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emmybluefire · 5 years ago

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Leylines - The Threads of Reality

“I want all of you to stop for a minute and tell me honestly: do you take mages seriously?”

“Do you listen when they warn you of the havock your spells can reap if you aren’t careful? Or do you simply discount them as being self-righteous assholes who fetter your ability to learn?”

looked on at the crowd, her expression intense, and her gaze unwavering. Stoically she scanned the crowd for a good long while, a stare piercing each and every single one of them, pulling from their body language things they wouldn’t otherwise communicate.

“Magic is powerful. The forces you pull energy from all have the capability to destroy our world in an instant. As such, it needs to be respected. A balance needs to be kept. And it’s infrastructure *needs* to be maintained.”

“But what is this magical infrastructure? Well the answer is clear. It is the Leylines. However, let's pause there for a moment.” she smiles, folding her hands behind her back.

“Tell me, when you hear the word ‘Leyline’ what do you all think of?” She asks, peering at the crowd gathered before her in search of raised hands.

The next little stretch of this lecture is dynamic to the responses.

“For many, I reckon the leylines simply refer to large twisting, winding, nexus of subterranean rivers that move arcane energy through the world.”

“The residual energies that break off form it then surface in the form of mana, which mages utilize to cast spells.”

“But this statement is widely generalized, and wholly inaccurate, as there are multiple examples in the world of the Leylines being channeled to do more than just weave together a flame, push energy away from an area to create frost, or blast them with raw magical energy in the form of arcane.”

“The Kaldorei are famous for the creation of the Moonwells, fonts of supposedly holy energy. We all know this. What many don’t know is that each and every single one you see, is built on top of an intersection of Leylines.”

“On the edges of Mulgore, there are hot springs within the mountains that have mysterious healing powers who--just so happen--to rest on top of yet another intersection of leylines.”

“And as many of you know, healing is not the kind of spell most mages have in their repertoire.”

“The Throne of the Elements, a sacred place to the shamanistic orcs of Draenor, was also discovered by Khadgar to rest on top of a large intersection of leylines there. And yet, we can all agree, mages aren’t shamans.”

“And finally, in the Stonetalon mountain range, there is one that is appropriately named ‘Mount Fairview’ in which all of your senses seem to get amplified. You can see farther, sounds are amplified, and the winds carry even the slightest and most subtle scents to your nose.”

“An ability rarely seen in anyone but hunters and druids.”

“And, surprise surprise, the Leywalkers have also discovered a large intersection of leylines there as well.”

“There are many more examples of these places one can find when out adventuring, in history books, or even in your own backyard. But no matter where you look, one thing is patently certain: these leylines aren’t just fonts of arcane magic. They are magic incarnate.”

“But… for now, let's stop there. I wouldn’t want to overwhelm you with information right off the bat.” she chuckled.

“Instead, let me ask: Where do you guys think runes come from? What are they? How do you think they were discovered?” she pauses finally, looking over at the crowd for a show of hands.

Glances back behind her and draws a few sigils in the air with her fingers then bends her hand back, index and middle finger and thumb pointing towards… something. She lowers her hand gradually and reality shimmers behind her.

The effect drops as if a veil or cloth was pulled from a large flat object, revealing to everyone a large chalkboard. Upon it was drawn a map of Azeroth, with a few runes inscribed over key locations. Some she mentioned, others she hadn’t.

Steps to the side and grabs a large wooden pointer from the storage plate of the board, and lifts it, pointing to Mt. Fairview in the Stonetalon mountain range. Particularly the rune used to represent it.

“Hunters, Druids. I know you all recognize this one. This rune is used in the sigils for spells like “Farsight”--Also known once as Aspect of the Eagle--Aspect of the Hawk, and other spells of that nature.”

“Some mages might have also seen it in the use of divination spells such as truesight, and scrying.”

Swiftly moves the pointer to The Valley of Ancient Winters, in Northrend, hitting it with a sharp smack, jostling the rune there.

“Frost Evokers, and Water Elementalists. You guys see this one all the time. It is used in the weaving of nearly all frost and water attuned spells meant to damage someone with biting cold.”

And finally, Emmy whipped her stick to the northern segment of Kalimdor, between Darkshore, Ashenvale, and Winterspring. It was Moonglade.

“Healers, Priests, and even alchemists might recognize this one. Found in the Valley of Dulvarinn, a place known for its diverse ecosystem and variety of rare plants. The rune found here is used in many of our known healing spells.”

“But where did they come from? What do these runes have to do with the leylines? Well…”

She sets the pointer down on the storage plate and lowers her hand to the bottom of the board, gradually lifting up. As she did, lines of chalk of variant, and gradient thicknesses drew themselves across the board, infuseing the map of Azeroth like a web.

Most particularly, a lot of them melded into the runes that previously adorned the chalkboard. Several letters that seemed unrelated to one-another now seemed completely, and utterly, interconnected, pulling it altogether into an expansive nexus of elegant lines and shapes.

One might even be able to see new intersections forming as the lines netted their way across the board.

“The Leylines. Are. Everywhere. They infuse everything, and impact everyone whether you realize it or not.”

“Many of the spells we’ve developed today owe their thanks to the Highborn Scholars of old, who developed what we know today as magic by exploring the world, discovering these intersections, and documenting the patterns they saw.”

“It was through the leylines that we’ve developed the expansive runic alphabet we know today, opening up possibilities for a wide variety of spells and enchantments.”

“Magic is possible only because each of these letters, these runes, are interconnected and forever linked… enabling us to cast a spell from any-” she blinks to the back of the crowd, launching a bolt of arcane energy towards the front.

Lifts her hands and blinks back to the front, lifting a hand. It spiraled with a grand calligraphy of runes in an intricate sigil. The bolt hit it, being held in a sort of stasis for a very brief period. She rotated her wrist clockwise and twisted it to face her chest, the bolt fading back into energy, and spiraling back into her arm.

Lowering her hand to her side, she looked upon the crowd, gauging their reactions, before speaking once more.

“-where. From anywhere.” she smirked.

“Interestingly enough, many of us have taken transcripts of these runes, brought them to Titan facilities and compared them to the documents found there.”

“While the nuances of our spellcraft, and Titan spellcraft are very different, the general shape of these runes is the same.”

“This has led some to believe that it was the Titans who created the leylines.”

“The theorized reasons vary from scholar to scholar, some saying that they were created to sustain order on the fledgeling surface of Azeroth. More on that later. While others say it was merely to power their facilities. Still though, some have a different theory entirely.”

“Do I have any medical professionals in the crowd?” she glanced around.

“As was just demonstrated, the leylines remind people of blood vessels. Avenues by which nutrients are carried to different parts of the body. What nutrients go to where is determined by the constant ebb and flow of your blood, and where your arteries expand and constrict.”

“In the case of Azeroth, those nutrients are cosmic energies. The leylines pull energy from the cosmos, transform them, and move them to different parts of the planet to breathe life into her.”

“The runes that formed on this map are junctions by which these newly transformed energies get infused into her being.”

“The life that formed on her surface in the wake of some of these energies leaking was merely a happy side-effect. One that many of us are grateful for to this day I’m sure.” she chuckled.

“Today, this is the theory that is regarded as the most plausible by many of us mages. Particularly after reports of an audible heartbeat being heard in the chamber beneath Silithus.”

“I myself have also done research that more or less confirmed this by looking into the properties of Azerite--a substance often considered to be the congealed lifeblood of the planet.”

“Interestingly enough, I’ve found that it contains essences from nearly *all* documented forms of magical energy. Yet… in trace amounts along the outskirts of the main substance, as though it were mid-transformation.”

“So that, my friends, is what the leylines are. That is what they do, and that is where we draw much of our magic from. They are, as I said, the infrastructure of all magic. But, just like any infrastructure, they can also be damaged.”

“And when Infrastructure gets damaged, a multitude of horrible things can happen. Especially when you’re dealing with the fabric of reality itself.”

She sighs softly, folds her hands behind her back and looks down to the ground with a frown. Pausing for a moment to let that all sink in.

“If you all would like to stand, and follow me into the cavern behind, there is something I would like to show you.”

As the group stepped into the cavern, an immediate sense of disorientation would overtake them. For a brief moment, all concepts of direction and senses of what’s up and down would lose its meaning and confuse their minds. Though, this was not a mental attack.

As their bodies adapted to the new gravitational circumstances, they would suddenly feel lighter on their feet. A tickle rippling up their spinal chords as their bodies became completely engulfed in raw, latent magic.

Stops for a moment to let everyone collect themselves… seemingly used to, or unaffected by the strange magics that now surrounded them. “Do not be alarmed, you are completely safe. The situation here is much less dangerous than it used to be.”

‘S lips moved… but her voice didn’t seem sourced from them as normal. Instead, it sounded disembodied. Coming from everywhere, yet nowhere at once, adding yet more weirdness to the situation.

“Whatever you do though, don’t jump straight upward. You will be jettisoned in that direction and potentially break your neck on the ceiling.”

As Emmy continues to move down, the group would find it hard to keep their footing level… instead, they would have to push themselves forward using more effort than typical walking took. The lower gravity makes each step mimic a wide arch forward.

They continued on until they reached a ledge of obsidian. Though, looking into it was like looking into a window to the entire universe. Large Leycrystals coalesced in patches around them, and strange alien creatures flew above them, keeping a long distance away.

“This… is a minor form of what happens when a Leyline gets damaged. The effects here have been lessened since the damage was first discovered, but… well.” she clears her throat. “Does anybody want to wager a guess as to what caused all of this?”

Dynamic responses.

“If you remember from my last lecture, I explained that portals damaged the leylines by putting too much strain upon the veil. In a sense, this is what happened here.”

“The Warpwind Cliffs were once home to Chief Telemancer Occuleth, who has so graciously given his permission for me to teach within his home.”

“When he was banished from Suramar though, he began to wither. An ordeal which kept him from tending to his telemancy pads properly.”

“After many years of neglect, they fell into disarray. So all the ingenious anchors that prevented his portals from damaging the leylines broke down… leaving the energy to bleed out.”

“This formed a rift in the fabric of space/time, causing it to unravel. The combined efforts of the Kirin’Tor and Suramar have slowly begun to reverse this damage--hence why it’s safe enough to remain within here--but the scar it left will stay here forever.”

“You see, in the same way our planet’s rotation creates an electromagnetic field that shields us from cosmic radiation, the pulsation of the leylines creates a metaphysical shield known as ‘The Veil’ that prevents an excess of magic, and other realities, from bleeding into ours.”

“When a leyline get’s damaged, it creates a weakness in that veil that allows foreign forces to seep through into ours. And that, my friends, creates what you see behind me.”

“Of course, as I said, this is a very minor case… as this happened gradually over time, and was caught before the damage became too great. But there are a few more extreme examples I can throw at you.”

“Firstly, Azuna. A telemancy network malfunctioned there, choking a leyline and creating a ley fissure. Now you have anomalies like Manawraiths roaming about, dangerous animated objects, and just walking into the area causes severe disorientation, force damage, and fatigue.”

“Dalaran Crater is another example… in which an abrupt decision to teleport the entire city to Northrend created a massive wound in the planet where similar anomalies happen.”

“Even more severe is the mage tower known as Kharazahn. Its unfathomably powerful enchantments weakened the veil enough that it became a beacon for the Burning Legion to invade from.”

“The resulting energies of chaos unraveled what was left of the veil and created a place within its walls where all senses of ‘how it should be’ become null and void.”

“Halls and time warp, people shrink, gravity changes with the moon, and the spirits of those who were killed there are cursed to never rest.”

“And perhaps the most extreme example of all… Draenor. Our Draenor. The one that eventually became outland.”

“Ner’zul, a man trying to redeem his people, used the staff of Sargeras to open up a portal to another world. Only, it wouldn’t stop. Reality around them began to deteriorate, and the entire continent was thrust into the Twisting Nether.”

She stopped for a good long moment, allowing it all to sink in once more. It became apparent now, that her voice was gradually growing louder, and more severe, this entire time.

“But why? Why does this happen? Well… the answer to that is actually quite simple.”

“If the leylines are blood vessels, then like blood vessels, they can only handle so much energy--so much blood--at any given point in time. Call upon too much--pump too much--and they burst.”

“This is why the spells we cast can only reach a certain potency. Go beyond that, and you must take more time with it, resorting to rituals to cast, rather than a much quicker incantation.”

“This is why people like myself push so hard for others to be mindful of their castings. To be mindful of the impact they have on our planet through these castings.”

“Damage a leyline, and you never know what could happen to you. What could happen to the world around you.”

“The preservation of our world is a must. Keeping the infrastructure in proper working order allows life to flourish. Destroy that infrastructure, and you’ll wind up with a dying world in the long run.”

“Thank you, for listening. I hope this was informative.”

Author’s Note: Hey guys! I’m sorry this took so long to get out. I was busy! But I got it, and can now work on another piece of headcannon and theorycraft for ya’ll to enjoy :P

#wow #world of warcraft #mage #magic #lore #leylines #azeroth #rp #roleplay #ic #in character #theorycraft #headcannon #research

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hermagazinedelusion · 4 years ago

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orrismarketcity · 6 years ago

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westakoasta · 6 years ago

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P-MINUS - 2019

Where are you from? And what’s your first memories linked to hip hop?

I’ve lived all over - Belgium, Germany, Ohio, Missouri, the Virgin Islands, San Francisco, and now Los Angeles. But I spent the most years, including high school and college, in Missouri, so I feel like that’s where “I’m from.” I first remember hearing hip hop while living on St. Thomas (in the Virgin Islands) and the three songs that started me on this journey were “I Need Love,” by LL Cool J, “You Be Illin’” by Run-DMC and “Fight For Your Right To Party” by the Beastie Boys. I must have heard them on the radio, so that would have been 1987 - the year of my hip hop birth. In 1988, I moved back to Missouri and a neighbor of mine had a ton of rap tapes so I’d borrow his tapes all the time or listen to them in his car on the drive to school. I believe that the first tape I ever bought was Schooly D’s “Smoke Some Kill” (1988).

What got you started with Atak Distribution, how and when did it begin?

Fast forward to 1994 - I had graduated from college, where I had been the Hip Hop Director at the school’s radio station, and moved to San Francisco where I began an internship at Gavin, a music magazine that curated Top 40 lists for radio programmers. Somehow through that job, I met DJ Stef (editor of the Vinyl Exchange) and started writing record reviews for her. And on one fateful day, I received a copy of Sacred Hoop’s “Demo” tape for review and I thought it was the freshest thing in the world and in 1996 I officially became an underground hip hop junkie.

Were you a hardcore music collector before you started Atak?

Before Atak, I had a decent cd and record collection, full of ‘90s “golden era” major label releases, but hardly any tapes and barely anything considered “indie” or “underground.” Back then I wasn’t a collector, just a music fan, because all this incredible music was just sitting at the record stores for $12.99. I shopped a lot at Amoeba and Rasputin’s and a few other smaller stores in the Bay area, plus a few record labels and artists would send me promos for review.

How did you choose what would be in your catalog? How did you make contacts with the artists?

Starting with Sacred Hoop, I was certain that this amazing group wasn’t getting the exposure it deserved, so the seeds of Atak were first planted. I then started soliciting for more submissions through the Vinyl Exchange and some other Bay area rap magazines, such as 4080. I think that the Hoop started spreading the word, too, because I soon started getting tapes from the likes of FTA, Megabusive, San Francisco Street Music, Jedi Knights Circle, 99th Demention and others from the South Bay and SF. Somewhere in there, I met up with the Mystic Journeymen, bought some tapes from them, and was eventually exposed to Berkeley and Oakland artists such as the Living Legends, Hobo Junction, Zion-I and Illa Dapted. If I liked your tape, it would get in the Atak catalog. The first printed mail-order catalog had 12 tapes in it and the very first tape sold was Mystik Journeymen’s “Escape Forever” on August 10th, 1996.

Was the mail-order a full time job or did you have other occupations (studies, other job?)?

During the first few years I had several jobs: the Gavin internship became a paid job, I worked at a grocery store and then later at a vegetarian cafe. Eventually, since my rent was cheap and I was starting to sell more music, I was able to do Atak full-time. All the storage and shipping was done out of my bedroom.

Did you have many overseas/international customers and what role did that play in the business?

It looks like I started getting my first international orders (from Finland!) in 1997. I don’t know how they found out about Atak, but they were serious fans of West Coast underground so word spreads fast amongst those folks. Fans in Finland, Australia, Canada and Japan were my strongest supporters, with a few folks in France and Germany, too. This was before I started selling online, so these folks were trusting me with their cash and money orders and I will be forever indebted to them. Through these customers, I was exposed to international hip hop and eventually started selling music from the likes of Ceebrolistics, the Sebutones, mcenroe, Mary Joy Recordings, Muphin and the Hilltop Hoods.

What was the « peak » year in terms of sales and in terms of quality of music?

After a year or so of mailing out catalogs and setting up tables of merchandise at shows, Atak finally got online with the help of one of my earliest customers, Todd (aka Vic aka Celph Titled), who was extremely active on hip hop message boards, and he really helped spread the word around the U.S. and the world, so Atak started getting more non-Bay area music in the catalog and I started getting orders from everywhere. I think that the music quality was strong start to finish. I was listening to everything before I put it in the catalog, and if it wasn’t dope, it didn’t get in.

Did you ever wanted to make Atak a bigger thing, like UGHH or such?

There was a time in which I would have loved for Atak to get really big, because it was all so much fun - all the shows, meeting the artists, hearing a ton of new music, even the packing and shipping was fun for me. But in hindsight, it is clear that I was better at being a huge fan of the music rather than being a savvy businessperson. At the point in which digital music started taking off, I didn’t have the technical knowhow to adjust accordingly, and a big part of me still simply loved selling physical copies. As a fan, I didn’t want everything to go digital, but as a businessperson I should have dived in headfirst to keep up with the other big websites. I admired what the other sites were doing, and what friends like Shane (aka Kegs) was doing with Below the Surface - putting out records, putting on shows, opening a brick-and-mortar storefront. But part of me liked keeping things small and simple, but that clearly pushed me into smaller and more obscure corner of the online hip hop biz and eventually bumped me out of it altogether.

You did some cd-r reissues as well as a couple of mix-cds. Any temptation of launching a proper record label (as in: « new release, no reissue ») at some point?

I’d been wanting FOREVER to start a label and put out records! I made a feeble attempt to put out an Atak compilation in the late ‘90s, full of all the folks that were in my catalog at the time. I was able to get maybe 7-10 crews over to my house one night to talk about it, but since I had no idea how to really put it all together, I ended up getting one original song, from Nitrous Ox, out of that great big idea. More recently, I’ve been hoping to help folks put out releases but nothing has materialized just yet. Nowadays almost everyone is really good at getting this stuff done themselves, so I’m happy that they are taking control of their destinies and getting their music out to the world.

Can you give us your personal Top 5 favorites in your sale catalog? Also one that you think was dope and didn’t have the recognition it deserved?

In no particular order, I’ll list a few of my favorites, but I’m obligated to mention Sacred Hoop’s “Demo” (aka “Sacred Hoop” aka “Runny Poop”) first since that tape inspired everything. I was also thrilled to be able to pick up indie music from the Hieroglyphics (“Hiero Oldies”)and Saafir (Hobo Junction’s “Limited Edition Compilation”) since I was such a fan of their major label stuff. I really liked Red Tide’s “Rogue MCs” tape. Disflex6’s self-titled debut (aka “1984”) was great. The Kracken’s “Abstract & Cognac” left me wanting much more. The Sebutones’ “50/50 Where It Counts” blew my mind! Early stuff Dose One and Why? showed me that hip hop had no boundaries. This is an extremely abbreviated favorites list - as I look back through my old catalogs, I realize that I loved them all. It was all so new and so fresh and I think these artists all deserved more recognition than they got. I’m glad that I could help expose them a bit but I wish I could have done a lot more.

Did you developed friendship with artists/crews over those years and do you have interesting stories/ anecdotes linked to that?

My anecdotal memory is terrible so I’ve sadly forgotten a ton of great stories, fantastic show moments and hilarious conversations. Looking back, I should have kept a journal or taken a million photographs, because we all had so much fun and did so much back then. But, luckily for me, I’ve been able to keep in touch with a few of my very favorite people, emcees Luke Sick (Sacred Hoop/Grand Invincible) and Roughneck Jihad (Third Sight), and producer Deeskee (who has probably produced more songs in the Atak catalog than anyone else). And luckily for everyone else, all three of these guys are still making incredible music, more than 20 years after giving me tapes to review. A few weeks ago I got to hang out with The Grouch for a bit and he gave me a copy of his “F...the Dumb” double vinyl, 20 years after I first sold that tape in the catalog.

Why (and when) did you stopped Atak?

Atak started to slow down around 2004. I had recently moved from the Bay area down to Los Angeles, gotten married, bought a house, and started another job that was able to pay the bills more reliably. I was still getting orders and submissions from new artists, but wasn’t able to give Atak the focus it required to really push new artists and releases. I didn’t have time to go to many shows anymore, and all my hip hop buddies were still up in the Bay. I had ambitions to reboot the website, but then my web host got hacked and I had to shut down the site...and then I never got it back online. I eventually moved my inventory onto some other online platforms and kept selling, but for the most part, Atak was done. I’d like to take this opportunity to apologize to the artists who submitted music around this time. I was getting some great music but just didn’t have juice to do anything with it.

Any thoughts on the evolution of hip hop? What about the the come back of the cassette? Is it possible that Atak would make a comeback in the future, in some form or another?

Tough question, because I don’t keep up with much truly “underground” music anymore, so I really hope that there are a ton of dope kids putting out dope music out there, and I’m sure there are plenty of them. I love 90’s hip hop so much, both major label and my Atak stuff, that that is what I still listen to the most, digging in my records, tapes and cds or bumping music in my car. I agree with most true heads that a lot of today’s hip hop is junk, and though I’m happy to see rappers get big and make money, I’d much rather that it be good, original and compelling hip hop. I’m stoked to see everyone buying and releasing tapes again, because of my love for the physical copy (though I agree that a free or cheap digital download is an essential part of that sale). And in regards to Atak’s great big comeback, I don’t think it will happen - it would require too much time and energy to do it right. But if I can still help out a few people, promote a few records, maybe even sell a few for my old pals, I’m happy to contribute.

A specific question from the homie Age: do you still want to reissue that Hi-State album?

I bugged my man Mr. E about that tape FOREVER and at least he finally put it up on Bandcamp (https://eightarrow.bandcamp.com/album/hi-state-project-demos-n-shit-vol-1) and we chatted about putting out a cassette reissue. I’m sure he wouldn’t have much trouble selling a short run of 100 tapes, so I’ll remind him about it. But I’m happy that fans can at least take a listen or buy it online.

What do you think was the most special in the 90's underground scene, and do you believe something like that would ever happen again?

I’ve never really tried to analyze that scene, but in retrospect, I bet that a lot of these emcees, producers and deejays were inspired by all the incredible major label releases that kept pouring out in that decade. So much quality hip hop was coming out and it was easy to see on “Yo! MTV Raps” and BET and the good stuff was even getting on the radio! It was everywhere and it was so damn good! I’m sure that these kids just wanted to be a part of that magical time, and a lot of the underground music was super fresh, too, because it wasn’t easy to make beats and put out cds - they had to commit to it and create a whole scene and they had to be dope to do it. Granted, I’m a old nostalgic rap dude now, but I don’t think the major or the underground scene will ever be that saturated with fantastically innovative, powerful, creative and inspired hip hop. Nowadays there isn’t enough inspiration in the scene for there to be an onslaught of great new hip hop like there was for me back in the days. There will always be a lucky few who can inspire themselves to be original and make great music, and hopefully these kids will get a chance to be heard.

Interview conducted by Kaliyuga Pro & Pseudzero with a bonus cameo by Age, february 2019.

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biz-branding · 7 days ago

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lowcosty123 · 6 months ago

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columbinelabel · 3 years ago

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CUSTOMER SPOTLIGHT: KAI CBD

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Inspiration is sometimes born out of tragedy. Colorado native Joey Coleman, founder of KAI CBD, based in Grand Junction, CO, can personally attest to that. An outdoor enthusiast, Coleman was living in Columbia operating a charter sailing business with his wife Kelsey. In 2017, he experienced a terrible crash while paragliding and broke his spine. Coleman underwent an emergency spinal fusion and regained the ability to walk, however, the road to rebuilding strength was long. “Any activity I did, left me in agonizing pain,” Coleman explains. “Every activity except swimming.” He continues, “When I was in the ocean, I was weightless and the pain went away.” The sea, he says, inspired him, pushed him, and ultimately helped heal him.

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waynelizzie · 4 years ago

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The Tattered Prince took a sip of wine and said, “A vexing question.

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