#to her. something to ironically hope for
Explore tagged Tumblr posts
tsuzukerukoto · 1 year ago
Text
Kicking my feet and twirling my hair as I read Makoto's comments whenever he inspects something. Also my god he wants to destroy the cameras so badly. LET HIM
5 notes · View notes
kittarts · 9 months ago
Note
hiya! re: coraline telling wybie about the other mother, in your opinion/in your version of the story did coraline actually go through that as a child or do you see it more of a trauma response to cope with moving and an unhappy family life? like was it all real or did she imagine that as a means of escapism?
Hi! I know there's a popular theory that Coraline did actually imagine alot of it as a means of escapism. It's a cool theory! I'm surprised no one's made a gritty angsty fic on it.
But in my project her experiences were very real ☺️
103 notes · View notes
azurityarts · 2 years ago
Text
Tumblr media
[insert witty one-liner]
493 notes · View notes
hopeforchanges · 2 months ago
Note
I'm actually marveling at your portrayal of Palpatine. Sure, in the new sith obi-wan au, but in every iteration I've read from you, it doesn't even compare to anything else I've read, I just can see and hear Palpy so clearly when you write him. It's disgusting how i character he is every time. I need like ... a tutorial? :D Pls??
haha, thank you :) yeah, ngl Palpatine IS the toughest character to get right and I will die on this hill; he is absolutely more difficult to write than Obi-Wan.
The tutorial consists of knowing how a groomer operates, essentially. Sure, you have the traits of psychopathy and sociopathy, the blatant narcissism, the delusions of being better than everyone, but if you want my two cents, (obviously you do when you sent this ask lol) the real core of his villainy is his grooming behavior. Sociopathy and psychopathy do not necessarily lead to evil, many diagnosed people lead fulfilling lives that do not cause them or others any destruction. Sociopathy and psychopathy are NOT inherently evil.
Grooming is evil by nature. And groomers absolutely follow a rulebook.
Step one: Targeting a vulnerable person. (Groomers have a radar for people who are in a vulnerable position - orphaned kids, traumatized people, homeless people, etc., could be anything.)
Step two: Gaining trust. (the victims of grooming call this 'kindness' - much like Anakin does on many occasions - when in reality, it's rehearsed empathy. It's a performance. They're nice to you, bring you gifts, take care of your most basic needs - food, shelter, companionship to make you feel like there's somebody in this world who actually gives a shit about you.
Step three: Isolating the target from their loved ones. If you are completely alone, that's a win for them, obviously. But because they more often than not target minors, there's someone taking care of them, at least one person who goes: this guy/gal has rancid vibes, I don't want you to hang out with them anymore. The groomer convinces the victim that their caretaker has nefarious motivations/goals (projecting much) and that if the victim calls the authority, they will be the one who's actually in trouble, not the groomer.
Step four: Slowly exposing the target to sexual stuff. This could be anything, really, it could start by just showing the victim porn without rhyme or reason to instructing them to perform some mild sexual acts. In Palpatine's case, this manifests as exposing the target to the power of the dark side and encouraging them to use it. However, do I think that Palpatine was entirely uninterested in Anakin in a sexual way? My feelings on this vary - sometimes I do see it and sometimes I don't. I see the constant unnecessary touching and constantly invading Anakin's personal space and I'm like: I need to perform exorcism on myself until I don't remember ever seeing this ever again. Then I see the intent behind and I think - hm, perhaps this is purely a slaver's touch asserting dominance over his property. Like I said, my feelings on this are unclear. Let's just say it's really fucking gross either way, which is something we can all agree on.
Step five: The actual sex. Again, in Palpatine's case, this manifests as revealing himself for who he is (abuser) and taking Anakin (the abused) down with him.
TLDR; you have to have the process of grooming at the forefront of your mind to write Palpatine well - even if in different aus his victim does not need to always be Anakin.
boy i did not mean for this shit to be this long lmao i hope this helps clarify not just how to effectively write Palpy but also for my girls and boys who may stumble upon a groomer irl.
Please be safe out there and talk to whoever you can to help you if you encounter a groomer.
29 notes · View notes
momentomori24 · 3 months ago
Text
For a character that has virtually said nothing (impressive feat considering Mark Berskii exists) and has been dead since the start, Cara is so SO intriguing to me. Her complete lack of humanity in the midst of a cast brimming with it stands out in such a fucked up way.
Take her appearance, for example. Outside of the fact that she's much paler than the group, her having redish hair feels so intentional. It physically ties her to two characters: Diana and Wolfgang's mum. By extension, that ties her to Wolfgang and Eva as well. I don't believe that she's directly tied to them, or anyone in our group really (which I think is the point). However, the links that can be tied-- that we as the audience are encouraged to tie-- still exist.
We are introduced to her as a murder victim, a girl who was brutally ambushed and stabbed to death by who is assumed to be a man. That serves as a parallel by what is implied to have happened to Wolfgang's mum; a woman who was murdered by her husband. Coupled with their vague resemblance, it explains why Wolfgang was so emotional during the trial. He's a lawyer, and it's both his job and moral code to have empathy for everyone, but it seems obvious that there was a lot of projection on his part related to this specific case. He doesn't just see a person, he sees a blameless woman, an innocent girl undeserving of her fate. A victim who had to have been sadistically murdered by a man, and "self-defence" was never on the table. He clearly cared about the case-- he cared THE MOST about the case. He was the only one to actually acknowledge that it's based on a real murder case, that the victim was a real person, and treat it with that same amount of appropriate care. But that care is rooted in his strong sense of justice for victims as a lawyer, in his own issues and warped view on gender due to his parents-- it's not entirely for her because he never actually KNEW her.
And we see her again in the execution. Quite literally like a puppet on strings, she mechanically reaches out towards Eva and offers her a hand. In my eyes, this is 100% a parallel to Diana. There's the obvious of a vaguely red haired girl being the only one to offer her support during her lowest moments, but the way Cara reaches to pull Eva up only for her to fall to her death is comparable to the way Diana reaches to pull Wolfgang up only for him to still get electrocuted to death. Here she is again, playing a different role, open to the interpretation of others. Here she is, twisting the knife about Eva's feelings about Diana. She looms over her, standing tall where Eva was at her lowest in every sense of the word. She's a girl offering help, but not out of the goodness of her heart, and the strings puppeteering her every movement emphasise that reality. Where Eva had rejected her advances before, in her desperation she actually reaches back for her, and the act of allowing herself to trust that kindness is what has her plummeting to her doom the way she was always of, the arm giving and tearing at the farce of it all.
Take her talent, for example. She's the Ultimate Teacher's Aide. By her very nature, she exists for the service of others. Uplifting others rather than uplifting herself. She's the Ultimate Teacher's Aide, and she fulfils that role by being Tozu's literal puppet in the killing game, her servitude entirely at his disposal and her autonomy nonexistant.
Take her motif, for example. She's the only character without an animal motif. Her motif, ironically enough, is a human. Two humans, in fact. And I think that's significant cuz we never actually learn anything about Cara herself when she appears. Her existence is always symbolically tied to someone else on appearance alone (Wolfgang's mum or Diana). Her motif is a human because it's the closest thing to what she looks like, but just like the Tree of Ignorance being a hollow imitation of the Tree of Wisdom, she's anything but. What do we know about her, really? What was she like? Was she a cheerful soul or a gloomy one? Was she aggressive or pacifistic? Was she someone who had confidence or none at all? Was she a perfect victim or a failed yet complicit perpetrator? The sad thing about that question is that it really doesn't matter. Her murder case is only proof of her existence that exists; history has taken this girl and reduced her to nothing else and it doesn't matter. In a group of individuals she's exists solely as a blank slate, a passive party, an entity they can project on. She's a girl. She's a victim. She's a doll. She's a reason. But make no mistake-- she was never meant to be a person.
(Cerise's made a great art piece on this idea go check it out!)
#project eden's garden#p:eg#p:eg spoilers#cara koskinen#wolfgang akire#eva tsunaka#diana venicia#weird callout but why are cara and wolfgang the only characters depicted with crowns in their imitation art#again i don't believe they're related or even know each other personally i just think about that sometimes#ironic about those two being depicted with an object that symbolises victory when they're both died in their respective killing games#difference being that wolfgang was the first victim whereas cara feels implied to have been the last#but anyway i was talking about this with people on discord a few weeks ago or something#but seeing that art piece finally pushed me to finish this cuz like yes. yes you get it#cara's role in the story is so so weird. the way we know NOTHING about her is so so weird#and that's why i stand by our cast not knowing her beforehand because it emphasises the way her existence is up to perspective#there's no “cara”. not anymore. she only exists as a vessel for them to project on as they wish. that's the curse of being a dead stranger#i guess there is some commentary to be made about how that's also the case in real life as well#where we as a society usually discuss famous criminals for decades after the names of their victims fade away much sooner than that#and victims of murders are usually reduced to just that. murder victims. that's what their whole life is most defined by in the end#not their hobbies. not their personalities. not their hopes and insecurities. not them as people. far more so for women too#i dunno. i'm just yapping about her because she fascinates me#shaking this girl in a jar as we speak WHO WERE YOU#momento rambles
30 notes · View notes
whetstonefires · 5 months ago
Note
#4 please !
Now see this could be tricky, because generally if I don't get some key elements written down very quickly the idea flows away again and the 'yet' disappears, even if I remember generally what it was about, but I have one this time! I am still just enough plagued by this vision that it's not out of the question I'll go for the capture, but so far nada.
Idea was basically a Jiang family character study by way of modern au. (So tw canonical abuse.) I started from the reflection, in a modern au very high chance the Jiangs are divorced, because being a divorcee wouldn't necessarily ruin Yu Ziyuan in the modern world, as long as she was allowed to control the narrative enough that she didn’t look at fault, so it might be on the table.
Especially because modern views on child abuse are such that while she'd hold back more than she already does in terms of physical chastisement, Jiang Fengmian would also be under less societal pressure to not interfere in her disciplinary system too much, and both these factors mean he’s more likely to put his foot down.
So, concept: Jiang Fengmian, when his son is eight and his daughter thirteen, forces the issue of taking in his best friends' abused orphan child whom he’s just managed to track down in a nightmarish group home, probably leveraging the fact that wherever their money comes from it's mostly his, something he usually doesn't do, but she has always known he could, and been fucked up about it (reasonable) and hated him a little (less so) and hates him so much more now (understandable but still fucked up).
They were obviously still both pressured into this marriage by their families, because I literally cannot imagine them choosing one another of their own free will, and if they did that would be an au in an even more dramatic way than being modern, and no longer work as a character or relationship study as far as I'm concerned. I mean or it’s a cql-based au, but that’s not the version of this toxic marriage I find compelling.
Situation subsequently deteriorates to the point that when the boys are around twelve some outside party observes and is repulsed or otherwise upset by Yu Ziyuan's treatment of Wei Wuxian specifically--she's emotionally abusive to everyone in the family, canonically, and it harms Jiang Cheng significantly more than Wei Wuxian, which I think is also pretty explicit on the page, but she's more openly antagonistic about going after wwx because he's basically a proxy for her husband, whom she doesn't consider to be someone she's capable of harming.
And ofc in a modern family scenario, being abusive to your foster kid is more plainly personal misconduct than being unfair in how you discipline one of your husband's many students, even if it is his favorite. Which means she's very unlikely to chase him around with a whip, but whatever she does do will sting that much more emotionally.
Anyway the outside judgement provokes a more explicit confrontation than the last four years of maneuver and attempting to balance all the competing needs according to two very different standards. And the upshot is that by the time wwx is 13, the Jiangs are divorced. To avoid making a humiliating spectacle of themselves they present a weirdly united front in court and have a very smooth uncontested proceding, although the closed meetings with their respective lawyers involved a lot of vitriol.
Yu Ziyuan, despite having a smallish trust fund and probably a job of some kind, though one that's more prestigious than profitable like uh. Olympic fencing coach. Idk what they make but it's probably not enormous. She and Cangse Sanren probably competed in the same events back in the day.
Anyway she gets a solid chunk of alimony, the house, and primary custody of both her children, although Jiang Yanli is almost 18 at this point so mostly she just gets Jiang Cheng. Everyone thinks Jiang Cheng wants it that way, including sort of Jiang Cheng; he has this idea that if he has his mom to himself they'll finally have a good relationship, even though he's also terrified of being left all alone with her. He's complicated. Families are complicated.
Also she would never have forgiven him if he hadn't concurred that he wanted to stay with his mother because she was the only one On His Side.
Jiang Yanli ofc does not move out right away when she comes of age, in part because her brother needs her, but she probably does go to college, so she's only around part-time.
Jiang Fengmian, meanwhile, keeps most of his financial assets and Wei Wuxian, and gets his kids on the weekends.
So that's all setup for how you have this situation where Wei Wuxian and Jiang Cheng are entering high school--probably the same school, together, but no longer sharing the commute except maybe Monday mornings--and Wei Wuxian's primary residence is Jiang Cheng's dad's apartment.
It’s really chill. They get a cleaning service in once a week and eat a lot of delivery food, but they do cook at least once a week. The canonical thing where they largely agree about what’s funny and what’s right-or-wrong, and so forth, on the one hand really pops when there’s mostly no external conflict disrupting it, but also probably gains more complexity now that it’s not a thread of positivity fighting for its life against a background of drama. They get to know each other better than they ever had a chance to in canon.
Some of that isn't all that positive, because now they have the space to discover the places where they do actually have the capacity for friction, but both of them are very good at dispersing tension (I do tend to suspect jfm's dad was abusive he sure acts like it), and on the whole it's a good thing.
Jiang Cheng is going to have such a mental health crisis, and Jiang Fengmian is going to handle it so badly. Because of course when his son starts replicating his ex-wife's toxic attitudes and behaviors more now that she has primary custody, he’s going to feel guilty and like it’s His Fault, but he’s going to feel like it’s his fault that Jiang Cheng is growing up to be a shitty abusive person.
And even if he’d never say that the subtext would come through, in the assumptions he made when framing communications and so forth, as in canon, so the thing where Jiang Cheng’s father loves Wei Wuxian more than him, or at any rate likes him better and thinks he’s a better person and prefers his company, would wind up feeding into a self-reinforcing loop.
(Jin Zixuan's nasty public remark about Jiang Fengmian treating Wei Wuxian better than his own children hits Jiang Cheng significantly harder in this scenario, where he's being Tormented by the feeling that all his peers know his dad walked out on him for another son. Wei Wuxian's punch is therefore even more clearly primarily for Jiang Cheng's sake, although Jiang Cheng is probably more inclined to see it as being for his dad's. Jin Zixuan is about halfway between the Jiang kids' ages here, so he's a senior saying this shit to a sophomore.)
So that cycle builds to the point where Jiang Cheng would eventually have one of those rare moments where he resorts to actual violence, because his poisoned feelings are choking him so bad his rationality deserts him.
He’s not going to be nearly as close to actually murdering Wei Wuxian as he was in canon the night the Jiang Sect was massacred, because it’s a less extreme situation, but he still goes for the neck. So Jiang Fengmian is in his home office one Saturday about a year and a half into this new normal, and realizes the boys are fighting. He hears through the wall the accusation you stole my dad. He says to himself, well that’s terrible but interjecting myself into this situation would definitely make it worse.
Then he hears sounds of violence, and then an ominous abrupt silence, and updates that analysis.
And when he opens the door to the boys’ room, Wei Wuxian is being strangled. He’s not really resisting, which is because he’s made the call that that’s way more likely to get Jiang Cheng to snap out of it, and thinks it might make Jiang Cheng feel better to get it out of his system (because he does sort of feel like what Jiang Cheng is going through is all his fault, or at any rate is much worse as a result of decisions made for his sake) and is severely underestimating the dangers of choking, but looks to a third party like he’s already passed out and Jiang Cheng is still at it. Which is to say, it looks like a serious murder attempt on the brink of success.
So that sure made that situation worse!
So yeah that's my idea that I probably won't write but it sure has its teeth in me.
#answers#snarglepop-content#ask#ask game#mdzs#meta#modern au#family drama#character study#i'm really sorry to the person who sent me that madam yu ask i worked on it for SO long but i CANNOT find it in my drafts#i'm hoping i posted it and forgot????#anyway this fic is drawn from conclusions i reached trying to articulate for that ask my thoughts on modern yu ziyuan#and how hard she is to work#because yzy's characterization is pretty exquisitely responsive to her context#in such a way that if you change the context she will either behave differently or become ooc#so she's a major failure point in modern aus because she tends to have her characterization adjusted to fit the needs of the story#its desired beats or themes or whump quota#and if you do this carelessly then either wwx and jc also become ooc#or the story ceases to have consistent internal logic#mdzs is a pretty well-balanced machine!#despite how many elements come across sort of slapdash because mxtx literally did not care about that part#i.e. scale or logistics or history-as-such rather than just some of its societal features#but she didn't care *intentionally* so it's generally insulated from undermining the important beats which is such a good trick ak;kjlsdf#ANYWAY#i'm overly invested in how hard it is to depict this family as shown in the novel#because there's so little information and it's so tempting to disregard some of it to get a simpler narrative#so easy to take madam yu's word about things because she's the only one talking#so easy to punch up the melodrama in the wrong spots or iron out the actual ugly bits#to get something easier to grasp at but less realistic#concept up for adoption if anyone wants btw
29 notes · View notes
dennisboobs · 9 days ago
Text
Tumblr media
one day i'll post my fic and you can finally witness this monster of a playlist that fuels my insanity
#but for now. i write notes about electrical service box grounding (suffering)#im literally motivated to get Ahead with my courseload so i can write + draw im going insane not being able to do anything creatively#it was a mistake signing on for 5 self-driven courses in a semester btw. just in case anyone was wondering.#if youre considering it that's the devil speaking#or your business partner who wants you to be able to work sooner i suppose#anyway the dennis playlist i have posted in the past is a decoy this is the real one#i refuse to have overlap and i prioritize this one lol#i have a super secret charden playlist that i can't have overlap with too but thats not important.#i dont think anybody will see That one....... its for me........#north dakota fic playlist is crazy because i'm like holy shit this song is perfect what the hell (wrote the fic)#my brain and music have a symbiotic relationship in that i am inspired by songs and then the direction the fic takes also opens up new musi#considering a minor rewrite bc i like the picture painted by a song if i match up with lyrics#also lowkey highkey how vicky works as well i iron out details while sorting thru music#it usually helps to inspire me and broaden my ambitions a little more than i would normally go for#i think north dakota fic has spun into this big web rather than this very focused thesis Because i've got songs about multiple relationship#ie. thinking about mandy and dennis' arrangement. boundaries and feelings (not romantic or sexual. something else.)#it's precisely because of their history that dennis is distant and gives her more space than is necessary in every possible way#it's not out of respect for her or this odd sort of truce they have for their kid's sake#it's like. if i let you any closer i'm going to run. but god do i wish i could. when you Already know so much. it'd be so easy.#dennis enjoys domesticity. so he can't enjoy anything about being here. he's punishing himself and he's here for his son Only#sleeping on the couch or in a hotel instead of in the bedroom because he could get comfortable sleeping with mandy#they cant afford a bigger apartment and she's fine with it. he knows this. but Fuck No.#dennis' weakness... sleeping With someone. (no i will Never stop thinking about maureen spooning him in the 6x02 script. fucking lorddd)#he craves casual intimacy with her in the same way he craves it with mac. and he could. but she knows him. (he could Let her know him.)#and she sees this in him and Offers freely. offers him help. offers the bare minimum. and he can't have that. it's compassion. it's pity.#it's her seeing someone who is desperate to break open the shell that encases him but knowing it'd do horrible things if she did it for him#it's not even a matter of pride. it's about relinquishing control. he's So out of his element and has no hope of finding a foothold here#this is a charden fic btw. this is a charden fic where mandy is his partner. in this bizarre queerplatonic lavender marriage ass way#she's literally just his friend. dennis doesn't have any of those.#i thoroughly enjoy like. the contrast of her to mac and charlie and also the simple fact that dennis is insane
12 notes · View notes
langfield · 7 months ago
Note
do you think vinh was actually in love with safi? i know he starts doubting that he ever was in chapter 5, but if he wasn’t actually in love what do you think his true feelings for her were? emotional attachment maybe? on safi’s side, i think it’s interesting how even after knowing about vinh’s statement about maya she still decides to hook up with him for a time (only to eventually stop sometime prior to the game?? maybe they had another falling out idk). their relationship in general is just very fascinating to me lmao.
god, the safi-vinh dynamic is certainly one filled with intrigue because of all the intense emotions attached to the people within it ; aimed at each other and also at the bystanders whom haunted around their not so defined relationship. there’s just so much baggage attached to them, you know? mostly painful things and a general sense of betrayal or regret, creating a potion of this general wishy washy bullshit that’s hard to parse through … more so in safi’s case than vinh’s, but i’ll touch upon that later! as for your question about vinh and his true feelings, well.
maybe he was in love with safi once upon a time. maybe the fact he believed that he was in love with her is really all that matters. i suppose it depends on what your definition of romantic love and utter devotion is. it’s undeniable he cared fiercely for safi, enough so to become jealous of max ( safi’s object of obsession ), swear off serious relationships in hope she’d want him back, and to engage in a general meddling within her life to make sure she comes out of situations as unscathed as possible. i mean, he schemes to steal a cow skull and then proceeds to throw it through her windshield in an attempt to save yasmin’s and safi’s relationship … it is very extra of him to do, in fact it’s a literal crime, and the game has both max and safi acknowledge the intensity of said action in episode four. we see the memory of the hedgehog he proudly displays on his desk, the carelessness in which safi treats it, her ‘i’ll buy you another one if it breaks’, and how vinh simpers beneath that offer because he doen’t want a new one, he wants this one, the one safi gave him : a gift that was likely unprompted, some sort of surprise maybe, given to him on a whim and cherished better than any other possession he owns. we also see how he breaks it when she dies. then there’s photos upon photos of safi on his phone and it’s implied he takes pictures after they sleep together and -- that isn’t even touching upon how he practically gives up on himself after her death. the mask drops, he starts trying to branch out and find acting gigs elsewhere, wanting to leave caledon forever, and there’s a sense of raw anger and loneliness he feels when she’s gone. he stops hooking up and pushes everyone away besides max, whom he clings to, and it’s a lot, right? there’s love there. obsession, probably. in many ways he’s still the ‘puppy’ following safi around like gwen said, only without maya this time. he waits and stews and he wants, certainly, for her to love him … but was it purely romantic love? who’s to say!
i think vinh wanted safi as his girlfriend before, maybe when things weren’t so tense, and he still believed that fiercely even when he stopped wanting it. i don’t think he knew where his feelings started to dwindle into something less excited and more resigned, or when he started looking for someone else. his priority remained with safi and with yasmin and thus there wasn’t a lot of time to dissect his heart, a rather vulnerable act he already struggles with anyway. he’s a repressive sort of man. he doesn’t do a lot of introspection because he has an act to maintain, a reputation to follow. but i do believe that by the time double exposure takes place, vinh’s love for safi has indeed shifted because his attraction to max veers on something that isn’t purely sexual. there is an undeniable interest, both in dead and living world, that he’s either embracing or squirming away from … i do not think vinh had many crushes at all when he was in love with safi. i don’t think he allowed himself that luxury, because he didn’t want to move on from her, or put himself off the market in case she wanted him again, in bed or in some profound, loving sense. lots of waiting. lots of surrendering, ‘she’ll come around, we’ll make up’, and hoping despite himself. so his romance with max proves to me that vinh is somewhat right in saying ‘or i thought i was’ when talking about safi and being in love with her, because he was before, but he isn’t exactly in love with her now, if that makes sense? i’d say an emotional attachment is a good title for what they have by the time of the games events.
( i do not wish to diminish vinh’s feelings, but i also think there’s a case to be made that he was rather desperate when he thought himself in love with safi ; there was a lot of insecurity within him back when he was a student, weighed down by the fact he was poor and not your standard run-of-the-mill white man … as an adult he scoffs at his acting abilities and wields his power as head of abraxas with a rather tight fist, as though it’s the only control he’s ever had before. it’s rather clear his only two friends were safi and maya and that vinh hasn’t had any since them -- was desperate to stay on their heels despite the fact he was never really apart of whatever they had. it’s not a stretch to speculate that vinh was, perhaps, a cocktail mix of loneliness and desperation rather than strictly in love with safi. maybe confused his all-consuming need to be around her as desire, or maybe just enjoyed feeling wanted by safi enough to mix his wires. after all, why was it safi he was in love with and not maya? vinh also uses sex as a means of coping, as seen by his rather active sex life in game via hookup apps and reggie, so maybe his sex with safi was just that. coping. in it’s own way. regardless, he did love her, or so he thinks so, and to me i think that’s enough, speculation aside )
safiya’s side of things is much more difficult than vinh’s, who is more obvious about his feelings towards her than he thinks he is. there are some brief contradictions, like how it’s stated that safi doesn’t care for vinh ( which is true ) and yet she also acknowledges that when she split apart and lost herself, all that was left of her was moses, lucas, gwen, and vinh. we know that moses and gwen matter to safi, or mattered, and that at one point safi might’ve admired lucas … so where does that leave vinh? if she doesn’t hate him like gwen or lucas now, and if she doesn’t cherish him like moses or max, why is he still apart of her? what does that mean? is it just a metaphor for their times with maya, and how safi will always be connected to that past with vinh because of her love for the caledon’s personal dead girl? was her sleeping with vinh about maya too? or did she actually care for vinh once, albeit weakly and casually, and did that fleeting moment of affection count when she vanished into everyone who’s ever thoroughly affected her life? and, as you said, it’s so fascinating that she hooks up with vinh at all post maya death … it feels strange and odd and unlike her. even in their intimate picture together after fooling around she is nothing but angry, disinterested, her underwear and bra are already back on ( if they were ever off at all? ) and while that’s on account of safi just hating photos, i also think it’s a testament to how irritable she finds vinh’s presence when stuck in it. it’s not a happy photo really, even vinh’s expression is a little red-eyed, forced, like he was likely wasted the night prior. i wouldn’t be surprised if safi was only able to be with vinh if she was … you know … literally out of her mind drunk or high or what have you.
Tumblr media
though, that’s just speculation of course. my vague take on things is that safi went to vinh whenever she was partied out or if she was feeling particularly destructive that day ; choked with self loathing over her mom or maya and so sex with vinh was a means for her to feel even worse. some sort of self harm, some sort of outlet where she could be particularly cruel and evil without consequence, because vinh would take it and roll over -- could even be her way of controlling things too, like vinh with abraxas, because we know vinh has no issues with being led around in the bedroom, so that’s some food for thought. i don’t think she thinks about it after or remembers it much … she really doesn’t think about vinh unless it suits her or if she needs to. i always notice how, in episode four, safiya immediately knows what max is talking about when she asks if safi’s ever transformed into amanda, gwen, or lucas. she owns up immediately, confesses, and understands intimately what situation max is referring to. but when max asks about vinh and the phone, there is a brief moment where safi just stares blankly at her -- like she’s thinking about it, like she doesn’t even remember, before it finally clicks after a beat. either she wears vinh’s metaphorical skin a lot ( which, to be fair, she does pretend to be vinh a lot in game ) or she literally thinks of him so little she’ll forget everything about him in minutes. both are likely! she doesn’t even recall what type of alcohol he likes, calling it bougie japanese brandy ‘or whatever’ … and can’t be assed to remember his phone’s pin number exactly, only vague details about a magician scientist that she clearly thought was boring and lame when vinh told her said story, if her hostility and complete forgetfulness is anything to go by. for me, it’s easy to get caught up in a ‘safi did care! she had to!’ angle about vinh, although the game repeatedly shows you over and over again that she does not. she doesn’t even care that max kissed him really, if anything, she’s more jealous of vinh being with max given some of her remarks :
Tumblr media Tumblr media Tumblr media
( i know, technically, safi’s ‘come again?’ is more nervous than jealous per se … but there is a certain air to it, especially given the ‘i can be your new boyfriend’ comment as seen above lol. if she loves max and doesn’t care for vinh, i can only imagine how she’d feel about their romance in particular! )
and, of course, there’s that part in episode four where safi can disguise herself as vinh in order to tear lucas a new one. i enjoy that part for many reasons! seeing how safi feels so much more comfortable in someone else’s skin than her own is fascinating and makes for good foreshadowing … but there is also the reveal of her opinions on vinh, unabashed and shameless, when she is finally giving him an ounce of thought :
Tumblr media Tumblr media Tumblr media
it’s interesting! she doesn’t care for him, really, doesn’t loathe him like lucas or gwen or her own mother, but there’s a level of vitriol regardless. she thinks him fake. she thinks him a coward. she thinks he’s scared of facing consequences and that he only acts in his own self interest and she hates every bit of that. while safi can confess to doing maya wrong and hating herself for it, she never allows vinh that same courtesy. even says as much to max, claiming that only she had the humanity to regret her choice while vinh apparently didn’t. and yet … she doesn’t hate him? doesn’t feel strongly towards him? he’s still apart of her, a large part, and she can get along with him fine on crosstalk if she so pleases and she can hate his guts but, when the raw truth is revealed, she apparently feels nothing towards him at all? it is fascinating to think about is all. how she doesn’t wish him dead but doesn’t care if he’s alive either despite everything they’ve been through, even though she hates gwen and lucas and her mother more. it’s rather mean, though that’s what makes it so complex and interesting. it shows that safi only ever cares ( and oh, does she care fiercely, obsessively ) for a very slim group of people, and that when push comes to shove, everyone else can fend for themselves for all she cares. she would protect moses and max in a heartbeat, without thought, and the piece of her within them tries valiantly to keep them safe by locking them away from the world ( another thing to dissect, certainly! ), but she doesn’t really extend such empathy towards the innocents caught in her crossfire. she may be tormenting lucas and gwen specifically, but everyone else was going to be collateral damage and safi was fine with that. at least a little bit. vinh falls in that category of inevitable damage, i think, despite their closeness and despite their history, and you can tell that’s what really wounds him at the end of things. safi couldn’t even torment him, didn’t have the want or energy to do so, he was valiantly apart of her and safi didn’t even care about that. very interesting! it’s also heartbreaking in many ways to see two people who should’ve been able to lean on each other, who should’ve loved one another, be nothing but strangers at the end of things. an example of how tragedy doesn’t always bring people closer. sometimes it drives you worlds apart from the one you should be grieving with, which can be seen in other life is strange games, most notably with chloe and joyce, i think.
anyway! tldr : it’s complicated and worth exploring. there are many ways you can interpret their relationship and i highly encourage everyone to find what angle is most interesting to them! and i don’t blame you for finding their dynamic fascinating because it’s easily one of my favorites in double exposure … i don’t think of it often, but it’s always lingering in the back of my mind. regardless, i hope this word vomit is helpful! if i brought up more questions than answers, i do apologize. but thank you so much for such a fun question <3 it was an absolute blast, and tickled my brain enough to pump this out asap.
18 notes · View notes
avonsnumberonefan · 1 year ago
Text
finished the show!! 10/10, better than I expected, yum! definitely wanna draw something about that, but it seems polite to tag spoilers - so blacklist b7spoiler if you're in the shoes of me an hour ago xD
12 notes · View notes
redbean-nom · 1 year ago
Text
watched the first 2 episodes of acolyte and so far i like every character except for the main one lol. (also is her name osha as in occupational safety and health administration??)
#star wars#the acolyte#acolyte#the nemoidian faces look really good#definitely the best looking prequel alien from the last few shows#rather ironic to name Miss Hazardous Workplace Conditions 'Osha' lol#the assassin lady was really cool looking#it was pretty funny to see that the 120bby sith assassins are reasonably friendly to each other#and at least help each other somewhat#and then there's poor ventress (and briefly savage ig) who just get force-zapped a bunch#the conversation between sol and vernesta(?) at the end of ep 2 was also pretty funny#vernestra: well we have to take time to Thoughtfully Deliberate this situation so we can respond wisely :)#sol: SHE IS ACTIVELY TRYING TO KILL ME???#poor guy hope the situation works out better for him#hey at least his new padawan (orange theelin) is smart#anyways might draw one of them idk#more inclined to draw nightsisters and soft wars rn but we'll see#whos the sith(?) cant be plageius bc hes a muun right?#how old is palpatine again? was the acolyte project his Sith Senior Thesis or something like that#unrelated but the scene of the jedi running around the ice planet bareheaded was so infuriating lol#PUT ON YOUR HOODS I KNOW YOU HAVE THEM#maybe i'll draw hats for them all#i found it a bit weird that they basically gave osha the anakin background? having her be *eight* specifically when she got to the temple#felt a bit off#kind of like it's taking away from the caution around anakin's induction? since i think koth was four and that was considered 'late'#so for a non-prophecied random kid to show up at age eight?#on the other hand maybe they only got cautious about age after this whole debacle happened? idk i'll see what happens#ok i think thats all
10 notes · View notes
draconicace · 2 months ago
Text
i can't say this to my mom because she gives me rides and i can't afford to piss her off. but considering my brother (allegedly) stole from her and she loves stealing from me, it must be fucking hereditary
also don't read the tags if you're a worrier. it sounds bad and it is bad and life is bad for me right now. but causing people to worry over me isn't going to help
2 notes · View notes
marshmelia · 9 months ago
Text
Reposting some do my old art!! I won't do all of them of course since there's too many, but here's a bunch of OC art from all the way back at 2022
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
3 notes · View notes
thaliagrayce · 2 years ago
Text
just saw the barbie movie and honestly i can't believe there aren't more posts about Gloria??? like i understand that it was The Barbie Movie and Barbie is the main character and it's About Her, but it's only about her because it's actually deep down about Gloria
17 notes · View notes
arlydarkfire · 2 years ago
Text
being a smaller creator is fun and cool actually because I can be REALLY embarrassing online and nobody gives a shit because i'm like a little worm to them
11 notes · View notes
moonlightfilly · 2 years ago
Text
I think I need to stop waiting to have a close relationship with my siblings. All it ends up doing is make me sad every time I get home from a get-together. I think about the ones that didn't talk to me, the ones that only relate to me through their kids, the ones that only know things from 15+ years ago, I just need to let it all go.
2 notes · View notes
ravenintraining · 4 months ago
Text
i'm back in the fucking document again
3 notes · View notes