#such harmful and evil words

[athetos]

[id: a tweet from @/g0m that reads: thinking about throwing that old CRT TV in the dumpster? Not so fast / these things are of huge value to the Smash Bros Melee community! Be sure to break the screen first. End id]

[roses-are-repulsed]

Repulsed identities are not at fault for "stereotyping" other minorities. A character being repulsed is not stereotyping another minority. A disabled character being repulsed says NOTHING about disability. An autistic character being repulsed doesn't say anything about Autism. A character being revealed to be repulsed is not the creators "being homophobic" An allo queer character being repulsed is not "sanitizing queer stories for a straight audience" And i can't believe i have to say this, but an aspec character being repulsed isn't "erasing other aspecs" or "stereotyping aspec identities"

Stop framing our identity as the enemy. Stop blaming stereotyping of other groups on Repulsed identities. Repulsed people can be disabled. They can be Autistic. They can be gay or bi or whatever other identity. Stop framing the very few representation we get as harmful. We deserve representation too. You don't fight stereotyping by banning a specific kind of representation that YOU personally are uncomfortable with.

[theythemmayhem]

With the season one reboot I've been seeing people talk about evil paper needing to be "less" problematic and I wanna say. some alters are very much Like That. seemingly comically evil to protect the system in some way. The writing of evil paper in s1 is definitely misguided and careless but erasing his "edge" and harmful behavior isn't the way to right the wrong.

Also the name evil paper is fine. You're free to personally dislike it but I have guys named devil and guilt in my head. Changing his name in the reboot also wouldn't be the right way to go about this

[marbleluvrofliberty]

JAVERT APOLOGISTS FUCK OFFFFFFFF

[wewerebornsextuplets]

recently i realized i havent given... any context, really, on kiru's family outside of her being yana's cousin, which is honestly a little shocking because i think about it a LOT and it provides a lot of context for why she presents herself the way she does, both in terms of physical appearance and in terms of actions/character as a whole. i also need to explain the nature of her relationship with yana, so this will be the tell-all on kiru's upbringing, as well as some elaboration on her general disposition! you know the drill! this one ended up being much longer than some of my other long winded posts, which is a little scary. but under the cut we go!

BEFORE I START i do want to disclaim: for the sake of canon compliance, assume anything i say about kiru's parents [particularly her mother] and grandparents' attitudes doesn't apply to yanagida's upbringing or family. as much as i love headcanons and speculating about background characters [theres a reason s1e9 is my favorite episode], i also want kiru's lore to be taken somewhat independently from those headcanons/interpretations if so desired :-)

In order to make things a little less confusing [mostly for myself, because im very scatterbrained], i have a little family tree graphic. thing. mostly to keep track of names + relations and all that! ill be referring to kiru's parents by name for that same reason. but uhhh tada 🎉

OKAY BUT FOR REAL. the actual timeline is like this: kiru's childhood was pretty normal to start. her mother [mayumi] was a bit strict, but it wasn't anything too crazy, though she did prefer spending time with her dad [kentaro] during this time. this was all upended around the time she was eight, though, when her family had to move into her grandparents' home after her dad fell ill. kentaro, a lifelong smoker, had developed lung cancer, and the costly nature of treatments for his condition meant that they could no longer afford to life in their old house. in addition, kentaro's condition meant that mayumi had to essentially take over as his caretaker at home during this time, leaving kiru's grandparents as the ones to raise her.

i imagine this side of her family had a decent amount of social power within the community [this may just be a thing in my town, but you know those families where it feels like theyre kind of everywhere, like the school staff, the local politicians, etc.? theyre like that], which led to her grandparents being quite strict, if not authoritarian to a degree, with a particular emphasis on what behaviors were considered "acceptable". as such, while kiru was greatly encouraged in her academic endeavors, there was near equal pressure on how she presented herself outside of her studies. while the physical aspect of "dress neatly and maintain good hygiene" was part of this presentation, it also included a HEAVY emphasis on her emotional regulation. It reached a point where she began to suppress nearly any strong emotions she had, because she felt that there was never a Right time to feel or express them.

^ it was kind of like this. not really any forceful or outright Mean enforcement of this ideal, but definitely a conditioning that was strong enough to impact kiru, especially at such a young age. past this i think they would be fairly normal as far as grandparents go, just not quite as nurturing.

even in the present day, kiru's calm demeanor is only really maintained because of her belief that sharing her feelings would disgust or embarrass the people around her. growing up, strong expression of any emotion was childish and unsightly, and she still conducts herself with this in mind; its not something she feels about others, but she doesnt extend the grace she gives others in this regard to herself.

BUT back to the timeline. after moving in with her grandparents, kiru got a bit closer to yanagida, who would often visit their home, since yknow. same city and all. during this time kiru was pretty lonely, since kentaro's illness meant she had to spend less time with him, and as a result her and yana spent much of that time together instead. yana particularly enjoyed kiru's knowledge of english, since kentaro primarily spoke bonin standard english in the home + taught kiru the language. in turn, kiru appreciated that yana didnt see her through the same lens of "respectable young girl" that everyone else in the family seemed to have picked up since moving, and they were able to meet each other on more of an equal level of just being friends.

this pattern continued up until kiru was 10, when kentaro passed away. aside from the obvious, this was a particularly stressful time for kiru and mayumi, since kentaro wanted to be buried in Chichijima + have his funeral procession held there. as a result, kiru spent about a month of that summer away from home, on the island with her father's side of the family. away from the eagle eye of her mother, she tried to make the most of the time, but found herself too distraught to enjoy any of it to the fullest. she was too ill-equipped to tell her relatives there how she was really feeling, so they mostly carried on with the impression that a young kiru was being "strong" in the face of kentaro's death and was taking it well, even though it was quite far from the truth. upon her return to mainland japan to start her new school year, most of her family carried on with the impression that all had returned to normal. that is, except for yanagida.

obviously, only being about thirteen at the time of kentaro's death and not really having a strong understanding of the expectations kiru was under at home [not to mention having the emotional intelligence typical of a boy his age-- that is to say, not much], he didn't really understand Why her behavior had changed so much since moving in with her grandparents, or why her demeanor had taken a near 180 in that time. but he didn't really need to understand the why to know that Something was wrong, even before kentaro had passed.

what he wasnt expecting, though, was her breaking down sobbing the second he asked her how she was doing after she got back from chichijima. since yana was Also a kid, and had never put on the same pressure that the rest of the family put on on her, kiru felt a bit safer talking to him with the confidence that he wouldnt berate her for feeling that way or be disappointed in her. he consoled her about as well as he could [or as well as any 13 year old boy could] and assured her she could come to him if she was ever feeling down, but instead she assured him she would be fine.

after this event, yana started worrying about her quite a bit, but he wasnt really sure how to go about Expressing this concern [either to her or anyone else], so he just kind of let it sit there. as time went on, and kiru started to return to a more cheery persona, he let go of that worry for the most part and they returned to their old routine fun for the time being.

yanagida wasnt the only person whose relationship with kiru changed after kentaro's death, though. mayumi, who was wholly unequipped to handle the intense grief that kentaro's passing brought her, was wracked with a mixture of guilt, anger, and resentment; she regretted having ever met and married him, now knowing the pain it would come to cause her, and she even began to regret kiru's birth. its a feeling she was deeply ashamed of. she loved her daughter, but every time she looked at kiru, every time she heard her name, mayumi was acutely aware of the fact that kentaro was no longer there to share these memories, that he wasn't going to be there to see her grow any further. ashamed as she was of this feeling, it never fully went away, even if she made efforts to ignore it. the gap left between them was never fully mended, and though kiru couldn't place it at the time she definitely got the sense that mayumi didn't really want her around. as a result, kiru began to spend a bit more time around her grandparents, whom she had grown closer to since they were the ones raising her for the past couple of years.

as junior high rolled around for kiru, and as yanagida was going into high school, the distance between them grew as well; yanagida was beginning to exercise more independence from his family and spend more time with friends, and kiru was doing the same. they still made time for one another, though, walking home together once in a while when yanagida wasn't in the mood for hanging out with his friends. most of the time, though, they just stuck to their new groups. it was a small period of respite and was actually pretty chill for kiru, all things considered

once it came time for kiru to start testing into different high schools, mayumi became a bit more involved with her daughter's life. more specifically, she became more involved in how kiru presents herself; if youre a daughter [or former daughter] youre probably familiar with the specific underhanded flavor of body shaming she experienced. kiru and yanagida also lost contact during this time, as yanagida was preparing to enter college and they were both too busy to keep up with one another too well. he was definitely a little concerned with all these changes regarding her appearance, though

now, to this point, i want to say that mayumi was NOT being intentionally malicious or even aware of her harm during this time. during her youth, mayumi was ridiculed and ostracized for a more unkempt appearance that came as a result of an intense focus on her academic endeavors and matters other than her looks. not wanting to see her daughter endure the same thing, she tried to encourage kiru to put more care into her appearance. even so, her tactless expression of this concern ended up hurting kiru more than anything else.

high school came and went, with kiru attending St. Hanagaoka's, a prestigious all-girls school in the city. nothing particularly bad happened during this time, but kiru regards this time in her life rather poorly, because she spent most of it trying to Appear a certain way, rather than living how she actually wanted to live. its during this time that kiru became more acutely aware of much of her desires and identity; as femininity began to feel more like a prison, she found herself looking at the boys her age a bit differently. she had a boyfriend or two during her time at school, sure, but she never really felt that it was any different from having a friend. slowly, she realized the feelings she thought were admiration, or crushes on boys, were really just a sense of longing; she longed to dress like them, to be able to cut her hair short like them, even to pursue love with girls the way that they did. though she was still quite confident that she was a woman, she knew she wasn't the kind of woman her family wanted her to be.

as such, when she finally got into college, kirumi cut contact with her mother and grandparents almost completely. her first year of college was a year of rebellion and experimentation; primarily with her appearance. at first she'd wondered if her discomfort for feminine clothing was the result of the KIND of femininity she was portraying, but quickly realized this wasnt the case. so the kirumi futch era was only about a semester long. after this, she started to present as more masculine, and this is around the time when she starts getting more concerned with fitness in terms of strength; she didn't manage to get built like yuko miyamoto just by standing around, after all! its during this time that kiru also began to make actual friends, though her problems with connecting to others emotionally made this a rather difficult endeavor when it came to maintaining those relationships.

during her second year of college, her grandparents both passed, roughly six months from one another, due to old age. while she had mixed feelings on the matter due to her strained relationship with them, she still attended both funerals. at the latter of the two, her and mayumi got into a bit of a fight because of a comment mayumi made about kiru "destroying" herself. this ended up pushing kiru, out of pure spite, to shave her head the second she got back on campus.

it ended up being a mistake.

not one without a silver lining, though! this drastic change in appearance ended up catching the eye of one of her acquaintances, who was a close friend of her roommate. you might know her as keiko :-)

during this time, keiko was just starting her transition, and was still getting a feel for the big city. the two initially bonded over a shared love of terrible movies [as one of kiru's biggest hobbies is watching shitty movies to laugh at them], and kiru gave keiko many of her old clothes + some tips for hair and makeup now that she no longer needed them. but over time, they became quite close. in particular, they bonded over the fact that they experienced pretty strong discomfort towards gender roles and expectations in their upbringing; while keiko's family was much more loving and supportive than kiru's, she still felt an intense obligation to be seen as ""man enough"", mainly to her peers, having been bullied quite intensely during her high school years for her transness.

i could probably write a whole separate post about kiru and keiko's relationship [not any time soon though. jesus.], but the long and short of it is that they became a couple during their third year together at college :-) this is also the year that kiru secured her job at the butcher's shop in akatsuka, having been a bit of a floater before then.

after graduating with her bachelor's, kiru began to attend a veterinary school in pursuit of a doctorate in the field. they lived separately, but visited one another's apartments about as frequently as could be managed.

one summer, when school was out and she was less busy, kiru began volunteering at a local animal shelter, wherein she met and fell in love with a little cat named kabosu. after adopting her that autumn, on one particularly busy night, kabosu broke out of the apartment, and... hey, i've told this part of the story before!

past that, uh... not really a lot to say! i have a whole storyline thought out about kiru and yanagida getting back into contact + how that intertwines with some other family drama on kiru's side of things, but thats an idea that i want to dedicate a different post to since i have. a LOOOOOT of thoughts on that whole arc. ill do that eventually but again, definitely not anytime soon. if i make another post like this too soon i think my brain will explode

BUT YEAH! if you managed to read this far, thank you!! i put a LOT of thought and consideration into kiru's background; i didnt want it to be like. senselessly edgy. since this IS a gag anime in the end. even still i am a sucker for complicated family dynamics so i tried my best to strike a good balance there

[seaweedstarshine]

“Ah, sorry about that. Bit of a blip with the old conscience. Let’s completely ignore that, eh?”

Evil Eleventh Doctors, from the comics arc The Other Doctor and the TV episode Nightmare in Silver

[tyrannuspitch]

i literally cannot emphasise enough how much loki is just some random guy. yes, of course, he has done terrible things, but he isn't in any way more inherently predisposed to evil than anyone else. it's extremely circumstantial, AND extremely subjective. of course, i don't mean that it's subjective that what loki's done is bad - but singling him out from all other asgardians IS. why is loki the villain and not thor? because loki is an outsider and because odin has decreed it. nothing else. it's completely arbitrary!! loki is not a villain or a monster or a broken person or a ~ps*chopath~. he's not exceptional. he's not unusual. he's just one more person raised in an awful society where both experiencing a lot of violence oneself and inflicting a lot of violence on others are the (strictly enforced) norm. in another life, he could be your friend. in another life, he could be you. in another life, you could be him.

[spohkh]

be so fucking for real right now LOL. be so for real. be so for fucking real im begging you. holy fucking shit we are never getting out of this

[cankersaurus]

I hate this comment

[viksalos]

listening to my dad go through the whole “reevaluating his entire life’s worth of memories” stage of a late autism realization is very bittersweet

[handsoffthefuckinshield]

fuck. I keep forgetting Baz is actually our strongest gatekeeper

[hms-no-fun]

also. also? also??? the actual real honest to god indigenous landback movements are not calling for the wholesale eradication/removal of every person who lives on the land in question. like let's actually be so for real right now. "well indigenous people in other parts of the world want genocide so why is it bad when *I* do it?" it's almost like they're ignorant eugenicists flailing for any scrap of legitimacy no matter how tenuous or incoherent

Love this new trend of calling Zionism a "landback"-movement, which is not just a blatant attempt at historical revisionism, but every early zionist thinker were pretty open about the whole thing being a colonial movement.

[kaleidoscopic-quiddity]

remmick and the vampires present a false dichotomy

Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious

remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency

when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA

when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative

remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people

in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer

remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that

theres a reason vultures are shown early on in this movie

[jaxieshauna]

when the evil part returns lowk

[television-overload]

Same anon as before re the tiva drama. Just wanted to say that you seem incredible and that I’m so sorry people who forgot they have to grow up have this much of an impact on fandom life. You’d think people had enough high school in high school - I know I had. May the fuzzy tiva fandom love have a prompt return! And take care 💙

Thanks Anon ❤️ I really appreciate that

It's probably a good thing in the long run. Twitter in general sucks, and it takes up far too much of my already limited attention span. I'm sure I'll still be on there every so often, but I've missed this cozy side of the internet on Tumblr.

[enby-ralsei]

me when I see the phrase "are you normal" at the start of a sentence and instantly feel nauseous.