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it’s rot girl autumn! we're decaying alongside the trees!
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Rip to the queen but I can't stop having a fat ass
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my family has spoken of this movie wistfully for decades. we saw it, once, perhaps, in an earlier age, and remembered it—not for its plot, passable enough, nor for its remarkable CG achievements (first completely digital protagonist), not for the hapless charm of Bill Pullman. no, we are a family of Building Appreciators. we wanted to look at that *house* again.
and now we have.
a service I have access to finally re-acquired the rights, probably seasonally, to stream the 1995 Casper movie, and I have avidly re-watched it with my mother for architectural reasons.
ye gods, the sets. the sets. I need to speak to the art director and the production design team and the set dressers like. how were the decisions made. cause I need to analyze this house. I couldn't tell if it was sets or a Location for the longest time, because they really heckin' Committed, but the consensus (and my architect uncle joined the council after some time as well) ended up at yes, it's a set, but they looked at the Gaudi apartments in Barcelona and the doors in Prague and the Vienna metro stations because we recognize those curves and proportions.
I suspect I am going to spend awhile Appreciating this thing now that I have acquired it again, but for now, just revel in the Grand Pan of Foyer Reveal.
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Details of a golden sea, part II : Sunset at sea, by Diyarbakirli Tahsin (1875–1937)
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desperately craving weird surrealist arthurania. Knights with no faces wandering through the mists. Seams between Christian and pre-Christian Britain gaping like open wounds. Beafts and visions. Maybe a monk. Maybe the monk is gay
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'Landscape with a Sunlit Stream'. Charles Francois Daubigny. c. 1877.
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