#with tons of tags but..yeah.

[what-am-i-doing-in-this-fandom]

Suddenly, bell bottoms aren't so bad

Bonus sketch, because I had to vv

"Stop checking out my assistant, Stanley."

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[random-cockroach]

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[khattikeri]

one of my favorite things about mdzs is that for how heavily its plot involves politics of classism and misogyny... even the characters most directly impacted by it can't and don't free themselves from it. literally the closest exception is mianmian.

meng yao being the "son of a whore" wasn't some sort of commie awakening for him that led him to wanting everyone to be socially equal. he played the political game, climbed the ladders, sucked up to and backstabbed and murdered people, including other prostitutes who actually had nothing to do with how he and his mother were treated at the brothel he grew up in.

he put in so much extra excessive effort for even a fraction of the same respect that members of gentry cultivation clans got. and he did deserve to be treated more humanely! but he feeds into the exact same system that created him, leading to his own undoing.

his efforts were for a fragile upward mobility that was never going to hold up. he never surpassed his origins nor did he empower others in similar stations, because the society he lives in is not one that would accept that.

the second he got caught and all those crimes exposed, he was scapegoated to hell and back, replacing wei wuxian as society's terrible one-sidedly evil boogeyman overnight.

speaking of not-quite male gentry, i think it's interesting that wei wuxian explicitly doesn't try to climb the ladders in BOTH lives, knowing full well that anything he does will be punished just for the sheer fact that he is wei wuxian.

wei wuxian is scolded for giving intelligent and correct answers in school. lan wangji does the same and is praised.

wei wuxian occasionally lounges around with fellow disciples and is punished. jiang cheng does the same and mostly escapes.

wei wuxian refuses to carry his sword around in public (after losing his golden core, which nobody knows) and is scorned as an arrogant upstart. nie huaisang has been doing the EXACT SAME THING for YEARS and nobody bats an eye.

unlike jin guangyao, wei wuxian knew subconsciously from the start that his acceptance was superficial and that he could be cast out any time. when he was 10 and recently taken in by the jiangs, he canonically would not eat or use "too much" food and water because he thought they'd find him a nuisance for "wasting their things" and kick him back out.

now away from just the classism, yu ziyuan is a proud and strong noblewoman in a society that belittles and derides women for everything they do. her strong cultivation doesn't matter. she's victim to the vicious rumors of her husband loving another woman who is strong like her but apparently had a more likeable personality.

it doesn't matter even if jiang fengmian didn't cheat or that wei wuxian is wei changze's son with cangse sanren; yu ziyuan can't bear with the humiliation of herself (and by extension her children) not being "good enough". she's ridiculed for "failing" in that one duty as a wife, mother, and woman.

she lashes out and takes out that anger on everyone present for years, giving her children lasting trauma and also being a key element in how the jiang family and yunmeng jiang sect are effectively wiped out at the hands of the wen clan.

madam jin doesn't even have a name outside of the fact that she's married to jin guangshan. i don't even remember reading anything that indicates if she's a strong or weak cultivator, or what, which in itself proves that to most people, it doesn't matter. she's "just" a woman.

of course she's angry at her husband's affairs and all the bastard children they bring in. but she also can't do anything about them, so she lashes out at the few people she can: servants. non-cultivators, probably. those very same bastard children.

shoutout to meng yao getting shoved down a flight of stairs at age fourteen, because if madam jin tried that move against her husband instead, it would make her lose even more face, which as a noblewoman she'd never do.

and that's not getting into how jiang yanli is consistently sidelined for being physically weak.

that's not getting into how mianmian was actually a good cultivator, but was mocked by everyone around her for trying to stand up for wei wuxian when everyone was turning on him. how everyone scoffed at luo qingyang's words as "just some lovesick woman" who "obviously wants to marry or bed him since he saved her".

luo qingyang is the only one of these characters who HASN'T died. she didn't play society's games like jin guangyao. she didn't dig her heels in confidence of her own abilities like wei wuxian.

she didn't bitterly lash out like yu ziyuan and madam jin. she didn't gently accept it like jiang yanli.

she just LEFT.

she married an ordinary merchant and cultivates separately from mainstream cultivation society, and therein found her own peace and happiness.

mxtx doesn't bother with particularly class conscious or feminist vocabulary to hand-hold readers into understanding these disparities, but that choice highlights them & the deeply entrenched politics of their society even more. i really love it.

[vervielle]

Can you draw some Lars art in celebration of the Spinoff series about him that got announced?

Lars of the Stars (!!!)

Thanks for the request, Retro!! ★

close ups and line art n stuff↓↓↓

Skibidi toilet....... also uh I liked the no line art version just colour but I couldn't bring myself to figure out how to reconstruct everything so it didn't look weird and I'm tired very tired

this is no line art btw sighsss

ok see u i gtg

[maudiemoods]

I told myself I wouldn't but my hand slipped

I was rewatching Steven universe and couldn't help myself aararraar

No full au djjwjd just doodles and ideas djsjjdsj

After leaving home world, they both change their appearance. Idk to what exactly because that last doodle is just casual wear but they definitely have a set outfit they like. Moon's hair changes into a shaggy cut! He likes a more scrappy look. He keeps his hat of course jejsjsj

[edwin-paynes-bowtie]

Gentle reminder to everyone that Dead Boy Detectives has virtually nothing to do with Neil Gaiman.

He has explicitly said that he has no claim to it and that it is Steve Yockey's show. Calling for its cancelation only hurts Yockey, Schwartz, the wonderful and talented actors who've worked on it, and LGBT+ fans who are excited to finally see stories made for queer people play out onscreen.

Neil Gaiman sucks, yes, and his victims should be heard. But he's not ours, he never was ours, and I think everyone needs to remember that.

Edit: here's a Twitter thread with a more thorough breakdown:

[arcanegifs]

on gif reposting: i dont mind it if u use them for whatever but just put a credit on it please

is that too much of a request for all the free stuff ive made after all these years lmao

[reinafish]

Inspo

Rbs >>> Likes!!

This was fun to do, might shade like this again :3

[lamentable-comedy]

I made a supercut of every instance of the word partner (or partnership) in Black Sails... mostly as a side effect of wanting to analyze how the word was used in the show. More information/breakdown under the cut.

"Partner", "partners", or "partnership" is said a total of 92 times in the show, not counting 11 times when it's part of a "previously on". Of those 92 instances, 11 are in Season One, 24 are in Season 2, 33 are in Season 3, and 24 are in Season 4. Some form of the word gets said at least once in all but eight episodes (1x01, 1x05, 3x01, 3x04, 3x09, 4x02, 4x03, and 4x05). The episode with most instances is 3x02 with a grand total of 7. In the video, the clips are arranged in chronological order according to when they appear in the show. I used the transcript site to double-check my work so I'm pretty confidant I didn't miss anything.

A lot of the time the relationships that get called partnerships also get referred to with other terms (friendship, alliance, husband/wife), either at different times than they're called partnerships or in conjunction with the term, but "partner" as a term interests me because it is non-specific in a way that allows for it to hold a lot of different meanings, sometimes all at once. Black Sails is clearly very specific about what terms are used for relationships, just as it is specific about what name a character is called by, and often there is significance placed on moments when a relationship is called a partnership. (Miranda and Flint in 2x06, Jack and Anne in 2x10, Flint and Sliver in 3x03, etc.)

SO I've made a full chart with details on each of the 92 instances which you can look at here. It has the episode each instance is from, who says it, and to what partnership they are referring. Generally this is pretty straightforward, though sometimes a character is directly referencing one partnership in a way that implicitly applies the label to another, i.e. when Silver says he's "not the first to have been a partner to [Flint] in this way", he is referring to himself as Flint's partner, but also implicitly stating that Gates and Miranda were each Flint's partner as well. Whenever this happens I've noted it in the chart. I've also noted when characters are speaking hypothetical partnerships that do not (yet) exist, or do not (yet) exist in the form they are currently discussed, and when partnerships are referred to in the past tense.

Highlights of some stuff I found interesting:

Silver and Flint are referred to as partners (or as having a partnership) a total of 7 times, and implicitly labelled as such once. This is more than any other partnership between individuals, and depending on how you count more than any partnership between groups, too (see below). The first time they're ever referred to as partners is by Silver in 3x03

Jack and Anne are just behind them with a total of 6, followed by Eleanor and Rogers with 5

The individual relationships between Jack and Max, and between Max and Anne are each referred to using some form of partner/partnership three times, and Jack, Anne, and Max a group of three are referred to using the term once by Max and once by Jack-- though when Jack uses it (while speaking to Marion Guthrie) he doesn't specify who he's speaking about could arguably also be including Featherstone, and possibly Idelle

The pirate and maroon alliance is referred to using partners/partnership 6 times (7 if you count one instance where Flint is used as synecdoche for the pirates as a group), and there are two instances of partner/partners being used when discussing another person or group joining the alliance (Jack in the first case, and Julius and his men in the second), for a total of 9 times that some form of the alliance is discussed using partners/partnership

Other than Flint, the only person who is ever referred to as Silver's partner is Max

Eleanor says partner (or some variation) more than any other character, for a total of 14 times. Runners up are Max (12) and Vane (9)

4 out of the 9 times Vane uses partner/partnership, he's talking about a partnership between Eleanor and someone, though that someone is not always him. Of the remaining 5 instances, two are in reference to his partnership with Teach and two involve Jack in some way (one with the two of them and Flint, and one in the context of Jack joining the pirate/slave alliance)

Max never uses the word partner to describe any relationships that she is not directly a part of, unless you count one instance of speaking broadly about her own experiences in a way that also includes Eleanor's (when she says the chair "demands you win partners" to get it)

Flint doesn't say any form of the word partner until 3x05, though before that point there are other people who call him their partner or apply the term to relationships he has

Thomas says "partner" a total of 3 times, two referring directly to Flint and one speaking generally but in a conversation about a partnership between him and Flint. Miranda says "partners" twice, both times about herself and Flint

"Partner" is used as a verb exactly once, by Madi

Madi, Mr. Scott, and the Maroon Queen each only say partner(s) once (they're not the only characters who only say it once, but i did think the family pattern was neat)

[daisychainsandbowties]

any avatrice recs :)))) have already read all your fics and now i am depression (genuinely daydream abt ur star wars au daily)

i could hype each of these fics individually but basically if it’s here i think it’s incredible and you have to read it 💖💖🥰

///

the sweetest taboo// 1930s au &

i know now what no angel knows// fallen angel au by @dumpsterfireofsubtext

indy au part 1 & part 2// or, ava peels an orange & makes me feel insane 🫠🫠🫠 by @estherthenormal

lemon drop boy// t boy ava au

lazarus woke with a kiss// scp/ lab rat ava au &

how to stitch holes in the sky// dragon age au, all by @the-darkness-does-not-bargain

teach me to love (as you have loved me)// this is. yeah. this is beautiful. newbea au by @birgittesilverbae (💖💖 ily)

beyond our space and starlight// eldritch au by @thistleation

escape attempt number whatever thousand, some hundred and four, probably// hades au by @foulbearobservation

do a flip// aikido gfs au by @sunsafewriting

if saints and angels spoke of love// (bea is a math teacher & ava’s basically the guy from dead poets society) by @mermaidandthedrunks

choose the devil i know (over the heaven i don’t)// firefighter au by @sapphicstacks

leave the light on (i’ll find my way home)// lighthouse au by @snowandwolves

on the run from a losing game// chef au by @fiddleabout

this must be the place// lumberjack au by @littledata

love thy neighbour// my fav roommates au. pokemon strap-on fic 😌🙏

turning sun into sugar, spinning straw into gold// pnw au by @gohandinhand

the world is just an illusion (trying to change you)// roadtrip au, &

a lover, or something of mine// reincarnation au by @smokestarrules

who needs comfortable love// sentient halo au by @the-ominous-owl

this celestial glow is blinding// firewatch au

the thought of high windows// 60s au

pull back the curtains for venus// alien bea au &

of greater marvels yet to be// fleabag au, all by @seabiscuits-us

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[psilliguykai]

WELCOME TO WILLIAM’S WANTON WEARY WILES!

An impulsive, apathetic man’s misanthropic jams. An eclectic collection of futile dissensions, a pretentious pile of literary bile filled with self destructive theatrics and rectifying tactics and any other slew of showy words.

Welcome.

(Info under the cut)

*queue WTTH instrumental*

Hello boys, girls, neithers, boths, and in-betweens and welcome to William’s Wanton Weary Wiles, a Will Wood/WWATTW x CCCC AU! Consider this a masterpost. Note that this AU is still very much in development, and this post will be updated as things change/get added :] Also. being totally up front. I’ve never made an AU or attempted a story this complex before, so please bare with me if things get confusing! Feedback is appreciated ^^

Warning! WWWW tackles sensitive topics, but nothing foreign to Will Wood or Chonny Jash’s music. Appropriate warnings will be put in the tags of each post, but overall CW/TW for: alcoholism/addiction, mental health issues, suicidal ideation, manipulation, and (moderate) violence.

The WWWW AU story is very similar to the original CCCC album, but with slightly different themes and tone. It still follows HMSW after Whole splits, creating Heart, Mind, and Soul. However, each character and their dynamics + certain plot points (e.g the Juno incident) are altered.

Asks about this AU are extremely welcome! Could be genuine questions, thoughts, serious, silly - anything (so long as it’s SFW!) is great and will help me with making this a Better and Actual Thing :3

In WWWW each member of HMSW represents and is based off of a WW(ATTW) album. Each character’s songs are from their respective albums, and the story will be told in the form of a written series of covers of songs by WW/WWATTW (plus some visual pieces :]). These will be posted individually and linked here as they get released.

3/31/25 EDIT: The information above is somewhat outdated! The idea of having to write 20+ song covers has been kind of killing my motivation for this project, so I've decided I will only be writing the covers I'm confident and interested in. However, the full tracklist with notes on what happens in each song will be posted soon[ish] and hyperlinked here when it's finished so you all still get the full storyline :]

While HMSW still exist with the same vague concepts and color themes, they do diverge a decent bit from the original CCCC album and I would not consider them to be representations of canon HMSW (or of any real people, including Whole /srs). Ref sheets have been posted and are linked in each character's name.

Important overall info: 

- HMS exists in a sort of parallel reality I’m calling Marybell (as a reference to Suburbia Overture as well as The Prescription). It’s a town within Will’s psyche that reflects his reality. It can change depending on his state of mind/current situation, and pretty much only exists to provide a physical space for HMS.

- Time loop!! Soul remembers every loop and knows the vague events that happen when Will is whole (though the memories are less clear than when he’s split). Heart and Mind don’t remember previous loops and aren’t really aware of anything when HMS is combined. Physical changes caused to any of HMS remain, even when the timeloop resets.

- LI does exist in WWWW! She’s about as significant as she is in CCCC and will probably get at least an intro, if not her own ref sheet at some point. I also have a sort of Darrell-equivelant which will probably get his own thing at some point as well.

Meet the cast: 

All characters have multiple names which can/will be used interchangeably. I’ve included the pronouns I think the characters would use, but you all are welcome to use whatever you’d like for any of them. Run free :3 here are the posts with the ref sheets for each of them - info on its own is below:

William

Jimmy/Laplace/Cotard

Whole:

- Whole/Will/William Racheal McSprout

- In Case I Make It

- He/him (GNC Cis Guy)

- 23-24 years old across the album

- Works at a small grocery/general tourist store

- Makes music as a side hobby. Not that successful lol. He makes decent stuff though - within the AU, the ICIMI covers featured would be considered his original music. 

- Spends his extra money on video games, alcohol, music equipment (sorta, though he mostly borrows shit and uses free programs), and serving cunt (fashion/makeup stuff)

- Not aware of HMS, though they’re aware of him. Mostly just feels a general sense of dissonance during splits, rather than Knowing the presence of these Multiple Actual Guys. Can’t interact with Marybell, same as HMS can’t (directly) interact with the “Real World”.

Soul:

- The Soul/Mr. Capgras/Cotard/Atlas

- He/it

- SELF-iSH

- Whole’s “self” - who he is at his core. His identity and personality at its most raw form. 

- He’s the most in-tune with Will’s actual state of being (health, emotions, etc.) and considers himself to somewhat be William, just separated and with pieces of himself missing. 

- Ultimate goal is to become a Happy Healthy and Alive Whole. Unlike in CCCC, the self-destruction is left more to H/M in this one .

- Knows he needs to get Heart and Mind to work together if he wants to keep William good and well, but he’s growing incredibly tired throughout the loops. He primarily experiences Will’s worst moments and rarely gets a break. Spends most of him life trying to get these. Fuckers. to get along and he’s so incredibly done with both of them. Growing distant, but ultimately does care about H/M on a personal level and really wishes they could all be happy together.

Mind:

- The Mind/Laplace/Al/Marsha/Apollo

- He/she

- The Normal Album

- Whole’s logic, as well as his self-control and calculated decision making. Doing his best to keep Will stable and often doing so to the point of burnout.

- Primarily tries to keep Heart in check, to the point of excessively trying to control it and Soul. Wants to keep Whole productive and functional by any means necessary. 

- At the end of the day, he does want Whole to live a happy life, but (despite keeping up a facade of superiority and strength) fears Heart’s impulsiveness/ erratic nature and feels the need to over-compensate in order to keep Will safe. 

Heart:

- The Heart/Jimmy/Vestal/Artemis

- He/it

- Everything Is a Lot

- Whole’s emotions, as well as his impulsiveness and indulgence. Sometimes joy-seeking, sometimes self-destructive. Often those two go hand in hand.

- Focused on breaking free from Mind’s controlling nature, trying to get her and Soul to “live a little”. Wants to allow Whole unbridled indulgence (in every whim and emotion, including negative) often to the point of self-destruction. 

- Ultimately knows he’s wrecking Will, but finds it’s the only way he knows to soothe his suffering. He knows Mind is right about them needing to get their shit together, but finds him difficult to work with and listen to when he’s so excessively overbearing. 

Tags:

Everything about this AU will be listed under the tags #wwww au and #william’s wanton weary wiles. 

Additional tags (color-coded according to character): #William Racheal McSprout, #Jimmy wwww, #Al wwww, and #Mr. Capgras wwww

[phontao]

Your NIN posting gives me such hardcore teenage nostalgia ty for your service 😌🙏

ANYTIME. i am crawling back into the pits to post about nine inch nails and i will NOT stop . here is another drawing i probably wont finish as a treat

[kaiserouo]

them making magnets