#working with actors

[thefirsthogokage]

Since my dream would be to be WGA one day, I am saving this here.

(video link)

(video link)

(video link)

Edit: John Rogers post actually lead me to that thread:

Gonna have to look into that book.

[filmcourage]

How The Alexander Technique Changes The Lives Of Actors - Jean Louis Rodrigue [FULL INTERVIEW]

Watch the video interview on YouTube here.

[thetimelordbatgirl]

Imagine actually being so evil that you'd rather make sure your writers suffer financially instead of just paying them the pay they deserve. Hell truly has some seats reserved already, holy shit.

[cosmicraelum]

I rewatched perfect blue recently

[tampire]

Grey Matter in Dragula Season 666

[slttygeto]

Actors on Actors | Toji Fushiguro

pairing: actor! toji x actress! reader

genre: interview style, slightly suggestive on toji's part

note: ah shit here we go again

📊 Video Stats

10M views | 350K likes | 40K comments

Convincing Toji to do this interview was as hard as his team had expected. 

The man was extremely private, always giving short answers on red carpets but they were more than enough to feed his fans. Coupled with a confident smirk of his and a proud display of the scar on his lip, the man knew he had people swooning for him. 

However, he wasn’t fond of interviews. It was evident in the way he leaned back in his chair with his arms crossed over his chest, a bored look on his face and only answering when the question pertains to his character only. 

Other than that, you couldn’t get a single word out of this man.

When you heard that you were invited to be on an episode of Actors on Actors, you were both excited and nervous. Talking about yourself wasn’t your favorite thing in the world, but you loved getting to know other people in the industry and bonding with them over shared experiences.

What you don’t expect is to read Toji’s name on the paper. 

“Toji?” you turn to your manager with a look of disbelief on your face. “Fushiguro Toji?”

Your manager gives you an apologetic look. She could see the anxiety brewing inside of you, and you have to place a hand over your heart to calm your nerves. 

Talking to that man was the equivalent of talking to a brick wall. There was no way this was going to be a good interview—and who thought of pairing the two of you together?

The tall, broad shouldered man sits in his changing room with the same paper in hand as his eyes land on his name. His makeup artist catches the glimpse of a smirk on his face before Toji turns to his manager.

“That’s the pretty one, right?”

His manager chuckles before placing a hand on Toji’s shoulder. “The one and only.”

“Maybe it won’t be so bad.”

The interview is off to an awkward start. At least from your part. 

You feel small under the gaze of such an intimidating man, putting a leg over the other and pulling down the hem of your short dress to hide as much of you as possible. That doesn’t stop Toji’s shameless gawking as the two of you shake hands.

“I’m (Name), nice to meet you.”

“‘course I know who you are,” the words roll of his tongue smoothly and he watches as you purse your lips, dropping your gaze. “Fushiguro Toji”

“Very pleased to meet you.” You finally let go of his hand but you could’ve sworn that his hand lingered on top of yours a bit longer. 

When neither of you decide to speak up first, you let out a nervous chuckle while Toji turns to the filming crew with a playful smirk.

“This is fun,”

“I mean…” you trail off, smoothening the fabric of your dress. Again, his eyes land on your thigh and clear your throat.

“I’m…a really huge fan of your work.” your voice is small as you confess your admiration for his work in the industry. “I’m always amazed by your ability to get into character so quickly.”

“Watched some behind the scene footage?”

You were caught.

“Maybe…I mean it’s there!” You laugh and fortunately for you, Toji does as well as he nods. 

“Sure it is. I could say the same about you—” he gestures towards you with a genuine smile. “Great work, it’s rare to see someone so passionate in the industry nowadays.”

“Oh,” you wave your hands. “It’s-it’s nothing, I just really love acting.”

Toji braces himself forward with his elbows on his knees. “How old were you when you thought of giving it a try?” 

Your back straightens up under his gaze and you avoid his eyes as you think of a response. “I was about 6 or 7 when my parents would pull out a camera during Christmas and record me recreating scenes from movies like The Wizard of Oz and The Shining.”

“The Shining?”

“I was a weird kid,” you laugh when you see the look of shock painting his features. “But yeah these two were my favorite movies of all time.”

“That’s interesting, cause in a way I can see you getting into movies like that at a young age.” 

“Really?” 

Toji really likes the glint in your eyes. 

“Mhm,” he nods as he leans back in his armchair. “Like I said I’ve seen some of your work and–” he raises his hands. “I’m a fan.”

You drop your head shyly, silently thanking him for the amount of compliments he was throwing your way. This was honestly going better than you expected, but you knew it was time to ask him questions. 

“Can I just say,” you gesture towards the man. “Your recent work absolutely blew my mind—I mean, the entire movie was just amazing but your role. Wow, just wow.” 

Toji bows down his head when you clap for him, chuckling when you go the extra mile by pretending to bow down for him. 

“That role, was it difficult to get into such a state of mind? I’ve seen many actors—including myself, who needed a much needed break from everything after a certain role. Was it the same for you or were you able to detach yourself from the role easily?”

Toji gives it a thought, taking in the fact that you had crafted this question so carefully unlike any other interview he’s ever been on before. 

“After we finished shooting, I cut off contact with most of the world for about three months straight. I moved out of my neighborhood and into an area where it was just me, the mountains and the sound of birds.”

 Toji proceeds to explain how the role was mentally taxing, how the idea of going back and doing promo for the movie seemed like a huge roadblock he needed to get over. But after lots of therapy and some much needed time off, he was able to get back on his feet. 

“I’m glad that you feel better now, the industry needs good actors like you.” You admit and Toji leans back in his armchair again with a knowing smirk.

“I could say the same about you.”

The interview proceeds smoothly, with the two of you asking each other questions back and forth. After fifty minutes, the interview comes to an end and you get up to share a well deserved goodbye hug. 

However, Toji’s arms linger a little longer around your waist and he whispers something in your ear that’s facing away from the camera.

“You look good by the way.”

Guys, the mics are still on!

🗨️ Top Comments

💬 [somethingsgottagive]: DID YALL SEE THAT (6k likes)

💬 [somuchtosay]: this entire interview is just toji flirting with her im losing my mind (5k likes)

💬 [onehastogo]: ive never seen him this down bad omg??? (7,3K likes)

💬 [theboyismine]: this is the most talkative ive ever seen toji am i sensing smth (1.8K likes)

💬  [sweetnsourchicken] replied to  [theboyismine]: THAT HUG???

💬 [alltheavocadoes]: THE THING HE WHISPERED???(923 likes)

💬 [albumoftheyear]: oh the internet is on FIRE (508 likes)

💬 [cmontryme]: someone check on me ive shipped them for the longest time (392 likes)

💬  [sweetnsourchicken] replied to  [cmontryme]: without a single interaction is crazy

💬 [cmontryme] replied to [sweetnsourchicken]: i’m crazy

2025 © all works belong to @slttygeto. do not repost, translate or steal any of my works.

[consultingfujoshi]

ohhhh outie irving's thing goes so much deeper than I could have imagined. it was pretty obvious that he chose to become severed to try to use his innie self to communicate with and learn more about the severed floor and he's been doing all those paintings in the hopes his memory of the testing floor will bleed through to his innie, but this episode implies he's part of a much bigger conspiracy than just that.

irving is not some lone vigilante as I expected him to be. he's working with at least one other person to try to communicate with innies and spread knowledge of the goings on at lumon using his place as a plant on the severance floor. perhaps even the same people that helped petey become reintegrated.

he knows he's being watched and makes anonymous calls a ways from his home. he immediately had a cover story when milchick turned up like he was expecting to be questioned. he doesn't want to reveal that his innie woke up on the outside and is trying to figure out exactly how much lumon knows, and refuses to reveal his own hand before this. he tells milchick to tell him what all this is about so he can get a better grasp on how much he needs to lie about. he IMMEDIATELY distrusts milchick's motivations.

he has no idea what just happened and why, only that there's a chance all the work he's been doing on the outside has finally started paying off and he can't risk undoing all that progress by accidentally admitting to something. for all he knows his innie put this all in motion himself. he doesn't know it's part of a completely unrelated plan with his coworkers to break out. so he lies and pretends nothing happened because admitting his innie broke out might also fuck up the rest of whatever he's planning/working on. he's protecting both of his selves from a company he very clearly now is working to undermine.

he made sure to get home quickly after waking up at burt's (i still need to know how that played out, thanks!) so it looked as if he'd been there the whole time. the gears are immediately turning wrt his innie going to burt. he's trying to figure out how that guy fits into all this. maybe he's even going to approach burt thinking he's a co-conspirator on the outside and try to enlist him. I wonder how he will react when he finds out that's not the case at all and their connection is much more individual and personal than that. when he finds out his innie almost sacrificed all the work he's been doing the past three years because he fell in love and got his heart broken by this guy. I wonder if he'll ever find out.

AND WHAT THE HELL IS UP WITH BURT FOLLOWING IRV AROUND. WHAT KIND OF SOULMATE MAGNETIC FORCES RED STRING OF FATE SHIT ARE THESE TWO ON!!!!!

[goldsainz]

# DREW STARKEY — ACTORS ON ACTORS !

MASTERLIST !

001. SUMMARY !

✯ drew and you participate in variety’s “actors on actors” series.

002. WARNINGS !

✯ cursing, talking about nude scenes, probably inaccurate acting experiences.

003. NOTE !

✯ sorry to all the actors i stole roles from😭 also zendaya is used as a face claim for the social media but the writing is inclusive and has no descriptors of physical appearance… or at least i hope so.

word count : 5,4k (chat i got carried away)

The cozy studio was bathed in warm light, designed almost as if to feel like a welcoming living room. Two plush chairs faced each other, separated by a low coffee table adorned with a few carefully placed books and a small vase of fresh flowers. Everything about the space was crafted to exude intimacy and warmth, inviting open conversation.

Drew Starkey entered the room first, his usual calm confidence mingled with a tinge of nervous energy. He smoothed his shirt absentmindedly and scanned the setup, trying to ground himself in the moment. He was used to being in front of cameras, but this felt different. This wasn’t just about promoting a project or answering rapid-fire questions on a press junket. This was you.

“Hello,” Drew started, a smile gracing his features as he took in the fact that he was sitting right in front of his number one celebrity crush. His hand hovered awkwardly in a small wave, as if he couldn’t believe this was real.

“Hi,” you said back, a giggle falling past your lips when you noticed his sheepish look. “Nice to meet you.”

“Nice to meet you too,” he said, his voice just a little higher than usual. Drew cleared his throat, laughing at himself, which made you laugh too. “Sorry, I’m… a little nervous.”

“Oh, don’t be,” you reassured him with a warm smile. “I promise, I don’t bite.”

“Good to know.” He chuckled, his shoulders relaxing slightly. “How are you doing?”

“I’m great, thank you. What about you?”

“Pretty good, can’t complain.” A laugh bubbled out of him, and subsequently, you. The way he rubbed the back of his neck made you think he was still pinching himself that this was happening.

The cameras rolled, capturing the easy charm and immediate chemistry between the two of you. 

Drew’s grin widened as he began. “First of all, let me just say—I’m completely starstruck right now. I mean, the way you completely own every role you take on... it’s incredible.”

Your eyes widened in surprise, a bashful laugh escaping as you waved off the compliment. “Oh, stop it. You’re making me blush!”

“I’m serious,” he pressed, leaning forward slightly. “You’re like… the blueprint. If I ever get even halfway to where you are, I’ll consider myself lucky.”

“Well, now you’re just flattering me,” you said, your voice teasing but your cheeks undeniably warm. “But thank you, that’s so sweet. And honestly, you’re being way too hard on yourself. You’re incredible in Queer. You’ve got this natural charm that just lights up the screen.”

“Natural charm, huh?” He smirked, pretending to preen, which made you laugh again. “I’ll take that.”

“Good,” you replied, smiling. “You should, because it’s true.”

Drew’s gaze softened, the teasing giving way to something more earnest. “That means a lot, really. Especially coming from you. You’re like… Hollywood royalty to many.”

You tilted your head, a playful smirk tugging at your lips. “To many, huh? And are you part of this many?”

Drew’s eyes widened, and he laughed, a little caught off guard. “Oh, absolutely. I’ve got a lifetime membership to the fan club.”

“Good to know,” you teased, crossing your legs and leaning back in your chair with an air of mock superiority. “I’ll have to start charging you membership fees.”

“Totally worth it,” he shot back, his grin widening.

“Well, thank you,” you said with a soft laugh, “So, we’ve both got some things in common, which I think is pretty cool.”

“Like working with Daniel Craig?” he asked.

“Yes! Honestly, I still reminisce about our time on set… he’s genuinely incredible, isn’t he?”

“He is, yeah. I found myself just admiring him and sort of forgetting I had to act too. He’s just… he’s on another level, for sure.”

“Daniel’s a master of his craft… Most of my scenes as Paloma in No Time To Die were with him, and at first I was so nervous because, like, what if I messed up in front of the Daniel Craig?” Drew let out a laugh at your words, and you couldn’t help but laugh too. “But when he noticed I was nervous he reassured me that it was all good. He’s just the best.”

“You’ve worked with so many high-profile actors.” You nod slightly at his words, as if it were the most common thing in the world. “Are you always nervous when meeting them, or was it just a Daniel thing?”

“It wasn’t just Daniel, no, but I think it depends. For example, when I did Oppenheimer with Cillian Murphy, for some reason I felt more relaxed… even though I had some nude scenes with him.”

“Nude scenes just make you connect, don’t they?” he joked, leaning back with a sly grin.

“They do, actually,” you replied, leaning into the banter. “You’d think they’d be worse, but honestly, with the amount of seriousness and concentration they take, it’s like you don’t have time to be nervous.”

“You clearly pulled it off flawlessly,” Drew said with mock solemnity. 

“You did too in Queer.” You compliment him, “I watched it a few days ago, and the chemistry you had with Daniel was just off the charts.”

Drew’s face lit up, a mix of pride and bashfulness crossing his features. “Daniel’s an amazing scene partner. He really made it easy for me to tap into everything.”

“Well, it shows,” you said. “It was such a raw and beautiful performance. I might’ve shed a tear or two.”

“Okay, now you’re just trying to make me blush,” Drew teased, pointing at you with a playful squint. “But seriously, that means a lot coming from you.”

“Hey, give credit where it’s due,” you shot back with a grin. “You’ve got this way of making everything feel so real. Like when you’re in pain, we’re in pain. When you’re in love, we’re falling right alongside you.”

“Wow,” he said, shaking his head as if to clear it. “I don’t know what to do with all these compliments. This is the best therapy session I’ve ever had.”

You laughed, crossing your legs and leaning forward slightly. “Well, I’m glad I could help. But now I’m curious—how did you prepare for a role like that? I mean, it’s so emotionally intense, no?.”

“It was a lot of journaling, a lot of talking with Luca about backstory and motivations,” Drew explained, his tone more thoughtful. “And honestly, I kind of drew from real-life experiences. Not the exact ones, obviously, but just feelings of vulnerability and… wanting to be understood.”

“That’s beautiful,” you said softly, your smile turning tender. “It’s amazing how much of ourselves we pour into these characters.”

“Exactly,” Drew agreed. “And sometimes it’s terrifying, but when it resonates with people, it feels worth it.”

“It definitely resonated with me,” you assured him. “And I’m sure with countless others too.”

“That’s really nice to hear,” he said with a soft smile.

“How was it for you to work with Luca? Because I remember it being one of the highlights of my career.”

Drew’s eyes lit up at the mention of Luca Guadagnino, and he leaned forward slightly, as if the memory itself was a magnet pulling him closer. “Oh, working with Luca was… incredible,” he said, his voice laced with awe. “He’s got this way of creating such a safe, open space on set. It’s almost like he’s not just directing—he’s inviting you into this world he’s building in his head.”

You nodded eagerly, your own memories of working with Luca bringing a nostalgic smile to your face. “I know exactly what you mean. He makes it feel like you’re collaborating on this deeply personal piece of art, rather than just executing someone else’s vision.”

“Exactly!” Drew said, gesturing animatedly. “And he has this way of pulling things out of you that you didn’t even know you had. Like, he’ll ask you one simple question, and suddenly you’re diving into this emotional rabbit hole.”

You laughed, tilting your head in agreement. “He asked me once, ‘What would this character, Maren in my case, dream about?’ and it completely changed how I approached the next scene.”

Drew’s mouth dropped open in mock surprise. “He asked me the exact same question!”

“No way!” you exclaimed, your laughter spilling out in disbelief. “I love that! It’s honestly such a deceptively simple question, but it opens up so many layers.”

“It really does,” Drew said, chuckling. “And then you’re sitting there like, ‘Okay, now I have to rethink everything I thought I knew about this character.’”

“It’s kind of genius, though,” you added. “He makes you work harder, but not in a way that feels forced. It’s like… he trusts you to figure it out, but he gives you these breadcrumbs to follow.”

“Exactly,” Drew said again, his tone growing softer. “I think that’s why his films feel so intimate, he gets the human part so right.”

You smiled, letting his words settle in the air for a moment. “I think that’s what makes working with him feel like such a privilege. It’s not just about telling a story—it’s about feeling it.”

Drew nodded, his gaze thoughtful. “And those are the moments that stick with you, you know? The ones where you felt something real, even if it was just for a moment.”

“Completely,” you agreed, your voice soft with sincerity. “Those moments are why we do this.”

For a moment, the two of you sat in companionable silence, the weight of the conversation settling in the cozy studio. Then, Drew broke the quiet with a grin. “Okay, but did Luca make you do those impromptu rehearsals at, like, the crack of dawn?”

“Oh my God, yes!” you burst out, your eyes widening. “I’d just roll out of bed with zero coffee and somehow be expected to pour my soul into a scene.”

Drew laughed, his face lighting up. “Right? It’s like, ‘Good morning, here’s your emotional breakdown for the day.’”

You laughed along with him, the shared experience adding another thread to the easy camaraderie forming between you. “But honestly, I’d do it all over again in a heartbeat.”

“Same,” Drew said, his expression softening again. “For Luca? Anytime.”

“Absolutely,” you agreed, your eyes locking with his for a moment before the warmth of the studio light reminded you both that the cameras were still rolling.

Drew shifted in his seat slightly, his expression thoughtful. “You know, it’s kind of wild—hearing you talk about all these incredible experiences. You’ve been doing this for so long, and yet it’s like you’re just getting started.”

You tilted your head with a small smile. “That’s sweet of you to say. But yeah, I guess I have been in this industry for most of my life. It’s all I’ve ever really known.”

Drew’s eyebrows lifted. “That’s crazy to think about. I didn’t even consider acting until after college. You must’ve been, what, ten? Eleven?”

“Eight, actually,” you corrected with a chuckle. “My first role was in this little indie film. I was basically just the kid who ran around in the background eating ice cream, but I thought it was the coolest thing ever.”

He laughed, clearly amused. “That’s adorable. And now you’re the Hollywood It Girl. No big deal.”

You rolled your eyes playfully, your laughter light. “Oh, stop it. But yeah, it’s been a journey. Growing up on sets definitely shaped me, for better or worse. Sometimes I wonder what it would’ve been like to have a more ‘normal’ childhood.”

Drew’s smile softened. “That must’ve been such a whirlwind. I can’t even imagine starting that young. I didn’t even think about acting seriously until high school.”

“Oh, I’ve read about that!” You said, your voice lighting up. “You were all about sports growing up, right?”

“Yeah,” Drew admitted with a chuckle. “I was your typical small-town kid—baseball, basketball, you name it. I was convinced I was going to go pro in something, but clearly, that didn’t pan out.”

“Well, I think acting suits you pretty well.” 

“Thank you,” he says with a soft laugh, rubbing the back of his neck. “But yeah, the real shift happened in high school when I joined a drama class. It was all Samuel Beckett and absurdist plays, which at the time I thought was the coolest thing ever.”

You leaned forward, intrigued. “So that’s what pulled you in? Drama class?”

“Pretty much,” he said with a nod. “And then I went to Western Carolina for college. I double-majored in English and theater, thinking, ‘If this acting thing doesn’t work out, I’ll at least have a backup plan.’”

“That’s so realistic of you,” you said with a laugh. “Meanwhile, I was ten, telling anyone who’d listen that I was going to win an Oscar one day.”

“And look at you now,” Drew said, gesturing to you with an almost reverent smile. “You made it happen.”

You chuckled, a bit flustered by his admiration. “Well, not quite, just an Oscar nominee for now. But thank you. You know, I think your journey’s pretty incredible too. A double major? That’s no joke. And starting later in the game like you did… it must have felt like a slow burn, but it’s clearly paid off.”

“Yeah, I guess,” Drew said thoughtfully. “It was definitely a slower burn for me. I didn’t land my first real gig until I’d been auditioning for what felt like forever.”

“I think that makes your journey even more special,” you said, your tone sincere. “You came into it with all this life experience and maturity. It shows in your work, you know? There’s this depth to your performances that’s just… rare.”

Drew’s ears turned a little pink, and he laughed softly, glancing down at his hands. “Wow, you’re gonna make me blush over here.”

“Good,” you said with a teasing smile. “It’s only fair after all the compliments you’ve been throwing my way.”

He looked up, his grin sheepish but warm. “Touché. But seriously, hearing that from someone like you—someone who’s been at this for so long and is so insanely talented—it means a lot.”

“Well,” you replied with a playful tilt of your head, “I think it’s safe to say we’re officially mutual fans.”

Drew laughed at that, the sound easy and genuine. “I can live with that.”

The conversation shifted into more comfortable territory as the two of you shared experiences, trading stories about acting and the film industry. Drew, now feeling at ease, leaned forward with renewed interest.

“You know,” he began, a thoughtful expression crossing his face, “I've been thinking about how different TV shows and movies are, especially when it comes to the pacing and character development. Like, in a show, we have to maintain this ongoing energy for the characters over multiple seasons. But with movies, it’s a totally different vibe, right?”

You nodded, understanding immediately where he was going. “It’s definitely a huge shift. With TV, you’re given time to build on a character slowly. Every episode is another chapter, so you can explore new facets of them and keep the audience hooked for longer periods of time. But movies, they’re this intense sprint. You have to get everything across in just two hours or so, but in a way that feels just as layered and satisfying.”

Drew's eyes lit up with excitement, clearly passionate about the topic. "Exactly! You have to balance the action and suspense while still giving the characters these moments of vulnerability. Over multiple seasons, you can really let them grow and change. It's like a slow burn. But when you're doing a movie, you don’t have the luxury of that buildup. It has to be this concentrated emotional punch right from the start.”

“That’s one of the biggest challenges of film, for sure," you agreed. "In a film, every second counts. You can’t afford to waste a moment. But I think what’s also interesting is how both mediums can explore a character’s journey from different angles. TV shows can dive into their backstory in more detail, but movies... they really need to hit those emotional beats and leave an impact without dragging it out."

Drew smiled, clearly engaged in the discussion. “In TV shows you need that perfect balance of suspense, character development, and personal growth. And then, at the end of the season, you drop a huge bombshell that leaves people wanting more.”

You laughed, raising an eyebrow playfully. “Sounds like you’ve been doing some serious thinking about it. What’s the secret to keeping the audience hooked without losing the depth of your character?”

He leaned back, his expression thoughtful. “Well, I think it’s about letting the characters evolve with the story. You need to make sure the audience sees the human side of your character, even when they're in these crazy situations. It’s what keeps people invested in the long run.”

“You’ve really got the process figured out,” you said with a smile. “But you’re right—it’s a different rhythm for TV. With a movie, you get to go deep quickly, but with a show, you have to keep it dynamic and varied. And let’s not forget, you need that cliffhanger at the end to make people binge-watch the next season.”

Drew’s eyes twinkled with mischief. “You’re giving away all the secrets! Next thing you know, people will be expecting a cliffhanger every time they watch a movie."

“Well, movies and TV are both art, but they demand different approaches,” you said, “and you’re doing an amazing job balancing both. I’m honestly so excited to see where your career goes next. Both worlds are lucky to have you.”

He chuckled softly, clearly humbled. “Thanks. I think I’m just lucky to be a part of both. I mean, who wouldn’t want to be in a show that gets people talking for days?”

“Right? You’ve got Outer Banks, which has such a dedicated fanbase, and then movies like Queer that touch people in such a different way. It’s amazing to watch your versatility.”

He leaned in slightly, a playful glint in his eyes. “I’m just trying to keep up with you. Honestly, your transition from action to more emotional roles is inspiring. I hope I can pull off something even close to what you’ve done with your career.”

Your smile softened, your voice sincere. “Well, you’re already doing it, Drew. You’re already there. It’s not just about the roles—it’s about the heart you put into them. And you’ve definitely got that.”

Drew’s smile faltered for a moment, the weight of your words sinking in. His gaze softened, as if he were truly reflecting on what you’d said. He leaned back in his chair, crossing his arms but keeping his eyes on you, his expression thoughtful.

“It's crazy, isn't it?” He began, his voice a little quieter now, “The idea of giving so much of yourself to something that feels so... intimate. But when it works, when the audience feels it too, there's nothing like it.”

“Exactly,” you agreed, your voice a little quieter now. “That's the real magic, when the audience feels like they know the characters, like they're right there with them. It’s not about the plot twists or the fancy sets—it’s about the emotions that we build and share with them.”

Drew nodded thoughtfully, his gaze drifting away for a moment before returning to you. “Speaking of emotions, I just saw your new movie, We Live In Time,” he said, his voice taking on a softer tone. “It’s one of those films that stays with you, you know? It’s raw in a way that makes you uncomfortable, but it’s also beautiful. How did you tap into that for Almut?”

Your expression softened as you thought back on the experience. We Live In Time had been a journey—a raw, almost therapeutic one. “It was an emotional rollercoaster, honestly,” you said, leaning back slightly, letting the memory settle in. “I think the hardest part was showing that moment where her whole world shifts. It was such a raw, profound type of emotion I had to channel in order to do justice to the character and her experiences.”

Drew sat back, letting the weight of the conversation settle. “I think that's what makes your career so incredible. You never just play a character. You become them. And you take us with you. Every heartbreak, every triumph, every moment of doubt... we feel it all with you. That's what makes your work so powerful.”

You met his gaze, feeling the depth of the conversation linger between you both. “It’s all about connection, right? Connecting with the character, with the audience, and with the emotions that we all share as humans. Because at the end of the day, we’re all just trying to make sense of time, love, and the moments we get.”

Drew smiled, his expression genuine and soft. “Well, you’ve definitely made sense of it for me. We Live In Time—it’s not just a movie. It’s a reminder to cherish what we have. And that, in itself, is something special.”

You smiled back, your heart full as you let the words sink in. “Thank you, Drew. That’s really sweet of you.”

You both shared a comfortable silence for a moment, before Drew broke it with a playful grin. “You know, it’s clear you’ve mastered the art of vulnerability on screen, but I can’t help but wonder—did you ever have moments on set where it was just... impossible to take things seriously?”

You laughed, the sound light and genuine. “Oh, absolutely. In fact, as a kid, it was all impossible to be serious,” you admitted, shaking your head at the memory. “I remember this one time during a scene on set when I was probably around 9 or 10. We were supposed to be doing this emotional scene, and I had to cry on cue. But instead of crying, I couldn’t stop giggling. It was a dramatic moment, and my co-star was all serious and trying to get through the scene, but I just... lost it.”

Drew raised an eyebrow, clearly intrigued. “Giggling during a dramatic scene? What happened?”

“Well, my director, bless her heart, kept trying to give me these 'serious actor' looks. She was this no-nonsense kind of woman, and she had this way of narrowing her eyes when things weren’t going well. I tried my best to hold it together, but then my co-star—who was way too good at being serious—looked at me and just gave this super intense stare, and that was it. I burst out laughing right in the middle of the take.”

Drew chuckled, shaking his head. “I can just picture that. You were probably trying to hold it together, but it must have been so hard with all that tension in the air.”

“I swear, the more I tried not to laugh, the harder it became,” you continued, grinning at the memory. “It was one of those moments where you’re like, 'Why am I even here? I can’t do this.' But somehow, I got through it. The director had to take a deep breath, and we did a few more takes. Eventually, we got it done, but I think we all were on the verge of cracking up the whole time.”

Drew let out a laugh, clearly imagining the scene. “I can’t blame you. I feel like as a kid, you have no filter. Everything feels like a joke, and it’s so hard to be serious when everyone else is trying so hard.”

“You have no idea,” you said, your voice still light. “There were so many times I’d be doing a serious scene, and I’d start thinking about something random, like a certain meme or a funny sound someone made on set—and then, bam, it was game over. I’d be holding in a laugh like my life depended on it.”

Drew smirked, leaning in a little. “I totally feel that. I mean, as an adult, I still have moments where I struggle to keep a straight face. I once had a scene where I was supposed to be super intense, but the prop guy was standing just out of frame, and he made this ridiculous face at me—completely threw me off. I couldn’t stop laughing, and it ended up taking hours to finish the scene because we kept cracking up. Honestly, I think the crew started to get annoyed with us after a while.”

“See?” you said with a grin. “It never really changes. Truthfully, the older you get, the harder it becomes to hold it in. But then you look at the footage and realize how much fun you actually had, and that makes it all worth it.”

Drew nodded thoughtfully, a playful twinkle in his eyes. “Yeah, that’s the thing. Sometimes it’s the moments you didn’t plan for that end up being the most memorable. Like when you have a laugh on set, and suddenly you feel closer to everyone, even though you’re supposed to be in character.”

“Exactly,” you said, your smile widening. “There’s something so beautiful about those unscripted moments. It reminds you that acting is, at its core, about connecting—whether that’s through laughter or the heavy stuff. And even though I had my fair share of giggling fits as a kid, I think those moments taught me just as much as the serious ones. Maybe more.”

Drew leaned back in his chair, a thoughtful look crossing his face. “It's funny how those little moments—like a laugh in the middle of a serious scene—can end up being the ones you remember the most. I think those are the ones that make the work feel real, you know?”

You smiled, your gaze distant as you reflected on the years of working on sets. “I know exactly what you mean.”

“Yeah, like those unscripted moments,” Drew added, his voice quieter now, as if the weight of the sentiment lingered in the air. “They give the performance an authenticity that you can’t get from just following the script to a tee.”

You nodded, the words hanging between you like a shared understanding. “Exactly. And as a kid, I was so focused on getting it ‘right’—on being perfect—that I missed the beauty of just being in the moment. But as I’ve gotten older, I’ve realized how important it is to let go of the idea of perfection. It's in those mistakes, the wrong takes, the bloopers—that's where you find the truth.”

Drew's expression softened, his eyes meeting yours with a sincerity that made your chest tighten. “I think it’s key not to be afraid to show the mess, the imperfect parts of a character, because that’s what makes them human.”

A small chuckle escaped you, the warmth of the moment filling the studio. “Right? We’re all just a little bit of a mess, trying to figure it out, but that’s what makes the journey worth it. We’re constantly learning, constantly evolving, and we bring that to our work. The growth, the mistakes—it all shapes us.”

Drew nodded, his gaze shifting as if reflecting on those same ideas. “Yeah, and the growth never stops, does it? Just when you think you’ve figured it out, something new happens, and it challenges you again.”

“That's the beauty of it,” you said, your voice quieter now, the bond between you both deepening. “The challenge is what keeps it exciting, keeps you moving forward.”

Drew grinned, a playful spark lighting his eyes once more. “Well, I guess we’re both lifelong students of this thing called acting, huh?”

“Absolutely,” you said with a laugh, the lightness returning. “And just like any good student, we’ll always be learning. Who knows, maybe we'll even get better at not laughing in the middle of dramatic scenes.”

Drew let out a hearty laugh, nodding enthusiastically. “I think that’s going to take years of practice, honestly.”

You both shared a moment of genuine laughter, the warmth of your conversation filling the space around you. You leaned back into the chairs, the laughter still lingering in the air, a sense of camaraderie that made the space between you feel comfortable and open. You continued sharing stories, moving seamlessly from one experience to the next.

The conversation began to slow, the easy flow of stories fading into a comfortable silence, as you both shared an unspoken understanding. The light laughter that had filled the room now felt like a warm, lingering hum between you.

Drew shifted slightly in his chair, his gaze turning toward you with a subtle, thoughtful expression. “You know,” he began, his voice softer now, “I really hope we get to work together sometime. I think it’d be incredible. It’s the kind of thing where I can already imagine what it’d be like. Just... easy, real. Like this.”

Your heart skipped a beat at his words, but you kept your composure, offering a smile that spoke volumes. “I’d love that. If you receive a call from your manager these days… maybe I had something to do with it, so be prepared.”

The air between you both was charged, the quiet intensity of the moment not lost on either of you. There was something unspoken, something deeper that neither of you addressed outright but that seemed to hang there all the same. The connection was undeniable, yet it lingered in the silence, unspoken, but clear.

Drew finally broke the spell with a playful grin, his eyes flicking back to yours. “Oh, I’ll be ready. Can’t wait to see what magic we create together.”

You returned his smile, your heart racing ever so slightly, though you kept it hidden behind the ease of your words. “I’m sure it’ll be something incredible.”

As the interview wrapped up, there was a lingering sense of something unspoken between you both, an attraction that neither of you had to mention but was so clearly felt. The kind of connection that could only be hinted at, but would never truly fade. It was the kind of moment that would stay with both of you long after the cameras stopped rolling.

“Thank you,” you said softly as the final moments of the interview started to loom, your voice carrying a depth that reflected everything unsaid between you. “This has been amazing. Honestly, it feels like we’ve been talking for hours, and yet it still doesn’t feel like enough.”

He nodded, his expression soft but genuine. “I feel the same way. This has been one of the most honest and open conversations I’ve had in a long time.”

The crew began to pack up, signaling that the interview was at its end, but neither of you seemed in any hurry to break the moment. The usual chatter and movement around you felt distant, as if the two of you were in your own world for just a little longer.

“You know,” Drew said, his voice quieter now, a hint of sincerity threading through, “I think we make a pretty good team even just sitting here talking. Imagine what we could do with a whole script.”

Your smile softened, and you nodded, the words feeling right, but the undertone of something more—something unsaid—hung in the air. “Yeah, I think we’d be unstoppable.”

The moment stretched between you both, filled with the kind of comfortable tension that comes when you realize you’ve shared something real. Something that felt like it could turn into something more.

You both stood up, a final, lingering moment before the usual goodbye. Drew extended a hand, his gaze holding yours a beat longer than necessary.

“Take care, okay?” he said, his voice warm, like the words carried more than just a polite farewell.

You shook his hand, the warmth of his touch lingering just a moment longer than expected. “You too, Drew,” you replied, your voice soft yet carrying an undercurrent of meaning that mirrored his own.

As you turned to gather your things, you couldn’t help but glance back over your shoulder. He was still standing there, watching you with that same thoughtful expression, his hands casually tucked into his pockets. The faintest smile curved his lips, as if he were replaying the conversation in his mind.

“See you around,” he called out, the words simple but loaded with promise.

“Yeah,” you said, meeting his gaze one last time. “See you around.”

Walking away, you felt a peculiar lightness, as though something intangible had shifted, leaving you both exhilarated and curious. It wasn’t every day you met someone who made you feel seen in such a profound way, and as you left the studio, you found yourself smiling, a quiet hope blooming in your chest.

And for a fleeting second, you allowed yourself to wonder what could come next.

[borgialucrezia]

A CLOCKWORK ORANGE (1971) dir. by Stanley Kubrick

"I think roughly 10 years after it came out, I had a realization that I was part of something that was pretty extraordinary. You can either accept it, smile, go with it, or never talk about it again. And I decided, listen, I made the bloody movie. I put a lot of myself in that part and I'm extremely proud of it. I loved working with Stanley. And for the most part, we have a great time. So I think I'll take the road of, yep, I'm proud of it. I love it. That's it." — MALCOLM MCDOWELL

[setaflow]

Anyway I had fun this season

[hairmetal666]

Eddie owns a record store, gets to talk about music everyday. Life is good. Great, actually.

He's consolidating the Christian rock section on a quiet Wednesday morning when it happens. A man with swoopy dark hair, tight dark blue jeans, and a plum Member's Only jacket walks in, and doesn't take his Ray Bans off even once he's solidly inside.

Eddie is awestruck. This dude is gorgeous. Heart stopping. He watches him browse in quiet astonishment, unable to say anything until he blurts, "Can I help you find something?"

The man smiles--Eddie's heart stops--and he says, "Nah, just browsing. Your sign caught my eye."

And he's still not quite with the program, the rich honey of the man's voice taking him totally by surprise. "Ah, oh, it did?" He manages after a few long beats. "Painted it myself."

"No shit? It's great."

"Thanks, man. I also think it's some of my finest work."

The guy laughs. "How can I know unless I see some of your other pieces?"

Eddie's face heats, but he's never been known for having good impulse control. "Maybe you'll get lucky."

Spots of pink bloom on the man's cheeks and the tips of his ears. "And here I was, thinking I was getting special treatment."

Eddie cocks his head, smiles big. "Well, the day's still young." It's so risky and stupid; no way this guy is queer, but he grins at Eddie, laughs a little too.

"That right? Well, tell me your latest recommendations."

"For you?" Eddie eyes him up and down. "Wham!"

The guy's laugh is warm and rich and Eddie wants to drown in it. "Big of you to say for a someone who's only listened to Enter Sandman for the last four months."

Eddie cackles, points a be-ringed finger. "It's a good song! A great record."

"Hey, I've got no problem with Metallica. I just don't think you should be casting aspersions on Wham!."

"Casting aspersions, do you have a word of the day calendar or some shit?"

"No! It's toilet paper."

Their snickers grow until they're both hysterical, needing to lean against a display to stay upright.

It's like he's living in a dream, hitting it off with a beautiful man who just happened to stumble into his store. They catch their breath and Eddie uses the time to grab a record off a nearby shelf.

"Here," he says. "Try this."

"Joni Mitchell?"

"Don't tell me, Wham! fan, that you're too cool for Joni."

"Nah, she's my best friend's favorite. How much do I owe you?"

"On the house," Eddie shrugs.

"Shit, that's generous. Thanks, man. Now, about your art--" He glances at the shiny watch on his wrist. "Fuck, is it really 3:15? Goddamnit, I gotta get going."

And Eddie wants to call him back, doesn't want this dream encounter to end, but he's dashing to the door--

And just like that, the man is gone, the only evidence it ever happened the lingering chime of the bell over the door.

The bell clatters again, and his head wrenches up hard enough it hurts his neck.

"Was that Steve Harrington?" the customer shrieks.

"No," he scoffs. Except. Except. The hair and the clothes and sunglasses and the face and his lips--

"No!?" He feels the way his eyes have gone wide with panic. He didn't just flirt with Steve Harrington. Of course not. Not ever. He would've recognized--

He runs to the racks of magazines in front of the register, grabbing the latest issue of People. The cover features a glossy, polished photo of the man who just left the store. The one who had the highest grossing movie of the summer alongside his co-star, Julia Roberts. The one who, according to the article within, is in Chicago right now shooting a new movie. The one who Eddie flirted with. The one who flirted back.

He groans and covers his face with his hands. At least he'll never see Steve Harrington again.

---

Harrington comes back.

The second time, he's wearing a jewel blue polo and fitted slacks, Ray Bans nowhere to be seen.

"Got anymore recommendations?" Steve asks.

"What?" Eddie's still trying to accept that Harrington came back.

"I finished Joni. It was good. Recommend something else for me."

Fully with the program, he reaches to the rack behind him, handing the vinyl to Steve without ever taking his eyes off him.

"Seriously?" Steve deadpans.

"Tell me you don't deserve it after last time."

Steve studies the cover of Metallica, a complicated look on his face. "Fine, but you have to listen to the album George Michael released last year."

He mimics getting shot in the heart. "After my magnanimous first suggestion, you dare to punish me with Freedom?"

"Think of it more as an opportunity."

"To regret every decision I've ever made?"

"To expand your musical horizons."

Eddie rolls his eyes. "Fiiiine. It's a deal."

Steve beams. "Good! Ring me up."

And Eddie, he'd comp it again, but Steve gives him this look that tells him not to try it.

As they pass the magazine racks, Eddie points at one featuring Steve on the cover. "That thing you wore to the Vanity Fair party last month was hideous."

Steve snorts, then laughs. "Thanks. My stylist decided to go for something--"

"--terrible?--"

"Avant garde."

"Oh, is that what they're calling it these days?"

Steve pays, throws Eddie one last smile, "next time?"

Eddie nods, already certain this time is the last one.

---

He keeps coming back.

Eddie tries not to read into it.

Steve is straight, famously has a girlfriend. former horror movie child star turned cinema wunderkind, Nancy Wheeler. They're always on the covers of the tabloids, in ever more improbable stories about affairs and secret babies and french countryside weddings.

But he keeps coming back. And eventually, they grab dinner. And that dinner becomes lunches, movies, clubs, concerts. Eddie's in paparazzi photos, and there's no speculation about their relationship. Steve has a girlfriend.

But sometimes. Sometimes Steve will rest his hand on Eddie's nape, his lower back, let it linger. He'll trace a finger down the tattoos on Eddie's forearms or the patches of his battle vest. He'll lean too close when they talk, unafraid to press their bodies together. And he catches Steve's eyes on his mouth more than once, his pupils wide.

Over the next few weeks, Steve's gaze on Eddie's mouth gets hotter, his looks longer, and it's killing him. All he wants to do, all he ever wants to do, is close the distance between them, appease the gnawing beast of desire in his chest.

But Steve has a girlfriend.

They don't talk about her, not even when he knows all about Steve's best friend, Robin, and the gang of kids who adopted him, or Joyce and Hopper, his surrogate parents. Never Nancy.

He tries not to read into it.

---

They're supposed to meet for dinner. Steve scored reservations at a trendy new restaurant, but Eddie's late. Astronomically, horrifically late. It's pouring rain, it takes fifteen minutes to get a cab, traffic is a nightmare.

Out of patience and time, he decides to run the last few blocks to the restaurant. By the time he reaches the building, he's soaked to the bone, spluttering harsh breaths through mouthfuls of rain.

Steve is walking in the opposite direction, hands stuffed into the pockets of his coat.

"Steve?" He calls.

He turns and this is the first time Eddie's seen him angry. "You're late," Steve's eyes rake over him, and his face softens in an instant. He takes Eddie's wrist, leads him into an alley where the buildings are close enough to block some of the rain.

"What happened?"

"Traffic."

Steve's gaze go all soft and gentle, and Eddie's knees buckle a little. "You look like a drowned rat."

"Yeah, well." Eddie scoffs. "We can't all be beautiful movie stars."

"You're more beautiful than I could ever be, even soaking wet."

He shakes his head, ignoring the cascade of butterflies; Steve shouldn't say things like that. His vigorous movement sends wet strands of hair slapping him in the face.

Steve reaches out, softly brushes it back.

Eddie stops breathing.

Steve closes the distance between them.

What a thing, to be kissed by Steve Harrington. What a terrible, glorious thing.

He breaks it fast, face red, can't catch his breath. "Nancy," is all he can say.

"Nancy?"

"You have a girlfriend."

Steve's face scrunches. "She's not my girlfriend."

Eddie's mouth drops. "Yes, she is." They went to the Oscars together.

"Eddie." Steve takes a few steps back. "Eddie. I'm gay."

He laughs, an ugly honking thing. "C'mon. What could she possibly get out of that?"

Steve's eyes widen, eyebrows reaching his hairline, mouth pursed in a bitchy line. It takes Eddie a minute but, "Ohhhhh. So, it's all--?"

"It was the best way."

"But you're--?"

"I thought you clocked me immediately! Wham!???"

"That was because of the jacket!"

"Have you ever met a straight man who dresses like I do and likes George Michael??"

"That describes five dudes I see a day!"

"And you thought they were straight??"

Eddie stares into the middle distance, replaying some of those interactions, and--"Huh. Okay. I get hit on at work waaay more than I realized."

"For fuck's sake, Eddie!" He's shaking his head, but Eddie sees the way the corners of his mouth shake with suppressed laughter.

"I'm sorry! You have a very public straight relationship!"

Steve giggles, pulls Eddie close. "Is this okay?"

"So okay."

"You do like me back?"

"Are you kidding! Thought I was going insane, how much I want you."

"And now?"

"Come back to my place?"

"Thought you'd never ask."

And Eddie, he's seen Steve playing at love dozens of times, but this--right here, in a soggy, smelly alley where they're both soaking wet--it's more perfect than any movie.

[filmcourage]

How To Direct Actors (Advice For Beginners) - Tendayi Nyeke

Watch the video interview on Youtube here.

[bodhrancomedy]

At my current job, I am mostly helping run a science workshop for 5-8year olds and I have been running it for school groups over the last week and this is what I’ve learnt.

1. Six-year-olds, on the whole, can’t read. I keep forgetting this.

2. We have a Samsung tablet to show a video on and they’re confused about the “really big phone”.

3. I trying to explain that 2009 was not technically that long ago by pointing out it was within my lifetime. I was told I “gotta be at least thirty!”

4. They have been on this planet for five minutes and it’s been a very stressful and fucked up five minutes so they do seem to sit on extremes.

5. The majority of them are absolute angels and very sweet (even when they’re making me feel old)

[pixeljade]

The thing with the writers strike and actors strike is that. You ALL have to start realizing that the cool creative jobs they paint as "glamorous" in the media are actually ALL struggling in a big way, and basically everyone below "Huge Household Name" is actually often having to spend THEIR OWN DAY JOB MONEY to keep trying and trying to "break into" that household name status.

Like, im a cartoonist. Just starting out, but already fairly successful! My comics are sold in a handful of states, i sell out of my works, and i even have been featured as a finalist in a couple awards shows AND have pieces bought by a cartooning museum. I still barely make a couple hundred per month off it IF IM LUCKY, and spend almost as much trying to print more. Oh yes, i have to print my own comics! And working for a big comic company, they generally require you to bring some level of your own equipment. Heck, even if you make it "big" as a cartoonist...you wanna know how much you get paid if your comic that you spent months of back-breaking labor on is adapted into a marvel movie? A one-time check for $5000. Out of the BILLIONS those movies make, in perpetuity for eternity, you are given $5k. Pre-tax. Pre-agent. Pre-lawyer. (Yes we have agents and lawyers too, quite often). There's hardly any cartoonists who can afford to quit their day jobs, and even those who do are never living above the lower middle class range.

Now obviously cartooning is not the same as acting or writing, but my point is that we NEED yall to stop thinking just because you see our work as cool that we are living some dream life!!! Basically the only people who are living these dream lives you think of are CEOs of major companies and the occasional celebrity. The rest of us are just out here, struggling to survive just like you, we just happen to have a side hustle which is Kinda Cool.

[sunflowermp4]

"I think [Abbot's] kind of, in his own weird and "I'm not trying to be creepy" way, flirting in the only way that he can. I think he actually has a ton of respect for Dr. Mohan.

There was a scene — I'm not sure if it made it, I don't think it did — in the first episode where somebody says something about her and he comes out and says, 'She's the smartest one here. And I think he has such respect for her.

I think it was his way of just kinda trying to keep it warm there with her." - Shawn Hatosy