#writing academic

[notgreengardens]

[fictionalaffection]

the intimacy of being understood.

[wednesdaysfullofwoe]

[vivienaaren]

”I am nothing in my soul if not obsessive.”

[scriptastra]

[a-lady-and-her-quill]

"All I am is literature and I am not willing or able to be anything else"

—Franz Kafka

[hazelnutcoffeeshop]

"𝓛𝓸𝓼𝓽 𝓲𝓷 𝓽𝓱𝓮 𝔀𝓸𝓻𝓵𝓭 𝓸𝓯 𝓯𝓸𝓻𝓰𝓸𝓽𝓽𝓮𝓷 𝓫𝓸𝓸𝓴𝓼"

[thewriteadviceforwriters]

🐚⚓️🫧List of Random Things For Your Dark Coastal Settings | For Writers🐚⚓️🫧

Since you all loved the list of random things for Dark Academia, here’s a list of items, things, sights etc.. you might find in a Dark Coastal setting.

The Cliffside 🌊

Jagged slate-gray rocks jutting out from the churning sea

Swaths of wild, windblown grasses and mosses clinging to the cliffs

Crumbling stone ruins half-hidden in the fog

The eerie cries of seabirds circling overhead

Gnarled, salt-weathered driftwood scattered across the shoreline

The Cove 🐚

A small pebbly beach tucked into a sheltered inlet

Seaweed-covered tide pools teeming with mysterious marine life

Centuries-old fishing nets and lobster traps hung to dry

Weathered wooden rowboats moored at a rickety dock

The salty, briny scent of the sea lingering in the air

The Lighthouse 🗼

A tall, round stone tower with a flickering lantern on top

Faded nautical charts and weather-beaten log books inside

An antique brass telescope trained on the horizon

The heavy thump of the lighthouse bell in the distance

Coils of fraying rope and a tarnished brass spyglass on the windowsill

The Shipwreck 🛥️

The rusted, half-submerged hull of an ancient sailing vessel

Tangled knots of kelp and barnacles clinging to the metal

Fragments of shattered wood and twisted metal debris

The eerie, echoing creaks and groans of the wreckage in the waves

Fragments of weathered, sun-bleached bones glinting in the murky depths

The Coastal Cottage 🏠

A small, weathered wooden house with peeling paint

Tattered sheer curtains fluttering in the salty sea breeze

Shelves lined with antique glass bottles and driftwood sculptures

A wood-burning stove with a teapot whistling softly

The distant sound of foghorns cutting through the mist

The Shipwreck Cove 🚢

Jutting black cliffs, their bases strewn with the bones of broken ships

Seaweed-covered ribs of an old shipwreck, barnacles clinging to the wood

Rusted metal and shattered glass glittering in the crashing waves

Cawing of crows circling overhead, their shadows flickering on the rocks

The hollow, echoing sound of the wind whistling through the caves

The Seaside Cemetery 🪦

Rows of crumbling tombstones covered in moss and lichen

Twisted, windblown trees casting long, ominous shadows

The faint scent of night-blooming jasmine on the breeze

A rusted wrought-iron gate creaking open to the path

Fog rolling in, obscuring the distant sound of the surf

[logophilist1982]

Old library

[malusokay]

What's the point of a diary if you're not lying in it?

On Anaïs Nin, literary self-mythologizing, and why personal writing should always be slightly dishonest. (from my substack)

If you’re not lying in your diary, you’re just journaling, and journaling is for people who don’t know how to edit.

A diary is not a record of events; it is an act of creation. The best diarists know this instinctively. Anaïs Nin knew it better than anyone. Her diaries were not mere confessions but performances, half-lit mirrors where the truth shimmered, distorted but no less real.

Nin understood that life is not lived in a single register. Her diaries are a study in contradiction—one moment, she is in love; the next, repulsed. She is independent yet wholly consumed by those around her. But contradiction isn’t falsehood; it’s literature. She rewrote and edited her diaries, sculpting herself into the character she wanted to be. And is that really so dishonest?

People love to be outraged by the idea of a diary that is not entirely factual. But fact is not the same as truth. Diaries, at their best, are emotional truths, shaped by mood, by desire, by the need to impose a narrative on the chaos of daily life. Nin was not interested in being objective—she was interested in being immortal. She once wrote, “We write to taste life twice, in the moment and in retrospection.” But why stop at tasting? Why not rewrite, reshape, embellish? If we can curate the lives we present to others, why should we not do the same for the versions of ourselves we leave behind?

Nin herself was a master of this. She edited her diaries before publication, removing, refining, turning herself into a protagonist. She blurred lines, shifted timelines, made herself more alluring. She called it shaping reality. Others call it lying. The truth, of course, is that all personal writing is selective. Even in confession, there is curation.

The danger, of course, is that history will take the performance at face value. That the diary, once private, will harden into biography. But this, too, is a kind of truth. A diary is not a static object. It lives, it breathes, it deceives, but always in service of something larger than the mundane details of existence.

[lone-nyctophile]

There is no greater innocence than our gentle sin.

[flowersandfashion]

hot twink is tied up and penetrated

A Collection of Homoerotic Paintings of Saint Sebastian

Carlo Saraceni, c. 1610 /// Nicolas Régnier, c. 1620 /// Guido Reni, c. 1625 /// Nicolas Régnier, c. 1625 /// Louis Finson, c. 1613 /// François-Guillaume Ménageot, c. 1760 /// Guido Reni, c. 1615 /// Nicolas Régnier, c. 1620

[fromdarzaitoleeza]

From Two poems by Mahmoud Darwish

[puffycinnabunny]

Electric field or smt

[ophelia-is-not-okay]

Why does it always have to be in another universe and not this one ?