#that is super funny though and accurate

[foxxism]

I HC that every time Blue spells his name different. Like telling a new friend his name is Blue but spelt Bleu or Bloo. I think it’s super funny :D

alternates between lucien/lucian because people always spell it wrong

[themintman]

I am filled with HATE and SORROW y'all know how like Nurm is my favourite character my number 1 guy out of any piexe of media ever I love him dearly which sucks cause he's pretty unpopular but whatever whatever. N I'm like "man I really want to see some new Nurm content but everything I find I've either seen before or I created ☹️" and then I. I go on tiktok and I KEEP seeing edits that start with a clip with Nurm in them and then haha surprise it's actually a Petra edit!! Cause it's ALWAYS PETRA GOD DAMN IT and I love her. I love Petra so much. She is a fabulous character but ohm y god I am tweaking. I genuinely started crying y'all I am not sane nor normal. I'm so normal about him. Oh my good god I am going insane I am 💥💥💥💥

[quietbluejay]

started doing a "primarchs as things my coworkers did" post but a) thought maybe that wasn't the best idea even if some of them were very funny and b) I didn't have enough examples for everyone, RIP

[slimyenemy]

they're cool by the way chat i love them a lot

[seventeendeer]

as a fat person who's always clamoring for more interesting fat characters in media, I honestly think one of my all-time favorite depictions of a fat character is Jumba from the original Lilo and Stitch - both visually and personality wise

from a design perspective, even though he's an alien, he has so many little anatomy quirks that make him a more believable fat character than many fat human designs in other media. I love the realistic sag and layering of the fat on his arms, the lack of neck definition, the rim of chub around his face and upper back, the way his back is rounded. his clothes pull taut and pinch in anatomically accurate places (e.g. shoulders are firmer = smoother outlines, the sides and back are squishier = bumpier outlines).

and he's stylized so well! all these great details boiled down to some simple shapes and pen strokes. IMO the Lilo and Stitch art style is extremely appealing - it's warm and clean and visually pleasing, but every character is super unique. Jumba isn't supposed to be pretty, but even though he's a very large, very fat, bald older guy who spends most of the movie in crop tops, the way he's stylized and staged makes it clear the audience is supposed to find him interesting to look at, and variably intimidating/cool/powerful/capable. he's often funny, but the physical aspect of his comedy is derived from being so hefty the other characters struggle to prevent him from barreling ahead and doing whatever he wants; being fat makes him come off more in control of the funny situations he gets into, not less. also, because the art style is what it is, a lot of his character acting also just makes him look kind of cute ... though that's universal across the cast

I also really like the fact that his size clearly gives him both realistic advantages and realistic disadvantages. along with having a stronger sense of agency in the comedic scenes, his size in combination with his impulsivity also makes him a more intimidating antagonist. you never know what he's going to do, and his size makes it difficult for other characters to stop him when he's made up his mind. at the same time, it seems to take him longer to catch his breath, he sometimes grunts when moving around a lot to imply it takes more effort, and he clearly struggled to find clothes that fit him when putting together his disguise. I think it's awesome that the character's size impacts how he interacts with the world so much, and again, in relatable ways

and personality wise, it is ALWAYS great to see fat characters portrayed as intelligent - not only is Jumba an accomplished scientist, he's also crafty and witty! a few quiet scenes imply a philosophical side, as he ponders on Stitch's existence and feelings as a living weapon. with Stitch explicitly being made in his own image to an extent, I'd argue there's even room to interpret some of the things he says about Stitch being hints to how he sees himself; we never learn much about Jumba's past, but it's clear he's a social misfit and strongly defiant. I don't think it's a stretch to assume some of what he said to Stitch about being a monster who can never belong anywhere was intended to read as projection (which makes it all the more heartwarming when both of them find a place to belong on Earth)

it's also a nice twist that toward the end, Jumba is the one who is unexpectedly compassionate toward Nani, while Pleakley tries to urge him to ignore her. again alluding to a level of emotional depth and intelligence that is often missing from even well-intentioned depictions of fat people. his character isn't even fully explored, and yet he's one of the most dynamic and interesting supporting characters in a movie full of fantastic characters. the audience is expected to find him fascinating and even sort of mysterious, and he is!

the sequels and spinoffs were more merchandise-driven franchise fluff for kids than the artsy direction of the original movie, but even so, I remember Jumba went on to become Lilo's lovable, amoral uncle figure, which I also thought was so fun as a kid. I love that they committed to the fact that he was more caring and compassionate than he seemed. not only was he a cool evil mad scientist character, but he was also eventually ... a friend ...

and he was even gay

[whencartoonsruletheworld]

so like. fnaf movie. after night five, all outside observers know is "this 30yo guy with severe anger issues + his 10yo mentally ill sister just walked out of his collapsing workplace with an unconscious, stabbed police officer, saying that someone inside the building tried to kill them but we can't get into the building to check. we went to their house and the aunt who was fighting for custody of the child is dead on the floor. the guy's career counselor is missing, as is his babysitter and her family and apparently they're all dead in the building we can't get into." and like. that all looks suspicious as FUCK however we know that in the few-weeks timeskip both mike and abby seem happy and fine so it's not like mike was arrested or anything. he seems to be more adjusted and is happily talking with her teacher so i doubt he's under stress of interrogation or anything

there's a lot of implications there that mike mighta pulled something but it's all circumstantial evidence at best. i'm sure in jane's autopsy and crime scene evidence they couldn't find any evidence of mike being the one to attack her, esp since it was probably just golden freddy bopping her in the head so they dont even have the weapon, and if she was strangled they'd be able to tell it wasn't by bare hands and they couldnt get prints or anyth. especially if golden freddy is a FULL ghost and thus left no trail.

mike would be smart enough to only tell the cops what they need to know without mentioning ghosts to sound crazy. abby might be more honest with the cops just bc of #autism but they'd be more likely to consider her talking about ghosts and imaginary friends as a child's way of coping, and they cant get anything out of her that would incriminate mike. ADD TO THAT that mike has wounds that are clearly defensive and is SUPER banged up and his wounds would likely match his story way better than evidence of him attacking anyone, AND that there's likely footage and witnesses of him being in the pharmacy and then driving to work (and thus not in the area to attack jane), AND if/when nessie wakes up she'll probably vouch for mike as well, and the cops dont have anything on him

though i DO wonder if they would have records of vanessa patching him up in the police outpost. if they do, that would also back up mike's story as it's 1) far away from the aunt jane crime scene, 2) confirms that he and vanessa were working together, so either she's complicit in Crime™ or his story is accurate and she was helping him save his sister. him going to defend her instead of calling backup is also consistent with his personality of getting triggered and jumping into action around child abduction, esp w/ his sibling in danger

considering what abby would probably say, AND the history of freddy's, it's likely that they would come to the conclusion of is "someone [likely the og kidnapper from the 80s] found out that the guy working at freddy's had a sister, kidnapped abby from her house while her aunt was babysitting and tried to recreate the crimes, his story of him and vanessa defending her and escaping vaguely checks out." whether or not mike would incriminate vanessa by mentioning her dad was the killer is up in the air, and there's obviously some huge holes that are left from nobody believing that there are ghosts in the building but that would probably be the eventual conclusion

but throwing that all away, it would be really, REALLY funny if the rest of the town, being really fuckin nosy and getting into the juiciest gossip they've had in decades, took one look at michael "big teddy bear falling asleep on himself" schmidt and said "there's no way. there's no way this guy murdered his aunt, stabbed an officer and then destroyed his own workplace, especially when he really needed that job and was on sleeping medication," and then turned around to look at abby "neurodivergent in the early 2000s (ableist af time period)" "vocally hates her aunt" "doesn't talk to anyone and claims that she can see ghosts" "vaguely possessive of her brother" "claims that she found the guy who hurt her friends and got him jumped by a cupcake(?)" schmidt and said "oh my god. it was her."

and nobody's gonna directly say anything but they've got cautious eyes on the situation and someone quietly slips mike a copy of the bad seed to see if he has a realization but instead he's just like "hey this book kinda reminds of that golden freddy kid lmao. wonder how he's doin" and then we smashcut to golden freddy kid poking springtrap with a stick

[felassan]

August 30th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript

Under a cut due to length and spoilers.

Update: This post has now been updated into a word-for-word transcript.

[Link to video recording of Q&A] | [Link to equivalent post for first Q&A (June 14th)] | [Link to video recording for first Q&A]

Update: This post has now been updated into a word-for-word transcript.

If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )

Please note before proceeding that the devs advised that this Q&A may contain minor spoilers!

Corinne Busche, John Epler and Community Manager Katey were the devs that were there.

KFM: Community Manager Katey JE: John Epler CB: Corinne Busche

---

KFM: We’re gonna be joined by John and Corinne here in a sec, just waiting for them to get on. Hey John, hey Corinne, thanks for joining - hey!

JE: Hello! Thank you for having us. It's a pleasure.

CB: Hey y’all. It's so good to see so many people, I see some familiar names here. Good to see you again.

KFM: Yeah, yeah, I'm excited to, you know, bring us this second Q&A on the Discord server. Last time we were really, really happy, with the way it happened, y'know, it turned out and how everyone seemed to really enjoy it so we're back again. Thank you for submitting your questions on the ask-bioware channel. I am going to start and kick that off in just a second, but, for those of you who might be new here, I'm the Community Manager, and I'm going to let Corinne and John introduce themselves as well.

CB: Hey y'all, I'm Corinne Busche, Game Director on Dragon Age: The Veilguard. I just generally help people on the team do cool things and create this world.

JE: And I'm John Epler, the Creative Director on Dragon Age: The Veilguard, and Corinne picked probably the best way to describe what I do, too, so I'm just gonna steal that. I'm there to make sure the team can, is enabled to do their best work and I'm super excited to share all this with you.

KFM: Awesome. Yeah before we start I also wanna give a quick heads-up, you might have seen in Announcements, but there are a couple of questions in here that we have answers to that we would consider minor spoilers. I'll give a heads-up before that minor spoiler answer is given, or even the question is read, so you can go, y'know, grab some water, or y'know, go outside for a second, or just do anything, to decide if you want to listen to the answer or not. But, I promise, these spoilers are, y'know, we'll call them out before we say anything.  

CB: That is kinda the coolest part of this session, we're getting closer to launch now, so I think we can do a little bit deeper on some of the questions this time.

KFM: Yes, no this is so exciting! Okay, are you guys ready?

JE: Yes! Yes I am.

CB: Let's do it.

KFM: Let's do it.

KFM: Let's start with a fun one. Do all Evanuris hate tea? Does Ghilly-Flower exclusively drink haunted bog water?

JE: Alright. That is a fun one. Y'know, it's funny because I think Solas is the only one of the elven gods that actually really has a tremendous aversion to tea. That said, we don't really get too into what they drink, I would say though, knowing what I know about Elgar'nan and Ghilan'nain, I think Elgar'nan probably drinks a combination of gas station coffee and the Thedas equivalent of an energy drink, at all times he's got a big Thermos with him. Whereas Ghilan'nain is all about the herbal concoctions that are supposed to be really good for like, your gut health, things like that - she really takes care of herself, so.

CB: John, I think you just described you, and then me. Interesting.

JE: Hurtful, Corinne, accurate but hurtful.

KFM: Okay, next one. So we know that we can hug Assan, but will we be able to hug any of our companions?

JE: So you can't hug your companions at all times. There's not an option to just walk up and give them a hug. They've got their boundaries, they've got their preferences. But there are opportunities in conversations, in dialogue, in scenes where you will, you know - a companion may ask you for a hug because they're having a rough time and you are able to give it to them.

KFM: And will there be a lot of politicking involved? And by politicking they mean quests like Wicked Eyes and Wicked Hearts.

JE: Yeah, so I mean, there's not gonna be a quest quite like the Halamshiral Ball, I mean that was very specific to the Inquisitor. The Inquisitor was trying to gain favor with a bunch of different factions, they were trying to form an army. Rook's struggle and Rook's, honestly,  challenge is much more immediate and visceral. That said, it's Dragon Age. It wouldn't be Dragon Age if there weren't politics. You'll have influence on the, y'know, things that are happening, and the fate of nations, that are happening around the world, and Rook, I mean, throughout the game, across this adventure, Rook does become a fairly important figure, so it's natural that you’ll have some influence and some involvement with the affairs of the different factions and nations.

KFM: Gotcha. So this question, this next question comes from Onomatopoeia. I know this has been asked before, but they didn't see an answer for it - is there a way to toggle off nudity and sex scenes?

CB: Yeah, let me take this one. It's so funny, John, you get the fun questions and I get the thirsty nudity questions - I'm here for it. So, let me, let me answer and maybe elaborate. So, there is a toggle for on and off nudity. That is one of the settings we have. And we'll be going deeper into settings and accessibility and things like that as we get a little bit closer to launch. But let me also expand on this. So when you're in character creator, you'll actually be able to select what underclothes your Rook wears, and whether that exposes your chest or your breasts. So, by default nudity is on, chest or breast, that is up to you by your underclothing that you select, particularly as you get into, say, romance scenes, but, at any point you can toggle the setting to be non-nudity and it will override your undergarments. 

KFM: Gotcha. This question comes from DarkGoddessEris. What are the companions’ ages? That was a question that actually came up a bunch, so I'm excited for somebody to be able to answer this one.

JE: Yeah,  I can take this one. So the companions in The Veilguard range anywhere from kind of early-mid twenties with Taash at the youngest, all the way up to Emmrich who is in his early fifties. The rest of the companions tend to be in their late twenties, early thirties, again though, they're all experts in their field, they're all people who have been through a lot, so even the ones that are at the younger end of the age spectrum, their experience, they've been through a tremendous amount by this point by the time you meet them, so, yeah. So I mean, I guess, Taash is the closest to Sera at early twenties, but they’re all in kinda that age range, so.

KFM: This next question I'll pitch to Corinne. How linear is the quest experience? Are there going to be side quests that you can stumble upon and resolve within areas or are you locked into a golden path?

CB: This is such a good one. Yeah, a lot of people have been asking about this so thank you to whoever submitted it. So the content in the game is a mix of directed, kinda like story quest missions, and then explorable content. Or you might say optional content. I don't even like calling it side content because it's a lot of fun, it's really good content. So to give you an idea, a lot of the main story quests are critical path missions if we want to call it that. They're very highly crafted. They're more linear than some of the other parts of the game, because we feel that’s how we can tell the best stories, give you a very intentionally-paced experience, y'know, with lulls and climaxes, so it really hits you. But that's only part of it. You're also gonna explore, fully explore a bunch of the locations in The Veilguard, so like, let me just lay a few on you: Arlathan Forest, Hossberg Wetlands, those are probably two of the biggest ones, the Crossroads - now we've seen Crossroads before in Trespasser, but this, isn't necessarily the Crossroads as you remember it. So you'll be able to explore this, this part of the Crossroads, and as you're there, you're absolutely gonna be discovering new areas, new quests, mysteries and new challenges. So exploration in the game is absolutely about player agency in these larger, less linear levels, and it's really an important part of the overall experience and core to our design. Now, as a player - and I'm just speaking for me personally - I'm the kind of player that wants to 100% every area. I want to go find all the optional quests, all the treasures, I wanna see that big 100% completed on my map. That's gonna take you quite a bit of time. So hopefully that answers the question. It is both.

KFM: I think that's a great answer, thanks, Corinne. This next one is from a user named Benedictus: Will we ever get the Venatori gear?

CB: Yeah, I can take that one as well. Venatori gear - so like, I'm assuming what we mean is for to like, wear on Rooks or on companions. Gosh, y'all, I'm gonna be honest - we really, really tried on that one. Hopefully you've seen in the videos our cloth sim, our hair sim, I think it's quite beautiful. The Venatori gear, generally we couldn't make that work to the quality we'd expect within combat. So, no you can't get most of the Venatori gear, but I will say there is a unique Venatori-themed helmet. I, I don't want to spoil what that is exactly, but, so, you can get a helmet, it is unique, it's pretty interesting and ties into some of the events that can happen in the game but I'm just gonna leave it there.

KFM: Gotcha. So, now we're getting into our first real minor spoiler question, so - consider yourself warned, do whatever you need to do, either listen or don't for the next, like, I don't know, minute. So this question is from Kala: Will there be any romanceable NPCs outside of the companions?

JE: I'll take this one. So, no - not this time. This time the romances for Rook are strictly within the companions. We wanted to really focus on those relationships and make sure that they were as developed and as deep as we could make them. And yet honestly and part of it - the other side of it is - Harding was a great example in DA:I, that was a character that as we were building the game, it really struck us, stuck out to us, this is a character that, actually, y'know, you see a lot, you build this very specific rapport with, and the writer, Sheryl, wanted to create that light romance with Harding. None of the characters in The Veilguard really jumped out to us in that same way as, this is a character we really want to build a relationship with, for Rook, but again, y'know, really focusing down on making sure the companion romances were as deep and meaningful as we could make them.

KFM: And this question is just for fun. So we're passed a spoiler, we'll get back into other spoilers in a bit, but this one's just for fun. We have so many cute, silly bird videos on the internet - Lucanis' Ninth Dagger, by the way, says that birds are their favorite animal - if you could just snap your fingers and a bird Easter Egg would be added for Assan, what would it be?

JE: Oh, that's a good question. So actually I'm gonna cheat, because I am trying to think of bird memes, or bird videos specifically, and I'm having a hard time, but, y'know, the thing about griffons is that they're half bird and also half lion, so I'm gonna go with a cat meme, say my favorite meme, and this is one that still brings me joy years after it came out, is the video of the cat grooving to the guy playing Finnish polka on the drum. Again, years old, I've loved - that's one of my favorite videos on the internet, so y'know, if we were gonna give Assan any kind of Easter Egg it would be that one.

KFM: I love that one - 

CB: You know, don't judge me on this, you're putting me on the spot here, but, the only thing I can picture in my head - y'all remember that video a few years back where the kid unleashes the rabbit into the field and then immediately that hawk comes down and snatches it up?

JE: Yes!

CB: Don't judge me, y'all! Don't judge me. But that's where my head goes.

JE: Oh, man.

CB: Assan just getting a little treat.

JE: I love that.

KFM: I love that.

JE: That's a great, that’s a great answer, Corinne. Fantastic.

KFM: So this next one is from a user named Ash. So Taash breathes fire, Lucanis has wings, Harding is a dwarf who has magic. A lot of our companions have some strange abilities - is this because the Veil is compromised?

JE: Oh, I'd say it's, I mean partially yeah. I mean, we've talked before about how over the course of the time since Dragon Age: Inquisition, I mean, it started at the end of Trespasser. The Veil's not in great shape. Corypheus already did a number on it, and Solas has very clearly, as you saw, in the [inaudible] preview, not been making things better in the intervening times. So, there is to some degree, y'know, I'll use Bellara as an example - Bellara's someone who's seeing these artifacts turn on, and being able to interface with them because there's all this magic that's coming back to the world through the torn Veil. Other characters though, I mean, you are recruiting people to stop the end of the world. You're recruiting extraordinary people, they're gonna have extraordinary abilities, and you know, someone like Davrin, a lot of his abilities are focused around Assan and the fact that he's got this partnership, this, almost, you know, familial bond with Assan, his griffon, so.

KFM: Can we get some Assans in the chat?

JE: I think I'm seeing a lot of Assans in the chat, so I think we're well covered there.

KFM: Me too.

KFM: Alright. This next one is for both of you, and I will say, another quick little spoiler, minor spoiler warning, depending on the way that either of you might want to answer this question. This is, of all the companions, who's the team's favorite and what companion was the most difficult to design?

JE: Ooh. I'm gonna cheat, I wrote Bellara so, I’m definitely not gonna say the companion I wrote because that would be weird, but I will say I loved the companion interactions so I'm gonna go with two of my favorite relationships that Bellara has within the team, friendships that she has within the team. So, Bellara and Lucanis start off as two characters who feel like they're from completely different worlds, their experience growing up was very different, where they lived, what they do, and over the course of the game, they kinda build this friendship over all these things that despite again - very different upbringings - they have a lot of things in common. They're both the, y'know, characters who just believe family is deeply important and that shows up in a lot of their interactions, a lot of, y’know, the way they talk to each other, they interact with each other, both within the Lighthouse but also out in the field. The other one - and this was one that came up organically as we were building the game - is Neve and Bellara and they, y'know, Bellara is a character who, y’know, despite being out in Arlathan is very big on stories, very big on - she finds - gets all the newspapers from Tevinter and she has kind’ve learnt who Neve is through that, and they build this very sisterly relationship that I love and that over the course of the game, I mean, we started out without this kind of as the intention, we started finding all these places that this can show up and it turned into, again, one of my favorite friendships that exists between the companions, so.

CB: Oh, that was such a good answer. Yeah, I think I might cheat as well, John, because, first of all, I don't want to speak on behalf of the entire team. So I'm gonna give you my two faves if that's alright. And I feel like y'all already know me on this. Every time we have a chance to talk about Taash and Emmrich I'm right there for it. I'd say they're probably my two favorites, but here's the thing y'all, here's why I love them so much. When you're out in the field like exploring, or on missions with them, their banter is so good, because they do not see eye-to-eye on necromancy, like, at all, and, it's really funny, it's really delightful, I love seeing how it evolves - so like, look - if you wanted a recommendation from me on like, banter in the field, you've got to hear Taash and Emmrich. Most difficult to design, let's touch on that really quickly. I, so, I'm gonna answer, but I don't want to say that like we put more effort into one versus another, but I would say the most challenging was probably Harding, just because you've probably seen if you saw some of the teaser footage, the pre-release trailer, we have teased some strange new powers for Harding, and when we do that we have to figure out how that layers into her combat kit, and when we onboard that, and, yeah it was an interesting challenge, it was a really fun one.

KFM: Awesome. Backing away from spoilers for a quick second, I'm going to ask this question to Corinne. With only two companions per party, as a Nightmare mode player, how can we balance not having a warrior in the team to tank? Will higher difficulty players be forced to bring Davrin or Taash for a melee instead of bringing the characters that we want?

CB: Oh super good - I was hoping this would come up, especially after we released the combat deep-dive for warrior trailer - hopefully y'all enjoyed that. So, let me start by telling you what's happening under the hood. Well, first of all, I'm not gonna bury the lede - you're not gonna have to bring a tank if you don't want to. But, let me first tell you what's happening under the hood, this is gonna be kind of high level, maybe we can go a little bit deeper when we have more time. Behind the scenes when you walk into an enemy encounter, we generally know how much pressure, or you could say intensity or aggression, we want to be putting on Rook to maintain that satisfying moment-to-moment experience. So to give you an idea of some of the levers we have for each encounter, that is the number of enemies that could be specifically focused on you versus your companions, how many enemies can be attacking at once, and even when you have multiple enemies coming at Rook, we have a ticketing system.

[text block character limit reached]

CB: And what that means is each enemy basically knows when it is allowed to attack or not. So, I tell you all that because basically when we're looking at the different types of classes and team compositions, those levers exist underneath the hood, so that we give you the most autonomy and flexibility, but also maintain that, that pressure, that engagement for you the player. So, a couple of other things on that. Now that you kinda get a sense of like what's happening under the hood, it is absolutely beneficial, but not required to have one of each class in your party. We did go into this with the goal of giving players more flexibility than perhaps we've seen in past entries. It's just a different approach. What we know is that players tend to get very attached to certain characters. If you've got your favorites, you oftentimes wanna bring them with you or if you're romancing a character, sometimes it's a feelbad to feel like you have to leave them behind because maybe they're the same class as you. So, the whole game is built and balanced around flexibility, and giving you the agency. So you can be successful, you can mix it up, but you gotta plan for it. So what, what do I mean by that? If you're not using teamwork, if you're not planning for your party composition for those synergies, it's definitely not gonna end super well. Right? Like, I've done no tank runs, but it takes some foresight in the strategy here. So I'll give you an example if you don't mind, I think I've been pretty out there that my favorite class and specialization right now - could change tomorrow - is the rogue Veil Ranger specialization. And this is very much a ranged archery-based specialization. So, I want to keep enemies at ranged, because I want to get those well-aimed critical hits, right, if those enemies are right up on top of me, I'm not gonna be able to do that. So if I don't have a tank in my party, a couple of the tools that I turn to - and I have done this, in fact, in my last playthrough I did this quite a bit - I might bring Bellara and use her Galvanic Tear, which pulls all the enemies towards like this really cool-looking gravity well and gets them off of me. I might instead use Neve's Time Slow. So the cool thing about this is it slows time for everything in the world except for you and your team, right? So I'm running away, I'm doing a Heavy Draw, getting those headshots, or making other tactical decisions. I could also turn to my rune loadout - hopefully y'all saw runes in the warrior combat deep-dive - that's an important part, especially if you're playing on Nightmare Mode, the strategic and tactical options that gives you, will allow you to overcome things like not having a tank. I think everyone may have saw the rune where you're doing a, basically an AoE freeze, and freezing everything in place. So it's kind of a long-winded answer, I'm sorry, it's complicated, but point is, is I think you're gonna have more flexibility in your build crafting and your synergies, but it's gonna depend on the strategy and composition that you feel works best for you and your own preferences. And then you did mention Nightmare, let me just finish with saying, and this is anecdotal, but in our own Nightmare playthroughs, we actually find that the most challenging aspect to plan around isn't necessarily aggro management, but making sure you have coverage on all the various elemental damage types. So, I just say this for anyone planning to go into Nightmare - plan well.

KFM: Staying on the topic of combat, it was noticed during the high-level combat videos that weapons and armor seem to be tied to different factions. Are there bonuses or something similar involved if Rook is a Grey Warden while using Grey Warden equipment? Are these removed if a Shadow Dragon Rook is using Grey Warden equipment? 

CB: Oh, interesting. You know, everyone went deep on that gameplay video, hey, I’m glad you noticed that. Yeah, so, to answer this, you're going to be working really closely with the factions in the game, right? Like the threat you’re up against is a world-ending threat so you’re going to interact with each of these factions. So that means that you’re gonna get a lot of the gear that that faction tends to use, and especially the stronger you help them become, the more gear you’ll have available from that faction. So when you see a piece of gear that has like the Veil Jumper icon on it, that signifies that it is aligned with that faction, but you can use it regardless of if that’s your faction background or not. All it means is that, you know, if I want to maybe improve it or get more gear in that vein, or that looks similar, I can see it’s from the Veil Jumpers, I’m going to go back to the Veil Jumper quartermaster, and that’s where I will find more items of that type or upgrade possibilities. But it also leans into the thematic identity. So, you know, I think in that video we were using the transmog system, but if I’m using a Veil Jumper gear like an armor, it’s gonna look like it was crafted by the Veil Jumpers, and it’s gonna lean into the mechanical themes of the Veil Jumpers as well, which, one of those themes tends to be lightning damage. Now, I will also say, and this is a little specific, but occasionally you will find gear, or even like skill nodes, that will occasionally be empowered, they’ll get stronger relative to your strength with that given faction. So like if you find a piece of gear that’s really core to your build, and it strengthens the stronger the Veil Jumpers are, like that gives you a pretty good signifier that maybe that’s a faction you wanna focus on.

CB: Katey, I don't know if you're still there.

JE: Yeah.

CB: Did we lose you?

[there is silence on KFM’s line]

JE: Ope.

CB: We may have lost Katey, y’all. 

JE: We can start, just, you know, let’s - 

CB: Yeah. Why don’t, why don’t, I do have the list of questions here so why don’t I ask the next one until Katey comes back. I hope everything’s okay on your side Katey. Alright. Next question I see, the Evoker description on the blog-post highlights ice-based magic. Does that mean we will not be able to have lightning- and fire-themed playstyles as the Evoker? No, no, absolutely not. The Evoker can lean into all of the elements, in fact, all mages can to a degree. You probably have seen the skill trees, you’re gonna pick up abilities, perks, traits, of all elemental types, and powering up those elements. So just because you’re an Evoker, doesn’t mean you’re like pigeon-holed into ice spells. What I will say is, if you’re heading towards that specialization, you’re gonna pass through the section of the skill tree where you’re more easily going to be able to naturally pick up those ice spells, right? So it might lean towards ice, but you can expand it. The name of the game is agency here.

JE: Corinne, why don’t I ask you the question so we can still kinda do a Q&A thing? CB: Yeah, that, that sounds good.

JE: Corinne, can I set the gear to look however I want without losing stats? And that is a question from YoCallMeRob.

CB: Alright, well, y’all know, fashion’s the true end game. So, we did confirm we have a full transmog system, so what I’m gonna do is spend some time going a little more in-depth for y’all, so that we’re getting new information. So yeah, if anyone’s not aware, transmog basically is, I have a piece of gear, but I apply an appearance to it that makes it look like something else that I like better so I can be fabulous. So, how this is gonna work is you’re of course gonna find gear as you adventure through the world, and you can equip that. But any piece of gear you find is also going to unlock the appearance for that gear. So you might find something that you really like, and you wanna look that way, and then you replace it, anything that you’ve already acquired, you can apply the appearance to whatever gear you want. Additionally, and this is one of my favorite parts, is, you’ll also find some appearance-only cosmetics that are specifically used just for transmog. So sometimes these are some of the fancier or more niche pieces of gear, maybe end up looking like a training dummy for instance. So you’ll get these appearance datas from opening treasure chests, exploring the world, and more frequently from vendors. So, look, if you’re in it for fashion, check out those vendor inventories because they got you. I would also say that you can transmog your casual wear, so field wear and casual wear, fully transmoggable. If you wanna be platemail while you’re hanging around the Lighthouse as a mage, more power to you. And then if I were just to give you a practical example of this, like on the Blood Dragon Armor, the pre-order bonus, those are cosmetics, those are just appearance datas, right, so they’re effectively evergreen, you can use them anytime you like without compromising your stats.

JE: I will say that I don’t think I’ve spent as much time in any other menu other than transmog, because as Corinne mentioned at the beginning of this, fashion is the true end-game, so. Katey, have we gotcha back yet?

JE: Katey, have we gotcha back yet?

KFM: Am I back? Can you hear me?

JE: Yay, you’re back. 

CB: Katey, we did our best Katey.

JE: Yeah.

CB: But I don’t think we were very impressive -

KFM: No, I think you both did a great job. It was one of those weird situations where Discord force-quit, but I could still hear everything everyone was saying. I don’t really know what that was about, but.

CB: I just assumed you didn’t like my answer.

KFM: Yeah, I rage-quit actually Corinne, it’s all your fault.

JE: Taken by the Fade.

KFM: No, thank you for taking over while I was figuring that out. There is a non-zero chance that that happens again, so just keep an eye out. 

JE: We’ll keep an eye out for it, we gotcha.

KFM: Thank you.

KFM: So I’ll just pick it up from the next question. The latest, latest - wow, I can’t even talk anymore - video series mentioned how each companion can set up or detonate specific combos. Are those always set in stone or would we get opportunities to change it up, through the skill-trees or otherwise? 

CB: Cool, cool, cool. I eat up these really specific combat questions. So first, let me give you an overview of how the primer-detonator relationship works between the classes. Like, this is very nitty-gritty y’all, if this is your jam, get your pencils out. So here’s the overview. Mages, and this whether, this is true of companions and Rook, mages apply weakened and overwhelmed debuffs, and those are two of the debuffs we call primers. Magers detonate the sundered debuff. Then if we go to rogues, rogues apply weakened and sundered debuffs, and rogues detonate overwhelmed. Warriors apply sundered and overwhelmed, and warriors detonate weakened. So you can see, kinda the interesting rock-paper-scissors relationship there. And when I talk about it as beneficial to bring one of each class? It’s just the inherent nature of that rock-paper-scissors relationship that I’m really thinking of. But, to answer your question, that is just the baseline, that is the default if you don’t modify it. Throughout the game, you will find opportunities, whether it’s from gear, skill-tree nodes, even runes, that allow you to break this paradigm. So when it comes to your companion builds, again it all comes down to the abilities you choose, what gear you’re equipping them with, how you allocate your skill points. Yeah, does that answer the question? There’s quite a bit of flexibility but there is a baseline paradigm as well.

KFM: Yeah, I think that answers the question.

KFM: Let’s see. The next one is, will we see a bit more the Lighthouse before release, as well as non-combat gameplay?

CB: Yeah, yeah, absolutely. We’ll keep it brief here because we are gonna be talking more about exploration and the Lighthouse next month, so forgive me, but I’ll say stay tuned on that one.

KFM: Alright. Then, this next one I believe is a little bit of a spoiler. I know that some people have, can’t hear me still for some reason, if you can’t, tell folks to quit Discord and rejoin it, but -

CB: Okay, minor spoiler y’all, if you can’t hear Katey, this one’s a minor spoiler.

KFM: Yes. Thanks Corinne. This one is, will we be able to give gifts to our companions, either generic or plot-specific?

CB: Yeah, you sure can! I actually wanna shout-out one of our lovely designers, Dusty. This was a passion project from him. He was advocating for this. So, the cool thing about this is, it’s not like a transactional thing, like where I’m gonna go farm a bunch of like nonsensical items and just like, mechanically turn them over. Out in the world, and there in various locations, so you kinda stumble upon them, you can buy a gift that is very personal to any one of the companions, and then you go, you turn that into them, you give it to them, they have a nice acknowledgement. And then, the thing that’s just like so sweet about it, we’ve talked about how the companion rooms evolve over time, but if you go and get them one of these, like, very personalized gifts, they’ll display it in their room. Like it doesn’t go into some stats void. It’s actually on display.

KFM: I love that.

KFM: This next question, I'll pitch it to John. Some of our companions like Neve, Emmrich and Lucanis have been in past short stories and comics and there's also a passing resemblance to some of the old concept art from years ago. What is the process like for making a character at some point and then planning to bring them back as a companion, or were they always written or designed and intended to be companions?

JE: Alright, that's a great question, and it's actually one I'm gonna go a little deep on. So, as we build the game, as we start writing companions we see how they fit in the story, see how they fit together. Some characters have been around, some character concepts have been around for quite some time, others come in a little bit later in development as we realise we have a gap, you know, something in the story that we need someone, who makes sense to fill that gap, to be that character. But part of it’s also just as the writers we want to make sure that the people who are writing these companions are passionate, and they're writing a character they want to write. We don't want to just say "we need X, Y and Z. Write a companion to fill these gaps", but it'll be "hey, in this story, it really doesn't make sense that we don't have somebody, ah, doing X, is there a character we can build for that?" And so, y'know, you'll see the old concept art and a lot of those concepts, y'know, a lot of those, kinda the core of those characters remains intact, we may have changed details of them, we may have decided "okay, they were going to be X but now Y makes a little bit more sense" - Or as a writer I'm a little bit more interested in why, y’know, what, this particular concept speaks to me more. In terms of comics, short stories and such, generally speaking - and this isn't universal - but generally speaking, writers are writing these short stories in particular, it’s a volunteer, we ask the team, like, "hey, does anyone - we've got this short story anthology, who wants to write something for it?”, so writers are going to pick characters that they're passionate about and in those cases they tend to be their companions, so for example. You know, Neve’s shown, is mentioned. Neve, Emmrich, Lucanis have all shown up. Those were written by people who are passionate about those characters and we had already intended for them to be companions. Other characters, though - I mean, and Harding is an excellent example - we create a character to fill a role. In the case of Harding, she was in Inquisition largely to be there to kind of connect those exploration spaces together and give you a sense of the Inquisition’s presence, and then we saw the fan reaction, but beyond that, Sheryl really wanted to explore Harding's arc more deeply, so she got promoted to be a companion as well, so, yeah, I mean, it's an organic process, and I mean again, it comes down to, we want to make sure the people who are building these characters, ah, not just the writers but also the artists, y'know, the cinematic designers, the editors, y'know, the gameplay people, are excited to build these characters. And you know, and actually, I'm gonna go a little bit side topic on that. Bellara's a great example where we knew what Bellara wanted to be, needed to be in the story, but gameplay-wise it took a bit to kinda land on how her gameplay and her character arc and who she was melded together. Y'know, Corinne’s talked earlier about the companions and how they show up in gameplay. A really big thing for us on this project is making sure that the gameplay reflects the characters, their arc and their personality as much as possible, so. Yeah, kind’ve a long answer to say, it depends, but yeah, generally if they show up, especially in something like a short story, we’ve already intended for them to be a companion because, those are the characters that people, the writers are most passionate about, so.

KFM: I love that.

KFM: Apart from wanting to try different classes, what are the main incentives for multiple playthroughs now that, now that stuff seems more overall universal, to be attempted all in a single playthrough. Are there choices presented freely - are there choices presented that are impactful, that wildly different outcomes will come from, while - wow, wow, wow, let me start that one again. I think it’s just, I’m reading it straight off the sheet. 

JE: No worries.

KFM: I'll start from the top. Apart from wanting to try different classes, what are the main incentives for multiple playthroughs now that stuff seems more universal, to be attempted all in a single playthrough? Are there choices that are impactful and wildly different, and different outcomes and decision paths?

JE: So, I mean, there's a few incentives, one of which, is, and I mean, the most basic is, the three classes from a gameplay perspective do play differently and, you know, I’ve, it’s funny, Corinne was talking about how her favorite is the Veil Ranger but that might change. Mine literally changes every time I play, I start a new playthrough, I develop a new favorite class, which is the class I'm currently playing. But more generally, yeah there are choices in the game, there are different outcomes, there’s content that does, that you will see or won't see based on choices you make both within the critical path of the game but also with the followers themselves so, y'know. You're not going to see everything in a single playthrough, you're not even going to see everything necessarily in a couple of playthroughs, but, y'know, you want to see how your choices have different outcomes, that's the best way to do it. 

KFM: This question is - I understand mages having very magical-looking moves, but why do rogues and warriors also have very magical-looking moves? Was making every class look like a mage a purposeful choice? 

CB: Cool, cool, cool. So it's a multi-part answer, but yes, everything we've done has been with intention towards supporting the overall player experience. So I guess the first place I'd go to answer this is from a game-tuning and balance perspective. We knew that supporting multiple damage types like physical, fire, electric etc, that was gonna be an important factor in the strategic depth of the combat system, particularly as it leans into builds and the strategies you'd use to take on various enemies. It’s not the extent of it, but it's an important part of it. So that meant that making sure the various classes in some capacity have access to some or all of these damage types. And that then means that we need to make them read visually as such on the battlefield. So the first part is about making sure you have those strategic options on the battlefield. But there is more to it than that I'd say, we also found - and I've heard this from a lot of you, that some of our magical hybrid classes have been amongst the favorites. My goodness the discourse around Knight Enchanter - 

JE: M-hm -

CB: - So this felt like a very thematic way for us to support that goal if that makes sense, the goal of game balance but also leaning into the things that seem to resonate the most. If I was to just focus on the Warriors out there for a minute though, because we just released the warrior deep dive, we've actually long had a goal within the team of making them more visually interesting and impactful. We know, and I’ve heard from a bunch of you that warrior, y'know, tends not to be peoples’ first choice, but hey, any of the warrior fans out there - big props to you, because I love them, too. So this was like our chance, really, to show what a warrior can do, to make them feel like they have a presence on the battlefield that could be as interesting as some of the other classes, but I will say, I absolutely recognize that there are those of you that like, if you're playing a melee class, you even want a pure, like, physical-based warrior aesthetic, maybe something that's a little more grounded, you can generally make a build that's more physical-focused if that’s more your taste.

KFM: In addition to playing the first three games, what comic books or novels do you recommend reading before playing The Veilguard?

JE: Oh, that's a great question. I mean, generally speaking, one of the things we wanted to make sure with The Veilguard was that players could get into the story, understand what was going on without needing to, y'know, get into the ancillary material. I love the comics, I love the novels, I love the short stories, but they are intended to be kinda side content. One of the things that we hear loud and clear is sometimes folks don't really want that to feel like I need to have read this, I need to have seen this comic, I need to have watched that show for it to make sense. That said, I’d say The Missing, the most recent comic series. is a very clear lead-up to the beginning of The Veilguard, it's setting up events, it’s kinda setting up, y'know, Varric and Harding's search for Solas, it sets up some of the characters that you'll see in the game. Tevinter Nights is another one, not - we mentioned earlier that some of the companions show up there. Beyond just the companions, there’s some thematic stuff that comes out of that as well, some things that we kinda wanted to set up when we wrote those short stories, like, giving you an idea of what the worldstate is, how things have changed over time, and then I’d say, you know, more very recently, we have the podcast, Vows & Vengeance, which is intended to give you a taste of the companions and also, again, talk about the worldstate of Thedas at this point, you know, giving you kind’ve the lead-up to weeks before the events of the Veilguard, so you do have that sense of what’s going on, who are these people, and how, you know, when I first meet them in The Veilguard, you kinda have an idea of who they are. Again, though, this is all stuff that I think enhances the experience, but it’s not required, there’s never going to be, we’re never gonna put you in a situation where a character shows up and, you know, everyone makes a big deal out of it, and you’re sitting there wondering like, who, who is this person? Because they were introduced in other media. We always wanna make sure that you understand, that the only thing that you need to have done to understand The Veilguard is play The Veilguard, so.

KFM: Awesome. Also, yes, Vows & Vengeance is so good, so definitely, you know, give it a chance. The first episode is out now. I think a lot of people in the Vows & Vengeance Discord server, Discord channel are, are really stoked about it.

KFM: This next question. Will we be able to adjust how much damage the companions do in the accessibility settings?

CB: Yeah, so our customized difficulty, and accessibility settings as well, they’re more focused on how you the player experience the game while in control of Rook. So, things like enemy health, timing, things of that nature. So not in the settings, no, but if you really wanna be that kind of player that wants to amp up your companions, like have them do a greater share of the overall damage, there’s a number of ways to accomplish this. You’ll get gear that just strictly says, your companions do more damage. And then there are some unique buffs we support like Rally Party, so you as Rook can trigger this surge in your companions’ ability. So, again, we know how diverse the motivations are within the player-base, so we wanted to make sure those tools were there for y’all.

KFM: So now we’re getting back into spoiler territory. There’s minor spoilers, but, you know, definitely, take heed, for the next couple of minutes if you don’t wanna hear them. Okay, we ready? Will we finally meet Maevaris Tevani in Tevinter?

CB: Oh my goodness, y’all. Alright, you got the spoiler warning, so when I talk about cameos and appearances, don’t say I didn’t warn you. Okay, this one’s very near and dear to my heart as a trans woman myself, I’m pretty open about that. Yeah, yeah, our dear Mae, she’s in the game, happy to confirm it, and I am, every time I see her I absolutely freak out. What I’m not gonna tell you though is what role or capacity she plays, so you’re just gonna have to wait and see. But Maevaris Tilani, she’s in.

KFM: I am living for chat right now. Like, I try not to look at it too much during these, because it’ll distract me, but I’m living for chat right now.

KFM: This next one is also a minor spoiler. Will we find out what happened to Lucanis' parents, for his grandmother to have had charge of him?

JE: Yeah, so I mean, Lucanis is an Antivan Crow. If you know anything about the Antivan Crows you know that they are, well, assassins, and assassins tend to have fairly deadly politics, and the daggers are a lot more literal than you would see somewhere like Orlais, so. That’s all I’m gonna say. You’ll find out, you’ll find out at some point for sure.

KFM: We’re doing a great job at not giving too much away.

KFM: Do we get any jealousy dialogues from any of the companions if you switch up your romance plans partway through? Are any of the romances hard-locked at any point?

JE: Yeah so, you can, I mean, once, there is an opportunity, or there is a place in a romance where you essentially commit to it being exclusive. And we really wanted to make sure that, A), we were very up front about the fact that you were committing to an exclusive romance at that point, and before that, it is portrayed as, you’re flirting, you’re kind’ve, you know, figuring out each other. So, not, there’s no jealousy dialogues, but there are - places where you commit, and we wanted to be very clear to fans. There’s also going to be a place, because I think I’m reading this right, where, there’s a point in the story where if you haven’t committed, if you haven’t said like, yeah, let’s, let’s, you know, I’m in for it, I’m up for this, let’s do this, where you no longer have that opportunity. We’re very clear about what that point is, because again, we don’t want people to be missing out on a romance, to think like, I’ve got some time, you know, I really wanna romance Neve, but, I’ve got a little, and then find out that no, in fact, you don’t have anymore time, so. 

KFM: Are class specializations locked to a particular faction, or can Rook only learn a specialization from a particular faction, like through a faction trainer?

JE: So, the specializations are a lot more thematically tied to the factions than they are a strict, you must be X faction, you must get it from this person. You know, for example, I’ll use the Veil Ranger is all themed, as Corinne said earlier, around electricity, around the use of the Veil, around the use of that kinda magic. So while they are thematically tied, there is no, you must be a Crow to be a Spellblade for example, and part of that is because, while we do like having that connection between gameplay and, you know, roleplay, we also don’t want you to feel like, well, I really wanted to be a Spellblade, but I also really want to be a Grey Warden. We don’t want those two things, sometimes we want gameplay to influence narrative, but we never want you to feel restricted by one against the other, if that makes sense.

KFM: Yeah, definitely

CB: Katey, can I go off-script really quickly?

KFM: Of course.

CB: Alright, so I saw someone post in chat, “okay, poly next time, though”. Let me just say, I cannot make promises, I cannot, but I’m with you. I’m with you. 

KFM: I love it. Anytime you wanna address anything that’s happening in chat, by all means.

JE: Oh, shit, copy that.

KFM: I mean, don’t go too crazy. Alright.

KFM: This next question is from Que Sera Sera. Will we be able to change the font size in the UI, subtitles etc?

CB: I can take that one. So, quick reminder, we are gonna do a deeper dive as we get closer to launch on accessibility settings, but let me just answer this one. Yeah, yeah you absolutely can. There are limits of course, but as a fellow person who often has to squint, I’m 42 y’all, my eyes are starting to go. I can play comfortably, I suspect most players will be able to play comfortably.

KFM: Will there be a way to save characters we make so we don't have to start from scratch each time?

CB: Heck yeah, you absolutely can. We, I mean, look, all of you playing Inquisition, you’re still sharing your OC and your characters ten years on. We know how much you love it, so yeah, yeah, absolutely. I do wanna have a, some caveats here though. So, it’s when you’re in the character creator, you can import the character appearance, it’s just gonna be the appearance data, from an existing save of yours. So when I say an existing save, just let me put a very fine point on it, that save has to be local to the machine. Remember, we’re an offline game, there’s no online character sharing built in. But for those of you that like, your OC, are very near and dear to your heart and every time you replay you like to have the same character, and you’ve spent hours and hours and hours working on it, yeah, you can import that.

JE: We saw how many of you were saving screenshots of sliders in DA:I, and that was not a great experience, as we’re well aware, so.

KFM: This next one is, are companion quests going to focus on internal factors or external personal events? Like will it be a growth in character and self-discovery, or are they firmly-rooted in their sense of self and will ask for/need help with their factions, interpersonal relationships, etc?

JE: So that’s a great, another great question. It’s a mix of both. I mean, each companion has their own personal arc over the course of the game. You know, you go on missions with them, you solve problems with them and the nature of those problems, you know, it’s, the problems are a lot, often-times very external in nature, you know, something’s happening that they need help with, but most of the time those problems are also tied to their own personal growth as a character. Again, you know, we really want to make sure that players feel invested in these characters, feel invested in their stories. And we also want to show that these characters do grow over the course of The Veilguard, this is, there aren’t characters that remain completely static from moment one to the end-game. These are characters who grow, and you help them grow. They’re still, their problems are still not going to like, they’re not sitting there saying, well, Rook, you need to do everything for me, but you are, you’re intended to be the leader of this group, but also, you can be their friend and help them with things that, their challenges, so. Yeah, I mean, it’s, it’s a mix of both, we really just, it comes down to the individual character and there is a lot of nuance in that answer I think too.

KFM: This next question from XenoGabby is a minor spoiler, so you’ve been warned once again. The question is, is Lucanis possessed?

JE: So, again, spoilers, everyone has been warned, fairly warned. So Lucanis Dellamorte is also known as The Demon of Vyrantium. And, he has spent a lot of time killing Venatori, who are mages, and who do know a lot about demons, so. Yeah, somebody decided that it might be a good idea to make that nickname stick.

KFM: And this next one, from a user named Crom, is there reactivity towards the specialization that you chose? Like some people might trust more Champions, or maybe freak, others will freak out with Death Callers or Reapers? 

CB: Yeah, what a good question, so, in general the reactivity is reserved for things that aren’t necessarily likely to change, things that can create a throughline that we can keep building and building upon, so like your faction, your lineage, your class, your choices. So that keeps a consistent narrative thread with those elements, and then we can assume that thread continues from A to B. So the answer is no, they don’t react to your specialization, but in part that’s because you can full refund, you can respec at any time, you might a Death Caller one moment and another specialization on the next encounter.

KFM: And, this next question. You mentioned encountering companions on their own missions in the world. If I keep my party mostly the same, does that mean that I miss out on their side missions, or are they unavailable to be picked up during that time? 

CB: Oh, yeah, yeah. I mean, you’re, you have all the tools that you’re not gonna miss out on quests based on who’s in your party. How would I answer this - so, there are certain plot elements that can change what quests are available to you, and in some cases, some quests that you might have in your journal can actually expire based on choices and how you advance the plot. So there are ways that quest content gets cut off, or alters. But in general you have the visibility and the tools so that you won’t miss out on it. I can give you a couple of examples, that might be helpful. So when you meet companions out in the world, there’s kinda like a couple of different ways that they can show up. In a recent playthrough, I was exploring Hossberg Wetlands. It was technically for a quest that should’ve been more oriented towards Davrin, but I didn’t have him in my party, and as I got close to the objective, he showed up with Assan and helped me clear the path forward. The other way this will happen, I was out in Arlathan, actually doing, on my way to do a main story mission, and I get to the far reaches of Arlathan Forest, and I already knew that Taash wanted to help me with some of the challenges of that arc. Well, Taash is right there waiting for me, so I actually chose to instead like, ah, Taash seems impatient, I’m gonna actually jump on that story arc right now instead of what I intended to do, so. Just some examples of the way that as you’re journeying through this world, opportunities are gonna show up, but they allow you just to express more agency, you’re generally not going to miss them.

KFM: Awesome. This next one is, minor spoiler, you’ve been warned. This next question is from Tazaba. What's the difference between the Veil Jumper faction and the Veil Ranger Specialization?

CB: Yeah, okay, so, yeah we just wanted to kinda flag this as a spoiler, just because there might be assumptions about how you take on specializations in this game. So John touched on this a little bit already, but specializations really represent the training and fighting styles used by a given faction. As John mentioned, you do not have to be a Veil Jumper to choose a specialization that’s associated with the Veil Jumpers. You’ve just been around them, you’re aware of their techniques, and you wanna take that on yourself. So, in this particular case, and I get the confusion because Veil Jumper and Veil Ranger sound very similar. If I’m playing as a rogue, using the Veil Ranger specialization, all that means is I’m fighting in the style of the Veil Jumpers, like they do, with bow and arrow, typically with electric damage, that sort’ve thing. So just, to be super clear, it’s not required that you have to play a Veil Jumper in order to be a Veil Ranger.

KFM: This next question is, where is the equator in Thedas, or the planet Thedas is on, relative to places we’ve explored?

JE: That is a great question. So, I will say that, you know, it’s funny until I saw this question, it’s not something I’d ever thought a lot about, but as I started thinking about it a little bit more deeply, based on how the climate changes across Thedas, you know, obviously, to the south are the Avvar and things get a little bit more wintry, and then up north is a lot more tropical, I’d say that Thedas is a southern continent on this world, so.

KFM: Are there any main story missions that require you to use a specific companion? Kinda similar to a previous question.

CB: Yeah, yeah, yeah. So, there are a few, yes, again, in the warrior deep dive, I’m not gonna describe it, just in case anyone, you know, didn’t wanna have spoilers, you can see that a companion was required for that. However, that’s the exception rather than the rule. In general, we try to give players the agency to bring who they want for these moments. There are these times where a companion, either their faction or their story arc is so closely tied or intersects with the events of a main story mission that they do become required, but it’s not the standard. And then of course, in general, if you’re doing your companions’ arcs, those are the moments where they’re more than likely gonna be required.

KFM: Will we be - 

CB: It's pretty flexible, like if, if you’re worried about like, every mission I go through, like am I gonna have someone that is gonna be mandated? Generally not.

KFM: Sorry, I almost talked over you there Corinne, my bad.

KFM: This next question is, will we be able to pause cutscenes? Will there be any kind of dialogue history to look back on if we miss what was said? 

JE: So, you can pause every cutscene in the game. Obviously, life happens, you know, somebody, maybe you’re cat’s, you know, just to use an example that definitely doesn’t happen to me regularly, my cat might be throwing up in the next room and I need to find a way to get her off the carpet and on to, you know, not the carpet, so you can pause any cutscene, and conversation. There is no dialogue history at the moment unfortunately, and that’s not something, we did look into it but it’s just based on how the dialogue is structured and how it’s built in this game, that’s not something that we are going to have unfortunately. 

KFM: I saw somebody say “cat vomiting is so real”, and I agree, sometimes when I’m playing games, my dog decides to do something insane.

KFM: So, this next question is, since companions can get into relationships with each other, is there a mechanic behind which companions get together? Can a companion leave due to your world decisions, and if so, will their partners leave with them?

JE: I’m gonna answer half this question, the other half is a spoiler that we’re not gonna get into right now. Companions, there is not actually a mechanic behind the companions getting together. We never wanted it to feel like a mechanical thing, and obviously, different companions are gonna have different attractions. One of the fun things is, as you’re going through, especially if you’re not flirting with one of the companions, you can see these relationships starting to develop, and the thing that actually allows them to, you know, completely develop is, generally committing to another relationship, or, you know, not being engaging, not engaging in a romance with those companions at all. So, yeah, I mean, there’s not a mechanic, it’s just what we felt made the most sense and, I think that’s honestly one of my favorite things about the companions is, they’re all written to feel like real people with real preferences and real, you know, attractions. So beyond just romances, they also develop friendships and even rivalries with each other, because of these, them feeling like these characters that exist outside of just the game, so. 

KFM: Awesome.

KFM: This question is all about Davrin. Hildrana would love to know more about Davrin. What’s his personality like, what kind of hobbies or things does he like, and what his relationship with Assan is like?

JE: So Davrin is one of my favorite, I mean, I say one of my favorite characters, honestly I love all seven companions so it’s challenging for me to say which. But Davrin is stern, thoughtful and considerate though, he has a soft side for sure. You see that develop over time as he starts to warm up to the other companions. He has, you know, a kindness to him that is brought out in particular by certain companions, and also a strong sense of pride and when he develops a rivalry with some of the companions. So there’s that sense of, he knows who he wants to be, he knows who he is, and a lot of his arc is making that journey. In terms of how he relates to Assan, you know, his relationship over, evolves over time, I’m not gonna get too deep into spoilers because there are spoilers for that in his quest. The other interesting thing about, about Davrin, and this shows up, we’ve talked about this before. He’s a monster hunter. He’s not just a Warden who sees fighting monsters as, you know, just part of the job. He believes in turning this into a skill-set that he alone, you know like, he has more than anyone else. Learning how to defeat monsters, learning their weaknesses, and that does show up a lot in his character arc, so.

KFM: This next question came through our askbox on Tumblr, so shoutout the BioWare Tumblr. Rosered is asking why do elves seem to not like wearing shoes? Is there a lore reason behind it? Are they not afraid of getting frostbite or stepping in something gross?

JE: So the shoeless elves thing is in part a, it’s a, Dalish are very close to nature, they walk, go around shoeless, in large part, to become closer to nature. It’s part of their culture, it’s part of who they are. But, you know, especially, and it’s not true of every Dalish clan, the Dalish are a tremendously widely-spread and widely-varied people, so. For example, Bellara does not go around shoeless. She wears boots. She’s climbing around on ancient ruins, walking through maybe a shattered eluvian, or a place where eluvian’s shattered, it’s a great way to get your feet sliced up on the hard rocks and on the hard glass. And in general Veil Jumpers are a little bit more, where they go and what they do really requires a lot more care and a lot more protection, so. I mean you’ll notice in Bellara’s visual design but also in the visual design of the other Veil Jumpers, they’re very practically minded, they know that what they’re doing is dangerous, and, you know, and, again, not every Dalish clan goes round shoeless, so.

KFM: ZJ wants to know, do all companions have aesthetic changes when in the Lighthouse and outside of the Lighthouse?

CB: Amazing. Yeah, yeah, they absolutely do. So, just like Rook, each of the companions has what we refer to as their casual wear. This is how they look in their downtime, their more relaxed moments. It’s definitely different from how they look headed into battle. And I’ll tell you this. If Emmrich’s casual wear doesn’t send you, I just don’t know what to tell you.

KFM: I’ve got a fun one coming up. Do they companions have favorite foods, and if so, what are they?

JE: Oh I love this one, so they do. Each of them does have favorite foods. It’s funny, I’d say that Dragon Age: The Veilguard is probably the most we’ve talked about food in a context of Dragon Age, ever. But yeah, I mean, you know, some of them are a little bit more, you know, they have simpler tastes, and in large part that’s because that’s what they’re used to or what they can cook. We talked, I’m gonna actually give a little bit of a, I don’t know if I consider this a spoiler, but maybe if you’re really sensitive to spoilers you don’t wanna listen to this last part. We’ve talked about how there’s people on the team who are better cooks and people on the team who maybe don’t have necessarily the skill-set, who could burn water. So one of the things I really love is, you know, Bellara and Lucanis actually end up being, essentially, the team cooks. Bellara, you know, spending a lot of time out in nature, learning a lot about, you know, different types of cooking, is really big on experimentation, she likes to, you know, try different things. Lucanis comes from the Crows, Lucanis is very big on the finer things, so between the two of them, there’s a point in the story where they basically decide, if we don’t do this, the entire team is going to starve, so let’s just call ourselves the cook, cooks, and make sure that nobody dies of food poisoning, so.

KFM: This next one, I believe we actually might’ve even touched on this in the first Q&A, but, Trev has noticed a lack of dwarves in our promotional material concerning Rook. Inquisition had them sharing facial hair options with humans. So their question is, will dwarves return to more braided, grander beards, or will the facial hair options be shared like previously?

CB: Yeah, we did touch on this briefly, so let me go a little bit deeper. Yeah, there are some grander dwarven beards, like braids, beads woven in, it’s really lovely and really thematic. And y’all have seen our Strand hair, how great that looks, I think it looks just as great for the beards. And I do know, we’re gonna, at some point leading up to launch, we are gonna be showing some dwarf Rooks. So, let’s see if we can’t get some beard options on display there. It actually really was quite the challenge to get the physics to work with all the armor variance we have on those beards. So I’ll tell you what y’all. The team loves hearing from you. Would it be okay if I just asked in chat, could we get some love for our character art and tech anim teams because they put their heart and soul into make sure this would work for y’all. 

JE: It is, it is incredible how good the beards look, like, it just, they did, the work that they’ve done is just spectacular.

CB: Aw y'all are too kind. And then I guess just to finish up this question, we try and let you use as many options as the character creator has for any character you wanna create. So we definitely created bears in mind that are more dwarven in nature. You can use that on a qunari if you want, or you can use a more traditional human beard on a dwarf if you want, but your options are there. Aw, y’all are lovely, thank you so much.

KFM: So we didn't tag this next one as a minor spoiler. I don’t think that it is. But, definitely want to flag it anyway. Will the Solavellans have a chance at a happy ending?

JE: Corinne, I’m gonna let you do this one. 

CB: Oh my goodness, this is the question. Look! I mean, I thought y’all wanted the pain? Didn’t you tell me you wanted the pain, that tortured romance that rips your heart out? Honestly though, I just wouldn’t feel right about spoiling anything there. I’ll just say this, I’ll just say this. Trick has done a fantastic job with Solas, they always do, this is some of ther best work I think. And then I’ll also say, as, for myself as the resident shipper on the leadership team, I’m repping y’all, but that’s all I’m gonna say.

KFM: That’s definitely what I meant by, not really a spoiler, but some people might’ve thought that in the beginning.  

KFM: Okay, next question is, since you can choose to be part of the same faction for most of the companions, will that give you an advantage when trying to befriend them?

JE: So you will get some unique dialogue with the companions that are part of your own faction. The first time you meet them, they may not all know you by face, but they’ve at least heard of you, I’ve heard of who you are, maybe even heard of you leaving the faction to go help Varric to track down Solas. But that said, you know the faction, you don’t necessarily as people. So they will know you but you still have to work to earn their trust and learn, you know, get them, help them with their problems.

KFM: Next question is, will there be more connections between the Veilguard? Like will we see them hanging out together without out us?

JE: Oh, I love this one. Yeah, I mean, honestly, I think I’ve said this twice already, but my favorite thing is how much the companions feel like a, end up feeling like a found family. They’re invested in each others problems, you know they’re, invested in each others’ success and failures, and this manifests through a bunch of different ways. Scenes, banter, even interactions in the Lighthouse itself. Because one of the things that I think is important, I know Corinne also thinks is super important, these worlds, these games feel the best when they don’t feel like they’re there as a theme-park just for you, just to exist for Rook as a protagonist. These are characters that have relationships, have, you know, things going on that don’t necessarily directly involve Rook all the time. They have their own relationships, their own feelings, and we really want them to feel like their own people, and feel like they do exist outside of just the sphere of Rook. So, you know, they’ll follow, you’re the one leading this fight, but the companions don’t just exist for you.

KFM: So this next one is a real minor spoiler warning. Will the companions have interactions with Solas? I imagine the companions will comment on Rook’s decisions regarding Solas, but was wondering if the potential relationship between Solas and the companions will play any part?

JE: Oh, this is a good question. So a lot of Solas’ relationship is with Rook. Rook and Solas have a connection, they have a bond, and part of that is, and I’ve said this before, but Solas sees a lot of himself in Rook. He sees, you know, the person, you know the person he was before, the person he thinks he is, in Rook, and becomes, you know, again, we, they develop a connection. You get to flavor how it is, you can make it more antagonistic, make it friendlier, but ultimately it is a connection between the two of you. Now, that said, the companions are much a part of Rook’s story as Solas is, and sometimes those relationships can cross over, as well as, there are followers who, you know, are going to have a more complicated connection and complicated relationship with just, Solas as an entity, you know, Bellara, for example, is an elf, she’s Dalish, and this a person from her pantheon, so. There’s going to be a lot more of a, I guess, like I said, complex relationship between the two of them. Davrin is another example, someone else who is Dalish, so, you know, their views on the gods in general are going to be a little bit different. And then on the other side,you have someone like Emmrich who is very big on magic and the Fade, so they’ll have their own [inaudible] and their own thoughts. 

KFM: Before I get to this next question I do wanna say we’ve got about a fifteen minute warning, we’ve got about fifteen minutes left, so we’ll get through as many questions as we can in that time. And with that said, our next one is, and, I feel like we might have actually touched on this one earlier, but, keep me honest. Would it be possible to hide some of the combat UI, such as companion trackers and enemy HP bars, for even more immersion? 

CB: Yeah, good question. It’s actually, it’s reasonably robust what you can do with your UI. So let me give you some examples. If, normally when you hit an enemy you’ll see damage floaties come off of it. If you wanna turn those off, you can. If you want to play without, say, the minimap or the wayfinding markers, have a more organic experience, you can. I challenged myself to do a, it was really difficult to do a really difficult run where I turned off my own health bar, you can do that too. And then, I know one of them that a lot of people have been asking about is, we do have the incoming attack indicators, that just help you react. But, if you’re the kind’ve player that wants to turn those off, cut down on the noise, yeah, you can do that too, so. You know, I can’t say that we support every single option that you might have in mind, but it’s reasonably robust. 

KFM: And then, another, just small, minor spoiler, you’ve been warned yet again, is there lock-picking in the game?

CB: Oh gosh lock-picking, notorious lock-picking. Well let me answer it this way. I think the approach we took in The Veilguard is that each companion has a unique, what we’re calling, exploration ability, or abilities, that you can use to solve puzzle, access new areas and find treasure. So, like in that regard it’s not actually dissimilar to lockpicking, it’s just that it is more thematic to the companions and their unique skill-sets within The Veilguard. It’s very specialized, I guess you could say. And, look, I’ve been there when you’re playing and you feel like you have to take a rogue, otherwise you’re not gonna be open the lockpick chests. Some players like that, some players dislike it, but the option that we wanted to give to y’all is that, you know, we did say this is a spoiler right? We did, yeah. So Rook does find a certain dagger and through it a method to channel these exploration abilities of their companions, even when the companion is not in your party. So like, look, if I’m exploring Hossberg, and there’s a puzzle and I know how to solve it, like I’m not running all the way back to like a party swap-point, you can just use the dagger.

KFM: This is not a spoiler, and it is actually something we confirmed a little bit earlier in the Q&A, but it doesn’t hurt to be clear. Can we freely reallocate or refund skillpoints?

CB: Yeah, so we’ve confirmed this, I’m just gonna keep it brief, yes, absolutely. Refund all, refund last, no cost. It’s an entirely friendly refund system. Go experiment, and then let me know what you do.

KFM: Will the acts be broken down into acts or stages at all? Mainly wondering for like spoiler discussion purposes, while they’re all playing and wanting to talk to one another about it?

JE: So while we don’t officially within the game say this is this act, this is the next act, there are some pretty obvious narrative breakpoints where the context changes, or there is, you know, events that make it clear that things are now advancing into a different stage. That’s now, to be clear, that’s largely around the critical path. Other content can largely be done at any time, but even there we do unlock certain things over the course of time, because, again, it makes, it maybe doesn’t make narrative sense in the context of, say, an earlier act, but now, you know, you’re into act two, it feels a lot more meaningful and makes a lot more sense in the world. You can do a lot of content in any order, but the critical path is largely broken into acts.

KFM: Now, I think this next question might be the most important question we can answer. A user by the name of doggiesnores says, would you please tell me happy birthday? 

JE: Happy birthday doggiesnores.

CB: Aww, happy birthday doggie - I feel weird saying doggiesnores. I mean, listen -

JE: You gotta roll with it Corinne.

CB: John, Katey, do we wanna sing? Do we wanna sing?

JE: No!

KFM: Oh we can - oh, okay.

JE: You can sing.

CB: Alright. [sings] Happy birthday to you -

KFM: - [sings] to you - [stops singing] are we gonna stop now? Okay.

CB: We’ll stop, we’ll stop. 

JE: Yeah, I think, yeah. 

CB: We gotta get back to the questions.

KFM: Yeah, we do have a time limit now.

KFM: Alright, next question, alright. This is from Guapa. Okay. I wanna know the helmet situation. Back in Inquisition, there were helmets exclusive to races, and to be honest, most helmets were exclusive to humans. Will elves and humans share helmets since their head shape seems to be more similar now, and will there be qunari helmets rather than just facepaints?

CB: Love this described as “the helmet situation”. I love it. Yeah, so let me describe this to you. All the helmets can be worn by all the lineages with one big exception. The qunari still use the vitaar face paint. So each helmet has a unique look, and if you’re using the vitaar variant of that instead, that too has a unique look, so you’ll wear that facepaint instead of the helmet. And we, we felt that this was just generally a good precedent following Inquisition and, really what led us to this decision is that, when you see horn customization, and hair customization with the horns in character creator, we didn’t want to sacrifice that aspect of it in character creator. It’s just effing cool, that’s all I can say about it. So, yeah, the qunari will use vitaar. All the other helmets can be worn by all lineages. We’ve talked a lot about transmog, so of course you can transmog them, you can hide your helmet, you can hide your helmet in certain situations. So I’d say, as a “situation”, we’re pretty happy with it.

KFM: This next question is, will we be able to tint and change the color of our armours, or have they, or do they have their default colors only?

CB: Oh cool, yeah, that kinda gets to transmog in a way. Gosh, what’s the, the best way to answer this I think is that each armor piece, like gear piece you have, will have bespoke colors, but for almost every single armor piece, while you can’t dye them, we have created color-variant cosmetics and they’re very often aligned with the various factions in the world, right? So like, there’s one, for instance, that has this like, incredible, like flowing cape, I use it all the time. There’s a variant of it for each faction with different faction, with different colors and logos and things of that nature. So you can’t dye, but it really is flexible and very thematic. And then I guess, going back to the Venatori armor question we had way at the beginning, while I wouldn’t say they’re explicitly Venatori, there are some very Venatori-like color schemes in some of the armors you’ll find.

KFM: I think this might be our last minor spoiler question, so once again, you’ve been warned. AelaFireheart asks, will we be seeing other griffons from The Last Flight? 

JE: So, again, just to be clear, spoilers, but yeah, Assan has brothers and sisters, so Assan is not the only griffon that shows up in Dragon Age: The Veilguard. 

CB: Hey, I just gotta respond to something in comment, that somebody says, wait, does that mean I can’t be pink? And I’m assuming we’re talking about armors. There are some pink armors. Don’t worry -

KFM: Confirmed.

CB: - there’s some pink.

KFM: As some of the companions come from media outside of the games, were they already chosen as companions for the game and then integrated into the additional media, or were they characters outside of the game, and the team wanted to bring them in?

JE: I think this is pretty similar to a question we answered earlier, so I mean, again, it depends, but if they showed up, especially in Tevinter Nights, they were already intended to be companions at that point, so.

KFM: Are there any lineage-based surnames or is it just based on the background?

JE: So surnames in this game are entirely based on your background choice. The reason for this is we do reference your surname in dialogue, a not inconsiderable amount, and we didn’t, at a certain point it becomes unsustainable in terms of how many different variations, so. We reference it based on your surnames, sorry, your background.

KFM: Is there any chance that we will be getting any audio snippets of some of the companions and Rook’s voicelines before release?

JE: Well that’s the great news about the, Vows & Vengeance, is that, each companion will show up in one of the episodes, and you’ll be able to hear their voice in there, so. First episode yesterday, and there’s more to come.  

KFM: Remember when I said that was the last, or we had already read the last minor spoiler, I was wrong, there is one more. So, once again, you’ve been warned, minor spoiler upcoming. This question is from SammyCherryLee. Considering Varric’s timeskip, looks are a direct, Varric’s timeskip looks are a direct translation of how he looked in the comics. What thought process went into Morrigan’s new design, and what do you usually consider when bringing in old beloved characters back, but also make sure to adapt them to the years that have passed within the game?

JE: So, in every case, any time we’re bringing back a character, we want to think about, what would, what’s changed for that character in the time since you’ve last saw them, so, Varric, Morrigan, any other characters we bring back, there is this thought of, okay, it’s been, in this case, you know, almost ten years, what’s changed for these characters in that intervening time? In the case of Morrigan, she’s coming to terms with a lot of truths about both herself but also her mother, you know, you see her with Flemeth’s crown, or a variation of it, and that’s speaking to her personal journey of, what I would call, kind’ve acceptance of who she is and how she connects to Flemeth, because ultimately we want this to feel like a real world. It’s, they’re not the same person they are ten years ago, none of us are, and we don’t want characters to feel like, either ten years have passed, and hey, I’m exactly the same, because that’s stagnation for the character, and it’s just not believable or, honestly, fun, for you. And it doesn’t do justice to those characters.

KFM: Can we clarify - ooh, fuck, I think my Discord just went down again.

JE: Yep, I can still hear you.

CB: We can, we can hear you Katey, so.

KFM: Oh, good!

CB: Yeah.

KFM: I’ll just keep talking!

CB: Great, let’s do it!

KFM: I’m so sorry for the f-bomb, I didn’t know you could still hear me. 

CB: Hey, we’ve all been there.

JE: Cursing, in our Discord, my goodness!

CB: How very human of you.

KFM: Ban me, ban me. This next question is, can you clarify if Spellblade will be forced to use a dagger, or can we still use staff as a melee combat weapon?

CB: Oh, heck yeah, let’s go. You know, I was wondering if this was gonna be clear in the combat video we put out, so I’ll speak about mage, but this is generally true of all the classes. So they each have two weapon sets, if you’ve seen the character sheet. So for mage, you’re gonna have your staff slot and then you’re gonna have the orb-and-dagger slot. So, at any point, like even between weapon swings, you can swap to your class alternate weapon set by hitting down on the D-pad. So you’re not locked down into one weapon set or the other, even if you’re in a given class or specialization. Now, like what I would say is that the Spellblade specialization has a lot of extra functionality and depth that like is augmented when using the orb-and-dagger, but, like if I give you an anecdote of how I play, the staff heavy-attack armor, I take this, or, the staff heavy attack charge, I take a trait where when I’m doing damage and playing, it’s building up that heavy attack charge on my staff. Even when I’m playing as my Spellblade. So I’ll be, just going to down with orb and dagger, I’ll notice that my staff is fully-charged, I’ll swap at a convenient moment, use my heavy staff attack, blast the enemies down, I was telling y’all, like, these Nightmare players, like planning around your elemental damage types, it’s really great to have weapons of multiple elemental types, right? So I go up against something that’s resistant to fire, I’m gonna hit down and maybe swap to my necrotic weapon.

KFM: I'm back, in record time. 

JE: Welcome back! 

KFM: Okay, did we get to the next one, or was that just the Spellblade question?

CB: Oh that was, sorry I was geeking out too much Katey.

KFM: Oh that’s okay, no, it’s great!

CB: We hit upon a favorite topic of mine.

KFM: That’s okay. Do we think we have time for one more, or do we think it’s time to wrap up?

JE: I can go a little late, we’ve got, I think we can do a couple more, for sure.

KFM: Okay, we do only have three left, so.

JE: Let’s finish the list!

KFM: Let’s do it.

KFM: Alright, next question. Since it was mentioned that playing as an elf in the Veil Jumpers will see you more of a, see you as more of a Dalish elf, and a City elf if you play as a Shadow Dragon, what kind of elf would you be in the other factions?

JE: So this is actually a really interesting question for me because I think one of the things I’d say is, while City Elf versus Dalish Elf is a lot more of a useful distinction in, you know, Ferelden, Orlais, we’re in northern Thedas, things are different up here. And a great example is Rivain. Dalish settlements, you know, they have Dalish settlements within cities, integrated into the cities, because, again, they don’t have that same bias, that same distinction. So it’s not really a City Elf versus Dalish Elf thing in a lot of those cases. It’s a lot more about, how you play into the faction, you know, and, in some cases it matters more that you’re an elf, in other cases it doesn’t actually matter to the people of that faction, they’re just looking for someone who could do the work. A great example, and I’ll just, very, very light spoilers, Mourn Watch is a great example where, they just care that you are capable of, you know, executing the duties that you’re given, so.

KFM: This next question, we’ve definitely confirmed a few times today already, but I’m sure there’s been a couple of people who cycled in and out. Will, when will we be releasing detailed information on the full list of accessibility features in the game?

JE: So yeah, so I mean, we mentioned, we’re not quite ready to talk about them, but we will be diving into them before launch. We wanna make sure as many people as possible can enjoy and play the game, so.

CB: Yeah, I think we’re doing a feature, some kind of blogpost on that, but, that’ll be a good format where we can be a little bit more in-depth.

JE: Yeah.

KFM: Alright, and the final question that I have on my list. It’s about localization. WoodenSmith says, I’d like to hear more about how localization works. What sorts of things have to be changed or adjusted so they make sense in different regions? Do localization teams have to be super careful when they translate to make sure they’re not accidentally revealing more than was intended in other versions? I’ve also always been very curious about accents in other versions. For example, do the, I’m gonna butcher this, do the Orl - Orlesian -

JE: Orlesian.

KFM: Orlesian, thank you, John. Character voice -

CB: That was really good, Katey!

KFM: I tried!

JE: Yeah, you tried, you got most of the way there, yeah!

KFM: For example, do the Orlesian character voice actors speak in a French accent in the Japanese version, or dwarf characters speak with an American accent in the French version?

JE: So I’m going to talk broadly about localization, and I’ll get a little bit into the accent question. So, localization is a thing that we’re doing constantly. We’re almost working with the teams, we have regular syncs with them, and a lot of that is because localization is not just, a lot of people think of it like, yeah, you’re just translating. Well, you’re not, you’re, you know, you’re, again, there’s different things to understand about different languages, they have different rules around grammar and, I will say, I think every writer has at least one story where they wrote, kind’ve, a fun double-entendre into a conversation, and then they got a ping from some of the localization teams saying, hey, can you very thoroughly explain what you meant there? And that’s what I like to describe as being hoist on your own petard because, sometimes, you’re like, oh I said this, it was really ribald, and now I don’t want to talk to this person who is very seriously and very concernedly, looking, it’s just like, ‘can you please tell us what that means?’ But yeah, I mean, in general, it’s an art-form of its own. You know, different sayings translate differently into different languages, different metaphors translate differently to different languages, and we always wanna make sure that other people, you know, people are playing this game in every language have an experience that feels authentic and meaningful, and doesn’t feel like it’s just kind’ve, you know, phoned in, we just, we just ran it through Google Translate or something, so. Again, localization is a huge part of what we do, the localization team we have is amazing, they do fantastic work, I love working with them. As far as accents, yeah, we do try to keep some consistency, it’s not always going to be a one to one, but we do try to say like, okay, so, this character, this group of characters needs to sound similar, and they’ll find an accent that works with the language that they’re trying, because, again, different accents work differently with different languages, and we wanna make sure that there’s that consistency, so, yeah.

KFM: We did it!

JE: Yeah!

KFM: That’s all of our questions that we’re able to get to you today. Wanna just say a quick thanks again to the community for submitting all of these really questions, it was a lot of fun going through them and, you know, making sure that we were able to give you some new stuff this time around. Yeah, anything you guys wanna say before we hop off?

CB: Yeah, can I just say, look, we love here, being here answering questions for you but the support, the interest you all show, it really fuels us in the team.

JE: Mhm.

CB: You all are a big part of us being able to make this game what it is, and I really hope we do you proud, so just, sincere thank you to everyone. 

JE: Yeah, just, I just wanna echo that. I’ve been on this project for a while, and it’s been a lot of, not getting to talk about it, and quietly saying I don’t know, are we making more new Dragon Age? So being able to actually have these conversations and give you the details that you want without spoiling the game, it’s, it’s a lot of fun. This is genuinely the funnest part of my week, so thank you everyone.

KFM: Awesome, well thank you both so much for your time, Corinne and John. And, yeah, we have recorded the audio for this, so we’re going to turn that into a transcription, and put that in the Q&A archive channel, which lives underneath ask-bioware. That will be coming, you know, in the next couple of days to a week or so, you know, we’ll, we’ll be working away at it as soon as possible, so just let, let me know if you have any questions.

JE: Awesome. Thank you so much everyone, have a good Friday, good weekend, and I’m gonna go eat a sandwich, so.

CB: Happy Friday!

KFM: Happy Friday, and happy sandwich day!

CB: Bye bye.

JE: Thank you.

KFM: Bye.

JE: Bye.

[source: the official BioWare Discord server, August 30th dev Q&A]

Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.

[moonstruckme]

Hiiii!I hope your doing great I saw your requests just opened and I was wondering if you would mind doing a poly emt marauders with a reader that’s in hospital and they don’t know until they’re like bringing in someone in or something and their like why didn’t you tell us and she’s like oh cause I didn’t want you to worry.Something like that if not it’s fine have a good day!!!🌊

Thanks for requesting gorgeous! Not super sure if this is accurate since I don’t think paramedics usually spend much time inside the hospital but oh well haha. Hope you have a good day too! <3

cw: hospital/emergency room, mention of broken bone

emt!marauders x fem!reader ♡ 827 words

You’re just on your way out of A&E, feeling sore and shattered and more than a little sorry for yourself, when someone says your name. With an odd mix of relief and trepidation mingling in your chest, you turn. 

Sirius makes it to your first. He takes your face in his hands, eyes scanning it over thoroughly before starting to make their way down your body. “Baby, what’s happened?” 

“Hey,” you say, “what are you doing here?” 

“Um, no.” James gives you a funny-looking smile, amusement tangled up with worry. “It’s fairly normal for us to be here, what are you doing here?” 

“I, um—” 

“Idiots.” Remus bypasses them both, taking your injured hand gently and holding it up where your other boyfriends can see it. “What happened here, lovely?” 

“I broke my finger,” you admit. 

Sirius looks devastated, though with the splint binding your two fingers together you thought it was fairly obvious. “How?” 

“Shut it in my car door.” 

James winces and Remus tsks compassionately, turning your hand so he can see the injured digit from another angle. 

“How long have you been here?” he asks.

You shrug, not quite looking at any of them. “I had to wait a while. A few hours.” 

Remus’ look lets you know your sheepishness isn’t without good reason. “Did you drive yourself like this?” 

You nod meekly. 

“Angel!” James wraps his arms around you, tucking your head underneath his chin, and you go happily. You’ll take his mollycoddling over Remus’ reproachful stare any day. “Why didn’t you call us? I can’t believe you had to sit here all by yourself.” 

“I knew you were busy at work, and I didn’t want to worry you.” Now Sirius is glaring at you, too. You snuggle further into James’ embrace. “It wasn’t so bad.” 

“Did they have to set it?” Sirius asks. 

Your face heats. “Yeah. It was pretty weird-looking when it first happened.” 

James makes a pitiful whining sound. “Poor love.” 

“How long did they tell you it’d take to heal?” Remus’ voice sounds somewhat gentler now. He finally relinquishes your injured hand to Sirius, who starts turning it about and inspecting it in the same manner, like the doctor who splinted it for you might not have done a good enough job. 

“Six to eight weeks,” you say glumly. It already feels annoyingly constraining not being able to bend either of those fingers; you’re not sure how you’re supposed to deal with it for weeks on end. 

The boys exchange a look, and James drops the protective circle of his arms from around you. “I’m going to go find Amelia,” he says, “see if she’s on break.” 

You clutch at his shirt with your good hand. “Don’t leave me,” you whisper. 

Your boyfriend smiles, dropping a kiss on your head. “Sorry, lovie.” 

“I think we ought to feel insulted,” Sirius comments as James walks away. Remus only shrugs. 

He reaches for your face now that it’s not hidden under James’ chin, wiping frownily at something on your cheek. 

“Are you feeling alright now, dove?” he asks, and you veritably liquefy at the tenderness in his voice. 

“Yeah, I’m fine.” You shrug one shoulder lightly. “I’m sorry I didn’t call, but it really wasn’t awful.” 

Sirius gives your wrist an admonishing little squeeze. “You have tear marks on your face,” he contradicts you softly. 

“Oh.” You run a finger under your eyes, feeling your face heat. 

Remus tuts and lets his hand rest against the side of your neck, thumb stroking at your jaw. “We’re only on shift for another hour,” he tells you. “James is finding our friend Amelia so you can stay in the break room with her until we can come back and get you, okay?” 

You shake your head, and his stare hardens but you say anyway, “I don’t need to be babysat. I can get home on my own.” 

“You shouldn’t be driving after having anesthetic.” 

You narrow your eyes. “Wouldn’t they have told me if that were the case?” 

“We don’t want you driving with a numb hand,” Sirius clarifies. When you turn your attention to him, he gives you a stern look. “You should have called us in the first place. Just let us do what we can for you now, okay?” 

You sigh in resignation just as James comes up behind you again. Seeing as no one has taken over hug duty, he wraps both arms around your waist, setting his chin on your shoulder. 

“Okay,” you tell Sirius. 

“Oh, excellent. All on the same page, are we?” James turns his head to smooch your cheek. “Knew you’d come around, angel. Amelia’s ready for you, so you can hang in the break room until we get back.” 

“Is she going to baby me too?” you joke, letting him steer you towards the hallway. 

“Probably not,” Sirius says, “but don’t you worry, sweetness. We’ll make up for that when we get you home.” 

[urban-shade]

Here's my headcanon for Sebastian's MR-P living situation! I think I've thought up enough details that it'd make a fun post to read.

Image to tempt you to click that read more 🐠

Prerequisite information from some of the writers strawpage Q&A's: It was confirmed they have specialized showers for large MR-P's (maybe experiments in general?), and that there were others in a similar situation to Sebastian (such that they would also need a big shower like him, nothing else was confirmed)

I forgot where I got this info but the MR-P conditions have been likened to nice european prisons, so I base my headcanons off of looking up stuff about swedish and norwegian prisons

~ ~ ~

SO! We can presume that Urbanshade somewhat makes an effort to accommodate their experiment MR-P's.

With that in mind, Sebastian obviously needs a pool big enough for him to exercise in. He's been said to be very agile in water (and land) and you don't get skilled at swimming unless you've had time to practice.

(Honestly, I think it's probably a little bigger than this, I just didn't want to draw it to super accurate scale)

It'd be financially stupid to make a pool SEBASTIAN-BIG for just one guy though, so I think this is a facility-wide shared pool. At least for MR-P's and lower ranked staff like scientists, not sure if higher-ups / managers /bosses would wanna use it.

They use buoys + a retractable false bottom for the "human" part of the pool so people don't dive too deep or swim out in the middle and be harder to rescue. I don't think they would ever let humans swim in there while large experiments are using it, so experiments would need to rent out pool time, the human barriers are easily removable so they can make use of the whole space.

Since our larger experiments are using the pool, they need to shower off the chlorine/whatever chemical, so the specialized showers are nearby! In order to make sure they have easy access to the pool and showers, their living quarters would also be right outside the pool.

~ ~ ~

Finally, we get to Sebastian's cell!

I heavily based it off of this Swedish prison cell. If I ever model it everything will be true-to scale for Sebastian, but this is just a rough approximate. The doors/openings would be wide enough for his fluke to fit through.

I imagine he has some possessions to his name that he got with vouchers! 12 years is a long time, he's collected stuff. A few different outfits as well as his normal uniform, cigarettes, pens and paper for drawing/designing, sewing kit, etc. I think he likes to think up of engineering stuff and schematics at his desk, he can't really make anything but it helps him keep his mind sharp to plan out hypothetical projects.

I was thinking little origami bunnies on his shelf to remind him of zerum would be cute haha

There's a TV mounted to the wall to ensure MR-P's get announcements of their schedules and such, but in their offtime I think they could pop in VHS's or VD's into a little wall receptacle to watch. I think there's probably a limited library for MR-P's where he can rent out books, maybe films/tv with vouchers? I don't think MR-P's would get internet access at all, so in what free time Sebastian has, his entertainment is limited.

I'm not entirely sure what the selection would be like, Urbanshade wouldn't want to have anything that inspires revolution (like real life prisons.. 😓), which cuts out most fun action movies lol. I was thinking it'd be funny if it was largely movies Mr Shade likes.. like old B&W cowboy and samurai movies.

~ ~ ~

Side tangent about the library and what he gets up to in his free time, I think he's learned a few skills through guide books

Looking at his clothes, I think he is most likely modifying his clothing himself. The stitches are large and uneven, which can be inferred he has to use big leather needles and thick/leather thread since his hands are too big to use normal ones comfortably (yes I think this is just a stylistic choice for the model so it looks nice and so the stitches are visible, but it's fun to read into things way too much)

I might finish this comic later but I think he sewed the opening on his poet shirt more closed because he didn't like that his chest was so exposed haha

~ ~ ~

Back to my final headcanon about his room

For his bed, I think he has a regular decent quality prison bed, but super sized and a bit wider than a human bed. (Reinforced as well since he's heavy)

It's big enough for him to sleep with his tail half folded, or to sleep in a big pile, but not stretched all the way out. (I think sleeping completely straight would feel weird for him.. snake instincts Do Not like it)

He had to make his blanket himself. He's had his standard issue blanket since his LR-P days, and it was "big enough" for his fish self that Urbanshade didn't bother getting him a bigger one. So over time he's added to it with other blankets he's managed to get his hands on.

Anyways hope this was an enjoyable read i think way too much about pressure

[flawseer]

Your thoughts on the wof characters have been really interesting and I'd love to hear your take on Starflight (your assignment of him being the 'designated sufferer' of arc one is both hilarious and tragically accurate). I've always liked him, cowardly though he is he still acts when he really needs to and the dynamic between him and Tsunami is super fun (the whole outwardly combative but inwardly just wishing to be as strong/as smart as the other).

I like Starflight and I relate to him a lot, as a fellow chronic worrier who annoys his friends with constant blathering about stuff only I find interesting, and often finding myself paralyzed in the face of decisions.

It’s funny how the story puts forward a black dragon, which in media are usually portrayed as mysterious, ambiguously malevolent harbingers of doom, and makes him into this adorable dork.

He’s also the plot’s chew toy, which I am at times less enthusiastic about. Especially when jokes are made at the expense of his misfortune.

Wings of Night and Sea

Starflight’s and Tsunami’s friendship is very engaging because, in a sense, both of them complete each other. For each, emulating the other serves as their last resort when faced with a personal crisis. Whenever Tsunami encounters a situation she cannot overcome with her usual blunt and direct approach, she asks herself how Starflight would resolve the situation. When Starflight becomes overwhelmed and too scared to move, his mind conjures an image of the strongest, bravest, most unstoppable thing he knows, which is Tsunami. Though either would be reluctant to openly admit it to each other, they both rely on each other’s strengths to cover their own weaknesses.

Through this you get the sense that, while their opposite personalities annoy each other to no end—if you locked both of them in a room for three hours, they’d be strangling each other when you open the door again—at their core they have only the deepest respect for each other. It becomes especially apparent when you realize that both of their stories in their respective books have them compare themselves to the other unfavorably.

If these two ever did a DBZ-style fusion dance, the result would likely be one of the most capable and balanced characters in their series.

Starflight's misfortune

CW: Discussion of blindness

One thing I have noticed (and have alluded to a lot in previous posts) is that the plot really likes to kick Starflight in the teeth. His own story arc puts him through the wringer, but he is not even safe in the two arcs past that, where he is largely out of focus. Most of the things that happen to him in arc 1 seem to occur for the sake of the story, but past that... it sometimes feels to me like the world has it in for this guy.

I started writing a list of every bad thing that happens to Starflight over all three arcs, but it got way too long, so now I’m just going to talk about a few select things instead.

One thing that stands out to me is that every other protagonist in arc 1 gets a specific moment. That kind of scene where they enter their tribe’s biome for the first time or connect with a particular part of their culture/physiology, and are overcome with a sudden burst of euphoria or deep resonance with their own nature. Clay gets it when he submerges himself in mud for the first time and then later again when he finds his siblings, Tsunami when she sees and smells the ocean, Glory when she’s in the rainforest and feels the sun, and Sunny when they go through the magic tunnel and end up in the desert. Starflight is the only arc 1 protagonist who doesn’t get a moment like this; when he enters his tribe’s home for the first time it’s a giant craphole that makes him feel upset. It only gets worse from there.

Then there is the big one; the misfortune that happens to him at the end of his book. I struggle to talk about this because... uh... How do I put this?

I opened this post by saying I relate to Starflight on a personal level. I wouldn’t consider myself as studious or well-read as him, so it’s not a direct comparison, but I do like to draw, write and dabble in visual artistry. This is a major part of my life; how I define myself as a person and what I think makes me “me”. The thing about this though is that all of this is tied up into one thing: my sense of sight.

It follows then that what ends up happening to Starflight is the realization of the one thing I fear the most. Thinking about the possibility of losing ones sight is deeply, personally horrifying to me. It messes me up internally just to consider it happening to me.

This, the subject of becoming blind, is a very difficult topic for any story to properly engage with. There are many pitfalls you can fall into and come off as insensitive, or ignorant. The way Wings of Fire deals with this subject is to... well... it doesn’t really. Starflight is blinded and then the story skips over most of his reaction to it because the next POV character gets separated from the group while they sort it out.

In a way, this is a good thing. I don’t know how this series—which often rushes through these really uncomfortable, harrowing events—would be able to show a realistic reaction to this development. Like, losing ones sight would be a horrifying prospect for anyone, but for Starflight especially this completely uproots not only his entire life, but his sense of identity. Everything he likes doing, everything he is and wants to be in life is rendered virtually impossible by this.

Consider who Starflight is. He is a thinker, and a worrier who is always inside his own head. He dreads and fears, he seeks out worst case scenarios, I daresay he is inclined towards pessimism. Whenever his neuroticism gets him too stressed, or emotional, or worried, he has one immediate response: bury his nose in a scroll. When he arrives in a new place, he usually asks where the scrolls are at. When he is under threat of being abducted or attacked, his first instinct is to go grab his scrolls to keep them safe. Like with me and drawing, reading is how he unwinds, how he balances himself. It is what keeps him sane and functional through dealing with adversity (and he's Starflight, so he deals with a lot of adversity).

Then this happens to him, and suddenly the one thing that makes this poor, battered boy happy, the one thing that never hurts him, is taken away forever. If I was in his place, if I learned I was suddenly blind, I would fall apart. I would cry, then scream, then cry AND scream and probably flail around in a panic. Clay would have to hold me down and restrain me so I don’t end up falling off the platform in a frenzied fit. Or worse.

So yeah, I get why the plot had to look away. Seeing this happen to Starflight—him going through this kind of anguish and then sinking into quiet despair as his world crumbles around him—would have been heartbreaking. In the end, we go on Sunny’s solo adventure and when she returns Starflight is already conveniently past the screaming fit phase and has adjusted to his new life circumstances—enough to talk and joke as if nothing happened. He then goes on to dedicate himself to bringing the wonders of literature to other blind dragons, which is a noble goal and good trajectory for his character—even if it’s a bit abrupt and I would have liked to SEE him do that instead of just being told.

Anyway.

This next one isn’t as notable because it doesn’t happen TO him, but I want to point it out to back up my claim that Starflight Ls can and will happen even in story arcs that have very little to do with him. In book 6 Moonwatcher and Darkstalker have a conversation where they discuss the concept of Nightwing powers and how they relate to the moons. The story very pointedly draws attention to the fact that Starflight nearly was born under three full moons and would have become the most powerful Nightwing of his generation if his inept caretakers had not decided to hatch him underground. While I don’t think getting these powers would have been good for Starflight in the long run, it is a bit sad considering he spent most of his childhood thinking he was born wrong because he didn’t have powers, and then Morrowseer further gaslit him about it throughout the arc.

And then we don't talk about what happens in arc 3. I am not the right person to discuss it.

My take on Starflight

I was asked to give my take on the character, so...

I already went into how I think he’s very introspective and prone to worrying. I see him as an introvert, which is something he has in common with Glory, and contrast him with Sunny, Clay, and especially Tsunami. He enjoys reading but also other activities where he gets to use his brain. He likes puzzles; I imagine he got very excited when they had to figure out the murder plot in book 2, or when he caught Blister in a lie. If he had a computer it would be full of adventure and puzzle games, and he’d hog the resident DS to play the Professor Layton series all the time.

When they found the academy, it is implied he teaches a literacy course and gives out writing assignments. That is right up his alley, but I’ve always felt he also has strong math/natural science teacher vibes. There should logically be a numbers class at that school and I can’t imagine any other character who would be more suited to teach it.

If I were asked where I would make changes to his story, I guess I would nix the part where he and Fatespeaker hook up in book 5. I have nothing against their relationship, it’s actually grown a lot on me over time. But I never liked how it started. Starflight gets rejected by Sunny and then immediately hooks up with Fatespeaker. This is really undignified for her because it takes their potentially intriguing romantic relationship and turns her into Starflight’s “rebound chick”. You really need to give yourself some time to move on from your previous attraction; rushing like this creates doomed relationships.

The original story implies that about half a year passes between the end of arc 1 and the start of arc 2. I like to pretend this gap is actually a bit longer, by like 2 or 3 years. It gives the old protagonists a bit more time to settle into the roles they’ll occupy during the next arc, and makes it more plausible to me that they could build and outfit an entire school, write the curriculum, designate roles, etc..

In that time, with things being more calm now, Starflight has opportunity to get lost in his own thoughts again. It turns out, now that the dangers of the war are no longer distracting him, he finds it difficult to cope with his blindness and sinks into a depression.

While this happens, Fatespeaker is there with him. She sees his condition worsening by the day, but refuses to give up on him. She reads to him; they talk, and they bond. Though serious self-searching and hard work, together they manage to pull out of the darkness eventually. This is how their relationship starts, and it’s also how Starflight gets the idea to invent the dragon-equivalent of braille.

Somewhere during that time, I also imagine Glory has Tamarin escorted to Jade Mountain so she can help Starflight adjust to his new situation and learn how to navigate his life without needing to rely on others. Perhaps this is what motivates Tamarin to attend the academy later.

What else is there to say? Hmm...

I think Starflight is really fond of hard candy. Jawbreakers are his favorite especially. Though given how prone to misfortune he is in the story, I’m hesitant to put him in proximity of anything with a name like that.

[iasmelaion]

Murderbot 1x06

I'm behind on writing up my reactions, but this week's episode was super interesting to me, so just pretend I did write up those other episodes so I can skip ahead. Also, heads up to anyone who needs them: this episode was, uh, pretty gory!

The way this show leans so absolutely and uncompromisingly into discomfort is fascinating to me. Discomfort and comedy do go hand in hand, and not only with cringe comedy. Gallows humor, dark humor, humor that confronts power, satire--all of that can also be profoundly uncomfortable while still being funny. That's something I was thinking of a lot as I watched this episode, which did not at all pull its punches when it comes to body horror and violence. And that's so, so interesting to me!

Because I think a lot of this discomfort and horror arises from the change in medium. Now that we're no longer limited to Murderbot's unreliable narration, we see all the stuff that narration elides. And a lot of that stuff that's elided is the body horror inherent in being a construct, and the realities of violence. Some of these things pull double duty in the show by being both visibly and obviously horrifying, while simultaneously being darkly humorous punchlines. is this, tonally, a success? I'm not entirely sure! I think I'll have to watch the show all in one go to assess that. But it is super interesting.

I'm preemptively exhausted though by the way so many book lovers just--do not give this show time to do its thing. Like, I took one look at the tag and already saw people flouncing from the show because of what Murderbot says at the end about "liking" killing Leebeebee, and this after a bunch of other people fretted over Leebeebee in the last episode, like it wasn't goddamn obvious she was being set up as a villainous infiltrator and that she wasn't just comic relief there to make deeply unpleasant and gross sexual comments about Murderbot. This ties into the show's commitment to letting shit cause discomfort, and how there seem to be a lot of viewers who simply can't tolerate that or can't reconcile it with the context of the books. But like. I can almost guarantee you that Murderbot saying it "liked" killing Leebeebee is going to be expanded upon, complicated, given nuance. The show ends on cliffhangers/zingers, that's part of its whole adventure serial/soap opera format. Murderbot saying that is meant to make you, the viewer, uncomfortable! So sit with that discomfort! Think about it! Think about the potential nuance to what Murderbot expressed before you go off about how your precious Murderbot would never be so happy about violence, goodness, as if the books aren't chock full of violence that Murderbot tends to elide.

To me, btw, it is fairly obvious that the nuance is that Murderbot feels good about having performed its function and its duty: it kept its clients safe. It eliminated a clear and present danger to them. It did so somewhat impulsively--Gurathin is right that they could have gotten more information out of her--but it prioritized its clients immediate safety, and wasn't entirely wrong to do so. Murderbot's job isn't to solve a mystery, it's to keep its clients safe, and that means eliminating the threat and getting them off the planet.

I think it's very cool that the episode could have ended on that shocker of Murderbot clean blowing Leebeebee's head off, but it didn't. Again, it leaned into the discomfort of showing the accurate, ugly, messy, uncomfortable reactions of people unused to violence who have just witnessed someone being killed right in front of them, likely for the first time in their lives. This is a moment that is almost always glossed over or outright ignored in visual media, something that Murderbot itself alludes to when it says that people in serials are always happy to be rescued in such a way. The show instead lingers on this traumatic moment. It doesn't shy away from the gore, poor Gurathin is covered in it. And yes, all that is kind of funny, in a horrifying way. But it's also reminding you, the viewer, that deadly violence isn't normal. These normal-ass space hippies are not equipped to deal with it, just like many of us IRL are not equipped to deal with it. PresAux are having utterly normal and expected and unsurprising psychological and emotional reactions to a traumatic event. The show gives them space for those reactions.

Also, going back to Leebeebee, I will admit: I was uncomfortable during last week's episode when she was saying all that wild, offensive, sexual shit about Murderbot, and the PresAux crew didn't push back against it! But again, the discomfort was the point. Both Leebeebee's own point, and the narrative point. Because, like, this is a thing that happens IRL. Sometimes you're in a group of people, and someone says some wildly horrifying racist or sexist or whatever shit, and it's just uncomfortable. Maybe someone laughs, anxiously. But no one says anything against it in the moment, they just try to change the subject. They assume or hope that it was just a one-off thing, they find some excuse to let it go, and then when the offending person leaves, everyone is like what the fuck, that was fucked up, right? That's what PresAux were doing. And then in this week's episode, Leebeebee pushed the boundaries again with another horrifying comment, but by now PresAux have caught on a bit: Bharadwaj pushes back against the comment, kindly but firmly, letting Leebeebee know that kind of behavior and commentary is not acceptable among people from Preservation.

So if I had decided to flounce off from the show because how dare it have Leebeebee make such comments that were unchallenged, then, well, I wouldn't have seen the resolution! So idk what is up with so many other viewers that they have simply no patience to let a conflict play out, but it isn't a problem with the show.

Actually, come to think of it, I wonder if the problem here is that for a lot of book readers, the Murderbot series, despite all the action and adventure, has a cozy vibe. And the show decidedly does not. The show isn't shying away from a single uncomfortable moment, the show keeps confronting the viewer with body horror and violence and the realities of being a construct.

But like, the books also leaned into certain kinds of discomfort! I know when I first read the first two novellas, I had to grapple with the ways Murderbot was expressing and exploring its personhood, and its insistence that that personhood didn't have to be like a human's to be valid.

Anyway, also, I love all the Mensah & Murderbot stuff. Loved it. Perfection, no notes.

[luffydotcom]

may I please request a Luffy x fem reader (they aren’t together yet) but Luffy has a big crush on the reader without realizing and he’s always super touchy with her without thinking anything of it, like always holding her or picking her up when they’re on adventures and protecting her too all without realizing until the crew makes a comment about it to him, I think it would be super adorable. thank you!

this is such a cute idea oh my GOD. it feels so accurate for luffy too, i just love him so much. thank you for the request as well! it's actually my first ever one! i hope it suffices.

so it's love, then?

pairing: luffy x female! reader warnings: none! word count: 915

ever since you joined the crew, luffy had always thought there was something different about you - something special about you. he was just so drawn towards you, more than anybody else. and he couldn't put his finger on why.

of course, he loved all his friends with his whole heart, but for some reason he didn't understand, when he was around you, he would get a different feeling inside, almost ticklish, making his heart feel funny.

why do i feel like this? i guess it's pretty nice though!

he didn't know what it was, but he sure as heck loved it.

he just can't keep his eyes off of you, but more than that, he can't keep himself off of you. he's always scooping you up to which you laugh in surprise, diving in to hug you close after a successful battle, and practically hanging off your arms when you're busy with a task. even in fights, he can't help but protect you more than needed.

and the worst part is, he never thinks anything of it. little does he know how much his actions make you feel. how you have to hide your excitement when he pulls you in for a hug, or your contentment when he carries you around playfully. he's practically killing you and he doesn't even know it.

and it's like everyone can see it but him.

one afternoon on the sunny, luffy is kicking back on the grass, his head resting on his hands and his eyes closed, about to take a nap. until suddenly, he hears your voice as you're leaving the galley - and and it's like he was never tired at all. he can't help but grin cheekily and stretch his arms to scoop you up above him in the air.

"hey! LUFFY!" you yell in surprise. "w-what're you doing?"

"i don't know," he starts laughing. "i just feel like i want you near me!"

before you can object, he gently puts you down next to him on the grass, your faces close. you're afraid to even breathe wrong as luffy refuses to look away from you, still smiling as if it's nothing. he feels that funny feeling in his chest again and he doesn't want it to end.

he's about to say something, until you both hear footsteps nearing. you both turn over and to see the entire crew standing with bewildered looks on their faces.

"i hope we're not interrupting anything," usopp teases. your face feels hot at his comment. you look over to luffy but he just looks lost.

"interrupting? interrupting what?" he raises an eyebrow. "and why are you all just standing there?"

"well, luffy, we've been needing to ask," nami starts as she looks down at you both. "i mean, i know it's not our business but... haven't you been a bit... touchy with y/n lately?"

you freeze. you can't believe that everyone is collectively agreeing as they nod at what nami's said. you try to say something but suddenly you've forgotten every single word in your vocabulary. instead, luffy speaks.

"touchy? when have i been doing that?" luffy tilts his head, genuinely confused at the observation.

"RIGHT NOW!" everyone practically says in unison as they look at his arm which is suddenly around you. your eyes widen - even you didn't even realise it was there.

luffy bursts out laughing, before eventually composing himself again. "i guess i am kinda touchy, aren't i? but i don't get it. why's that bad?"

nami shakes her head. "it's nothing bad, of course. it's just... well, with how affectionate you are with y/n... always hugging her, play-fighting with her, picking her up-"

"it's like you're in love with her or something!" brook bursts out, unable to help himself as everybody laughs.

your eyes feel like they're about to jump out of their sockets. "w-what? don't be silly... luffy's just being luffy. right, luffy...?" you stutter out, looking at him desperately to say something. but the captain who would normally laugh along at brook's outburst and is usually full of words is awfully quiet... and in thought.

"love?" luffy whispers to nobody at all as he gives it thought. every time he's wrapped his rubber arms around you tightly with affection, every time he's protected you in heated battles, every time he's fought the urge to kiss you - they all flash through his mind. with every time, he always craved you more. would that explain the funny feeling in his heart he gets when he's near you?

"now that you say it, i guess i am in love with you!" luffy laughs loudly before noticing everyone's jaws, including yours, all dropping to the floor. "what? what's wrong?"

you feel like you might faint. the weight of his words that he's just admitted so casually feel like a boulder just dropped on top of you. "you... love me? you're serious?"

"well, i know for a fact that luffy's practically incapable of lying," sanji adds, lowering his cigarette with a smile. "so you have no choice but to believe him, dear."

not giving you another second, luffy is already on his feet. "man, i love you so much! it makes so much sense now." he hauls you over his shoulders playfully to everyone's amusement, leaving your legs dangling over him and it's too late to object. yet you can't help but laugh and neither does the crew.

"that explains why i just can't let go of you!"

[vulcan-moon]

Bro...inhibitor ring Amy...ur mind bro....

Seriously though, while I'm of the personal opinion that her bracelets are weights like they are in the GBA games, I ALSO am a diehard fan of chaos-user!Amy.  In fact, ice been saying for years now that she IS a chaos user—she just gives her more supernatural combative abilities cutesy or simplified names as opposed to Shadow's more technical naming conventions. 

Storming Heart is a derivative form of Chaos Spear, which in the games looks slower and more concussive like a bomb might be.  Rose Typhoon is just a Chaos Blast supplemented by the shockwaves she generates using her hammer. 

I wouldn't be surprised if the more technical terms for her Invisibility and Precognitive abilities—referring to her tarot readings, accurate intuition, etc.—were something along the lines of "Chaos Shroud" and "Chaos Divination" respectively.  Then there's her pocket dimension where she keeps things like her hammer and cards, so that could just be accessing her own personal "Chaos Space".  Hells, she even has a uniquely strong capacity to sense the energy of other people and things, which is what makes her such a great tracker in canon, and if the energy she's sensing is actually just the chaos energy all living things naturally possess in varying strengths and signatures, then maybe she also employs a sort of "Chaos Dowsing" technique. 

Idk if you can tell, but I'm a big Amy fan lol.  I usually just love all-arounder characters like her—seeing how she's faster than Tails and Knuckles but not Sonic, stronger than Sonic and Tails but not Knuckles, and smarter than Sonic and Knuckles but not Tails.  Also, a sweet, peppy magical girl who's greatest traits are her passion and kindness?  Sign me tf up. 

Would be funny for her to ask Shadow to teach her Chaos abilities now that she knows to take off the inhibitors and for him to be all ???? "What are you talking about? You use them all the time??" lol. My shadamy shipper heart would also just love to see them grow closer over this, but that's neither here nor there

i love amyyyy i love her so much. her abilities are so wild and all over the place and the moment you think deeper abt them youre like,,,, how tf does she do what she does actually why tf does she have a pocket dimension. and you're so right abt the naming thing!!

to me it just makes sense her being a chaos energy user. all the other hedgehogs can do it, she's got abilities that are very similar to theirs, it makes sense that she channels chaos energy too. if sega weren't cowards, she'd have a super form by now 😔

also hilariously enough im in the middle of drawing a short lil follow up comic to my last one w that premise :3c sneak peek

[vxsellie]

would you be willing write bodyguard!ellie x burlesque!reader fic??? or ellie could literally be whatever i have no preference!! 🪲

┆𝐝𝐢𝐧𝐧𝐞𝐫 𝐚𝐧𝐝 𝐝𝐢𝐚𝐭𝐫𝐢𝐛𝐞𝐬 - E.W ⋆✴︎˚｡⋆₊˚. ᵎᵎ

♯ 𝘪'𝘥 𝘴𝘶𝘧𝘧𝘦𝘳 𝘩𝘦𝘭𝘭 𝘪𝘧 𝘺𝘰𝘶'𝘥 𝘵𝘦𝘭𝘭 𝘮𝘦

𝘸𝘩𝘢𝘵 𝘺𝘰𝘶'𝘥 𝘥𝘰 𝘵𝘰 𝘮𝘦 𝘵𝘰𝘯𝘪𝘨𝘩𝘵 !

summary. to become a vedette was the dream of many ⎯ including yourself. unfortunately, though, you learned the hard way that some dreams were meant to remain fanciful. because, once achieved, the reality of such an industry was far from what you'd imagined it to be. as your underground burlesque club rose in popularity, you alongside it, your personal safety began to deteriorate. in an attempt to salvage yourself from the predatory audience, a bodyguard was hired. notes. the way pink won by 1.1% is so funny to me, but pink it is! also! i had no idea what a burlesque dancer was before this. i did tons of research and watched tons of videos, but in no way whatsoever is this historically accurate. burlesque was popular from 1860s-1930s, getting most traction in the 70s. but i'm frankly a bit shitty at history, so i don't really know what the world was like in the 1800s, so i set this oneshot in the 1920s bc i have the most prior knowledge on that time frame. but, again, this is NOT historically correct whatsoever. certain things i mention might not even be invented at that time, the way people talk might be super incorrect, etc etc etc. so pls just have that in mind. warnings. mentions of assault, illegal selling & purchasing of alcohol, depictions of violence and blood, injury, suggestive ending wc. 8.2k

when ellie accepted this job, she hadn't expected to be roped into such deep shit.

she'd envisaged being dragged through shops and taverns with some random rich transient, told to scare off some creeps, then fired once the opulent stranger grew bored of her monotonous company. what she hadn't expected was you ⎯ someone completely ordinary among passerbyers whilst simultaneously being the most powerful and sought after woman come nightfall.

you own a club, you see, having started your business two decembers prior to present. it began small, only a few people visiting due to mere curiosity and rarely returning. struggling to amass a crowd, you became your own patron; you became a burlesque dancer at your own cabernet. this quickly gained the attention of those who dared wander into the debauched street where your club resides. an underground business run by the alluring woman advertised ⎯ what promiscuous standee wouldn't be intrigued? plus, by the time you were making hundreds nightly, you were in too deep to quit as a dancer. those who visited did so for you. to turn only to a business woman was out of the question.

but, as stated, your club was underground and therefore unknown by the average citizens, only spoken of by those sinful enough to indulge. this way, you were a mysteriously rich woman by day and a desirably powerful one by night. it wasn't exactly what you'd intended to become when first creating your business, but you'd be a fool to complain when making such wealth.

however, nothing ignominious lasts long before the reason for such shame rears its beastly head.

and when it did, you were unable to escape unscathed. you'd been cornered in an alley on your way home, pinned to a brick wall by one of your frequent customers, barely having gotten away intact. after landing a solid hit to the back of his skull with a nearby object turned weapon, you staggered the rest of the way home. a bruise was forming on your jaw from the perpetrator's aggression and a small cut was trailing blood down your bicep from your own lack of attention to your surroundings as you'd accidentally scraped yourself on a stone as you ran from the scene. yeah, so, that's when you made the decision that you needed a bodyguard.

when ellie first laid her eyes on you, she recognized you in an instant. see, she'd never been to your burlesque club on her own; she didn't much care for that form of self deprecation. rather, she'd heard your name spoken many times before by disreputable miscreants and seen your face on a few posters in the more shady parts of town.

tonight was her first official night to be spent with you. the two of you had met once or twice beforehand, getting the payments and conditions in check as well as making her sign and NDA for fear of her causing your cabernet to be found. though, she'd never seen your house and you'd never seen hers, the two of you having met in public settings such as bakeries or parks to discuss such matters. it was entirely professional.

but tonight, now that everything has been put in order, she is to accompany you to the bar. you already told her what you expected of her ⎯ blend in with the crowd and keep watch from afar, only intervene if deemed absolutely necessary. yes yes, she replayed the sentence over and over in her head, just to be sure it's cemented into her memory. totally not because she likes to replay the smoothness of your voice nor the gentility of your tone when attempting to speak quietly as to not draw attention. yeah, no. definitely not that.

"fuck, it's cold." she hisses, pulling her coat tighter around her shoulders as the two of you walk down the sidewalk. your sparkly heels click against the concrete with your every step, only visible under the dull illumination of the sparse streetlights. you're wearing a long coat that covers your neck down to your mid-calf, black in color yet thin in efficiency. "i dunno how you're not freezing your ass off, right now." she comments through chattering teeth.

you huff a laugh, "suppose i've grown used to it."

the air is frigid, your breaths coming out in puffed clouds. snow has yet to fall, but it's surely not far from doing so. the night is black, shadows looming over shabby buildings ⎯ venturing from the rich side of town where you live to the more decrepit side of town where law enforcement is thinned and as is people's class. the perfect place for a speakeasy.

you turn down a random alley where streetlights no longer provide a blanket of comfort. ellie trails behind you, entire body shivering as she takes in her foreign surroundings. on either side are sordid buildings, the brick chipped and paint flaking and wood rotting.

the sound of knocking draws her attention back to you, gaze landing on where you now stand at the very end of the alley. she jogs over to you just in time to hear your knocking in a certain pattern on an old wooden door that she hadn't noticed prior. there's not even an exterior handle, the door almost invisible when paired with the darkness of the alley and its similarity to the wall that embodies it.

knock knock, knock. a pause. creaking.

the door opens with a creak, a man's head peeking out the crack. he sets his eyes on you and instantly swings it open fully to allow you entry. you nod at him before sauntering past. ellie continues to trail behind you, though she's stopped when the man holds out an arm across her chest.

his hair is long and greasy, thick brows overhanging deep brown eyes. a miasma of alcohol and cigarettes clouds him in the form of a malodorous aura. ellie's nose crinkles as she scowls at him.

"not you." he says coldly, shoving her back outside into the alley. she staggers backward, the cold air clinging to her. anger licks up her spine at the aggression of his shove, but she buries it as soon as you enter the scene.

"fuck off, george, she works for me." you huff, moving past him to open the door wider for ellie. she glares at george as she passes, entering the cabernet with a distasteful expression. as she walks past the entrance, you remain in the doorway to reprimand your employee. she'd usually mind her business but, seeing as it's her job to be in your business, she remains closeby as you harshly explain the situation him.

ellie looms over you like an intimidating shadow as you rebuke george. she doesn't listen into the conversation, well aware of it not being her concern. still, she watches him closely, daring the man to step a toe out of line. thankfully, he seems to know better.

a few minutes pass before the two of you leave him to enter the cabernet fully. ellie takes in the sight of the place, never having been inside of one before. the floors are wooden and glossy, laid in a diamond pattern. the walls are satin, embedded with intricate golden designs. there are circular tables crowding the space, all faced toward an elevated stage, which ellie assumes is where the burlesque dancers preform. to the left is a bar, a woman behind the counter serving alcohol to a few people ⎯ though there aren't many customers seeing as the star of the show hadn't yet arrived. to the right are bathrooms and dressing rooms for the dancers.

the rest of the night is spent rather normally. you do your job as usual, dancing suggestively whilst telling satire stories to keep the guests entertained. as the night goes on, the tables fill and the bar grows impossibly busy, now needing extra employees to work behind the counter alongside the priorly singular barista.

ellie stands near the back, arms crossed as she watches over the scene. she tries her hardest not to get distracted by you; by the way your hips sway, the way your chest bounces, the way your legs move, the way your voice hums. all things considered, she'd say she did a pretty good job at the attempt. she averted her gaze more times than she can count, but that's to be expected, is it not?

thankfully, nobody tried anything. the drunken guests made lewd comments and lustful expressions, but never tried touching you or anything else out of line.

it's three hours past midnight when you decide it was time to head back home. as the crowd thins out, you retreat to your dressing room. ellie remains in the corner, standing around awkwardly as you exit the stage. she watches the people file out of the tiny door and into the darkened alley, cold air brushing inside via the opened door.

"so," your voice suddenly speaks, tone nigh a drawl. ellie turns her head toward the sound to see you buttoning your chesterfield coat as you approach. you shoot her a grin, "how was it?"

"good." she replies, perhaps a bit too hastily. she blinks a few times before clearing her throat, "it- uh, yeah. it was good."

you chuckle, walking toward the door as she follows behind you. "no need to be such a prude, williams. you sulked in the corner all night like a disciplined child. i just want to make sure you're not having second thoughts concerning your job."

"what?" she questions, head whipping to face you. "no, not at all! i've just never been to a place like this before, that's all. i don't know how to act."

the two of you pass through the doorway, george having held it open for you. the chill of the air traces up your spine, goosebumps coating your skin. you pull your coat tighter around yourself, though you're careful to not appear too cold as to avoid ellie's concern.

"well, if you'd like, i can help you in that endeavor." you say.

"help me?" she narrows her eyes in inquiry. "in making me feel less awkward?"

"in teaching you how to act." you correct with an amused expression, turning a corner. ellie's brows furrow, urging you digress. "look, there are tons of ways to blend in with everyone else. first of all, try looking a bit less flustered when seeing the dancers strip. second, uncross your arms for it makes you look displeased. third, sit down. you were standing against the wall the whole time and it's unnatural. just take a seat, buy a drink, and enjoy yourself."

she frowns, "easier said than done."

"you act like you've never seen a woman nude, williams." you say with a laugh. "maybe get a bit tipsy before the show and you'll feel more at ease, yeah?"

"i'm not allowed to be drunk on the job." she tells you. "i'm supposed to stay alert in the case of something happening."

you let out a sigh, carbon dioxide exiting visibly. "you won't be drunk, you'll just be a bit tipsy. plus, if you sit in the front, you'll be able to get to me quicker. that way, even if you're a bit disoriented, you'll have the upper hand in proximity's case."

ellie thinks on this for a moment, weighing her options. on one hand, she knows that bodyguard are not supposed to drink, smoke, or do anything else that could impair their ability to do their job. but on the other, you're the one pulling the strings here; she technically works for you. and you're asking her to drink. so, in a certain sense of things, who would she be to decline you?

"fine." she gives in. "but if anything happens to you and i'm too fucking wasted to help, i'll never forgive myself. or you."

you laugh, patting her arm lightly, "oh c'mon, i trust you'll be able to help me even if you're a bit drunk. also, nobody will do anything during the show. it's the before and after that we have to worry about; the spooky walk home in the dark."

she purses her lips at this, suddenly made aware of your guys' surroundings. you're walking along the same sidewalk you'd taken to get to the cabernet, your heels clicking with each step just as they had before. the streetlamps provide a dim yellow glow, but that's it. the moon is naught but a skinny crescent and the stars are rather dull. she'd been on edge, of course she had. but now that it's been spoken aloud to her attention, she's been made extra aware of it.

the rest of the walk back to your house was spent in easy conversation and light laughter. she glanced over her shoulder every few minutes, but nobody was ever behind you.

and, before long, the two of you've reached your destination ⎯ no longer surrounded by the shady alleys near your club, but now surrounded by huge mansions and cars, your own home among them.

"do you want me to walk you inside?" ellie offers as you fumble with your key to unlock your front door, your fingers too cold to operate fully. she notices, but says nothing on the matter.

"i can walk though my own house, williams." you laugh. "but thank you."

she nods, holding the door open for you once you've managed to get it unlocked. you give her a grateful smile before entering and she shuts the door behind you. as it clicks shut, she huffs out a breath.

standing on the porch of your mansion, she can't help but feel out of place here. not due to wealth but to merit. with a sigh, she turns on her heel and leaves your porch, descending the steps and beginning to walk down the sidewalk once more.

on her walk to her own house, she can't stop replaying the night over and over in her head ⎯ the sound of your laughter under the moonlight, the sight of your skin being teased to the audience. there's just something about you that she can't get out of her fucking head. it's only been one night and you've managed to drive her insane.

the following night is spent in a similar fashion. walking together to the cabernet, laughing and talking the whole way there, knocking a certain pattern on the decrepit wooden door, having to remind george that ellie is now allowed inside without payment.

"okay," you say, undoing the top button of your chesterfield coat as ellie trails behind you into the club. nobody else is here yet, the two of you having arrived earlier to make sure ellie can get front seats. "i'm heading back to the dressing rooms. while i do, you can go get a drink or two and sit down, yeah?"

"yeah." she's quick to agree with a nod.

"perfect," you smile, slipping your coat off your shoulders. ellie averts her eyes, cheeks suddenly feeling warm. you huff a laugh, "see you in a bit, williams."

with that, you walk over to the dressing rooms, disappearing behind a beaded doorway. now alone in the center of an empty club, ellie sighs before sauntering over to the bar. she perches atop a wooden stool, the fabric of its seat a thin velvet. she places her elbows on the shiny countertop, resting her chin in her palm.

she takes in the sight of the bottles behind the counter and the low lighting of the bar in general. despite it's prohibition, it's not rare to see alcohol. nobody really abides the law when it comes to intoxication. what's uncommon is to see so much of it. not only is it crazy expensive to buy booze nowadays, but it's also easier to be tracked down and apprehended for it if you have so much.

after a few minutes of wait, a barista eventually rounds the corner, approaching ellie with an apologetic expression. her fiery red hair catches the light, pale skin even paler as she rushes to tend to the customer. "i'm so sorry, ma'am." she rushes out while still tying her apron behind her waist. "i hadn't a clue someone would arrive so early."

"it's fine," ellie assures her, "i don't mind waiting if you need some more time to get ready."

"that's very kind of you." she smiles. "but no, i needn't more time."

ellie shrugs, accepting her response. she then turns back to looking at the bottles that line the wall behind the barista. "can i get the gin rickey?"

"of course." the ginger smiles before turning around to grab a bottle of gin alongside a glass from under the counter. she mixes the drink, adding lime juice and club soda before sliding it across the countertop.

see, ellie doesn't go out drinking often. especially not after the ban of alcohol, as it became harder to find. but she knows that gin rickey is a rather common drink within speakeasies, the taste and convenience of the drink making them quite popular at this time. so, she assumed it wouldn't hurt to see what was so great about it. and, needless to say, she comes to enjoy it.

as the club begins to fill up with guests, she decides it's time to take her seat in the front. ellie ends up having about three more drinks before taking a fourth to go, sauntering over to a table closest to the stage. the circular table is covered with a cream white cloth, the chair wooden with the same velvet cushion as the barstools.

there, she continues to sip on her drink as she awaits your arrival.

she feels her eyelids begin to weigh down a bit, her shoulders feeling uncharacteristically heavy. she recalls the conversation from last night and the way she had to remind you that she couldn't be too drunk on the job. she ends up having to remind herself of the same thing, telling herself that this is the last drink she'll be having for the night ⎯ enough to be more at ease as you'd requested, yet not too much that she feels unable to tend to you if needed. a perfect level.

people crowd the cabernet as it grows darker outside, guests rushing to the bar to get a free stool before they're all taken, then staggering over to an empty table once they're well inebriated.

when the first dancer walks onto the stage, the crowd cheers. she does a few dances, tells a few jokes, takes off her top, and then rotates for the next dancer to come forward. to ellie, it feels rather quick. but when she checks the grandfather clock against the wall, it'd apparently taken the dancer about half an hour before she leaves the stage.

the next dancer is a blonde woman who winks at ellie when she first comes out. the man behind ellie cheers loudly, almost making her go deaf with his boisterous assumption of the woman's favor. she does a more sensual dance than the woman prior to her, taking off her skirt and top, tossing them out to the crowd. she remains in her bra and panties, both of which are adorned with gems that twinkle in the spotlight.

ellie's instincts are to look away, to avert her gaze as to be respectful. but she recalls the way you'd made fun of her for doing so last night, calling her a prude. her cheeks heat as her mind traitorously reminds her of the sound of your laughter. evidently, the blonde dancer on the stage takes her blush as being directed toward her and she shoots her another wink, which leads to the man behind her cheering loudly again. ellie curse herself for the series of events and the way they'd played out so easily despite their involuntary origin.

as the blonde woman walks off the stage, she give one last wink in ellie's direction. she blows her a kiss, waving with her fingers before disappearing behind the curtains. the man behind her goes absolutely insane, ellie's ears ringing from his noisiness. she sucks in a breath, hoping this mistake doesn't lead to anything adverse.

the next and final person to take the stage is you.

the crowd goes crazy, you being the most popular vedette among all burlesque dancers in this city. they clap and cheer and whoop as you just smile and wave, heels clacking in that familiar pattern that reminds ellie of her walks with you. her face is suddenly heating up again. she curses herself mentally, picking up her glass and taking a long sip from her drink in hopes of the rim covering her reddened cheeks.

you move languidly, almost fluid in your leisure. your body shifts with ease, dancing in a sensual peace. your heels click, your hips sway, your hair cascades. everything about you is reeling ellie in, alluring and captivating yet seductive and lewd. she can't seem to tear her eyes away, memorizing every inch of your body as one would adore a piece of art. she takes in your body as though its made of brush strokes and paint and it could vanish in an instant.

you remove your top in one swift movement, pulling the fabric over your head and allowing it to fall to the floor with a gentle brush. the crowd cheers and ellie is painfully reminded that she's not the only one in here. though your chest remains covered by a frilly bra, she feels a weight in her belly at the sharp reminder ⎯ an aching possessiveness that yearns to be special, to be the only one to see you this way.

your eyes meet hers, something passing between you. something sharp and steady and intimate. something striking in its rarity. though, just as fast as it'd happened, it's gone. you turn away, shifting your gaze over the crowd as you continue to sway and oscillate.

ellie takes another swig of her drink, hoping to swallow down her rising emotions. hoping to drown them.

before she even realizes it, the clock strikes three and you're disappearing off the stage with a flourish. the crowd cheers as you walk away, whistling and whooping.

they all begin to slowly file out of the club once it's made aware that the show is over, taking their loud voices with them. of course, ellie doesn't follow suit. she stays seated, swirling the last drop of her drink around in her glass. she watches the liquid swish around, her drunken mind easily entertained by the sight.

when she hears footsteps exit the dressing room, she assumes it's you and turns around with a grin. her face quickly falls when she sees the blonde dancer from earlier walking up to her with a suggestive smirk.

"waiting for someone?" she questions, eyes glinting with a hint of lust.

"uh, yeah." ellie replies, far too awkward and drunk to think of something clever to say in response. her cheeks heat with embarrassment, though the blonde is quick to take it wrong.

"no need to be so flustered." she coos, walking over to where ellie remains seated. she places her hand on the table in front of ellie, leaning down so their faces are mere inches apart. in a gentle croon, she says, "i don't bite."

"well," ellie leans back a little to put distance between them, "i'm not-"

"ruth, leave her alone." your voice comes from the other side of the room, the sound of your heels serving as a bit of familiar comfort to ellie. the blonde woman lifts her head, expression falling when she sees you approaching.

"mind your business." the blonde ⎯ whose name ellie has gathered to be ruth ⎯ groans. "must you steal every person i show interest in?"

ellie opens her mouth to intervene, ready to say something to ease the nigh palpable tension in the air. but you beat her to it, not having noticed ellie's futile attempt to interrupt.

you roll your eyes, still buttoning the top buttons of your coat. "first of all, i've never stolen someone from you because i frankly don't give a shit. second, that poor woman is clearly not interested in you."

"don't speak for her when you don't even know her." ruth frowns, placing her hands on her hips. "and yes she is interested."

"how about you let her choose then." you suggest, crossing your arms after gesturing to ellie with raised brows. "maybe, for once, let the person you're bothering have a say in this."

"fine." ruth snaps, practically fuming at this point. despite her anger, she turns to ellie pleadingly. "tell her."

ellie almost feels bad for ruth. despite the way you'd insinuated that she has a history of not asking for people's opinions on matters such as these, she feels a bit guilty. she'd blushed at ruth multiple times ⎯ though they'd all happened to be unrelated. anyone would be able to get the wrong impression in ruth's position.

"listen, i'm just a bodyguard." ellie says carefully, holding her hands up in defense. "i'm not trying to sleep with anyone. i'm just⎯"

"bodyguard?" ruth mutters, brows furrowing. she glances between you and ellie, the dots slowly connecting. her lip then raises in disgusted rage. "what the fuck!? you hired a goddam bodyguard!"

"i was getting followed home." you explain, equally irritated though you attempt keep your tone calm.

"so just because you're the most fucking popular, you think your safety is more important than any of the other dancers!?" ruth seethes.

"don't put words in my mouth, asshole." you shoot back. "you can hire any bodyguard you fucking want, nobody's stopping you. it's not my fault i thought of it first and you happened to be fucking horny for who i hired."

as you and ruth continue to argue back and forth, the tension steadily rises higher and higher. ellie watches with wide eyes, trying to determine when exactly she should get involved. but, at the same time, you and ruth appear to have been working together for quite a long time, maybe this was an inevitable argument she should let happen? maybe she's just drunk and thinks that it's worse than it is? yeah. she leans back, settling with her decision to allow the two of you to just fight it out. it'll be good for you to⎯

her thoughts are interrupted when ruth snatches up ellie's glass and breaks it on the side of the table, the lip of it now a pointed blade that she holds out at you. it's sharp, the glass fully able to cut through skin if needed.

"ruth.." you breathe, holding your hands up in surrender. "ruth, just calm down..."

at the sound of glass breaking and your shaky voice, ellie is suddenly on her feet, putting herself between you and ruth. she holds an arm across your chest, acting as a human shield.

"get out of my fucking way." ruth snaps. "i don't wanna hurt you, just the cocky bitch you're protecting."

"put the glass down." ellie demands, voice suddenly lowered a few octaves.

the baristas are long gone, having left the club alongside the rest of the guests a good twenty minutes ago. the only person in here except for the three of you is george. he watches from the doorway, eyes wide and shoulders tense. he can't call the cops or the cabernet will be found out and promptly shut down. and he knows better than to get involved. so he's simply forced to watch from afar, poor guy.

ruth glares at ellie, sidestepping in an attempt to get to you. but ellie moves in unison, remaining in her way. ruth curses, jaw clenched. ellie holds you close to her, your chest flush against her back as she holds you by the wrist, her other arm out to ruth in a calming gesture which mirrors one that'd be used when approaching a feral animal.

"fuck you!" ruth spits at ellie, lower lips trembling. her grip on the glass shakes as well, though she remains holding it tightly. "i thought someone fucking liked me! for once, i thought someone would take interest in me! but no. no, i should've known. as always, you were more interested in her!"

"look, i understand you're mad, just⎯"

ellie's words are interrupted by ruth surging forward and stabbing the sharp end of the glass into ellie's thigh, yanking it back out and tossing the bloody glass to the floor.

ellie buckles over in pain, blood seeping down the leg of her pants. when she looks back up, ruth is already across the room, shoving past george as she runs from the scene. george is frozen in place, lips parted as he glances between ellie's bloody form and ruth's depleting one.

"fuck," you mutter, eyes wide as you move to pull out a chair for ellie to sit in. you hold onto her shoulders, helping to ease her into the seat. "fuckfuckfuck."

"calm down," ellie says between heavy breaths. her chest is heaving, her hand keeping pressure on the wound. despite the pain, she stares up at you with blown pupils and parted lips. "take a deep breath, i'm fine."

you shake your head, completely ignoring ellie's attempts to calm you. god, you can't fucking believe her right now. a shard of glass is on the floor, covered in her blood and here she is insisting she's fine. trying to keep you calm. you squeeze your eyes shut, pacing in circles as you try to formulate some sort of plan.

you can't call the police or your club will be revealed. but you also can't go home, wandering the streets with a girl bleeding out on your back. fuck. no matter what you do, it's incriminating.

your pacing ceases as an idea pops into your head.

"george." you call out over your shoulder. the man lifts his head, entire face having gone pale from the sight of all that's happened in front of him. "in the dressing room, under the vanity, there's a first aid kit. bring it to me."

george nods quickly, staggering away from his place by the door and heading toward the dressing room as asked. with him now gone to get the med kit, you turn back to ellie. you crouch down in front of her, your hands shaking as you reach forward to remove her own hand from the wound to examine its severity.

blood soaks her pants, almost coating her entire thigh crimson. the material is torn where the glass was inserted, showing where her skin is sliced right open. right across the muscle.

"okay," you breathe shakily, pressing your palm against the injury to prevent too much bloodloss. "okay, um-"

"calm down," she murmurs again, voice a bit groggy. "look, i'm fine. once george comes back with the med kit, i can patch myself up and i'll walk you home. how's that sound?"

"what!? no!" you shake your head at her incredulously. "no, i got you into this mess. the least i can do is help."

"but you don't have to." she insists. "i can stitch myself just fine, and-"

"ellie, shut the fuck up." you snap, her eyes widening at your sudden harsh tone. not only that but the sound of her first name leaving your lips makes her chest flutter. you shake your head, unaware of the bodily reaction you engendered. "i'll stitch you up, then i'll find some place for us to stay. somewhere nearby that won't ask a million questions."

"uh," she blinks, trying to remember what you guys passed on your journey here, trying her best to do something to help. "wait, yeah. i think saw a motel not too far from here. a block or two down the road, maybe?"

"oh, yes. perfect!" you grin up at her. "i know exactly what you're talking about. i know the owner, too. we might not even have to pay if i promise him free drinks."

ellie's face flushes at the sight of your smile. the combination of everything is getting to her. her inebriation, the feel of your hand on her thigh, the sight of your beaming smile. yeah, she's in fucking heaven.

it's a few minutes later when george returns with the med kit, his hands shaking slightly as he nears you and ellie. his widened eyes appear to be nigh incapable of looking away from her bloodied leg. he swallows harshly before placing the kit on the tabletop.

you offer him a soft smile, grabbing the kit from the surface. you open it as you speak. "thank you, george. you can go home now, if you'd like. get some rest."

"okay." he nods, frankly a bit frantic. "okay, just⎯ just let me know if you need anything, yeah?"

"yeah, of course." you assure him, watching as he rushes to leave the building, pulling on his coat as he shoves the door open. once it closes behind him, you turn back to ellie and the med kit.

one of your hands remains on ellie's thigh, keeping pressure on the open gash. the other pulls the kit into you lap, cracking it open before you sift through the contents. you can feel every movement ellie makes, every shift or wince or twitch. despite the situation being far less than ideal, it all feels oddly intimate. to be so close, to see her in such a vulnerable way. especially when you're now the only two people in the club. you shake your head to rid your mind of the thoughts clouding it.

you pull out a tube of antibiotic ointment, struggling to twist off the cap with one hand. ellie notices your struggle and leans forward, having to bury a wince as she does so.

"here," she says, placing one of her hands over yours as she takes the ointment from your grasp. she pops it open before handing it back to you. "no need to be so independent, you can ask me to open one measly tube."

"i don't want to ask you anything." you grumble, squeezing a drop of the ointment onto your forefingers. "you're wounded, let me do the work."

"you're acting like i lost a limb," she says with an airy chuckle, making you frown. "i have a cut on my thigh. i can still use my hands."

you remove your hand from the wound and begin to dab the ointment onto the reddened skin around it. ellie shivers, but says nothing. if anything, this should feel good. it's supposed to ease the pain and allow the injury to heal faster. as you continue to coat the gash in the ointment, you glance up at her. "maybe i'm not dramatic and you're just too calm, ever consider that?"

"there's no such thing as too calm." she defends herself, feigning a sense of untouchable pride.

you huff out a laugh, "oh shut up."

ellie can't help the way her eyes are pinned to your face, her pale green eyes studying every expression that grazes your features. every dip or crevice of your skin, every furrow of your brow, every twitch of your lips; she memorizes it all. and when you laugh? oh, when you laugh she swears her heart stops beating.

you twist the ointment closed, placing it back in the kit before digging through it for some bandages. you find a roll of gauze, frowning as you'd hoped to find a patch instead. but you can't complain too much as you're lucky to even have a first aid kit at all. in fact, you only bought one because one of the baristas sliced their hand open a few weeks ago and george insisted that it'd be a good idea to at least own bandaids. so, had this happened last month, ellie would have been fucked.

"okay," you mutter as you turn back to ellie, suddenly noticing her staring. you narrow your eyes at her playfully. "what is it?"

her cheeks burn bright red, blinking as she averts her gaze to look at something random on the wall over your head. "nothing, i just⎯ i really like that statue."

you raise a brow, glancing over your shoulder to follow her gaze. when you see the nude statue she was referring to, you almost laugh. it's a naked man, his legs spread seductively, his abs so sharp that it's literally impossible for a human to obtain. you turn back to her, her cheeks now even more red than before.

"fuck," she breathes, hanging her head between her shoulders in embarrassment.

you laugh, "you really like that statue, huh?"

"shut up." she groans, holding her face in her hands. "i wasn't even looking at that statue, i didn't know it was a naked dude."

you begin to unravel the gauze as you continue to tease her. you're well aware that ellie was staring at you. and the only reasons she'd try to hide that fact is if she either didn't mean to or if she's into you. and, as someone who's hit on almost daily, you're pretty skilled at noticing when someone likes you. and ellie has a bad crush. its kinda cute, so you decide to act oblivious, just to see how many lies she can make up.

"well, if you weren't looking at the state, what were you looking at?" you ask her, tilting your head to feign innocent curiosity.

"uh," she sputters, her cheeks so hot that it's painful. you raise your brow, urging her to respond. you notice that the tips of her ears are red as well and you almost feel guilty for teasing her like this. "i don't⎯"

"it's fine, ellie," you chuckle, tearing the gauze to have a long strip in your hand. "i'm just picking on you."

"oh. yeah. right." she nods, mentally cursing herself.

you glance back down at the gauze in your hand, shifting it around so it's ready to wrap around. you look back up at ellie before placing one hand under her knee and lifting it a bit. she winces and your heart clenches, "i know, i'm sorry, i just need to⎯"

"quit that," she murmurs, placing her own hand under her knee and pulling it a bit higher up so you can wrap the gauze around her thigh. "quit apologizing. you're helping me, there's nothing to be sorry for."

"for hurting you." you grumble, wrapping the gauze around her thigh thrice before tying it off onto itself and she eases her leg back down onto the chair.

"you're not hurting me," she chuckles. "my leg is hurting me. not you."

you laugh, "so now you're personifying your leg? how much did you drink?"

"hey, i'm trying to comfort you." she defends herself. "i'm not even drunk anymore. getting stabbed in the thigh sobered me up quite a bit, y'know."

you laugh again and ellie finds herself drowning in the wave of emotions that overcomes her. you're like a fucking tsunami of feelings, like an entire ocean coming to wash her away after having constructed a dam to keep them in. regardless of the prior amount, you're enough to overflow it. to take her by surprise and fucking waterboard her with your easy perfection.

"you're doing it again." you say, standing up from your crouched position. ellie looks up at you, her eyes following your every movement as though by instinctive impulse.

"doing what?" she asks dumbly.

you chuckle, holding your hand out to help her to her feet. "staring at the naked dude statue."

"oh no, please don't make that a thing." she groans.

"it's already a thing, baby." you respond as she takes your hand to aid her in hauling herself up. the sound of the nickname is enough to make her head spin, even more than it already is from having stood up so abruptly. her cheeks burn and you fucking love it. seeing ellie blush is your favorite way to see her; considering how stoic and indifferent she usually is, to see her flustered like this is surreal. and to be able to do it so easily, too? yeah.

ellie drapes an arm over your shoulders, using you as a crutch as the two of you stagger toward the door. you push it open with a boisterous creak, the frigid air stinging your cheeks and hands instantly. but the coldness isn't what shocks you. it's the small flakes of ice that dust through the air.

"it's snowing," you murmur, staring up at the starry sky in awe. a smile warms your features in spite of the chill. "oh, i've always loved the snow."

ellie, frankly, has never much cared for the snow. but the moment she sees you looking up at it like this, she can't help but see the beauty in it; rather the beauty that stands in it. but still, regardless of witticism, she ends up adoring the snow from this day on, the sparkly elegance of the flakes alluring against the biting shivery it induces. the way one is only able to within it for short increments almost adds to its magnetism, making one yearn for more whilst simultaneously rushing to be out of it.

the two of you saunter down the sidewalk toward the nearby inn you'd discussed priorly. ellie leans on you heavily, her limp slowing you down so it almost takes half an hour to walk two blocks. but, once you two finally arrive at the motel, the results are just as you'd hoped.

the innkeeper, once having recognized you, agrees to not ask questions nor to make you pay in exchange for a week of free alcohol at your cabernet. with that, he passes you a key and assigns you two a shared room down the hall.

the inn is old and dilapidated. the floorboards creak with each step, the windows are all stained and foggy, the wallpaper is torn and chipped in placed, cobwebs lining the corners and walls. but the room is, at least, a bit better than all else. there's a small dusty bed in one corner a dresser in the other. a small window files moonlight into the space, a chipped wooden nightstand to the side of the bed. you help to ease ellie onto the bed, the mattress creaking under her weight.

she tips her head back with a sigh, muscles relaxing against the mattress as she finds herself rather grateful to be able to rest her limbs.

"how's your leg?" you ask her tentatively, standing to the side of the bed wearing a weary expression. you're unsure on how to go about this; do you make jokes as to carry on with the usual badinage or do you take this seriously because she's fucking injured?

ellie glances up, the gentility of your voice almost foreign. when she sees your evident trepidation, she softens and pats the empty space on the mattress beside her. "who's the awkward one now?"

you huff out a laugh, "still you."

you step forward, the floor creaking noisily under your feet. though, if you found the floorboards to be clamorous, the bed is even worse. the mattress squeaks under you, springs poking through the thin material so you can feel them under your butt and thighs. it's extremely uncomfortable, but you say nothing.

ellie watches you closely, her eyes sharp and steady. once you're sitting beside her, your posture awkwardly straightened, she can't help but stare. you're still wearing your heels and frilly burlesque clothes, but your black overcoat shields the attire completely. but she knows what resides underneath and she almost aches to know of it.

"i'm never drinking alcohol again." ellie groans before flopping backward, the bed announcing her every movement. her legs remain hanging off the side, as she lands on her back, auburn hair splayed across the dusty duvet.

"how much did you even have?" you question, leaning back on your hand to loom over her face. "you didn't seem that drunk to me."

"four glasses of gin rickey." she says, narrowing her eyes as she attempts to do the math in her head to puzzle out the percentage. in the end, she gives up and just gazes up at you. "i just wish i was sober for your performance."

your cheeks suddenly feel hot at the insinuation. "it wasn't even that good."

"are you kidding?" she scoffs, in genuine disbelief at your statement. "you were fucking amazing tonight. literally all i could think was 'god, i wish i was sober so she wasn't so goddamn blurry'."

"seriously?" you laugh, unintentionally leaning a bit closer as you're caught up in the incredulous humor of her statement. despite your lack of attention, the act doesn't go unnoticed by ellie. every nerve in her body ignites as your face inadvertently grows nearer, her instincts screaming at her to reach out and touch you; nothing lustful about it, just the pure need to hold you. to be near you.

as your laughter dies down, you notice how close the two of you are. your breath hitches, but you don't move away. ellie looks so perfect like this, under you with her pupils all blown and her hair all unkempt. you find yourself staring at her.

"naked dude statue?" she whispers, the inside joke only adding to the intimacy of the moment.

you nod, eyes flicking between her eyes and her lips. in a whisper, you confirm, "naked guy statue."

honestly, looking back on it, that's a quite strange thing to say before kissing someone for the first time. but then again, nothing about yours and ellie's relationship is necessarily normal. she's your bodyguard and you're an esteemed stripper who sells illegal alcohol, for god's sake. not to mention, it's your second day of knowing each other and ellie has been stabbed with a shard of broken glass via your insane coworker.

but the details hardly matter in the moment of it. because everything else blurs when your lips meet hers, the entire world suddenly gone quiet. it begins gentle, her mouth barely moving as though she's scared to do something wrong. but once the two of you find a mutual rhythm, you're grabbing her face and shifting atop her.

she remains sprawled across the bed as you straddle her hips, knees placed on either side of her body. the kiss ventures farther from unsure benign and closure to vehement desperation. you cradle her face in your hands, her own hands coming up to hold you by the hips.

the flow is suddenly interrupted when you try to shift more comfortably, completely clouded by desire that you don't notice your weight being pressed against her wound. ellie's grip on your hips tightens, the kiss breaking as she yanks her head back in a wince. your eyes widen in realization, guilt gripping you by the throat.

"fuck," you breathe, instantly moving to get off of her, "i'm so sorry."

"no." she says, almost pleadingly. she's still holding you by the hips when she sits up and attempts to guide you back on top of her. "no, i'm fine. don't stop."

your brows furrow. you hurt her, you were so caught up in the moment that you caused her pain. and yet, here she is, just as needy as you in spite of the pain. fucking ellie williams, everyone. laughter bubbles in your chest as you give in, returning to your place atop her lap.

"what?" her cheeks are burning bright red. "are you laughing at me?"

you're still giggling when you press a kiss to her lips, "you're just so perfect."

she's still confused, but doesn't much care for answers when you're kissing her like this. so she simply nods, feigning cognizance as she pulls you impossibly closer to her.

it's just as she reaches to unbutton your coat when the door swings wide open and the innkeeper comes sweeping in, the poor old man unaware. "oh, i forgot to⎯" his words are cut off when he realizes what he'd just walked in on. you and ellie both turn to look at him.

you're sitting on her lap, one of her hands on your chest as the other is on your hip. it's no mistaking what was going on here. the elderly innkeeper curses, covering his eyes before promptly exiting the room and shutting the door behind him, his previous reason for entry completely forgotten.

you and ellie stare at the closed door wordlessly for a split second, only for the silence to be ended by you bursting into laughter. you turn back to ellie, laughing your ass off as she soon joins in. you press your forehead to hers, eyes shut as you struggle to catch your breath. her eyes, on the other hand, remain wide open as she stares at you, admiring the scene before her ⎯ the ambiance of a moonlit motel room, the sound of your melodic laughter, the feel of your body on her lap, the sight of your smile and shut eyes. fucking hell.

when ellie accepted this job, she hadn't expected to be roped into such deep shit. and by 'deep shit' she means falling in love with a vedette.

⊹ ࣪ ˖𐙚 perm. taglist @luvsturniolo @kasqnxx @xlovla @ilovewomenfr @zzombiegirl @shawangel @defnoteleonor @fatbootymuncher

⊹ ࣪ ˖𐙚 fic taglist @prettygirlfemme @bartshart @autisticintr0vert @mellifluousgirll @jastoo46 @femmepoet

[ladyloveandjustice]

Winter 2025 Anime Overview: From Bureaucrat to Villainess: Dad’s Been Reincarnated!

From Bureaucrat to Villainess: Dad’s Been Reincarnated!

Premise: Kenzaburo is a middle-aged otaku dad to an otaku daughter, and she plays an otome game in the living room a lot, so he’s vaguely familiar with it. Then one day he finds himself in the world of the game, and he’s turned into the game’s villainess, Grace. He decides he’ll play his role as villainess well and give the main character, Anna, a chance to shine! But unfortunately for him, he just can’t help giving wholesome fatherly advice and encouragement, so all the characters love him.

Sometimes you just want a sweet, wholesome show where people are nice and dads are good. While it may not have super deep characters or a fascinating plot, and it’s more cute than laugh out loud funny (though there is that amazing credit sequence), Dad’s Been Reincarnated fills that need well. It has a fun gimmick and a unique twist on a villainess isekai. There’s a lot of annoying or gross things the show could have done that it neatly avoids—Kenzaburo barely comments on the fact he’s turned into a woman, instead just being pleased with how his eyes are better and his body is less achey. He also never makes fun of or thinks less of otome games and "girly" media, instead just respecting it and committing to following the story.

The main joke of the story is our main character is a good dad and thinks of all the characters as children he’s proud of and wants to nurture, so he’s just not that great at being a villainess. In fact he's accidentally so kind and supportive, it makes Anna adore him more than anyone else. Now she’s not particularly interested in any of the male love interests she’s “supposed” to end up with and wants to spend all her time with “Lady Grace”, and all the boys are so impressed with "Grace", he's inadvertently taken over the main character role. Despite the fact he keeps trying to set Anna up with one of the love interests so he can complete her route, everyone just sees how he's supported Anna and their affection levels up.

Another cool and fun little element is that we check in on his wife and daughter in “our” world a lot. Both of them are otaku just like he is, and they’re fully aware Dad’s been transported into the game (he’s in a coma rather than dead like most isekai protags, and his fam figures he’ll come back when the game is finished). So they're actually playing the game to move him along and witnessing his struggles. They’re both fun characters, and it’s sweet to see them nerd out together. Also Mom has actual good taste in isekai, and even reminds her daughter about the earlier female-oriented isekai anime that predate the current isekai stories!

Seeing a Twelve Kingdoms reference in a modern show is incredible. I was so happy. I also realize being into the same stuff Mom is probably reflects how I'm aging (though to be fair, I did get interested in these media many years after they first released).

Incredibly, this anime even manages to do a weight loss storyline and not be terribly offensive, which is an actual feat for anime. Anna gains some weight and decides to go on a diet, and Kenzo is actually against it and a little worried. He has to hold his tongue on giving her fatherly advice (some of it misguided even if it's well intended like “a lot of boys like girls with meat on their bones” and some very good and accurate like “it’s dangerous to diet when you’re young and you don’t need to anyway”) because he remembers how it annoyed his daughter when she was teenager. Instead, he reminds her to be careful because it’s not worth putting her health in danger, and then soliloquies that it makes him so happy to see how much she enjoys her meals, which convinces Anna to eat the same amount but exercise more. It also does a crossdressing play and isn’t offensive about it.

It's truly a show with a good heart, and while it’s sometimes thin on plot and formulaic—it's not gonna blow your socks off—it can be soothing to experience that. It’s not a complete story though, the ending episode even introduces a lot of ongoing plot elements. The implication that the real Grace was more complex and compassionate than she let on, and that she might still exist and be trapped somewhere, is genuinely very intriguing but the show only makes a few brief references to this possibility.

I don’t know if we’ll get a second season that furthers these storylines, but I definitely wouldn’t mind one!

[earlysunshines]

secret rhymes - 11. roomie (half-written)

a/n: and random idol landed on yujin (idk much ab her but hopefully enough for this to be accurate... hopefully)

the sound of the door creaking open pulled you from basically every thought racing in your head. you turn to see a girl stepping in, with a bag slung over her shoulder and a drink in hand. she freezes mid-step as she catches you in her eye, blinking in surprise.

"oh!" she says softly, though her voice carries a slight edge of surprise. "i didn't think you'd make it today."

"yeah, um, surprise?" you offer a shy smile, stepping aside from where you had been standing by your side of the room (the side with literally nothing present). "i just got here yesterday... stayed at a, um, friends place before arriving. you must be my roommate?"

"looks like it," she says, recovering quickly. she walks over and plops down on the edge of her bed. "i'm yujin, ahn yujin."

you look down at her extended hand before reaching over to shake it. her smile was genuine, and it eased you a bit.

"nice to meet you, i'm l/n y/n."

she tilts her head slightly, eyes scanning you a bit before she mutters, "this feels kinda real now."

you laugh softly, nodding as you sit on the edge of your bed. "yeah, it's kind of surreal for me."

there was a moment of quiet as yujin began sipping on her drink, and you began to unpack the bag beside you a bit. the silence wasn't that uncomfortable, you've been through worse, but it hung in the air like a question waiting to be asked.

"so," yujin starts after a beat, glancing over as you take out a pair of slippers. "are you nervous?"

"oh for sure," you admit with a slight chuckle. "you?"

"same." she says, laughing lightly. "but i'm kind of excited too. it's a very weird mix."

you nod, sensing the tension in the room dying down. "where are you from?" you ask.

"daejeon," she answers, "kinda far... so it's a bit different. i've never been so far away from home, but i got a nice scholarship here."

"that's funny, it's the same for me." you explain, "i'm actually from new york city, so this is really... different. i've been a couple times but... living here now? and university? it's kind of insane to me still. i got a full ride, couldn't turn it down, especially at a place like yonsei."

her eyes widen a bit, genuine curiosity sparking in them. "new york? wow. that must be amazing..."

"it has its moments," you respond with a shrug. "it's loud, crowded, and overwhelming sometimes. seoul seems a bit more peaceful, at least where i've been to in the past and yesterday."

yujin laughs at that, her eyes crinkling at the edges. "i guess every place has its ups and downs."

"i guess so."

the initial awkwardness completely melted away as you both talked about your hometowns, your expectations for college, and little things like favorite foods and your love for music. yujin had an easygoing way of speaking, and you could tell she was the playful type as she reminded you of some of your own friends. she was always attentive even when you weren't completely facing her as you unpacked, smiling at you in a way that made you feel like you'd known her a little longer than just a few minutes.

"i feel better now," yujin admits at one point, looking up from where she was folding her own set of clothes. "meeting you, i mean. i was worried i would get some super serious roommate, or someone really hard to get along with -- really just someone pretentious."

""well... am i any of that?"

"oh, far from that. trust me."

you snicker, "i'm glad. but i might be like that if you touch my snacks..."

"what? i would never. well... i do love snacks, so it depends." she gasps in a sort of mock offense, making you giggle.

"right... we'll have to see." you tease. "i think we're off to a good start for now. if you take my snacks, i might have to take yours back though..."

masterlist ; previous — next

taglist ! @namojoon @ly-gushka @ryujinshotsexywife @sonotcopingatall @artrizzler19 @yerimbrit @sixflame438 @nwjnsloona @saysirhc @nimnia @somedaydream @trovao-penguins @modanisgf @c-yerim @starstruckgoateepuppy @tzuyusdoughnut @kaypanaq @peranoo @haerinkisser @electronicluminarycoffee @yoohtonyy @secretcessy