#unfortunately i like the physics stuff but also good characterization and plot

[sapphicautistic]

if you write a book with a cool idea but you do a bad job of it somebody should get to just take your exact idea and try again but better. actually wait even if you do a good job and it makes me want to read another take on the exact thing somebody should get to do that too

[paragonrobits]

resumed film challenges with a friend and this week we did KISS Meets The Phantom of the Park

here's my review on it, and also on LetterboxD if you go there!

Supposedly this movie was a reason several of the original members of KISS left the band. All things considered, yeah, I can see it.

As an overview, the movie has a fairly solid plot, all things considered; a failing park has a concert starring KISS to drive up sales, as the technical side of the park’s management (our antagonist, Abner Devereaux) is gradually being pushed out. The plot is kicked off when the fiance of Melissa, our primary protagonist besides KISS themselves, goes missing. During her initial search for him, we see that Devereaux is using a mechanical means of controlling him to essentially convert him (though without any of the implied physical ickiness my choice of words inevitably implies) into a kind of animatronic, which he otherwise excels at as shown through a recurring them of amusement park classic horror movie monsters such as Frankenstein’s Monster and Dracula that show up in a memorable (though padding-heavy) scene as a bunch of punks mess around and wind up being captured to become further animatronic-like minions under his control. Without much other recourse, she asks KISS for help, whom in the context of tihs movie have superpowers.

On the whole, I’m not terribly inclined to poke fun at that alone! I mean, yeah, it’s a silly idea. But I am all about silly ideas, particularly when the work is completely serious or earnest about it, which to its credit this movie is. I can’t say it's executed particularly well, to be honest. The special effects were likely hokey even when this movie was new (not that i regard special effects being bad as a NEGATIVE thing, exactly; for my part I still like the likes of Strange Brew with its goofy special effects), and the movie runs on the vibe of So Bad It’s Good. To be honest, though, I wouldn’t call it particularly good even with that; as much as I’m inclined to at least lean with the basic idea, it runs into the movie’s biggest problem.

I’ll never really be shy about this, but a lot of characterization or motivations can have trouble getting my interest, especially if the setting is mundane in nature and romance in particular is just not interesting to me for the most part, and this movie’s biggest problem for me is that it’s… well, kinda boring. When Devereaux argues with his partner on business stuff, I’ll admit that IS genuinely interesting. To just me, maybe? Probably. I honestly wouldn’t have minded a full 1 hour 30 minutes of exposition heavy dialogue on the implications of business versus unfounded technical experimentation. To be fair, I still firmly remember reading The Hobbit as a child and there’s a brief bit when the extensive stay in the marvelous elven city of Rivendell is brought up and the narrator remarks that it was enjoyable but far too dull to be of interest to a reader and the irony in how the pleasant every day things aren’t interesting enough to read about, and young me thought: “Nonsense! I’d LOVE to read a book of nothing BUT that, that sounds amazing” and in fairness, this is likely as close to slice-of-life stuff that I like, besides a potential notion that it must chiefly be of interest to the reader before it becomes interesting, rather than strictly on its own merits. But anyway my point stands that I would have liked those kinds of heavy dialogue over… uh, whatever it is this movie has going on. It’s something, alright, but it wasn’t all that interesting.

I mean, really. We have KISS fighting evil robot duplicates and horror movie animatronics, with SUPERPOWERS! That’s amazing! How on earth do you make that dull? Unfortunately that’s kind of the best way to describe my experience with this one. A bit sad but that’s the best you can say about some things.

It doesn’t help that there’s quite a lot of padding in this one; it takes about 30 minutes (a not insignificant chunk of a movie that’s one hour and 30 minutes long) for KISS to actually show up, assuming you don’t count the intro credits in which they are the first thing we see in the movie, though given that its them just rocking out, I honestly can’t count that. It DOES feel like cheating that I can’t, but that’s just the breaks. But most of the first 30 minutes are spent with a number of characters (Melissa and her fiance, a bunch of admittedly pretty amusing punks whose character really makes it clear that this IS A Hanna-Barbera film, if the sound effects didn’t clue you in… and honestly it didn’t for me, those went right over my head, I just liked how they sounded) whom I didn’t find that interesting except for the antagonist.

On that note, he does have a pretty neat and wacked out long term plot, REPLACING HUMANITY WITH HIS PERFECT ANIMATRONICS. It makes no sense, it’s completely bizarre and it’s JUST to the left of a genuinely horrifying notion that the movie largely avoids since there’s no actual tinkering with the physical body, just slapping them with a device that makes them do whatever he wants. In short I kind of love it. It’s a fun antagonist motivation that fits the tone of the movie quite well.

It takes a while for KISS to actually show up, and I must confess that even though I was a kid in the 90s back when KISS was still well remembered, I never really knew much of their music. It wasn’t for their music being disliked in my household; my mom loved rock and roll in general, though I can't recall her feelings on KISS besides ‘they exist, I guess’, being much more of a country and rock household. Besides some of their music in Brutal Legend, KISS has been in a weird spot in that I am intellectually aware that they were pretty big players back in the day but I’ve never really listened to them or heard anything they sang. Their music in this one is darn good; its arguably the best part of the movie apart from how seriously it takes its own more outrageous elements. KISS themselves, as they are portrayed, are kind of boring. They’re still probably more interesting than the rest of the cast, but unfortunately it was still quite hard for me to get a read on them. I even had a hard time telling them apart with the exception of Cat Man and The Demon, and that was mostly due to them having the most obvious outliers of face paint and character depiction. (I kind of have to appreciate what I can only assume is The Demon’s dedicated to kayfabe.) Their powers are ill-defined but that kind of works well for this movie; if you consider powers in fiction as ways to solve problems or introduce interesting story elements, they certainly do that well enough here. The origin of their powers are vague but, again, work well enough for the movie. I don’t feel that they NECESSARILY need to have every detail explained, and honestly that would probably have been weirder than just going very soft on it.

I hear that Ace was the only one into it and you can kind of see; for the rest of the movie he stands out the most (besides Cat Man, who is quite dedicated to his puns in a way I honestly can’t fault) as having the most energy. There’s a concept known as taking the bad movie seriously and he’s not doing THAT, he’s having fun with a cornball idea and rolling with it, so I kind of liked that about him. For the others, as noted, except for the Demon and Cat Man I had a hard time telling them apart at all, though I must note that apparently Peter Criss, who was Cat Man in KISS, had most of his lines dubbed by Michael Bell, whom in a bit of personal recognition was a major influence in my life, as he did the voice work of Raziel in the gothic Legacy of Kain series. (I’m certain anyone who is even slightly familiar with my tastes or interests is probably going ‘yeah okay that tracks’.) A minor thing but it sticks out!

The rest of the movie honestly isn’t that much more interesting, though it does have a pretty neat concept of robot doppelgangers that show up in a way that honestly makes Devereaux feel a bit like Willy Wonka. An EVIL Willy Wonka. (Or, if you take the memes as semi canon, an evil-ER Willy Wonka.) All things considered, while I wouldn’t call it solid it’s at least… semi-gaseous? I mean, it’s not plasma, if you’re willing to stretch the metaphor as much as I am.

Ultimately it reminds me quite a lot of the ‘Scooby-Doo Meets X’ that was a popular feature on Cartoon Network back in the day. (Goodness but I miss those, and Don Knots showing up all the time, according to my memory.) Given that this IS a Hanna-Barbera feature, that is appropriate, but this comes off as a lackluster and uninteresting variation of that theme. I’m not suggesting that a talking dog would have improved the movie, but it probably wouldn’t have made things any worse and felt about as consistent, even if it would have torn the poor budget to pieces. In the end, there’s a remarkable sincerity to a lot of it I appreciate, even if I can’t really LIKE this one.

(It’s still better than Joe Dirt, though that’s really something in this movie’s failure. There’s probably some discussion to be had on the merits of being bored versus actively repelled, since the latter implies genuine engagement, but frankly I don’t like thinking about it!)

Musical challenge! Theme twenty-six, a film about a band!

[hehe-hoho-ohno]

Uhhh for the ask game, 4, 13, 26, 40, 45, 48, snd 63??

If this is too many questions, please choose the ones you feel most like answering!

I also wanted to say your work is awesome and thanks for sharing it!! Your characterizations of the twins are awesome and very cool!!!

I'm gonna post this now before I go to sleep and lose my sleep-deprived confidence lol

Aaaaaa! Thank you! I'm glad you like it!

That is a lot of questions, but I will do my best!

4. What is the plot bunny you've been carrying the longest? Optional bonus question: do you ever wonder why you haven't written it yet and experience deep existential dread?

Eh, the plot bunny I've had the longest is some non-fandom stuff, to which I will spare you the details.

My longest held *submas* plot bunny would be a Nimbassa Trio focused story. It would have been a young Elesa POV fic where she is on her pokemon journey, where she occasionally runs into and slowly befriends Ingo and Emmet. The catch is, due to only ever seeing them separately, she thinks they are one very eccentric and forgetful person rather than two identical twins. Hijinks ensue.

I haven't written it because I started writing Two Car Train instead, and it wasn't an idea I was super attached to.

13. Talk about a writing experience that pleasantly surprised you

Not to give the same answer that everyone gives to this question, but the positive response my works have received. A lot of people have been extremely kind and supportive, and I am very grateful.

26. Do you like to write one-shots or series, and why?

I prefer one-shots because I'm more likely to finish those and there is less pressure overall.

45. Name three of your favorite fanfic writers.

This is such a difficult question. There are so many good ones! In fact, I'm so bad at picking favorites I'm about to pick way more than 3. Ngl, this is such a mean question. There are so many writers that I like.

The submas/PLA ones: (in no particular order, and despite being stupidly long I'm still somehow leaving out a lot of really good writers that I really like)

- WaywardStation (if you want Uncle Ingo content, this is where you go. Immaculate Ingo characterisation all around)

- Random_ag (their fics that aren't YOUR GOING BACK HOME FUCKER actually don't do that well statistically. If you have time, you should check some of their other stuff out and drop a comment :))

- Blaiddsumu (they're better known for their art here on Tumblr.hellsite but they do write as well and it's very good. I particularly liked the Undertale crossover)

- DoobleBugs (like above, better known for their art but they have some banger fics too)

- Koidefender: (Nobody reads their Emmet centric stuff. You should read their Emmet centric stuff)

- EVTrainingUniversity (Has recently passed 50 pokemon fics, and I am impressed)

- Bluegamergirl11 (great for hurt/comfort. Will stomp on your heart and then put a bandage on it.)

- StellarCoachman (updates so quickly and I'm very impressed.)

- ImpossibleJedi4 (all around cool dude)

- 4phoenixfeathers (I am particularly fond of their fusion AU)

- Yautjan (In Tandem is so good)

(I'm cutting myself off here or we'll be here all day)

Non-submas writers: (they are all Sanders Sides writers, which was accidental on my part)

- SoDoRoses (lots of queer content. Has gender. Has ace rep)

- AdrianaintheSnow (sometimes I will read the summaries and be all 'I dunno about this one, chief' but then I'll actually read it and it's a banger everytime)

- arealsword (thoughtful, existential, and clever writing. One of my all time favorites. Strange AUs but the bizarrness is a key part of the charm)

48. Do you reread your own stories?

Sometimes. If I'm trying to return to a muilt-chapter, I'll read the previous chapters to jog my memory. Unfortunately, there is a 50/50 chance that I'll find my old work so painfully cringe that I physically can't read it.

63. What's the best insult you've read in a fic?

I know I must have read some absolutely scathing ones, but I'm afraid nothing is coming to mind right now. Sorry!

[soyfreesmore]

Can you give me tips about characterization and story writing and how let you readers keep up with your upcoming chapters ?

Sure! I’d love to!

So, for me, my tips should probably be taken as a grain of salt because what works for me might not work for everyone, but I’m always happy to share!

1. Physical Characterization: with this one, the best tip I can give is to start off small. Figure out the basics of your character. You know, stuff like “they’re smart, creative, and impulsive” and figure out a few basics of what they look like, find specific details to focus on. Like the design of their freckles or if they have a crooked nose or a facial scar, or big ears. Try to find distinct and easy ways to recognize your characters through both physical and personality traits. For instance, my character Kya is petite, she has black hair that matches the dark shade of her eyes, she has a small beauty mark below her left eye and wears round glasses. However her most distinct and signature trait is that she wears hair bows, usually a blue one. Now she’s easily recognizable to the audience. Now you’re going to associate hair bows with Kya. Association works wonders, find traits for people to associate with your characters.

2. Personality Characterization: Personality wise, you’re gonna want to do the same thing, you’ll want to figure out some signature personality t traits that make it easy to associate with your character and really make them stand out! For instance, with Kya, some of her most common traits is that she’s witty, charismatic, and impulsive. If someone is causing chaos in the background, it’s usually a safe get to assume it’s her. Now she’s not only easy to find in a crowd based off of her looks, but her personality as well! Try to find things unique to your characters, something that really helps drive home who they are and make them easily recognizable to the audience, try to make sure they have iconic and memorable traits in not just their physical appearance (including how they dress) but also their personality! Hope this helped!

3. Story Writing: This is probably unhelpful but honestly? Just start writing. Listen, you can plot, outline, and think about your story all you want but you don’t actually know what’s going to happen until you start to write it. For me, personally, I usually make multiple outlines and change them the further into the story I get, my stories rarely follow along the original plans I had for them, they take off and become their own thing. Now, outlining and plotting can be really important, and I think it’s a good idea to take a minute and write down the main things you want to happen in your story and when they should happen, but don’t be too upset if you don’t stick to it, follow the natural flow of your story and let your characters help guide you over where to go. I mentioned this in one of my earlier posts, but one of the best things you can do is listen to your characters and let them help you figure out where the story needs to go!

4. Promoting: Alright, this is gonna be the one I struggle to help you with the most. I keep my readers updated by prompting new episodes (as I write serial fiction) through social media platforms, I usually give them a little snippet of what the next episode holds and then direct them to where they can find it. This seems to work, however you also have to have readers who wanna read your work, and unfortunately, I’m still figuring out how to get readers invested in my story! I’m hoping that they’ll see how much genuine love I have for my story, my world, and especially my characters and feel drawn to it, but it’s still a major work in progress. Another thing that helps is to make a newsletter! Though I’m also still working on that as well.

This is about all I‘ve got, I hope this helped, and thanks for the ask! I’m always happy to answer!

[malarki]

Harry Potter FanFiction I greatly enjoy (it’s just tomarry and sevitus)

Fair warning, I’m not good at describing stuff, and most of these are not complete (yet) but if you have similar tastes as I do then you’ll definitely like these stories.

Meddling of a Mischief Maker - by Athy

https://archiveofourown.org/works/5380535/chapters/12427268

I enjoy this fic because it shows a more human Voldemort with him still being an asshole as per usual. They do a good job of having Voldemort believably change into a not crazy murderous bastard haha. It also has Sirius interacting with Voldemort and for some reason I find those scenes hilarious in any fic I read.

“Harry's being a horcrux is a bit reworked here in this AU Story set during the summer after 5th year. A Mischief Maker intervenes in the Ministry during Voldemort and Dumbledore's duel, changing the course history. MorallyGrey!Dumbledore, Sirius, Restored Souls, HP/TR”

Draw Me After You (Let Us Run) - by ToAStranger @toast-ranger-to-a-stranger

https://archiveofourown.org/works/22327684/chapters/53334382

This story is a delight, it’s tone is very good and they do a great job of writing in the characters ‘voices’ for their pov’s. I especially like the posh way Voldemort talks and acts. This story is also hilarious on top of just being a very good slowburn, AND it has Sirius, which as you might have guessed, I love dearly. They also don’t bash any of the characters, and instead make them well rounded but flawed individuals, which I really appreciate.

“Harry Potter,” comes the soft, sibilant hiss of a voice he has heard in his dreams, in his nightmares, in his waking hours for years.

Slowly, carefully, Harry twists over and pushes up onto his hands and knees. He stays there, short breath fogging in front of his face, and his pursuer lets him. Harry has no doubt of that; he’s being allowed this respite. This small moment to catch his bearings, heart pounding in his ears, blood singing.

“It seems I have finally caught you.”

Consuming Shadows - by Child_OTKW @childotkw

https://archiveofourown.org/works/7040089/chapters/16011331

I’ve read two of childOTKW’s fics and both of them are fantastically written and attention grabbing stories. This one was the first one I read, and it has a very interesting take on lily Potter (one which I really enjoy) and the plot can leave you on the edge of your seat at times. The characterization is great, and the process of Harry and Tom getting to know each other is done very well.

“His attention skipped passed the students and moved to the politicians’ pavilion. His gaze locked with crimson, and he nearly faltered under the sheer hunger in those eyes.

It unnerved him how fixated the man was on his dirtied, exhausted figure.

But what troubled him more was the slight smirk he could make out on the man’s lips. It was almost pleased.

On the night of the attack, Lily managed to escape with her infant son, but at the cost of her husband’s life. Distraught and distrusting of her friends, she fled to France with Harry, to raise him away from the corruption in Britain and the rising influence of the Dark Lord. She trains him to the best of her abilities, shaping him into a dangerous, intelligent and powerful wizard.

But when Britain re-establishes the Triwizard Tournament, and Harry is forced to return to his once-home, he finds himself questioning whether he really wants to kill the Dark Lord. Voldemort finds an unexpected challenge in the child, and as his intrigue and amusement grows, so too does the desire to possess the spark in those defiant green eyes.”

A story that is kind of similar but not really: The Train to Nowhere

You Belong To Me (I Belong To You) - by child_OTKW

https://archiveofourown.org/works/11270490/chapters/25203408

This is a story inspired by the manwha ‘At The End Of The Road’ by Haribo. A comic I read before reading this, which is very good I recommend it. They do not take the exact plot from the comic though, obviously changing significant details for it to work properly as a Tomarry Fic, but one main thing stays the same, which is that this is a body swap. Honestly I really enjoy childOTKW’s works, and this is no exception. The characterization is wonderful as always, and Harry is Fantastic. Plus I’ve always been a fan of time travel fics. (Fair warning this is another slow burn and Harry centric)

“What I find absolutely fascinating,” Riddle said, stalking closer, “is you.” He marched forward, backing Harry up until he was pinned to the cool wall of the common room. “Do you know why?”

“No. And I’ll be honest here, Riddle, I don’t particularly care.”

The taller boy grinned at him, small yet infinitely pleased. “That. Right there.” One hand rose and brushed some of Harry’s fringe from his face. “Nathan Ciro was a spineless little boy too afraid of his own shadow to dare even glance in my direction. But you…”

He leaned closer, “You look at me like you want to stab me.”

“After an accident, Auror Harry Potter wakes up in the body of fourteen year old Nathan Ciro, a tormented Slytherin who recently tried to end his own life. Seeking answers to his strange predicament, Harry returns to Hogwarts, and causes quite the stir through staff and students - especially when they come to realise he is not the same boy as before.

He tries to avoid suspicion, but as his quest for the truth draws more and more attention to him, Harry begins to think that he might not like what he will discover.”

Some Bonus AU tomarry

A Thousand Paths Among The Stars - by Haplessshippo @haplesshippo

https://archiveofourown.org/works/12015060/chapters/27191238

This is a star trek au and it’s honestly my favorite tomarry au fic. Granted, I am a huge sci-fi fan. There’s also a bit of a twist at the end, or at least it surprised me, due to the way we usually expect tomarry plots to go.

“Harry Potter, newly appointed Captain of the Marauder and son of the famous Captain James Potter, was falling apart at the seams. His crew didn’t respect him, he was lost in the empty expanse of space, nightmares plagued his sleep, and his Commander deserved the Captain position more than he did. Good thing multiple attempts on his life and a vicious warlord after his head was all it took to turn it all around.

Alternatively, that space fic in which Harry Potter almost dies too many times, Tom Riddle slowly becomes the most smitten fool on the ship, and the rest of the crew are all just a bunch of assholes with popcorn watching the show. And exploding ships, don't forget the exploding ships.”

The Matchmaker - by TanninTele

https://archiveofourown.org/works/16507676/chapters/38664089

I am ALSO a huge true crime fan, and this story has a criminal that kinda reminds me of one that might appear in Hannibal (but with less murder). I enjoy the characterization, though tom is pretty tame in this compared to more cannon fics, considering he’s not the criminal and instead an investigator. Harry is also different from how people usually portray him, but I still like it.

“'The Matchmaker' is a serial abductor whose modus operandi consists of pairing two same-sex individuals together in a coffin, six feet underground - buried alive. He isn't a killer. He's a kidnapper with morals, and Detective Chief Inspector Tom Riddle finds himself obsessed with solving the case.

Unfortunately for Tom, the Matchmaker is just as intent on knowing him.”

And on to the Sevitus Stories

Far Beyond A Promise Kept - by oliversnape

https://archiveofourown.org/works/547431/chapters/974693

A classic, Harry stays with snape and unintentionally proves all his assumptions wrong and makes snape care about him. Both the stories have this aspect, but this one has snape a bit nicer from the get go. Probably because it takes place during the third book, so they’ve only known each other two years. It’s quite wholesome though, and I rather enjoy the progression of their relationship.

“Snape never wanted anyone to know of his promise to Dumbledore, but has realised that he can protect Potter much better by taking a less passive role in the boy's training. Actually liking Harry Potter has never been part of his plan. mentor/guardian.”

Crime And Punishment - by melolcatsi

https://archiveofourown.org/works/24102232/chapters/58018174

Snape and Harry have way more of a rocky start in this one, and Snape having to pick Harry up from the police station Really Doesn’t Help Snape’s opinion of him. This story very realistically shows the progression of their relationship, going from enemies to family, and near the ‘end’ (it’s not finished) it becomes very wholesome with Snape trying to help Harry with his mental and physical health after years of abuse/ neglect.

“Harry is accused of burglary. The Dursleys leave him to rot. Dumbledore sends Snape to remedy the situation. Harry finds himself in the care of an irate Snape. Not slash, gen-fic w/ focus on Sevitus relationship. Angst galore. Warnings: coarse and suggestive language, mentions of abuse/neglect. Un-betaed and un-Britpicked.”

[shijiujun]

Have you read 2ha? I’m thinking of reading it , but I heard it can be very triggering, so do you know any specific things to look out for?

heya! yep you can read my full rec here and in case you need to zoom into a portion just for the trigger warnings and other lovely info it’s here and also what i think about the trigger warnings debate for 2ha in general i wrote at the end of my rec - there’s some non-con, dub-con with drugging, among other things in the past life and others that are part and parcel of the setting and world that meatbun (the author) has set up. if you’re really uncomfortable with these you can skip this one, totally valid because everyone has different triggers/things they’re uncomfortable with! 

although i have to say the parts that people talk about most, it’s not exactly the crux of the story (hmm it’s in the past life background/setting and it is what it is) and 80% of the book i think are focused on normal, regular stuff, but the themes are definitely a little heavier than usual! the main couple torturing each other emotionally, sometimes physically, and them both willing to be tortured on behalf of each other, character deaths here and there, a lot of sobbing on my part - if you have any strict trigger you’ll probably have to avoid this one, but if you don’t, you can read what i think about the debate on the trigger warnings (not the the trigger warnings themselves, those are there and valid, and are what they are) in the rec linked!

personally it was pretty rewarding! i honestly haven’t read anything quite like 2ha - the pain and angst is unreal, and every detail and plot and character has its place, every arc has meaning (erm with the exception of farming arc because that one was there purely to show that the main couple THIRSTY after each other lmao) - and even tho it’ll take me a while to reread again (i’ll probably do it slightly before or during the airing of the live action that’s upcoming), it is, in my opinion, the best danmei i’ve read? and one of my faves in terms of mastery of worldbuilding, plot etc. 

i’m more of a comedic, not-so-serious reader when it comes to danmei, my criteria for faves are quite simple like 1. main guy faints a couple of times at least 2. dumbass idiots 3. some plot 4. not too much angst 5. my fave characters don’t die HAHAHAHAHA - but 2ha for me is like, it lives in like this alternate plane of like godhood - it’s just that good. no other danmei i’ve read so far comes close in terms of characterization, portrayal of love, worldbuilding, interweaving of plots etc. (okay maybe tgcf, but 2ha made me cry 4 days in a row if that’s any sort of meter) this is pretty much a perfect combination of everything, and yes unfortunately that does come with some pretty heavy trigger warnings :(

[codevassie]

Superpower TS Fic Recs

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What You Can Stand by manyfandomsonelog

Status: Incomplete, Work In Progress

Summary:  Virgil tried so, so hard to avoid becoming a supervillain. He really did. But when your superpower is literally manifesting a person's worst fears, it's a hard thing to avoid. Still, he really, really tried. Even when his own parents feared him. Even when the whole school feared him. Even when he hated himself and his Propensity so much that he wanted to give in. He might've succeeded, if he hadn't met him- Roman Reyes, AKA Roman Spectacular, AKA The Prince, AKA the worst thing that has ever happened to him (which is saying something).

Relationships: Prinxiety, Logicality 

CW: Psychological stuff, nightmares, bullying, physical harm, spiders, panic attacks, suicidal thoughts, brief discussion of racism, self-hatred,  bomb, explosion, blood, injury, bad/abusive parenting, imprisonment, fire,  homophobia, pedophilia mention, discussion of child abuse, evidence of physical abuse, sexual innuendo, anxious thoughts, death, funeral, flashback, reference to sex, fairly aggressive arguing and yelling, public speaking, secondhand embarrassment

My thoughts: My quarantine savior!!! I started the fic like a week into quarantine, so I really mean that literally. The characterization is absolutely fantastic--I love seeing all of them interact. It’s so natural and fun and interesting. The plot is also just wonderful--one thing keeps happening after another and these guys just cannot seem to get a break. The pacing is awesome, and whether it’s a character or plot chapter, you just can’t look away. Log is such a fantastic writer and a wonderful person, so if you like awesome prinxiety, superpowers and secret identities, trust and betrayal, humor and angst, you really need to read this one! 

Rewind by ravenclawicecream 

Status: Incomplete, Work In Progress

Summary: When a group of superheroes show up to kill him, it's just another Wednesday for Virgil Messana. After five years of being on the run, he's used to the idea people want him dead. That fact is just an unfortunate side effect of having the power to destroy everything you touch. What does surprise him, however, is when he finds himself agreeing to join those superheros and become part of the team. It's not long until Virgil learns that all the heroes have chapters of their lives they'd rather keep unpublished, along with events they'd rather not relive. And, as he spends more time with the team, he realizes that he may know certain members much better than he'd originally thought. Virgil longs for a moment to figure everything out but by then it's too late. He's already caught up in a bigger scheme; one where they no longer have the power to control their own destinies. With every movement monitored and every action proven to be calculated, the lines between allies and enemies blur, leaving Virgil caught in between. When the stakes are inevitably raised, the remaining heroes must do all they can to change the future of the world. But time has always been a cruel master, and sometimes the only answer is to rewind.

Relationships: Loceit, Logicality, Prinxiety, Remile

CW: Major Character Death, Murder

My thoughts: Gosh, I wish this one got more love. It’s probably the MCD tag, so understandable, but also take into consideration the time travel tag and perhaps give it a chance? I feel like this fic is setting up for so much, and I cannot wait to see how it all goes down. I have so many questions for this fic which is always a good sign (so many that I may have freaked the author out with my WALL of questions on chapter three don’t worry about it /j). Please. Read. This. 

Powerless by patentpending 

Status: Complete

Summary: “People like us,” Logan had once remarked to Virgil. “Are statistical anomalies.”(Almost) Everyone in the world has powers. As for those who don’t, well, they’re such a small part of the population - only 0.04% - why would anyone care about them?Ever since he realized what people mean when they call him Powerless, Virgil Sanders has tried to fight back against the system that oppresses people like him, Patton, and Logan. When Patton’s bakery is targeted in a hate crime, he finally snaps. With the help of a mysterious sponsor, Virgil becomes a villain, ready to remake a broken society. The only thing standing in his way is the world’s most Powerful (and infuriatingly charming) superhero: The Prince, who is hiding the fact that his gilded life isn’t as perfect as it may seem.

Relationships: Prinxiety, Logicality, Roman/Female Fanon Character 

CW: Classism, Unreliable Narrator, Thinly Veiled Criticism of Society,  emetophobia, violence, gun mention,  implied suicide attempt, dub-con, mentions of blood, graphic depictions of a riot, non-graphic description of a wound, possessive and abusive behavior, kid being kicked out of the house by parent, kidnapping, kinda torture (?), body horror, gore, graphic descriptions of injuries, emotional abuse, police brutality, pain and injury, burning building, swearing, vomiting, murder, panic attack, dysphoria, misgendering, minor character death, major character death, self deprecating talk, mentions of suicide

My thoughts: Well, doing a TS superhero rec without Powerless is just treason. I don’t know--I’m trying to figure out a way to describe it and instead launching up to pace around the room with an instant replay of different scenes in my head. I mean, the grocery store chapter?!?! This stuff lives in my head rent free. The characterization, the banter, the tension, the motives--I can’t describe it y’all. Just, if you love yourselves (love yourselves, please <3) then just go read it. Or reread it. Do that for yourselves. 

Waterspout by Greenninjagal

Status: Complete

Summary: "Hail!” The boy says all smug smiles that Virgil immediately hates. “You’re Recluse aren’t you?”As if there was some other spider themed weirdo who clung to buildings in their free time.“No,” Virgil says, because he can. *** Virgil finds himself stuck on the side of a building in a rainstorm and is helped by an annoying-admittedly attractive-guy.

Relationships: Prinxiety

CW: Mild cursing, storms

My thoughts: This one is very cute. Virgil is a spiderman-like hero who went up a waterspout, and down comes some rain trying to wash him out. Roman comes to help, they banter a bit, and, maybe, there’s a little surprise at the end. I would not mind more of this AU. In fact, I would love it. But that should not discount how wonderfully made a oneshot it is either. The author wrote it perfectly for the length it is, presenting the charm of the characters, great plot and symbolism, and left me wanting more at the same time. Definitely go check this one out. 

Technically. It’s A Secret by supervillain 

Status: Incomplete, Work In Progress

Summary: Virgil Storm, the adopted son of a reality TV star with telekinesis was born without a power. That's been a problem for him all his life. His only friend is Patton Vega, his only chance at romance the irritating Cros Corson--until he gets a job at a top-secret facility, playing babysitter to a bunch of kids with dangerous powers and even more dangerous minds. Kids who happen to be exactly his age.Yeah, this is going to be a piece of cake, especially when the enigmatic villain Believe (aka Roman Torres) takes a liking to Virgil. And even worse, when Virgil starts to more than like him back. Pull in some evil mad scientists, a plague created to decimate the world, a murderous villain, an obnoxious stalker, and the greatest Kinetic the world has ever known, and you're in for a hell of a ride.

Relationships: Prinxiety, Logicality 

CW:  Anxiety attacks, arson, murder, minor character death, blood, spiders, being eaten alive, falling, death, sleeping, fighting, cop mention 

My thoughts: I’m behind on this one, and I wanted to catch up on it before I posted this rec list. Today is the last Friday of the year though, so I decided to just go ahead and do it. I love this fic a ton so far, and I can’t wait to read more. I can tell the author put a lot of thought into writing the world and characters, and that the plot is interesting and deliberate. There’s mysteries unfolding which intrigues me So Bad. It’s a super interesting one, so I’d say go read it!

[yellowocaballero]

ugh what you said about jon just helplessly missing deisha and despite being able to connect, still ultimately grieves alone forced me to think about this one book that said something like “grief is a room you enter alone” and I just ;_; something I love about your metas so much is that you rlly pick apart how it can be true that multiple things can be happening at once - he’s being understood, but he can’t be understood, he’s monstrous, but he’s human etc. basically I adore these essays and just reading how you build and present flaws in characters I think is genuinely making me a better writer

THANK YOU...I think we all grieve alone, just a little bit. With people, and maybe especially with more intangible things - when we move to another city or country, when we live alienated from our home cultures, when our bodies fail us, or when relationships fail. It’s inherently such a solitary thing.

And yeah, so often in life we’re feeling so many contradictory things!! Maybe even ALL THE TIME! I’ve loved and hated simultaneously, I’ve never wanted to see someone again and found myself constantly seeking out contact. You ever never want someone to text you, but you’re sad that they don’t text? I want to go back to my workplace but also I want to keep working from home forever. So it’s a real, legitimate feeling, I think.

But that’s also not why I write it that way. Stories inherently kind of have to work on both a literal and symbolic/metaphorical level. You said that you were interested in the writing bits, so I’ll get specific - I determine what happens in layers. Some things are the most essential aspects of the story, and everything else has to warp around that. Hope Etc is a very weird and bad example because a) I put no thought in this story and b) the nature of daemons is that they literalize the metaphorical. So basically every physical thing that Jon does is metaphorical for something. 

So what a story is ‘about’ is the most important thing, and this can change and shift throughout the story as you realize what keeps cropping up time again and again (which is kind of oxymoronic). I use monster vs human a lot for this specific fandom, because monsters can have whatever metaphorical significance you fucking want them to, but other stories such as hope vs desolation, optimism vs pessimism, wanting to die vs choosing to live, etc, work too. The second thing is tone - which determines the message of the story dramatically. What a story is ‘about’ can’t be pessimism when you have a light-hearted and comedic tone. Unless you’re getting REALLY creative. You can add a lot of additional themes to that, but a bunch of themes together make is what something is about. Also very important is that for me what something is ‘about’ includes genre. 

Then what’s kind of wrapped around that is the metaphor. Literal things happen, which have metaphorical meaning, which advance what a story is ‘about’. Not everything that happens is metaphorical - sometimes things have to happen to advance the plot - but things that happen need to advance something. Either plot, or a character arc, or they need to have metaphorical significance. In my opinion the most deft writing is when everything that happens has all three. 

I think over metaphor is character arc and character. When something happens in a story it has to advance the plot and advance the character’s arc. The character’s arc forms a trajectory that spells out the theme. A character arc for me frequently means the relationship between two characters, which often really really work to highlight theme. I think people push each other to change and grow a lot. If it’s a romantic relationship I push that ‘growth instigated by the other’ hard. Also, foils. I think the best romantic relationships are foils. I love foils. I always write foils. Just adore them, they’re so easy to write. Just make someone the opposite of someone else but give them the same theme. It’s great. This is also why I’m always saying that I don’t really sit down and ‘make characters’, characters just happen based on what needs to happen. I don’t decide anything about a character when I start out besides “haha exact opposite of canon character” or “haha amnesiac PI” or “haha roleswap”. And that’s coming from someone who rarely uses canon characterizations and who writes everybody as a thinly veiled OC...and maybe that’s why everybody kind of ends up a thinly veiled OC...

Over that is plot. Plot is what has to happen to make all of these other things happen. I can’t plot. I think I can’t plot because I’m too worried about these other things and I forget ‘oh yeah, Things Have To Happen’. Maybe there’s other people who plot first and then figure out these other things based on what happens in the plot? ....why...

So I kind of made that a gumball, layered thing, because that’s how I build the story. And I shouldn’t have, because these things all feed each other. What a story is ‘about’ is highly dictated by what you’ve decided the character arc to be - highly - and it creates a feedback loop as both of these things get changed and twisted and tangled during writing. A story never ends how I intended, because different things crop up. But there is a ‘priority list’ for me, and that’s kind of the layers - these characters have to act in X way because that’s one of the cornerstones I need to hit for the genre, so I have to have their character arcs match this. Characters can’t act in a certain way just because the plot makes them - granted, sometimes they do, but that means that you have to go back and tweak their character arc to match. You cannot have something metaphorically happen that goes completely against the theme, unless that has repercussions. Plot isn’t the story for me, the about is the story. None of this is hard and fast, and there is nothing that you can’t do, you just really have to view all of these things in a complex interplay that constantly affect each other.

I think of it like gears? They all work together and churn together to make the story work. But if you twist one gear, the others move too. You first imagine it this one way, but then you keep on tweaking and tweaking and tweaking, and then everything else has to change too, so then you’re like why did I even bother to outline, outlining is stupid, and also I have this funny joke so I have to go back and change everything, and...

Wow, maybe that’s why I’m so bad at planning shit..

My...goal? Is to make it so that Everything works on every level. You should be able to read a story completely literally and completely miss the metaphorical meaning and still vibe. But unfortunately the way it turns out for me sometimes is that the symbolism outweighs the literal. When I write absurdist/surrealist stuff it’s just me being lazy and not having to have things be literal, lol. What you get when something only works on a symbolic level and not on a literal level at all is Utena. And I’m writing trashy fanfic so I can’t do that. What normally happens in practice is that things happen literally for a bit, and then I’m like ‘oh I’m Sensing a Theme’ and then I start playing into the theme, and then things happen because it’s thematic. Plot is...plot should be more important to me...

And then of course there’s grounding all of this in human emotion and making sure there’s a climax (me, shaking hope etc: THERE’S NO FUCKING CLIMAX), and dealing with all of that stuff that makes it actually emotional and impactful instead of just abstract and dumb. 

I chose not to use examples for all of that because I wanted it to just be broad writing advice? I can kind of point out there examples of that line of thinking in my writing, and I probably can for Hope, Etc, but it would be a bad example - both because the NATURE of that story is that the literal is INHERENTLY a metaphor so you really cannot view anything in that story as literal, nothing in it is literal - also because I put no thought into it. 

Of course that’s not my process. That’s not my process at all. I don’t sit down and figure this shit out. I didn’t read any of that anywhere, it’s just me bullshitting, that entire thing was just me bullshitting relentlessly I am so fucking sorry. My process is that I joke about ideas with friends, I sit down at a computer and I kind of thump a keyboard for a few hours, I live my life and daydream stuff and kinda make little movies in my heads, I go home and slam the keyboard some more, halfway through I walk up to my beta and go “hey what’s the plot of this?” she helps me figure it out by giving me very bad ideas, I kind of slam my keyboard some more, and then it’s done. And then I kinda edit it a little maybe whatever and then I post it. 

There’s not a lot of thought involved. I really can’t stress enough how I don’t think about all of this when I write. I’m really brain empty. When I do these analyses what I’m doing is that I’m looking back over my story and then I’m like...Oh That’s What I Was Doing! Huh! Neat!

Haha that got long. I’m not a good writer. Thanks for the ask!

[calliecat93]

The Legend of Korra Rewatch Book 1 Episodes 1-4.

It’s been a looong time since I watched Korra all the way through. When it oremiered I loved it and I loved kt all the way to the end. It’s nkw been almlst a decade since Korra premiered, so lets see if any of my thiughts or opinions have changed since then. And watching them all back to back will likey help with the pacing issues and certain plot stuff, so here we go~

Welcome to Republic City: I think that this is still a very good series premiere episode. It tells us everything that we need to know. It establishes Korra’s character and her flaws, establishes Republic City well, and introduces the conflict of non-Benders being opressed and the city having a major crime problem without revealing everything. I felt the same way I did the forst time, excited to see where all kf this will lead to. Also apaprently little Korra being able to bend three elments as a child was controversial… but I don’t get why since it ties to her character arc and it was a brief display, it still took thirteen years to master Water, Earth, and Fire fully. Maybe that’s just me though. It’s still a perfect start to the series.

A Leaf in the Wind: I think this episode does a good job showing Korra’s struggle with Airbending compared to everhthing else. She’s very good at the physical side of Bending, as demonstrated when she picks up on the MMA style lf Pro-Bending quickly aside from the actual rules. Airbending is much more spiritual and flowing however and requires more patience, which Korra severely lacks. She also lacks freedom, Tenzin restricting her and she continues to break out on her own as a result. Her lashing out at Tenzin for why she isn’t learning is harsh, but is IC considering her impatience and how it won’t clock like everything else has. Bolin and Mako had decent intros that establish their personalities well and in hindsight. It was a fun episode that did some more world-building, brings in new characters, and showcases Korra’s struggles very well as well as Tenzin’s as a mentor.

The Revelation: I remember feeling meh about this episode the first time, and IDK why cause this is a perfectly good episode. We get some backstory on Bolin and Mako and further characterization outside pro-bending. Bolin is a ditz but sincerely wants to help himself and his brother, and Mako os a jerk and horrible at expressing himself as we’ll see later but also smart, a hard worker, and cares a great deal for his brother. We also have The Equalists making their move a d seeing Korra tearing up the city in the premiere, the several Bender specific jobs, and how Korra brutalizes the protester (even if she had an understandable reason) certainly makes Amon have a point. The Triads certainly deserve it, but Bolin doesn’t but he’s thankfully saved. It also plants the seed for Korra’s conflict next episode, which is good. Also great action scenes, but that’s no surprise for this show. I really enjoyed this way more than before, an excellent episode~!

The Voice in the Night: Boy does watching this again feel so much more heavy considering real world events. Anyways, admittedly this is when things started to feel rushed, but like I said watching these in one sitting improves that. We see Korra’s fears as Amon’s bending blocking powers and it’s understandable. To Korra, her bending prowse is what makes her the Avatar. That’s all that she’s ever been and all that she wanted to be. If she loses it, she won’t be the Avatar anymore. Without that, who is she? While this is the fourth episode, her change in demeanor is noticable and very concerning since we know this isn’t righg. It makes the end where Amon caught her but let her go and her breakdown in front of Tenzin so gut-wrenching and shows that despite her arrogance, Korra is still a teenaged girl with fears like anyone else. Also this was Asami’s intro episode. I didn’t like her at first back then because I knew they added her solely for love triangle drama the second Mako fell for her. Now though? Not only is she clealry protrayed as a perfectly kind, charming, and selfless person that I ignored last time due to the love triangle business, but she’s nowadays my second favorite character (behind Korra) so I am loving seeing her~! So yeah the shipping stuff is meh, but nowhere near as annoying as back then since I know. the final result. Oh and glad that Dee Bradley Baker gets to voice a human character in Avatar for once with Tarrlok XD

Okay, that’ll do for today. Gosh I’ve always enjoyed the show, but I forgot how much fun I had when it first came out. I think I enjoyed it even more than I did back then. It may be due to binging/knowing what happens in the future, but still. It was a joy to watch these episodes again and while episode 5 is… more shipping drama unfortunately, it and 6-8 have plenty of fun stuff that I enjoyed than and hope to again tomorrow~

[glittering-snowfall]

Since I always seem to be “in the middle” about Frozen 2 (I have mixed feelings about it and sometimes I defend it and other times I critique it a whole lot), I’ve been thinking about Elsa’s characterization in F2 and what does and doesn’t work for me.

I know I’m an EA shipper and that colors my perspective. A part of me is always going to dislike the ending of F2 - although it’s not entirely shipping-based. I’m of the opinion that F2 made missteps in the Frohana dynamic and that the focus on characters’ individual personal journeys at the expense of working together did a disservice to the final film.

At the same time, I’m not against the ending of F2 on principle the way some of my friends are. This is going to be controversial, but I do see some potential in F2′s ending. And I think there are some ways it fits with Elsa’s character. (In the same breath, let me say that there are some ways I feel it doesn’t fit with Elsa’s character, but let me make my first point first.)

One of the good things I can see in the ending (and in Elsa’s personal journey across the film and her characterization therein) is that the journey ultimately allows Elsa to broaden her horizons. This seems like a good thing, especially for someone who was cooped up in a castle for years of her life in childhood without the ability to truly live. Another good thing might be (keep a pin in that “might be,” I’ll come back to it later) that it expands Elsa’s support network because now Elsa can have the Northuldra and the spirits around her - and so she can meet new people and expand her horizons that way. Again, I can see a lot of good in that, especially for someone like Elsa who was isolated for years of her life.

Here’s the thing though (and this is part the where I start getting critical of F2). F2 doesn’t really focus on Elsa expanding her support network. It never capitalizes on the idea that, hey, this young woman was isolated throughout her childhood and she deserves to have the ability to make connections with people. Frustratingly, F2 doesn’t focus that much on Elsa’s connections with the people who live in the area she eventually decides to call home. Outside of her brief conversations with Yelena and Honeymaren, the film barely shows Elsa interacting with the Northuldra. In fact, the film basically drops the Northuldra characters from the second half of the film. Yes, they are integral on a conceptual level for the plot because the plot hinges on the wrong that Arendelle did to the Northuldra, the developing Northuldra characters from the film’s first part vanish for a large chunk of the runtime - which, in my opinion, has negative consequences for the Northuldra as characters and for Elsa’s choice at the end of the film.

Since the film isn’t as focused on Elsa’s interactions with her new and old friends - on tangible people living in the world around her that she can bond and interact with - it puts its focus on Elsa’s magic, her connection with the spirits, and Fifth Spirit stuff - which was a mistake, in my opinion.

I’ve talked about this before on my other blog, but I fundamentally disagree with the idea we needed to know “the origin of Elsa’s powers.” In my opinion, that puts more focus on what Elsa is rather than who she is. Moreover, making Elsa’s powers a gift for Iduna externalizes something that worked beautifully as a metaphor for something unique that was internal to Elsa. The “gift” plot thread also introduces aspects of predestination to the narrative that the film really could have done without. And before someone jumps in and says, “But Elsa still has the free will to accept her place as one side of the bridge or not and it’s still her choice,” it’s a choice that is fundamentally muddied by the fact her life has been influenced before she was even born by sentient forces outside of her control. I know the world generally influences people, but we tend not to think of the world as having a Will. And even if we look at things from a religious perspective, God never interacts with us as directly as the spirits interact with Elsa, making the comparison between Elsa’s life and the lives of ordinary people influenced by worldly forces outside their control particularly murky.

Now, some friends of mine talk about Elsa making her home in Ahtohallan at the end of F2, while other friends of mine talk about Elsa making her home among the Northuldra. People have very strong opinions about this, but I’m going to toss something out there: both interpretations of the text are valid and that ambiguity is a problem. 

People who argue that Elsa’s home at the end of F2 is Ahtohallan... aren’t wrong, exactly. The film puts way more focus on Elsa connecting with Ahtohallan and the memories of the Northuldra than actually having her connect with the Northuldra. Like I said previously, the actual human Northuldra characters vanish, abruptly cutting off beautiful potential for character development. Moreover, Elsa’s profoundest declaration that she’s “home” comes at Ahtohallan - and there’s some evidence that the writers tossed around the idea of tying Ahtohallan in firmly with the concept of home.

Now, people who disagree with that reading will probably point out that, just because the writers tossed around that idea, doesn’t make it so in the finished film. Just because there are lines in deleted scenes (like Elsa’s declaration that she doesn’t know what the spirits want from her now, but she wants to be there when they do) that suggest the writers didn’t quite know what to do with Elsa and leaned too heavily on the magical destiny aspect, doesn’t mean the finished film totally reflects that.

I’d still argue there are vestiges of it in the finished film, though. We don’t see Elsa living among the Northuldra at the end. We see her standing outside the village instead of within it. We don’t see her riding with the Northuldra at the end, she just waves at them from a distance. But still, she does wave at them! That suggests a happy closeness towards them! She joins hands with Yelena and Honeymaren as she decides to stay, after all. She could indeed live in the village with them.

We just don’t know. It never comes up. I certainly want her to live in the village. I want her to connect more with her mother’s people and explore her culture. It’s a headcanon I find infinitely preferable to the headcanon that her home is the glacier.

But that’s the vexing thing. They are both headcanons - and there are enough details in the finished film that you could plausibly argue either way.

And while I do love the idea of Elsa bonding with the Northuldra in the film’s conclusion, that interpretation also unfortunately highlights the fact that we didn’t get to see that much of Elsa interacting with the Northuldra characters across the movie.

And that just makes me wish we got to see more of the Northuldra - for the Northuldra’s sake, and for Elsa’s. 

And all that kind of comes together to establish why the ending of F2 (at least as it pertains to Elsa) doesn’t exactly work for me.

The way I see it, you could fix this either by having Elsa not stay in the Forest at the end (because that conclusion doesn’t quite feel earned) or you could expand the Northuldra characters’ roles - maybe have Honeymaren and Ryder tag along on the adventure. Then we could see Elsa engage with them, learn more about them, maybe better set up her decision to stay at the end.

Both of those fixes work. And I know the EA shipper in me prefers the first option (and, even divorced from shipping, I enjoy the idea of the found family from the first film staying physically together; it’s a personal bias of mine.) But I also really, really would have loved to have seen more of the Northuldra and the expansion of their role because the Northuldra are pretty awesome.

Sorry, this was really long and rambly. I also know I usually write my rambly analysis posts from my other blog, but I wanted to talk more openly about how my being an EA shipper shapes my perspective. 

[mochuelovelli]

ASOUE AU? ASOUE AU. Pt 1 (Characters)

Okay so I just posted a little doodle I did for an A Series of Unfortunate Events AU that I had been thinking about ever since I realized that Esmé was obviously Magica's VA (which was 3 days ago so oop). I don't have all the characters figured out right now (mostly bc quite frankly there aren't really enough adults that act so... neglectful towards the kids in ducktales). I'll list the ones I am pretty concrete on VS the ones I'm unsure or ones that I "reimagined" due to not everyone fitting perfectly in this world.

Characters that are Definite:

Glomgold as Count Olaf: Think about it, horrible actor/cosplayer (yes thats what he is). Both obsessed about riches, revenge and are generally incompetent. Really, Olaf is much more wicked in the ASOUE series imo (bc even tho Glomgold wants to kill Scrooge and steal his money. This anger only extends his wards if he wishes to use them against Scrooge and is less keen on the murdering of kids. Notice I said LESS). Not 100% if I want him to be as...well explicit as Olaf can be at times. Especially his characterization in the Bad Beginning if you know what I mean (pst it's child marriage)

Magicia DeSpell as Esmé Squalor: Like I said, this is a no brainer. She has the stage performance of Magicia with a bit of Mark Beaks Mom (forget her name) mixed in. Probably would downplay her love for fashion and replace it with an obsession with the occult. I would also not have her be obsessed with Glomgold, its more in character for Glomgold to be obsessed with her anyhow. It is also possible bc I tend to believe she is a more compelling villian in canon that she might take the place of Glomgold on the Island in "The End". But I also plan for Scrooges Number One Dime to replace the Sugar bowl so, maybe not.

Doofus Drake as Calmanita Splats: Duh, spoiled brat who is very creepy and probably has parents that want them dead? Instead of wanting to sing all the time he mainly wants to wreak things/people. He still definitely dresses up tho into a hodgepodge of things. It always changes and Glomgold is always annoyed by this but he likes him more than Magicia. She definitely wants him dead just like Olaf in the series (she really hates kids).

Duckworth as Larry your waiter: Yeah not much competition for this role. It was either him or Launchpad. Duckworth is too perfect for this role and he honestly will play a better spy than canon Larry. If I ever write it out a lot of the "fight scenes" and anime-esque "explaining how I fooled you" dialogue will definitely be reworked but still present. I will however not keep out the main theme of neglect or ignorance with the adults, they will still fail in that regard as always but will just not literally stand there and tell Olaf "We finally caught you, now let me explain why we are so smart oh no you set something on fire again". I mean...maybe for a Mr. Poe but not the VFD. Or...SHUSH I should say but more on that later (or in another post who knows?)

Scrooge McDuck as Lemony Snicket (sorta): Okay so OBVIOUSLY we can't have our "Lemony" have the hots for the McDuck siblings mom (yes another thing I must explain oh boy). Scrooge will still be gilted in love by, of course Goldie though I am still not 100% if she should play part of the the role of Kit Snicket (again NOT related to Scrooge) or should she be someone else entirely. Scrooge is basically the reason everything is happening in this AU just like the canon Lemony but writes sad letters to Donald and Della as well as Goldie. As you might of well guessed, Scrooge's Fortune is also the riches the McDuck's have.

Fethry Duck as Dr. Monty: Of course a snake lover will become a marine lover in this AU! Also of COURSE Mitzy will play the roles of the incredibly deadly viper AND the great unknown! Fethry and Dr. Monty not being mentioned by their family but also too enthralled with their studies to care all that much (but seriously thats fucked up ducktales). Totally made for this role. As far as setting goes this will be where the siblings will be underwater first but since the series already has plently of aquatic locals I will probably swap out the Lake Lacamose story with Peru or the Galapagos. Speaking of...

Ms. Quackfaster as Aunt Josephine: For narrative purposes it would make sense that Ms. Quackfaster would lose her edge as a brave and bold woman. For what exact reason I am still trying to figure out. Not sure if I still want to keep the "Ike" storyline, maybe she just got really spooked by FOWL. Maybe some creature from the Galapagos ate her leg or something.

Ma Beagle as Dr. Orwell: This particular role was sort of hard for me to cast due to the fact that Dr. Orwell is older and romantically involved with Olaf (at least its sorta there). I really didn't want to give this role to Owlson bc other than she isn't a bad person, she is also way too young. Ma Beagle already has a similar motivation im canon to want to reclaim Duckburg as Beagleburg so the Terrible Mills plot to frame the B for causing a fire in order to have control over the mill is very in line with Ma. I originally wanted the Beagle Boys be working in the Mill but since I am changing the setting to Egypt, I decided to use the people stuck in the pyrimid (idk what they are actually called) and will either use Amulet, Launchpad or Dijin as Cookie

Characters that are Mixed with others:

Huey Duck as the Narrative Role of Violet B.: I mostly imagined(?) the kid characters in a approximation of set characters from the books/series. For this reason, Huey plays the ROLE of Violet Baudelaire so that he can take the "inventor" occupation. I went back and forth on finding who would have Violet's quirk of using an object to help her think. My mind originally went to Webby since she has a bow and I wanted Huey's obsession with the Incomplete History of Secret Organizations to take the place of his JWG. However I reworked it so that Huey's JWG would act as Violet's ribbon with him having to flip through his beat up (and slightly burnt) journal to find a quick solution or just to calm his nerves. Something that applies to all the triplets and twins is that their last names are changed to "McDuck" mostly bc it sounds better that they are later called the "McDuck Murders" instead of the "Duck Murders" as well as Scrooges edited role in the kids lives. He has a mix of Klaus' social awkwardness and habit of talking at length about his special interests to whoever will listen. Huey is also the one who gets hypnotized in the Miserable Mill ep.

Louie Duck as the Narrative Role of Sunny B.: Pretty sure I swapped Louie and Webby for this role in my first post but whatever. I wanted to confusingly change Klaus' role into a "Charmer" or "smooth talker" (obviously still a work in progress) since I felt that Huey in DuckTales canon was always well researched as well a good mechanic and having two characters who pretty much fit the same role was... redundant. I also wanted to really make Webby's Sunny much more inline with her notorious/abnormal fighting abilities. However, I realized that instead of changing Klaus' role I should just change Sunny's characterization since I would have to rework it anyways since she was a baby. I also got the idea from recently rewatching the series and saw Sunny basically trick her way out of being trapped with the Hook handed man (i.e. Fernald). I will instead make Louie's role as what he functionally is in DuckTales (the guy who can talk his way out of anything). He would probably also say his occupation is "Defense Attorney" or something along those lines. He is also the one who gets captured the most but not by much. However while he still has Sunny's sarcasm, he also has Klaus' inherit skeptism and distrust of adults.

Webby Vanderquack as the Narrative Role of Klaus B.: Like I said in Louie's segment, Webby is changed to Klaus or more accurately the "Researcher" of the group. She is often the one who stays up late, researching ways to get out of Glomgold's schemes. Unlike Klaus though, she has more of the optimism of Violet but might not put as much belief into all authority as Huey might. She still has role models that she looks up to but isn't against bending the rules. She also unfortunately takes Violet's role of becoming "Olaf's bride" in the Bad Beginning. In the story she has always lived with the McDucks but didn't take their name and still had Mrs. B (until she was around 10, she was 12ish when the fire happened). However, she is still in the McDuck Will and therefore Glomgold hatches a plan to use her to get the fortune. She also tricks him by signing her name "Vanderduck" or "McDuck" instead of Vanderquack to make the marriage null in void. She is also a mix of Sunny since she is generally the most physically capable out of the children.

Dewey Duck as the Narrative Role as Quigley Quagmire: Okay honestly after a rewatch, I don't exactly know what makes Duncan and Quigley that different from each other. I'm pretty sure Duncan is the Klaus of his siblings but whatever. Dewey mostly just 1/2 of the reveal that two people survived the fire during the Carnival segment (which is changed to an underground wrestling theme for reasons to be explained). I am fairly certain that during the last part of the Village of Fowl Devotees I want Dewey be the one left behind with Webby and Lena that way we can have more time spent with him and Weblena/ Magicia v Lena drama. Dewey's occupation would be "Comedian/Host/Actor" . He also is the one the adults ignore during the first half and will be the subject of Triplet/only child jokes that the Quagmires face.

Gosalyn Mallard as the Narrative Role of Duncan Quagmire: Okay so like, no she isn't related or adopted by the Quagmires

Lena Saberwing as the Narrative Role of Isadora Quagmire: c'mon both these kids like poetry. Literally I can think of no other DuckTales kid that likes that (other than Webby but that was more of her liking Lena's stuff). She will still have her background as Magica's niece and might take some of the role of Fernald where he gets redeemed by betraying Olaf/saving Sunny. I am unsure by what extent though as she isn't going to be a henchperson of Glomgold or Magica. It might be that she is uses morally questionable ways to get what she wants/needs. Maybe she is "good" but has to commit a terrible act similar to how the Baudelaires have to burn down the carnival.

Characters that I am uncertain about or straight up don't have someone in that role:

Violet Saberwing as the Narrative Role of Fiona Widdershins: Like Fiona, Violet was also originally distrusted by a part of the cast (in this AU, it probably be Webby and/or Louie as Huey catches feelings lol). She is also obsessed with the occult not fungus and has to save probably Louie from losing his soul or something (wip). Violet more than any of the main cast of kids will probably act more like her canon self since she is naturally straight forward and booksmart. She probably gets forced to stay with Glomgold until her and Lena can escape again. Also since I didn't want it to be another underwater local and wanted it to relate to DuckTales17 a bit more closely I thought it be better if they were in the sky. Maybe Violet got the Sun chaser or maybe even the Spear of Selene. Maybe instead of going to look for their dads (since they are dead oof) they come back at The End to tell the McDuck Siblings et all that they might of found something...or someone important.

Boyd as the Narrative Role of Friday: This is definitely more of a stretch as really he is only Friday because in role only because I want him at the Island at The End so that he can save the siblings from whatever organic incident happens since he is still an android. I previously thought he could also fit the role of Fernald since he could go through a redemption arc easier due to him sorta going through one in the show. Its not out of the realm of possibility that Glomgold could have reprogrammed him to obey him (he might still do something similar I haven't figured it out 100%).

Fenton Crackshell-Cabrera as the narrative role of Hector: He probably won't faint as much as Hector but he will have to be pushed by the kids to be confident in himself during the Vile Village (which will probably change to a Capital city since I plan to rework FOWL into this). Maybe its similar to a military academy which makes having a set of rules make sense. Its also possible that Fenton escapes with some of the kids in the Sunchaser by the end of this.

Steelbeak as the Narrative Role of Fernald Widdershins: I mainly chose him because Steelbeak and Hookhanded man both most clearly are shown to be sympathic antagonists. They are still functionally villians, much more so than any of the children like Boyd or Lena who, yeah, have done bad things but in one case wasn't given the freewill to decide for himself or was but when she decided to stand up for herself she was literally tortured and had her freedom taken away (more so than in the beginning since. Steelbeak would, like Fernald, be making a choice as an adult man to be apart of a mad man's troop and was harden enough to commit murder if it meant he could impress his boss. But because he is not related to (by blood or otherwise) any protagonist I struggle to know where to put him. I might still have him defect during the end of what would have been the Grim Grotto ep and comes back with the Saberwings at The End. Maybe he brings Gosalyn back after finding her at some point, maybe he dies somewhere towards The End. Not sure.

Gladstone/Ghost of Christmas Past/News Reporter Lady as the Narrative Role of Mr. Poe/Mr. Poes Wife: wow this one is really confusing. My reasoning behind these picks is because The News lady would be a great pick for Mr. Poe's wife or at least a substitute as she has similar motivations in DT17. The biggest set back for her tho is that she has no reason to be on the Baudelaire case (or McDuck case anyways). Ghost of Christmas past is a bit of a stretch since why the fuck would he be in charge of making sure the kids had guardians? I mainly want him just bc of his motivation (or lack thereof) to do his job and being incompetent at it. Gladstone while making some sense that he also would be uncaring about where the kids go is also a stretch given he is a relative and he while he might not care 100% about their whereabouts he wouldn't lose them like Mr. Poe would simply bc he is so damn Lucky. Its possible to work that against him, maybe in a scenerios like where he drops off the kids but gets whisked away because some rando gifts him a boat. Still unsure.

Mrs. Beakley as either the Narrative Role of Jaclyn S (Mr. Poes Secretary/VFD spy)., Olivia C. (Librarian): I want Mrs. B to have a role which fits her being experienced and competent but also met a tragic demise. I might mix the experience of JS with the fate of OC. Poor Webby.

Justice Strauss as ???: I'll be honest, I am stumped with this one. This is a very important role to fill and I can't quite find an adult character that fits the bill of Justice Strauss. Mrs. B is too smart, Launchpad studying law while ridiculous, is something inline with the show but he doesn't have a DT17 motivation similar enough to Strauss where he's desires can be exploited nor has he really want kids in the same sense as Strauss. Drake Mallard is close since he is an actor but having him work with law is a bit of a stretch, I also think that making him somewhat bumbling is an insult to his character but Strauss is tragic since she WANTS to very much be the Baudelaires guardian but fails so much. Maybe in a safer world she could have been, maybe if they were luckier. She loves them so much, but they run away where she can't find them to at least try to be there for them and is left heart broken by the end. Whoever becomes JS is in for a world of hurt and I'm sorry. Goofy could also be a replacement, maybe Max died for more angst 😬.

Goldie or Daisy as the narrative role of Kit Snicket: This kinda gets really fanfic-y as neither of these characters really fit nicely into this role. Goldie definitely has the skill of Kit and her disregard for the rules but the pregnancy thing is... something. Not entirely sure if I actually want her to be pregnant but I also want a Beatrice II type character (of course she would be named Della II) but again very fanfic-y. Daisy I am more comfortable being the one who gets pregnant, she might take Olivias role as the new VFD recruit instead of Kits more seasoned one. All I know is that if either or both outcomes exist they will die also a Dewey Deanumont(?) Character wouldn't be the father it would of course be Donald or Scrooge depending who gets pregnant.

Jacques Snicket as ???: Another mystery for me. Functionally? Maybe Manny could play this role or even Launchpad (he really is just my go to for any character idk about huh?) Whoever it is will die but wont have a romance with the Olivia character(s). Maybe its Goofy lmao.

This is quite long enough, let me know if y'all got any more ideas. I'll edit this when I can since I am tired of writing. Please comment or reblog for suggestions and the like thx u. And please...Look Away while you still can.

[spidermilkshake]

The fourteenth member of a thirteen-member organization. The only non-Nobody member (though this barely has much effect on her characterization). Hoo boy. Xion is a topic which really grinds my teeth with regards to how she is canonically conceptualized. Kingdom Hearts, as a series, has David Cage-levels of flippant, impact-less emotionality under the guise of being "like, deep, man". And sometimes this results in really tragic and way-too-mature-for-target-audience implications. Which of course means that those areas are where a great deal of my alternate-canon fixin' is required for my own work. Xion, you see, is canonically thought of as a Replica. But she's very obviously not quite so--no more than Roxas is a "replica" of Sora by virtue of being generated as an unusual Nobody. If I may channel the Vexen characterization I like to follow, ahem! (And please pardon his Ivalese... XD) She is no more an exact copy of Sora than an identical twin is an exact copy of the other twin. But you see Xion does not even have that twin-like trait of being an exact genetic copy--there were certain... changes which occurred in the Replication process (she would not have that perceptual and physical metamorphic quality if she were exactly physically Sora-alike, or Roxas-alike). She is, essentially, procured of the same material as another person but is of course another person entirely--similar to the known irregular Nobodies come of people who retain their personhood but former bits of themselves generate another someone like Roxas, Namine, or Xemnas. Not even that much different than the more conventional way that new people get made. Babies. Just the virtue of having large portions of your parents' DNA by no means results in the child being this derivative copy-being, a half-mash of both parents, and not to be considered their own individual but some emanation of the two parents? ...Never mind, some people do appear to think that; that's a whole other can of wasps... However as you may have already figured out from, well, plot, the fact that Xion is her own person is not an idea particularly well-grasped by those surrounding her. Including, sadly, herself. This is something shared in common with the chosen second part of the title of this portrait. It's a blood-boiling reality to see the very same dehumanization, comparison, and vulnerability imposed upon twins as well. "Twinless Twin Syndrome" is a very real thing outside of the Kingdom Hearts' Universe (and within it of course), where a surviving twin in some way is made aware that they were once part of a sibling pair (this happens whether the person' twin sibling dies young before they could remember them well if at all, or if the twin never made it to birth to begin with; stillborn). Understandably being so young and finding out, either unconsciously through overhearing things as a baby or toddler just gaining the ability to form memory at all, or by being directly informed of this at some point, that you were supposed to have a sibling can be difficult to work with. Unfortunately, this gets exponentially more f**ked up and traumatic when you consider the incredibly creepy conceptualization that most societies impose upon the idea of identical twins. Knowing or not, Twinless Twin Syndrome begins to harm a surviving twin psychologically due to how most societies basically assume twins--two different people who just happen to be genetic copies (replicas, if you will)--are not so much their own individuals but two halves of a whole. Eck. Sounds familiar to what Xion went through yet? It'll get worse, believe me! Similar to Xemnas's imposition and the pretty damn toxic ways that people in the KH-verse conceptualize self (especially when it comes to beings created of another being's pre-existing stuff), twinless twins who absorb this idea they are "incomplete" as people tend to also suffer Imposter Syndrome and various other psychological injuries. Only more f**ked. Rather than feeling fraudulent in comparison to some peers, twinless twins often feel that way in regard to a person who might never have even existed as a person in their own right! See the case of a pretty damn famous sufferer of Twinless Twin Syndrome--Elvis Presley. Yes, he was a surviving twin of a pair where one was stillborn. And let's just say, this facet of his identity did some pretty twisted things to shape his sense of self. Not in a particularly good way. Considering canonically that Xion essentially ends up committing a getting-shit-past-the-radar form of suicide and expressed this sense that she shouldn't exist and had to get forced back into Sora's identity... well, that's really messed up of you, KH writers. You accidentally included a disadvantaged teenager's suicidal urges and eventual attempts (semi-successful...) and you guys managed to frame this as being generous and selfless and good. Look, I know Japanese culture still has some issues in how mental health and especially suicides have been handled, but that seems at the very least distasteful. I can only hope that these implications were accidental, much like the rest of your, ahem, narrative decisions and world-building. Brr, got cold in here. XD Well, a Vexen-rant will do that to your local climate, especially when he manages to punch right through that 4th wall. Excuse me while I fetch a jacket... And a reminder to please give Fangirl Extermination Squad a read for a... well, a much more emotionally honest and healthier incarnation of the awesome and in-universe underrated Xion here.

[flordidian]

Which Anne is more like the book: Sullivan vs. AWAE?

I think this one is much harder than Gilbert. While the differences between the Gilberts is a product of the changes made in the writing, the differences between Follows’ and McNulty’s portrayal of Anne mostly come down to their own interpretation of the book. However, I will make the attempt to distinguish them anyways.

Here goes:

Sullivan Productions Anne

Differences

1. Immaturity

Now, in Anne of Green Gables the books and miniseries, Anne is characterized as immature. But, in Anne of Avonlea the book, Anne is nearing adulthood and acts like it. She is by no means completely mature, but she rarely “loses it” or whines. In fact, she also stops talking all the time. In the miniseries, this is not so. In Anne of Avonlea, Anne is as stubborn and immature as always. Sullivan gives Anne another character’s lines for Anne of Windy Poplars as Anne and Diana talk before Diana’s wedding day which do not reflect her impending adulthood. 

The Anne of the miniseries is a bit more immature and naive than the Anne of the book. I get the impression Sullivan enjoyed Anne’s temper and was sore to be rid of it. Unfortunately, Anne is not allowed to grow up in the miniseries and acts not much different than she did at the end of their first movie.

2. Into an older man

Okay, I know a lot of people thought Morgan Harris was handsome, but to me, he was just old. In the book, the two men Anne shows romantic interest in are Royal Gardner and Gilbert. Both are barely older than her and considered super handsome. Royal is also rich and romantic while Gilbert is funny and smart. Meanwhile Morgan is...well...old. Sure he has some money and I guess he likes Anne, but he has a child and a know-it-all attitude.

Maybe this is splitting hairs, but I think Follows’ Anne is different in that her view of an ideal man is different. In the book, Anne is all hooked on romance; she wants to live as the heroines in her favorite novels do. Meanwhile, the Anne in Anne of Avonlea, the miniseries, is attracted to a man who is rich and old. Instead of having lofty standards for herself, Anne in the miniseries is satisfied marrying whoever happens to come along who is not dreadful. Perhaps this shows a lower sense of pride too.

3. Looking for Gilbert WWI

The whole plot of the Continuing Story bugged me. Why would Anne go to Europe to force her husband against his will to not serve his country? I can find no sense in it. The Anne of the book does not always agree with Gilbert, by they are equal partners. If she knew he felt strongly about something, she would change his mind or accept it, not go gallivanting across a war zone. Instead, Sullivan could have had Anne working as a nurse during WWI and saving lives. And/or using her storytelling skills to raise morale.

The Anne Blythe of the Continuing Story is a far cry from the Anne Blythe of the book. The Anne of the miniseries in the third movie has a much different relationship with Gilbert and thinks far more of herself. 

Similarities

1. Romantic

Anne in all three miniseries movies I have watched is true to the book in her romantic nature. The Anne of the books lives in her own idealistic world which is captured well in Sullivan’s version with Anne’s monologues, writing, and behavior around kids. She appreciates nature and sees the good in everything.

2. Stubborn

Anne of the book is rather prideful and struggles to change her mind. The Anne of the miniseries is also stubborn. In the miniseries, Anne sticks to her goals whether ignoring Gilbert, being the best school teacher, or finding her husband. Just like the Anne in the book, no one can convince her to act against her convictions.

3. Self-reliant

One of the things that makes Anne an interesting character, especially for the time, is that she is very independent. Theoretically, her independence stems from her time as an unwanted orphan. Regardless, in the miniseries, Anne’s independence is clearly shown. She studies herself and gets ahead, she keeps writing even though her works get some criticism, and she takes care of herself when her husband is gone. She can get by all on her own.

Anne with an E Anne

Differences

1. Physical manifestation of trauma 

One of the biggest differences in season 1 of Anne with an E is that Anne is actually seen to be affected by her years of neglect and abuse. In the books, Montgomery sort of dismissively addresses it (like with the window friend bit), but does not have Anne exhibit any trauma. The TV show, however, embraces Anne’s horrible past showing her to have triggers and nightmares and horror stories.

Because the Anne of AWAE is affected a lot by her past, she has a harder time making friends and fitting in. She has a reason to be wary of other people. She also comes across more as odd, because of the various triggers she has which the others do not understand and because she has stories like no one has ever heard. Much like Gilbert, AWAE makes their version more of a loner.

2. Activist

Anne in the book stands up for herself, she does, but not in the way of Anne in AWAE. In AWAE, Anne has all sorts of causes; she fights for feminism, gay rights, foxes (I want to say environmentalism, but she doesn’t value the lives of chickens, so I hesitate), and treating everyone the same regardless of race or culture. Anne speaks loud and proud in the show on all of these issues. Anne in the book does have convictions, but she is just not that loud. She does not speak against gender inequality. The only cause she really speaks out about at all is treating children right. 

Anne in AWAE is more of an activist than the Anne in the book. While the Anne of the book may organize a letter writing campaign, the Anne of the show would be leading a march with signs and a bullhorn. The show has a far more outspoken Anne.

3. Good in Everyone

This one is sort of related to the first. Anne in the book assumes the good in everyone which is why she makes friends with some of the least liked people. In the show, they keep in her relationship with Aunt Josephine, but Aunt Josephine in the show is also changed so as to not be one of the least liked people. Instead of a selfish prideful woman, she is just a sad lonely woman who lost her soulmate. In the show, Anne has difficulty seeing the good in the people as evidenced in the number of people she does not get along with. Sure Anne doesn’t like Josie in the books, but the Anne of the show also doesn’t get along with Mr. Phillips, the pastor, all the boys who aren’t Gilbert or Cole, and most of the mothers. I’m guessing this change is related to Anne’s childhood trauma.

The Anne of the show is less friendly and has less friends than the Anne of the book. Perhaps she is automatically guarded or maybe her triggers or oddities threw them off. Or maybe some of them just don’t like an activist telling them to change. Regardless, Anne in the show comes across much more on her own than the Anne of the book who is generally well-regarded.

Similar

1. Romantic

I had to put this on both, because this is one trait the adaptations hit on the nail. Anne in AWAE, like Anne in the book, is memorized by the world around her. She fixes each flaw she sees with her imagination. Her capacity for creativity abounds which can be seen in her artistry in the pageant and her work in school. 

2. Intelligent

AWAE does a good job of showing that Anne is smart. They have her rise through the ranks at school, like in the book, but they do much more. Her conversations with adults meet them phrase for phrase and she cleverly devises plans, like when she saved Ruby’s house or Diana’s sister. She is just as, and truly far more, intelligent as any boy in her town.

3. Confident

In the book, Anne believes in herself, even if she doesn’t always have the highest self-esteem. Anne in AWAE also has confidence. She speaks with boldness. In the book, Anne is willing to talk in front of her class or to the pastor’s wife and is not intimidated. Such is the Anne in AWAE. 

Which Anne is More Like the Book?

I think Meagan Follows’ portrayal better captures the character. Sure, all the stuff in the Continuing Story was dumb and I don’t like that she liked an old guy, but ultimately she reminds me more of Anne. When I read the books, Follows’ Anne voice is heard in my head for her breathy romantic quality so well fits the idealistic character. Her character’s interaction with the other characters also fits the Anne of the book well. Anne of the miniseries gets along well with Marillia with little doubt of Marilla’s affection, her and Diana are chums, and she pretty much gets along with everyone.

AWAE’s Anne doesn’t quite beat Follows’ Anne for me because of her trauma and activism. Neither are bad, per se, they just are not in the book. McNulty’s Anne is much more alone and odd and outspoken than the Anne in the book.

So, that’s my take. What do you think?

Thank you to everyone who suggested this post! @lillypedalsxx @filmmakerdream @thetraveler10

[ibitchytimemachine]

I haven't been reading fanfic as much lately due to some real life BS and I have been working extra hard on a piece for the @vegebulocracy mini bang! If you don't know what it is, you can check out my review of the Big Bang fics by clicking here, or you can check out the FAQ for the VBO Mini Bang by Clicking here. (once the fics drop, I will voraciously consume them and write up an overview for y'all!)

Now, with that out of the way, ON TO THE REVIEW. There will, as always, be Spoilers below the cut! 

The first thing that stands out to me is the world building of this story. The palace feels like a real place. It is huge and even though (through POV) we are only privy to a small slice of the space, it feels vast. The exploration of the races is really interesting to me. I really am nerdy when it comes to this type of thing, and the variety of humanoid races in the piece is fantastic. There isn't just one or two races that are explored, and the writer is really smart how they introduce and develop the important characters. Also interesting are the dynamics between Vegeta and his Father, and the Saiyan race and the Colds/other races (Im not gonna get into this in the review, but its an interesting dynamic set up that I want to see explored more). 

So diving in a little deeper. Humans are practically extinct, but Saiyan males are like uber attracted to the women AND the Human-Saiyan hybrids are good match. The Saiyans like humans so much, that most of the human men are killed and one of the only ones left, Yamcha is being forced to impregnate as many of the female left as many time as possible. The way that the writer treats Yamcha is fantastic. I am granted not a huge Yamcha fan, but through the story events, you just can not hate him. He is being molded by his circumstances, and boy howdy Yamcha’s circumstances are pretty fucking terrible. Can I say how much I love the fact that in this society a hybrid is not looked down upon? Like whoa racial acceptance and diversity FTW! Now there have definitely been hints at the fate of acceptance of our Prince Trunks, but that is a problem for pretty far off.. maybe.  

God I hate how much of a hoe Vegeta is. He fucks so many different women, and there is legit a plot bunny that literally explores the palace brothel and its treatment of the whores the Prince is down with/what he likes and doesn't (random tangent - like whoa, this flashback with his father and the princess who kisses him, damn - I thin I would be fucked up too Veggie, but I still have issue with who you have turned out to be). I think that you are supposed to have a love hate relationship with him, because one second he is acting incredibly out of character (for him) and lovey dovey and the next he is verbally/physically or emotionally abusing poor Bulma. While I understand WHY Vegeta is written this way, I low-key hate him. Two instances where I LOATHE him stick out to me, the first being when he fucks a chick while he forces Bulma to lay in bed with them and watch him (the subtext of him not being able to enjoy himself without watching/being near Bulma is interesting though) and then the next morning when he sexually assaults her for a little hand-gooing is just yuck. I will say that I think that if/when Bulma gets her head out of her ass SHE will be the link Veggie needs to finally stand up to and defeat his asshole father. 

He does end up having to save and protect her a whole hell of a lot. Bulma is take from her home really kind of young, so she doesn't have the technological genius going for her in this story (and can I say I think this is an interesting exploration of how she would have developed away from her planet and in this hostile environment) and in fact she is dumb as shit. Like teasing the princess of a warrior race, who is supposed to be getting pregnant by Vegeta due to a treaty the two planets have set up, hello Bulma, WAR is in the races name - leave the crazy royal alone. Also wandering around LOOKING FOR THE DUNGEONS?! Whiskey Tango Foxtrot woman! You legit brought that shit upon yourself. Also what kind of terrible servant mother fucking FALLS ASLEEP in their masters beds? Like before he starts making her do it (a trope that I gotta say I hate to love) this stupid woman is CONSTANTLY FALLING ASLEEP IN VEGETAS BED. and then she is all like “no, I know I am being super disrespectful to you, and I know that you really want to do stuff with me, but I am gonna give you the worst bluebells of your life” like thank you @lightphyre for not having his outright rape her, which I unfortunately think would be very much in character for him in this story. anyway can we talk about the moment that made me think “imma write a review for this story?” So Bulma had just saved ChiChi from Yamcha (OMG Goku is a teacher to little kids? like this is him as the good dad to Gohan I know he can be - its far enough off but I just see all the fluffy moments in my head- love the treatment of Goku here) and Vegeta sees the danger IMMEDIATELY and has to drag Bulma away (come on Queen B, you are WAY smarter than you are being in this story, even without living with your parents and getting all the expensive education) then Vegeta, without prompting or even explaining what he is doing JUST MOTHER FUCKING TEACHES HER HOW TO GET OUT OF BASIC HOLDS. This was the moment that I was like... ok so maybe I only 90 percent hate him. He is mean as hell to her here, but like, she's a fucking idiot and needs him to be straight to the point, this also is the turning point for their relationship dynamic (he's still an ass, but what are you gonna do?) and leads to a mother fucking confusing, but kind of (in its own way) sweet moment between the two. This happens in Chapter 9, so if you don't read anything else, go read that shit... here Imma link the chapter for you... RIGHT HERE.

This shit is a low burn... Like Damn. I thought that Drought was killing me getting to the point (another great read I have linked the title for you), but like... even with all the kissing and the sexual assault and the consensual jacking off, its still leaving you just utterly frustrated. Like remember when I said Bulma was a fucking moron? She won't fuck Vegeta (even though she REALLY FUCKING WANTS TO) because she is a virgin (I get that part) but she wants to “be with” the father of her kids. But she mother fucking knows that she is about to be raped in front of like the whole Planet’s Elite forces to make more Human ladies for them to pound. She knows that literally no one she could be with will be faithful to her (although, I gotta be honest, I legit think if she would put out to Veggie, he would put the breaks on the Whores quite a bit - if not all together) She knows that she is in the best position she can be in, she knows her fate completely, and she is still not taking what she wants by the reins and saying, hey I am in this shitty situation, Why not do something that I want to for once and take a little control of my life? Like she's scared and weak here and I am not a fan of this particular characterization of her. I think she is too flawed. Do I still love her? Well yeah. I mean I hate Vegeta here too, but I think that it is nice that these characters have been made so flawed (and lets be real, the reasons behind their flaws are explained nicely) and they don't get together and instantly all their flaws are gone. It makes to story so much more real feeling. Its authentic how fucked up these two people are, and it keeps the reader reading. Shit I started this story last night around 10pm, and couldn't sleep until I ran out of story to read. Then I let for two hours and HAD to vomit all my feeling out on this blog. So that should say something about the quality of this story. 

Two quick criticisms. The first is I am not sure if there is a beta, and if there is, he or she is not doing their job very well. There are a lot of spelling errors, and it is obvious where the writer had issues figuring out exactly what they wanted to say, because a string of thought will begin, and then the writer will double back and try again. so you will have one sentence with two beginnings. Its just really raw, almost like reading one of my reviews - where I type the way I would talk or how I am thinking. There is quite a bit of refined writing, and the world is amazing, but there are plenty of spots that need a polish that comes with a careful beta. It’s really easy to miss these types of issues without one, which makes me think that the writer is indeed without one. The second is that the story starts with this exposition dump that is entirely necessary for the story, but is just freaking painful to read. Like I almost didn't read the story at all because I began reading the first chapter three or four times and it is just boring. You don't care at the beginning of the story, and it is hard to read this kind of thing without giving a fuck about what is happening. I will say that it is all plot relevant and important, HOWEVER I do think that the writer has peppered this information throughout the story really well, and the information would have been more easily digested AND interesting to the reader if we had gotten into the story instantly. I might go as far to say that all of the information in the exposition MIGHT be unneeded as we get so much of the information from the exposition throughout the characters thoughts, reactions and actions. 

Anyway - this story is fantastic. If you are looking for a really richly planned UNIVERSE and a dark AU that explores characters in a really interesting way, then you should give this story a shot. There are some pretty big triggers in it, if you couldn't guess from the discussion above, so if some of these things bother you, maybe stay clear of the story. I do indeed recommend this story though. Its well written (problems aside), well planned, full of plot bunnies that hopefully get resolved (Im looking at you War princess) and authentic. It has all the elements you need for a long running and successful story, and if my caffeine IV is anything to go by - it is completely binge-worthy! 

If you liked this review, after you check out this fic, head over to my A03 and check my stuff out too!

[arkus-rhapsode]

I was wondering if you were planning on doing EZ reviews. I personally think if you get past the Erza clone and the similarities in looks with some characters that the story is very well and actually has a better plot than FT did.

So I’m going to give my surface level response on this and I will be fair on my stance like I usually try to. In the most general term, I don’t really review a series I don’t care about. If you notice I haven’t done a review of Black Clover in a while, its mainly cause this current arc is something I don’t really care about and it would feel like a drain on both me and my audience to here that each week. I’m sure my audience and EZ fans probably don’t wanna hear me belly ache about the series week to week.

This series really does show me that its made for people who like Hiro Mashima’s work. And if you do, more power to you, but your probably not going to enjoy my usually dissecting review style.

So right here I’m going to give my thoughts on the series to this point, and I wanna start positively. I do agree that the plot to Eden’s Zero is much better structured than FT’s once you get past the Elsie stuff. The four star shine robots plot to get to Mother actually seems like a good plotting out of how to take this story. It really reminds me of finding the four rave’s.

I also think I’ve mentioned this back in my former reviews, but the setting to is also interesting too, and forces world building. Though, I’d like them to experience the world rather than Witch just read of a synopsis of the world. Yeah having an internet in the world does kinda kill the sense of adventure.

And I will also say that I’m happy that most the cast has motivation unlike most of FT.

And with that we lead into my problems with the  story. First as I mentioned, the the plot does have better structure once you get past the Elsie stuff, the problem is that before that the pacing and plot seems really really slow, very confused, and then introduces such a high concept like time being eaten and going to other worlds in the past. While I do appreciate Hiro trying for a slower pace in the beginning, he’s doesn’t use it interestingly. He could take this time to explain the government or how these cosmos work? Is there king of space? Could the cosmos be cut up like the blues in One Piece? Or how about my biggest question, WHAT THE FUCK IS ETHER GEAR?! No we need more time travel and friendship!

Then there’s the first arc with this whole sister stuff. I will give credit that Rogue Out as villains aren’t too bad. Jin is obviously the best because he might heel turn, the sumo looking guy isn’t overtly evil, which was nice, and I could kinda get into Sister’s whole thing of just doing what she is paid to do as a motivation. But all villains except them are the usual Hiro Mashima bland weirdos with no characterization.

This Illega guy, I was expecting maybe a twist with him and why he has a collection of girls was maybe something subversive. Maybe he is trying to bring back tourism to his planet and by kidnapping B-cubers he was going to make them make the planet more entertaining, I mean Rebecca had a whole chapter praising them as coming up with fun things to do. Maybe he has a child who has an ether gear that made them look human and left him after the planet got closed off saying they’ll become a B-cuber, so he’s kid napping B-cubers to see if that one is her and that stuff that makes them stone should make his child reveal her true form.

No, he’s just a creep who likes turning women into furniture. Because… And that guy Wise’s intro arc who is just a common thug with his leg fetish brothers.

So I can’t call that story well done. If it takes till the Elsie arc to actually get to the plot actually moving forward and that this current arc is this bland and boring arc with everything being in the morally black, its not interesting.

How about the characters? Well, Shiki I’ll at least be fair, is actually gotten better than Natsu mainly cause he’s trying to be proactive. I’ll even give his gravity power at least seems to have more creativity than the generic fire dragon magic. But he’s such a confused and bland character. I mentioned this in my review chapter 1, Shiki’s strongest aspect is his social awkwardness and how that related to being raised around machines in a fantasy park. But he wants Shiki to be like your usual big damn hero whenever the time comes for him to look cool.

I recently watched an interesting piece on how My Hero’s Deku and Black Clover’s Asta represented two different types of shounen protagonists and ways to take a story. With Deku being a representation of the protagonist who needs to grow physically and emotionally into the pillar of his world that can inspire and fufil his dream, while Asta already is the pillar of his world who already can inspire and needs to earn recognition. Both of these types of protagonist are fine, but Shiki is trying to be both of them and it results in none of them. He seemingly needs to grow into a person who can actually get a ton of friends, but he also is apparently the kid who will rock the universe. It just results in a confused character, why does he act like such an idiot when he’s completely competent in action scenes?

And what makes him endearing? Say robots have a heart? Dude all the robots in this series have shown the ability to make expression and have emotion. We saw an android walk the street in chapter 2! Why do machines act like Shiki just told them the word of god after he says they have a heart, they all emote. Look at Pino and especially Witch, they’re displaying a range of emotion. Its not like they look like a cyberman who talks mechanically.

He’s just confused and unfortunately falls always back into that friendship shit as his only motivator instead of possibly addressing the trauma or adding a layer on how he won’t lose other people and what that feels like for him. The only time it really felt like he was living up to that emotionally stunned guy, was when he was beating the shit out of Illega to the point that Pino needed to shut him off, because I’m sure this kid can’t handle the emotion of anger quite yet in this situation.

Rebecca I think is worse though. I don’t know why people like her other than her design. Her personality is essentially jelly that can be morphed into whatever you want to fit the situation. She’s perverted in some scenes, but then doesn’t like perversion? I mean, she gets two guns in her hands and looks like a moron shooting randomly. Like is that badass? Is this what a female character has to do to be considered cool now?

I don’t consider her a rip off of Lucy, because Lucy actually had a character. Had a personality. No she is more a rip off of Elie from Rave, right down to the shooting shit up part. Only Elie made sense cause she was actually really unhinged thanks to the fact that she had no memories. But she got over it! She developed. Outside of her one past flashback with Happy, nothing about her is that interesting. I’ll also give her that she now just gets ether gear and its something she clearly can’t control yet, so there is room for improvement.

Wise, is actually an okay character. He’s got a cool concept of a guy from the past who is an inventor living in the future. I think his only weakness is that his ether gear is stupidly OP.

Pino is… Just and ornament that looks cute. You want your daughteru character to latch onto Shiki, here. Hell, I have bet going with a friend of mine that Pino will get some upgrade and she’ll have the body of a hot teenage girl. Its not that I hate here idea of having her memory erased, but the more I see of her and to more I hear about this robots have a heart makes me wish Michael came along.

Yeah, missed opportunity, cause Michael is not only a foil to Shiki and his adoptive brother, but he also doesn’t have a humanoid face. Meaning he doesn’t get convey true emotion so he actually seems like a robot. He actually seems like he’d have a character arc about discovering wanting to be more and more human. People would call Shiki weird calling a robot his “brother” and Michael never thought about it and we know there are multiple models of Michael. Imagine how fucking devastating it would be to see yourself mass produced. Imagine he actually gets to the point that he wants a humanoid face, because he wants to emote.

No we get Pino, who basically is Carla, but lacks any of thee enjoyable sass. Because we didn’t have enough sidekicks on this cast. Also we learn EMP is how to shut off ether gear, great, this is like if Usopp just had sea-prism stone on him at all times.

Then there’s Homura, she’s awful too. I’ll at least give Rebecca that she’s likable, but Homura she is personalitiy-less and has the worse character gimmick I think I’ve seen. Its not funny, its dumb. She can also use this ether gear too, and its a sword that was apparently passed down-its fucking 10 commandments. She also just walked into this story, like wha…? I’d be fine if she was like hunting the Eden’s Zero ship and watched it take off on Bluegarden, but no, Homura just came along cause she conveniently met Wise.

I’ll give her credit that the sword fighting looks cool, and I understand why people might like her cause that actually seems like something badass, but as a character she just feels tacked on.

Then there’s witch who is basically just the older sister character.

Elsie is not awful actually. She actually is a lot different from Erza and I actually would like to follow the space pirates more than I would want these random travelers. Also quick question, why do they still have the Eden’s Zero looking like a pirate ship? I mean, it looks cool, but these fuckers are not pirates, not even close. Oh wait, I know! We needed to rip off captain Harlock some more.

I’m not going to even talk about the potential love square with Shiki, Rebecca and Lavilla/Labilla, possibly Esie and Homura (?) cause one credit to FT was it wasn’t a harem, and Rave used a character like Celia and Beruka to more add an extra layer to the relationship of Elie and Haru. SO hoping Hiro avoids that.

So yeah if this rant has probably showed you, I don’t think EZ is all that great. But if you like it, fine I get that. I just have no interest in really talking about it week to week as even though I got down on FT, the beginning of the series was still something I enjoyed and I wanted to talk about how the current stuff had turned out. But EZ has no, beginning I liked. So I just don’t feel like I should be talking about it week to week.

[laughingpinecone]

Yuletide letter 2018

AO3: laughingpineapple

Hello dear author, I’m glad we share one of these wonderful little fandoms and I hope you’ll have fun writing for it. The sections aren’t all of equal length for one reason or another but I love them all so much, from the classics I’ve been requesting since I started doing Yuletide (can’t have enough of those!) to this year’s shiny new findings. I tried to leave both specific and non-specific prompts for each canon and, again, I wanna see the farfetched postcanon scenario just as much as the vague one-word prompt and my general likes. Pick whatever works for you, or mix and match!

Likes: worldbuilding, slice of life (doubly so if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, established relationships, future fic, hurt/comfort or just comfort from the ample canon hurt, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, canon-adjacent tropey plots , outsider POV, UST, exploration of secondary bits of canon, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, cuddling, wintry moods, flannel, ridiculous concepts played straight, creating a dynamic between characters who never spoke in canon, sensory details, sickfic

Cool with: what-ifs, AUs, any tense, any pov, any rating, plotty, not plotty, gen, shippy, IF, nerdy canon references, unrequested characters popping up

DNW: non-canonical rape, non-canonical children, unrequested ships, canon retellings, consent issues

Ghost Trick: Cabanela, Jowd

General: platonic or romantic, loyalty kink here we go, in any shape and form. Night time and secrets. Out of town. Knitwear. Twenty years from now. Size difference. UST. Cabanela’s scarf being in the way sometimes. Cabanela’s legs being in the way sometimes. I have Final Fantasy on my mind a lot recently so any FFIV, VI, VII, T, IX, X, XII or XIII reimagining would be fantastic (Monk Jowd, dancer/red mage Cabanela...?), or indeed The Last Remnant, but also regular fantasy, space opera, sci-fantasy… anything fancy!

Canon-specific dislikes: Sissel not being Jowd’s cat in the new timeline (which ofc doesn’t shut out Yomiel’s unbreakable bond with his cat – as the saying goes, Sissel has four paws...), infidelity

Cabanela&Jowd or Cabanela/Jowd: I love Cabanela being fierce and dazzling bright and determined and loyal to the very end, dancing to his own rhythm, so sure of himself and of his ideas that he doesn’t even need to prove to anyone that he’s right. Too sure of the wrong idea, once, and everything crashed and burned. And I love Jowd being the immovable object to Cabanela’s unstoppable force, a self-depreciating asshole with a penchant for gallows humor that grows more morbid by the hour, and also incredibly smart (both jerks figured out Sissel’s powers better than Sissel did) and athletic and with an unsuspected talent for stealth.

I ship them dearly, as part of a triad (or Jowd-centered V...? Has it been explored?) with Alma with all the fun possibilities of the third party sneaking into the marriage and negotiating that relationship. Or adjusting to a life together with Kamila in a no-reset scenario or a what-if in which Alma was never around (please no breakups or noncanon deaths if you don't want her around).  But I also want to read all the best friends fic with the corniest, most intense found family dynamics you can muster!

Alternate scenario where it’s Cabanela who keeps his memories, not Jowd: how does that change their dynamic in the new timeline? Or what if Cabanela stays dead in ch15 like he wished he could, joins the rest of the gang as a ghost and goes back 10 years with the others and so both of them keep their memories? (with my apologies to Yomiel, whose ch16-17 redemption has just been made a lot harder by the added stowaway)

Jowd knowing how much Cabs did for him and remembering him broken and bloodied is A Lot. especially if he’s a lil into it (and mr spotless is. not really on the same page.)

Casefic! With ghosts! There could be a new ghost created by Temsik’s shards or even by some unfortunate soul dying on top of the buried meteorite. Or with their own ghost, teaming up with Sissel! There’s so much potential for tense, death-defying situations! (with make-outs afterwards, if that’s your thing)

Deathfic, until it’s reverted. Jowd dying in Cabanela’s arms or the other way round, but one of them knows about Sissel and the other does not…

Jowd’s loyalty to Cabanela being tested for once, as a change of pace.

More detailed prompts for a few FF fusion AUs: FFX, Summoner Jowd and reluctant Guardian Cabanela. Any moment of their pilgrimage could be fun (and/or tragic and/or intense), or if you like a more detailed prompt, would Yunalesca’s truths be the tipping point of Jowd’s conviction? Would Cabanela manage to drag himself and his Summoner to safety before she killed them? What would life look for them afterwards as survivors bearing forbidden truths, would they stay away from Yevon? FFTA or XII, viera Cabanela and nu mou or bangaa Jowd. I’m sure there’s a poignant plot about magic-endowing extraterrestrial rocks and political backstabbing somewhere at the intersection of Ivalice and GT. If you can see it, I’m here to read it. But I’ll be honest here, the real point here is bunny Cabs. Please consider bunny Cabs. (viera, nu mou, bangaa visual refs for non-FFTA players who might wanna do a regular fantasy AU instead?) FFVI, Cabanela faked defecting to the Empire and is a magitek-infused officer while Jowd has Blitz and... Sketch somehow? And they meet again in the World of Ruin and things are very emotional?

The Last Remnant: Any (Pagus, Maddox, Sibal, David)

General: characterization based on battle quotes, red bubble dialogues, and even their unique stat (‘authority’ is a natural fit for David but ‘romance’ tells me something new about Sibal!) Character interaction. Bit of worldbuilding. What’s another festival they celebrate? Do they erect something else instead of the Valeria Heart? Any fun discoveries down in Siebenbur? Where the hell IS Veyriel, anyway, do they go look for it and if so what do they find out? End of an age. Old bonds.

Canon-specific dislikes: strong narrative emphasis on game mechanics. Stuff like mentioning that a character leads a unit is fine, but for example listing the materials they need for their weapon upgrade would take me out of the story.

The Qsiti bunch: just give me the deets on Qsiti worlduilding and I’ll be a happy camper. I ship these three very much but I’m also invested in their friendship and in each of them as a singular character. The fact that Pagus is a goddamn catch is one of my favorite things, and he can be a smart cookie with any of the other smart cookies in the party, or be a history buff with Glenys, or tutor Yuniver. Proud, paranoid chatterbox Maddox entrenched in his cover-up stories, finding it hard to stop being a spy and relax, maybe spending time with someone very simple, like Sheryl, or a very different kind of fellow veteran like Roberto. Self-assured Sibal who probably knows a lot about the mysteries of the underground world and is also the most romantic soul out of the entire cast, talking volcanoes with Paris or discussing the Rainbow Bond with Haruko? If you also like all three of them, either as old friends or as a ship, who of them comes up with what excuse to reconnect again now that Remnants are no more, or do they drop all pretenses and admit they just want to make up for lost time? And what do Qsiti cuddles look like?

David: Post-canon, adjusting to a life without remnants - how did it feel to be bound to one or two of them anyway, and what’s it like without, and suddenly knowing you’ll be the first Nassau in who knows how long who’ll reach old age? - and without Rush. Finding support and friendship even outside his trusted Generals. I’d be interested in seeing him get closer to any unique leader you might like, I can easily see half the characters absolutely adoring him sooner or later. From the Duke of Ghor to Roberto, to sweet Zolean who knows what it’s like to lose someone dear and hope he comes back, or Rhagoh & Remnant Kate, or Paris or Jager or, eventually, even Allan… David/Rush prompts: focus on Rush’s supernatural nature, how he was a strange boy with a good heart (Things Unchangeable meant so much to me!) who ignored human social conventions because he was not in fact human. Reunion fic more than a decade into the future, showing how David has changed and with emphasis on Rush’s Remnant nature.

David & Qsiti: basically a mix of the other prompts. David is close to all his Generals but what’s his dynamic with Pagus specifically? Is he a mentor, a friend, did Pagus stop David once when he was about to do something very stupid? And what can David learn about his dear General from people who have known him since long before David was born?

Myst: Yeesha, Jeff Zandi

General: The oddest of friendships. Road trip. Desert sunrise. Desert bird shenanigans, be it with actual roadrunners speeding by or cartoon ones. Descent. An oddly shaped rock. Strangers. Shooting stars. Any line from Words.

Canon-specific dislikes: please no Yeesha bashing?

Yeesha & Jeff: He’s definitely Team Yeesha and she could definitely do with a friend, the year is 2018 and I still want fic about this unlikely duo.

How much can he really say he gets her? When did they meet? Was it when a younger Jeff was exploring D’ni with his father Elias, did that create a rift between the two?

What do they do when they hang out? Has he played the Myst games – heck, has she? Does he play Magic the Gathering like his RL counterpart?

Do they set out on a road trip because she needs to chill for a hot minute and experience for herself that whole ‘you shall seek the journey’ thing? Late night driving and liminal places could be cool. Or does she link him somewhere cool with no travel time needed?

Do they agree to meet by his camp fire once a month or something like that, and one time Yeesha doesn’t show up? What happened?

Does he get to hang out with bahro thanks to her, in the depths of the Cavern where the DRC will never be able to reach, and what’s that encounter like for him (and for her, and for the bahro)?

Maybe some relaxing time can take place after End of Ages. He’d notice that something has changed, she’s somewhat less of a depressed wreck that she used to be...

Speaking of End of Ages, was Jeff chosen by the Tablet? If so, how did he fail his quest? I appreciate Esher a lot so if you go for an EoA plot feel free to use him too.

Anything based on Uru history is great!

The Secret History of Twin Peaks: Tammy Preston

General: Character dossiers that involve Tammy more directly. TSHOTP themes being used front and center. Owls, figurative and otherwise. Tammy Fashion™. Tammy Freeform Infodump™. The risks of staring into the void for too long. Gentle illusions. The moon. Static buzzing. Any title from the s3 ethereal whooshing compilation used as a prompt, actually. AUs and fusion AUs are great for this fandom! I have Final Fantasy on my mind a lot recently so any FFVI, VII, T, IX, X, XII or XIII reimagining would be fantastic (what would Tammy even be... scholar, fencer, mystic knight...?), or indeed The Last Remnant, but also regular fantasy, space opera, sci-fantasy... anything fancy!

Canon-specific dislikes: Gordon being a harmless, fun dad or conversely having the worst intentions. Clear explanations for canonical ambiguities.

(my Twin Peaks canon-specific likes and dislikes in the next section may also apply)

Tammy: what I find fascinating about Tammy’s positioning in the narrative of the books (and of the show, but not as markedly) is that there is this whole narrative of trauma, and the circularity of trauma, even within Blue Rose and the organizations that came before it, and she stands at the end of it and learns about it all without being directly involved. She can learn from it in a sheltered position. Maybe when her turn will come, she’ll know a little better. Her name’s anagram is Praemonstrata, “Having been guided”. She’s the new Archivist, in a way. She’s the future of Blue Rose, last woman standing as soon as Albert and Gordon retire and/or vanish (and after the show’s finale, I can’t see either of them lasting long). What does it all mean, in the context of the book’s overarching theme of secrets VS mysteries and the cost of knowledge (and the show’s connections between trauma and the fragmentation of the self, and TFD’s doubling down on the general concept of shoveling oneself out of the shit, and her moving final considerations)?

What could be a test for her, something that would involve her personally and make her risk losing her way? What makes her tick - would she cross to other worlds, how, and why?

I don’t know much about aliens, but I really enjoyed how the book wove it all into Twin Peaks lore. If you want to do the same with some other bit of UFO trivia and have Tammy draw her connections, I’m interested!

The books show that she’s not only Albert’s spiritual successor as the only other rationally-inclined soul in there, she also knows Albert personally to some extent, for example that he’s a jazz lover. Have they ever gone drinking in cool (LGBT…?) clubs with fancy live music? Are they jazz buddies or what kind of music is she into (and what does he have to say about her tastes)?

What other characters or pieces of TP history would she look into? What about that Diane dossier, for example? What about Lucy? (If you have her look into Diane, please be empathetic toward her and her tulpa)

Twin Peaks: Harry Truman, Lucy Moran, Chet Desmond, Garland Briggs

This one is an OR request – feel free to only write about some of these people and completely ignore the others. There were just too many good characters in the tagset and I couldn’t choose so, you know, to hell with matchability. The prompts are for the characters on their own or with some nominated canon mates but if you have an idea for Ruby&Lucy, Garland&Albert, Harry&Naido or any other odd combo, go for it!

General: the mystery of the woods, obviously. How do they relate to the woods, what do they gain and what do they lose in the woods. Case fic but they don’t find out jack shit, someone disappears, David Bowie was there, it’s complicated. Fragmented, shifted, mirrored identities. New Lodge spaces. Still any title from the s3 ethereal whooshing compilation used as a prompt. When in doubt, add Margaret. AUs and fusion AUs are great for this fandom! I have Final Fantasy on my mind a lot recently so any FFVI, VII, T, IX, X, XII or XIII reimagining would be fantastic (paladin Harry, dancer Lucy, fighter Chet, sage Garland...?), or indeed The Last Remnant, but also regular fantasy, space opera, sci-fantasy... anything fancy!

Canon-specific Dislikes: any singular Dreamer being the ‘source�� of canon, BOB (let alone Judy) being forever defeated in the finale, Judy being an active malevolent presence in the characters’ lives, ‘Odessaverse’ being the reality layer, the Fireman's House by the Sea being the White Lodge, Naido being nothing more than Diane but since she was nominated as her own character I'm hopeful here

(my Secret History of Twin Peaks canon-specific likes and dislikes in the previous section may also apply)

Harry: Bookhouse Boy Harry both in the sense of avid reader Harry promoting literacy and vague bastion against the evil in the woods Harry. Harry getting a sword out of a pond in the woods like he was meant to but , like, in a way that’s less random kitsch and more meaningful magical realism. Harry and Frank as actual brothers but also Frank as a projection of Harry’s insecurities. Harry, Ed and Hawk as friends. Harry finding some sense of belonging somewhere, somehow.

Lucy: Kimmy Robertson said she would like to be the color blue in Lynch’s palette, if the prompt works for you. Lucy taking her time to understand and organize the world around her. Lucy with Andy (the one functional couple in all of canon, bless), with Wally, with Maggie Brown and the rest of the new sheriff’s station cast. Lucy with people who don’t usually appreciate her (both sheriffs and Albert come to mind) but have to come to terms with the fact that she’s amazing. I also like that Hawk is a first-class gossip, apparently, and so is Lucy, so if THAT prompts works for you… last but not least, she seems to have some sort of connection with the symbolic weave of reality (picking chairs when a very important chair is introduced, wondering about bunnies and Jack Rabbit palace will be relevant, Robertson said that Lynch said that Lucy perceives a lot and needs time to sort it all out) and I’d love to see it explored one way or another. If you wanna go wild with meta Invitation to Love shenanigans, Lucy could be a good POV character.

Chet: What’s his deal? Empirically, new canon draws a hell of a lot of connections between personal troubles and being jettisoned out of reality. So why did he? A friend recalls that he was named after Chet Baker and Norma Desmond, so that could be a starting point. I like to think that he manages to pull himself together at some point and make it back – how? Does he find any familiar faces beyond the curtains, like Phil? Finally, like all Blue Rose and Sheriff’s station characters, when all other prompts fail: office shenanigans. Please. Now that they’ve all been blatantly retconned as a merry gang who coexisted at some point, please give me Chet bouncing off literally any other named character in there.

Garland: He’s a good bean, almost naive compared to Doug Milford & co in TSHOTP, and I wish him the best wherever he is... the metaphysical adventures of Garland’s floating head could be a fic (maybe Bill Hastings and Ruth Davenport could tag along). Or back when he was alive, weird occurrences at Listening Post Alpha up on Blue Pine mountain. He wasn’t born in town, so what’s HIS relationship with the woods? Or an encounter with some of the federal cast, like Gordon and Phil or a very young Albert. I’m also intrigued by his s3 narrative but I have a very negative view of The Plan(tm) so I don’t really know what to make of it. If you also think that the Fireman’s hints only ended in tragedy and that Blue Rose’s search for Judy was a monumental act of hubris, and you have a good spin for Garland’s role in all of this, I’m listening! All I got is something like "he gave his last fuck... now he's free....." (not that Garland is legally allowed to say fuck, I mean)

Albert/Harry: my main headcanon is that they got together in the aftermath of Coop’s disappearance, holding onto each other in his absence not unlike James and Donna did with Laura. Then... did they last? Or was it a terrible moment to get together (...not unlike James and Donna) and they had to go their separate ways for a while before finding each other again? Does this sad time last up until the end of s3, when Albert can finally quit the castle of lies that was his job and stay with Harry? I am also, however, open to other timelines for these two. Emotional reunions are great and so is domestic fic with a dash of surrealism. What would Harry do for Albert? For example, when would he take his side in a heated dispute with someone else? What would Albert share about his past? What could they do in town? Or do they take a well-deserved vacation somewhere else? Do they team up for a small investigation? Old men taking care of each other is very much welcome, especially after Harry gets through the worst of his treatments.

Dale/Harry: Harry seeing his Coop again... somewhere, somehow. Maybe he perceives him in the woods, maybe Coop isn't all human now. Monster cuddles very welcome. Could be canon divergence but could very well be post-s3. Harry getting closure for waiting all that time in front of Glastonbury and never giving up on Coop... they can live in the woods together...

Harry&Lucy: what could make them spend some time together outside of work (is it donuts)? Does he ask for relationship advice since she and Andy are literally the only people in town who could make it work? Does she feel loyal to him and Frank or is it just a job to her? Does she go visit him after s3 and does he tell her that she was very brave? What about Wally - Harry is the boy’s godfather after all, I don’t usually read kidfic but I can make all sorts of exceptions for my beloved Wally (maybe when he’s more of a teen than a kid). Are they all fans of Marlon Brando?

Chet/Sam: reunion fic! Chet’s been AWOL for years, Sam has fallen through the cracks, how do they find each other again and why do they choose to remain off the grid? I would also like to read about them in the present day-ish, handwaving the return and reunion. Maybe they made a new life for themselves. If Sutherland were to play Sam again, Sam would be... notably more buff. What caused that change, was it traveling with Chet, what kind of person is he now? Could they be in Buenos Aires, investigating on their own whatever that shrinking box was?

Chet&Dale: In which ways are they both real boys and in which ways are they aspects of each other? How do they work together?

Chet/Albert: whatever passes for an uncomplicated office romance around those parts, where they both know very well that they’re not the other’s One True Love, but they have a good understanding - except when Albert’s pacifism clashes with Chet‘s readiness to throw down 24/7. But then again Albert is also ready to throw down 24/7, only with words instead of fists, so there’s fertile ground for conflict and unexpected agreements. Also they’re hot.

Garland&Harry: they’re both good dogs living in a cold and cruel world, with their own partial experiences of other worlds beyond this tangible reality, and I think they should be at least a little friends. Maybe Harry found himself at Garland’s observatory one day without even knowing how he’d gotten there, maybe they chatted at the RR. Then there’s Mfrost spitballing some connection which, given how Garland ‘died’ literally on the day after s2, can only be read as Harry passing his info to Garland when Garland was already beyond this world. I’d read that in a heartbeat.