#web hosting Barrie

[barriewebdesign]

How to Select the Right Web Hosting Provider in Barrie: Key Considerations

Choosing the right web hosting provider can make or break your online success. Whether you're launching a new website or transferring an existing one, your hosting provider plays a critical role in your site’s speed, security, reliability, and overall user experience. If you're a business owner in Barrie, working with a local provider adds the benefit of personalized service and regional expertise.

In this guide, we’ll walk you through the essential factors to consider when choosing a web hosting Barrie provider—so you can make a confident, informed decision.

Why Local Hosting Matters

There are thousands of hosting companies across the globe, but selecting a web hosting Barrie provider offers unique advantages:

Faster loading times for users in Ontario

Localized support from people who understand your market

Face-to-face consultations when needed

Stronger SEO signals for local search

Having your web hosting close to your target audience can enhance performance and user trust—both essential in today’s competitive digital space.

1. Understand Your Hosting Needs

Before comparing providers, determine what type of hosting your website requires:

Shared Hosting: Ideal for small websites or blogs; cost-effective, but resources are shared.

VPS Hosting: More control and resources; better for medium-sized business websites.

Dedicated Hosting: Exclusive server access; best for large websites with high traffic.

Cloud Hosting: Scalable and reliable; suitable for growing businesses or eCommerce sites.

Managed WordPress Hosting: Optimized specifically for WordPress sites.

Knowing your needs helps narrow down which web hosting Barrie provider aligns best with your goals.

2. Performance and Uptime

Speed and uptime are critical. Choose a provider that guarantees at least 99.9% uptime and fast server response times. A reliable Barrie web hosting company should offer high-performance servers and regular maintenance to ensure your site is always online and functioning smoothly.

3. Security Features

Cyber threats are real, and your host should help protect you. Look for:

SSL certificates

Daily backups

Firewall protection

DDoS protection

Malware scanning

A trustworthy web hosting Barrie provider will include robust security measures as part of their standard packages.

4. Scalability and Flexibility

As your business grows, your website will need more resources. The right host should make it easy to scale up without major interruptions. Whether you’re expecting a traffic surge or launching new services, a Barrie-based web hosting company that supports flexible plans will save you time and stress.

5. Customer Support

Prompt, knowledgeable support can make a world of difference. Look for:

24/7 live chat or phone support

Local technicians who understand your market

Quick response times

Helpful knowledge base and FAQs

A web hosting Barrie provider that offers exceptional support will be there when it matters most—especially during technical emergencies.

6. Pricing and Transparency

Beware of cheap hosting that sacrifices performance or support. Look for clear pricing without hidden fees. Many Barrie web hosting providers offer competitive packages tailored to local businesses, often with bundled services like domain registration or email hosting.

7. Local Reputation and Reviews

Check online reviews, testimonials, and local forums. A well-reviewed web hosting Barrie provider with a strong reputation will likely deliver on promises. Don’t hesitate to ask for references or examples of local businesses they’ve worked with.

Final Thoughts

Your website’s performance, security, and reliability start with your hosting provider. By choosing a reputable web hosting Barrie company, you benefit from faster service, tailored support, and a team that understands the unique needs of Barrie-based businesses.

Take your time, compare options, and ask questions. The right provider isn’t just a vendor—they’re a partner in your digital success.

Need help evaluating your web hosting options in Barrie? Let’s explore the best fit for your business goals.

[damnfandomproblems]

8798

Adding to the convo, the internet is a public space on default. Unless the website clearly marks itself as hosting adult material, it is a public space. And you what kind of people are allowed in and shouldn't be forced out of or made unsafe in the public? Minors. Minors are people and deserve to access to the public like everyone else.

Entities that create websites or otherwise digital places need to treat it like they would if it was physical building and do their own due diligence. They need to CLEARLY mark their website as a place that hosts adult material and either put the adult material behind some kind of barrier (password locked accounds, email verification/invite, etc) and take banning underage users found to be crossing those barries or adult users posting outside of those barriers extremely seriously. Or they just need to outright state that children aren't allowed and will be IP/email banned (and cookie banned i think? I know there is something you can do with cookies to more throughly ban someone but I can't remember what's it called) if found out and follow through, or outright state that adult material isn't allowed and follow through to the same extent.

Websites hosting adult material need to be treated as if they existing in the public because they are, in the same way a sex shop exisits in the public, and clearly mark themselves as a private place catering to adults and set up barriers so that way parents can, y'know, actually identify which sites are adult or not and block the web addresses on their children's devices either before they have the chance to access them or after they access them.

"Blame the parents" but in this current state of the internet they would just need to break their children's interweb accessing devices too keep them from seeing adult material before they are age.

The internet as a whole also needs to get safer so websites hosting adult material, like physical 18+ adult places, can safely process IDs and use those as a barrier to entry. If you have to show your ID to look at porn IRL, it should be the same online. I accept this isn't the case yet because every corporation that gets money off of, or every other website that wants to get more traffic and veiws on their ads, by peddling sex to kids wants to handwash away responsibility, but that is something that needs to change. "Blame the parents" but then everyone screams abuse and over controlling when they ban them from the internet until they're 18 because of how impossible it is to otherwise protect them from adult material (both porn and graphic violence, if not outright IRL murder and or torture videos).

Yes, erotica material should be allowed to exist online, but it should be allowed in the same way it is offline—in private adult only spaces or behind barriers that will otherwise make it more difficult for minors to access, where both entities running the business/gathering places and the individuals are responsible for being reckless and needlessly exposing minors to adult material.

The internet is a public, and should be treated as such. You can't whip out your phone and start blasting porn on the bus where kids (and other nonconsenting people in general) can see and hear it without getting a sexual harrassment and indecency charge, and neither should you be able to smear penises and vaginas where a child can see it without at least getting a hard ban from the website itself to minimize the chances of a repeat incident. A manager can't tape posters of naked women and men on their window without a fine, and sites can't host adult material anywhere that isn't behind a barrier/the digital equipment of a locked door.

Both the parents and the people running and using the internet hold responsibility. In the same way everyone has responsibility towards one another when sharing the public space.

Parents need to block adult websites and adult websites need to clearly mark themselves. Websites that aren't adult need to block adult material. Websites that are half adult and half public need to mark themselves as such, and make blocking the adult half extremely easy and accessing it harder, and parents need to either block of the adult half or the website altogether.

"Blame the parents" but how about you stop trying to make the internet a private, adult only space unless you're fine with it being made illegal for minors to be online (illegal in the sense the parent will be punished and the child put under greater supervision if caught, not like the child being shipped off to juvie of course. I think this is obvious but this is also Tumblr, and also specifically the damnfandomproblems blog. Common sense isn't always common here sadly).

(Ps, i know I used website alot, but this goes for apps to. All places adult, even just partially adult, need to mark themselves and take responsibility.)

(Ps x2, i have visually problems so if they're are any typos, sorry but also get over it. It is what it is, I'm not straining my eyes to proof read a tumblr ask of all things)

Posting as a response to a previous problem.

[cyarskaren52]

https://web.archive.org/web/20200127175703/https://www.nytimes.com/2020/01/26/arts/music/grammy-winners.html

2020 Grammy Winners: The Complete List

https://web.archive.org/web/20200127172755im_/https://static01.nyt.com/images/2020/01/26/arts/26grammys-winners-billie/merlin_167891961_805fe086-4b08-486d-9d8e-20c0069f55bf-superJumbo.jpg?quality=90&auto=webp

Compiled by Lauren Messman

Published Jan. 26, 2020Updated Jan. 27, 2020, 10:28 a.m. ET

The 62nd annual Grammy Awards were on Sunday. Here are highlights from the show:

Billie Eilish won five awards, including record, album and song of the year, capping a night that also saw multiple wins for Lizzo and Lil Nas X.

Our critics and writers weigh in on the best and worst moments.

Lizzo and host Alicia Keys kicked off the show by addressing the death of the basketball star Kobe Bryant.

The ousted Grammys chief Deborah Dugan is at war with the Recording Academy. In a speech, Keys seemed to reference the turmoil.

Check out the red carpet looks.

See the complete list of winners below:

Record of the Year

“Bad Guy,” Billie Eilish

Album of the Year

“When We All Fall Asleep, Where Do We Go?,” Billie Eilish

Song of the Year

“Bad Guy,” Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish)

Best New Artist

Billie Eilish

Best Pop Solo Performance

“Truth Hurts,” Lizzo

Best Pop Duo/Group Performance

“Old Town Road,” Lil Nas X featuring Billy Ray Cyrus

Best Pop Vocal Album

“When We All Fall Asleep, Where Do We Go?,” Billie Eilish

Best Rock Performance

“This Land,” Gary Clark Jr.

Best Rock Song

“This Land,” Gary Clark Jr., songwriter (Gary Clark Jr.)

Best Rock Album

“Social Cues,” Cage the Elephant

Best Alternative Music Album

“Father of the Bride,” Vampire Weekend

Best Metal Performance

“7empest,” Tool

Best R&B Performance

“Come Home,” Anderson .Paak featuring André 3000

Best R&B Song

“Say So,” PJ Morton, songwriter (PJ Morton featuring JoJo)

Best Urban Contemporary Album

“Cuz I Love You (Deluxe),” Lizzo

Best R&B Album

“Ventura,” Anderson .Paak

Best Traditional R&B Performance

“Jerome,” Lizzo

Best Rap Performance

“Racks in the Middle,” Nipsey Hussle featuring Roddy Ricch and Hit-Boy

Best Rap Song

“A Lot,” Jermaine Cole, Dacoury Natche, 21 Savage and Anthony White, songwriters (21 Savage featuring J. Cole)

Best Rap Album

“Igor,” Tyler, the Creator

Best Rap/Sung Performance

“Higher,” DJ Khaled featuring Nipsey Hussle and John Legend

Best Country Solo Performance

“Ride Me Back Home,” Willie Nelson

Best Country Album

“While I’m Livin’,” Tanya Tucker

Best Jazz Instrumental Album

“Finding Gabriel,” Brad Mehldau

Best Latin Pop Album

“#Eldisco,” Alejandro Sanz

Best Latin Rock, Urban or Alternative Album

“El Mal Querer,” Rosalía

Best Americana Album

“Oklahoma,” Keb’ Mo’

Best Song Written for Visual Media

“I’ll Never Love Again (Film Version),” Natalie Hemby, Lady Gaga, Hillary Lindsey and Aaron Raitiere, songwriters (Lady Gaga and Bradley Cooper)

Producer of the Year, Non-Classical

Finneas

Best Music Video

“Old Town Road (Official Movie),” Calmatic, video director; Candice Dragonas, Melissa Larsen and Saul Levitz, video producers (Lil Nas X and Billy Ray Cyrus)

Best Comedy Album

“Sticks & Stones,” Dave Chappelle

Best Musical Theater Album

“Hadestown,” Reeve Carney, André De Shields, Amber Gray, Eva Noblezada and Patrick Page, principal soloists; Mara Isaacs, David Lai, Anaïs Mitchell and Todd Sickafoose, producers (Anaïs Mitchell, composer and lyricist) (Original Broadway Cast)

Best Instrumental Composition

“Star Wars: Galaxy’s Edge Symphonic Suite,” John Williams, composer (John Williams)

Best Arrangement, Instrumental or A Cappella

“Moon River,” Jacob Collier, arranger (Jacob Collier)

Best Arrangement, Instruments and Vocals“All Night Long,” Jacob Collier, arranger (Jacob Collier featuring Jules Buckley, Take 6 and Metropole Orkest)

A Grammys Red Carpet Fantasia

We went to the Grammys red carpet in Los Angeles.

Best Recording Package

Chris Cornell, Barry Ament, Jeff Ament and Joe Spix, art directors (Chris Cornell)

Best Boxed or Special Limited Edition Package

“Woodstock: Back to the Garden — The Definitive 50th Anniversary Archive,” Masaki Koike, art director (Various Artists)

Best Album Notes

“Stax ’68: A Memphis Story,” Steve Greenberg, album notes writer (Various Artists)

Best Historical Album

“Pete Seeger: The Smithsonian Folkways Collection,” Jeff Place and Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)

Best Engineered Album, Non-Classical

“When We All Fall Asleep, Where Do We Go?,” Rob Kinelski and Finneas O’Connell, engineers; John Greenham, mastering engineer (Billie Eilish)

Best Remixed Recording

“I Rise (Tracy Young’s Pride Intro Radio Remix),” Tracy Young, remixer (Madonna)

Best Immersive Audio Album

“Lux,” Morten Lindberg, immersive audio engineer; Morten Lindberg, immersive audio mastering engineer; Morten Lindberg, immersive audio producer (Anita Brevik, Trondheimsolistene and Nidarosdomens Jentekor)

Best Contemporary Instrumental Album

“Mettavolution,” Rodrigo y Gabriela

Best Gospel Performance/Song

“Love Theory,” Kirk Franklin, songwriter (Kirk Franklin)

Best Contemporary Christian Music Performance/Song

“God Only Knows,” Josh Kerr, Jordan Reynolds, Joel Smallbone, Luke Smallbone and Tedd Tjornhom, songwriters (For King & Country and Dolly Parton)

Best Gospel Album

“Long Live Love,” Kirk Franklin

Best Contemporary Christian Music Album

“Burn the Ships,” For King & Country

Best Roots Gospel Album

“Testimony,” Gloria Gaynor

Best World Music Album

“Celia,” Angelique Kidjo

Best Compilation Soundtrack for Visual Media

“A Star Is Born,” Lady Gaga and Bradley Cooper

Best Score Soundtrack for Visual Media

“Chernobyl,” Hildur Guonadottir, composer

Best New Age Album

“Wings,” Peter Kater

Best American Roots Performance

“Saint Honesty,” Sara Bareilles

Best American Roots Song

“Call My Name,” Sarah Jarosz, Aoife O’Donovan and Sara Watkins, songwriters (I’m With Her)

Best Bluegrass Album

“Tall Fiddler,” Michael Cleveland

Best Traditional Blues Album

“Tall, Dark & Handsome,” Delbert McClinton and Self-Made Men + Dana

Best Contemporary Blues Album

“This Land,” Gary Clark Jr.

Best Folk Album

“Patty Griffin,” Patty Griffin

Best Children’s Album

“Ageless Songs for the Child Archetype,” Jon Samson

Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling)

“Becoming,” Michelle Obama

Best Regional Mexican Music Album (Including Tejano)

“De Ayer Para Siempre,” Mariachi Los Camperos

Best Tropical Latin Album

“Opus,” Marc Anthony

“A Journey Through Cuban Music,” Aymée Nuviola

Best Regional Roots Music Album

“Good Time,” Ranky Tanky

Best Music Film

“Homecoming,” Beyoncé Knowles-Carter and Ed Burke, video directors; Steve Pamon and Erinn Williams, video producers (Beyoncé)

Best Country Duo/Group Performance

“Speechless,” Dan + Shay

Best Country Song

“Bring My Flowers Now,” Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker, songwriters (Tanya Tucker)

Best Traditional Pop Vocal Album

“Look Now,” Elvis Costello and the Imposters

Best Engineered Album, Classical

“Riley: Sun Rings,” Leslie Ann Jones, engineer; John Kilgore, Judith Sherman and David Harrington, engineers/mixers; Robert C. Ludwig, mastering engineer (Kronos Quartet)

Producer of the Year, Classical

Blanton Alspaugh

Best Orchestral Performance

“Norman: Sustain,” Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording

“Picker: Fantastic Mr. Fox,” Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River and Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus)

Best Choral Performance

“Duruflé: Complete Choral Works,” Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir)

Best Chamber Music/Small Ensemble Performance

“Shaw: Orange,” Attacca Quartet

Best Classical Instrumental Solo

“Marsalis: Violin Concerto; Fiddle Dance Suite,” Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra)

Best Classical Solo Vocal Album

“Songplay,” Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter and Craig Terry, accompanists (Steve Barnett and Lautaro Greco)

Best Classical Compendium

“The Poetry of Places,” Nadia Shpachenko; Marina A. Ledin and Victor Ledin, producers

Best Contemporary Classical Composition

“Higdon: Harp Concerto,” Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare and the Rochester Philharmonic Orchestra)

Best Dance Recording

“Got to Keep On,” The Chemical Brothers, producers; Steve Dub Jones and Tom Rowlands, mixers (The Chemical Brothers)

Best Dance/Electronic Album

“No Geography,” The Chemical Brothers

Best Reggae Album

“Rapture,” Koffee

Best Improvised Jazz Solo

“Sozinho,” Randy Brecker, soloist

Best Jazz Vocal Album

“12 Little Spells,” Esperanza Spalding

Best Large Jazz Ensemble Album

“The Omni-American Book Club,” Brian Lynch Big Band

Best Latin Jazz Album

“Antidote,” Chick Corea and the Spanish Heart Band

ADVERTISEMENT

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[bravecompanynews]

Preview: Blackpool vs. Stockport County - Information Global Web - #GLOBAL https://www.merchant-business.com/preview-blackpool-vs-stockport-county/?feed_id=167197&_unique_id=66bec3107c99f Sports Mole previews Saturday’s League One clash between Blackpool and Stockport County, including predictions, team news and possible lineups.Newly promoted Stockport County will look to begin the League One season with back-to-back wins when they travel to Bloomfield Road for Saturday’s meeting with Blackpool.Meanwhile, the hosts will be keen to claim their first league win of the new campaign after they failed to take anything from their away clash with Crawley Town.Google News Match preview© ImagoAfter falling three points short of the playoffs last term, Blackpool will be targeting a top-six finish as a minimum goal this season.However, their bid to win promotion to the Championship got off to a shaky start as they fell to a narrow 2-1 defeat in their away meeting with newly-promoted Crawley Town.The Tangerines produced a positive response in their Tuesday’s League Cup game against 10-man Burton Albion, cruising to a 4-0 win at the Pirelli Stadium thanks to a Matthew Pennington brace and goals from Ryan Finnigan and Lee Evans.After setting up a second-round tie against Blackburn Rovers, the Tangerines will now turn their focus to their first competitive meeting with Stockport since April 2005.Blackpool will be confident of claiming maximum points in their first home game of the season, having avoided defeat in their last 12 league matches at Bloomfield Road since losing to Northampton Town in November.© ImagoMeanwhile, Stockport are competing in the third tier for the first time since 2003-04 after winning the League Two title last term.The Hatters marked their return to the third tier with a 2-0 home win over Cambridge United which came courtesy of goals from Louie Barry and Kyle Wootton.However, they experienced a disappointing result in midweek as a youthful-looking side slumped to a 6-1 defeat in Tuesday’s clash with Championship side Blackburn.After suffering first-round elimination for the second season in a row, Stockport will look to bounce back in their first road trip of the season, and they will be able to take confidence from the fact they finished the 2023-24 campaign with the best away record in League Two.Although they have not faced Blackpool for a considerable period, the Hatters may be able to take some inspiration from the fact they have avoided defeat in each of their previous three away games against the Tangerines.Blackpool League One form:Blackpool form (all competitions):Stockport County League One form:Google News Team News© ImagoBlackpool are expected to be without the services of Dominic Thompson, Kylian Kouassi and Andy Lyons due to injury.Midfielder Albie Morgan is also set to miss Saturday’s home clash after suffering a leg injury just as he appeared to be closing in on a return to fitness.The Tangerines recently confirmed Dominic Ballard‘s arrival on a season-long loan deal from Southampton, and the England Under-19 international is likely to feature in Saturday’s matchday squad.As for the visitors, they are unable to call upon several members of their first-team squad, including Nick Powell, Lewis Fiorini and Isaac Olaofe.Stockport will have to assess club captain Lewis Bate after he picked up a knock in last Saturday’s win over Cambridge.After making wholesale changes in midweek, Dave Challinor is likely to name a similar side to the one that started the opening league game of the season. Blackpool possible starting lineup:Grimshaw; Pennington, Casey, Husband; Hamilton, Norburn, Carey, Evans, Coulson; Fletcher, RhodesStockport County possible starting lineup:Addai; Mingi, Horsfall, Pye, Touray; Onyango, Camps; Diamond, Collar, Barry; WoottonGoogle News We say: Blackpool 1-1 Stockport CountyStockport may have suffered a heavy defeat in midweek, but they opted to name a much-changed side due to their injury situation and with one eye on Saturday’s league clash.

We think the newly promoted side will do enough to take a point off their hosts, who are looking to extend their 12-game unbeaten home league run.For data analysis of the most likely results, scorelines and more for this match please click here.ID:550478:1false2false3false:QQ:: from db desktop :LenBod:collect9788:Google News Previews by emailClick here to get Sports Mole‘s daily email of previews and predictions for every major game!“Sports Mole previews Saturday’s League One clash between Blackpool and Stockport County, including predictions, team news and possible lineups…”Source Link: https://www.sportsmole.co.uk/football/blackpool/preview/preview-blackpool-vs-stockport-prediction-team-news-lineups_550478.html http://109.70.148.72/~merchant29/6network/wp-content/uploads/2024/08/pexels-photo-6513614.jpeg BLOGGER - #GLOBAL

[wikiuntamed]

Top 5 @Wikipedia pages from yesterday: Sunday, 31st December 2023

Welcome, 欢迎 (huānyíng), आपका स्वागत है (āpakā svāgata hai), vitajte 🤗 What were the top pages visited on @Wikipedia (31st December 2023) 🏆🌟🔥?

1️⃣: New Year's Eve "In the Gregorian calendar, New Year's Eve, also known as Old Year's Day, is the evening or the entire day of the last day of the year, 31 December. In many countries, New Year's Eve is celebrated with dancing, eating, drinking, and watching or lighting fireworks. Some Christians attend a watchnight..."

Image by Marguerite Martyn

2️⃣: Jimmy Johnson (American football coach) "James William Johnson (born July 16, 1943) is an American sports analyst and former football coach. Johnson served as a head football coach on the collegiate level from 1979 to 1988 and in the National Football League (NFL) for nine seasons. He is the first head football coach to win both a college..."

Image by Airman 1st Class Andrew Britten

3️⃣: Murder of Dee Dee Blanchard "On June 14, 2015, sheriff's deputies in Greene County, Missouri, United States, found the body of Clauddine "Dee Dee" Blanchard (née Pitre; born May 3, 1967, in Chackbay, Louisiana) face down in the bedroom of her house just outside Springfield, lying on the bed in a pool of blood from stab wounds..."

4️⃣: DDoS-Guard "DDoS-Guard is a Russian Internet infrastructure company which provides DDoS protection and web hosting services. Researchers and journalists have alleged that many of DDoS-Guard's clients are engaged in criminal activity, and investigative reporter Brian Krebs reported in January 2021 that a "vast..."

Image by DDoS-Guard

5️⃣: Saltburn (film) "Saltburn is a 2023 black comedy psychological drama film written, directed, and produced by Emerald Fennell, starring Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant, Alison Oliver, and Archie Madekwe. Set in England in the early 2000s, the film follows an Oxford University student who..."

[barriewebdesign]

Website Creation Options Available in Barrie

Knowing various types of websites gives you an edge to know what you should go for. Various types of websites serve various purposes and are built differently. The most common website creation options will include a blog, e-commerce, corporate and online portfolios. When choosing a website creation agency, consider one with experience in your preferred option if not in all. Let’s discuss the aforementioned options.

Blog website

This kind of website plays host to online journals and information pages. They are regularly updated since they are closely managed. Most times this kind of website creation helps people to write life tips on various fields, and reviews and offers free online advice. For best blogs, they are written in a formal tone, or in conversational style.

E-commerce

Nowadays these kinds of websites are more popular as they are mostly used for online shops. They allow people to buy and sell their products and services online. Most entrepreneurs use the website as a stand-alone website. These kinds of website creation will require professionals with experience as they require additional security features.

Corporate website

Businesses are encouraged to come up with a website, through which they are able to find more customers. In such kinds of businesses, information about the business is widely shared. On such a website, there should be various pages to offer maximum information. Some of the pages may include the about us page, faqs, and services amongst others.

Portfolio 

Such kinds of websites are mainly used for the display of art, and photography among other creative works. Artists use this kind of web design style and attain the motive to impress their clients. When well organized, the website will help you to get hold of future employment or clients. When coming up with such a type of website, it is best to include more cloud-saving space to effectively host all the images.

[lunylune]

Summary:

The thing about being in space is that sometimes… you meet some awesome people. And then you might want to kiss the awesome person you met in space. This is a bit difficult when you are a brainslug. And also the son of the slug that inhabited your crush’s brother. And said brother didn’t know that, thus trying to set you up together. Oh and your host was very much in the closet. Skip had really done it now… He just wanted to do cool shit and kiss cool people. Why was that so difficult to understand?

Or, where Barry Nyne accidently wingmans for a brainslug.

[stephenjaymorrisblog]

Twitter!

The Guardians of G-D

By Stephen Jay Morris

April 14, 2021

©Scientific Morality

What a strange world I live in, in this Cyber universe. Not only are the creatures weird, but the overlords are outright nuts! Social media has become a video game. The gamers are the new Baby Boomers. Why is that? A lot of gamer Zoomers are becoming radicalized. The Boomers’ passion was music and then it segued into the New Left. Culture Class warfare? Why not!? I was recruited into the revolution. Music! Video games? Nope! When I heard Barry McGuire's “Eve of Destruction” in 1965, that was the beginning of my political outlook in life.

There was a reply song to “Eve of Destruction” – “Eve of Correction,” by the Spokesmen. It had moderate Democratic Party talking points, the message being “Don’t be a Debbie Downer! We are making progress in the world. After all, we got the United Nations!” The song sounded goofy and cream puff. It even featured a Jew’s Harp. I guess some producer wanted to cash in on the popularity of “Eve of Destruction.” The song bombed.

This influenced me go on the long road to confrontational politics, which wandered from counter-demonstrations, heckling during a speech, letters-to-the-editor, song-writing and performing, poetry, and, finally, to social media on the Internet. When I encounter lies, mistakes, and other forms of right wing propaganda, my fingers get itchy. I am compelled to answer. Now, the subjects I respond to don’t appreciate my doing so. Not because I am telling the truth, mind you. It is because most right wingers want to propagandize without opposition.  Many of them get paid by the hour to post Tweets all day from some basement boiler room. Most of them are former state prison inmates. It’s beats the hell out of being a janitor! Posting on social media costs much less and reaches a whole lot bigger audience than buying a full page ad in the New York Times! Conservative posters do not give a tinker damn about the First Amendment! When they complain about “Free Speech,” they’re really complaining about costs, not constitutional rights. It’s free to post on social media. Most conservatives are penny-squeezing misers, so much so that they would take their children’s college fund to buy hunting rifles. That is how cheap they are.

Then, there are the grafters and con artists who make profits from scaring white Americans. I am not mentioning who they are; I’ll just be vague. One right wing web site is run by this egomaniac who makes and posts videos promoting fossil fuel companies, the Religious Right, and Neo liberals. These types of hosts get paid to propagandize for right wing causes. Well, one time, this person posted a video about the death penalty, in which he claimed he was befuddled why the so-called Left doesn’t want to give the ultimate punishment to murderers. Then I mused, via my post on his site, “Shouldn't God be punished for committing mass genocide by flooding the earth?” Now, I have posted snarky shit on his site before and, once in a rare while, he replied. His retorts were always Anemic and unoriginal. Matter of fact, he really is a pea brain. So, he must have became bat crazy when he saw my post about “God.”  He reported my post to Twitter and they, in turn, issued me a lifetime suspension. I filed an appeal to Twitter, but I am not holding my breath.

You want to know what rule I violated? There is a provision that states: “if you threaten someone’s life, then you will be thrown off.” Apparently, I threatened Gods life! I am sure God felt threatened by my remark…?​?

I propose running a “Free Speech” web site where people will never be censored. If not “blanket free speech," then free speech for Leftists only. My style of writing uses racist language, obscenity, and multi-syllabic words that almost no one can understand! I need a platform were I can say whatever the fuck I want!  The only advantage I see in using social media is that it does attract a lot of people. I put links any way I can on social media. Someday, I wont have to resort to that tactic.

So I ask you: what is worse? Yelling “FIRE” in a crowded theater or not saying anything?

FIRE!!!!!!!!!!!!

[redcarpetview]

2020 AMERICAN BLACK FILM FESTIVAL WRAPS WITH CELEBRATION OF WINNING FILMS AND FILMMAKERS VIA ‘THE BEST OF THE ABFF AWARDS’

        LOS ANGELES, CA, August 31, 2020 – The 24th annual American Black Film Festival (ABFF), which took place August 21 - 30 virtually via the newly launched ABFF PLAY platform, wrapped ten days of festivities with ‘The Best of the ABFF Awards,’ hosted by Boris Kodjoe and Nicole Ari Parker with a simulcast on IMDb (www.imdb.com). Presenters included: Lee Daniels (The United States vs. Billie Holiday), Laz Alonso (The Boys), Bevy Smith (BEVELATIONS), Logan Browning (Dear White People), Sinqua Walls (American Soul), La La Anthony (Power) and Spike Lee (Da 5 Bloods). The ceremony closed with an emotional performance by Grammy Award-winning Gospel and R&B Artist Bebe Winans singing his new single Black Lives Matter. The full awards show and highlight reel of ‘The Best of the ABFF Awards’ is available to watch on abffplay.com and www.imdb.com/festival-central/abff/

     The Festival, available online for the first time, drew a global audience from 85 countries around the world. The robust program featured 90 films representing the best in independent Black cinema, virtual networking events, studio screenings, and 30 conversations and panels featuring Stacey Abrams, Kenya Barris, Mary J. Blige, Curtis “50 Cent” Jackson, Barry Jenkins, Yara Shahidi, Tina Knowles-Lawson, Yvonne Orji, Gabrielle Union, Radha Blank, and Lena Waithe among others. Jemele Hill hosted a one-on-one conversation with Blige powered by Cadillac, who was also this year’s festival ambassador.

     With a track record for recognizing Black filmmakers on the rise, this year’s competition attracted a record number of films, over half from first-time filmmakers and the most from female directors in the festival’s history. The festival’s international entries included films from more than ten foreign markets including: Belgium, Brazil, Nigeria, South Africa, Saint Kitts and Nevis, Mozambique, Canada and the United Kingdom. It also marked the introduction of the first annual John Singleton Director Award for Best First Feature for a director of African descent.

       2020 American Black Film Festival Full Winners List:

HBO     Short Film Competition (presented by HBO, Prize: $10,000 for winner; $5,000     for finalists) 

Dolapo Is Fine, directed by Ethosheia Hylton, screenplay by Joan Iyiola, Chibundu Onuzo

 Jury     Award - Best Director (presented by Cadillac, Prize: $10,000)

Hisonni Johnson, Take Out Girl

 John     Singleton Director Award for Best First Feature (presented by Netflix,     Prize: $5,000)

Solomon Onita, Jr, Tazmanian Devil

 Jury     Award - Best US Narrative Feature (presented by Prudential, Prize:     $2,500) 

Curtis, directed and written by Chris Bailey, produced by Kimberly Hwang, Chelsea Davenport and Desi Bee Richardson

 Jury     Award - Best Screenplay (presented by BET, Prize: $2,500) 

Addison Henderson, G.O.D - Givers of Death

 Jury     Award - Best International Narrative Feature (presented by Sony Pictures     Entertainment, Prize: $2,500)

The New Normal (Nigeria), directed by Teniola Olatoni, written by Tunde Babalola, produced by Sourmash Stories

 Jury     Award - Best Documentary (presented by Amazon Studios, Prize: $2,500)

Maurice Hines: Bring Them Back, directed by John Carluccio, written by Tracy E. Hopkins

 Jury     Award - Best Web Series (presented by Xfinity, Prize: $2,500)

Loving in America, directed by Jason Gudasz, written by Bianca Cristovao

 Fan     Favorite Movie

Death of A Telemarketer, directed by Khaled Ridgeway, produced by Datari Turner, Meagan Good, James J. Yi

                       “We are overwhelmed by the support of the community that made this year’s festival possible,” said Jeff Friday, founder and CEO ABFF Ventures.  “We were very encouraged to see a record setting number of submissions, the willingness of our corporate partners and Black talent to stand with us during these uncertain times and the response of our audience around the world.  While we look forward to returning to Miami for our 25th anniversary next year, we are thrilled to have been able to reach a new audience for ABFF this year.”

     Sponsors included WarnerMedia, HBO® (Founding), Greater Miami Convention & Visitors Bureau (Presenting Sponsors); Comcast NBCUniversal, Amazon Studios, Sony Pictures Entertainment, Endeavor Content (Premier Sponsors); Cadillac, IMDb, Netflix, Motion Picture Association (MPA), Jeff Friday Media, Prudential Financial, Starz, a Lionsgate company, UMC, Verizon Media (Official Sponsors); AspireTV, BET, Facebook, Moet Hennessy, Morgan Stanley, New York University, PEACOCK, and Universal Production Music (Supporting Sponsors); Blackfilm.com, Black Information Network, Film Independent, and Variety (Marketing Partners).

   For more information on ABFF and up-to-date news, go to abff.com and follow @ABFF on Twitter and @AmericanBlackFilmFestival on Instagram and Facebook. Join in on the conversation by using #ABFF20 and #ABFF.

                                                                                                                     # # #

[wikiuntamed]

Top 5 @Wikipedia pages from yesterday: Wednesday, 27th December 2023

Welcome, bienvenido, 欢迎 (huānyíng), ようこそ (yōkoso) 🤗 What were the top pages visited on @Wikipedia (27th December 2023) 🏆🌟🔥?

1️⃣: Web hosting service "A web hosting service is a type of Internet hosting service that hosts websites for clients, i.e. it offers the facilities required for them to create and maintain a site and makes it accessible on the World Wide Web. Companies providing web hosting services are sometimes called web..."

Image licensed under CC BY-SA 3.0? by David Monniaux. Photo taken by myself with a cellular phone. Copyright © 2005

2️⃣: Lee Sun-kyun "Lee Sun-kyun (Korean: 이선균; March 2, 1975 – December 27, 2023) was a South Korean actor. Internationally, he was best known for his role in Bong Joon-ho's Academy Award-winning film Parasite (2019), for which he won a Screen Actors Guild Award along with his castmates. He received several other..."

Image licensed under CC BY-SA 4.0? by Kinocine

3️⃣: Salaar: Part 1 – Ceasefire "Salaar: Part 1 – Ceasefire (transl. Commander) is a 2023 Indian Telugu-language epic action film written and directed by Prashanth Neel and produced by Vijay Kiragandur. It stars Prabhas and Prithviraj Sukumaran, with a supporting cast that includes Shruti Haasan, Jagapathi Babu, Bobby Simha, Tinnu..."

4️⃣: Saltburn (film) "Saltburn is a 2023 black comedy psychological drama film written, directed, and produced by Emerald Fennell, starring Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant, Alison Oliver, Archie Madekwe, and Carey Mulligan. Set in England in 2006, the film follows an Oxford University student..."

5️⃣: Dunki (film) "Dunki is a 2023 Indian Hindi-language comedy drama film based on the "donkey flight" illegal immigration technique. Directed and edited by Rajkumar Hirani from a screenplay he wrote with Abhijat Joshi and Kanika Dhillon, it was produced under the banners of Red Chillies Entertainment, Jio Studios..."

[barriewebdesign]

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A web hosting service enables people and organizations to publish their websites on the internet. A web hosting company is a start-up that offers the services and tools required by businesses to make themselves accessible to users. All of the data on your website is kept on specialized computers called servers when using web hosting. Users should enter your domain name or website address into their browser to visit your website. To prevent plagiarism, web hosting requires you to own your domain name. Various sites on Google can provide or confirm the availability of specific domain names. The advantages of web hosting are as follows:

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The majority of businesses report experiencing frequent cyber attacks, which result in ongoing web attacks. Securing user data and upholding brand integrity are important for web hosting since they increase consumer trust in your company. By implementing security audits, virus scanning, and the required OS updates, premium web hosting providers work to prevent cyber attacks.

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By embracing website hosting, you may decrease the occurrences of bugs and lags and keep people on your website. To increase page speed, you might create a simple, minimalistic design. Regardless of the website's contents, the performance of your website is also improved by your expert web hosting provider's fast load times.

[s4g2]

How to Perform a Fast SEO Audit of Your Website?

An everyday SEO audit helps you give attention to correcting any points in your charity website which can affect its search engine ranking. Comply with our ten-step information to hold out an efficient SEO audit for your self.

A very good website is likely one of the most essential issues that your charity can have, however an excellent website just isn't sufficient. To make sure that it's as efficient as potential, it has to be straightforward to seek out - and which means it has to optimised in order that it seems prominently in search engine rankings.

Search engine optimization (SEO) is the artwork of making certain that your website and its content rank extremely in Google searches. If your charity website isn't designed with SEO in thoughts then you might be undoubtedly lacking out on an enormous quantity of traffic.

Even if you've accomplished quite a lot of SEO work in your website, that doesn't imply that the job is completed. You nonetheless want carry out an SEO audit each three to 6 months to making certain you might be conserving abreast of search algorithm adjustments, and to supply a prioritized record of actions that you want to take to maintain enhancing your charity's search performance.

Right here are ten steps to aid you carry out an SEO audit:

Step 1: Assemble the instruments

To hold out an SEO audit you want an excellent SEO instrument to scan your website and give you related info about how effectively it has been optimised, in addition to any areas that want fixing or enhancing. There are lots of such instruments obtainable, together with:

AHrefs (low value trial obtainable)

Screaming Frog SEO Spider (free and paid variations obtainable)

Moz Pro (free trial obtainable)

SEM Rush (free trial obtainable)

Ubersuggest (some performance obtainable free)

You also needs to check out free Google instruments resembling Google Search Console

Step 2: Examine for duplicates

Probably the most widespread issues with SEO entails what Google and different search engines understand to be duplicate websites.

Even although these are all the identical site, search engines could not recognise them as such. You should utilize a scanning instrument to test that solely one in every of these URLs is the primary or canonical URL, and the others redirect (utilizing a 301 redirect) to the canonical one.

Step 3: Make certain all of your site is being listed

Open your browser and kind "site: yourowncharity.org" within the search subject to try what number of pages Google finds.

This must be the variety of pages in your website, so if the end result may be very totally different then you need to examine additional. For instance, it may be as a result of a few of your pages will not be being listed, or Google could also be having hassle due to the ecommerce performance of your site.

Step 4: Watch your velocity

Google takes the efficiency of your website under consideration when it ranks it. The platform doesn't like referring Google customers to gradual websites.

That's as a result of because the wait interval whereas a web page hundreds will increase from 1 to three seconds, the likelihood of the consumer "bouncing" - leaving the site and attempting elsewhere - elevated by 32%. From 1 to five seconds the determine is 90%, and from 1 to six seconds it's 106%, in accordance with Google.

You should utilize Google's PageSpeed Insights instrument or an SEO scanner to get a benchmark of web page loading occasions and to see which pages are problematic and what may be accomplished to hurry them up.

Step 5: Encrypt

Google makes use of the truth that a website has been secured utilizing https as a ranking sign. If you aren't utilizing https to ascertain an encrypted reference to site visitors, you need to take into account implementing it within the close to future.

To take action you want an SSL certificates, and whereas this was once dear your charity can now get one free from Lets Encrypt.

Let's Encrypt is a non-profit certificates authority run by Web Safety Analysis Group that gives certificates for https encryption at no cost.

Step 6: Examine your charity website is nonetheless mobile pleasant

The vast majority of Google searches have come from mobile gadgets for a number of years, and for that purpose mobile-friendliness has been a Google ranking issue since 2015. Which means your website must be as usable from a mobile gadget as it's when accessed from a desktop or laptop computer browser.

Many platforms resembling WordPress convert the web pages they host to mobile-friendly ones routinely, however a scanner instrument ought to spotlight any pages in your charity website which are more likely to trigger issues on a mobile gadget.

Step 7: Evaluate your self to others

In case your website just isn't ranking extremely, have a look at comparable charities which do rank extremely for related searches.

You should utilize a scanner instrument to take a look at the keywords they're utilizing, in addition to the kind of content that they're offering. You should utilize this info to tell future SEO-inspired adjustments to your content utilizing key phrase instruments resembling Google Keyword Planner and Google Trends.

Step 8: Examine the inner and exterior hyperlinks in your site

Damaged hyperlinks are annoying to customers, so Google avoids sending customers to websites with damaged hyperlinks. However simply because all of your hyperlinks labored final month, it doesn't imply that an exterior web page has not been eliminated and one in every of your hyperlinks is now damaged.

That's why it's a good suggestion to make use of a hyperlink checker resembling Xenu's Link Sleuth (some scanner instruments can additionally test your hyperlinks) to establish any that want fixing or eradicating out of your site.

Step 9: Audit backlinks

Backlinks are hyperlinks from exterior websites to your content, and an excellent scanner will discover and present you all of them. You can too use the free Ahrefs Backlink Checker instrument. Google ranks websites with many backlinks larger than ones with few or none.

Understanding the place backlinks are (and the place your rival charities' backlinks are) may help you give attention to the place to work to generate extra backlinks sooner or later. Additionally, you will not need to take away any pages in your site which have invaluable backlinks offering you with visitors (until the content of the exterior site is especially damaging).

Step 10: Do some housekeeping for fast wins

You should utilize an SEO audit as a chance to:

Identify and take away any "poisonous hyperlinks" which cut back your ranking (resembling ones which appear like you are attempting to control Google's algorithm.

Repair any orphan pages which haven't any hyperlinks to them in your site (or from elsewhere).

Use your SEO scanner to identify "skinny content" pages which Google considers lack sufficient info to be worthwhile.

Clear up your site map to make it simpler for Google to know and crawl your pages.

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[verdiprati]

Looking ahead . . . in spite of it all

The last time I published an unofficial list of Dame Sarah Connolly’s upcoming performances, it was with hesitation, knowing that she had months of treatment for breast cancer ahead of her and that she might need to withdraw from some of her performance engagements. That was in late October, 2019. I had, at the time, no inkling that a then-unknown respiratory virus would begin infecting humans over the winter and rapidly break out into a deadly pandemic, resulting in the widespread closure of public spaces and devastating the performing arts.

The change log appended to my previous unofficial schedule post shows that on March 23, 2020, I made the first round of edits to reflect corona-cancellations. Since then, I have been quietly monitoring the status of Dame Sarah’s scheduled gigs and crossing them off as their cancellations have become known to me. 

I have also picked up on a few new dates that we can very tentatively look forward to. It is hard to say how long the coronavirus crisis will go on; even when large, indoor public gatherings become possible again, some arts organizations may have had to slash their offerings—or may have succumbed completely—due to the financial fallout of the pandemic. In the meantime, we are starting to see some companies like the Bayerische Staatsoper, Wigmore Hall, and the Royal Opera House offer small-scale, live musical performances with no live audiences, just online streaming. 

Now that Dame Sarah is about to perform in one such livestream-only concert—tomorrow’s Das Lied von der Erde in Covent Garden, also notable for being her first live performance since withdrawing from the stage for cancer treatment over the winter—it seems like the right moment to refresh my list of her upcoming performances and start anew. 

See my current list after the jump.

This is the point in the post where I normally give a condensed list highlighting the cities where Dame Sarah is scheduled to appear in live performance, so that readers can tell at a glance whether she is coming anywhere near them. This list must now be read with a giant asterisk, as some performances may be online-only (so it doesn’t matter where you live), and others may be much more prone to cancellation than normal! 

That said—British performance sites on the horizon at the moment are the Royal Opera House (for online viewing only) and Wigmore Hall in London, plus the Lieder Festival in Oxford (also online only). Audiences in continental Europe might get to see Dame Sarah in Barcelona, Berlin, Hamburg, Amsterdam, or Luxembourg. An as-yet-unconfirmed operatic run may be in store for the 2021-2022 season in New York.

The usual disclaimers:

This is not an authoritative list. These are the upcoming performances by Dame Sarah Connolly that I have been able to learn about from Dame Sarah’s new website, Dame Sarah’s agent's website (Askonas Holt), Operabase, Bachtrack, Dame Sarah's Twitter, and generally ferreting around the web.

I sometimes list concerts that are not yet officially confirmed; you should of course check official sources before making plans and be aware that cast changes and cancellations can happen at any time. This obviously goes triple in the COVID-19 era.

I have added links to venue, ticketing, and broadcast information where available. Tips on new information are always welcome! Please contact me via email (verdiprati [at] selveamene [dot] com), Tumblr messaging, or ask box (plain prose only in the ask box; anything with links or an email address will get eaten by Tumblr filters) with corrections or additions.

[Livestream only] Mahler, Das Lied von der Erde at the Royal Opera House, London, June 20, 2020. With David Butt Philip and members of the ROH orchestra; Antonio Pappano conducts. The performance will be livestream-only; no audience will be seated in the house. Tickets are £4.99 and grant you not only live access, but also the ability to view the concert on demand for two weeks following the performance.

[New!] Recital at Wigmore Hall, London, September 16, 2020. With Malcolm Martineau, in the Wigmore’s 1:00 p.m. “lunchtime” slot. Songs by Poulenc, Roussel, Mahler, and Bridge, capped by a pair of songs newly written by Bob Chilcott for Dame Sarah. At the time of this writing, Wigmore Hall expects to admit live audiences of 10%-20% capacity during the autumn season under socially-distanced reopening guidelines, but the situation for live performance in the UK remains fluid, to put it mildly. The website says that “More details on how to access tickets will be released in the coming weeks. All concerts will go ahead, with or without an audience.”

[Livestream] The recital, like all the others in Wigmore Hall’s autumn 2020 season, will be streamed for free on their livestreaming site. It appears that you can also use this YouTube link.

[Canceled] Recital at Wigmore Hall, London, September 30, 2020. With Roderick Williams and Julius Drake; the first concert of the Wigmore’s Mendelssohn and Liszt series. Public booking is scheduled to open on July 14. UPDATE: As of July 31, this recital is no longer listed on the Wigmore Hall website. Update, August 22: see above for a newly-scheduled Wigmore recital by Dame Sarah.

[New! Livestream only] Handel, Solomon (title role) and Foundling Anthem with the English Concert, October 1, 2020. Also starring Sophie Bevan, Soraya Mafi, and James Way; conducted by Harry Bickett. Selections from both works will be performed as part of a concert titled “Handel – The Philanthropist.” Tickets to the livestream are free; donations are requested to both The English Concert and Bart’s Heritage, the fund for renovating St Bart’s Hospital, which will be the venue for the performance. 

[Livestream only] Recital at the Oxford Lieder Festival, October 10, 2020. With Eugene Asti (pianist) as well as “emerging artist” William Thomas (bass)—apparently part of Barbara Hannigan’s Momentum initiative, which is supported by both Dame Sarah and the Oxford Lieder Festival. Schumann’s Fraunliebe und -leben and Mahler’s Rückert-lieder bookend an assortment of songs by Haydn, Arne, Bush, Quilter, Howells, and Britten. The livestream ticket (£12, or £5 for under-35s) includes access to a post-performance Q&A session with the artists. Video will remain available until November 1. Notably, the £250 “Pioneer Pass” for the whole festival gets you bonus goodies including “Two guest tickets to Dame Sarah Connolly’s recital, to share with friends” and “Exclusive artist interviews and other content.” 

[New!] “Pappano & Friends” chamber concert at the Barbican, London, November 1, 2020. With Ian Bostridge, the Carducci Quartet, and Antonio Pappano. Tickets are being sold separately for a limited live audience (£20) and for a video livestream of the performance (£12.50). The listed program comprises just two works: Ralph Vaughn Williams’ song cycle On Wenlock Edge and an arrangement of Ernest Chausson’s Poème de l’amour et de la mer. I don’t really know either work, but a little googling suggests to me that Bostridge will sing the RVW and Dame Sarah will sing the Chausson. Tickets go on sale to the general public on September 11 at 10:00 a.m., and a few of the live audience tickets will be held back from the earlier Barbican members’ sale for the general sale, so if you want to try to attend in person, be ready to act swiftly at that time.

[Livestream] As mentioned above, there is a fee of £12.50 for access to the livestream. The Barbican website says, “We advise you to watch the performance live, but the stream will be available to watch back for 48 hours after the live broadcast.”

[New!] Mozart’s Requiem with the English National Opera, London, November 6 and 7, 2020. Fellow vocal soloists are Elizabeth Llewellyn, Toby Spence, and Brindley Sherratt. With the ENO Chorus and Orchestra conducted by Martyn Brabbins. As of this writing early on September 15, the ENO website says “Ticket details will be announced soon.” ENO plans to perform for a live, socially distanced audience; livestreaming has been mentioned only as a backup option in case government restrictions make it impossible to host a live audience in the Coliseum. 

[New!] Forum participation, International Vocal Competition, 's-Hertogenbosch, Netherlands, December 2, 2020. Having postponed its opera and oratorio competition until 2022 due to the COVID-19 pandemic, the IVC announced that it would sponsor a multi-day series billed as “IVC Mozart Masterclasses & More” late in 2020. Masterclasses will be led by Vesselina Kasarova, Roberta Alexander, and Thomas Oliemans; Dame Sarah doesn’t seem to have the same role, but the IVC promises that she will be among several “leading professionals” who will “talk with the participants about the future of their profession” as part of “a forum ... about the future as it now looks for (young) singers.” Singers who were born no earlier than December 5, 1987 and who can cough up €500 for the experience may register by October 1, 2020. Members of the public may buy tickets to the events beginning “at the end of August.”

Handel, Agrippina (title role) at the Dutch National Opera, Amsterdam, January 17-29, 2021. The production is Barrie Kosky’s (previously seen at the Bayerische Staatsoper and the ROH, and later moving on to the Staatsoper Hamburg). Ottavio Dantone conducts; co-stars include Ying Fang (Poppea), Franco Fagioli (Nerone), Gianlucca Buratto (Claudio), and Tim Mead (Ottone). As of this writing (June 19, 2020), single ticket sales are indefinitely suspended due to the coronavirus crisis.

Stravinsky, Oedipus Rex (Jocaste) at the Dutch National Opera, Amsterdam, March 10-27, 2021. In a double bill with the new commission From ‘Antigone’ by Samy Moussa. Other singers in the Oedipus cast include Sean Panikkar (Oedipus), Bastiaan Everink (Creon), Rafał Siwek (Tiresias), and Ramsey Nasr (Speaker). Erik Nielsen conducts; Wayne McGregor directs. As of this writing (June 19, 2020), single ticket sales are indefinitely suspended due to the coronavirus crisis.

Stravinsky, Oedipus Rex (Jocaste) with the NDR Elbphilharmonie Orchester, Hamburg, April 10 and 11, 2021. Even though these concert performances follow on the heels of Dame Sarah’s engagement for the same opera in Amsterdam, the two gigs appear to be administratively and artistically unrelated. Her co-stars in Hamburg include Brenden Gunnell (Oedipus), Tomasz Konieczny (Creon), and Sir John Tomlinson (Tiresias); the MDR Rundfunkchor Leipzig supplies the men’s chorus. Alan Gilbert conducts. The program also includes Le sacre du printemps. Under a special policy instituted in response to the uncertainties of the coronavirus pandemic, tickets can be pre-ordered starting May 26, 2020, with payment due when it is confirmed that the performance will go forward, no later than six weeks before the concert. There’s some background information about the Stravinsky pieces on the NDR website.

Stravinsky, Oedipus Rex (Jocaste) with the NDR Elbphilharmonie Orchester at the Philharmonie Luxembourg, April 19, 2021. Co-stars, conductor, and chorus are the same team as in the Hamburg performances, and the Luxembourg program likewise includes Le sacre du printemps. Tickets go on sale February 22, 2021.

[New!] Recital for St Luke’s Music Society, London, May 8, 2021. With Joseph Middleton. Repertoire TBA. Note that “during the COVID crisis tickets may be restricted to Friends only.” Tickets are £18 and Friends membership is £35; the tickets for Dame Sarah’s recital go on sale December 13. 

Recital at the Concertgebouw, Amsterdam, May 18, 2021. With Julius Drake. Songs by Mendelssohn, Liszt, Elgar, Debussy, Ravel, and Chaminade.

Elgar, The Dream of Gerontius with the Berliner Philharmoniker, Berlin, May 27, 28, and 29, 2021. With Allan Clayton and Roderick Williams, as well as the Rundfunkchor Berlin; Simon Rattle conducts.

[Livestream] The concert on the 29th will be livestreamed on the Berliner Philharmoniker’s Digital Concert Hall platform.

[Unconfirmed / details TBA] Tour with the Wiener Symphoniker, October 2-5, 2021. Dame Sarah’s name appears along with that of conductor and violinist Andrés Orozco-Estrada (who will take over as music director of the Wiener Symphoniker in the 2020-2021 season) in this list of orchestra tours on the website of agents Dr. Raab & Dr. Böhm. Details of the repertoire and cities for the tour will presumably be revealed when the Wiener Symphoniker announces its 2021-2022 season.

[New date!] Recital at Sant Pau Recinte Modernista [PDF], Barcelona, November 15, 2021. With Julius Drake. Part of the LIFE Victoria series of recitals; originally announced for November 27, 2019, but postponed due to Dame Sarah’s treatment for breast cancer; rescheduled for October 2020, and further postponed due to the coronavirus pandemic. Themed as a “Viennese journey by the hand of Alma Mahler,” the recital includes songs by Brahms, Wolf, Debussy, Alma Mahler, Gustav Mahler, and Zemlinsky. 

[Livestream? TBC] This article in the Catalan newspaper La República says of the combined 2020-2021 season that “Tots els concerts es retransmetran en streaming, independentment de si pot assistir-hi públic o no” (“All concerts will be streamed, regardless of whether the audience can attend or not”). I have been unable, however, to confirm this detail on the LIFE Victoria website or in the PDF of the combined season announcement. 

[Unconfirmed / details TBA] Brett Dean, Hamlet (Gertrude) at the Metropolitan Opera, New York, sometime in 2021-22. Allan Clayton, who starred in the title role of Brett Dean’s Hamlet at Glyndebourne in 2017, mentioned in an interview with the Telegraph that he would be reprising the role at an unspecified date and venue in the US. When prompted on Twitter, Dame Sarah indicated that she would be participating in the revival, too (“I shall be misunderstanding my confused boy again”). In a later interview with Opera News, Clayton reportedly specified that he would reprise Hamlet at the Met. The Future Met Wiki places the production at the Met in the 2021-2022 season (as does this New York Times article). Hat tip to Christopher Lowrey, who sang Guildenstern in the original production at Glyndebourne, whose tweet praising Allan Clayton brought the Telegraph interview to my attention. (No indication whether Lowrey will also be cast in the American revival.) Additional hat tip to the Tumblrer who submitted information on this topic via the ask box.

Previous versions of this list can be found under the schedule tag on this blog. This list published June 19, 2020. Updated June 22 to reflect the further postponement of the LIFE Victoria recital. Updated July 22 with the new date of the LIFE Victoria recital and the addition of the IVC forum. Edited July 28 to correct the closing date of DNO Agrippina to January 29 (not 27). Edited August 1 to reflect the cancelation of the September 30 recital at Wigmore Hall. Edited August 22 to add the September 16 recital at Wigmore Hall and update the Oxford recital with more details. Edited August 29 to add the English Concert livestream and fill in the repertoire for the September 16 Wiggy recital. Edited September 8 to add the Barbican “Pappano & Friends” concert. Edited September 15 to add the ENO Mozart Requiem and belatedly fill in some details on the Oxford Lieder Festival recital. Edited September 21 to add the recital for St Luke’s Music Society. I may continue to edit this list as I receive new information.

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Sortie: 2020-08-20

Durée: 106 minutes

Genre: Action

Etoiles: Megan Fox, Philip Winchester, Greg Kriek, Brandon Auret, Jessica Sutton

Directeur: Darion Hing, Andrew MacRitchie, Kwesi Dickson, Barry Brooker, M.J. Bassett

Synopsis Après avoir arraché des prisonniers des mains de leurs ravisseurs, des mercenaires prennent la fuite à travers la savane. Pourchassés par ceux qu'ils viennent d'attaquer, ils vont devoir faire fasse à un danger tout aussi mortel…

Alors que l'improbable duo s'entraide pour venir à bout de l'enquête, l'ange Amenadiel est envoyé à Los Angeles par Dieu pour tenter de convaincre Lucifer de regagner son royaume. L'ancien Seigneur des Enfers cèdera-t-il aux sirènes du Mal qui l'appellent ou se laissera-t-il tenter par le Bien, vers lequel l'inspecteur Chloe Decker semble peu à peu l'amener ?

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Combien de temps as-tu dormi pendant le film RogueRising ()? La mLe Voyage du Pèlerinique, l’histoire et le message étaient phénoménaux chezRogue (Rogue). Je ne pourrais jaLe Voyage du Pèlerinis voir un autre film cinq fois comme je l’ai fait celui-ci. Retournez voir une seconde fois et faites attention. RegarderRogue Movie WEB-DL Il s’agit d’un fichier extrait sans erreur d’un serveur telLe Voyage du Pèlerin, tel que Netflix, ALe Voyage du Pèlerinzon Video, Hulu, Crunchyroll, DiscoveryGO, BBC iPlayer, etc. Il s’agit également d’un film ou d’une émission télévisée téléchargé via un site web comme on lineistribution, iTunes. La qualité est assez bonne car ils ne sont pas ré-encodés. Les flux vidéo (H.254 ou H.255) et audio (AC3 /Rogue C) sont généralement extraits de iTunes ou d’ALe Voyage du Pèlerinzon Video, puis redistribués dans un conteneur MKV sans sacrifier la qualité. DownloadMovieRogue L’un des impacts les plLe Voyage du Pèlerin importants de l’indLe Voyage du Pèlerintrie du streaming vidéo L’indLe Voyage du Pèlerintrie du DVD a connu un véritable succès grâce à la vulgarisation en Le Voyage du Pèlerinsse du contenu en ligne. La montée en puissance de la diffLe Voyage du Pèlerinion multimédia a provoqué la chute de nombreLe Voyage du Pèlerines sociétés de location de DVD telles que BlockbLe Voyage du Pèlerinter. En juilletRogue, un article du New York Times a publié un article sur les SerLe Voyage du Pèlerins de DVD-Video de Netflix. Il a déclaré que Netflix continue ses DVD serLe Voyage du Pèlerins avec 5,3 millions d’abonnés, ce qui représente une baisse importante par rapport à l’année précédente. D’autre part, leurs serLe Voyage du Pèlerins en streaming comptent 55 millions de membres. Dans une étude de Le Voyage du Pèlerinrs 2020 évaluant «l’impact de la lecture de film en continu sur un DVD traditionnel MovieRental», il a été constaté que les répondants n’achetaient pas des films sur DVD aLe Voyage du Pèlerinsi gros que le mien, voire jaLe Voyage du Pèlerinis, comme la diffLe Voyage du Pèlerinion en continu a conquis le Le Voyage du Pèlerinrché. Regarder le filmRogue (Rogue), les téléspectateurs n’ont pas trouvé la qualité du film très différente entre le DVD et le streaming en ligne. Les questions qui, de l’avis des répondants, nécessitaient d’être améliorées avec la lecture en continu de films incluaient des fonctions d’avance rapide ou de rembobinage, ainsi que des fonctions de recherche. L’article souligne que la qualité de la diffLe Voyage du Pèlerinion de films en continu en tant que secteur ne fera qu’augmenter avec le temps, alors que les revenLe Voyage du Pèlerin publicitaires augmentent chaque année dans l’ensemble du secteur, ce qui incite à la production de contenLe Voyage du Pèlerin de qualité.

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❍❍❍ Definition and Definition of Film / Movie ❍❍❍ While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ❍❍❍ TV MOVIE ❍❍❍ The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1935 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 2020 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1955, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ❍❍❍ Formats and Genres ❍❍❍ See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 2020s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 2020s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2020, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2020, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ❍❍❍ Thank’s For All And Happy Watching❍❍❍ Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

Rogue (2020) — Film Streaming VF En Français