#there's even a parallel in numbers
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i am once again filled with the urge to be the one who makes the definitive movie/tv show about the last war of the roman republic because i'd be normal about both sides
#personal#like you all know i'd love to make an augustus show i can give you the entire outline season by season right now#but if i can't honestly just one of the last war#because both sides are so desperately fascinating in that they really believe that they're in the right#and the interpersonal dynamics are so insane#and you can do something sympathetic to both sides#to octavian's struggles to actually build a government that works and his very real concerns#about it being ripped from him by people who don't know what they're doing (antony)#and consider it a dynastic right (cleopatra for caesarion)#while antony and cleopatra regardless of their ambitions were very clearly in deep and real love with each other#and just trying to look out for the other's best interest#and that on both sides (especially for octavian and cleopatra) it was very clear that loss in battle would not only mean#a personal loss of life by the time the war ended#but also the real possibility of the deaths of family members including their own children#and how that would motivate them to fight hard no matter what#there's even a parallel in numbers#cleopatra had four kids her son by caesar and the three by antony#and octavian raised four kids his natural daughter julia his two stepsons and juba after caesar's assassination#you can do a lot with the parallels#and all the messy international relations stuff when you throw herod into the mix
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Obsessed with the way Brennan has encapsulated “No cost too great” in the character of Steel. She would lay down her life to win a battle and for the chance to see her daughter again. She would sacrifice that same daughter to a coven of witches for the chance at intel. She would put a spell on her daughter that could kill her and would take the Citadel flagship across the sea during wartime to make sure no one else could.
She is building the new world for her daughter. She would execute her daughter to maintain her position. She is building the new world for the next generation of wizards. She would send them all into the meat grinder if it were needed. She is building the new world to bring peace for everyone. The lives of children are a detail that she cannot afford to attend to.
Her enemies showed her a vision of the future and she will pay any price for it. And I cannot wait to see what that vision entails.
#hello the latest episodes of wbn have captivated me so much I had to come back#mama warcrimes the things you do to me#it’s so cute the way Suvi gets her justification machine from steel#and by cute I mean#the generational trauma in the citadel runs deeper than I imagined#also for any HK fans yes that’s what I’m referencing#what better parallel than the King who sacrificed millions of children#and did something even worse to the one child to precious to kill#the wizard the witch and the wild one#worlds beyond number#wbn#the wizard steel#wwwo#wbn spoilers#wbn steel
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the 2024 "capable" compilation (2023 edition) bonus:
#critical role#criticalroleedit#imodna#southerngothic#laudna#imogen temult#laudna cr#gifs#*#*cr#*parallel#cr3#ship: imodna#new year's#cr things#scheduled#keyleth also said it once about m9 but this is a laudna series you understand#ms ray continues to do this thing where she keeps it to an even number just for me :)#1h57m c3e84#1h13m c3e95#38m c3e103#2h55m c3e107#3h46m c3e1008#3h10m c3e111#1h13m c3e115
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"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?
I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.
Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.
The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.
On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.
For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.
Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.
While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."
Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.
As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.
The other Nakamoto household members also internalize its sexist, classist power dynamics.
For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.
Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.
It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.
Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.
But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?
The short answer is absolutely not.
Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.
Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.
Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.
Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.
Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.
Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)
But he cannot and does not avoid consuming food forever.
Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.
Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.
Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.
Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.
Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.
But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.
A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.
Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3
#toshiro nakamoto#maizuru#hien#toshitsugu nakamoto#falin touden#izutsumi#inutade#benichidori#shuro#dungeon meshi#dunmeshi meta#dunmeshi analysis#quite literally free my girls#i got so sad after finding that parallel between maizuru and hien both saying their feelings don't matter#reading maizuru's character bio and how she's a brilliant woman#but she's stuck w toshiro's dad like#i'm toshitsugu's number one hater he better watch out#also thinking about how toshiro looked up to maizuru not even his own parents until he found out about maizuru and his dads relationship#that's devastating bro#im entering my clickbait title era LOL i was told my prev titles were too academia pilled and boring sounding#i think i want to write about izutsumi's and inutade's relationships w gender next#delicious in dungeon#dunmeshi#*mine#*meta
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"(Batfam member) is a better parent to (other Batfam member) than Bruce" is such a tired take to me because more often than not it involves really flattening and reducing the character being assigned the "good parent" role. These are all complex characters with their own flaws which can and do affect how they interact with those in their care.
#this is mostly about dick wrt damian and barbara wrt cass#can't even begin to count the number of times i've seen people saying shit about them that's just like straight up untrue#like dick HAS absolutely said fucked up shit to/about damian in moments of frustration/stress#his dynamic with damian is narratively meant to mirror his own early dynamic with bruce in some ways#likewise barbara's relationship with cass is straight up paralleled with bruce and cass#an actual major plot point is that they BOTH project on and misunderstand cass just from different directions#i love all of their relationships!! but their flaws are part of WHY i like them#vintagerobin.txt#batman
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how is this not neil josten in an alternate universe omg
#even the jersey number like….#i also noticed kageyama’s old jersey number was 2 w his old team even tho its not anymore#the parallels are uncanny#haikyuu!!#all for the game#aftg#neil josten#hinata shoyo#jas watches haikyuu!! for the first time
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Someone else brought up the conversation between Suvi and Steel in the Children's Adventure and I wanted to screenshot the whole thing for y'all because I think Episode 49 adds some interesting context to this conversation.
While I'm not 100% on the "Steel killed Soft and Stone" train, I think what she says here is really interesting.
She calls them heroes and tells Suvi that they made a very brave choice. I'm starting to wonder how much of a choice they actually had. And I'm wondering how much of the heartbreak and emotion of this scene is Steel feeling the loss of her friends or regretting the part she played in that "choice". Maybe it was their choice and they were also committed to the Citadel as Steel is. But I find that hard to believe - because why give Suvi the pendant that protects her from the Citadel?
There's just so much we don't know about what happened to them and if at that point, Steel and Suvi's parents were at odds or working together for the "new world" that Steel wants Suvi to lead. Or maybe their vision for making that happen was at odds. I dunno.
But I really hope that we get some clarity on this before the end of the chapter. I think we are going to get a description of "the future" as Steel says. But I don't know if we'll get to her promise to discuss the past. And the thought of waiting years for that info is going to drive me crazy.
#worlds beyond number#wbn#wbn spoilers#the children's adventure#the wizard steel#suvirin kedberiket#brennan lee mulligan#aabria iyengar#so many thoughts about this last episode and how it puts other things in context#and I haven't even fully processed the themes about what “home” means and the parallels between Nif and Steel#ahhhhhhh
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If you genuinely think that there's a single group out there that's completely immune to oppression, and hardships, then you're seriously mistaken and need to do some serious evalutations of your Weltanschauung.
#like it's cool and all that you view trans men as men#that's very progressive and good#but to claim that trans men or transmascs can't possibly be oppressed#simply because they're parallel to cis men#you have to seriously review your philosophy of life#even the most cis of cis men can be oppressed for any number of reasons#and to claim that trans men are seen as men by society is to completely ignore the Lebenswelt of trans men#trans#transgender#transandrophobia#ftm
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INSIDE NO. 9 S5E6 "The Stakeout" | S6E5 "How Do You Plead?"
#in9#inside no 9#inside no. 9#in9 frames#the stakeout#how do you plead#guillem morales#steve pemberton#reece shearsmith#coming back to hdyp i forgot how difficult it is to cap the ending scene bc it's so dark?? like even the stakeout is easier#i do think i overdid it here with the colouring tbh but i'm owning it. went b&w to make it all uniform (uniformed?)#this is mainly building on the initial thought that these two bits are ~parallels~#the slow burn reveal + the flipped power dynamics#(even the series/ep numbers are inverses of each other hehe)#this is a recent realisation (or i've always thought this?) but steve is SO good in hdyp#the “WEBSTER!” that instantly puts the fear into webster#(i remember jumping a little on first watch)#contrast that with tommo's ending and it's like !!#and i love the empty space + the camera slowly pushing in + the creeping sense of dread#i wasn't gonna tag this (for some reason??) but i think i will actually#guillemmm i love his work on the show & this episode#vagueeyes.pdf
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would just like to say thank you to every single I, Ronaldini stan who's busting their butts to feed the other eight Ronaldini stans on here
#we are few in number but mighty in passion#i ronaldini#date everything#i keep thinking of mask-off ron and how even when he lets the mask fall the vocal affect still rarely drops completely#something something parallels to high-masking autism. i can't be the only one who sees it right?#i need to flesh out these thoughts more. maybe they'll come out in a drabble or maybe i'll just make another post#chewing gently on him#jul 2025
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Honestly the funniest thing about TDP to me is that Rayla for some reason always thinks Callum isn't 100% ride-or-die with her on any given situation. Seriously, she could decide she's jumping off a cliff and he'd do it too--oh wait.
I get that half of it is 'protecting' him but like. Girl he has been ready to die and kill for you since the first snake chain incident. It has not lightened up since. In fact its gotten worse. She's his special little guy and if anything happens to her he will kill everyone in the room and then himself. She physically cannot ever sacrifice herself for anyone because Callum WILL be following her straight into the afterlife in no less than a minute. I'm fully convinced he can and would go even further than Claudia and he'd barely have to think on it for five seconds before shrugging like "damn this sucks, can't believe I have to turn evil" "you literally don't have to--" "no I'm gonna"
And honestly I think that's peak teenagers first girlfriend behavior.
#tdp#the dragon prince#tdp rayla#tdp callum#text post#tdp season 5#rayllum#talk#funny#its so funny to me girl he would KILL EVERYONE FOR YOU (except ez)#HOW WERE YOU SURPRISED HE WAS SO DEAD SET ON HELPING YOUR PARENTS ITS CALLUM#not only that bestie you could put the blade to his throat & he would let you. he wouldnt even fight he'd just let you#he would go so feral for you. release his chains. free him.#he wouldnt say 'please let me kill for you' but he would dramaticaly get on 1 knee & say 'rayla i would kill for you if it came down to it'#as if he wouldnt just do that if someone pushed him enough. i want someone to push his buttons enough. set him off it'll b funny#absence did make the heart grow fonder but i think he overdozed a bit. like just a smidge. theres like way too much fondness now#also its great bc MMMMM how do those callum & viren/claudia parallels FEEL BOYS#WILL DO ANYTHING FOR FAMILY SO TRUE. and also communication issues BUT MOSTLY THE SACRIFICE#hes the number 1 rayla defender. he supports her rights AND her wrongs
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I would like to know which One Piece manga translation is considered the most faithful to the original and where to find it. Analysing scenes is kinda hard when there are several versions with very different tone and sometimes completely different meanings. Not even bothering to cross-reference anime subtitles, I have very little faith in those to begin with.
#over here getting excited over interesting dialogue parallells and word choices#only to find another translation where something completely different is said#it's like. is this very interesting narrative call-back even real? or did a translator make the story better by accident#I'll have to pick up Japanese again. for the nuances. I got stuck and gave up when I got to the numbers so I've got some ways to go#one piece#linguistic struggles
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what's a lesser known spider-man related thing that you don't see enough people talk about? (for me although its not lesser known, more like forgotten, only two people (you included) have recongnized my pfp)
weird al yankovic song
youtube
#sci speaks#weird al.. without a doubt arguably the most popular accordion player in an incredibly specific genre of music.#i really could have mentioned a whole number of things but i think i've mentioned the “rock reflections of a superhero” album like 100 time#if you haven't checked out the rock reflections of a superhero album. boy you better. it's on spotify.#okay it's mostly music.#other things: that fan script for tasm3. i think about it all the time.#and i love baman piderman. yes.#i honestly think baman piderman did become a minor bit of inspiration for peter b parker's movements in itsv.#i mean it. i smelt a lot of parallels. i kept thinking of piderman when i saw peter b using his webs.#and it checks out. piderman was the cringefail spider-man before ANYBODY. itsv copied his swagger.#i bet you one of the animators on spiderverse will come clean. one day.#also. the animators on baman piderman are ludicriously talented. i used to go to their streams. fucking insane what they do.#actually a little treasure of a series if you guys haven't checked it out.#it's sad it fell out of people's peripheries. it's very charming nonsense. and a lot of love went into it.#i was in love with baman piderman. long before i even cared about spider-man. there. that's the truth.#i cared about piderman FIRST!
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I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...
Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.
This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.
When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.
Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.
If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.
I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.
In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.
Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.
Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry." A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.
Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.
I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.
#Victoriocity#victoriocity spoilers#clara entwhistle#archibald fleet#I have feelings about them!!#I've listened to this scene a normal number of times...#Can't decide if it's more angsty if Clara heard his apology or if she didn't...#Also on the topic of Clara's optimism#I think it is a part of her temperament#but I don't think that means it's always easy or that it isn't something that takes active effort#The 'midnight overthinkies' scene showed us that there's a lot going on under the surface#As previously established I don't personally see Clara and Fleet romantically#but nonetheless there is something Orpheus and Eurydice#about two people who care deeply about each other#in a dark tunnel trying to head towards safety#and one of them trusts that the other is behind them#except Clara doesn't look back for a while and then he actually is already gone#and she's alone wondering if she's lost him forever#I think I can draw those parallels platonically#Oh also there's something impressive about a show that can literally raise a guy from the dead in the first season#and yet still have real stakes when he's in life or death situations after that#something deeply sinister about how in Even Greater London no death ever needs to be permanent#but we know that the vast majority of deaths would be because access to that technology is so restricted#inspector fleet#victoriocity season 3#victoriocity podcast#Clara & Fleet#The empty man posteth
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with oscar creeping up on charles’s number of race wins and likely surpassing it this season, i’ve seen a lot of takes on twitter and instagram that charles is an overrated driver. and yeah, some of it is ragebait and some of it is like people who are casual f1 watchers who don’t know what they’re talking about it BUT. a huge part of the logic that i see over and over again is this exchange:
“okay but charles was never in a dominant car in a season like max or lewis or now oscar”
“that’s not true, what about 2022?”
and to that i say, what ABOUT 2022? what about 2022. maybe the car was fine, maybe you could argue that it was of a similar caliber to the rb but if you’re gonna look at the 2022 season and say that evidence points to the fact that charles was the x factor that went wrong…i don’t even know what to say. i’m not gonna say that charles is a flawless driver (even though unironically i believe with my whole soul that charles is the best driver on the grid currently) but using his number of race wins to make this argument is just such a lack of critical thinking. in all sports, statistics are contextual. in many sports, brilliant players have played on less brilliant teams, not had the resources to fight for the wins they deserve. and luck and timing are everything.
i’m not trying to make an argument that convinces people that charles is better than what they think or whatever because that’s straight up impossible - but i hate narrow-minded interpretation of data, for any driver or athlete. it’s all always contextual and all it takes is looking a little further into analyses of his driving or watching his driving over the course of a weekend to see his raw skill and talent.
#this is not osc hate btw i’m as always very excited for oscar#that’s just the impetus for all the discussion i’m seeing#but i did have to take deep breaths while writing that whole first 2-3 sentences#anyway the best parallel i can see for this situation is people who hate on andy murray#based on stats alone#he’s one of the big 4 for a reason#watch a murray match and you’ll know#but obv it’s different for a number of reasons- f1 is hard to compare to other sports because the car is such a variable#so it’s even more of an underestimate than andy murray
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Round 1, Matchup 68: II.i.5 vs V.i.2
#les miserables#lm chapter title bracket#round 1#lm 2.1.5#lm 5.1.2#<- the waterloo/barricade parallelisms even go down to the chapter numbers I suppose
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