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10 Non-Lethal Injuries to Add Pain to Your Writing
New Part: 10 Lethal Injury Ideas
If you need a simple way to make your characters feel pain, here are some ideas:Ā
1. Sprained Ankle
A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.
2. Rib Contusion
A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.
3. Concussions
This common brain injury can lead to confusion, dizziness, and mood swings, affecting a characterās judgment heavily. It can also cause mild amnesia.
I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.
4. Fractured Finger
A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.
5. Road Rash
Road rash isĀ an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.
6. Shoulder Dislocation
This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.
7. Deep Laceration
A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.
This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.
8. Burns
Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.
If you want to explore writing burns, read here.
9. Pulled Muscle
This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.
10. Tendonitis
Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.
This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)
Looking For More Writing Tips And Tricks?Ā
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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How to use Em Dash (ā) and Semi Colon ( ; )
Since the ai accusations are still being thrown around, here's how i personally like to use these GASP ai telltales. š¦āØ
Em Dashes (ā)
To emphasize a shift / action / thought.
They're accusing usāactually accusing usāof using AI.
To add drama.
They dismissed our skills as AIādidn't even think twice, the dimwitsāand believed they were onto something.
To insert a sudden thought. Surely they wouldn't do that to usāwould they?
To interrupt someone's speech. "Hey, please don't say that. I honed my craft through years of blood and tearsā" "Shut up, prompter."
To interrupt someone's thoughts / insert a sudden event.
We're going to get those kudos. We're going to get those reblogsā
A chronically online Steve commented, āit sounds like ai, idk.ā
Semi Colons ( ; )
To join two closely related independent sentences / connect ideas.
Not only ChatGPT is capable of correct punctuation; who do you think it learned from in the first place?
Ultimate pro tip: use them whenever the fuck you want. You don't owe anyone your creative process. š
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Body Language
When someone is...
Sad
Face/Body:
Avoidant/reduced eye contact
Drooping eyelids
Downcast eyes
Frowning
Raised inner ends of eyebrows
Dropped or furrowed eyebrows
Quivering lip/biting lip
Wrinkled nose
Voice:
Soft pitch
Low lone
Pauses/hesitant speech
Quiet/breathy
Slow speech
Voice cracks/breaking voice
Gestures/Posture:
Slouching/lowered head
Rigid/tense posture
Half formed/slow movement
Fidgeting or clasped hands
Sniffing or heavy swallows
Self soothing gestures (running hands over the arms, hand over heart, holding face in palms, etc)
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Writing Tips Master Post
Edit: Some posts may be deleted
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Writing Grumpy x Sunshine Tropes
Writing Sexuality & Gender
Writing Manipulative Characters
Writing Mature Young Characters
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Things to Consider Before Killing Characters
Foreshadowing
Story Structure
Narrative (+ how to write):
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Writing Miscommunication
Writing Unrequited Love
Writing a Slow Burn Btwn Introverts
Writing Smut
Writing Admiration Without Attraction
Writing Dual POVs
Writing Unreliable Narrators
Worldbuilding:
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Writer resources:
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Translation Software for Writing
Writer help:
Losing Passion/Burnout
Overcoming Writer's Block
Fantasy terms:
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Ask games:
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
Miscellaneous:
Writing Tips
Writing Fantasy
Miscommunication Prompts
Variety in Sentence Structure (avoiding repetition)
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The Role of Archetypes in Character Development
Archetypes have been a cornerstone of storytelling for centuries, acting as the universal templates that resonate with readers across cultures and time. These foundational character types, often derived from mythology, psychology, and folklore, provide writers with a framework for creating compelling and relatable characters. In this blog, weāll delve into what archetypes are, how they functionā¦

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Psst. Writer. Write that idea down. Yeah, itāll stay in your brain forever and all, but it wonāt. Write it down.
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Body language cues for a few emotions
Happiness:
Smiling genuinely, with crinkles around the eyes.
Open body posture, with relaxed arms and shoulders.
Leaning forward slightly towards the person or object of interest.
Making eye contact with a warm and engaged expression.
Anger:
Tightened jaw and clenched fists.
Furrowed brows and narrowed eyes.
Standing or sitting with a rigid and tense posture.
Pointing fingers or aggressive gestures.
Raised voice or speaking through gritted teeth.
Sadness:
Downcast eyes and a drooping posture.
Slumped shoulders and shallow breathing.
Avoiding eye contact and withdrawing from social interaction.
Sighing or a subdued tone of voice.
Tearfulness, with watery or red eyes.
Fear:
Widened eyes with dilated pupils.
Raised eyebrows and a tense facial expression.
Frozen or rigid body posture.
Backing away or seeking physical distance from the perceived threat.
Trembling or shaking, especially in the hands or legs.
Surprise:
Raised eyebrows and widened eyes.
Mouth slightly agape or forming an "O" shape.
Leaning forward or recoiling backward in response to the surprise.
Quick inhalation or gasp of breath.
Rapid blinking or blinking more than usual.
Disgust:
Curling the upper lip or wrinkling the nose.
Narrowing the eyes and raising the upper eyelids.
Turning the head away or physically distancing oneself from the source of disgust.
Covering the mouth or nose with the hand or a tissue.
Expressing verbal disgust through phrases like "ew" or "yuck."
These are just some examples, and individuals may display variations in their body language based on their personality, cultural background, and the specific context of the situation.
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Principles and Laws of Magic for Fantasy Writers
Fundamental Laws
1. Law of Conservation of Magic- Magic cannot be created or destroyed, only transformed.
3. Law of Equivalent Exchange- To gain something, an equal value must be given.
5. Law of Magical Exhaustion- Using magic drains the userās energy or life force.
Interaction and Interference
4. Law of Magical Interference- Magic can interfere with other magical effects.
6. Law of Magical Contamination- Magic can have unintended side effects.
8. Law of Magical Inertia- Magical effects continue until stopped by an equal or greater force.
Resonance and Conditions
7. Law of Magical Resonance- Magic resonates with certain materials, places, or times.
9. Law of Magical Secrecy- Magic must be kept secret from the non-magical world.
11. Law of Magical Hierarchy- Different types of magic have different levels of power and difficulty.
Balance and Consequences
10. Law of Magical Balance- Every positive magical effect has a negative consequence.
12. Law of Magical Limitation- Magic has limits and cannot solve every problem.
14. Law of Magical Rebound- Misused magic can backfire on the user.
Special Conditions
13. Law of Magical Conduits- Certain objects or beings can channel magic more effectively.
15. Law of Magical Cycles- Magic may be stronger or weaker depending on cycles (e.g., lunar phases).
17. Law of Magical Awareness- Some beings are more attuned to magic and can sense its presence.
Ethical and Moral Laws
16. Law of Magical Ethics- Magic should be used responsibly and ethically.
18. Law of Magical Consent- Magic should not be used on others without their consent.
20. Law of Magical Oaths- Magical promises or oaths are binding and have severe consequences if broken.
Advanced and Rare Laws
19. Law of Magical Evolution- Magic can evolve and change over time.
20. Law of Magical Singularities- Unique, one-of-a-kind magical phenomena exist and are unpredictable.
Unique and Imaginative Magical Laws
- Law of Temporal Magic- Magic can manipulate time, but with severe consequences. Altering the past can create paradoxes, and using time magic ages the caster rapidly.
- Law of Emotional Resonance- Magic is amplified or diminished by the casterās emotions. Strong emotions like love or anger can make spells more powerful but harder to control.
- Law of Elemental Harmony- Magic is tied to natural elements (fire, water, earth, air). Using one element excessively can disrupt the balance and cause natural disasters.
- Law of Dream Magic- Magic can be accessed through dreams. Dreamwalkers can enter othersā dreams, but they risk getting trapped in the dream world.
- Law of Ancestral Magic- Magic is inherited through bloodlines. The strength and type of magic depend on the casterās ancestry, and ancient family feuds can influence magical abilities.
- Law of Symbiotic Magic- Magic requires a symbiotic relationship with magical creatures. The caster and creature share power, but harming one affects the other.
- Law of Forgotten Magic- Ancient spells and rituals are lost to time. Discovering and using forgotten magic can yield great power but also unknown dangers.
- Law of Magical Echoes- Spells leave behind echoes that can be sensed or traced. Powerful spells create stronger echoes that linger longer.
- Law of Arcane Geometry- Magic follows geometric patterns. Spells must be cast within specific shapes or alignments to work correctly.
- Law of Celestial Magic- Magic is influenced by celestial bodies. Spells are stronger during certain astronomical events like eclipses or planetary alignments.
- Law of Sentient Magic- Magic has a will of its own. It can choose to aid or hinder the caster based on its own mysterious motives.
- Law of Shadow Magic- Magic can manipulate shadows and darkness. Shadowcasters can travel through shadows but are vulnerable to light.
- Law of Sympathetic Magic- Magic works through connections. A spell cast on a representation of a person (like a doll or portrait) affects the actual person.
- Law of Magical Artifacts- Certain objects hold immense magical power. These artifacts can only be used by those deemed worthy or who possess specific traits.
- Law of Arcane Paradoxes- Some spells create paradoxes that defy logic. These paradoxes can have unpredictable and often dangerous outcomes.
- Law of Elemental Fusion- Combining different elemental magics creates new, hybrid spells with unique properties and effects.
- Law of Ethereal Magic- Magic can interact with the spirit world. Ethereal mages can communicate with spirits, but prolonged contact can blur the line between life and death.
- Law of Arcane Symbiosis- Magic can bond with technology, creating magical machines or enchanted devices with extraordinary capabilities.
- Law of Dimensional Magic- Magic can open portals to other dimensions. Dimensional travelers can explore alternate realities but risk getting lost or encountering hostile beings.
- Law of Arcane Sacrifice- Powerful spells require a sacrifice, such as a cherished memory, a personal item, or even a part of the casterās soul.
Get your series bible here!
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i found this image to be quite inspirational, thus i wish to share it. you don't have to make something phenomenal much less rather something exceptional. you must first put it out there and tweak things later because you cannot build off of something you put nothing into. some day you'll regret never putting yourself out there.
create beautiful, wonderful things.
~ m.n.
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List of describing exercises to help you improve your descriptions.
As I try to improve my technical writing skills, I've noticed my describing skills are pretty lacking. So, here is a list of description exercises.
Setting Description
Pick a setting and describe it in a way that evokes a positive emotion, then describe the same setting negatively.
Pick a setting and try to describe it by using all of your senses.
Find a setting you've written before and write 500 words of pure description on it.
Describe a tree from the point of view of a character that's feeling a strong emotion, whether they're depressed, frustrated, or excited.
Character Description
Pick one of your characters and write a 500 word description of them.
Write a 500 word description on how your character feels about different people.
Pick 3 different characters and write 200 word descriptions for each of their voices.
Write a 500 word description about how your character looks at different people.
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šøDescribing Scents For Writers šø| List of Scents
Describing aromas can add a whole new layer to your storytelling, immersing your readers in the atmosphere of your scenes. Here's a categorized list of different words to help you describe scents in your writing.
šæ Fresh & Clean Scents
Crisp
Clean
Pure
Refreshing
Invigorating
Bright
Zesty
Airy
Dewy
Herbal
Minty
Oceanic
Morning breeze
Green grass
Rain-kissed
š¼ Floral Scents
Fragrant
Sweet
Floral
Delicate
Perfumed
Lush
Blooming
Petaled
Jasmine
Rose-scented
Lavender
Hibiscus
Gardenia
Lilac
Wildflower
š Fruity Scents
Juicy
Tangy
Sweet
Citrusy
Tropical
Ripe
Pungent
Tart
Berry-like
Melon-scented
Apple-blossom
Peachy
Grape-like
Banana-esque
Citrus burst
š Earthy & Woody Scents
Musky
Earthy
Woody
Grounded
Rich
Smoky
Resinous
Pine-scented
Oak-like
Cedarwood
Amber
Mossy
Soil-rich
Sandalwood
Forest floor
ā Spicy & Warm Scents
Spiced
Warm
Cozy
Inviting
Cinnamon-like
Clove-scented
Nutmeg
Ginger
Cardamom
Coffee-infused
Chocolatey
Vanilla-sweet
Toasted
Roasted
Hearth-like
š Industrial & Chemical Scents
Metallic
Oily
Chemical
Synthetic
Acrid
Pungent
Foul
Musty
Smoky
Rubber-like
Diesel-scented
Gasoline
Paint-thinner
Industrial
Sharp
š Natural & Herbal Scents
Herbal
Aromatic
Earthy
Leafy
Grass-like
Sage-scented
Basil-like
Thyme-infused
Rosemary
Chamomile
Green tea
Wild mint
Eucalyptus
Cinnamon-bark
Clary sage
š Unique & Uncommon Scents
Antique
Nostalgic
Ethereal
Enigmatic
Exotic
Haunted
Mysterious
Eerie
Poignant
Dreamlike
Surreal
Enveloping
Mesmerizing
Captivating
Transcendent
I hope this list can help you with your writing. š·āØ
Feel free to share your favorite scent descriptions in the replies below! What scents do you love to incorporate into your stories?
Happy Writing! - Rin T.
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100 Dialogue Tags You Can Use Instead of āSaidā
For the writers struggling to rid themselves of the classic āsaidā. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words).Ā
1. Neutral TagsĀ
Straightforward and unobtrusive dialogue tags:Ā
Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.
2. Questioning TagsĀ
Curious, interrogative dialogue tags:
Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.
3. Emotive TagsĀ
Emotional dialogue tags:
Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.
4. Descriptive TagsĀ
Insightful, tonal dialogue tags:Ā
Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.
5. Action-Oriented TagsĀ
Movement-based dialogue tags:Ā
Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.
6. Conflict TagsĀ
Argumentative, defiant dialogue tags:
Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.
7. Agreement TagsĀ
Understanding, compliant dialogue tags:Ā
Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.
8. Disagreement TagsĀ
Resistant, defiant dialogue tags:Ā
Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.
9. Confused TagsĀ
Hesitant, uncertain dialogue tags:
Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.
10. Surprise Tags
Shock-inducing dialogue tags:
Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.
Note: everyone is entitled to their own opinion. No I am NOT telling people to abandon said and use these. Yes I understand that said is often good enough, but sometimes you WANT to draw attention to how the character is speaking. If you think adding an action/movement to your dialogue is 'good enough' hate to break it to you but that ruins immersion much more than a casual 'mumbled'. And for the last time: this is just a resource list, CALM DOWN. Hope that covers all the annoyingly redundant replies :)
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Steps to Write a Genuine Platonic Relationship
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1. Establish the Foundation
Define Their Connection: Decide what brings these characters togetherāshared history, common interests, or a deep emotional understanding.
Set Boundaries: Clarify from the start that their relationship is non-romantic, avoiding any lingering tension that could be misread as attraction.
Give Them Complementary Strengths: Show how they support and challenge each other without romantic implications, emphasizing mutual respect.
2. Shape Their Role in the Story
Decide Their Impact: Determine how their bond influences the plotādo they solve problems together, serve as each otherās moral compass, or push each other toward growth?
Avoid Romantic ClichƩs: Refrain from using traditional romantic tropes like longing glances, accidental physical tension, or excessive jealousy.
Show Their Value Beyond Love: Let their relationship be crucial to the story in a way that isnāt reliant on romance or tension.
3. Build Their Dynamic
Use Natural Banter: Let them have inside jokes, tease each other, or share moments of camaraderie without any romantic undertones.
Create Moments of Deep Understanding: Show how they confide in one another in ways they wouldnāt with others, reinforcing their trust and emotional closeness.
Let Them Have Other Romantic Interests: This solidifies that their bond isnāt about unspoken attraction, making it clear that romance isnāt lurking in the background.
4. Define Their Chemistry
Make Their Interactions Unique: Ensure they have a specific energy that distinguishes their bond from romantic connections in the story.
Emphasize Loyalty Over Possessiveness: They can care deeply about each other without feelings of possessiveness or unresolved tension.
Show Physical Comfort Without Romance: Casual, platonic touch like a ruffling of hair, a side hug, or a reassuring pat on the back can reinforce their connection without romantic connotations.
5. Demonstrate Their Impact on Each Other
Let Them Grow Together: Show how they influence each otherās decisions, ambitions, or emotional development without needing romance as a motivator.
Create High-Stakes Moments: Put them in situations where they rely on each other, proving their bond is just as deep as any romantic relationship.
Allow Conflicts Without Romantic Resolution: If they fight, let their reconciliation stem from their friendship and values rather than an underlying romantic interest.
6. Develop a Satisfying Arc
Decide Their Long-Term Dynamic: Whether they remain lifelong friends, drift apart naturally, or take different paths, ensure their bond leaves a lasting impact.
Showcase Their Relationshipās Meaning: Highlight how their connection was vital to their growth, reinforcing the importance of strong, platonic love.
Avoid Unnecessary Romantic Subtext: Let them stand as proof that deep, meaningful relationships donāt need romance to be powerful.
Examples of Strong Platonic Relationships
1. Film/TV Examples
Frodo & Sam (The Lord of the Rings): A loyal, emotional bond built on trust and shared hardship.
Robin & Steve (Stranger Things): A brother-sister-like friendship that develops beyond a possible hetero-romance.
Steve Rogers & Bucky Barnes (Captain America): Sibling-like love based on support, teasing, and mutual admiration.
2. Literature Examples
Duke the Guarder & Dawn Demiss (The Guardians of Camoria series): A deep friendship based on emotional intellect, trust, and shared insecurities.
Jo March & Laurie (Little Women, after rejection): A lifelong friendship that remains strong despite romantic expectations.
Harry Potter & Hermione Granger (Harry Potter series): A close friendship built on trust, emotional support, and respect without romantic tension.
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thank you, i am farkle :)
thank you @celestialgarden23 for the request :)
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Character Building
Some things to think about when building/describing a character:
Physical traits
Hair: color and length. Maybe it's natural, maybe it's dyed
Build: height, weight, muscle
Face: maybe they have a longer nose or forehead. Think about specific features like freckles, gapped teeth, jaw shape, acne scars, lip shape
Eyes: eye color, shape,Ā
Backstory
Where is your character from?
Do they have family? How has that affected their personality?
What are their goals?
What are their likes/dislikes?
Strengths and weaknesses
Age
Personality
Voice: is their voice deep? Lilted? Strained?
How do they react to stressful situations?Ā
What do they wear?
Are they kind? Meaner? Restrained?Ā
How do they move? If they're older maybe they're a bit slower. Maybe your character is clumsy or move awkwardly
Body language/face: is your character normally more serious? Do they have RBF? Maybe they smile more or their face is more relaxed at rest. Maybe they leave their hands on their hips a lot, or prefer them crossed or in their pockets.
How are they perceived by others? How do they view the people around them?Ā
Should I dive deeper on some of these?
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Dialogues to Kick-start your Chapter/Writer's Block
"Excuse me?"
"Why?"
"Where?"
"How?"
"When?"
"What?"
"No."
"Yes."
"Hell no."
"Hell yes!"
"Fuck off!"
"Fuck me!"
"In what world!"
"Which time?"
"Are you sure?"
"I don't think so."
"Not really,"
"Maybe, if you think about itā"
"What the fuck."
"Okay, catch this (insert ridiculous proposition)"
"So, I'll meet you at 6?"
"For the millionth fucking timeā"
"Ya think?"
"This is it, then?"
"Come to my place. Now."
"She's called you. Right now."
"Oh, we're so screwed!"
"Hey."
"Don't do that."
"You've lost it. Completely lost it."
"What were you thinking?"
"I am confident that you belong in an asylum."
"I think you should get some help."
"Shove it up your ass!"
"Piss on it."
"I have a list and you're the top 5."
"I'd never do that."
"I'd definitely do that."
"It does sound like something I'll say, but I didn't say it. I swear!"
"Do you have any idea how hard it is?"
(as a response to the above dialogue ^) "Not harder than me for sure." / "It's not hard. Or else you wouldn't be doing it at all."
"Maybe I just need a little alcohol."
"Smells like jealousy to me."
"Lord, please."
- ashlee
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Some of my writerās block cures:
Handwrite. (If you already are, write in a different coloured pen.)
Write outside or at a different location.
Read.
Look up some writing prompts.
Take a break. Do something different. Comeback to it later.
Write something else. (A different WIP, a poem, a quick short story, etc.)
Find inspiring writing music playlists on YouTube. (Themed music, POV playlists, ambient music, etc.)
Do some character or story prompts/questions to get a better idea of who or what youāre writing.
Word sprints. Set a timer and write as much as you can. Not a lot of time to overthink things.
Set your own goals and deadlines.
Write another scene from your WIP. (You donāt have to write in order.) Write a scene you want to write, or the ending. (You can change it or scrap it if it doesnāt fit into your story later.)
Write a scene for your WIP that you will never post/add to your story. A prologue, a different P.O.V., how your characters would react in a situation thatās not in your story, a flashback, etc.
Write down a bunch of ideas. Things that could happen, thing that will never happen, good things, bad things.
Change the weather (in the story of course.)
Feel free to add your own.
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