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cure blossom doodle

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help they’re cute

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trolls was cute

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EEEEEEEEEEEEEEEEEE found scans from a Heartcatch artbook.

Day is complete.

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Illustration: Yoshihiko Umakoshi (馬越嘉彦)

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Szymon Biernacki  -  http://biernac.tumblr.com  -  https://www.artstation.com/artist/biernac  -  http://lordbiernac.blogspot.com.es  -  http://lordbiernac.deviantart.com  -  https://www.facebook.com/SzymonBiernackiDoodles  -  https://www.behance.net/biernac  -  http://lordbiernac.cgsociety.org  -  https://www.linkedin.com/pub/szymon-biernacki/17/530/b28

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marine doodle

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The Last Unicorn (1982)

↳ The Unicorn’s Forest

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Claudio Acciari ’s “Peter Rabbit” drawings!

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zauberhaft by Oer-Wout

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TavenerScholar     -     Glenn Porter

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Loew’s Lincoln Square Theatre in New York , 1910.

Marcus Loew was born into a poor Polish Jewish family who had emigrated to the U.S. and settled in New York City just a year before. He was forced by circumstances to work at a very young age and had little formal education. Nevertheless, beginning with a small investment from money saved from menial jobs, he bought into the penny arcade business. Shortly after, in partnership with Adolph Zukor and others, Loew acquired a nickelodeon and over time he turned Loew’s Theatres into a leading chain of vaudeville and movie theaters in the United States. He later went on to form Metro-Goldwyn-Mayer (MGM).

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Danny

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Cartoon Hands Reference

Top Image

Row 2, by  Milt Kahl

Row 3, by Les Clark

Row 4 & Bottom Image

Row 5

Row 6

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A mouth-watering fuck-ton of hand angle references.

By Shadowcross on DA.

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Aisling Wolf Model Sheets (The Secret of Kells 2009)

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Sherlock Holmes | Andreas Deja (x)

Early in 1980 (still at art school) I wondered what the cast of Sherlock Holmes might look like, if depicted as animal characters, similar to Disney’s Robin Hood. It was a way for me to practice the Disney style in rough form (I had just found out that Disney designers and animators worked pretty loosely). So I practiced staging, expressions and a little bit of color exploration with Magic Markers. I never showed these sketches to my art teachers at school, knowing how much they disliked the Disney approach to animation. The one person I did show them to was my friend Hans Bacher, who had graduated from the same art school and was at that time in business as a designer, storyboard artist and animator for several German agencies and TV stations. Without Hans’ constructive criticism and input I would have been completely lost. – Deja