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luminescentaura · 6 months ago
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Playing mario party with my brother 🙏 absolutely nothing can go wrong ever 🙏
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thebrainrotsreal · 5 months ago
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Was pondering how Mark’s rigid ass mask/lens is prob a Budget Thing (since squishy, bendy lens are pretty much a mandate for all hero animated series, like JL, BTAS, TNBA, Spider-Man, etc), and then I was slapped with a vision of Mark in a more JL/BTAS-ish style and I had to see it through. I am a genius btw.
#i had MANY thoughts while drawing my brain melted while posting so if ya have questions send 'em / ask 'em#but rapid fire: leans more into nightwing's look b/c bro's name is legit grayson + moves away from his father's sidekick/protege +#and legit has a blue and black outfit. that is soooo winking at robin (dick grayson specifically)#mark has a more casual / athletic fit and tried to keep his usual kicked puppy expression / mood#which then contrasts his more emotional (hero) side he acts upon when he's suited up as ANOTHER wink to the whole dual persona#mark does it unintentionally as he's eager to prove himself as invincible and thus more emotional/confidential/eager + feels lackluster#as just mark grayson.#but it's such a comic book trope it's interesting el show ignores the potential stakes for that + prob cause they dont focus on#villains#mark has debbie's cheek bones + pearls both so he skip the whole copy paste design tactic cartoons annoyingly use + wink at batman w/ pearl#nolan wears pink and debbie wears green b/c they have conflicting views on raising Mark but (used to?) stand on a somewhat#united front by having same collared shirt. but mark leans more on debbie's stuff visually w/ cooler colors + white shirt underneath#mark keeps his cape as another wink/nod at robins (tim drake TNBS specifically) which mimics his Dad + kid-like eagerness for hero stuff#which he gets rid off when he goes blue/black suit arc (cough cough nightwing looking ass) so just leaned MORE into it#mark has a heart on his chest because he's TRYING to do what he think he's best + emotional asf#lens/goggles are diff to keep the audiences' eye back at HIS eyes + look more ominous and predatory which the black/blue combo#already COULD do in canon but in show its just pallete swapped which ruins the more ominious look it probably intended#and doesnt really scream “OH NO! THERE'S NO GOLD! WHICH could be a marker of mark's joy vanishing!!!”#but i hope it does now but ALSO having design changes#the brainrotsreal's art tag ✧˖°:*♡#invincible rotating in my mind#mark grayson#invincible fanart#invincible#fanart#digital art#procreate art#i wish the style leaned more this way since it is messing with or TRYING to mess with some superhero tropes before it does its own thing#just straight up use nostalgia bait while it has his JL knock off#artists on tumblr
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refriedcaprisun · 5 months ago
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‼️‼️CHAPTER 121 ‼️‼️
‼️‼️‼️ SPOILERS‼️‼️
This is what i imagine hallucination dazai was doing right before chap 121
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genuinely dont know whats happening in the manga rn but i know im loving it 😼‼️‼️
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kittykatninja321 · 9 months ago
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My less popular opinion (and what I believe to be implied by the art in Lost Days) is that rather than waking up in a fully grown body Jason didn’t actually complete his puberty until after his Lazarus pit dip while he was on his murder tour. Imagine you’re tied up in a basement in Berlin getting interrogated by a teenager and his voice is cracking the entire time and if you laugh he’s going to shoot you
#Late puberty Jason truthers rise#Egon calling up Talia like ‘did you send me a middle schooler what is this’. ‘He’s technically high school aged actually’#he would’ve been like 18 when he finally regained consciousness but the way he’s drawn could easily be mistaken for 15#I know people love the body dysmorphia angst of Jason waking up big but I offer you this: Jason wakes up looking basically the same to a#world that has moved on without him and is unrecognizable. His death/injuries stunted him he existed for years in a state of suspension#while the world passed him by. He was on pause while everyone kept moving on and he didn’t get unpaused until the Lazarus pit and he has#to scramble to catch up. He’s actually 18 but the last thing he remembers is being 15 and his body reflects this state#and then once his mind is finally back online puberty hits him like a truck. Just look at the difference between how Jason is drawn#immediately after his dip in the Lazarus pit vs the end of lost days when his training arc is over#It implies it could’ve been multiple years but in order to fit with the timeline of other comics I personally don’t think it#would’ve been that long. I think he just sprouted up like a weed#Jason Todd#dc#I think Jason is technically still growing by the time he’s red hood. In my personal mindscape he doesn’t reach his peak buffness/height#he’s like 21 and he’s 19 in utrh#Sorry for my 1538283th post about red hood lost days I’m obsessed with his little fucked up coming of age story#Red hood lost days
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swampybogg · 9 months ago
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djotime-allthetime · 6 months ago
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Freaky Redheads
synopsis: interactions between you and fred hechinger at a red carpet event for gladiator ii.
wc: 2.5k+
rpf!!! don't like, don't read!!!
a/n: i love that soft, sweet, adorable man with all of my heart. my inspiration is how fred talks about sherry. the monkey. i'm down bad bro.
italics are supposed to be comments under tiktok clips of these interviews. i definitely have more in mind for these two, but we'll see how this goes. feedback is writer's fuel!
cross posted on AO3
next part>>
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The flashing cameras and yelling reporters have started to become the new normal, which was so not normal for you. You couldn't believe how far you'd come.
Granted, your role in the movie was definitely more in the supporting cast territory, but you couldn't deny how massive the production was. But even as a supporting actress, you still had quite a bit of screen time as the unnamed favorite concubine to Emperor Caracalla.
The fans who knew you called out your name from behind the velvet ropes and you smiled and waved as you walked by.
"y/n! y/n! Over here!" A reporter called out. You nodded and smiled as you approached, indicating your acceptance of the carpet-side interview. Your agent had warned you that not every journalist might want to speak with you and that you should accept any interview you came by. Thankfully, as the start of your night would show, that wasn't the case.
"Hello!" You beamed, coming to a stop in front of the camera. The reporter greeted you back and handed you a microphone glued to a mini Romanesque column. "Oh, wow. I love the microphone!"
"Thank you," She smiled. With a quick glance at her blouse, you saw a name tag that said 'MTV UK: Claire'. "It was my idea, actually."
"Incredibly creative! They should give you a raise, Claire."
"If you wouldn't mind saying that directly into the camera..." Claire trailed off with a chuckle and a mischievous glint to her eye.
You shot the camera as serious a look as you could muster. "MTV, if you do not give this woman a raise, I will riot in the streets."
"Alright alright, enough of that." Claire laughed out loud with a few shakes of her head. "You look absolutely stunning!"
"Oh, this old thing?" You smiled bashfully, grabbing at your skirt to twirl it around. The styling department had made sure that all the gowns worn during press had some Roman inspiration behind them. The piece you were wearing was off white in color, representing your character's position in society. Even with your character in mind, your dress was still breathtaking. The gown was composed of yards and yards of fabric, giving it this dreamy, flowy silhouette. The neckline was so beautiful, in the cowl style and draped ever so slightly off your shoulders. To say that you loved it would be an understatement. "Thank you very much, you look amazing yourself."
"But you are on a different level!" Claire gasped, no doubt to return the topic to you. Just like you were media trained, the reporters were too. "What was the thought process behind your look tonight?"
Your eyes lit up as this was something you had wanted to talk about. "Well, the styling department and I actually workshopped this look together. Of course we wanted it to be glamorous, this is the red carpet after all. But we also wanted to show the character through the outfits, you know?" She nodded along.
"Right, your character was quite impactful even with the few lines you had." Claire added, and you smiled in thanks.
"Yeah, thank you." You felt your face heat up at the compliment. "We wanted to still be true to her, under all the glitz and glamour. So that's why we went with the understated color, to not only show her position in society but also her demeanor throughout the film."
"But your jewellery is anything but understated." She laughed.
"Yeah, I couldn't help myself." You laughed with her.
"Give us a quick tour."
You were almost dripping in gold, from your head to your toes. "We've got the hair piece." You brought a hand up to show the gold pins connected with chains littering your up-do. "Earrings upon earrings, all hoops." You pulled a strand back to show off your right ear clearly. Some were clip on earrings as you didn't have quite enough piercings to get them all. "The necklaces, of course. Some bracelets, some rings. But I think this cuff on my upper arm is my favorite."
"And these are all borrowed pieces from different brands?"
"Most of them are, yes." You confirmed with a nod. "But some are from my private collection. And some I might steal." You joked, getting a laugh out of Claire.
"Well, you really knocked it out of the park." Claire smiled, a tone of finality in her voice that showed you the interview was coming to a close. "And before we let you go, we've got one question we're asking everyone tonight. I think we can all agree that the cast of this movie is full of beautiful men." You giggled, a bit surprised at the turn in topic. "But people on the internet have separated them into two categories."
"Oh, have they now?" You asked, unaware of what she was talking about.
"Yes, they have. Gen Z has divided them into the brooding brunets and the freaky redheads." She explained, pulling up two little hand held signs. One with Paul Mescal and Pedro Pascal, the brooding brunets, and the other with Joseph Quinn and Fred Hechinger, the freaky redheads.
You couldn't contain the surprised laugh that escaped you at the sight of their little printed faces. "Oh my goodness!"
"So, as the resident Gen Z-er on the cast, who is your pick?"
"Well, I wouldn't say I'm the only representation of Gen Z here." You mused as you grabbed both the signs from Claire. You lifted up the 'freaky redheads' sign and pointed to Fred. "My friend is right there with me in the Gen Z territory."
"Alright, as the representation of Gen Z women, which team is more your style?" Claire asked as you studied the signs. "People are saying they went into the movie for the brunets and came out converted to team redheads."
"That's actually really funny," You chuckled as you looked down at both signs. "This is hard." You mumbled. A small smirk found itself on your lips as you thought of Fred seeing this clip later. Someone no doubt showing it to him, as he wouldn't find it on his own. "I feel like- yeah." You nodded with determination. "I'm gonna have to go with Fred- I'm going with team freaky redheads." You nodded. "I think it would be treacherous otherwise."
"Good choice. You'd break Emperor Caracalla's heart."
"And then he'd have my head." You laughed, stepping back. "Thank you for your great questions."
"Thank you for your time." Claire waved as you walked away. "We're gonna have a tally going throughout the night, and we'll see who wins. Team brooding brunets, or team freaky redheads." You heard her say to the camera as you moved further down the carpet.
'She looks so pretty!!'
'i love the thought process behind the outfit, you can tell she really loved her character'
'the reporter asked y/n if she prefers lucius and acacius or geta and caracalla and this girl really said FRED 💀'
'i love seeing new faces in hollywood, give young new actors a chance!!' ↳ 'right?? im so sick of them recycling the same actors for every big budget movie'
'she mentioned fred, not caracalla, twice, unprompted. i see you, y/n. you're just like us.' ↳ 'have you seen his interviews? he's literally the cutest i cant blame her 🥺'
A few steps down, another reporter flagged you down. This time, the questions were more centered around the acting itself.
"And was it difficult? In a previous interview, you've said that your character's growth was significant, but she had almost no lines in the movie."
"Yeah, I think in the final cut she only has... three lines?" You winced, looking upwards as you tried to recall what was and wasn't cut. "Though I'm not sure."
"So there were scenes where she could've said more?"
"Oh yeah, for sure! There was a lot of experimentation with my character throughout filming. Ridley's a genius and he was kind enough to truly take in my suggestions. There were times where I felt like she would actually stay quiet during a scene, whereas other times I felt like she would speak up. But yeah," You breathed in and furrowed your brows in thought as you tried to focus your answer back to the original question. "It was definitely a challenge. I had to really work on my micro-expressions. Lots of research, lots of practice. And lots of trust, too. With a character like mine, I really relied on Fr- on my fellow actors in those scenes. So yeah, definitely challenging. But who doesn’t love a good challenge?"
"And did you take any inspiration from other people's work? Any source material that helped you out as you built your character?"
"Of course!" You smiled, a hint of humor in your tone as you thought of your response. "Yeah, I did. Actually, one of the biggest inspirations for my role, believe it or not, was Ferb. From 'Phineas and Ferb'."
"The- The children's show?" The interviewer questioned with a grin.
"Yeah, Ridley thought it was brilliant!" You laughed. "We watched compilations of Ferb scenes on youtube together. And I know that Fred- Fred Hechinger, who plays Emperor Caracalla-, he also brought up Sid Vicious with Ridley, as well as other sources like that. Sir Ridley Scott has great taste, there's no denying that."
'ferb as inspiration for a movie like this,,, gen z in the film industry really are the gift that keeps on giving'
'im just imagining y/n and ridley scott curled up on the couch watching phineas and ferb reruns. that man is 86 years old. this is brilliant.'
'bro didn't even have to say anything and y/n still brought up fred 💀'
'the gen z cast members making ridley scott watch cartoons is sending me'
'not her pretending she didn't mean to say fred when she talked about trust, we all heard you y/n'
Unbeknownst to you, Fred's interviews were going much like yours, only a few feet behind you on the carpet.
"You look amazing today!" Claire, the same reporter you spoke to, told Fred during his first interview on the carpet.
"Thank you, thank you." He replied bashfully as he tried to subtly look around for you, but he couldn't see you just yet. "Everyone looks so great, everyone."
She asked him a few questions and then came time for her ending segment.
"Alright, to close off, we've got a little game here."
"A game?" Fred smiled with raised brows. "I love games." He said softly, not realizing that the microphone would pick it up.
"Yes, a quick one. You just have to choose between team brooding brunets and team freaky redheads. We've asking everyone to join."
"Woah!" Fred exclaimed as he received the signs. "That's me." He pointed out his own face in the picture of him and Joseph. "What are we basing our choice on here?"
"Well, the internet is battling on who is more attractive."
"Oh my god." Fred chortled, not expecting that answer. "Who's played the game?" He asked, still examining the hand held signs.
"As of now, we've spoken to Joseph Quinn, Connie Nielsen, and y/n l/n." Claire recounted.
Fred's eyes lit up and his cheeks reddened at the mention of your name. "And what's the- what's the consensus so far?"
"It's two to one. Can you guess who's in the lead?" Claire asked.
"Let me think... Well, Joseph -my brother-, he definitely voted for us." He pondered aloud as he counted the votes off on his fingers. "Connie... I think Connie went for team brunets. I mean, it's her husband. She's gotta." He grinned when it came to you. "y/n chose me, right? We're in the lead?"
"Yeah, you're right on all counts! You really know your cast members." Claire laughed. "y/n didn't want to anger Emperor Caracalla."
"Oh, she couldn't. I’ve got too much of a soft spot for her." Fred shook his head emphatically.
"So, are you keeping team redheads in the lead? Or will you give us a tie?"
"No, I'm going team redheads!" Fred exclaimed. "I'm not helping out my competition, no way!"
'this man has bewitched me with his beautiful eyes and calming demeanor'
'he always calls joe his brother im CRYINGGG'
'did you see his face when they mention y/n, this man can't hide his crush for the life of him 🥺' ↳ 'neither can she lol'
'what do yall know about fred hechinger 🗣️🗣️🗣️'
'fred immediately knowing that y/n chose him, kill me right now.' ↳ 'mind you the choice was caracalla. she still said 'fred' and he said 'me'. can they be more obvious?'
'the way this man said 'i love games' protect him at all costs'
‘he said ‘i’ve got a soft spot for her’ is this the year of men yearning?’ ↳ ‘it’s just the paul mescal effect’
It was during his next interview that he saw you. He was talking about his experience building the character of Emperor Caracalla with Sir Ridley Scott as well as Joseph Quinn when he finally caught sight of you. You had spent a bit longer with a specific reporter down the carpet, causing Fred to catch up to you. 
“Of course, y/n was a great help as well.” He smiled, reaching over to brush against your elbow to catch your attention. At the perfect time, too, because you had just finished talking to the reporter in front of you.
“Oh, Fred!” You beamed, coming over to give him a hug. 
“Look at you.” Fred spoke against your shoulder. He pulled away from the hug and brought you into his side in front of the camera, almost like he was showing you off. “Look at her, isn’t she stunning.”
“Stop it,” you rolled your eyes as you tried your best not to show how his compliment affected you. “I’m sorry for interrupting, I just had to say hello.”
“No worries,” the reporter reassured you. “Fred was actually saying how you helped with the building of his character.”
“Yeah, we worked really closely during pre-production actually.” You nodded, acutely aware of Fred’s hands on you. He had one hand casually tucked into his pocket while his other arm draped across your waist, his hand resting against your hip. “My character was almost like Caracalla’s sidekick, so the motives for all her actions are really based around him.”
“I’d argue that she was more of a mirror, actually.” You turned to look at Fred, never passing up an opportunity to hear his view on these things. “She’s the complete opposite of Caracalla, but in a way she represents who he truly is under all the pressure of being in Geta’s shadow.”
“And under all the syphilis, of course.” You added, causing Fred to giggle.
“Yeah, and under the syphilis.”
‘he seems like such a sweet guy 🥺’
‘did you see his face when he saw her???  😫😫😫 theyre in love, your honor’
‘him showing her off like that is peak soft boyfriend behavior’
‘they just called me single in seven different languages’
‘his laugh is actually so cute, who is this man and why am i in love with him? 😍’ ↳ 'get in line' ↳'behind y/n, you mean?'
‘the way he’s touching her???? im just gonna go take a nap in front of an oncoming train’
‘im calling it, new hollywood it couple’
‘look at how he looks at her!!! may this love find me 🙏’
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sunnysoxx · 12 days ago
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oh charden siighhhhh
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expelliarmus · 2 years ago
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2isted-chocol8-art · 2 months ago
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Thanks, Spinel. I'm sure that helped.
I'm really excited to post this small collaboration @tippertot and I are working on! If this comic has excellent dialogue and amazing writing it's thanks to her ♡
This comic is set in my Out Of The Loop AU. Yup, all the previous comics happened right before this one. But now instead of cuddles, Hatchy is getting some ugly feelings. Woops.
-> Next ⋆✴︎˚。⋆
-> More Outer Wilds Art!
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azurechicken · 2 years ago
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It is a good thing that the BG3 team is attentive and we get updates all the time, but where does it end? If they are going to continue changing stuff about the game per request, what will be there left of what they envisioned in the first place? Especially for character traits and dialogue, like making them kinder and more likeable, just because there were two more people asking for it and they happened to see it. I just don't want to see characters shift into generic ones just because of a need to respond to everyone's ideas
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bythaefloch · 3 months ago
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Enjoy some bully memes
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Og images:
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lucabyte · 1 year ago
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okay thats enough high-concept fanart. time for something stupid.
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^ for the uninitiated
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icantbotherwithusernames · 3 months ago
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You know I just realize that Evil/Henchmanic Ford au is kind of similar to Chaotic neutral Mabel. So how do you think Chaotic neutral Mabel would react to Evil/Henchmaniac Ford?
Also another question, how would Chaotic neutral Mabel would react to Cannon Mabel?
Anyway I hope you have a nice day
in regards to the second question: here's an event that very much could've happened considering the timeline difference between the canon and my au:
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in terms of the first question, it depends on what type of henchmaniac Ford au we're going for. for the sake of the ask, i'll choose the type where 30 y.o. Ford learned Bill's plans and decided to join him (in whichever way)
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daydream-draws · 6 months ago
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father figure
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egophiliac · 1 year ago
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Are you okay with spam likes/reblogs or do you find them annoying?
honestly, seeing a solid row of likes/reblogs from the same person makes me imagine them going through my art like it's some kind of delectable buffet, holding a giant plate and going "hmm, yes, a little of this...some of that...ooh, and can't forget this..." except, you know, on the internet. with the feeling of that one Tom Hanks gif.
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(which is to say, of course it's fine! if it starts taking over my activity page I just use the filters, so no worries :D)
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kestrel-of-herran · 5 months ago
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my thoughts on peterrose in season two + predictions for season three
i want to preface this by saying that i ended up enjoying season two wayyy more than season one, and i think it came down to the bigger complexity of the storyline, the unpredictable alliance switches and twists, and the depth with which the afterglow of peter and rose's experiences and relationship in season one was handled. this season's focus on angst and exploration of the psychological impact of the work on both of them and what it means for their relationship really elevated the love story for me from a pretty clean-cut "us against the world" vibe to the messiness of both of them being used to blackmail the other and their relationship straining because of the secrecy around the missions and the contradictions of rose feeling safe with peter but being constantly endangered by his work and peter needing rose around for his peace of mind but rose suffering psychologically from her proximity to the morally grey aspects of his work. chef's fucking kiss where's the next course
peterrose things i loved in season two + development from season one
rose having the option to leave anytime
while in the first season both of them had little actual choice about whether to stick together or not, circumstances that created a kind of bubble around them and aided the romance, this time around rose could have backed out repeatedly, making every time she chose to stay a decision that had as much to do with peter as with the help she thought she could give to the investigation. not only was she there at the beginning to help him gain some trust in people back and make sure he didn't steer off the ethical path, but later she also discovered for herself that even in the thick of danger (the party, the air vents situation in the last ep) she prefers to try to help rather than back away. it's a mode of thinking that will definitely lead her to sharing some of the danger of the job longer-term if the show lets her explore it.
closeness without labels
this is one aspect that i thought was handled with so much care and delicacy in a way that felt very satisfying to watch. they haven't seen each other in ten months, but she still has scores of photos saved on her phone (the show could have easily gone with one selfie, the fact she was always showing a different photo really shows they dated for a while before his posting, and were happy enough during it to constantly take pics) and doesn't hesitate to ditch her job and track him into danger because she's worried sleepless about him. she doesn't hold not calling her back over him even though she's clearly hurt about it because she knows it's out of his control, but he still apologizes and makes it clear again and again how thankful he is that she's there and how she's helped him both emotionally and logistically, like with noticing an attacker or planning the party heist. even as he wants her to leave to be safe, he doesn't make her feel like she's intruded or endangered his mission, but follows her advice and always gives her credit when she contributes to the work. they're comfortable enough with each other to cuddle and hug and kiss spontaneously, but they never discuss exactly what kind of relationship they're in because it's obviously a closeness both of them enjoy and initiate and they care more about being together than giving their relationship a label or discussing a future together at a point when he's so involved with his work and she's still sorting out how she feels about it. she doesn't pressure him about quitting and he doesn't force her to stay, he notices whenever she's upset and talks things out with her, and gives her space to process her feelings even if it means she might realize she's better off out of his kind of life. they both try to give the other whatever they might need in terms of emotional support and space to change their mind, even if that contradicts what they each would prefer the other to do or want or if it would result in emotional pain for them personally.
domesticity
i was absolutely treated to this trope this season. sharing clothes, him casually bringing her drinks while she's working, buying her food and knowing her preferences by heart, all the little jokes and fights that just made them feel like a family throughout the season. it shows clearly that their dynamic goes beyond needing each other in dangerous situations, that they were having a swell time just teasing each other. it's a quieter dynamic than the previous season, because they're both more aware of the constant and repeatedly chosen danger of the situation that is now a way of life rather than a crazy few days before things would go back to normal, but it's also more profound in how it acknowledges the trauma while showing they're still really compatible in the little safe haven of their nights at home.
partnership
they really felt like an agent couple in this season, not only in the way their skills complement the other's, but also in how they're both on the same wavelength of thinking during high-stakes situations and are able to brainstorm through them together or understand each other without words. peter didn't hesitate to tell the guy blackmailing him with rose's life to fuck off because he has faith in her ability to evade the attacker if he warns her. rose's involvement saved several of the missions from going south, and as much as he's uncomfortable with her choosing danger over safety in the moment, he clearly admires the effectiveness of her contribution. moments like when she noticed the comms being overheard and when she ambushed markus and showed peter what she'd do just by counting with her hand really show how perfectly they work as a team, and how much smoother operations in the future would go if they're both there to have each other's backs and think through problems together.
your life for hers
fuck me uppppp i love this shit soooooo much. i think one of the main jobs a writer has when developing a plotline is to explore all likely scenarios emerging from the goals and feelings of the character until that point, and the emotional development when it comes to peter protecting rose here is spectacular. while in the first season he was focused on protecting her partly from a feeling of friendship and because he wanted to do right by her and felt responsible for her, in this season it's as clear as day that he's protecting her because he values her life more than his and he's completely aware that if something happens to her it'll wreck him completely. he spends the better part of the season processing the loss of a mission partner and blaming himself for it, and it only serves to bring into focus how much worse things will be for him if rose gets hurt. she's no longer someone he's protecting because it's the right thing to do but someone so precious to him he's fraying at the edges just imagining something happening to her. she's his priority to the point that he doesn't hesitate to throw the mission and put himself in the position of a traitor that he has so much trauma about because of his father, because her being alive and safe is worth every sacrifice to him. the look on his face every time he was blackmailed is 1000000/10.
separation parallels
i really felt the upgrade of the separation scene this season, from the neat wrap-up of the hero flying off into the sunset while his girl waits happily for his call to both characters showing their emotions with all their bitter aftertaste and just feeling through a situation they can't amend right now. i absolutely love how worried rose was whenever someone slipped that peter had done something he could be charged for and all through peter explaining his decision to her, because it's not just that he loves her but that she was used against him and as long as they love each other this can happen again. peter was just excellent here, from taking the time to tell her himself to checking his urge not to get to the bottom of his feelings and taking her hands as he told her the full truth of what he feels for her. rose just breaking down crying and him hugging her and that head kiss was just sooooooooooo perfect in capturing how much they care for each other. rose's expressions as she watches him leave in the taxi and her going towards it are particularly telling, as is her struggle to maintain her smile and carefree tone while talking to noor. her reaching out to noor in the first place speaks volumes to me already, because if she didn't want to be involved with peter's world anymore i doubt she'll want to meet with anyone from that stage in her life now that she's managed to break away from it. noor wasn't buying any of her statements, and from the scene when she sensed something was wrong with her family leaving iran from rose's facial expressions alone, i think she's pretty good at reading her, and the lingering shots on her face leave little doubt rose isn't as fine as she'd like her to think.
predictions for rose in season three and beyond
my thoughts on statements of the writers and actors
the two things that are on my mind when i'm reviewing all the interviews that have addressed rose potentially not continuing with the show are that (1) the showrunners have the right to change their mind about the focus of the show whenever and although it would be like shooting themselves in the foot if they drop her that's their (very unreasonable bc i love rose to pieces) call to make, and (2) no one involved with the show would reveal a major twist before the season has even finished shooting. let's look at some statements of the cast and crew in light of that.
"We don’t want to artificially create a situation where characters have to be part of a specific season on a regular basis. We want to tell the story that feels true in that moment. I am very aware that one of the big strengths of Season 1 — and what I think is a big strength in Season 2 — are Peter and Rose together. I think the relationship is really strong. [...] Their shared trauma from these first two seasons has built this incredible bond. But is it enough to overcome the difference in their lives and their lifestyles Is something that we spend a lot of time talking about. So, not trying to duck the question, but we’re still creatively looking into all that. This, hopefully, with the success, will be a long-running show, and the question you raise is something that we talk a lot about in the writers room." (source)
they're clearly still writing the season and figuring out where they want to place rose in the story without compromising her moral code, and i think they might have wanted to hear the audience's and critics' responses to this as well before they wrap up this season's plot. journalists keep bringing this up in interviews and i think that's very telling to how the public as a whole and not just the shipping fandom views the show as about the both of them, so i hope that interest makes a difference in how they perceive the future of the show as a successful one as well, since they do need people to stick around and characters are a huge draw (case in point i started this for the couple rather than the plot, and didn't even find the plot engaging until season two, but i'd never spend hours of my morning writing an analysis for their excellent handling of plot only). they're clearly aware of peter and rose as a huge boon to the show, but also want to make sure that either of the actors not being able to continue with the series isn't going to put the whole thing out of business. one way i see this playing out is with rose having reduced screen time in season three but coming in as a regular in season four for example, if another season of peter doing agent stuff while she develops something (a program, fighting skills) is what's required for her to fit smoothly in the events surrounding him. i can also see they're anxious not to repeat plot points and make copies of previously successful seasons, so i expect rose's future involvement in the plot to be more creative and not replicate her previous actions, e.g. her not seeking him out on her own in a similar way again, but likely coming in as a partner already in some official capacity.
"That will be a part of Season 3, him trying to emotionally and logistically deal with the unintended consequences of his actions in season 2. [...] The goal isn’t darkness but what I would say is — and I’m involved in a coalition that talks a lot about how mental health is portrayed on TV — one of the things that we wanted to do in Season 2 was model Rose’s behavior as being how you want to approach trauma and violence in your life. She’s seeking professional help, and she’s making progress. Peter, on the other hand, is approaching it in a very old fashioned, very masculine, frankly, way of burying it, ignoring it, and that doesn’t often work. I’m always adamant that I don’t want the show to become so dark and impenetrable, so I think you’re going to see a lot of sides of Peter in Season 3 in the same way that you did in Season 2. I hear your question, and no, the show isn’t about going to the abyss with Peter." (source)
kuddos to them for that honestly i absolutely loved the ptsd portrayal in season two, but the main thing i'm getting from this response is that it's very unlikely for rose to be killed off to remove her from the plot at this point, or to double down on peter's trauma, because that's how peter would define "going into the abyss" imho.
"I would say that that moment, that breakup scene, felt true to us, the writers, as we were crafting the second season. That they live in two very different worlds, that he wants to be in this world that's dangerous, that she doesn't particularly want to be in a world that's dangerous, and yet they have this incredibly strong connection forged over living through and helping each other through these traumatic events. So there's always going to be this incredible connection between the two. What that will mean for their onscreen pairing I think is something that we continue to talk about and will figure out. So, I don't know yet, because we haven't definitively decided what it means for the characters. I will just tell you that we love the character of Rose. We love the character of Peter. We love Luciane and Gabriel as actors. I think they're tremendous together. When we started to work on season 2, I came back to the writers with what I felt were strengths of the show from season 1, and the very first one I wrote down was Peter and Rose together. So we don't take that lightly. At the same time, we don't want to craft something that feels inauthentic just to be a fan service, to keep them together in ways that might feel unrealistic. So that will be the responsibility and the struggle of the writing staff and myself as we craft further seasons." (source)
i think bringing them on the same page about the work can be done with the kind of emotional development they pursued when they explored the impact of trauma and morally grey choices on both of them, so i see this mostly as a matter of narrative time and writing effort, providing they're willing to put those in, rather than the characters being naturally incompatible in terms of their life goals. case in point, rose's characterization in season one came down to happy to break the rules, threaten people with arms, steal things, and kill to protect others or to avenge her loved ones. it's only in season two that we see her struggle with threatening people and endangering lives, so that was a very conscious narrative choice and a huge pivot for her character arc from a tiny daredevil (aspects of her we still see in the party scene for example) to the voice of reason in ethically dubious situations. this kind of major change of heart can happen easily with sufficient screen time and the kind of plot points to inspire it, and is completely within the writers' abilities should they want it to take place.
"I have no idea [whether Rose will be back in season three], and I can’t spoil anything. I wish I could tell you, but Peter does say ‘No, don’t come looking for me,’ and I don’t think Rose takes well to direction; she does whatever she wants. So you never, never know." (source)
it's worth seeing the video of her answering this question, because honestly to me she seems happy to give a little hint of something bigger. it's either her character sixth sense talking (and she's right), or she already knows she'll be brought back to wrap-up the season. i think rose showing up unexpectedly, and prepared, when peter's been spending the season dealing with choosing her safety over remaining clean, is only going to contribute to that theme.
"You can have love for someone without physically expressing it. I think that’s, I don’t want to say trope, but a lazy way of showing that two people care about each other is having them hook up. Sacrificing your life for someone or putting your life at risk to save someone, I think, is a bigger testament of love than giving them a kiss or something like that. The relationship is important to both of them, and you see that through their commitment to one another and keeping one another alive, regardless if that means they’re going to be together, at least they’ll have done what they can to protect the other." (source)
turn this shit upppppppp i love this so much... but this brings me to the fact that as long as they're in love they will be used against each other, so it's time to develop some scenarios from there (and i don't mean them not being in love anymore bc that's just unrealistic at this point; it would require either of them making choices the other can't understand and the entire series becoming more dark, "you can't love anyone"-style, than the writers seem to want it to; giving peter another love interest instead also just seems like undoing a ton of hard work and audience interest just to pull a james bond, and i think they care about being original way more).
plot-realistic scenarios
i'm using this term (likely made-up by me, a writer finishing a book atm btw) here to indicate scenarios that need to be followed for the plot to feel satisfying, e.g. ignoring them would require some disbelief suspension and might make the audience doubt they're seeing the logical development of events and characters as they have been built up so far.
rose is going to continue being used to threaten peter
if part of his goal next season is to eventually turn against the guy holding rose's life over his head, peter needs to make sure she'll survive that plot point, either by protecting her again or warning her and making sure she's in a safe environment while he takes the guy down, for which we need at least a cameo, though that is the laziest way to wrap this up imho. i think the guy will absolutely keep tabs on her so he can use that if peter goes astray, so she'll be involved in this as long as peter's an agent even if she's living a normal life, and i doubt peter will be able to make anyone believe that he doesn't care about her since all it takes for the truth to come out is for someone to point a gun at her head.
rose would benefit from some combat training or security if she's going to make it through this show alive
at the very least, keeping rose out of the show without killing her means also providing her with the means to protect herself as long as peter is being blackmailed with her life, which is one of the few plot points that seems to be a given for the next season. a basic agent training course that would allow her to rebuff attackers, or security trailing her to make sure peter isn't compromised because of her, are the least catherine can do to make sure her plans for peter are successful.
catherine doesn't seem to be done trying to use rose
at multiple points throughout this season, catherine was impressed with rose's coding and recruited her help for a job, and i doubt she'll just let an asset go if she thinks she can be useful. she knows peter's a weak spot for rose that she can utilize to put pressure on her (like with the security cameras, the consequence of rose's choice not to join would have been peter being exposed to more danger, so she changed her mind), and since peter is pretty central to her plans for season three, it makes sense to keep rose closer rather than further. she knows rose can get through to peter when no one else can or take him out of the path she's set out for him, so risking her being too far out of sight to influence strikes me as unreasonable. and what better way to bring rose back into the action than with a bang, by placing her in the middle of a covert mission in later eps (preferably without warning peter to amplify the emotional climax of the reunion) with the kind of skills that would make her at least competent in avoiding capture when things go wrong.
the show has barely scratched the surface of rose as an agent
i mean this seriously, there's so much to work with when it comes to her becoming an agent or helping out with some of the jobs or even if she's joining the action as a voice on the comms while she's hacking some system. peter won't always be in the position to make sure she's safe, and she's been showing so much resilience, quick thinking, and willingness to pull a gun or stab someone during a fight. she's smart, a creative and smooth liar, and refuses to give up even when the odds of her making it are slim. she'll be an asset to any mission the show involves her in, and keeping her in a california office is a huge waste of potential.
rose's arc is far from wrapped up
the thing with rose as a character is that her arc could have been wrapped up in season one without bringing her into season two and the show would still have made sense despite the (disappointing for me the rose fan) shift in focus from romance to political intrigue. the showrunners seem keen to be making that shift anyway, but they decided to keep peter and rose's relationship as not only a subplot but the driving force behind peter's moral conflict and the starting point of him becoming a double agent in season three. rose received a great amount of screen time, agency, and emotional development, but it wasn't enough to feel that she exited the story cleanly and permanently. she clearly still has a lot of processing to do when it comes to both her feelings for peter and whether she wants to join the action and save lives (at multiple points in the show she turned back and rejoined dangerous situations not only out of love for him, but because i think she knows that without her input, chances of things fucking up increase exponentially) despite the danger to her safety, mental health, and moral integrity, and the way to conclude these plot points is to give her more screen time to get full closure or process her trauma and decide to become more involved with night action. even with new storylines and characters appearing, the show will only benefit from keeping rose and peter's relationship as a subplot and exploring the shift in their dynamic and feelings if she's cleared to join the missions on par with him or becomes an agent on other postings unbeknownst to him at first (night action picking up the phone when he has a crisis in season three or her appearing in a completely unrelated undercover mission happening in the same place he's working his target so both of them are thrown off-balance by the proximity). how will their romance develop if she's as competent a fighter as him, if she puts herself at risk as regularly, if their superiors try to use them against each other to manipulate both to their ends? now that's something i'd kill to watch.
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