#writing out of pitfalls

[thewhizzyhead]

if I said eisa davis' influence in making lmm actually write something rather radically progressive has subsequently inspired me to return to my roots of actually fucking thinking of making radically progressive musicals after a 3-year long hiatus in doing so, then what-

[aroaessidhe]

2024 reads / storygraph

The Principle of Moments

start of a scifi space opera series

a teen girl in the far future where humans are oppressed learns she has a destiny & a lost sister and escapes

and a young time traveler who’s given up trying to find his father through time, and is about to settle in 1812 with the prince he loves, but is unwillingly thrust into the future

they both learn their fates are entangled by a prophecy, and have to race across the galaxy, followed by a galactic emperor and the legacy of heroes from an ancient religion

[paroxysmaljune]

i have LITERALLY no idea how to make my oc stuff a "presentable"* form and i was hypothesizing a visual novel the other day which primarily got shut down by the fact that quote 'i dont want people playing as [my ocs]'. i would be making the player read a picture book. you get no choices here

[daydreamerdrew]

The Avengers (1963) #38

[hockpock]

Genshin is hurting me again

[e-louise-bates]

Kinda funny how I actually enjoyed cataloging when I was working in a library, but now that I'm taking a class on cataloging my brain has started shutting down at the very mention of the word ...

[magicalgrimm]

I’m just gonna write out my watch list here (what I’m watching and what I want to watch eventually), feel free to add any recommendations

Wander over yonder

Ok ko let’s be hero’s

Corporate tv show

Dofus and wakfu

Ducktales

Aachi and Ssipak

The venture bros

Hazbin hotel (might as well)

Everything related to the Teenage Mutant Ninja Turtles 

Transformers

Giant robo

My hero academia

The boys (big maybe)

Scissor seven

Tokyo goul

Kaiba

Inu-oh

Mao-mao: hero’s of pure heart

Ballmasterz 9009

Little demon

Utopia

I could go on and on, but I don’t wanna 

[afewproblems]

hello first of all happy belated birthday and second i’ve been following you for so long and literally just now realized your url is “a few problems” my brain has been reading it as “AFW problems” wondering whatever that means, like what does AFW stand for? what are the problems there? haven’t been able to say but turns out my brain just skipped over the E

anyways, felt the need to let you know this, hope you’re having a wonderful day

Thank you so much for sending this! (And so sorry about the wait, this week has been crazy!)

I've had so many experiences of reading words or urls a certain way in my head only for someone to say it aloud or for it to appear slightly different when someone types it out and I have that moment where it clicks that I've been hearing/reading it in my head differently - I totally get it!! 😅

[rosemuc]

i've been writing a lot in english lately and it has made me realise more than ever how funny my experiences learning the language were

[imastoryteller]

Writing Angry Scenes: Tips to Avoid Melodrama and Make It Real

Anger can be one of the most intense, relatable emotions to read—and one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the character’s feelings seem overblown, forced, or even cringe-worthy.

So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.

1. Understand What Fuels Your Character’s Anger

To write anger authentically, you need to understand its roots. People get angry for complex reasons—fear, frustration, betrayal, grief, and even love. Ask yourself what’s truly driving your character’s anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.

When you understand the core reasons behind a character’s anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.

2. Show, Don’t Tell—But Don’t Overdo It

“Show, don’t tell” is classic writing advice, but it’s especially crucial in angry scenes. Don’t rely on generic phrases like “She was furious” or “He clenched his fists in anger.” Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.

That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many “flaring nostrils” can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.

3. Use Dialogue to Reveal Hidden Layers

People rarely say exactly what they feel, especially when they’re angry. Angry dialogue isn’t just about yelling or throwing out insults; it’s an opportunity to show the character’s deeper thoughts and vulnerabilities.

Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your character’s dialogue feel genuine, even haunting, without falling into dramatic clichés.

4. Control the Pacing of the Scene

The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesn’t always erupt instantly; it can simmer, spike, or deflate depending on the situation and the character’s personality. Experiment with different pacing techniques to create tension.

You might build the anger slowly, with small signs that something’s brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the reader’s emotional engagement, drawing them in without overwhelming them.

5. Avoid Clichéd Expressions and Overused Reactions

When writing anger, avoid falling back on clichés like “seeing red,” “boiling with rage,” or “blood boiling.” These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your character’s anger might feel specifically to them.

Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, you’ll help readers feel the anger rather than just reading about it.

6. Let the Setting Reflect the Emotion

The setting can be an effective tool to amplify a character’s anger without overstating it. Small details in the environment—such as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughter—can create a sense of contrast or isolation that heightens the character’s rage.

For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe they’re in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.

7. Let Consequences Speak for Themselves

An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters don’t always have to yell or physically react; sometimes, a single choice can convey more than any outburst.

Perhaps your character cuts off a close friend or says something they can’t take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.

8. Let the Emotion Simmer After the Scene Ends

Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?

Allowing the anger to simmer in your character’s mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesn’t just disappear the moment the scene is over, adding emotional weight to both the character and the story.

[hazmatmaid]

honestly scared as hell sometimes of writing my ships because i often see people pointing at some opinions i tend to hold, and going "lmao you have an issue with that?? you're the cringe one, loser, just embrace it" like i'm not fucking trying to make them compelling in their own right.

[hanyjar]

TYPING ALL OF EM DOWN ON MY LIL NOTES APP RN 🫵🫵 the secret history and the goldfinch has been marinating on my reading list for so longgg i’ll have to get them soon HAHHA 🫶🫶

LET ME KNOW IF U DO!! her writing simply hits different. also i know people say it time and time again but really the book for the goldfinch is heaps better than the movie 😭 i think the book is like?? 771 pages long??? (so ermmmm good luck if you decide to pick it up……) and ofc a #two-hour-long movie can’t cover it all, but the depth and intricacies of the characters are just not there in the live adaptation </33 definitely team book on this one.

thanks for chatting with me lovely 🥹🩷

[brittanyearnestauthor]

Writing Dialogue More Effectively

I know I’ve discussed writing dialogue before, but there’s always more to learn about this complex (and sometimes dreaded) task. Whether you struggle to write dialogue or are simply looking for a deeper understanding of its nuances, this post is for you.

The Strengths of Character Dialogue

To create impactful dialogue, it’s important to focus on the strengths that make your characters more relatable and engaging to your readers. Let’s explore some key traits that contribute to effective character dialogue:

- Staying calm under pressure: Characters who don’t lose their temper easily have more room to grow. By taking the high road, they can explore their world and convey meaningful messages to your readers.

- Exhibiting strong communication skills: Clear communication helps your characters relay information and connect with the audience. Since your characters are at the forefront of the story, their ability to communicate effectively is crucial.

- Offering advice: When your characters share advice with others, it makes the dialogue more powerful. This can also serve as an opportunity to provide your readers with advice you wish you’d received yourself, leaving a lasting impact.

- Asking questions: Questions make dialogue feel more natural and engaging, reflecting real-life interactions. They also provide a chance to address important topics and normalize seeking help—an act that can resonate with readers.

- Being friendly: Friendly characters help dialogue flow smoothly and create personas your readers will root for.

- Checking in with others: When characters take the time to ask how others are doing, it fosters realistic relationships and reminds readers of the importance of supporting those around them.

- Sharing emotions: Dialogue that reveals a character’s feelings makes them more relatable and allows readers to connect with their experiences. This can be especially impactful when handled with care.

- Asking for help: Including characters who aren’t afraid to ask for assistance adds authenticity and demonstrates the value of seeking help—a message your audience will appreciate.

The Weaknesses of Character Dialogue

While some dialogue traits enhance a story, others can hinder it if overused. Here are some common pitfalls to watch out for:

- Quick tempers: Characters who frequently lose their cool without showing growth can come across as self-centered, alienating readers.

- Poor communication skills: If characters constantly struggle to communicate, it can disrupt the flow of your story. However, this can work if used sparingly to showcase growth.

- Self-absorption: While a bit of self-interest is realistic, excessive focus on oneself can make characters unlikable and harm the narrative.

- Reluctance to talk: Silent or withdrawn characters may create gaps in reader connection. However, showing them open up over time can make their growth more meaningful.

- Dishonesty without consequence: A character who lies without facing repercussions sends a troubling message and might frustrate readers seeking justice.

- Avoidance of crucial conversations: Skipping important discussions can make characters seem unsympathetic and hinder development.

- Constant negativity: Characters who are hateful or bitter all the time can alienate readers. Sprinkle in moments of lightness or change to keep them balanced.

- Being a "know-it-all": Overconfident characters who never falter can make stories predictable and less engaging.

- Isolation: Characters who avoid interactions miss out on opportunities to drive the story forward and build connections.

- Bottling up emotions: While this can work in certain genres, overusing it in general storytelling risks creating a sense of detachment between characters and readers.

- Taking on everything solo: Overly independent characters may stall the story. Collaboration helps characters grow and keeps the narrative dynamic.

Using Dialogue Effectively

Now that we’ve examined the strengths and weaknesses of character dialogue, let’s discuss how to use it effectively:

- Scenario one: *"Hey, Becky. Can you help me with my science project? It's due tomorrow, and I haven’t got a grasp on the subject."*

This example clearly shows the character asking for help while explaining their need, making it relatable and easy to follow.

- Scenario two:

*"Can I ask you a question?" asked John.

"Yes, of course," Jake replied happily.*

This illustrates a natural and positive exchange, showcasing how characters can interact smoothly.

When crafting dialogue, remember to consider your story’s unique context and the role each character plays.

Writing Natural and Authentic Dialogue

Writing authentic dialogue might seem daunting, but it doesn’t have to be. Pretend you're having a real conversation and jot down what comes to mind. You can even role-play with a friend to capture the flow of a natural exchange. The key is to make it feel real and meaningful.

Examples of Effective Dialogue

Great examples of natural and impactful dialogue can often be found in movies, TV shows, and books. Pay attention to how characters interact in stories that resonate with you. Personally, I’ve found The Jessica Brodie Diaries series by K.F. Breene to be an excellent example of effective dialogue, compelling storytelling, and character development. (Note: These are romance novels for mature audiences!)

Conclusion

Writing dialogue is an intricate art. Your characters, though fictional, must communicate in ways that feel real and relatable to your readers. Keep practicing, experimenting, and fine-tuning your dialogue, and you’ll discover the magic of bringing your characters to life. Happy writing!

[zoe-oneesama]

How do you not suffer like soul-crushing burn out and exhaustion from making so much content so quickly? Like that seems like something that would degrade the quality of your work over time and basically incinerate a person. How do you avoid that?

For Scarlet Lady specifically, I didn't even start publishing pages until I had the entire "Origins" episode drawn, lined, and "colored". Back then, I was posting two pages a week, so that bought me about a month to work on the next part. I self-imposed a rule that I needed to draw at least one new page for every page that was posted, so I was never less than 7 pages ahead.

At one point, I changed how I was planning chapters - in "Origins - Part 1", "Origins - Part 2", "Stormy Weather", and "Bubbler" were all made using my old method of "write a page when you think of a joke" method. When I got to "Lady Wifi", I started planning the whole chapter start to finish with an overall plot and then making the script with jokes after the general episode was planned, which overall sped up my work.

Soon I was full episodes ahead of what was being posted. I was able to increase posting to three times a week and it wouldn't bite into my headway.

When I hit "Volpina", my favorite episode to work on, I had so much fun that I was finishing two pages a day. And then it happened again in "Dark Cupid". And again and again and before I knew it, I was like half a season ahead of what was being posted.

When I went through bouts of burnout, I had plenty of headway to take a break. I know mine isn't a perfect model to replicate for everyone, and there's certainly pitfalls (like canon adding something that changes a joke I made two months ago, or new lore dropping, or not being able to immediately implement reader feedback where it's warranted), but for burnout, it worked for me.

[madschiavelique]

﹒ ✦ 𝐀 𝐂𝐑𝐎𝐖𝐍 𝐎𝐅 𝐈𝐍𝐊 : 𝐂𝐡𝐚𝐩𝐭𝐞𝐫 𝟓 — 𝐓𝐞𝐦𝐩𝐞𝐫𝐚𝐧𝐜𝐞

✦﹒ 𝐒𝐔𝐌𝐌𝐀𝐑𝐘 : viktor and reader work together in the library (so much banter, it's insane), then maybe there's a small fight because a guy called viktor a cripple and that causes some issues

✦﹒ 𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 : mentions of blood but really not that much tbh

✦﹒ 𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓 : 5,4k

✦﹒ 𝐍𝐎𝐓𝐄 : you thought i was gone on this one huh ? WRONG. we're so back babies! i know it's been 2 years since i've touched this baby okay, but i'm back now! hopefully i will get more time to write about this lil guy bc i love this fic.

✦﹒ 𝐏𝐑𝐎𝐎𝐅𝐑𝐄𝐀𝐃 𝐁𝐘 : the lovely @yaffles-world

𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓．．𝐃𝐈𝐒𝐂𝐎𝐑𝐃 ．．𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓．．𝐌𝐘 𝐊𝐎-𝐅𝐈

✦﹒ 𝐓𝐀𝐆𝐋𝐈𝐒𝐓 : @doctorho

For the rest of the two long hours, Heimerdinger continued his lesson.

The class had come to an end, you silent, the class teeming with gossip. Professor Heimerdinger had distributed the subjects one by one to the students at the end of the lesson. He was a perfectly reasonable, friendly teacher who tried to make his pupils laugh at the expense of their historical knowledge.

When you had a lesson with him, you knew you were listening to a teacher who was wise enough to turn events and experiences into jokes to lighten the burden of his history lessons.

He was always on the lookout for questions and comments from the students, not hesitating for a moment as he gave the subjects to the groups one by one to point out the difficulties they might find and the pitfalls that might await them.

In short, Heimerdinger wanted his students to succeed, not to see a decline in the Piltover Academy's chances of success, which in the eyes of many seemed to be something to crow about rather than something to be ashamed of.

The very idea of being one of the few students to overcome these difficulties and succeed was, in your eyes, the greatest reward that could ever be given to you.

“Young folks,” he said, pointing to the two of you. “Come this way. I have reserved a subject especially for you.”

Heimerdinger didn't do things haphazardly. He gave students subjects that reflected them, or at least where he knew the results would be most interesting. You couldn't help but fear what he was up to.

When the students had dispersed, the tinkle of Viktor's cane sounded until he arrived at your side. You sighed audibly as you looked at him, crossing your arms over your chest as he gave you a winning smile.

He seemed to enjoy it when you got angry, and took great pleasure in teasing you constantly. Had he been a friend, you wouldn't have held it against him, even though your list of friends consisted mainly of Eris, Sky and Jayce. However, a friend wasn't supposed to be a problem for your success. There's only so much space in the academy for students who come out on top, and you weren't about to give yours away.

“Good,” he said at last as the last student passed through the doorway. “There's no need to point out that you two are the sharpest elements of this class, you're well enough aware of that, as is the rest of the school certainly.”

Your bickering and petty battles almost made the corridors of the school come alive again with the excitement of rumour and gossip partaking in your reputation.

“None of the fellow teachers in this establishment seem to have brought to the table, however, a possibility which seems to me to be the most interesting for both of you: teamwork.”

You arched an eyebrow, finding the reasoning profoundly moronic.

“Sir,” you couldn't help but point out, “this school is eliminatory. Why would you want to associate students who won't necessarily all have the chance to pass the exams?”

Heimerdinger chuckled, “I'm not doing it with the prospect of a pass or a gold medal waiting for you at the finish line, Miss.”

You tilted your chin up in a slight pout of surprise.

“You see, I'm not necessarily trying to prepare you for the exams, but for what will happen once they're over. Having a diploma is all very well on paper, but what counts most in the end will be what you achieve.”

“All right,” you admit, “but why put us in a pair like this?”

“It's quite simple,” he jumped up from his desk, trotting across the floor to stand in front of you, your eyes downcast on him. “In the working environment, you don't always find a shoe to fit. And when you don't have the power to dismiss your colleague just because you don't like them, you have to learn to sacrifice your temperament for the sake of the common good. Now, I'm not asking you to make sacrifices, that word is far too violent, but I am asking you to compromise.”

You exchanged a look with Viktor, your fists clenching until your knuckles were white. You'd already made enough compromises for one lifetime, and now you had to go on? He, for his part, didn't seem too bothered by the situation. How could he be so calm? So serene about the idea of cooperating?

“You don't always work with the person of your choice, and not always on the subjects you'd prefer. Oh, that's just it! Speaking of subjects…”

He stood on tiptoe, grabbing the last sheet of paper from his desk and holding it out to Viktor.

The latter, for once, frowned in pure confusion and even perhaps... irritation?

“The evolution of Zaun's power?”

Your eyes narrowed before shifting from Viktor to Heimerdinger, “Are you joking?”

“I do love to laugh young lady but the shortest jokes are the best. You both seem, for different reasons, to have an excellent knowledge of Zaun. Its political power, its evolution, and even the iconic figures who can make themselves forgotten in the shadows of its depths.”

You exhaled a shaky breath, trying to remain upright and not revolt on the spot. Heimerdinger seemed way too amused and happy of his little scheme.

“Any questions?”

Viktor read the subject and what you had to complete, “Do you have any books to recommend to us Professor?”

Heimerdinger's voice became a blur as your thoughts drifted like the Grey in Zaun. Every corner of this city was out to kill you, and even when you were out of it, it followed you like your shadow.

Were you ever going to get out of such a cycle, out of this city’s grasp ?

“Miss?”

The teacher's voice brought you back down to earth. Distracted, you simply offered a confused hum in question so that he would repeat his last words.

“Your assignment is due in a month. That gives you time to put your differences aside and find a way of working together. If you'll excuse me, my next class is coming up soon.”

He gestured towards the exit, and soon enough you found yourselves in the corridor. The momentary emptiness of the hall almost seemed to bring you back to reality.

You drew in a breath, meeting Viktor's gaze beside you. You couldn't afford to get a bad mark, especially not for a Heimerdinger course. He was one of the most renowned scientists in the country, with his own seat on the Piltover council. To produce mediocre work would be to end your career on the spot, and you were prepared to at least try to cooperate with someone like Viktor.

“Why are you not begging the teacher to put us both in different duos?” you asked while Viktor was still reading the subject content.

“Hm, I think it might be fun.” he said, not even glancing at you.

You scoffed, “You and me?” your trigger finger pointing back and forth between the two of you, “Together? Fun?”

His eyes dropped from the paper, scanning you with a changed interest.

“You'd rather go back in there and ask for a rematch like a loser?”

A muscle near your eye tensed for a moment.

He sighed, his eyes returning to the subject, “Admitting defeat takes strength.”

“So you think I'm weak ?”

But Viktor didn't seem to have the slightest interest in you at the moment.

You relaxed your shoulders, sighing. There was no point in trying to beat him, you weren't - on that subject at least - in competition.

“Can I see the subject?” you asked, reaching for the paper, but he removed it from your reach in an instant.

You frowned, this wasn't going to be easy.

“Do I disgust you?” he asked.

The question caught you off guard, your eyes blinking several times as you almost looked at him with fresh eyes.

If the question was purely physical, no, Viktor didn't disgust you. He was always accompanied at all times and in all places by that same invariable weariness that gave him a particular elegance. He had features common in Zaun, brown hair, amber eyes, and an accent that made some of the girls in your class drop like flies.

When it came to his character and personality though, it was another thing entirely.

“You annoy me,” you replied, managing to snatch the subject of his hand with enough agility that the gesture left him surprised, “but you don't disgust me.”

He remained silent for a moment. You could feel his eyes on you as yours fell on those of the subject.

“The only thing that disgusts me is your taste in pasta,” you confirmed.

He let out a little laugh, the kind that mixes humming and nose blowing, the kind you do when a remark makes you nostalgic.

“Friday, 5pm, library, don't be late.” he said simply, the clink of his cane echoing on the floor as he began to walk away.

As your eyes roamed over the page, you couldn't help but take in nothing of what was written. Your mind was stuck on him, on the trick Heimerdinger had just played on you.

He had just orchestrated a game that the whole school was going to bet on, the teachers were going to look at your situation in a new light, and in the worst case scenario, multiply the group work to put you both in pairs.

Your heart looped as you realised that this was undoubtedly another test. Heimerdinger was going to observe which of you was the best performer, the most pliable, the best at teamwork.

You had to be flawless, you had to.

Friday came earlier than you imagined, and you weren't looking forward to it in the least. You hadn't stopped thinking about it, finding yourself on numerous occasions distracted during your homework.

The card of the day you had drawn was Temperance, and the little booklet told you:

Alchemy. Mixing and harmonising opposing forces and concepts. Maintaining opposing ideas and encouraging complexity in life. Fusion produces evolution.

The archangel Gabriel, the angel messenger, is represented on the card. He wears the sign of the sun on his forehead. This is also the alchemist's symbol for gold. This card reflects the changing of the seasons and the adoption of new ideas. Temper in Latin is the act of repetition to invoke skill or to refine something, to make it sharper like a sword.

What a pain that was, and to think you'd have to endure this for a whole month of deep research and hours spent by his side working, together.

You dragged your feet as you made your way to the academy library.

It was a magnificent place, filled with the smell of varnished wood, old paper and dried ink. The ceiling was arched, the bookshelves forming real walls that separated the room like rows of pews in a church. If it hadn't been reserved for the academy's research students, it would surely have been on Piltover's list of monuments to visit.

There weren't many people there, apart from a small handful of students finishing their homework before basking in the arrival of the weekend. You were a good fifteen minutes early, and didn't see Viktor at all.

You were just about to put your bag and things down by a table and start your research, when a voice you wouldn't have preferred to hear at the time greeted you:

“Ah, there you are,” Viktor approached, coming out of one of the library corridors, “I just needed some help to get to the higher tomes.”

With his free hand, he held up a small stack of tomes, pressing them under his chin before placing them on a table with two or three other books already laid out.

You sighed, moving your things over to his table, “Have you been there for long already?”

“Why, do you care about me?” his cheeky grin made you roll your eyes.

“I think you overestimated my greatness. Which shelf?”

He said nothing, making his way to one of the shelves. You followed him. Fortunately, the women's uniforms at the academy had trousers. You wouldn't have known what to do if it had been otherwise and you'd ended up on a ladder above him.

“You know,” he began as you reached the meagre ladder to the upper shelves, “I've been looking forward to working with you.”

You arched an eyebrow, your hand gripping the ladder as you looked at him in confusion.

“Why?”

The two of you were only picking on each other, you were avoiding him like the plague, and you'd made it clear to him several times that your situation was that of a competition. So obviously you had a right to be surprised as to why he'd want to work with you.

He shrugged. “You were the top student before I came here, surely there must be a reason behind it.”

You expelled an abrupt puff from your lungs, your breath taken away by his insolence. You could only expect it after all.

You climbed a few steps up the ladder, looking for Zaun's historical tomes.

“Is that supposed to be a compliment, or am I to believe my working buddy seeks to diminish me to a fictive second rank?”

“We're in a library, alas, reality catches up to this fiction, miss number two.”

You clutched the volume in your hand, your nostrils flaring for a moment in anger. He knew how to annoy you, and you never seemed to find a single point on which you could reciprocate.

You held out the tomes one by one for him to take. “Guess I could work on a pet name for you too.”

“Be my guess.”

Once his arm was full, you took a few tomes in your hands before climbing down the ladder and walking towards the table. “And make you the honour of thinking of something to be done for you ? I'd rather lick sandpaper.”

He feigned disappointment, “So I do disgust you, this pains me.”

You set the pile of volumes down on the table, reaching into your bag to pull out paper and pens.

“Yeah well, You were supposed to pretend I didn't exist, not try to bother me to death. So I guess we're both disappointed.”

He took a seat, grabbing a volume and placing it in front of him. “So I bother you ?”

You sat down opposite him, imitating his gesture as you searched with interest for a tome to start with.

“What a transcending sense of observation you have.”

He brought both his hands up in front of him, resting his chin on the backs of his fingers.

“How do I bother you?”

You were starting to get annoyed by his questions. You had come here to work, not to chat.

“Your simple existence?” you replied, staring into his eyes.

He sighed, opening his book and noting on the page its title.

“As if yours wasn't proof that failure has a sense of humour.”

You said nothing, letting his comment wander in the air as you started your own research in silence, locating the chapter of interest to you in the table of contents.

“But seriously,” Viktor continued, “why do I bother you?”

You sighed, pinching the page you were on before shifting your eyes from the words on it to Viktor's curious amber gaze.

“You want an honest answer ?”

He nodded. You let go of the page, straightening up.

“You come into my life and wreck everything I've built brick by brick, wouldn't you be the slightest bit frustrated if that happened to you ?”

It was his turn to be silent this time. He seemed to look at you differently, as if, by some miracle perhaps, he'd just realised what was at stake for you in this situation.

He wasn't even touching the tip of the iceberg of why you'd come to the Academy, but for a moment he seemed to understand how important it could be for you.

Your eyes returned to your page, trying to find keywords to write down or information to record.

“You surpassed me in the exam, teachers love you, you make great friends…”

“Almost sounds like you're obsessed with me.”

Your lips parted, eyes wide as you looked at him as if he'd just slapped you, leaving your cheek and your thoughts with a warm tingle. You were so surprised that nothing came from your lips, which was beginning to be enough for a flash of mischief to cross Viktor's eyes and for the corner of his lips to form a sneer.

“I'm not.” You finally reply, trying to remain composed and not to stammer for anything in the world.

“Denial would've worked before the long vacant stare,” he says, advancing slightly on the table.

“Why do you have to be like that?”

“Like what?”

You humph, dropping back in your chair in despair.

“Better than me.”

He recoiled slightly, as if the remark was completely far-fetched and unfounded.

“There are thousands of people better than me, why do you have to focus on my poor self, hm? Did I barge in your territory?”

He had, unconsciously he truly had. It was you who was supposed to be first, otherwise the consequences would've been mentally dire.

“Take it this way,” he continued, “there's surely something you're better at than me.”

You couldn't think of much on the spot, especially not when there was a possibility of you making a list of things he topped you in. There was surely one thing though.

“Running.”

He opened his lips in surprise, a smile stretching across his face which he hid with his hand. You were already regretting what you'd just said.

“Jayce is going to be the first one hearing about this.”

“No it's-”

“So you're participating in a system made against disabilities.”

“I never-”

“Are you going to steal my crutch next in hopes of beating me to a race?”

“You're never going to drop this now are you ?”

“With such a statement ? Never.”

“Whatever let's just- let's just work.” you mumble, your cheeks flushing with embarrassment and shame as you desperately try to move on.

He gave one last chuckle before getting back to work. He seemed to be reading a tome on the history of the masters of Zaun.

“About Tytos, I still think you've got that wrong.” he said as he read another page from the tome.

“I think I'm going to smash your face in.” you replied calmly without looking at him.

“As if you could reach me.”

“You know what-” you began, raising your voice.

However, somebody shushed you in the room, restricting you to remaining calm.

“Raising your voice in a library? You'd have to be a stupid fool.”

“Trying to contradict me when even Heimerdinger considered my answer excellent is not the wisest either.”

“Heimerdinger would tell a snail that goes slightly faster than the norm it's excellent. But maybe your low self esteem is just common sense.”

“Maybe my self esteem will just leave this library right now.” you say, crossing your arms on the table.

“And leave me to pursue this matter on my own? That wouldn't be very serious, miss number two.”

You sighed, getting back to work. Your blood was boiling in your veins just from sitting at this table.

“None of the books mention Tytos.”

“Since when do you trust Piltover books on the accounts of the history of Zaun ?”

Touché. He raised his eyebrows as if it were the only relevant thing you could have said.

“You never said where you were from, in Zaun,” he remarked.

You tensed slightly. “Why do you want to know that ?”

“We're making an exposé on Zaun, we're both from there, might as well just know it,” he said, raising his eyes to yours.

You watched him for a moment, he didn't seem to want to make a joke of you once your answer was out of your mouth. But in any case, you weren't going to give it to him.

“You wouldn't know,” you replied simply as you jotted down another date.

‘I'm sure that I-”

“You don't want to know.’ you said firmly, the seriousness taking over your face to assure him that this was certainly not territory he wished to venture into.

He frowned, confused. He seemed deeply intrigued by you, and that made you uncomfortable. Never before in your life had anyone asked you so many questions about yourself in such a short space of time. And so here he was, shaking up every one of your pillars like a bowling ball knocking over pins.

This one, however, was not about to give way.

You looked at your watch for a moment, sighing.

“Let's work for one more hour. We'll make a plan and subparts of what we'll talk about at the end of it.”

This time Viktor seemed to get the message: silence. 

You couldn't help glancing at him from time to time. You noticed the way his long fingers flicked across the pages, the way his eyebrows furrowed as he read, the way he rested his cheek on the back of his hand with a sigh as he read a boring piece of writing. 

Or when he would click his pencil for a moment to write something down, and his handwriting would lie gracefully on the paper, scratching the grain of the paper.

It was not without surprise that, once the hour had passed, there was hardly anyone in the library but the two of you. 

When you explained your plan for the presentation to Viktor, he agreed, simply giving a few perfectly critical and serious remarks without condescending to him in any way.

“Good. I think this is a good time to stop for today,” you said as you stood up, taking a stack of books in your arms.

All in all, working with Viktor like this wasn't so bad, when it was done in silence. But as soon as either of you opened your lips to say anything, politeness left the room in great strides.

You put each tome away in its old place, both of you taking your things, and left the library. The academy wasn't closed yet, and some people still had classes or were hanging around in the corridors.

You walked side by side, your pace the same as Viktor's. All the students seemed to turn around as you passed, your duo seeming like a pair of circus animals. 

You glanced at Viktor, who didn't seem in the least affected by this.

However, a trio of students were watching you with evil, mocking eyes. You couldn't help but tense up, however, when the one who seemed as tall as he was stupid remarked: 

“Die already, cripple. You're slowing the traffic.”

Your shoulders tensed as you walked, expecting to do what you'd always had to do here despite the taunts: ignore and move on.

But Viktor wasn't going to listen to you like that.

“Thank you for your advice, I'll try euthanasia once you'll be able to count higher than the number of butterfingers you've got.”

A few chuckles echoed in the corridor at his reply, but the young man seemed to be boiling with hatred. It was as you passed in front of them that, in a cowardly move, he kicked Viktor's cane.

He lost his balance, falling face first to the ground as his cane fell beside him. The air stopped for a moment with the shock of the gesture, your eyes shifting from Viktor on the ground to the idiot who had just knocked him over. Students knelt down beside him immediately to help him.

“Oops, my foot slipped. Sorry.”

But nothing, of course, conveyed any regret at this behaviour.

He turned his back and walked off with his group of friends. Your blood ran cold.

Quickly, you grabbed Viktor's cane, which was still on the ground, and made it whistle through the air before it struck the back of the student's knees. It was his turn to shrivel up on the floor, and he immediately turned to you, his cheeks red with anger.

“Oops, my hand slipped,” you said, glancing at the crutch for a moment before returning to him. “Sorry.”

You turned back to Viktor, handing him his crutch. He looked at you with fried whiting eyes, deeply surprised by your gesture without moving a muscle.

“You fucking slut…” you heard behind you.

But as soon as you turned around, a sharp blow hit you in the cheek. The force of it knocked you back two steps, a metallic taste spreading through your mouth. You brought your fingers to your lips, hissing as you touched them, your bottom lip burning. Bringing your fingers back into line of sight, you found them bloodied.

You turned to the student, his face far too satisfied for your liking.

‘’What a brilliant idea,‘’ you breathed as, in one swift movement, you struck his crotch with the crutch.

He bent over instinctively, gasping for breath, before you punched him right in the nose. He fell, cowering on the ground like a miserable insect.

"What's going on here?" asked a stern voice.

Madame Agrane, one of your teachers, came into the corridor. Her eyes fell on Viktor on the floor, your lip split, the student on the ground surrounded by his two friends.

“Everyone in my office, now.”

You pressed a bag of ice cubes to your cheek, sitting next to Viktor who was clutching his crutch in his hands. As for the idiot, he kept grumbling and giving you nasty looks. You recognised him now, the student from the museum, the one that had called zaunites rats.

"Can someone explain to me what happened for you all to end up in such states?" questioned Agrane.

You were about to start but the idiot beat you to it.

"Madame Agrane, I was just minding my own business in the corridor when these two pupils came up to me! One was hitting me with his crutch while the other was punching me. I don't know what I've done to deserve this.' He exclaimed theatrically, Viktor and you looking at him like the most ridiculous being to ever be.

If there was one thing that helped your reputation, it was that you were known as serious students, who didn't fall into the category of those who would start a fight in the corridors for no particular reason.

"That is far from the truth," Viktor retorted calmly. "He insulted me, then made me fall, and then...’

He seemed to be hesitating over his words, or at least looking for the right term. He turned to you, letting his eyes drift for a moment to your split lip, and then back to Madame Agrane's gaze.

"... My friend protected me."

Friend? the word made you clench your jaw, inhaling. It was just a lie, just a word brought to the front to give your teacher sympathy. No, he certainly didn't mean it.

The teacher looked at you, seeming more convinced by your story than the other. Noticing this, the student couldn't help but plead his own case: 

"Madam, these two students come from Zaun. The blood of violence will always run in their veins."

Agrane seemed to give you a new look, as if you and Viktor were ready to pounce on her like two wolves.

"Is this a joke? You started all this," you said, offended.

"Beating you up would have brought greatness to Piltover." he replied.

"Oh, look at you, attempting greatness! Pity it's just an attempt." you sighed, pressing the ice pack a little closer to your cheek to put out the fire your anger was beginning to spread.

"Madam Agrane," he continued, turning to her, "you know what my patron will think about this. Imagine his reaction when he will hear how you have treated his favoured student?"

You had no idea who his patron could possibly have been, but she didn't hesitate for a second to say: 

"Miss, you'll get an hour's detention for your violent behaviour in the corridors. I hope I don't have to catch you again doing such barbaric acts."

Your eyes widened just as much as Viktor's.

"What?! But he's the one who-" you tried, pointing at the idiot who was smiling victoriously.

"There's no buts about it. The discussion is closed. You'll have your detention period this Monday."

"Madam, I think there's been a mistake." Viktor began.

"Do you want to be given detention too, young man?"

Viktor remained silent, sighing before lowering his eyes to the ground.

"Good, see you on Monday, then."

The fool stood up first, walking past you with a foolish grin on his face.

"Bet it feels just like home to be in prison by monday, hm?"

Your lip hemmed in disgust, your nose scrunching up.

"Try what you've done just once more, and I'll personally make sure you have no offspring."

He looked slightly frightened for a moment, then frowned like a child before leaving the room.

You sighed, standing up. You wanted to get out of here right away, away from the horrible feeling of injustice in your heart, away from the word ‘punishment’ burning into your skin.

Your free hand instinctively came to rest on your shoulder for comfort, and you stood up to get your things.

“You didn’t have to do this earlier, you know.” Viktor said.

You sighed, walking towards the door. “Whatever, what is done is done.”

"Hey," Viktor said, standing up behind you.

You didn't even turn to him.

"Thanks, I wasn't expecting that at all."

You waited for something, for anything that would come after what he had just said, but nothing came. Your turned to him.

"Is that all? No remarks about how I'd have been better off hitting him somewhere else, or stupid sarcasm about my action?"

He seemed surprised by your reaction, his face puzzled and almost saddened.

"We're not friends." you said, your face as cold as the ice pack on your cheek. "We're..."

But what were you apart from rivals? Two rivals working together to do a job that would rely on both of you, that wasn't really rivalry. It was camaraderie in a way, you were classmates, but friends?

You pursed your lips, a slight trickle of blood beading from them.

"See you next week."

Without further ado, you left the room. You walked down the corridors, the students staring at you like an alien. You were suffocating under all those sharp, curious, numerous stares. You pressed on, leaving the academy as quickly as possible.

Once outside, you took the first quiet alley you could find.

“Shit!” you swore, pressing your back against the first wall you could find.

You brought your hand up to your forehead, sighing until you almost felt your body slide down the wall, running your palm over your face in frustration and exhaustion.

You wanted to cry, the weight of everything feeling like it was zipping up on you like a body bag. You'd been stupid, acting on your emotions. You should have kept your head down, let the administration do its job, not invented a life of heroism trying to redress the balance that some fool had tipped.

You didn't even like Viktor, but you'd still jumped at the chance to do him justice. No, you didn't like Viktor any more than that.

But you respected him.

Could you be friends with him?

The question passed through your mind for a moment, but you ended up putting it out of your mind.

You let your head fall back against the wall. The thought of an hour's detention in your perfect record seemed to you like a thread sticking out of a beautiful dress, itching to be pulled on. You tried to console yourself, to come to terms with the fact that it was just another hour of extra study. But you couldn't help feeling heavy with pain.

Eventually you gathered up your things and walked home, hoping that the cool night air would help to quench the fire that was still boiling inside you. Winter was on your doorstep, and ready to complicate things.

✦﹒ 𝐍𝐄𝐗𝐓 𝐂𝐇𝐀𝐏𝐓𝐄𝐑

[bad268]

MercDuo (Andrea Kimi Antonelli X Mercedes Strategist! Reader)

Fandom: RPF/F2/F3

Requested: Yeah (I was wondering if you could possibly write something about Kimi and a reader who is very young, but works for an F1 team (maybe in the strategy side or on the pitfall as someone's engineer). Maybe even at Williams with Logan to create some drama about Logan being replaced.) (Anon, thank you for being so nice! I <3 you!)

Warnings: Danica Patrick mentioned (but Jenson Button is a reader-defender on live!)

POV: Second Person (You/your/They/them)

W.C. 1221

Summary: Kimi and the reader are the youngest driver-engineer duo in F1.

As always, my requests are OPEN

MASTERLIST // HITLIST

~~(^Pinterest)

You started your internship with the Mercedes-AMG Petronas F1 team when you turned 16 and in the short year and a half you were there, you flew through the ranks. When Bono told you he was stepping down to follow Lewis to Ferrari, you assumed the new person would be just as cool.

As it turns out, Bono personally recommended you to Toto Wolff to take his place as race engineer. 

Your boyfriend Kimi, who you met at a smaller karting track when you first started learning about engineering, was going to be your driver. There’s no way this could have gone right. There were too many conflicting relationships and forces for it to run smoothly. At least, that’s what the media said. 

Well, you learned from the best and the best nominated you to fill the void. That said something. Not to mention, Toto would not have put you in the role if he didn’t think you could handle it. That said something. And last but most certainly not least, you and Kimi always had a working relationship. 

Ever since you joined Mercedes after him, you two set clear boundaries. Rule number one, no flirting on the job if they are in the middle of something. Randomly in passing was fine, but it was kept to a minimum. Rule number two, you work together, and work to find common ground. Sounded like a given. Rule number three, work is work; leave it at the garage, track, factory, or wherever you are at. Work stays at work and it’s not brought home. Vice versa. Your personal relationship stays outside of working hours.

It was never a problem because Kimi was in the junior program and you were in F1, shadowing Bono. Obviously, with Lewis leaving, the new seat was open for practically anyone. Also, while you were usually a part of the driver decisions and contracts, the team conveniently left you out of the new driver decisions until Kimi himself told you he was taking Lewis’s place. 

This was fine at first because you already saw Kimi around the factory, and you would just be in the background during races. There was absolutely no crossover.

Yeah, then Bono decided to go with Lewis, and Toto promoted you to Kimi’s race engineer. Queue the iconic moments between you and Kimi.

Australia, round one of the 2025 season, was one for the books. Not only were you and Kimi excited to show off the new car (which is definitely championship worthy!), but the entire fanbase was curious (and some angry) to see how you and Kimi would match up against the rest of the grid. You two were barely legal, and neither of you had much experience. That’s what they thought, at least. You had been studying strategy since you could read, and you were ahead of your classes. It was the same story with Kimi except he was driving.  Both of you flew through your respective ranks and were highly regarded. Some people were anticipating you both living up to the hype. Others were honestly hoping you would fail. 

You both walked through the gates hand in hand toward the Mercedes garage. Journalists and fans alike shouted questions at you both, but you two just walked straight past them and put on some sunglasses. This was the first sign you both meant business, and it brought a lot of attention to Mercedes in general.

“Here we see Mercedes rookie, Andrea Kimi Antonelli, and his race engineer and partner, Y/n L/n,” Jenson Button said as you two walked past the camera where he was commenting on the prerace show. “They are probably the youngest driver-engineer duo in all of motorsports, but they are proving everyone wrong with Kimi topping the free practice sessions and bagging pole in qualifying.”

“Not many people know this, but Y/n actually graduated at the top of their class super early, and started an internship shadowing Peter Bonnington, Lewis Hamilton’s race engineer, when they were 16. While that’s impressive, I just don’t think they’re ready for this kind of pressure just yet. They only just turned 18, and 2 years is not enough experience before being the lead race engineer.” Leave it to Danica Patrick to say something condescending, but Jenson was not going to stand for it.

“I am a(n) Y/n-defender first, commentator second,” Jenson chuckled, but anyone watching or listening knew he was being completely serious. Jenson knew your character. He knew how hard you worked to get where you are, and he was not going to stand for anyone shit-talking you. It just made it a little better that he got to tell off his nemesis, Danica Patrick. “I will fight for Y/n any time, any day. They have worked too hard for someone to start badmouthing them.”

“But don’t you think it’s at least a little questionable of Toto Wolff to bring on the second youngest driver, next to Max Verstappen, and the youngest race engineer of all time?”

“I think the answer is in the results,” Jenson stressed in disbelief. “You said it yourself that they’ve topped every session together, and the team has been looking pretty reliable for pitstops all weekend. Honestly, I wouldn’t be surprised if Kimi pulled out a win on his maiden race.”

“Kimi, radio check,” the broadcast cut to the drivers lining up on the grid, and your radio message to Kimi rang out.

“Loud and clear,” Kimi answered, and that was the end of the broadcast, so they didn’t catch the second half of Kimi’s message. Instead, it cut short, and the commentary team jumped into their own conversation.

“This goes to show they can be professional when needed,” Jenson laughed. “They may be young but they are professional enough to know there is a time and place. On the grid is not one of them.”

If they had heard the rest of the message, they would know everything Jenson just said was a lie.

“Oh, I don’t get any good luck?” Kimi teased as he looked to the lights for the formation lap.

“Amour (love), now is not the time,” You lectured as you talked a little quieter, especially around the rest of the team. They did not need to be alerted that their driver was currently distracted as he proceeded through the turns of Australia.

“What if I crash? Do you really want the last thing you say to me be ‘now’s not the time’?” Kimi retorted as he went through the formation lap.

“You’re so dramatic,” You groaned, but you couldn’t wipe the smile from your face. You glanced around at everyone briefly just as Kimi was coming around the last turn and into his grid slot. You signed, “Ti amo. Stai attento bello. Torna a casa da me (I love you. Be careful handsome. Come home to me).”

“Sempre (Always),” Kimi said as he waited for the green flag to fly at the end of the queue.

“Now, focus on the race,” You turned serious again, “In the words of Sebastian Vettel, go fast, don’t crash.”

“I try my best,” Kimi chuckled as he turned his full attention to the lights for his first Formula 1 race. His first pole position. His, eventual, first win in Formula 1.

~~~ Part 2 ->

~~~~~

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