#that's not really a fun fact. whatever

[window-on-the-west]

Is it giliath with a hard G or like a J sound? Out of curiosity ❤️

Hard G, like "goose" or like "gills" of a fish :)

If you've ever seen the LOTR movies there's a place Frodo and Sam get taken to called Osgiliath; Giliath roughly translates to "hosts of/many stars." It is pronounced gill-ee-ith.

Thanks for asking 🤍

[unproduciblesmackdown]

just visiting ❤ pic.twitter.com/njIiHb4HBM

— tim (@FlamingButtWind) July 14, 2024

[stiffyck]

shoutout to agent stone for being the prettiest man alive

[cozylittleartblog]

scribbling ultrakill at da fucking Air Port ✈

[paradimeart]

i want the sirens to look weirderrrr

[rystiel]

i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without

[gunstellations]

In the world I love

_

In a different world

[simcardiac-arrested]

ATTENTION: HAVE YOU SEEN THIS TREE? IF YOU HAVE, YOU MIGHT HAVE FALLEN INTO SOME SORT OF RIP IN THE FABRIC OF TIME

alt version because i also liek it :)

[amphibianaday]

day 1421

[sweetberry-roebuck]

Hey y'know when the current moment is transcendently beautiful and meaningful and true, but you know that it is temporary and you can't help but feel existentially haunted by that fact. You know when you are experiencing beautiful heartrending art and you feel lost in the moment and then its over. You know how you'll experience art or human connection or a walk on a nice day and you know the sunlight on your skin will fade and you'll forget how it felt to be this warm.

You know in video games when there is one experience-definingly gleeful or touching or viscerally emotional moment that soon ends and leaves you with something more complicated, more doomed, more cyclical? You know? You know how it feels to dig your claws and teeth into a moment and try as hard as you can to feel it and to remember it and to make it part of yourself? Do you know??

[beaft]

listening to a podcast about troy and losing my mind over how fucking scary helen of troy is. her skin is pure white. she hatched out of an egg. she can perfectly mimic other people's voices. she's the most beautiful woman in the world but she is also completely faceless. she's a ghost. she's an eidolon. people keep trying to kill her but they fail every time because she's so beautiful that it hypnotises them and they are physically unable to hurt her. she's a central figure in the trojan war but her ultimate fate is almost never described because if she aged or died she'd stop being beautiful

[purpurussy]

this would never have crossed my mind if it weren't for that reddit moment but now I kinda wanna see Phil with a nipple piercing. I also think it would make Dan absolutely feral

[velvetwyrme]

behold! my beloved vehicle !!!

my car that i love dearly even if it won't let me use the local rock station!! (every other station works just FINE, so i can only assume that they either dislike 90s/00s mainstream rock, or it just hates that one station)

also featuring: a lil self insert guy because that is in fact. my car.

btw the penguin plush is real. if you even care.

its very small 💛

[silverware-is-interesting]

have some kinitoPET content, 'cause why not

a version with YOU

+ a thing and a few YOU doodles

[vampirecatprince]

Thinking about Tenna's sudden crash out after the party gets past his parental locks and how he's suddenly a lot more openly assholish and thinking... Maybe he was using those locks as a bit of a crutch? Maybe it was easier for him to pretend everything was okay because the less "family friendly" aspects of himself were actually being artificially repressed until then? And suddenly, that safety net he uses to mask is gone and that's why all this anger and frustration and loneliness and resentment he's been building over the years of being left behind and forgotten suddenly starts pouring out of him, uncontrollably?

But being able to finally express all that in the end helps him! (as long as you recruit everybody, anyways) He's able to finally express years of built up negative emotions and stop being stuck in the past in a role that he had begun to outgrow as the people he loved began to outgrow him...

Like- I'm just comparing his behavior in Chapter 4 to him when he was trying to be the family-friendly charismatic game show host. This is man who joked about sensors killing him for saying the word ass turning around and calling Rouxlz Karrd's ass flat with no hesitation. It's implied via the puzzle solution and exposition we get that some of the parental locks were put there by Toriel specifically because of Dess' love of provocative music and once that's gone, he IMMEDIATELY looks at Mettaton and shows him those same videos. Things he wouldn't have been able to do if those locks were still in place.

[gingermintpepper]

For the longest time, the quintessential song describing Apollo's wrath and consequent murder of Coronis for me was Marah in the Mainsail's 'Your Work isn't Done'.

It's dark. It's seething. Its image of Fate pushing the scorned speaker to complete his foul, terrible work of killing the man who stole his lover away from him is particularly powerful and it's always evoked this gruesomely tragic evolution of a glassy eyed Apollo stumbling through the streets, weak-legged and trembling from the betrayal growning more and more wrathful 'til he can think of no other course than to aim his bow and shoot. The price of betraying his trust is death and Coronis betrayed so much more than just his trust by taking Ischys as her lover.

The song itself captures that sensation of building wrath so well too. From the lonely guitar and vocals at the beginning which evoke this lonely, stripped back but distant grief to the way the singer is practically screaming his refrain of "Your work here isn't done" by the end, accompanied by the full blasting of instruments and an omnious chorus at his side, everything about this song is centered around building stakes, building realisations, building tensions and it creates this feeling of the speaker growing closer and closer with each new verse and chorus that adds to his anger.

There's also the absolute treasure trove of lyrics that work so well for specifically this tale. A brief overview of some of my favourites include;

- There's a crow overhead singing "Oh, Death is my friend."

- And though you think your time has come, the wheels of Fate have spun. Death has declared your work here isn't done.

- There's a girl on my heart safe ashore in her lover's arms

There's just such a vivid image to be drawn here - of Apollo's emotions being swallowed by his rage, of his resolve to end everything the more he bears witness to Coronis' brazen affair. There's even a strong female voice in the first two verses which seem to egg the speaker on in his spiral - a perfect opening to include Artemis who wishes for her brother to hunt that which brought him such pain alongside her. An Artemis who reinforces just what Coronis has done, an Artemis who does not want her brother to repress his anger after such grave an insult just because love was once there.

To me, it was perfect. Apollo's killing of Coronis was a crime of passion, an execution he sometimes cannot even bring himself to commit according to who is telling the tale. It's a wretched situation, harrowing, suffocating and cruel but if not by Apollo's hands, Coronis would simply die by another's. She cannot live after what she has done. The gods simply would not allow it.

AND THEN MY BIAS WAS COMPLETELY WRECKED BY LORD HURON.

Now, let it be known, I am a huge Lord Huron fan. Strange Trails is perhaps the most Apollo-coded album I've ever heard and songs like Yawning Grave and The Balancer's Eye capture such a visceral, gorgeous portrait of cosmic grief and anger that they haven't really left my brain since I first listened to them. Still, 'Setting Sun' from their Lonesome Dream album completely flew under my radar. Maybe it's because the commercial version is so much snappier than the Alive from Whispering Pines recording, maybe it's because I just hadn't listened to Lord Huron's discography in a while but my god. My god.

This song has it all; a quiet menace in its music, a strong male singer who sounds only barely restrained, an absolute HOST of lyrics that are so wonderfully perfect for the scenario -- after getting over how wonderful the song itself is, I immediately dethroned Your Work isn't Done because ultimately, 'Setting Sun' has something in abundance that 'Your Work isn't Done' minimised in order to focus on the wrath driving the song forward.

And that's love.

Setting Sun is so powerful because it's not just a revenge ballad - it's a dirge, a breakup song, a lament, a regret manifesto. So many times during the song, the speaker wonders when his lover stopped loving him. He recounts intimate moments and wonders if his lover was thinking of the other man when she was enjoying herself, wonders if anything she'd said was even real. And I love that so, so much.

Ultimately, Apollo adored Coronis. As inevitable as her death was, he regretted every second of it. No matter how angry, no matter how betrayed, no matter how intensely he was shamed, he still loved her. He weeps for her when she dies, he screams and grieves and cries when he's faced with her corpse. In some tales, no matter the cocktail of emotion driving him, he simply cannot bring himself to kill her. He'd rather cry in Artemis' arms and take his anger out on his own servant than hurt her. His own father has to dispatch Ischys since Apollo can't even bring himself to hurt that which Coronis once loved. Of course, in this case, Apollo's going to kill someone but the point is, it's not a decision of pure anger so much as its this complicated, horrible mix of resolve and lost love.

And my god does Setting Sun capture this conflict, passion, grief and love so well. UGH, I'm vibrating just thinking about it -- there are so many points where I hear its lyrics and can vividly picture Apollo, jaw clenched looking Coronis in her eyes and quietly confronting her.

Coronis, returning home at twilight after spending the day with Ischys to Apollo stringing his bow, "Oh? Is he ready to die for you baby? No, but you know I would."

Coronis lying to him about who she's spent her time with and Apollo's soft, near pained, "Does it hurt when you lie to me? If you asked, I would set you free."

I even really love the image of a Coronis who runs away from Apollo upon realising what will soon happen, not to escape his arrows but to warn Ischys who does not know what will happen. Of Apollo getting into his stance, taking aim at them and gathering his strength as the final refrains rings out "I know I'll never reclaim your love and that's as hard as it gets, so I'll be taking a life when the sun sets."

Other favourite lines of mine include;

- Oh, is he ready to die for you baby, now that the deed is done?

- Tell me when did I lose your love? Was it him you were thinking of?

- And I could never betray your love, you had me heart and soul. You might never have known it girl, but I was all yours.

And ultimately, I just like this conflicted portrait of premeditated murder much more than the crime of passion 'Your Work isn't Done' paints. Crimes of passion - especially when Apollo is concerned - are tragic in their own right, but in Coronis' case, I think I prefer it so much more when there's no way for Apollo's action to be misconstrued for anything other than what it is, especially since he goes on to cut Asclepius from his mother's corpse then carry on with building her funeral pyre. I think there's something so much more impacting about Apollo being unable to hide away from Coronis' blood on his hands and him having to raise Asclepius with those selfsame hands.

Love of the mortal does not supercede the responsibility of the divine. If Coronis' sentence no matter what is death, who better to lead her gently to the knife than he who still loves her?