#typelab

[hlianiesonca]

typeface Bau

Continuing the work on my typeface — bau, a modular grid-based alphabet inspired by the structural clarity of the Bauhaus. Each letter is constructed within a strict square system — limiting expression to geometry, yet revealing rhythm through form.

This is not a decorative font. It’s a study in structure, in constraint, in balance. Where every shape follows a logic, but keeps its own identity.

Built on the principle: less, but better.

instagram: hlianiesonca

[objecteiespai]

View this post on Instagram

A post shared by Typographics (@typographicsnyc)

A design festival for people who use type. June 2024. 📢Conference June 14–15 🎨Workshops June 10–18 🧪TypeLab June TBD 📚Book Fair June TBD

a Mastodon:

dd

​dadacomunica

hommustudio

ogilvy

padregroup

[eduairet]

This is the last @typographicsnyc #TypeLab day 😢 Thank you Cara and @petrvanblokland for the opportunity to give my demo. Thank you @genramirez for your dedication and for the incredible workshop with @zrinzrin The fabulous mexican team and my colombian friends tagged on the photo and all the wonderful people who talked and inspired me!!! Be safe and see you next year. #typelab #typelabsamericas #typographicsnyc (at Huixquilucan) https://www.instagram.com/p/CBrKyWujGXF/?igshid=11mkw5ndefk35

[screeenshots]

[irina-k]

From Make Type If You Want To, a presentation for Typographics TypeLab 2020

New York, June 18, 2020

[patrickmcmullin]

Event branding & type for Sense/Net Events based in Vienna, Austria - Jan, 2020

Follow @pad.mc for more.

[thhimu]

Be patient with yourself, Nothing in Nature blooms in all year. #painting #typography #watercolor #nature #typelab (at Studio Arrival)

[trcreativecoding]

This year in April 2019 the 4th Creative Coding Days, a small meetup for creatives working with technologies, will take place! We share a beautiful, large house far out in the flatlands of North Holland. The CCD is a four-day meetup of creative technologists from all around Europe. A creative break with good talks, nice people, great food and a lot of inspiration. A time to work on the projects that really drive us. Wanna join us? Cool! Drop me a line on facebook! #processing #creativecoding #generative #generativedesign #creativeappsnet #poster #posterreposter #posterdesign #itsnicethat #posterlabs #graphicdesign #aiga #slantedpublishers #typography #typelabs #typolabs #weltformat #weltformat #certainmagazine #certain https://www.instagram.com/p/BuHdGcNBKLF/?utm_source=ig_tumblr_share&igshid=unu74guwaj4x

[antipodestudio]

Edda, TypeLab & Mekanisk collaboration, 60% ergo alice style

[997]

MY FRIEND BIANCA IS ABOUT TO PRESENT HER TYPEFACE/FONT IN THIS LIVE STREAM !!!! PERIOD

[tt-type]

Marc Armand via TYPELAB * with Standard type

[shubhamkhanna56]

Buy Lab Grown Diamond Madeleine Solitaire Ring

Indulge in the royal charm of Princess Madeleine of Sweden with the Madeleine engagement ring from Better Diamonds.

Item Details

Product Price: ₹ 30,576

SKUBDER12-14K-YG

Metal TypeYellow Gold

Metal Kt14K

Product Weight2.45

Band Width1.5 MM

Center Stone Carat Wt0.51 ctw

Side Stone Carat Wt0.197 ctw

Diamond TypeLab Grown Diamonds

No. of Diamonds8

Diamond qualityD-F, VS-VVS

Shipping

Your order includes:

100% Exchange

15 Days Return

Certified Diamonds

Made in India

Trendy Aesthetic

10% Discount on 1st purchase

80% Buy Back

[oliviakongbcu]

For my first project, into my last year at university, I have decided to approach the field of type design to try to expand my knowledge on the process and the ways typography is changing. When researching into this topic, I came across this article by It’s Nice That where they explore the recent project from Typelab to sent typefaces into space as a way of communicating human culture and history. I have documented by notes and analysis by highlighting key points from the extracts I have collected below.

The extract suggests that the Typelab is pioneering space for newcomers in the industry to help provide them with a platform to expand their work, encouraging more to support the designers. However, it highlights that the digital platform is developing further by becoming a type foundry that built for budding creators across the globe. The company is growing with the times and filling a gap in the market, as the same fonts, created hundreds of years ago, are still consumed today, creating the same visuals over and over again. We, as designers, want new and fresh fonts that are unique to clients or brands.

The concept is all about capturing the essence of human culture through a capsule of typefaces that express the variety of groups within the umbrella term, typeface. By resembling the Nasa launch, it adds greater emphasis on our culture, as the company is one of the key figures in our understanding of outer space. The history and legacy of the company would be linked, to the Space Collection, due to the vast similarities. This would help to add to the heritage stored in the capsule.

The phrase ‘cultural references’ suggests a typeface is heavily influenced, by the culture at the time. They can detail the desirable style of lettering and how the designer created them if only we looked closer at them.  A typeface in itself is a time capsule that can be reflected and learnt from if only we looked past its usage.

The statement suggests the collection takes on a wider perspective into our culture by showcasing the work of international designers, as a way of creating an accurate glance at our society.

The futuristic theme was a great way at capturing the idea of the project, as it treats each typeface like its own planet or universe, helping to capture the emotion tied behind the design. By personifying each typeface, the viewer can delve into their imagination and mould the meaning or story to their heart's content. The visuals are easy to understand and take away, regardless of their technical knowledge of design.

The statement highlights that the needs of brands and consumers are altering to become more digital and experimental with motion as well as typography. It implies that the way we use and create typography is changing, rather than producing typefaces for printer presses, we desire flexible fonts for all uses. The development of technology has increased the need for digital outlets, as it ensures every part of a brand's audience will be targeted effectively. By combining an experimental style with motion and typography, it breaks the visual chaos from competing brands to ensure that more consumers are aware of the other options on the market.

Final Evaluation:

The concept behind the Space Collection is exciting as it opens up new ways that we could use and create typography. It highlights that the industry is no longer satisfied with typefaces working to only print mediums. With the technological advances, it makes sense to push type design into motion to fit with the changing requirements from consumers and brands. By following this direction, it ensures that the industry stays relevant and in touch with the current development of technology, helping to keep the demand for new typefaces.

In my opinion, I believe the addition of motion helps to add to the hidden stories and heritage behind a typeface, as it’s challenging to decode a typeface without the knowledge of type design’s extensive history. Consumers would not be aware of the difference between a serif or sans serif typeface. By adding movement, it creates visuals that aid the understanding of the hidden meaning, as it produces a visual language that any viewer can breakdown easily.

[eduairet]

Register for TypeLab and join me to get a little dark with the blackletter and the ruling pen. shorturl.at/bluJ3 #typelab #typographicsnyc #calligraphy (at Huixquilucan) https://www.instagram.com/p/CBjyPnvjWIW/?igshid=xy8vj2o1orzz

[eyecontact]

This is a room shot from my talk at Typographics a couple of weeks ago – I’m sitting with my laptop at the table over yonder... It was fun! Yay TypeLab! Good times!

[irina-k]

From Make Type If You Want To, a presentation for Typographics TypeLab 2020

New York, June 18, 2020