#system of a down reference

[weiirddude]

They share the same music taste

[lyssist]

FATHER , INTO YOUR HANDS , WHY HAVE YOU FORSAKEN ME ?

[serpentface]

Here's what typical vestment for The Odomache looks like.

The pelt of the lion that was originally sacrificed and worn raw for her incarnation is retained throughout the years of service, preserved and fashioned into a headdress and cape (obscuring a helmet). This can get dreadfully hot in the summer but no one ever said that being a hollowed out pathway for God's spirit was easy.

The body is always obscured near completely, barring the hands, feet, and parts of the face (philosophically, these are the body's least vulnerable parts as its modes of Action, though this is in large part a practicality). This is partially a matter of psychological enforcement that this person is not Just a human, and partly a matter of protecting the part of God's living spirit that's in a wholly human body. Conceptually, the Odomache Enables tremendous power rather than being intrinsically powerful in of herself, so all manners of protecting the metaphysically vulnerable human body are of tantamount importance in her case.

The complete obscuring of any identifiable feminine form is also notably important to the underlying philosophies and biases involved. It is necessary that she is female, a condition ascribed a unique malleability to change and transformation (for good or harm), but the act of female/non-male sex and gender assignment also serves to uphold an underclass in a patriarchy that she By Necessity must be distanced from. This extends beyond the masculinized social and dress performance of Odonii to a masculinized social performance with dress that utterly obscures any part of the body that could be gendered, and dress that is not gendered in of itself (women do wear less revealing clothing than men and skirts of similar length, but the act of Fully covering the body in this form exists outside of the bounds of gendered dress).

[[It should be noted that on a historical level, this role is largely a descendant of a variety of 'celibate and/or masculinized female religious authority' figures in pre/proto-Wardi societies stretching back centuries, rather than an emergent property of contemporary religion and philosophy. This is an adaptation of older roles and worldviews to securely fit the contemporary zeitgeist, and that's part of why many aspects of this role Superficially clashes with said zeitgeist.]]

The relatively undecorated white cloak and robes in comparison to culturally favored displays of color and opulence further emphasizes a sense of the Odomache's separation from humanity. The Wardi image of God is not a human lord, but rather the world itself and the functions of the world distilled into the forms of animals. Human hierarchies exist Within God rather than God having a place within human hierarchies, so in this philosophy it's natural for this particular person of high authority to not closely resemble a Human Authority.

This is still ultimately a human body existing at the top end of a human hierarchy (and in the dimension of religious thought, it a human body holding aspects of God most specifically concerned with maintaining concepts of 'right' civilization and hierarchy), so public-facing garb like this will still include a few mundane trappings of lordship such as this fancy gold khattanocuy displaying an image of an enemy being trampled by the Face Odomache as the guardian lion. Purely ceremonial garb for the Odomache hides the body in its entirety beneath the white cloak and forgoes all decoration save for the obligatory weaponry.

A sword and dagger is worn at all times as a matter of being the ultimate physical bastion of her society's military might, and she is always accompanied by a retinue of 'lieutenants' (Extremely elite servants/squires) who carry whatever other elements of her perpetual armament are not currently in use. These weapons are Completely ceremonial in nature (to the point that they're made or plated with gold rather than anything like, durable) and there is absolutely zero expectation that the Odomache will ever directly engage in combat (the times this has happened historically have been when things have gone horribly wrong).

Her face is usually masked in public, though this is not a strict necessity of the role and is forgone for some ceremonial purposes. On these occasion, it's standard to paint the face red to still partly obscure human features in the same fashion of battlefield Odonii. As the color of blood, it positively evokes bodily vitality and strength, the living spirit of the world itself and the mode of connection to God (and will also be reminiscent of the rite of incarnation during which she is Actually covered in blood)

[erinwantstowrite]

Ooh what job are you getting? Still in the vet area?

Good luck!

i was thinking about sticking around for vet stuff!! i don't have a license or anything but i'm pretty good at office work and my boss at animal control swore i would be loved at these other places (apparently i'm good with handling rude people, but i think that's because half the time i don't even notice they're being rude lol. + i can handle that sometimes an animal would be better off being put down :( even if it makes me sad, quality of life is better than quantity). but !! </3 no one is hiring around here </3</3</3 broke my heart fr

i might end up working for the city? can't really say what it is but it seems my speed even if it'll be more fast paced. i had an interview with a a few people who are reps for the city and THAT was nerve-racking. at least i knew a whole bunch of them already

[thespiusbf]

I LOVE HIM SO MUCH YOU DONT EVEN KNOWWWWWW

[the-beastmodality]

serjflower

he ate too many seeds In his past-time activities

[mariyekos]

Crack fic idea: POV of a police officer chasing a robbery suspect who ends up running into DMC to escape/grab a hostage. When the officer opens the door, he finds the suspect standing frozen in the middle of the room, because on the opposite end by the desk, an angry Vergil's standing there stabbing a surprised Dante. This stabbing pretty obviously happened before the robber showed up. It's only through the hand, but the one guy is holding a whole giant samurai sword, the guy getting stabbed has a gun in his free hand, and there's kind of a lot of blood.

The other officer comes in after POV guy. Officer 2 looks over the scene, then starts to arrest the suspect who's still so shocked he doesn't really fight the handcuffs. Once the suspect is cuffed, Officer 2 starts to walk him through the door and tells POV Officer it's time to go. POV Officer is confused, because uh, sir, there's some pretty severe domestic violence going on and he doesn't know if that gun's registered, and even if they ignore all the normal police/violence/safety issues shouldn't they call some EMTs??? Or at least ask the guy getting stabbed if he's okay???? (To which Dante calls out "oh yeah I'm good!" confusing poor POV officer further)

Officer 2 just frowns and shakes his head. "No, they've got this. Right Dante?" To which Dante cheerfully replies with some small talk that makes it obvious he and Officer 2 are acquainted. Vergil gets tired of the small talk and rips the Yamato out of Dante's hand, walking upstairs. And when POV Officer starts to ask something else, Dante basically just waves him off with some sort of comment about how Vergil's just grumpy, honestly Dante kind of deserved that one, he'll admit he was being a bit pushy. And then waves goodbye when Officer 2 says they really need to get back go the station and book the suspect.

As they leave, POV Officer asks what's going on. Officer 2 basically just tells him not to worry, and not to write it in the report. That's just Dante. Dante tries to keep clear of the police, the police try to keep clear of Dante, and everyone's happy. He's helped out on a handful of cases when he just so happened to be in the area, he's gotten accused of some property damage a few times, it all evens out. You just don't mention Dante. City Police actually have a code for it, if they ever absolutely have to. But today they don't, so they won't. They caught the suspect. That's that. The suspect ran into one of the many abandoned buildings in the area and they caught him. Nothing else of note.

Oh, and if POV Officer is worried about the hand, he shouldn't be. The police here have known demons were real for years before Redgrave, and they're pretty sure Dante's one of the nice ones. When he says he'll be fine, hell be fine. Officer 2 has some good stories about him getting shot in the chest and getting tight bacm up, actually...

...

And so a crazy day comes to an end. The suspect's been caught, the streets are safe, and that's that. Nothing else happened. Nothing at all.

If POV Officer starts sprinting in the opposite direction when he sees a certain tall, white haired, blue eyed, blue wearing man when he's walking down the street later that week, it's for no reason at all.

[latenightsundayblues]

Came across some slasher band AU art by @arkunder and started frothing at the mouth

I like to imagine they'd do really performative concerts with the ghostface persona, like "killing" actresses on stage and being overall destructive to the point of losing gigs in nicer places so their fans don't completely wreck everything in a mosh pit (that they initiated) lmfao

Stu's the campiest bitch on the block (as expected)

[melverie]

And in a way, Satan would react much like a tiny kitten being carried by its mother whenever he is shown love—overwhelmed by the gesture, and shutting down completely as he is being treated with care

[chiarrara]

sorry not sorry, I love jjk but the power system doesn't make any sense. it's a lot of hand waving over vague intellectual concepts the author doesn't actually fully understand which makes it sound really smart, complex, and deep. But really it's ricocheting between an ode to classic shounen power systems and a straight up recreation of them with a new coat of paint.

And that's fine! It's cool to get inspiration from philosophy and mathematics and physics, it's fine to use that inspiration without having a deep theoretical understanding of the concept, and jjk is nothing if not an ode to and a new iteration of the essence of the shounen genre.

But it doesn't mean the author's explanations of that power system--in the text itself or in additional materials--make any more coherent sense than the quantum physics in marvel movies. Trying to make sense of this stuff is a futile effort because it's not fully developed to that scale, and I think that leaves a lot of people either filling in the gaps themselves and misremembering that as text, or deciding the author is actually way smarter than them and they would need a lot more information to understand it, which is not true, because it doesn't actually make sense.

Complex ideas can be explained at very accessible levels in very simplistic ways when they are deeply and fully understood. If someone actually knows more than you, they won't make you feel like you can't understand the things they know. If they do, it's because they don't understand it well enough to explain it.

[daily-xisuma]

[025] I memorized the enochian characters for use as a cipher :-)

[asquared-ohgodnotthehorrors]

Ya know, I have a setting I would love to run a D&D campaign in - specifically a D&D 5E campaign in. The setting specifically requires so many assumptions that are baked into the rules that were given, and without that anchor, that mechanical core, everything sorta falls apart.

The problem is two things however:

1. 5E has a lot of problems. Problems I can no longer overlook- because I’ve played other systems. I���ve seen how much more freeing and fun it is to run other systems, and I simply don’t feel like I can go back to 5E. I don’t want to go back to 5E, despite how crucial the class assumptions and species are to what I want to run. I don’t want the game to be as crunchy, and I don’t want to have to struggle to make my players feel like they’re challenged or forcing a narrative onto a system that isn’t designed to make the narrative I want to run.

2. 5E is dying. Not because of the fan base or anything- no, WotC is actively killing off the rules that were and replacing them with what will be. It’s changing the thing I want into something else rather than making something new. And it’s not like I can just ignore that either- if I somehow found players who wanted play in this system, they would inevitably use those resources, rely on them. And they would be stranded. Few of my friends want to go back to D&D- and I don’t feel comfortable reaching out to that community to play either. Because I don’t think they’d want to play in the world I want to run.

All in all, I just feel… a little lost on what I want to do. There are a few systems that are able to do what I want. And I just feel a little lost.

[jackalopedaily]

Jackalope Daily Day 349

HELLOOOOO FELLOW JACKALOPE FANSS

imtalkingtolike4peopleincludingmyself

How would YOU feel if I started posting about my MILGRAM THEORIES on THIS Account?

Should I reserve it for jackalope only content or should share my incredibly vast wisdom??? 🤔🤔

[fisheito]

You know who you remind me of? Helga Pataki.

Please tell me you (or somebody else) gets the reference 😂

anon u turned my world to static with that namedrop

on the list of things i did NOT expect to happen ,because hUH??: someone dragging [hey arnold] into my tiny nuca inbox

[hjaopanses]

still sorting things out haha