grinned at that. "Yeah! You get it, Edwin! Okay, we'll sort them based on which ones you think look the best and we'll save Niko's top five for the end!"
"That sounds brills!" Charles agreed. He was so happy that Edwin was taking to this idea, so happy that he could find joy in doing this with Crystal and himself.
"It does indeed." Edwin smiled softly, ever so fond. He hoped that Charles and Crystal could feel his gratitude.
As they made their way through the movies over the coming weeks - much as they had been doing day by day thus far - Edwin found himself very much appreciating the two wonderful people by his side. Both fiercely protective and loyal, both fundamentally good, both caring for him enough to do this with him, to make sure that he didn't miss out on something incredibly special due to his own reluctance to engage too much with the modern world.
He loved them both more than he could ever hope to express with words.
-----
"Oh come on, please! Pretty please! Pretty please with a cherry on top!" she begged to no avail.
"There is such a thing as due process. Good grief! Stop pestering me for five minutes and perhaps I would actually be bale to get somewhere with your paperwork." said the Night Nurse, who had (much to her distaste) been dubbed Charlotte by those confounding Dead Boy Detectives and their psychic friend.
"Just let me help! I can make it go faster!" she dusted off her pink jeans and leaned over the desk that Charlotte was sitting at.
"Absolutely not. Sit down and behave." Charlotte dismissed, causing her charge to slump dramatically into her seat and then peering back into the glass surface that showed the interior of the Dead Boy Detectives Agency. She practically had her nose pressed up against its surface.
"You have to!" Niko objected again, after having seen what they were doing down there. "They're going to watch Whisper Of The Heart without me!"
#dead boy detectives#Dbda#Dbda fic#Dead boy detectives fanfic#dead boy detectives fic#dbda fanfic#Fic requests#edwin payne#charles rowland#crystal palace#niko sasaki#the night nurse
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A Lovers' Circle (Poly Haishira x Reader) Ch21 Flashy Muse P3
(See if you can spot the movie reference.)
Taglist: @shadyd3ar @jcrml
@tengensangel @miniverse-zen @mysteri0uz @jjamsbangtan
@the-unknown-fandom
@lavenderdropp @mimisweetz. @purplesoulsapphire
@kksmush @denkpanda18 @whomisi @lessthanimperfect @silver-rin
@namis-noodlebox
@k1ttyluverz @akiramente
@rascalraccoon @ravenclawkae1
@gilded-sunrays @crescent-blades
@yukari1k @bloodymarysgirl21
@artbyrebel @abaker74 @lunarluna9482
@rainbowidol
Remember if you want to be added to the taglist lemme know

You indeed did return the next day and it went as well as it did the last time. You were greeted by the Uzui family and then one of the girls helped you dress back up in the costume Mitsuri leant Tengen and do your makeup. Then you'd sit down for a few hours as Tengen did his workout if painting as intense as a runner jogging. This time it was Makii who came up with some news (grilled ham and cheese sandwiches) and ooh boy. She was NOT happy with the mess that her husband had again made in his frenzy.
"WHAT THE HELL DO YOU THINK YOU'RE DOING?!," her voice shrieked out causing both yourself and Tengen to jump as neither of you heard her come up the stairs.
PPPPPFFFTTTTTT-
A loud spurring sound like a balloon letting out air went off as instinctively Tengen's hand squeezed a blue metallic paint tube causing the shiny paint to go flying all over his front, hand, and dripped heavily on the floor. Thank goodness for the large apron he still wore, also thankfully he didn't squirt any of the paint on the unfinished painting. Makio however found the mess less than funny.
"What a mess! We just cleaned up everything yesterday!"
"Makio! You know to knock before you come in! I could've ruined the painting!"
"And you ruined my clean floors!! Y'know what?!" Her arm pointed downstairs. "Get downstairs now! You're having lunch with us like a family instead of being cooped up up here for hours by yourself!"
"I'm not by myself!" He gestured to you paint dripping down his clutched fist still. "Y/n is literally sitting right there!"
"I don't care if it was my mom sitting there! I didn't spend the last hour slaving over a hot stove cooking you food to say you're too busy to sit down and eat with your wives!"
"I'm not hungry! I'll eat later."
Apparently that was the wrong thing to the angry woman because you watched her eyelid twitch before she stomped over and jumped up. You thought you'd seen everything on your terrible dates, but watching a woman grab a six foot something man by the ear and drag him away like a disappointed mother was not it.
"Ow, ow, ow! Makio, let go! C'mon!", he shouted from his forced leaned over position.
You watched with wide eyes as she literally dragged the complaining man down the stairs dripping paint from his hands as they went... before slowly getting up and following them. It'd be best to not anger Makio anymore than what she probably already was. In the kitchen she was already making Tengen wash off his hands and found a few plates of the grilled ham n cheeses waiting for you both. Thank goodness. You were starting to get hungry from sitting and smoking for hours. It felt like your cheeks were getting a workout.
Tengen pouted the entire time he was made to sit there and eat less he anger Makio again and ensure her wifely vengeance again. Makio stood right behind him for a few minutes staring him down to make sure he didn't try going anywhere before she left to dig out a mop from the broom closet...A mop? Oh. That was probably for the dripping mess he made coming downstairs. So Makio was missing for a little while while everyone ate. Which was probably the reason for Tengen's reaction when he went back upstairs with you and found his painting gone.
He had frozen on the top step making you bump into him blinking... before with wide eyes he quickly started looking around the room frantically. "HONEY!!"
"WHAT?!," Makio's voice called from somewhere downstairs.
"Where's my painting?!"
"What?"
"WHERE. IS. MY. PAINTING?!" He called looking under one of the tables.
"I put it away."
"WHERE?!" He stopped looking in the studio to quickly approach the railing with a frown on his face.
"Why do you need to know?!"
"I NEED IT!!" He shouted back down the halls gripping the railings.
"Nuh uh! Don't you even THINK you're getting away with making a massive mess and then expecting us to clean it up again!"
"My creativity is in danger!!"
"MY CLEAN FLOORS ARE IN DANGER!! YOU'LL GET IT BACK AFTER YOU PICK UP AFTER YOURSELF!!"
"YOU TELL ME WHERE MY PAINTING IS, WOMAN!! WE'RE TALKING ABOUT THE GREATER GOOD!!"
"GREATER GOOD?! WE ARE YOUR WIVES!! WE'RE THE 'GREATEST GOOD' YOU'RE EVER GONNA GET!!"
Tengen's face scowled but he turned to you once you patted him on the back offering sympathetic smile. "C'mon. I'll help you clean up again."
He was already ungripping the railing and turning to go stomp back off to where the wet wipes were kept neatly on the shelf. Figured you'd just tidy up the five still wet paintbrushes Tengen tossed around. Made you wonder how often his wives had to give him the child treatment in order to get him to clean up his artistic messes. The same thing as before repeated with Makii coming to check to see if he had actually cleaned up the splattered mess, scolded him for letting you help him clean his mess, and relented giving him back the canvas after he literally begged for it.
"And he still hasn't let anyone else see the painting...except for Hinatsuru and Makio I guess." Your hands rummaging through the shirt stack stopped and pulled out a pink sweater with a white Hi Kitty print on it. "Do you think Mitsuri would like this?"
Kanae nodded clasping her hands together. "Oh yes! She loves the Hi Kitty franchise!"
It was a week until you'd have to go back to pose again for Tengen, and The Kocho sisters had invited you to go out Christmas shopping with them. It's been a while since you were able to hang out with just them so why not? You've been meaning to go Christmas shopping for your friends anyways. A sweater for Mitsuri, a bottle of plum rice sake for Kyojuro, some pendants and assorted jewelry for the sisters and Tengen's wives, expensive paintbrushes for Tengen, and you'd special ordered a special book just for Gyomei you know that he'd like.
Unfortunately you were a little stumped on what to get for Sanemi or Giyuu. Luckily that's where their girlfriends came in and why you agreed to go shopping with them. They were lots of help in helping you choose a small silver chain for Sanemi and you were in the middle of going to get those few things right now.
Already the sisters were carrying two or three bags each for presents for their family as well as their partners. It was actually really sweet of them to invite you along to go shopping since you've been busy working and trying to figure out what to get Murata. He collected comic books and such. You'd stop by the local game shop and see what you could find next week. For now you'd put the sweater into your shopping bag and make your way towards the home decor aisle.
"You've been working a lot lately. I'm starting to think that you're a workaholic like Shinobu." Said sister turned with a strained smile while holding up an adorable porcelain fairy statue. A gift for their little sister most likely.
"No. I've just been very busy with things. I still haven't finished decorating my own house yet." You commented stepping into home decor and glancing at a state of the art wall clock as you passed by. Too expensive. "Not to mention that I'm still busy on weekends."
"That's right. You're letting Tengen paint you."
"Has the bedazzled brainiac torn apart his studio yet?" Shinobu bagged the figurine as she walked. Guess she was getting it after all.
"No. He's been keeping it really clean actually." You left out the part that it was his wives that's been making him constantly clean up after himself as you walked across the tiles floor glancing at throw pillows, plaques, cases, and a few different statues in the shapes of animals, people, etc. stopping to pick up a shiny crystal vase. "It should come out really good considering how pretty the portrait of you is." You gave Kanae a look. There was a portrait of her in his living room.
She smiled at you. "Thank you. He has portraits of all of us even if Sanemi took a long time to convince. They're all over his house. But I'm sure whatever he has planned for yours will be much prettier."
"I wouldn't know." You carefully placed the vase back down deciding not to buy it. "He won't let me see it."
"Tengen never lets anyone see his paintings until they're finished. It's a habit of his that's always existed." A small gasp left her lips as she picked up vase you had put down, pink eyes lighting up. "Look at how pretty this is. Mom would love this."
Shinobu had come to look at the crystal her sister had picked up as you continued to walk along the shelves. A zebra printed lamp. Some Christmas book ends. You stopped at a few wooden figurines of animals. A tiger, giraffe, some reindeer of course, and something that had you pausing. A Hercules beetle. Kabae mentioned that her boyfriend had some pet beetles! This would be the perfect gift for Sanemi! Without much thought you grabbed one and continued on being sure to wait for the other two to catch up before you had the idea to stop by the toy section and found what you were looking for. A tsume shogi boardgame. Looked old and dusty being shoved on the back of the shelf since...well no one wanted to buy board games too much anymore but guess you were lucky that no one else bought it.
That just crossed two gifts off your bucket list.
Your aunt would just be happy with you making her favorite pies and the last two gifts could wait for next week to be bought. However you couldn't help but feel like you were missing someone. However you wouldn't really know exactly what or exactly who you were forgetting. You hadn't even realized that you had forgotten about someone until you drove back to Tengen's home to pose for the picture again for the third time. Nothing really stood out from the usual. Except for some reason the girls were overly smiley and complimented you very MUCH on how pretty you looked in the dress again.
You were confused but quickly brushed off when Makio yelled at Suma to stop hugging you and to let you go already. Usual behavior there. So you paid the rest no mind not how Tengen smiled at you. You just resumed your place on the stool smiling at him as he continued his flurry of painting away. So it was also expected for one of the girls to come get him for lunch and after a few hours of waiting, you heard a sound of bouncing, skilling steps. Like the bouncing steps Mitsuri would make.
"Oh, Tengen!!," you heard Suma before you spotted her bouncing up the steps excitedly and bouncing her way over to the tall man. "The food's ready!!"
You were expecting him to put up a fight this time like he did with Makio and Hinatsuru but you were surprised when he actually stopped what he was doing and gave her his full attention. "Oh really? What'd you make today, Baby?"
Her bright blue eyes lit up. "Garlic and butter fried tofu! I even made gyoza and shrimp tempura to go with it!" Her hands latched onto his so fast you barely blinked. "Are you going to come eat?!"
"You bet I will!" Your brows rose watching him put down the brush he was using on the table allowing silvery metallic paint to leak onto it's surface. Suma blinked at it to which Tengen assured her. "Don't worry. I'll clean up everything once we finish eating!"
"Great! C'mon, c'mon, c'mon! I want Y/n to have a chance to taste what I cook too!!"
"We're right behind you!"
You slowly blinked, and was even slower to stand up watching Suns excitedly bounce her way out of the room... before your brow rose and you turned to the sounds of the painter sighing in defeat.
"So what was that all about?"
He groaned knowing EXACTLY what you meant. "My wives threatened to hide my paints if I didn't start taking better care of the studio and eating."
"Oh. Is that it?"
"Is that it?!" He made a thumb motion to where Suma disappeared. "They were gonna have Suma hide it, and she hides things so well that you could literally take apart the house nail by nail and STILL never find it again! Seriously! They always have her hide my birthday presents!"
Oooh. So that's why he was so agreeable to Suma less the hide and seek master of the wives hide his essential equipment. You couldn't help but giggle making him cutely pout, and making you giggle more.
"Well they're only doing it because they love you. They want you to eat and like I told Shinobu, you shouldn't skip meals. If I was your partner then I'd refuse to be your muse unless you took care of yourself."
Tengen paused wide eyed. Then slowly blinked. Then quickly looked panicked. "W-Wait! Y-Y-You wouldn't really quit on me now would you?! I'm nearly halfway done!"
You hummed tilting your head to the left in thought. "Well I genuinely don't want you to just skip meals either. Believe it or not, I care about your health and I don't want you to just forget about caring for yourself." He blinked still wide eyed as you reached out to grab his hand and just tugged him towards the stairs. "C'mon. I'm hungry and honestly what she made sounds pretty good right about now."
"Uh...Y-Yeah." Magenta eyes glanced at her pretty kissable- Uh. FLASHY lips as she smiled cutely. Hand slowly curling around hers as she tugged him towards the stairs. "Hey. No pressure but ...what do you think about poly?"
You blinked turning back up to his dazed face. "What?" What he said was barely above a whisper so you were unable to hear what he said.
"Uh..N-Nevermind. It wasn't important." He cleared his throat looking away. "Yeah. My wives are probably going crazy without my flamboyant presence.~" He smiled again as usual. "Let's grave them with my presence before they forget what I look like!"
"Pfft." You giggled again at him. "Be careful. Makio might slither back up here and get you if you're not careful."
"I'm not afraid of her. 'Sides. Obanai is the most likely one to slither around."
You had stopped mid step going down the stairs catching Tengen's arm and tugging him back slightly. Confused he blinked and turned back to you with a scrunched up face. However f/c orbs widened to the size of plates as you stared straight ahead. The heads whirling around in your head as you thought. And then you realized a big blinder. Oh no.
YOU FORGOT ABOUT OBANAI!!

#demon slayer#kimetsu no yaiba#kny#A Lovers' Circle#iguro obanai#obanai x reader#sanemi shinaguzawa#sanemi x reader#tengen x reader#tengen x wives x reader#tengen uzui#giyu tomioka#giyuu x reader#kyojuro rengoku#kyojuro rengoku x reader#mitsuri kanroji#mitsuri x reader#suma x reader#suma uzui#hinatsuru uzui#hinatsuru x reader#makio uzui#makio x reader#kanae x reader#kanae kocho#shinobu x reader#shinobu kocho
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Game Spotlight #15: Policenauts (1996)
Ash finds herself firmly back in the Kojimaverse as she talks about the 1996 Sega Saturn version of Policenauts for Acquired-Stardust's first spotlight of our second year. Disappointing followup or misunderstood masterpiece? And just what is a "sexy adventure" anyway? Come read along as we answer all these questions and more!
Oh, Hideo Kojima. When last we covered his work in written form on the blog it was almost a year ago in the form of a spotlight on 1994's Sega CD port of Snatcher (which you can read by clicking here). If it wasn't already abundantly clear let me state the obvious: I'm a huge fan of the man and his work. I think he's one of gaming's top creative geniuses alongside the likes of Yasumi Matsuno, Fumito Ueda and Yoko Taro. But you could be forgiven for not sharing that feeling when looking at Policenauts on a surface level or by taking common talking points about it at face value.
Policenauts is something of a black sheep in the Kojima portfolio that is often maligned by people for being 'Snatcher but worse'. It has a similar fish out of water setup taking place in a near-future science fiction world. Its lead character, the womanizing Jonathan Ingram, has a similar relationship with a former lover to Snatcher's Gillian Seed and even looks a bit like him, a point that is alluded to in the game itself as part of a meta cameo (one of several callbacks and references to Snatcher). The sexuality and its use for attempts at comedy can be obnoxious and over the top. Some of the themes of Policenauts are also retreads of themes Snatcher deals with, which can certainly dip into feeling like they were less effective this time around. What's more, the game is far more linear and on-rails than Snatcher, presenting far fewer opportunities to tinker with it and discover much in the way of hidden easter eggs or cleverly placed extras. Some of its later developments feel a little bit like 'a hat on a hat' and not entirely necessary. Its featured romance is very forced and odd (though ultimately executed extremely well). These things are all true.
Be that as it may, make no mistake about it: Policenauts is a fantastic experience that is, like its lead character, a fascinating time capsule from a long gone era. Following a similar blueprint to Snatcher's usage of various sci-fi media (most notably Blade Runner), Policenauts is heavily patterned after the Lethal Weapon franchise, and uses the familiarity one may have with its buddy cop formula to get its foot in the door before subverting your expectations as it deviates into its own original work rather quickly.
Opening after an accident in combination policeman-astronaut (the titular Policenauts) Jonathan Ingram's testing of a high tech mech suit during a spacewalk outside of the space colony Beyond Coast that sends him adrift in space for 25 years while cryogenically frozen, Jonathan picks up where he left off by becoming a private investigator of meager success in Earth's Old LA. Finding himself a stranger in a world he is 25 years removed from and stricken with severe cosmophobia from his ordeal. Jonathan's former wife has moved on and remarried. His four fellow policenauts have settled into comfortable lives on space colony Beyond Coast as something of heroes and celebrities. Forced to overcome his cosmophobia when a very personal case sends him once more to Beyond Coast, Jonathan reunites with his best friend and former fellow policenaut Ed Brown (himself still a cop on the aforementioned space colony) to unravel a conspiracy.
It's often said that Jonathan is a very unlikable character, but I find the opposite to be true. There is a solemness, sadness and resilience to him that comes across very well, being inherently at odds with a time that did not stop and life that moved on without him. Much is also made, as previously noted, of his womanizing, and I'd like to address that talking point by first pointing out that much like Snatcher, the vast majority (in fact all but one or two instances) of the sexuality of the game is entirely optional and serves as a bit of meta humor. Jonathan's inability to control himself is a direct result of his literal inability to control himself as he is at the complete mercy of the player, who can decide to pester multiple female characters to with zero benefit. Just as well, Policenauts lands firmly in the genre of something I like to call 'Sexy Adventure', a term borrowed from a song featured in the iconic Lupin III franchise that contains works you might be familiar with such as Space Dandy, City Hunter, Dirty Pair and indeed Lupin III.
Several tropes of the genre include a strong sense of Japanese sensuality and horniness, action sequences involving guns and cars, romance, large scale conspiracies and characters who are masters of their particular fields to an absurd degree. Jonathan's womanizing, something almost exclusively indulged in as optional behavior by the player, is certainly less than Arsene Lupin III for example, but coming to terms with the horniness of this micro-genre is imperative if you hope to enjoy anything it has to offer. Just as well, Policenauts' original release platform before being ported to the Sega Saturn was the PC98 which (along with the earlier PC88) was known for a frankly overwhelming amount of pornographic hentai games. To a large extent this was very much the norm for games on the platform and the time, and while nothing in Policenauts borders on pornographic, the sexuality of it is to be expected.
Policenauts doubles down on a distinguishing feature of Snatcher in its thorough worldbuilding, and is perhaps the key area that the game shines in most especially when compared to Snatcher. Containing an in-game encyclopedia that is always accessible at the touch of a button, it is dauntingly dense and features countless clickable entries detailing many aspects of life, culture and science in the Policenauts universe, often dipping into heavy doses of hard science with surprisingly detailed explanations behind even mundane parts of everyday life on Beyond Coast, such as biodegradable plastics, a problem which Kojima envisioned solved by 2040. I was a bit taken aback by given the foresight of the plastics issue given our own real-world news cycles being dominated by topics like microplastics in recent years.
The level of real science involved in the encyclopedia is rewarding for those of us who like to devour every bit of information we can get our hands on and can pick out the real from the fictional and it helps make Beyond Coast feel all the more real. The sci-fi Japanifornia that is Beyond Coast is almost a character unto itself to an even further extent than Snatcher's setting of Neo Kobe and remains in my book one of the most fleshed out and believable settings in all of gaming. Furthermore the knowledge Hideo Kojima has in a time before the level of availability and access to information we have in the current internet age is hugely impressive.
Overwhelming density is a recurring aspect of the game which may make or break your enjoyment of it. For a game that is less interactive than Snatcher it is somehow more dense, intimidatingly so if you are willing to indulge in its encyclopedia and really study the universe that Kojima created. The player is also able to examine a shocking number of elements of backgrounds and get multiple optional lines of dialogue about them, although as previously noted Policenauts offers much less in the way of diversion and distraction, and is significantly more linear.
Some of the core themes and strengths of Policenauts are similar to Snatcher, and while not all of them are as well executed this time around, a number of them exceed Snatcher. The importance of family, as well as different utilizations of it, is highlighted through the game. For Jonathan it is a trauma. A source of obligation and a constant reminder of not belonging in the world. Fellow former policenauts Ed Brown and Joseph Sadaoki Tokugawa are also used to explore these themes, with Ed's family keeping him grounded after personal and professional tragedy leaves him similarly traumatized and Tokugawa's lineage is a guiding beacon, instilling in him an ambition that sees his rise to the head of the Tokugawa Corporation, which has become large enough in the 25 years Jonathan spent in cryo sleep that it's said to quite literally own outer space. Ed's scenes with his family are perhaps the emotional core of the game and are shockingly well done for a game that features slapping a woman's breasts in an attempt to swat a mosquito.
Further themes explored are the way that the past becomes the future, and how easily it is manipulated by bad actors with agendas when few people who lived through it are around to contradict those agendas and narratives. Policenauts also plays into real history in its utilization of time as a story theme with its character names, often referencing real Sengoku-era Japanese family clans.
It is a fascinating predictor for some of the subjects explored through some of Kojima's later works. The toll that time takes on individuals is is also a constant fixture of the story. Pioneering heroes become broken down and traumatized. Corruption will slowly trickle in if you allow it to in ways that a past self would've stood against. One's life can always change in the future for both better and worse in ways that the present self could never have foreseen.
Jonathan contrasts Snatcher's Gillian Seed masterfully in this particular regard as a man who is a literal manifestation of the past, confronting his former comrades and the state of the world head-on as a reminder of the bright ideals that guided mankind to space to begin with. Also of particular note, without delving too much into spoiler territory, is the remarkable way that Jonathan trusts the corrupting factor of time to help Ed's son Marc given all the damage Jon has seen it do to those around him as well as the world itself.
Although there is a genuine tension to the game as well as a real feeling of both being and interacting with important in-universe figures, the conclusion of the game is a bit lackluster and sudden. Policenauts' plot is largely intentionally predictable, only containing a few twists you might not expect. The game's romance, previously noted as being a bit inexplicable, is ultimately resolved very satisfyingly and in a way that reinforces some prominent themes of the game.
Just as well the game takes criticism of Snatcher (and adventure games as well as visual novels as a whole) a little unevenly. It is far more linear than Snatcher, but features significantly more combat sections that see the player shoot an ungodly number of bullets and drop a frankly impossibly comedic amount of enemies by the end of the game. They are unnecessary and detract from the experience a bit, but understandable over-correctons to criticism of the traditional Japanese adventure game genre as well as Snatcher in particular.
As an aside, Policenauts features one of the most clever inclusions of a sound test mode that allows you to listen to various tracks from the game including its haunting opening theme "End of the Dark" as well as the fantastic "One Night in Neo Kobe" that was featured in the opening of Snatcher.
Policenauts is an uneven experience that in some ways reflects common trappings of its time while also looking forward to humanity's future. It asks some very pertinent questions about humanity's ability to conquer big issues if we are so unable to conquer the worst aspects of ourselves. Its usage of time and the trauma it can inflict on even the best of us can be rather sobering to see, and Jonathan's hope for Ed's son in the face of that is rather inspiring.
In some ways it reacts too strongly to criticism of adventure games as whole as well as Snatcher in particular by creating a lighter, more predictable and linear experience with more lightgun gameplay segments that detract from the overall package. Its sexuality and hamfisted comedy that comes part and parcel with the sexy adventure micro-genre can be a pain point, and it can be off putting in its density if you allow it to be. In some ways it is inferior to Snatcher, which makes an incredible case for the necessity of actually playing a good adventure game rather than just watching it that Policenauts sadly does not live up to.
But despite it all Policenauts is every bit as clever as Snatcher and in some ways it is just as strong, if not even stronger, a predictor of Hideo Kojima's future runaway success with Metal Gear Solid. Its highs may often not reach the peaks that Snatcher does, but even its valleys remain far higher than most games you could spend your time on and it remains a constant influence on some of the most popular indie game standouts like VA-11 Hall-A, 2064: Read Only Memories and Mullet Mad Jack.
If you have an interest in the works of Hideo Kojima, traditional Japanese style adventure games or the sexy adventure micro-genre, a vacation to Beyond Coast might be just the thing for you.
A gem hidden among the stones, Policenauts is undoubtedly stardust.
-- Ash
#gaming#retro gaming#video games#90s#1990s#adventure games#visual novel#point and click#kojima#hideo kojima#policenauts#games writing#written posts#game spotlights#games blogging#long reads#video games writing#essay#acquiredstardust#1996#writing about games#games journalism#ash#konami#game review#game recommendations#obscure games
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When Lister is labeled "barely human" in The Last Day by Kryten's replacement and when he is shot along with the other three in that Blade Runner death scene reference in Back to Earth (placing him in a replicant's/android's position) and when he has to have his memory reconstructed by AI by the end of M-Corp and something something his solidarity with nonhuman lifeforms both emerging from and resulting in being considered "not human enough" when the crew encounters other remnants of human society and not being an "ideal" representation of humanity do you get me
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Holmes vs Moriarty
The chess-board is the world, the pieces are the phenomena of the universe, the rules of the game are what we call the laws of Nature. The player on the other side is hidden from us. - Thomas Huxley
Chess plays an interesting role especially in ST Season 4.

He's referring to "Vecna/Edward?", isn't he? Or is it another One hiding in the shadows. Like a Zoomer? (You know, I read a lot about double meanings.) I kinda talked about this before I stumbled over the Moriarty thing months ago and have this post ready for some time now. It's just an addition.
The "Immortal game" chess pieces from Blade Runner are used here.

Probably important:
Max is better than Dustin in Dig Dug. She's 1st. And I mention this for a reason. (btw Henderson means 'Son of Henry' ; not to forget the episode "Dig Dug") - Note the blue and yellow lights reflected on it as well.
The chessboard pattern reappears frequently e.g. above Max is something what looks like a chessboard pattern in the colors blue and yellow. Just like the shield that Lucas holds in the painting: a b&y chessboard in a single object.

On her socks.

Here it is again, same colors.
A chessboard is also on a magazine that El reads while Max stands directly in front of her if I recall correctly.
Dustin uses this quote from Holmes (The Hound of the Baskervilles) - that's why I mentioned him:

The Whiting Brothers Gas Station that appears in S4 is a restored service station on Route 66 in Moriarty, New Mexico.

Sherlock Holmes: A game of shadows (2011) - Holmes vs. Moriarty.

It's a game of shadows. And it just began or entered another stage because we don't see the actual mate, just the pawn (El) taking the bishop (Vecna) after the knight (Max) was sacrificed but is still on her side of the board.
Or as Holmes would say
(An unintentional fun connection.)
Maybe Nancy was the "discovered check and, incidentally...mate" reference, similar to the parallel of this moment in the film and the big canon that is pointed at Moriarty's henchman? After the chess game, there's an additional physical "chess" match - like a second stage boss battle. Who knows. But one thing is obvious: Chess is in the show for a reason.
Be careful what you fish for. 😉
It's these kind of details that are interesting. That they used that gas station in Moriarty, New Mexico is like placing the NINA project in Ruth, Nevada (Ruth=Running up that hill): they seem to like to do this:
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I watched season 3 of The Mandalorian again and I still don't understand why there are people who speak so badly about chapter 6 (plazir15) Because of course it is a reference to the Clone Wars style; but also re-watching Blade Runner with Harrison Ford; It is a particular tribute to him. Especially in the scenarios, in the way Din and Bo are investigating the droids, (if you remember in Blade Runner, Deckar investigates and searches for the replicants in rebellion)
Here in The Mandalorian, those rebelled replicants were both the droids and the last separatists in existence.


The fact that "lust alley" had that cyberpunk Blade Runner feel; the bar with that particular name (La Resistencia) and that romance between a replica and someone human, "a romance that cannot be" It seems like a unique tribute to me and that many people who claim to be knowledgeable and who only talk trash about this episode, is because in reality they are pure uneducated people who have never seen Harrison's tremendous gem and who only criticize the episode because of Lizzo (Not that I I like that girl, but she did her job and that's it)


I can definitely appeal to the fact that this chapter had many references to cinema and the most famous and iconic cult series.
And it is really appreciated that Bryce Dallas is so knowledgeable and has been inspired by this material to achieve something unique.

There are also moments where I feel like I'm watching Secret Files x; one of my favorite retro series. I love her so much!!!
And I love that Din and Bo are the Mulder and Scully type couple. They definitely are; It can be noticed from a distance and even more so if you know the series and the characters.

Hopefully in The Mandalorian and Grogu movie we have at least one special moment between Din, Bo and Grogu. A Mulder and scully moment between Din and Bo. It would be great.
This is the way.
#star wars#the mandalorian#dinbo#bo katan x din#din djarin#bo katan kryze#this is the way#bokadin#din x bo#familia#enemies to lovers#bryce dallas howard#harrison ford#blade runner
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