#the way i already have 35 pages of notes on relationships and backgrounds and plot points for this fucking fic

[gingerwerk]

7 and 20 for the ask :)

7: what are you most proud of?

when it comes to wips in general (because every longform fic of mine is an au) i'm always proud of my world building. i put So much seemingly unnecessary effort into getting the vibe of the setting, making sure very minor historical details are correct, and planning characters personal histories that almost never actually pop up in the main writing, but it is necessary because it makes everything about the fic that much richer

20: post a brief excerpt

“Just leave me the fuck alone,” Walt growled before he got up, lunch tray in hand and dumped the rest of his meal in the trash; he wasn’t in the mood for much of anything, including the cardboard the school claimed to be pizza. 

“Damn, prison’s really changed him,” Walt heard Ray sigh dramatically just before he exited the cafeteria.

He still had half of his lunch period to kill before his next class and it was only a matter of time before some bored admin strolling the halls asked for his hall pass- fuck it, might as well add some school trouble to the ever growing list of infractions- 

“Walt,” a familiar voice called from behind him; when Walt didn’t break his pace he heard the heavy footsteps of someone much larger grow closer and closer until they were in step with him. “Hey.”

“Hey, Brad,” Walt sighed as he glanced up at the much taller man out of the corner of his eye and found him looking just as stoic as ever. “No offense but I’m not really in the mood.”

“I figured,” Brad responded. “Heard about last night.”

Walt didn’t comment but didn’t try to shake Brad off either; the guy usually wasn’t much for chatting so he either had something to say or he’d be done soon enough. It probably wouldn’t be worth the effort and he’d feel like an asshole about it later if he was purposely a dick to him. 

“Gonna give me shit for letting Ray talk me into his bullshit?”

“No. It could have been any other idiot in this backwater town busting into that house last night; just shitty luck that it was you,” Brad said easily before he offered him a half-smile- an insignificant gesture from a regular person but from Brad, Walt knew he was genuinely attempting to offer him some sort sympathy. “So, are they waiting until after school to assemble the firing squad?”

“Sorta. Andy just said we’d talk about it tonight,” he answered with a shrug of his shoulders as he slowed to a stop in the middle of the empty hallway. “I heard him talking to Sobel on the phone this morning but it didn’t sound like they were agreeing on anything, so I dunno.”

“Maybe you can ease your sentence by throwing Person under the bus,” Brad suggested, causing Walt to roll his eyes; Brad was so full of shit.

“Yeah, okay, I’ll throw Ray under the same day you do,” Walt countered as he squared his shoulders and met the taller boy’s icey blue eyes.

There was no easy way to explain the how or why but Ray Person had wormed his way under both of their skins years ago; it would take a lot to rid them of that particular pest now after everything that they had been through together. 

“Where’re you going anyway?” Brad asked, changing the subject.

“Wasn’t in the mood for Ray’s theatrics at lunch so I’m killing time. What about you? Skipping study hall?”

“Volunteered to be Ms. Keller’s aid; I had to run to the printers for her,” he responded before he held up the stack of papers Walt hadn’t noticed him holding in his right hand. “But you should get your ass moving. I know Jones is out walking the halls and I’m sure he wouldn’t be opposed to writing you up for wondering without a pass.”

“He’s such a kissass,” Walt huffed before his brain started to file through places he could hide; he could slip into the art room and bother Christeson and Q-tip, even if he was still kinda pissed at them. They at the very least owed him enough to cover for him for the rest of the class period. 

“You have Grogen next right? Just go sit in her class early; Ms. Keller told me she would be in the teacher’s lounge with her if I had any questions about the shit work she gave me, I doubt she’ll be in a rush to go anywhere.”

“Thanks,” Walt nodded before he turned on his heel and headed in the other direction. 

[a-duck-with-a-book]

REVIEW // Seven Blades in Black (The Grave of Empires #1) by Sam Sykes

★☆☆☆☆

Disclaimer: while I was reading this book, I found out that Sam Sykes has been accused by numerous women of sexual harassment. You can find more information about it below: - a post listing several accusations of misconduct - twitter post responding to the situation - one of the accusations against Sam Sykes - his quickly-deleted apology Suffice to say, I have no intention of continuing this series or reading any more of his books.

I have a lot to say about this novel, so I’ll begin by making a quick bullet point list outlining what I liked and disliked:

Liked:

Cavric <3

Lisette deserved better

Some interesting concepts in the world building

Disliked:

Sal as a narrator

Sal as an antihero

Sal as a person in general

Writing style

Constant interruptions

Meandering narrative

The “narrator knows something but the writer avoids revealing it until the end for the drama” trope

This is a Big Tough World and Nobody Gets To Be Happy

Lesbians written by a man who harasses women

Unnecessarily long

// image: official cover art Jeremy Wilson //

Let’s begin with the full review by starting with the (few) positives, shall we?

First and foremost, I genuinely enjoyed Cavric and Lisette. It is unfortunate that they had to deal with Sal for the entirety of the novel, but we’ll get to her later. If this book had been a buddy adventure with these two, in which Cavric slowly shows Lisette that she is in a toxic relationships and deserves to move on and find someone better for herself, I probably would have enjoyed it a lot more. Secondly (and finally), Sykes introduced some genuinely interesting world building. The background of the Empire and the Scar was fascinating to read, but unfortunately did not save the rest of this mess.

Alright now let’s rant.

I have 35 notes and 52 highlights from this book, so this might get block quote heavy. (Go check out my notes if you want to see me slowly lose my sanity)

Sal is awful. I know she’s meant to be awful, but she’s not flawed in the way that I think Sykes was trying to write her. I believe she was intended to be a scruffy, lovable antihero who fought her way through a dangerous landscape with her sharp blade and even sharper tongue. A girl who had wrongs committed against her in the past, who did terrible things but is now on the road to an epic redemption arc. She shoots bad guys, she says f*ck and a*s a lot, and she is morally complex. That’s the character that Sykes was trying to make. The one he created, however, is a genuinely terrible person who I had no desire to see come out on top. I have a myriad of issues with her, but let’s outline a couple below: (1) She is incredibly toxic for Lisette. Am I getting a bit too heated about a fictional relationship? Sure. Was I happy to read a toxic lesbian romance written by a man who sexually harasses women? Nope. It kind of grossed me out, actually. Anyway, let me give you a run down of their relationship. Sal arrives. Sal and Lisette sleep together. Sal asks Lisette to give her weapons and or fix things for her. Sal sneaks away, telling herself no good will come of this relationship and they will only cause each other pain. Sal needs something. Sal comes back. Repeat over and over. She constantly says, throughout the book, that it would be better if they just left each other, but then again Sal is the one who goes back to Lisette over and over, causing her renewed heartbreak. I don’t know if Sykes thought that simply making Sal aware of how terrible this behavior was was enough, but it just made me incredibly frustrated. At one point Sal says:

”Intellect like hers is a curse. The more you understand of the world, the less of it you trust.”

Yes, Sal, that’s what’s giving her trust issues. Her intelligence. Nice. By the end of the book, it seems that they are on the mend-I’m getting end-game vibes from these two. But honestly, I spent the entire time thinking that Lisette deserved so much better than Sal. Like literally a chicken would have provided healthier companionship. I’ll end with this quote, in which Lisette outlines perfectly why Sal does not deserve her:

“What am I doing wrong that you’d choose this over me?”

(2) Sal is annoying. Really, really annoying. I kid you not, half of this book is made up of Sal’s snarky comments. She is badass. She has a gun. She is an outlaw. And she will never, EVER shut up about it. Imagine a quirky line after an otherwise dark or action-packed sequence. Funny, right? Might break the tension, make the narrator more endearing, etc. Now imagine one such line after every. Single. Paragraph. Picture a violent battle scene where the protagonist is fighting for their lives against a ruthless opponent. Now insert a snarky comment after every other paragraph and watch the entire flow of the scene fall apart with constant interruptions. That’s what this book is-which brings me to my next point.

The writing isn’t great. There are constant interruptions, meandering narratives, and the trope that haunts me in nearly every dark fantasy novel I read-This is a Big Tough World and Nobody Gets To Be Happy-is shoved repeatedly in your face. Let’s start with the interruptions, returning to my previous point (ie. Sal never shuts up), by looking at this sequence:

I  followed the shrieking wind. I had come here prepared for something bad. But I wasn’t prepared for just how bad it was. I rounded the corner of the hall, came out atop a battlement. The wind struck me with a screaming gale, forcing me to shield my face and cling to the stone for purchase. My eyes squinted against the harshness of the light, the kind of offensive pale you only see in your nightmares. And through them, I could see the bowed shapes of towers sagging, the flayed flesh of banners whipping in a wind that wouldn’t cease, the shadows of figures frozen in a death that had brought no peace. And I knew where I was. There was nothing that had ever made Fort Dogsjaw special. It had never been crucial for defense, never a hub for trade, it hadn’t even been named for anything special—the commander just liked the sound of it. It lived its whole life a regular, boring Imperial fort on the edge of the Husks. It only got important at the time of its death. Over three hundred mages and a few thousand regulars had assembled here in one day—some to receive assignments, some to man the garrison, some to head back to Cathama on leave. They had been laughing, cursing, drinking when the news came that the new Emperor of Cathama was a nul, born with no magic. And then there had been a moment of silence.

I’ve bolded for emphasis, but do you see what I’m talking about? The paragraph-line-paragraph-line format is so annoying to read, I had to put the book down at certain points because of how frustrated I got. It interrupted the forward movement of the story, making the novel drag on and on.

You know what else makes this feel like the nightmare version of the Never-ending Story? The page count. I don’t mind long books-The Priory of the Orange Tree is one of my favorite reads so far this year, and it’s longer than this one-but they have to have a reason for being so hefty. As I mentioned earlier, a considerable chunk of Seven Blades of Black is Sal making her awful, awful, AWFUL asides. I literally cannot express how much I despise those comments. Okay, let’s move on before I get hung up on THOSE STUPID COM-*cough*

This novel is marred by unnecessary lines and a meandering plot that drag out the story. One instance is the amount of times that Sal is a second away from killing someone and, for some reason (usually not a good one), fails in her goal. She places a gun at someone’s head and goes through a whole monologue in her head until the person miraculously escapes. This type of subversion of expectations is fine every once in a while, but if you are going to build up to a crucial moment and then take away the satisfaction of the defeat of some villain (or mini-boss, as many of the antagonists in this book feel like), then you need to have a good reason for doing it upwards of twenty times in ONE BOOK. Secondly, if you spend almost the entire novel setting up more and more villains and stressing how hard they are to kill and how dangerous their powers are (and presenting them separately and isolated), then when you have them all in one place at the end, at which point the protagonists starts going through them like a plate of french fries at a seagull convention, then you’re kind of taking away the satisfaction of the death. Somehow, this book manages to do both. We are constantly teased with almost-kills, then at the end Sal just blows through everyone in five seconds, easy-peasy.

I’m almost done, I swear-just two more gripes.

So much of the tension of this book rests on the fact that Sal, our narrator and our main viewpoint into the story, knows something that we don’t. I’ll be upfront with you-I hate this trope. If our POV character, the one whose mind we are in constantly, is entirely aware of something that happened before the beginning of the novel, and the author keeps from revealing that something for the entirety of the story solely to add drama, then I will not be a happy reader. Where is the logic. We are in this person’s mind. Just show us already and add tension ELSEWHERE.

And FINALLY (as painful as it was for you to read this, it was worse for me to write it), another issue I have with a lot of dark fantasy (see my review of Nevernight) is that the author really, really wants us to know that this is an incredibly dangerous and dark world by filling it to the brim with edge lord narrators, Big Guns, and, usually, women being harrased-because why not force all your female readers to constantly have to read about women getting assaulted? Apart from Sal’s 300,000 comments explaining to us that she is an asshole, that the Scar is Dangerous, and that she has Killed A Lot of People, we as readers must sit through hundreds of lines of dialogue and exposition that beat us over the head with the fact that this is DARK fantasy. This isn’t your nice little fairy adventure-no sir. Here we have Swear Words and Violence and Men writing Queer Women. To emphasize just how blatant Sykes is with the dark part of dark fantasy, let me tell you about an exchange Sal has with three old ladies who run a criminal empire. In the 2-3 pages that these women appear in, we are told, in some form or other, that they are grandmas who kill people, a grand total of, I kid you not, ELEVEN TIMES. Here are some excerpts from that whole situation:

”“Now, now.” Yoc, old and white haired and sweet as a grandmother—if that grandmother also had people killed on the regular—smiled at me. “I’m sure she has a good reason for being here.” She raised the hand that had signed the contracts that had killed a thousand men and women and took up her whiskey glass. “After all, I’m sure she knows how much we don’t like having our game interrupted.”” *I counted this as one since it’s in the same exchange but technically he mentions it TWICE

”…one didn’t waste the Three’s time if one didn’t want to end up with their teeth pried out.”

”How often do you meet the three old ladies who have people killed for money?”

”I said we should kill her on principle.”

”“But you know how many orphans I’ve made, don’t you, dear?””

”“He’s not so unlike us, is he? A murderer, yes. A monster to some. But, at his heart, a businessman.”

”Theirs were the hands that signed a thousand death contracts a year.”

”When they could be bothered to look up from their game, they decided who lived and died with a stroke of their pen.”

”At a word, they could have me stripped, tied, tortured, and cut up…”

”the Three don’t lie. Their assassins do. Their thieves do. But they don’t.”

”I had already wasted their time and I knew the Three were being generous just letting me fuck off instead of having me killed for the effort.”

TL;DR - Sal is annoying, Sykes is a bad writer, and Someone should have stopped me from reading this book

[rainy-rose]

Bookwyrm readathon: Day 2 Dragon’s Claws

Sharpen those claws and get ready for a fight. Share an unpopular opinion. Or talk about a book or series that you didn’t like that everyone else does.

I am not really sure that this is actually an unpopular opinion, but I am a firm believer in the idea that romance and romantic relationship should not be center to the plot or to a character’s development. 

I get extremely bored and sometimes borderline angry when reading romance or when everything a character does is motivated by the well being of their romantic partner. Please stop! A book/tv show/movie/ theater play/form of entertainment ca be enjoyable and fulfilling even when the romantic plot is somewhere in the background. One of the reasons I love Watership Down is the lack of romance. This is a book marketed for children, Richard Adams could have filled this with happy bunny families and bunny kisses after the tension situations were done. But he didn’t and instead kept it somewhere in he far back and concentrated on themes and plot lines that were much more important. Same goes for The Wheel of Time series ( I am only at the second book so do please correct me if I am wrong ) the romance exists and some relationships are scary and what the fuck, but they are not center to the plot and the characters do not revolve around it. 

In my case, romance, makes what I am reading/watching less enjoyable. I had to sit to almost a whole season of The Flash and watch him be motivated just by the fact that the woman he loves is in danger and now almost every character is in a relationship and I find myself skipping scenes cause it seems sooo cheesy bleh! The same goes for Daughter of Smoke and Bone. I loved the premise, the world building, the characters and Laini Taylor’s writing, but because of the at least 10-15 chapters of just romance and instalove I feel like I will not be able to continue with the series and my gosh do I miss Brimstone!

This is not me hating on romance as a genre because I do not touch that in general since I already know I will not like it. What I am complaining about is taking something that is not part of that genre per se and adding so much romance to it, that it shifts a lot from what it initially was. and turns into a cheesy, one purpose only thing! 

Boy this was way longer than expected. 

TLDR: books/movies/tv shows that are not marketed as romances should and can be entertaining without the addition of  romance

On a not so ranti note. Reading update

History is All You Left Me: done

The Raven Boys: done

Perks of Being a Wallflower: page 35 of 231. I am not enjoying it as much as I thought I would

The Song of Achilles: page 22 of 235. This is good so far

[serene-serein]

Save Yourself, Don’t Watch Death Note

I documented my thoughts while watching the new Death Note movie so...here you go.

1. Music is nice 2. Tf is this opening scene 3. ....the quiz ?????? 4. edgy hair and all 5. Typical misunderstood girl 6. THE CIG?????? 7. what's with the dramatic wind???? did no one else see the book?? (1:37:26) 8. random hard rain???? 9. Bullies wtf 10. the girl 11. light WTF (1:36:34) 12. he sounds like an 8 year old 13. he acts like an 8 year old 14. Mia lied cuz she a ho 15. Light shut up UR SO EDGY!!! (1:35:21) 16. HIS MOM??? SHOULDNT BE DEAD?? 17. okay principal is a dick but tbh it's an edgy movie what did I expect 18. he still likes her why 19. detention?????? 20. he looks so gross 21. HE ACTS GROSS WTH (1:34:12) 22. the book looks gross 23. EW CREEPY TONGUE LICK 24. why r u reading it out loud 25. the book has been used?? why?? what?? 26. also there should be lines 27. RYUK??? BBY?????? he didn't try to scare him  in reality unmmmm what 28. "Hello?" @ monster (1:32:55) 29. RYUK LOOKS COOL DUDE 30. screaming omg I'm dead kill me 31. THE SCREAMING (1:32:14) 32. u fuckin child 33. APPLE! 34. cool voice 35. more screaming 36. AND THEN HES FINE????????? 37. "I'm asleep" stereotype 38. I love Ryuk babe 39. but what'd they do to him 40. LIGHT'S FACEEEEE IM DED (1:30:47) 41. bullies aren't like that um 42. so now Ryuk is the bad guy? 43. "I don't have a pen" 44. why does Ryuk have a pen 45. WHY IS LIGHT LISTENING 46. um wtf 47. DECAPITATION??????? 48. "Watch" IM 49. HIS FACE (1:29:02) 50. decapitated by a ladder 51. GORE IS OFF THE CHARTS 52. and then Ryuk is like "k now here lemme accept it" 53. WHAT (1:28:15) 54. apparently his dad is a drunk and they live in a trailer 55.  Light is apathetic towards the bully dying and so is the dad 56. "death of someone? meh. cheating? OH DEAR GAWD" 57. edgy kid and so disrespectful (1:26:53) 58. ......what is this family ??? 59. Light is so disrespectful and the dad doesn't even care 60. edgy music 61. A P P L E 62. what, u gonna kill ur daddy? 63. "Don't trust Rie-uk" NOT HOW U SAY IT 64. monster in the closet ;) (1:25:06) 65. let's play with the creature in the closet! 66. human hand 67. fast eating 68. screaming again 69. "Ree-you-k" a so much better 70. casually talking (1:24:13) 71. what is this... 72. "UR FINGERS R HUGE" WHAAAAT [funny line tho cuz that’d be me] 73. "No shark attacks while someone's on the toilet" admittedly funny 74. they act as if this is a casual occurrence 75. IGNORES RULES AND WARNINGS AND DECIDES TO KILL OKAY YEAH SURE (1:22:45) 76. "Gotta get mummy's killer" oh give me a break 77. Of course he's gorging himself 78. *from earlier* light didn't care about the bully dying for more than two seconds 79. that's..such an improbable way to die (1:21:10) 80. bad hiding 81. Light is so bad at hiding 82. "Ur ma was a hippie" oh okay that explains his name 83. UM LIGHT WTF UR SO BAD AT ACTING 84. EVERYONE IS BAD AT ACTING KMS 85. fuckin Ryuk 86. I like his face tho is cool (1:19:43) 87. openly uses book in school 88. "Kenny was a sociopath... i wish id seen it" 89. Mia is a bitch 90. they're awkward 91. she's so weird 92. BAD ACTING ABOUT IT 93. "Can't tell you" "k bye" "U WANNA KNOW?" (1:17:54) 94. she doesn't see Ryuk 95. "Ur poetry sucks" funny 96. HIS FUCKING FACE WHEN SHE SEEs IT 97. "I have a death god" and she S M I L E S and then just stays cuz it's so normal 98. "Lemme kill someone to prove to you" (1:16:27) 99. same school thing okay that's fine 100. why wouldn't the police just shoot him 101. Hit by a truck and that's not how it....I'm..what 102. "I killed him" BITCH RUN 103. he's a sociopath. simple 104. she doesn't care (1:14:55) 105. okay so he has an easy excuse. mommy issues 106. "Think I'm crazy?" "No, not crazy enough. we could change the world" 107. sneaking into the house together what 108. why am I spending time watching this 109. STOP KISSING PLS 110. "YOU’RE NOT SUPPOSED TO ASK" Oh okay so no consent? sure fine totally (1:13:40) 111. and they have sex okay sure 112. HIS FACE IS WHAT 113. creepy relationship 114. kissing while killing 115. Asian guy killed 116. laughing at it 117. THEY made up the name? oh hell no (1:12:08) 118. OH MY GOD "killer in Japanese so they'll look on the wrong continent" 119. laughing at it all 120. riots for him????? I can't even tbh 121. Kira is suddenly a good guy for everyone okay sure whatever u ass 122. HEY IS IT L HEY HEY 123. "Tokyo nightclub" YOU ASSES (1:10:00) 124. hey it's my boy L yo 125. he looks stupid snooping around the scene 126. bad acting 127. L is cool ig 128. I'm so confused what is this 129. very very bad acting 130. ....THE SINGING!!!!! 131. and somehow L falls asleep to it (1:07:48) 132. obvious green screen 133. Light is so obvious 134. "Is there a complaint department if I don't like one of Kira's choices" I like the dad he's funny 135. dad ig looks similar in a whitewashed way 136. all the papers on the ground and "eat shit" cuz that's normal 137. the screen wasn't even in a phone call okay 138. Watari never showed his face (1:04:57) 139. why is his dad so rude 140. no voice changer 141. he's so messy what 142. candy obsession 143. thanks for the true to anime sitting that's good 144. HOW DO YOU KNOW SEATTLE? 145. oh first kill? (1:03:49) 146. and now she's manipulative 147. "It's not like that" How do you know?? 148. not bad representation of L 149. you can't tell his age go away 150. ice cream pfft 151. "REST YOUR GLUTES" Funny 152. how did the police miss that (1:01:14) 153. why would you trust Light's dad then 154. speaking with Kira okay that's actually realistic 155. L never, and I mean NEVER, showed his face publicly 156. does light have nothing better to do 157. "He's a coward" Oh yeah do it 158. Ryuk I love you (59:17) 159. Ryuk laughing ily 160. okay so you got it light that sure okay fine 161. "THEN, James, ID BE DEAD" I love him 162. funny scene 163. why is Light sneaking downstairs You're so Obvious 164. SO OBVIOUS WTH 165. ...how is his dad so...oblivious 166. irony 167. ...more obviousness wth (56:53) 168. "A particularly bright kid" no he obviously isn't 169. stalker is obvious 170. and she's the manipulater okay 171. "Care-a" 172. SASSY LIGHT WOOT 173. she's a bitch 174. she's going to write in it isn't she 175. probably took it 176. she's a bitch okay (54:39) 177. *from earlier* why'd they change the if you touch the note thing 178. oh so the heart attack thing is back 179. agent franks is being controlled 180. L is shocked sureeeeeeeee not how he is tbh 181. what's this pop music I like it 182. inappropriate timing tho 183. and they walk off the building I'm screaming okay whatever 184. in Japan? what 185. screaming about the death note in school 186. OBVIOUSLY IT WAS HER 187. Ryuk is so sassy 188. okay so Ryuk’s killing them? Jesus that's not how it works 189. you can't kill a god of death idiot 190. what's with the name thing (51:37) 191. she's so demented 192. his dad already what is going on 193. she's insane and wanting to kill his dad.... 194. SHES TRYING TO GET HIM TO KILL HIS DAD?!?! 195. Mia what the actual fuck 196. L isn't bad 197. his dad is ready to die? (49:22) 198. is he going to kill his dad cuz I feel like he is 199. what's with L's old phone? 200. okay so he's figured out who Kira is 201. what's with the sleeping? 202. I love how Ryuk is in the book Light is reading 203. casual approaching 204. HIS SITTING L I like you 205. confronting him... 206. LIGHT IS SASSY 207. why is Ryuk like this I wonder (46:53) 208. cool lighting tho 209. giving himself away 210. face shown 211. why are they fighting 212. "I dont even carry a gun, it's distracting" best line 213. L is actually cool 214. light is fucking insane 215. no one notices the fighting 216. ew here SHE is again 217. push her into the mud she's ugly 218. "I'm a cheerleader. nothing mattered before you" best excuse 219. "I love you" I'm.. (44:16) 220. ew ew ew ew ew they're so gross 221. you need his full name um 222. not going to kill Watari 223. only 1 name able to be burned okay 224. creepy monk orphan 225. CREEPY MONK ORPHANAGE 226. why is Watari listening 227. Mia go away pls 228. L doesn't think this is weird with Watari? (41:18) 229. the tattoo is cool behind L’s ear but why is it there 230. I like L actually 231. he freaks out? unlike his character  232. top hat 233. casual L 234. so obvious um 235. girl isn't even gone and now they're talking 236. unlike L's character (39:21) 237. she's still there 238. Police brutality UMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM 239. CHOKE HOLD?! 240. THREATENING TO KILL L!!! 241. UM LIGHT WHAT THE FUCK 242. WHAT THE FUUUUUUUCK 243. AND HIS FUCKING FATHER???? (38:18) 244. pfft Ryuk 245. "Is there anything I need to know" he would 100% support Kira 246. L in the background 247. completely calm after this ???? 248. did they not look into the girl 249. why is Watari singing 250. Light is so obvious 251. THE TOPHATTT 252. Watari is probs going to die (35:41) 253. CREEPY ORPHANAGE 254. ghostly panting???????????? [subtitles] 255. Ryuk can't..I'm ...what 256. this is actually a cult tho 257. secret tunnel okay yes 258. what's with the weird music (34:12) 259. why is L so strung out 260. awkwardly morose 261. homecoming awkwardness 262. TOP HAT 263. middle fingers wouldn't be allowed 264. rat 265. I bet Watari is going to die. Light will probably be too late to/forget to burn the page 266. what happened to the monks? why did they leave the papers? plot hole 267. top hat 268. frosted tips like [ex’s name] 269. "Normal people scare me" the worst thing yet (31:32) 270. called it. Watari is dead 271. I don't get what the page 272. ohh to burn his name 273. she's fucking creepy and weird 274. and Light doesn't really care 275. top hat (29:21) 276. and then hugging 277. she's insane..... 278. "I saved you again" I'm screaming 279. ....what the actually hell is wrong with her. LIGHT FUCKING DUMP HER 280. I absolutely hate her 281. why is she able to write in it 282. ...and of course she killed him 283. she's insane, like actually completely insane (27:35) 284. What's with all the rules thing 285. I ACTUALLY HATE HER WHAT THE HELL 286. Ryuk wouldn't let this happen he isn't a bad guy 287. L is now even more insane and going to kill Light 288. inappropriate music 289. Light's ugly running (26:19) 290. why didn't he burn his own page 291. why didn't he put her in there towards the end so she couldn't see it 292. Plot holes 293. WRITE HER FING NAME (24:50) 294. did he leave the book 295. L is coming for you bitch also he can't drive so 296. inappropriate music and close ups 297. L is cool lol look @ his awesome running 298. ohhhh he's cool (23:22) 299. parkour 300. Light's running is like not pressing the correct buttons on a quick time 301. L's running is awesome 302. nice lighting tbh 303. KILL HIM KILL HIM (21:50) 304. "Lord Kira" kill me 305. is this supposed to be a romantic scene when she wrote his name in the book? 306. he's carrying a gun like literally what 307. he should kill her (20:30) 308. KILL HER KILL HER 309. inappropriate music 310. "Lets run away together" 311. she's insane and still smiling 312. he probs wrote her name (19:28) 313. probs pushes him out 314. oh look @ Ryuk 315. OH YESSSSSS HE KILLED HER OH YES 316. his reasoning 317. "You said you loved me I thought you wouldn't take it" you moron (18:17) 318. why would you take it back 319. did she already burn his page? 320. why is Ryuk involved 321. shouldn't they both die? they're both in it 322. THE MUSIC IS BACK WHAT 323. the book why would you catch it 324. THE MUSIC IS SO INAPPROPRIATE IM SCREAMING (16:51) 325. oh there they go! bye bye b 326. I love Ryuk's smile 327. the slowmo 328. everyone's faces 329. the flowers exploding 330. is Light alive???? 331. is she??? 332. I'm confused tbh (16:02) 333. she's dead 334. L is still alive yay! 335. free death note page 336. omfg it burned no 337. Light is alive probs 🙄 338. who took the random book? (14:45) 339. more killings 340. apparently everyone hates L?? that's not how he was treated 341. Who is this guy that picked up the book 342. why would you give back the book (13:42) 343. such an obvious place to leave it 344. the phone screen isn't on a call 345. is he going to wake up 346. yes 347. oh and he keeps the book you weirdo 348. she was insane why is he sorry 349. his dad is ugly and gross go away (12:10) 350. WAIT PLOT HOLE he was supposed to be in a coma but his dad knocked. his dad wouldn’t know he’s awake? 351. Dad somehow doesn't care it was Light 352. L what are you doing 353. is his dad going to join in... oh no 354. why would you need to write all this down idek man 355. what is L doing..oh nvm wait why did he act surprised by this (9:07) 356. so now L is thrown off course? oh going to write Light's name? 357. do it son, pls do it he's ugly 358. inappropriate music 359. Ryuk laughing (7:30)