#vs finding it easy

[rabbitindisguise]

I would separate out the blue and green m&ms out of ten pound bags like they sort mtg cards at card reseller shops so people could eat them (the m&ms not the cards, though they can own their truth and eat those too) and I'd pay for the chance to do it. I'd buy little pink sterile gloves so it's easier to see them (size L). This wouldn't be work not because it's my passion (it is) but because I would do it effortlessly.

And then idk go home and write novels or something. It would be work on the days I had to ctrl + f a characters name when I wanted to replace it with a new one, I can tell you that much

it turns out a lot of people are actually on the same page about whether or not they'd work if they didn't have to earn money, we just all seem to have wildly different definitions of what counts as work. i'll see one person say "of course i would, i'd still want to create art and volunteer in my local community" and another say "hell no i wouldn't, i'd quit work and just create art and volunteer in my local community" and then they look at eachother like they said something incomprehensible.

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it���“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[pennumbra]

Polished up an old sketch! Some friendly kitchen competition between Adira and Varian. (Hector is off-screen peeling potatoes.)

[bonefall]

For Flowerstem vs Maplewhisker, maybe they're both present and one is like… an aide to whichever is the deputy? Not officially, but in the midst of All That they just happen to be helping/supporting the other, and are a clear choice of new deputy once the dust settles.

They're not necessarily friends at the start, either acquaintances that grow closer through a shared sense of "someone has to keep things working", or maybe even rivals of a sort- they don't get along great initially, but they respect each other, and it turns out they're willing to back each other up when it matters (+ the value of having a second-in-command who's willing to disagree with you)

idk i'm just spitballing here tbh

I layed around and daydreamed about it for a bit, and I think this is a great idea. I have even more thoughts to share as fragments;

To start with, I'm thinking Flowerstem is going to be the Winner of the Conflict, and Maplewhisker is going to become her friend and future deputy. Mothpelt is going to be the oldest heir*, who dies of poisoning along with a few of his children.

And to reiterate, Jumpfoot is the descendant of Riverstar's firstborn child, and Mossfire is his adopted heir.

Renames to get the names more in-line with where they were at this period in history;

BB!Flowerstem -> Flowers Came First. Nickname: Flow. A River Kingdom title. Comes from a translation quirk. "Stem," prryem, is the place where plants erupt from the ground in modern Clanmew. Over many generations, influenced by the story of Redscar's sign, "Came" and "First" merge into a single word, Prryem. Eventual winner of the conflict.

BB!Maplewhisker -> Maple Whisker A Mountain Cat name. Actually a reference to the odd saplings that were planted in SkyClan's territory (and is now ThunderClan's). Maple might be a migrant from SkyClan or a second-generation descendant of them, so a more accurate translation would be Sycamore Whisker, but the translator chooses to abide by the precedent set by Mapleshade. Flow's future deputy. (FUTURE ADDITION: Design draft 1 here) (I don't currently have a Mountain family with the Whisker last name, I might end up making it something that came from a Mountain x Forest/Park blended family, as a Mountain cat wanted to name half of the kits for their mate as is tradition.)

BB!Mothpelt* -> Dead Moths Pelt. Nickname: Moth (though I'm easily tempted by funny into making it Moe.) Another River Kingdom title, for the irony factor. It's actually a reference to how he rescued a ton of pelts from a moth infestation, by recognizing they were laying eggs and stopping them before they hatched. Hard to translate into just three words, because in Parkmew it was "Killed (the) moths (to save the) pelts." * = Watch this space. Might change in a future draft.

BB!Jumpfoot -> Jumping Foot Nickname: Jump Actually from WindCo. I haven't worked out the meaning behind this title yet. I'm going to make it so Duststar is supporting this cat for leadership; they might even be slightly related. Cousins, perhaps.

BB!Mossfire -> Mossfire Alight Only given recently, when Moss set her own fire for the very first time. Barely out of apprenticeship, but very popular. Riverstar's adopted child.

(I also need to pick the ThunderClan "Diplomat" character.)

More fragments and assorted thoughts;

(Three parts: Opening, Middle Stuff, and Redscar's Choice)

Opening and political setup:

BB!Flowerstem, Flow, is kind of like an older sibling/nanny of Moss. She was an apprentice of King Riverstar, and unofficially trusted to watch over Moss, who is considerably younger than she is. She wasn't formally adopted by King Riverstar but he always felt like a father to her.

BB!Jumpfoot, Jump, is from WindCo. Riverstar's firstborn was not legitimate, who lived a long and happy life as a traveler going between the various groups.

Riverstar is actually Jump's great-great-grandfather, but Jump is an accomplished, confident warrior who's just young enough to have a long rule, but experienced enough to make Mossfire look like a child in comparison.

And, importantly, Duststar wants Jump in power.

When Riverstar is on his deathbed, Flow, Moth, and Moss are there. Jump actually blows in later, and the Unnamed ThunderClan Diplomat.

The Diplomat is going to be one who does the poisoning later. Jump is REALLY easy to pin the blame on, because he's aggressive and kind of arrogant.

Through the story, Flow is trying to protect both Moss AND keep the River Kingdom functioning. Without even realizing it, people keep coming to her for advice.

Maple Whisker is her really good ally through all this. I'm not sure how they're going to begin, they COULD be rivals, but the important thing is that Maple and Flow naturally end up supporting each other.

While Flow is trying to keep Moss safe and fend off the other Heirs who are showing up looking to make claims to power, Maple is handling a lot of the logistical things.

Flow is an excellent "face." Her judgement is generally influential.

She's kind and compassionate, and it means that she's able to smooth out conflict in a way that King Riverstar used to be able to.

And there are a LOT of fights to break up.

Jump is a complete troublemaker already trying to assert his claim, and he's got cats to back him up.

Moss, who is really trying to be fair here, often gets pulled into fights.

FLOW'S biggest "flaw" is that she's honest. At some point she even admits, "Moss is really not ready for leadership. She needs more time before she has this responsibility."

unfortunately, opportunists and blood-loyalists who don't believe "adopted" can count as legitimate jump on that. Mossfire resents this, even though Flow is right, and she IS in waaay over her head.

But, thankfully, there's still an option.

The Eldest (currently living) direct child of Riverstar, Dead Moth Pelt, Moth, is the obvious alternative. He's older, speaks highly of his father, has connections to the River Kingdom.

And, importantly, he's got kittens of his own. Easy choice! They'll continue the dynasty and we won't have to worry about this again.

They're Just Like The Wind Runner

(jump and duststar disliked this)

.....hmmmmm. You know what would be cool?

The ThunderClan Diplomat being one of these kids.

Maybe in a future draft the Diplomat will be Mothpelt, and the ELDEST will be Beechstar. Maybe their name can be Beech Shore.

Add some more messy dynamics here, have it that Mothpelt "wants to avenge!" the father he actually killed.

(Notes from the future: The Diplomat's name is Bright Whisker. We committed to her being related to Maple Whisker.)

But ANYWAY. This draft first.

Moth is a showman and a people-pleaser. He decides he wants to have a party to honor his father's life,

At this celebration, Moth's direct family all eats from the same, very special pot.

Everyone in this family is poisoned with wolfsbane. None of them are able to make the trip to the Moonstone, and one-by-one, Moth and his kits succumb to it.

(except, of course, the diplomat, if he ends up being a descendant of The Eldest.)

The Diplomat, whoever they are, makes the obvious accusation;

Jumping Foot did this.

MIDDLE STUFF

All this while, I think Flow should be realizing there's something wrong with the Diplomat. But there's ALSO a lot wrong with Jumping Foot

As Jumping Foot becomes unpopular, his supporters are rallying around him and the accusations are starting to get thrown around

Re: It's VERY useful that Flow remains the only POV here, realizing that the fighting and the fracturing factions are starting to affect the function of the River Kingdom

Maple Whisker is by her side, constantly running to come fetch her to break up fights and arguments

Dens aren't getting maintained, cats are going hungry as there's no one really "in charge" of making meals for everyone

I want to make sure it's clear that it's not an "ABANDON OLD PEOPLE" situation. It's Flow laying it out directly;

"Everyone who isn't part of a large family is suffering. You HAVE to pick a side in order to have access to good food and shelter... and Jumping Foot is backed up by the Wind Coalition!"

In this shuffle, she's having a hard time protecting Moss, who's getting sick and tired of her Kingdom being yanked around.

She's growing up quick, having to work with Flow to take care of the cats in the Kingdom, but it's also making her more aggressive. Less patient.

Through The Diplomat, ThunderClan also begins to stick their nose in, which The Diplomat frames as "aid, they are our allies after all. Ties to them run deep, unlike those of the Wind Coalition."

Flow starts to realize that between these two huge coalitions, backed by outside forces, the River Kingdom will get absorbed.

In the shuffle, Flow and Mossfire Alight are starting to break apart. They used to be close, but the stress is making Moss aggressive and short-fused.

She NEVER used to start fights like this, but now Flow is finding herself trying to stop her previously so openminded charge from escalating conflicts.

It's a complete lost cause. There's no way Mossfire is going to be able to come out on top between two very powerful choices, backed up by other Clans

Most River Kingdom cats DO actually believe that it would have been King Riverstar's will for his adopted heir to take over. They disagree on if that's the right choice, or if an adopted one can be legitimate at all, or, WORST of all, if they even CAN support her when a lot of their food and supplies are coming from ThunderClan and WindCo

This comes to a boil when SkyClan charges in for a surprise attack, seeking to claim the territory before it's fully absorbed by the other two.

Because the River Kingdom's camp was on the Sunningrocks, an island in the middle of the river, this battle is CHAOTIC and DEADLY

The island was almost too small to hold all of the reinforcements and MORE AND MORE kept coming, packing in like sardines

The fighting was spilling over onto the banks, over the log bridge, a fight almost as dense and even more SUDDEN than The First Battle

Noncombatants were getting swept up into the fighting, no one knowing who they were supposed to be fighting against, some cats just jumping on those they didn't like, cats who couldn't swim were getting launched into the water

Flow and Maple Whisker can't SAVE all of them

And in the brawl, Mossfire leapt on the cat who she felt had been making her life hell, who KILLED Moth and his children, who needed to DIE

Jumping Foot was happy to return the sentiment, ready to eliminate this bloodless brat once and for all

As they tussled and tumbled, they crashed into the waves, biting and scratching, not realizing that their crowns had become tangled.

Mossfire tries to break the water for a breath, but Flow only sees her back breach the surface before getting dragged under

She leaps back in to try and save her, trying to pull her up, but Jumping Foot is a WindCo cat who doesn't know how to avoid drowning. He grabs at Mossfire in a panic, joined at the crown, and Flow can't pull them both up

The last time Flow sees Mossfire is in that terrified, tangled image, sinking down to the depths, seemingly locked in eternal combat down to the bottom of the river.

Redscar's Choice

When we cut back to Flowers Come First and Maple Whisker, Flow is absolutely haunted.

It seemed like the "obvious" choice was The Diplomat... but after that awful fight, an emergency gathering had to take place.

EVERY Clan lost warriors. ShadowClan was demanding to know why-- as they were the only one not officially involved in the fight, and even THEY are missing warriors.

WindCo has the most losses, and Duststar is VERY quiet. Jumping Foot's death shook him. There wasn't even a body to bury, and he hasn't gotten word on if Jump's gone to StarClan or not.

He's quiet because the guilt is eating him from the inside out. He's doing some sort of prayer behavior, quietly, as if he doesn't even seem to realize he's doing it.

(probably keeping his whiskers tilted upwards at the stars, twitching whenever the breeze hits them.)

ThunderClan's leader seems more frustrated than anything. Flow interprets this negatively, like they just want to get on with it and claim River Kingdom as their own.

(in truth, it's more likely this leader is annoyed with The Diplomat's meddling, the Kingdom isn't a prize they really want, they just honored an alliance and lost a ton of warriors for the trouble. But what matters is what Flow feels about them.)

SkyClan got absolutely humiliated. They were the catalyst for the battle but were quickly overwhelmed, and the current leader just took a MASSIVE reputation hit. It's not the Era of Skystar any longer.

(someone makes a xenophobic comment about "Jump back up into your trees, gray squirrels")

Maple Whisker, in a quick-thinking effort to avoid The Diplomat being officiated, calls upon a neutral party. Redscar of ShadowClan.

If mortals cannot figure out the rightful heir, then surely, StarClan must.

Duststar jumps on this immediately.

Diplomat doesn't like it, but it doesn't matter, because the ThunderClan leader does. Speaks right over them.

Over a couple of days, Redscar "deliberates" by visiting River Kingdom to "spend time under their stars."

But what he's REALLY doing is checking out how the Kingdom runs. And he's really gentle with Flow, in particular, like he's very interested in her.

When she questions why, he lies, "You have spirits around you."

This gets her to open up about how close she was to so many of the cats that died, explain how hard she's worked to keep it all together. How much she misses Mossfire, how she feels she failed her.

And King Riverstar, and Moth, and his poor kits.

I feel like The Diplomat is probably constructing signs to try and appeal to Redscar, thinking he's looking for them, but Redscar is NOT looking for signs. He's actually ignoring them completely.

This is going to be remembered as "seeing through false omens" but in truth, he was not interested in what StarClan actually had to say here, if they even did say anything.

(King Riverstar, as a patron, is remembered as NOTORIOUSLY silent. He never says anything directly.)

What Redscar ultimately concludes is, "It seems you and Maple Whisker have ruled together this whole time, with your leadership and her stewardship, it was almost strong enough to keep the Kingdom together."

Flow makes a remark that it sure didn't turn out well, if that's the case.

"Through no fault of yours."

Shortly afterwards, he constructs the False Sign which selects her as a leader. Redscar also insists that, because she did not rule alone, Maple Whisker must become a "deputy," as they have in ShadowClan.

She agrees to this term, justifying it by saying that it is sort of like an advisor role, which she used to be... but it's not. It's quite different.

This law is eventually adopted as Commandment 3: The Law of the Deputy. That all Clans must have a Leader, and a Deputy. The Deputy must be appointed before Moonhigh, and to become a Deputy, you must have once been responsible for young lives.

(This is in honor of Flow's relationship to Mossfire. It will be tweaked over the generations to specifically mean a mentor/apprentice relationship, but the first draft of the law could also include being a Mi or Ba.)

Thus, the River Kingdom is no more. RiverClan is born, and in agreeing to the terms, WindCo becomes WindClan.

Something changes on this day, with so many cats dead and the group now being something very different. The era of charitability and open relations between Clans... is starting to seem like a bad idea.

The current of the river is the same, but somehow, the water is different.

Last plot thread left to wrap up is The Poisoning.

It's GOTTA be a dramatic reveal of some sort. The Diplomat makes one last grab at power. I think it would actually be a BIG power move if Flow came back with her lives, receiving the wisdom from Redscar that Diplomat was constructing false signs, putting two and two together...

A feast is thrown, she decides to eat in the same exact way Moth did, makes it very clear she's "repeating" the mistake because Jumping Foot is dead and that means that the assassin is not here to put down poisons. The Diplomat falls for it, hook, line, and sinker, tainting her food in between servings.

And when they do, Flow INSISTS that The Diplomat come, and have a bite with her.

She's got nine lives to spare now. She can give one up, just for the satisfaction of locking eyes with them as they both have a bite of the same poisoned food. The horror, the panic, in their expression is the most delicious thing Flow has ever tasted.

If seeing Mossfire's crown tangled with Jumping Foot's was like a stag who dies with antlers locked, then Flow dying next to The Diplomat, sticking around in StarClan to watch them damn them and send them to the Dark Forest, and then rise again to attend her Clan, this moment was like being a stag who outlives their foe and wears their skull as a second crown.

Long Live Flowerstar.

[dukeofthomas]

My understanding of Jason Todd's age;

Jason dies when he's 15, 4 months before his 16th birthday. He is dead for any number of time; it doesn't count towards his age.

He's resurrected; he is in a coma for 1 year, then catatonic for another. He is then put into a Lazarus Pit. (These 2 years are practically useless, as he doesn't remember them and they contribute very little to the story. They could be condensed to 2 months and it would change basically nothing.)

He trains for about a year. You can then give him 1-12 months of prep and planning time before his debut as the Red Hood, and the story of UT(R)H, at which point he would be mentally 16-17, physically 18-19, and it would be (--) years after his birth.

[pigtailedgirl]

Ray Vecchio & Harding Welsh

[day-mark]

god i fucking love competitive play, i love watching high level, skilled gameplay from passionate players, i love learning the statistics for each player and the game as a whole, i love hearing everyone and especially the casters glaze the fuck out of my favorite players. mc summit/mojang and mc.c you will be fucking dealt with .

[sludgekludge]

theres something pretty funny to me about how you talk a lot about stellas bad writing and how shes demonized for things the men and how she deserves better while not even liking stella. helluva crits bravest soldier

man they deliberately gave her a really annoying voice and mannerisms specifically so the audience would like her less and unfortunately i'm the patented 'nd guy who is incredibly bothered by annoying noises' so i am not immune. will never stop talking about how they did her dirty though...cradles my annoying cardboard...you could've been a fucking character bro....

[daily-acvoid]

🌔

[erstwhilesparrow]

hey does it ever make you kind of crazy that post-reunion, c!owen introduces himself to us as owen agarci? agarci as in the name of the demon he shot in the chest during his trial? we know that's not c!owen's real last name -- he tells us so right then and there -- but i think it matters that of the last names he could have chosen for his lie, he took this one. his last name might have been the only thing he still carried with him of his family, of his past before the attack, and he refuses to use it or admit to it.

because it is an introduction, y'know? his narration, after the reunion, is a way of remaking himself in our eyes -- he is not the person we thought he was, so he needs to introduce himself again. and here, the thing he claims as his originating point, as the moment from his past he wants to carry around with him in something so fundamental as his name, is the moment he first killed a demon. this is the most important piece of his past. this, he is telling us, is where he comes from.

i think a lot about how we never actually see owen's parents. i don't even think we get their names? we get their voices in flashbacks over shots of empty fields and unpopulated streets. there is a kind of blankness to owen's past, or to what owen will reveal to us of his past, that forces us to take on faith that he is telling the truth when he talks about his own history. there is no one who could say otherwise; all the people who might have known him before he was a soldier and then a general are almost certainly dead.

it grants owen a fascinating degree of control over his own history. of course he can remake himself in this way, of course he can tell any story he wants of himself in this way; there's no one left to dispute his claims. in a way, he is his own origin -- as he tells us the story of his life, he is also creating that story. he came out of those woods with nothing but a bow on his back, no history, no one still living who could call to him by name. whatever life he lived before that point doesn't matter -- the thing that fundamentally made him the person who walked into town and demanded to join the army wasn't the life he lived with his parents, it was the violence he'd been exposed to and the violence he'd discovered himself willing and able to engage in. or so his story goes.

do you think when he woke up at the bottom of that elevator, memories wiped, nothing left to him of his past, there was some strange sense that he had done this before? do you think he rose up toward the light of the clearing above, empty-handed and alive, his entire life before this point a history waiting for him to tell it, and wondered why it felt familiar?

or maybe it's that he's refusing us. because following his turn during reunion, there's almost a sense that he has tighter control of the camera now. he addresses his 'voices' nearly antagonistically, wishing we/they would go away, responding and talking to us/them in a way that feels harsher than how he's addressed chat in the past. he's frustrated with us/them: why are you still here, i thought i was done with you. he accuses us/them of only pretending to care, of lingering not so much out of concern or any desire to do something as out of some morbid curiosity. there's a degree of access to him that we seem to have lost. it's as if he's finally certain that there is an audience, and what he's willing to show us shifts.

there's something really lovely and horrifying about a lot of the more scripted sections of owen's pov after the reunion. how it shows us things only he knows (the knife in his hotbar for much of his dinner conversation with guts, the beat where he grabs his backpack and reaches for a weapon when it seems like ayngel is about to recognize him, the interaction with puddy in the second clearing when he visits with krow), but we are nevertheless shut out of his interiority as he starts talking less to others, starts favouring third-person camera shots and narration where he gets to step out of the moment and talk to us directly. you can even think about the 'scripted by owengejuicetv' segments after each kill as signalling this: he has such visible direct control of the story we get to know now. he is the one who gets to tell this story, who gets to move the pieces on the board. here's what happened, he says to us. this is how it went. this is what i do and who i am and here are the parts that mattered. do you ever think about how rasbi's ending wasn't streamed from her pov? do you ever think about how the only witnesses to rasbi's death were rasbi herself, and owen?

[fact-dogsarehappiness]

I wanna make sure we’re all on the same page

[saltynsassy31]

Frye Fest - Final Countdown

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[13/20]

🪐🍮Team Saturday/Custard (JP)🍮🪐

Splatfest 17-02-2024

[Master Post]

[necrotic-nephilim]

What do you think about the fab five polycule

(Dick x donna x wally x garth x roy)

i'll be SO honest i wish i had like. insightful interesting opinions on them but i've always been a Young Justice kid and sort of. breezed past consuming Fab Five Teen Titans content-

but of what i *do* know, from the few comics i've read with these characters is this is one of the best ships for Dick, honestly. it always deeply annoys me when fanon content breezes past the Titans as if they're just some distant teammates and not some of Dick's closest friends, if not a second family. *especially* the Fab Five. for most, if not all of them, it's the first time getting to actually connect with other teen heroes. so there's something fun about how sort of terrible they are at it, at first. they all care about each other a lot. but they're kind of chucked into the deep figuring out how to work with each other and get along with *very* different personalities, so it's fun to see where the conflict comes.

as a ship, i do really love it. the Titans are a family. like we call a lot of teams found families, but for the Fab Five, that shit is the truest. they depend on each other and trust each other. when Dick and Bruce are on outs and Bruce fires him, he goes to the Titans.

i also enjoy how, to an extent, all of them are outsiders of some kind. Donna is alone in a new world she's never experienced, the same as Garth. Roy is still new and awkward to living the rich life with Oliver. Wally doesn't connect to his parents well. and of course, Dick has lost his parents and only has Bruce, who isn't the most emotionally available. of course they're going to cling to each other, as the first people they can really develop connections too. they're very clingy with each other and i think that's both cute and *fun* to explore like, codependency issues with them. how protective they can be of each other, how they default to trusting each other over their mentors, etc. it's all very interesting for a polycule, especially since for most of them, it's their first real relationship. i'm a big fan of "none of us know what dating looks like bc we've had such strange childhoods so we don't understand the Rules very well. we're all just going to date each other bc why would i date only one of you. do teamups count as dates now." vibes with teenage polycules. and the Fab Five just. have that on lock. they each fulfill a different "niche" in the group. Garth is the softer, more emotional one you can go to if you're upset. Donna is the one for planning bright fun trips and making sure you don't wallow. Roy is protective and can pretend to be suave, but he shows affection through gift giving and grand gestures where words fail him. Wally can cheer any of them up with jokes and distractions. and of course Dick is the logical one who makes sure they all keep their heads on and don't drown in the responsibility.

overall i think it's a really cute ship and i do wish i just. knew more about them to be able to write them/read fic of it because i do love their dynamic. and i'm just a firm believer in the Titans being Dick's family, just as important to him as the Batfam. they're a disaster and for that you gotta love them.

[xinganhao]

hii ive been a long time lurker on your page and i was just wondering(you totally dont have to answer this btw) you always say that you wrote your fic while keeping other people in mind,,, have you ever kept yourself in mind while writing something too?? (sorry if this is too invasive)

i know it took me a while to get back to most asks (i'm still in a semi-ia status, i suppose haha) but i saw this when it first came in, and i've been thinking of it for quite a bit! you're not being invasive at all; i actually found it as a good opportunity to introspect for a bit ‹𝟹 i think, to a certain extent, all/most of my writing is for somebody else, whether it's a specific person, an ode to the idol themself, or just the fandom in general which i've grown to care for. when you see stuff in "moments" formats on this blog (i.e. mostly just texts, no headcanons or expansions), those may be the closest to writing with 'myself in mind'. i think that spending more time on this site, building more relationships, and interacting with a following/accepting requests highly impacts who i produce content for and why i produce it in the first place. this is tricky, and motivation becomes a real question, hence the reason why i've probably slowed down in posting :'-)

[reineydraws]

Twist villain!Shanks

Think about it.

hellooo i have thought about it 'cuz ive seen the idea floating around and sorry, i dont like it. 😭🙏 or rather, the idea of a villain shanks is fun in theory but if it's actually canon then i dont think it will pay off very well lol especially 'cuz he's the very first pirate we meet and it's been over twenty years. i would certainly be tilted.

idk how oda could write it in such a way that i wouldn't be mad aha, tho i'm sure if anyone could pull it off it'd be him. (and i mean villain!shanks as in "was always a villain", not "has to do antagonistic things but his heart is in the right place".)

i will say, however, that there is something delicious about possessive shanks, especially if it leans a little dark. like, he's a smiley pacifist right up until you harm someone that's his, and then it's game over for you and your friends and your livelihood. he's already like that in canon, but i mean like, it's to the point where his revenge gets a little cruel and he enjoys paying you back for the harm you caused.

i like attributing this to him 'cuz if he's dating mihawk, known serial murderer (of marines, if not also underwhelming challengers and entire crews of people that annoy him), then his "let's not kill people if we don't have to" thing could be more of an intellectual ethical choice for him rather than an emotional one. and once you've crossed that line for him by grievously harming or maybe even somehow killing mihawk, then it's over for you and you bet he'll enjoy it. (tho nine out of ten times i write him as a bleeding heart and mihawk is fond and exasperated by it haha.)

but yeah. i digress. 😅 it's a fun concept and i'll probably read the fic if it's mishanks and mihawk isn't his victim in a way that ends unhappily, but ultimately, the most i prefer is shanks with a dark streak.

if anyone's gotten to the end of this ask and adores twist villain shanks, feel free to try and convince me in the replies. maybe i'm just thinking about it the wrong way, and i'm open to ideas. ;P

[chiropteracupola]

on another note delighted to inform you that hornblower has a canon spice tolerance which is. Not High.