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WEDNESDAY & ENID 🖤

↳ WEDNESDAY | 2.02 “The Devil You Woe” / 2.04 “If These Woes Could Talk”

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The thing with this line is it feels off in a very specific way.

Morticia has always been, from the beginning, the family’s matriarch. Which is a lot of why Gomez’s characterization can be so focused and devoted to her, because he’s unashamed and helps her be that model. Not to mention, it is also balanced because it’s done out of respect.

This line for that isn’t off in that regard. Where it doesn’t sit right is the…implication that Gomez thinks he’s the head of the family? Which misses the aforementioned point. This family is a foil of the traditional nuclear family, and this is one of the ways it does that (also because Charles Addams had a thing for dom women lol).

Hey maybe you guys should stop writing for the Addams family cause you don't get them at all.

Imagine my girl Morticia saying that shit in any other portrayal? NO? Because she wouldn't.

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I think maybe Enids a fan 🤭🖤

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Wednesday Addams 🖤

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Super obsessed with Enid’s new look!!!

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My boyfriend brought me the complete collection of The Walking Dead game and now it’s literally all I think about. I completed the entire thing in about 4 sittings - I have a total of 50 hours so that means I spent 12.5 hours a day JUST playing this game

So of course I HAD to draw my baby Clementine 🥹🧡 I’m hoping to draw Kenny and Lee next !!

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WEDNESDAY — The Devil You Woe, 2.02

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CATHERINE ZETA-JONES as MORTICIA ADDAMS WEDNESDAY S2

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Catherine Zeta-Jones as Morticia Addams Wednesday season 2

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"In my most recent vision, I learned that I am responsible for Enid's death." "What did you see?" "A headstone with Enid's name. It was in the middle of a graveyard filled with crows. They were being led by a one-eyed crow. Then Enid appeared and claimed it was my fault." WEDNESDAY, Season 2 Part I

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Wenclair is still endgame.

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The best dynamic in Wednesday Season 2. Featuring Agnes “Rage Bait” DeMille, Wednesday Addams, and Enid Sinclair.

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Wenclair cuddles !!!

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An excerpt from an interview with the creators of Wednesday was released, where they state that the relationship between Enid and Wednesday "is about friendship" and not romance. This reignited the debate about how sapphic couples have been boycotted on TV and streaming.

Netflix and much of the entertainment industry have already proven that audiences can change the course of a series, but this "flexibility" isn't for everyone. There's a clear and problematic pattern:

When the friendship is between a man and a woman, the chemistry is celebrated and, with audience pressure, it turns into romance.

When it's between two women with a strong connection, intimacy, and massive fan base, the narrative insists that "they're just friends," even using all the codes that would be treated as romance in a heterosexual context.

With Wednesday, we see this blatantly happen. Enid and Wednesday have chemistry, affection, mutual support, and nuances that, if they were a heterosexual couple, would have become a couple long ago.

But no, what we get is more queerbait: innuendos to attract a sapphic audience, followed by scenes without context (like Enid kissing a guy) to reaffirm a heteronormative narrative. And this isn't an isolated case. The list of queerbait is long: Wenclair, Supercorp (Supergirl), SwanQueen (Once Upon a Time), among others. When it's not queerbait, it's premature cancellation: Bounty Hunters, First Kill, Gypsy, Warrior Nun. Even Heartstopper, a global phenomenon, lost the chance for a dignified conclusion after its cancellation.

Meanwhile, male-female friendships like Otis and Maeve (Sex Education), Jim and Pam (The Office), Nick and Jess (New Girl), Castle and Beckett (Castle) are transformed into canonical romances because their chemistry pleased the audience.

This difference is no coincidence; it's veiled censorship. It's not explicitly cut, but it's written to prevent sapphic romances from flourishing naturally. It's a strategy that preserves "appeal" in conservative markets and keeps queer audiences trapped in crumbs of representation.

It's not about "forcing" romance where it doesn't exist, but rather about applying the same criteria to all types of relationships. Because while heterosexual romance is accelerated and celebrated, sapphic romance is slowed down, silenced, or dismissed.

We see the pattern. We recognize the boycott. And we will continue to demand that our stories be told without fear, shame, and censorship.

Via @Lesbocine on X

I partially agree with this post, except for the Wednesday boycott. I don't support anything that could harm the series, much less the cast.

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Wenclair♡

My most guilty ship, but I'm starting to doubt it will happen😭

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You’re beautiful…

Part 2

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